Cubism - Revolution and Influence
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Transcript of Cubism - Revolution and Influence
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Cubism
Revolution and Influence
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What the heck is modernism?
Pre – modern era Modern era
SocietyAgrarian – wealth and labor derived from agriculture and trading. Population centered in rural areas.
Industrial – wealth and labor derived from manufacturing. Population centered in cities.
PoliticsMonarchies and Empires – People ruled by royal families and empires extend beyond national borders.
Revolution – people displace royals with democratic or socialist forms of governments.
ScienceNewton’s Laws – Physical laws are fixed and immutable
Einstein’s Relativity – Not all objects in universe follow Newton’s laws.
PsychologyAssociative – Sensory Input + Repetition = Ideas
Examination of the make-up of personality – Conscious + Unconscious = Self
ArtRealist Approach – art’s value rests in how closely it mirrors nature
Expressive Approach – art’s value rests in how it allows for individual expression
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Major Thinkers who epitomized the Modernist Ideal
In physics, Albert Einstein puts forth the idea that electromagnetic waves do not conform to the laws of motion put forth by Isaac Newton. This is part of his Theory of Relativity.
In psychology Sigmund Freud postulates a theory that personality is made up of subjective, interacting layers. Psychoanalysis is the technique Freud developed to treat patients by bringing thoughts buried in the subconscious back into conscious awareness.
Pablo Picasso develops a form of abstract painting that tries to paint all aspects of something simultaneously. This style of painting comes to be known as Cubism because of its shattered, geometric look. Picasso, and others, were trying to represent things as they are not how they look.
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Arnold Schoenberg
String Quartet #2
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Alfred Jarry
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Sergei DiaghilevIgor Stravinsky Vaslav Nijinsky
Le Sacre du printemps
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William Bouguereau , Orestes Pursued by the Furies, 1862
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Henri Fatin-Latour, The Corner of the Table, 1873
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Gustave Courbet, The Painter’s Studio, A Real Allegory, 1855
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Edward Manet, Déjeuner sur l'Herbe , 1863
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Claude Monet, Japanese Bridge, 1918 - 24
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Auguste Renoir, Luncheon of the Boating Party, 1881
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Vincent van Gogh, A Starry Night, 1889
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Paul Gauguin, The Spirit of the Dead Watching, 1892
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Henri Matisse, Le Bonheur de Vivre, 1905
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Term for any approach to the arts, whether theoretical, critical or historical, that emphasizes the autonomy or primacy of formal qualities.
In the case of painting, these qualities are usually understood to be compositional elements such as line, value, colour and texture: Robert WilliamsFrom Grove Art Online
Formalism
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Henri Matisse, Harmony in Red, 1908
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Paul Cezanne
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Paul Cezanne, Seated Man, 1906
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Pablo Picasso, Self Portrait with Uncombed Hair, 1896
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Pablo Picasso, Self Portrait with Uncombed Hair, 1896
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Pablo Picasso, Yo, Picasso, 1901
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Pablo Picasso, the Old Guitarist, 1904
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Pablo Picasso, Les Mademoiselles d’Avignon, 1907
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Pablo Picasso, Armistad, 1908
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Analytic Cubism
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Pablo Picasso, The Guitar Player, 1910
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Pablo Picasso, Accordionist, 1911
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Pablo Picasso, The Glass, 1911
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Pablo Picasso, Pipe, Glass, Bottle of Vieux Marc, 1914
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George Braque, Houses at L’Estaque, 1908
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George Braque, Large Nude 1908
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George Braque, Fishing Boats,1909
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Synthetic Cubism
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George Braque, Still Life with Violin, 1912
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George Braque, Fruit Dish, Ace of Clubs,1913
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Pablo Picasso, The Italian Girl, 1917
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Pablo Picasso, Still Life with Chair Caning, 1912
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George Braque, Bottle of Rum, 1914
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Ferdinand Leger, The Four Cyclists, 1908
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Ferdinand Leger, Women, 1921
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Ferdinand Leger, The Bargeman, 1918
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Marcel Duchamp, Portrait of a Chess Player, 1911
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Marcel Duchamp, Nude Descending a Staircase, 1912
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Marcel Duchamp, Nude Descending a Staircase No2, 1912
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Robert Delauney, Homage to Bleriot,1914
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Robert Delauney, Circular Forms, 1918
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Stuart Davis, Untitled, 1945
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Stuart Davis, Colonial Cubism, 1954
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Jackson Pollock, Number 1, 1950
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Cubism’s Influence on Sculpture
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Michelangelo, David, 1504 Auguste Rodin, The Thinker, 1880
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Pablo Picasso, Guitar, 1912
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Pablo Picasso, Mandolin and Clarinet, 1914
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Pablo Picasso, Bull, 1943
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Antoine Pevsner and Peggy Guggenheim
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Naum Gabo, Head no.2, 1916
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Naum Gabo, Constructivist Head, 1915
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Naum Gabo
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Antoine Pevsner, Torso, 1925
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Naum Gabo, Construction in Space,
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Naum Gabo
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Antoine Pevsner, Monde, 1947
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Antoine Pevsner, Construction in Space, 1933
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Archipenko, Medrano II, 1913
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Alexander Rodechenko, Hanging Sculpture, 1920
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Vladmir Tatlin, model for Monument, 1919
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Raoul Haussmann, Mechanical Head, 1920
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Sophie Tauber Arp, Dada Head, 1920
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Kurt Schwitters, Merzbrau, 1923 - 36
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Kurt Schwitters, Merzbrau, 1923-36
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Louise Nevelson, Night Zag, 1971
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Louise Nevelson, Sky Cathedral, 1958
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Alexander Calder, Lobster Trap and Fish Tail, 1938
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Alexander Calder, Mobile, 1941
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Joseph Cornell, Object, 1923
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Joseph Cornell, analemma, 1950
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Tony Smith , Cube XII, 1963
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Tony Smith, Pollock’s Indians, 1976
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Julio Gonzalez (1876-1942)
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Julio Gonzalez (1876-1942)
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John Chamberlain, Essex, 1960
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John Chamberlain
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Mark diSuervo, Hand Pierced with Nail Bed on Wood, 1959
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Mark diSuervo, Blubber, 1980
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Ji soo Kim, Changmoon and Bal, 1990
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Donald Lipski, Good a Gold, 2004
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Donald Lipski, Untitled, 1998
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Milan Dobes, Constructivist Sculpture
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Tony Cragg, Stack, 1975