Cytowic Eagleman Synesthesia Varieties

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    2 AKaleidoscopicWorld

    Anastoundingtwo-thirdsoourapproximately25,000genesareexpressed

    inthe brain. Because genescan betranscribed ina variety owaysand

    urther inuenced by external orces (called epigenetic), synesthesia

    occursinanamazingarrayocombinations.Havingonetypeosynesthe-

    siagivesyoua50%chanceohavingasecondorthirdtype,meaningthat

    thegeneisactiveinanumberodierentbrainareassimultaneously.We

    callindividualswithmultiplekindsosynesthesiapolymodal.

    Table2.1listshowrelativelycommondierenttypesosynesthesiaare.

    The tabulation o requencies was compiled by Sean Day, an American

    linguistwhoishimselsynesthetic.Healsomoderatesanonlinecommu -

    nitycalledTheSynesthesiaListthatbringstogethersynesthetes,research-

    ers,andcuriousindividuals.1Becausethetablesdatarelyonsel-identifed

    synesthetes rather than random sampling, it is biased in the same way

    surveysareaswediscussedinthepreviouschapter.Forexample,SeanDays

    sampling ound a emale-to-male sex ratio o 2.5 to 1 and ound that

    graphemecoloristhemostcommonmaniestationneitherowhich

    hasheldtobetrueaterJuliaSimnerandhercolleaguesstudiedrandom

    slicesothepopulation.2Theyshowedaroughlyequalnumberowomen

    andmenandthatthemostcommonsynesthesiatypeiscoloreddayso

    theweek.Still,thetableisuseulsolongaswekeepthiscaveatinmind.

    Oninspectingtable2.1twoobservationsstandout.First,somecombina -

    tionsare ar more common thanothers.Lookin retrospect athowrare

    Michael Watsons tasting shapes was: only hal a percent. It is equally

    obvious that color is overwhelmingly the most common synesthetic

    response,whereasgraphemes,timeunits(suchasdayso theweek),and

    sounds are the most common synesthetic triggers. Second, notice that

    synesthesiausuallygoesonlyinonedirection,suchassoundvisionbut

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    Table2.1

    Relativerequencyodierenttypesosynesthesia

    Type Frequency(%)

    Graphemescolors 66.50Timeunitscolors 22.80

    Musicalsoundscolors 18.50

    Generalsoundscolors 14.50

    Phonemescolors 9.90

    Musicalnotescolors 9.60

    Smellscolors 6.80

    Tastescolors 6.60

    Soundtastes 6.20

    Paincolors 5.80

    Personalitiescolors 5.50

    Touchcolors 4.00

    Soundtouch 4.00

    Temperaturescolors 2.40

    Visiontastes 2.10

    Soundssmells 1.80

    Visionsounds 1.50

    Orgasmcolors 1.00

    Emotionscolors 1.00

    Visionsmells 1.00

    Visiontouch 1.00

    Smellstouch 0.60Touchtastes 0.60

    Smellssounds 0.50

    Soundskinetics 0.50

    Soundtemperatures 0.50

    Tastestouch 0.50

    Kineticssounds 0.40

    Personalitiessmells 0.40

    Touchsounds 0.40

    Touchsmell 0.30

    Visiontemperatures 0.30

    Musicalnotestastes 0.10

    Personalitiestouch 0.10

    Smellstastes 0.10

    Smellstemperatures 0.10

    Tastessounds 0.10

    Tastestemperatures 0.10

    Temperaturessounds 0.10

    Touchtemperatures 0.10

    Note.Comparativerequenciesodierentkindsosynesthesia.Dataarebasedon

    SeanDaystabulationo738sel-reportedcasesromanonrandomsample.InDays

    sample,72%wereemaleand28%weremale.(Dataarereproducedwithpermission

    romhttp://home.comcast.net/~sean.day/html/types.htm.)

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    AKaleidoscopicWorld 25

    hardlyevervisionsound.Thisshouldhavebeenanothercluetoskeptics

    thatsynesthesiawasreal,becauseneuralcircuitsareknowntobedirec-tionalwhereasmade-upstorieswouldhavenoreasontobe.Lastly,while

    weusuallyreertosynesthesiaascross-sensorypairings,thetablemakes

    clearthatawidevarietyononsensorycognitivetraits(suchaspersonality)

    cancouplewithvariousaspectsosensation.Thismakesthephenomenon

    allthemoreintriguing.

    Recently, Davids laboratory rigorously verifed grapheme color

    synesthesiain1,067subjects(chapter3givesdetailsothetesting).Addi-

    tionaltypesosynesthesiareportedbymembersothisgroupappearin

    fgure2.1.Weekdaycolorandmonthcolorsynesthesias,listedastimeunitscolorsintable2.1,arethemostcommonco-occurringsynesthe-

    sias. This is not surprising given the high prevalence o these orms in

    general.Musicalsoundscolorandspatialsequencesaretiedorbeing

    the next most common types, while almost hal o grapheme color

    synesthetesseemtohaveoneorbothothese.Notethatspatialsequence

    synesthesia,discussedbelowandinchapter5,arenotincludedinDays

    survey.Alsonotethatwiththeexceptionospatialsequencesynesthesia,

    the other most common orms o co-occurring synesthesia all involve

    color,whilethoseinvolvingtouch,taste,sound,andsmellarecompara-tivelyrare.Forty-fveothe203synesthetes(22%)reporthavingnoother

    WeekdaysColor

    MonthColor

    MusicalSoundsColor

    SpatialSequences

    PersonalityColor

    GeneralSoundsColor

    EmotionColor

    PainColor

    OdorColor

    OrgasmColor

    TasteColor

    TemperatureColor

    TouchColor

    SoundTouch

    SoundTaste

    VisionTaste

    VisionSound

    SoundSmell

    VisionSmell

    Otherformsofsynesthesia(%)

    Other forms of synesthesia experienced

    by verified grapheme color synesthetes

    100

    0

    77.871.9

    51.749.3

    33.5 31.5 31.5

    22.7 22.2 19.2 17.7

    12.8 12.312.3 9.4 9.4 8.4 6.4 5.4

    Figure2.1

    Othertypesosynesthesiareportedby1,067verifedgraphemecolorsynesthetes.

    DataareromDavidEaglemansSynesthesiaBattery.

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    26 Chapter2

    orm o synesthesia. Which synesthesias tend to co-occur, and why, is

    revisitedinchapters9and10.

    CommonSynesthesiaTypes

    Tointroducethebroadarrayosynesthesiatypes,wewillbeginbybriey

    elaborating fve common types o synesthesia: number orms, colored

    letters(bothwrittenandspoken),tastedwords,coloredhearing,andthe

    personifcationolettersandnumbers.

    NumberFormsThecouplingocolor,perspective,andspatialconfgurationwithconcepts

    involvingsequence,orordinality,wasnotedmorethanacenturyago.3To

    thosewhoseenumberorms(alsocalledspatialsequencesynesthesia),

    numbersorotherorderedconceptstypicallylieonapaththattwistsand

    zigzagsinallmanneroshapes.Otenitloopsaroundandencirclesthe

    bodyasitexecutesavarietyoangles,bends,andcurves(seefgure2.2).

    Suchpatternsdierindierentpersons.Figure2.3showsseveralsimple

    ormsthatGaltonillustratedin1883: 4

    Figure2.2

    Aclockwisenumberormwithrightanglesthatencirclesthebody.

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    AKaleidoscopicWorld 27

    Figure2.3

    NumberormsreportedbySirFrancisGalton,1883.

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    28 Chapter2

    Thedrawings,however,ailingivingtheideaotheapparentsizetothosewhosee

    them;theyusuallyoccupyawiderrangethanthementaleyecantakeinatasingleglance,andcompelittowander.Sometimestheyarenearlypanoramic.

    Theseorms...arestatedinallcasestohavebeeninexistence,soarastheearlier

    numbersintheFormareconcerned,aslongbackasthememoryextends;theycome

    into view quite independently o the will, and their shape and position...are

    nearlyinvariable.5

    Likeotherkindsosynestheticperception,numberormshaveadynamic

    qualityaswellrecallthestudentwhocomplainedtohermathteachero

    digitsthatkeptgoinguptotheirplaces.Intheclassroom,Nobelphysi-

    cistRichardFeynmansawcoloredequationsoatinginspaceinrontohim:6AsImtalking,IseevaguepicturesoBesselunctions...withlight

    tanjs,slightlyviolet-bluishnsand darkbrownxsyingaround.AndI

    wonderwhatthehellitmustlookliketostudents.

    Synesthetespossessingnumberormsexpressamazementthatnotevery -

    oneseesnumbersastheydoorthatanyonefndssuchspatialconfgura-

    tionsodd.AsgraphemesynestheteMartiPikeputsit,Itneveroccurred

    to me that it might be unnatural to visualize the whole alphabet or

    numbers.Peoplelikeherdescribetheormsvividly,matter-o-actlyand

    inthepresenttense.Numberormsdonotindicatehighmathematicalabilityordefciency,

    nordotheyseemtobecorrelatedwithanyspecifcintellectualtalentor

    mentaldullness.However,theautomaticpositioningointegerscaninter-

    erewithmorecomplexmathematics,suchasalgebraorcalculus,asinthe

    waywardnumbersothestudentcitedabove.Foronething,notesMarti,

    theyare not evenly orconsistently spaced. There isalso some uidor

    jelly-likemovementtothem.Magnitudecanalsobeproblematicbecause,

    orMarti,6isphysicallythehighestnumberinhervisualrepresentation.

    Thereore,6andnumberscontaining6havethehighestdegreeomagni-

    tude. Inother words itdoes not make sense to her that 11islarger

    than6 orthat234is greaterthan66.Toher,magnitudecomparisons

    areliterallyphysical:whenshethinksosomeoneolderthanhersel,she

    looksup,whereasyoungerpeopleareseennotdownbutinbacko

    hersel.

    Alphabet,time,andcalendarormsareespeciallycommon.Inthelatter,

    itisusualorthemonthstotakeupunequalspace,andthetopmostmonth

    isbynomeansnecessarilyJanuary(seefgure2.4).

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    AKaleidoscopicWorld 29

    Figure2.4

    CalendarandmonthormsorMartiPike.NotethatJuneistopmostandthatJuly,

    August, and September take up more space than other months. Brown-colored

    Novembergiveswaytoabrownserpentineormordaysothatmonth.High-

    lighted days mark appointments, birthdays, and special occasions, aiding her

    memory.