CU Presents Magazine Artist Series Winter 2014, Jan. 22, 2015

Global performance. World-class entertainment.You have to be here.

2014–2015 Season

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Contents

Artist Series pros calling CU musicians to the stage ........... 6

Calendar ....................................... 8

CU guitar festival strikes a global chord ............................. 12

Faculty Tuesdays ........................ 24

Artist Series donors .................... 26

Takács donors ............................ 30

Eklund Opera Program donors ... 32

Personnel ................................... 34

This program is produced for CU Presents

by The Publishing House, Westminster, CO.

Angie Flachman Johnson, PublisherAnnette Allen, Art Director &

Production CoordinatorStacey Krull, Graphic Design & Layout

Wilbur E. Flachman, President

Clay Evans, CU Presents Editor

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Artist Series pros calling CU musicians to the stageFor nearly eight decades, the Artist Series has brought some of the world’s top musicians, dancers, theater troupes and personalities to Boulder’s doorstep.

Hundreds of artists, from poet Carl Sandburg in 1939, to Paul Robeson as Othello and the Trapp Family Singers of “Sound of Music” fame in the 1940s, conductor and violinist Isaac Stern in 1970 and Ladysmith Black Mambazo and MOMIX in the 21st century have graced the stage at Macky Auditorium.

And in recent years, some have specifically requested that CU-Boulder College of Music students join them in creating an evening of scintillating entertainment.

This year, eight musicians will play Mozart, Beethoven and Mendelssohn for the Bill T. Jones/Arnie Zane Dance Company’s Play and Play on Jan. 22. And on April 2, the CU Symphony Orchestra will accompany platinum-selling alt-rock sensation Natalie Merchant in a performance of her songs.

“Any time you get to collaborate across the arts it’s a worthwhile and exciting opportunity,” says Zachary Reaves, cellist for the graduate-student ensemble Altius Quartet, which will play Jan. 22. “And it’s really great to see a dance company using live music; a lot of them don’t these days.”

Playing with top-notch acts before a large audience can also be a valuable experience for students who hope to perform professionally after graduation.

“Much of the work our students will do as professional musicians will be in the popular-commercial genre. It is increasingly important for our students to be comfortable and conversant with various styles, beyond traditional classical music,” says Gary Lewis, director of orchestral studies. “This opportunity will be invaluable to them and it will be great fun to collaborate with such a wonderful artist as Natalie Merchant.”

To buy tickets for Natalie Merchant with the CU Symphony Orchestra on April 2 go to cupresents.org or call 303-492-8008.

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2014-15 Calendar

The Artist Series presents the world’s finest performers in classical music, jazz, theater, dance and world music in majestic Macky Auditorium.

For detailed information and tickets, go to cupresents.org.

BILL T. JONES/ ARNIE ZANE DANCE COMPANYPlay and PlayThursday, Jan. 22, 2015, 7:30 p.m.Choreographed to some of the world’s best-loved and most seminal works of classical music—Mozart, Ravel, Schubert—and performed with live musicians, Bill T. Jones’ astonishingly original, muscular work, Play and Play, is dance like you’ve never seen it before. Winner of two Tony Awards and recipient of a MacArthur “genius” grant, Jones has continually expanded the possibilities of dance.Sponsored by James & Associates.

MEDESKI, MARTIN AND WOOD with ALARM WILL SOUNDFriday, Feb. 6, 2015, 7:30 p.m.Get ready for incomparable originality, a little jamming and a lot of fun when the hip, cutting-edge chamber music of Alarm Will

Sound melds with the eclectic avant-jazz-funk sound of Medeski, Martin and Wood. The groove-oriented trio, a hit on the jam-band circuit pioneered by the Grateful Dead, and the versatile new-music ensemble will take you on an evening of daring collaboration and thrilling improvisation.

THE ASSAD BROTHERS with ROMERO LUBAMBOThursday, Feb. 19, 2015, 7:30 p.m.Exotic Latin flair takes the stage when the Assad Brothers, Brazil’s most celebrated classical guitarists, join with jazz guitar virtuoso Romero Lubambo for Samba Exótico, an exploration of Samba and Choros, a popular 19th-century genre that blossomed in Rio de Janeiro. With its roots in Africa and unique fermentation in the coastal city of Bahia, Samba vibrates with the essence of Brazil.Sponsored by Shaw Construction and partnered by HB Woodsongs.

NATALIE MERCHANT with THE CU SYMPHONY ORCHESTRAThursday, April 2, 2015, 7:30 p.m.

Over her stellar 30-year career, Natalie Merchant has been the driving force behind alt-pop sensation 10,000 Maniacs and embarked on a multi-platinum solo career, always delving deep into the human condition with her lyrical storytelling. Now

she brings that same searching literary sensibility and her distinctive vocal style to new heights in a performance of her music, old and new, arranged for orchestra.Sponsored by Hurdle’s Jewelry.

Wide-ranging repertoire, lavish scenery, drama and amazing voices—CU Opera has it all. Director Leigh Holman and Music Director Nicholas Carthy showcase the talent of the future in three

productions each season. Go to cupresents.org for detailed ticket information and times.

COSÌ FAN TUTTEBy Wolfgang Amadeus MozartMarch 13-15, Macky AuditoriumMozart’s witty opera buffa follows 24 hours in the lives of two beautiful sisters whose scandalous infidelities make for a comic romp that was considered too hot for audiences even in the early 20th century. Featuring some of the composer’s most sumptuous arias, duets, this production will be set in the late 1950s with a nod to the famous film, Pillow Talk. Sung in Italian with English surtitles.

L’INCORONAZIONE DI POPPEA(THE CORONATION OF POPPEA)By Claudio MonteverdiApril 23-26 Music Theatre, Imig Music BuildingMonteverdi’s drama about sex, crime and realpolitik during the debauched reign of the Roman Emperor Nero, turns conventional morality on its head—virtue is punished and greed rewarded. The score soars but the sensual duet between Nero and his lover—eventually wife—Poppea, Pur ti miro, pur ti godo—meaning, “I gaze at you, I possess you”—is the pièce de résistance. Sung in Italian with English surtitles. This production will be styled after the hit Netflix realpolitik series House of Cards, starring Kevin Spacey.

E K L U N D

SPRING SWINGSunday, April 12, 2 p.m., Macky AuditoriumJoin the CU Concert Jazz Ensemble and guest artists for a swinging return to the Big Band era. The program will feature music from the ensemble’s new recording, a tribute to the greatest bands and composers of the era, including Benny Goodman, Glenn Miller, Duke Ellington, Count Basie and more. A special guest will join the band as well! Brad Goode, director

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The Grammy Award-winning quartet— Edward Dusinberre, violin; Károly Schranz,

violin; Geraldine Walther, viola; and András Fejer, cello—has been selling out concerts for three decades at CU-Boulder

with an irresistible blend of viruosic technique and engaging personalities.

All Takács performances take place in Grusin Music Hall. Takacsquartet.com

TAKÁCS QUARTETSunday, Jan. 25, 2015, 4 p.m.Monday, Jan. 26, 2015, 7:30 p.m.Beethoven

TAKÁCS QUARTETSunday, March 8, 2015, 4 p.m.Monday, March 9, 2015, 7:30 p.m.Haydn, Beethoven, Schubert

TAKÁCS QUARTETSunday, April 26, 2015, 4 p.m.Monday, April 27, 2015, 7:30 p.m.Haydn, Carter Pann, Cesar Franck

TARTUFFE By MolièreTranslated by Christopher HamptonDirected by Lynn NicholsFeb. 13-22, University TheatreFrench playwright Molière’s comic masterpiece skewers religious hypocrisy, mindless piety and sexual deceit. It was so daring at the time of its writing that audience members could be excommunicated for seeing it. Tartuffe tells how a “man of the cloth” worms his way into the gullible heart of Orgon, a rich family man, and tries to take him for all he has. It takes a desperate trap by Orgon’s wife Elmire to expose the imposter.

JESUS CHRIST SUPERSTARLyrics by Tim Rice, music by Andrew Lloyd Webber, Directed by Cecilia PangApril 10-19, University TheatreEver since the controversial rock opera by Andrew Lloyd Webber and Tim Rice was

released as a concept album in 1970, it has enflamed the passions of critics and fans alike. The story of Jesus of Nazareth during his final days, from the time of his arrival in Jerusalem to his crucifixion, this high-energy, immensely popular show plunges deep into the hearts of the men and women, from Judas Iscariot to Mary Magdalene to Pontius Pilate, who played a part in one of the most momentous stories ever told.

THE CURRENTApril 17-19Charlotte York Irey TheatreA showcase of vital new works by CU dance faculty and Millicent Johnnie, the 2014-15 Roser Guest Artist in Dance. Johnnie has performed with Urban Bush Women, Cleo Parker Robinson Dance Ensemble, Hubbard Street Dance Chicago and choreographed for Grammy Award-winning artists Usher Raymond, Chrisette Michele and Los Hombres Calientes, and record labels Def Jam, Columbia, Interscope, Arista Records and others.

Tomorrow’s talent is onstage today with a wide variety of performances from CU students and faculty. For detailed ticket and event information go to www.colorado.edu/theatredance.

MUCH ADO ABOUT NOTHINGDirected by Jim Helsinger, Orlando Shakespeare TheaterJune 5-Aug. 9Mary Rippon Outdoor TheatreRomantic, raucous and razor-sharp, the Hamlet of Shakespeare comedies strikes hilarious chords even as it reveals timeless truths about love, change and acceptance. The men have returned victorious from war, but the merry sparring — and sparks — between Benedick the stubborn bachelor and witty, self-assured Beatrice have just begun.

WITTENBERGDirected by CSF Producing Artistic Director Timothy OrrJune 11-Aug. 8 (Colorado premier)University TheatreTo believe or not to believe? That is the question when Prince Hamlet, a dazed-and-confused senior at Wittenberg University, circa 1517, is caught in the crossfire between two giants

of philosophy — and ego — the freethinking skeptic Dr. Faustus and stuffy, guilt-ridden Martin Luther. Punny, funny, brainy and zany, David Davalos’ ingenious mashup is equal parts Tom Stoppard, campus caper and metaphysical mind-trip.

OTHELLODirected by Lisa Wolpe, Los Angeles Women’s Shakespeare Co.June 26-Aug. 8Mary Rippon Outdoor TheatreIn a country at war, Othello the Moor commands with authority and nobility of spirit, drawing strength from his bold and beautiful wife, Desdemona. But he has placed his trust in one of Shakespeare’s most sinister villains, Iago, who would sow seeds of doubt and destruction in the garden of their love. Passion, jealousy and murder explode in a sexy theatrical thriller that tumbles toward a diabolical finale

HENRY VDirected by Carolyn Howarth, director of CSF’s 2014 Henry IV, Part 1July 16-Aug. 9, University TheatreEngland’s crown rests on the head of the once wild and undisciplined acolyte of Falstaff, Prince Hal, now a wise and noble monarch leading his country into war with France. Rousing and cinematic in scope, Henry V raises compelling questions about leadership in a troubled world that powerfully echoes our own. With this production, CSF completes the four-play Henriad history cycle begun in 2013.

HENRY VI, PART 1 Aug. 2 and 5 , University TheatreBack by popular demand, CSF presents two exclusive, “original practices” performances of the rarely produced saga of Henry V’s son. Last seen onstage at CSF in 1967, the play features one of Shakespeare’s most intriguing females, Joan of Arc. Both 2014 “OP” shows sold out, so buy your tickets early!

The nation’s second-oldest Shakespeare festival raises the curtain June 5 for its exciting 2015 season. CSF is a unique Boulder experience you won’t want to miss — magic, mirth, mayhem … and mountains. Go to coloradoshakes.org for more information and tickets.


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CU guitar festival strikes a global chord In just over three years, Nicolò Spera has put CU-Boulder on the map as a true global mecca for classical-guitar teaching, performance and competi-tion.

When he arrived in 2011 to launch the College of Music’s classical-guitar program, the renowned Italian performer defied conventional wisdom on easing into a new job and launched plans to host a guitar festival and competi-tion on campus.

“It was one of my big-gest dreams,” says Spera, assistant professor in the Ritter Family Classical Guitar program, “but I knew it would take a long time. Often when you launch something new it doesn’t work. You hope it does more or less well and hope to have a second one.”

As it turns out, there was no need to fret. The CU International Guitar Fes-tival debuted in February 2013, attracting 41 top performers from around the world, including China, Serbia and Latin America. The winners took home thousands of dollars in prizes and returned to Boulder in 2014 to teach and perform.

The second bi-annual festival will take place Feb. 19-21, featuring compe-tition among 40 to 50 of the world’s most talented guitarists, as well as master

classes and performances by Brazil’s Assad Brothers — “(T)he best two-guitar team in existence, maybe even in history,” according to the Washington Post — the Italian SoloDuo and Nigel North, hailed as “the greatest lute player of all time” by England’s Birming-ham Post.

“Basically, we have the two greatest classical guitar duos in the world, the Assad Brothers, the greatest of the 20th century, and SoloDuo, representing the future,” Spera says. “I am so grateful and ecstatic for the fantastic collaboration with the Artist Series and Macky Auditorium, which bring to Colorado the greatest artists in the world.”

All events are free except for the Artist Series performance by the Assad Brothers and Brazilian jazz virtuoso Romero Lubambo at 7:30 p.m. Feb. 19 in Macky Auditorium. For tickets, go to cupresents.org or call 303-492-8008.

The guitar festival is supported by grants from the Roser Visiting Artist Program and the CU President’s Fund for the Humanities as well as private donations. Spera’s success recently inspired CU-Boulder alumni Michele “Mikhy” and Mike Ritter to endow the classical-guitar program.

For a full schedule of festival events, go to cuguitarfestival.com.

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Tartuffe By Molière Feb. 13-22Tickets start at $17

Jesus Christ SuperstarBy Tim Rice and Andrew Lloyd WebberApril 10-19Tickets start at $19

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Beethoven’s “Emperor” ConcertoSAT., JAN. 17—7:30 PMCONRAD TAO, PIANOBEETHOVEN Overture to The Creatures of PrometheusHAYDN Chaos from The Creation MILHAUD La création du mondeTAO PanguBEETHOVEN Piano Concerto No. 5 (“Emperor”)

Legendary LoveSAT., FEB. 14—7:30 PM PHILIPPE QUINT, VIOLINCORIGLIANO The Red ViolinWAGNER Prelude and Liebestod from Tristan und IsoldeTCHAIKOVSKY Romeo and Juliet Fantasy-Overture

Season Finale:Dvořák’s Cello ConcertoSAT., APRIL 25—7:30 PM ZUILL BAILEY, CELLOLIADOV The Enchanted LakeDVOŘÁK Cello ConcertoBARTÓK Concerto for Orchestra

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| 303-492-8008 | cupresents.org | C-1Get Social: @cupresents

Bill T. Jones/Arnie ZaneDance Company

Bill T. Jones Janet WongArtistic Director Associate Artistic Director

Featuring

The CompanyAntonio Brown, Rena Butler, Cain Coleman, Jr., Talli Jackson, Shayla-Vie

Jenkins, I-Ling Liu, Erick Montes Chavero, Joseph Poulson and Jenna Riegel

In

Play and Play: An Evening of Movement and Music“… take something and do something to it, and then do something else to it ...”

— Jasper Johns

Production StaffStacey Boggs, Sam Crawford and Carley Manion

The creation of new work by the Bill T. Jones/Arnie Zane Dance Company is made possible by the company’s Partners in Creation: Ellen Poss, Jane

Bovingdon Semel and Terry Semel; Anne Delaney; Stephen and Ruth Hendel; Eleanor Friedman and Jonathan Cohen; and Zoe Eskin.

Tonight’s performance will be approximately 70 minutes, with a 15-minute intermission.

Join us for Twittermission! Tag us in your post or selfie and you could wina $100 CU Presents gift certificate.

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5cupresents.org | 303-492-8008 |

ProgramSpent Days Out Yonder

(2000)Choreography by Bill T. Jones

Music by Wolfgang Amadeus Mozart, String Quartet No. 23 in F Major, K. 590, Andante (1790)Music performed by Altius Quartet (Andrew Giordano, violin, Joshua Ulrich, violin,

Andrew Krimm, viola, and Zachary Reaves, cello)Lighting by Robert Wierzel

Costumes by Liz PrinceDanced by The Company

Continuous Replay(1977, revised 1991)

Choreography by Bill T. Jones and Arnie ZaneMusic composed and assembled by Jerome Begin with material from Ludwig Van Beethoven’s

String Quartet Op. 18 No. 1 and String Quartet Op. 135Music performed by Altius Quartet (Andrew Giordano, violin, Joshua Ulrich, violin, Andrew Krimm, viola,

and Zachary Reaves, cello), Magee Capsouto, violin, Mei-Mey Segura-Wang, violin, Laura Eakman, viola, and Andrew Brown, cello.Lighting by Robert Wierzel

Costumes by Liz Prince and the CompanyDanced by The Company

Jenna Riegel as “the clock”

Intermission

D-Man in the Waters(1989)

“In a dream you saw a way to survive and you were full of joy.” — Jenny HolzerChoreography by Bill T. Jones

Music by Felix Mendelssohn, Octet for Strings in E-flat major, Op. 20 (1825)Music performed by Altius Quartet (Andrew Giordano, violin, Joshua Ulrich, violin, Andrew Krimm, viola, and

Zachary Reaves, cello), Andrew Brown, cello, Magee Capsouto, violin, TBA #1, TBA #2Lighting by Robert Wierzel

Costumes by Liz PrinceDanced by The Company

D-Man in the Waters is dedicated to Demian Acquavella.The first movement of D-Man in the Waters was commissioned by The St. Luke’s Chamber Ensemble and

was made possible with public funds from the New York State Council on the Arts.The 2011 reconstruction of D-Man in the Waters was supported by the American Dance Festival with funding from the SHS Foundation and the Mary Duke Biddle Foundation. The reconstruction was conducted in

residence at Bard College and the University of Virginia.

Get Social: @cupresents

Company HistoryOver the past 32 years the Bill T. Jones/Arnie Zane Dance Company has shaped the evolution of contemporary dance through the creation and performance of over 140 works. Founded as a multicultural dance company in 1982, the company was born of an 11-year artistic collaboration between Bill T. Jones and Arnie Zane. Today, the company is recognized as one of the most innovative and powerful forces in the modern-dance world. The company has performed its ever-enlarging repertoire worldwide in over 200 cities in 30 countries on every major continent. In 2011, the Bill T. Jones/

Arnie Zane Dance Company merged with Dance Theater Workshop to form New York Live Arts, of which Bill T. Jones is artistic director.

The repertory of the Bill T. Jones/Arnie Zane Dance Company is widely varied in its subject matter, visual imagery and stylistic approach to movement, voice and stagecraft and includes musically driven works as well as works using a variety of texts. Some of its most celebrated creations are evening-length

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Bill T. Jones (Artistic Director/Co-Founder/Choreographer) is the recipient of the 2014 Doris Duke Award; the 2013 National Medal of Arts Award; 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed Fela!; a 2007 Tony Award, 2007 Obie Award and 2006 Stage Directors and Choreographers Foundation Joe A. Callaway Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; the 2007 USA Eileen Harris Norton Fellowship; the 2006 Lucille Lortel Award for Outstanding Choreography for The Seven; the 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; the 2005 Harlem Renaissance Award; the 2003 Dorothy and Lillian Gish Prize; and the 1994 MacArthur Foundation Fellowship (the “Genius Award”). In 2010, Mr. Jones was recognized as Officier dans l’Ordre des Arts et des Lettres by the French government and in 2000 The Dance Heritage Coalition named him “An Irreplaceable Dance Treasure.”

Mr. Jones choreographed and performed worldwide with his late partner, Arnie Zane, before forming the Bill T. Jones/Arnie Zane Dance Company in 1982. He has created more than 140 works for his company.

Mr. Jones is Artistic Director of New York Live Arts, an organization that strives to create a robust framework in support of the nation’s dance- and movement-based artists through new approaches to producing, presenting and educating. For more information visit www.newyorklivearts.org.

Arnie Zane (Co-Founder/Choreographer) (1948-1988) was born in the Bronx andeducated at Binghamton University, the State University of New York. In 1971, Arnie Zane and Bill T. Jones began their long collaboration in choreography and in 1973 formed the American Dance Asylum in Binghamton with Lois Welk. Mr. Zane’s first recognition in the arts came as a photographer when he received a Creative Artists Public Service Fellowship in 1973. Mr. Zane was the recipient of a second CAPS Fellowship in1981 for choreography, as well as two Choreographic Fellowships from the National Endowment for the Arts (1983 and 1984). In 1980, Mr. Zane was co-recipient, with Bill T. Jones, of the German Critics Award for his work, Blauvelt Mountain. Rotary Action, a duet with Mr. Jones, was filmed for television, co-produced by WGBH-TV Boston and Channel 4 in London.

Co-founders

Antonio Brown (Dancer), native of Cleveland, Ohio, began his dance training at the Cleveland School of the Arts and received his BFA from The Juilliard School in 2007 under the direction of Lawrence Rhodes. While there, he performed works by Ohad Naharin, Jose Limon, Jiri Kylian, Eliot Feld, Aszure Barton, Jessica Lang, Susan Marshall and Larry Keigwin, among others. Mr. Brown has also worked with Malcolm Low/Formal Structure, Stephen Pier, Nilas Martins Dance Company, Sidra Bell Dance New York and Camille A. Brown & Dancers. In addition to working with the company, Mr. Brown also performs with Gregory Dolbashian’s The Dash Ensemble and has choreographed on Verb Ballets, August Wilson

Center Dance Ensemble, Perry Mansfield Performing Arts School and Camp and various other companies, schools and intensives across the United States. His work has also been shown at The Juilliard School, Center for Performance Research, NYC Summer Stage, Riverside Church and Hunter College. Mr. Brown joined the company in 2007 and is grateful to share his gifts and talents with the world.

Rena Butler (Dancer) is a native of Chicago. She studied under the instruction of Anna Paskevska and Randy Duncan at The Chicago Academy for the Arts high school. Ms. Butler received her BFA from Purchase

Company Profiles

works, including Last Supper at Uncle Tom’s Cabin/The Promised Land (1990, Next Wave Festival at the Brooklyn Academy of Music); Still/Here (1994, Biennale de la Danse in Lyon, France); We Set Out Early … Visibility Was Poor (1996, Hancher Auditorium, Iowa City); You Walk? (2000, European Capital of Culture 2000,Bolgna, Italy); Blind Date (2006, Peak Performances at Montclair State University); Chapel/Chapter (2006, Harlem Stage Gatehouse); Fondly Do We Hope … Fervently Do We Pray (2009, Ravinia

Festival, Highland Park, Illinois); Another Evening: Venice/Arsenale (2010, La Biennale di Venezia, Venice, Italy); Story/Time (2012, Peak Performances); and A Rite (2013, Carolina Performing Arts at the University of North Carolina-Chapel Hill). The Company is also currently touring Body Against Body an intimate and focused collection of duet works drawn from the Company’s 30-year history.

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C-4 | cupresents.org | 303-492-8008 | Get Social: @cupresents

College, the State University of New York, Purchase Conservatory of Dance and studied dance abroad at Taipei National University of the Arts in Taiwan. She graduated cum laude and was the recipient of the Bert Terborgh Dance Award. Ms. Butler has also danced for Kyle Abraham/Abraham.In.Motion, David Dorfman Dance, Luna Negra Dance Theater, Mettin Movement and salsa dance company Pasos Con Sabor. Ms. Butler is featured in Dance Magazine’s March 2013 article “On the Rise,” FORMA collective magazine and online fashion and culture site, Refinery29.

Cain Coleman, Jr. (Dancer) started his dance training in high school at The Center for The Arts at Henrico High. He later joined The City Dance Theatre of Richmond, Virginia. After training at the Conservatory of Dance at Purchase College, SUNY, he began dancing with Philadanco and The Martha Graham Dance Company. He has performedworks by Paul Taylor, George Balanchine, Martha Graham, Talley Beaty, George Fazon, Christopher Huggins, Ray Mercer and many more. He has been seen on “Good Morning America,” “Good Morning New York” and “So You Think You Can Dance.” As an emerging choreographer he has presented works at Purchase College, Regional Dance Association, The Girl Effect Project, Bare Bones Dance Project, and has produced a few of his own shows. Mr. Coleman joined the Company in 2014.

Talli Jackson (Dancer) was born and raised in Liberty, New York. He received his first training with Livia Vanaver at the Vanaver Caravan Dance Institute in upstate New York. He has received full scholarships from the American Dance Festival in 2006 and 2008, the Bates Dance Festival, and the Ailey School. Since moving to New York City in 2006, Mr. Jackson has had the pleasure of working with Francesca Harper, Paul Matteson and Erick Montes. In 2013, Mr. Jackson was honored with a Princess Grace Award in dance, and was nominated for a Clive Barnes Award. He has been a member of the Bill T. Jones/Arnie Zane Dance Company since 2009.

Shayla-Vie Jenkins (Dancer), originally from Ewing, New Jersey, received her primary dance instruction from Watson Johnson Dance Theater and Mercer County Performing Arts School. In 2004, she graduated with honors from the Ailey/Fordham BFA program. She has performed with The Kevin Wynn Collection, Nathan Trice Rituals, Kazuko Hirabayashi, The Francesca Harper Project, Yaa Samar Dance Theater, and A Canary Torsi. In 2008, she was featured among Dance Magazine’s “On The Rise” performers. Ms. Jenkins joined the Company in 2005.

I-Ling Liu (Dancer), a native of Taiwan, received her BFA from Taipei National University of the Arts in 2005. She has performed with Ku and Dancers, Taipei

Crossover Dance Company, Image in Motion Theater Company, Neo-Classic Dance Company, and in works by Trisha Brown, Lin Hwai-Min and Yang Ming-Lung. Ms. Liu joined the Company as an apprentice in 2007 and became a member of the Company in 2008.

Erick Montes Chavero (Dancer), originally from Mexico City, trained at the National School of Classical and Contemporary Dance. In 2004 he was featured in Dance Magazine’s “25 To Watch.” He holds a fellowship in choreography from The New York Foundation for the Arts. In 2009, he was part of the program In the Company of Men at Dance New Amsterdam. He has been part of the River to River Festival in collaboration with DJ Spooky, The Boogie Down Dance Series at Bronx Academy of Arts and Dance and has been presenting his work in collaboration with the choreographers Bill Young and Colleen Thomas for the Gorillas-Fest and The LIT Festival, The Tank at DCTV and E-Moves at The Gatehouse/Harlem Stage. In 2010 he worked in collaboration with choreographers Jennifer Nugent and Yin Mey in the creation of a Ballet for the National Dance Academy of Beijing. He has presented his choreography in Mexico, Colombia and Spain. Mr. Montes-Chavero joined the company in 2003.

Joseph Poulson (Dancer), originally from Philadelphia, received undergraduate and graduate degrees from the University of Iowa and Bennington College, respectively. From 2000 to 2010 he was a member of Susan Marshall & Company, David Dorfman Dance, Bill Young/Colleen Thomas and Dancers, Creach/Company and Acanarytorsi, receiving a New York Dance and Performance “Bessie” Award in 2009. He has also performed with Elena Demyanenko, Jeanine Durning, Mark Morris Dance Group, Lisa Race, Susan Scorbatti, Peter Schmitz, Will Swanson and Punchdrunk’s New York production of Sleep No More. Mr. Poulson joined the company in the summer of 2012.

Jenna Riegel (Dancer), a native of Fairfield, Iowa, has been a New York-based dancer, performer and teacher since 2007. Ms. Riegel holds an MFA in dance performance from the University of Iowa and a BA in theater arts from Maharishi University of Management. She has performed and toured nationally and internationally as a company member of David Dorfman Dance, Alexandra/Beller Dances, Bill Young/Colleen Thomas & Dancers, johannes weiland and Tania Isaac Dance. Ms. Riegel began working with the Company as a guest artist in 2010 and was ecstatic to join the Company in 2011.

Stacey Boggs (Lighting Supervisor) is a New York-based lighting designer whose works include Theatre Three’s The Diary of Anne Frank, CAT’s Inside/Out, 651’s Soundtrack 63, Waterwell’s Marco Millions

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(based on lies), The|King|Operetta, #9, I Love a Piano (national tour). She has designed with choreographers Robert Moses, Troy Powell, Christopher Wheeldon and Mina Yoo. She has worked as a lighting supervisor for The Wooster Group and as the technical and lighting director for Ailey II. Ms. Boggs has worked at Glimmerglass Opera, Florida Grand Opera and Michigan Opera Theater. She has designed the lighting for many window displays in the New York City area. She graduated from New York University’s graduate design program in 2005. Ms. Boggs joined the Bill T. Jones/Arnie Zane Dance Company in 2013.

Sam Crawford (Sound Supervisor/Sound Designer) completed degrees in English and Audio Technology at Indiana University in 2003. A move to New York City led him to Looking Glass Studios where he worked on film projects with Philip Glass and Björk. His recent sound designs and compositions have included works for the Bill T. Jones/Arnie Zane Dance Company (Venice Biennale, 2010), Kyle Abraham/Abraham.In.Motion (Pavement, 2012) and David Dorfman Dance (BAM’s Next Wave Festival, 2013). He currently holds positions as both sound supervisor for the Bill T. Jones/Arnie Zane Dance Company and Music Director for David Dorfman Dance. Mr. Crawford also plays lap steel and banjo in various groups, including Bowery Boy Blue (Brooklyn) and Corpus Christi (Rome).

Hannah Emerson (Company Manager) completed her BFA in contemporary dance from the University of North Carolina School of the Arts in 2011. While enrolled, she studied with and was selected to perform works by many respected dance artists. She moved to New York shortly after being awarded the William R. Kenan, Jr. Fellowship at the Lincoln Center Institute. Choosing to remain in the northeast, she has held administrative positions at New York Live Arts and The Yard while continuing to be artistically involved in the dance community. Ms. Emerson joined the Company in 2014.

Pauline Kim Harris (Musical Director) is always trying to expand and create a new listening experience. Grammy-nominated for The Olde School (East Village Opera Company, Universal/Decca), she has been described as a “sorceress” of the violin. From ground-breaking classical, genre-bending crossover to the envelope-pushing experimental/avant-garde/contemporary, Ms. Harris has dazzled audiences worldwide. She has performed with Peter Gabriel, Sting and Jeff Beck; recorded on albums by Jay Z, Lenny Kravitz, Jane Siberry, Tyondai Braxton and David Byrne/Fat Boy Slim; worked with Merce Cunningham Dance Company, American Ballet Theater, City Ballet of New York and Savion Glover.

Most recently, Ms. Harris performed with choreographer Margie Gillis in a new piece for violin and theremin

by Gordon Monahan. Soon-to-be-released albums include new works by John Zorn on Tzadik, composers Index Zero in works written for violin duo, String Noise (her husband, Conrad Harris, violinist in FLUX Quartet) and a new release by composer Phill Niblock. Ms. Harris is also a violinist in the highly acclaimed disco phenomenon, Escort. Upcoming engagements include performances in a production of Samuel Beckett plays, directed by Joy Zinoman, appearances at the Beyond Cage festival in New York, a celebration of the John Cage centennial, and performances of John Cale’s Paris 1919 at the Next Wave Festival, BAM.

Carley Manion (Stage Manager) is an Oregon native. While studying at the University of Oregon for her BFA in dance, she also studied stage management. She continued work in dance at Jacob’s Pillow Dance Festival where she worked with many companies for four years. The Pillow served as the perfect doorway into the dance world and Ms. Manion stepped through it eagerly. Before taking her position as stage manager for the Bill T. Jones/Arnie Zane Dance Company in 2014, she worked with the Trisha Brown Dance Company, Kyle Abraham and Camille A. Brown among others.

Kyle Maude (Director of Producing and Touring) graduated from Drake University with a BFA in theatre. She has worked with Ballet Tech/Feld Ballets New York, The Royal Ballet School of London, Buglisi-Foreman Dance and Lesbian Pulp-o-Rama! Ms. Maude joined the Company in 2003.

Liz Prince (Costume Designer) has worked extensively with Bill T. Jones since 1990. She has also designed for Doug Varone and Dancers, Jose Limon Dance Company, Dayton Contemporary Dance Company, American Ballet Theater, Washington Ballet, Pennsylvania Ballet, PHILADANCO, Houston Ballet, Dendy Dance, Pacific Northwest Ballet, Dortmund Theater Ballet, Mikhail Baryshnikov’s White Oak Dance Project, Meg Stuart, Lucy Guerin, Tamar Rogoff, Claire Danes, PILOBOLUS, Neil Greenberg, Jane Comfort, Bebe Miller, Ralph Lemon and David Dorfman. Her costumes have been exhibited at The New York Public Library for the Performing Arts, Cleveland Center for Contemporary Art and Snug Harbor Cultural Center.

Robert Wierzel (Lighting Designer) has worked with artists in theater, dance, new music, opera and museums and on stages throughout the country and abroad. He has worked with choreographer Bill T. Jones and his company since 1985. Projects include Blind Date, Another Evening/I Bow Down, Still/Here, You Walk?, Last Supper at Uncle Tom’s Cabin/The Promised Land, How To Walk An Elephant, and We Set Out Early … Visibility Was Poor. Other works with Bill T. Jones include projects at the Guthrie

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New York Live ArtsArtistic Director

Bill T. Jones

Executive Director and CEOJean Davidson

Director of ProgramsThomas O. Kriegsmann

Tyler Ashley, Executive Assistant/Board Liaison

Board of DirectorsRichard H. Levy, Board Chair

Helen Haje, Vice ChairStephen Hendel, Vice Chair

Joe Azrack, TreasurerTerence Dougherty, Secretary

Jean Davidson, Executive Director and CEOBjorn AmelanMuna El Fituri

Bill T. JonesHelen Mills

Slobodan RandjelovicJane Bovingdon SemelCatherine R. Stimpson

David ThomsonKweli Washington

Judith Zarin

Theatre, Lyon Opera Ballet, Deutsche Opera Ballet (Berlin), Boston Ballet, Boston Lyric Opera, the Welsh dance company Diversions and London’s Contemporary Dance Trust. Robert has also worked with choreographers Trisha Brown, Doug Varone, Donna Uchizono, Larry Goldhuber, HeidiLatsky, Sean Curran, Molissa Fenley, Susan Marshall, Margo Sappington, Alonzo King and Joann Fregalette-Jansen. Additional credits include national and international opera companies, Broadway and regional theater. Mr. Wierzel is currently on the faculty of New York University’s Tisch School of the Arts and the Yale School of Drama.

Janet Wong (Associate Artistic Director) was born in Hong Kong and trained in Hong Kong and London. Upon graduation she joined the Berlin Ballet where she first met Bill T. Jones when he was invited to choreograph on the company. In 1993, she moved to New York to pursue other interests. Ms. Wong became rehearsal director of the Company in 1996 and associate artistic director in August 2006.

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New York Live ArtsStaff

Bill T. Jones/Arnie Zane Dance CompanyJanet Wong, Associate Artistic Director

Bjorn G. Amelan, Creative DirectorKyle Maude, Director of Producing and Touring

Stacey Boggs, Lighting SupervisorCarley Manion, Stage Manager

Hannah Emerson, Company ManagerSam Crawford, Sound Supervisor

Robert Wierzel, Resident Lighting DesignerLiz Prince, Resident Costume Designer

Bill Katz, Artistic ConsultantPauline Kim, Musical Director

Programming and EngagementJaamil Kosoko, Director of Engagement and Education

Leah Cox, Director of the New York Live Arts/Bard College PartnershipIsabella Hrelijanovic, Producing Associate

Rakia Seaborn, Associate Artist Program Manager

ProductionAnita Shaw, Director of Production

Michael Zimmerman, Technical DirectorLaura Bickford, Lighting Supervisor

Meredith Belis, Production CoordinatorMegan Byrne, Production Coordinator

Stephanie Byrnes Harrell, Production CoordinatorLilli De Armon, Production CoordinatorAshley Vellano, Production CoordinatorRochelle Riley, Production Apprentice

Amine Hechehouche, Production ApprenticeJacklyn Hecker, Production Apprentice

DevelopmentDan Zanella, Interim Director of Development, Individuals

Lynn Stern, Interim Director of Development, Institutional GiftsTricia Smit, Manager of Individual GivingAlexandra Burke, Development Assistant

Marketing and Public RelationsLiliana Dirks-Goodman, Director of Marketing and DesignElizabeth Cooke, Associate Director of Communications

Katie Jennings, Marketing Manager

Operations and FinanceAndrea Nellis, Interim General Manager

Donald Heath, Director of FinanceNupur Dey, Associate Director of Finance and Human Resources

Jeff Berzon, BookkeeperAlyssa Alpine, Rental Manager

Danielle Doell and Xavier Hageman, ReceptionistsTyler Ashley, Executive Assistant

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Box Office and Front of HouseChristine Jacobsen, Box Office Manager

Shantelle Jackson, House ManagerRenne Colbert, House Manager

Max Canion, Head UsherJulie Goldberg, Head Usher

Tony Carlson, Denisa Musilova, Tara Sheena, Eli Tamondong, Nehemoyia Young, Front of House Staff

ConsultantsMarcum LLP, Certified Public Accountants, Inc.

Kozyn & Company, FundraisingIan Douglas, Photographer

Lowenstein Sandler, PC, Pro-bono Counsel

Located in the heart of Chelsea in New York City, New York Live Arts is an internationally recognized destination for innovative movement-based artistry offering audiences access to art and artists notable for their conceptual rigor, format experimentation and active engagement with the social, political and cultural currents of our times. At the center of this identity is Bill T. Jones, a world-renowned choreographer, dancer, theater director and writer.

New York Live Arts was formed in 2011 by the merger of Dance Theater Workshop and the Bill T. Jones/Arnie Zane Dance Company. Inspired by the legacies of Mr. Jones and Dance Theater Workshop, New York Live Arts is a vibrant hub of contemporary dance and movement based experimentation, offering audiences meaningful experiences that are both thought provoking and intimate. We commission, produce and present performances in our 19,326-square-foot facility, which houses a 184-seat theater and two sizable studios that can be combined into one large studio. New York Live Arts serves as home base for the internationally acclaimed touring company of Mr. Jones, provides an extensive range of participatory programs for adults and young people and supports the continuing professional development of artists. newyorklivearts.org.

New York Live Arts219 West 19th St., New York, NY 10011

212-691-6500; fax 212-633-1974newyorklivearts.org

North American Representation by Opus 3 Artists of Bill T. Jones/Arnie Zane Dance Company by:470 Park Avenue South, 9th Floor

New York, NY 10016212-584-7500

Email: [email protected]

European representation of Bill T. Jones/Arnie Zane Dance Company by:Gillian Newson Associates

Office + 44 20 7622 8549; Mobile + 44 7768 166381Email: [email protected]

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Faculty TuesdaysFaculty Tuesday recitals are held at 7:30 p.m. in Grusin Music Hall in the Imig Music Building at CU-Boulder. All perfor-mances are free and open to the public. (Musical programs and performers subject to change.)


JAN. 27 Erika Eckert, viola, and

Margaret McDonald, pianoA Musical Journey for Two

FEB. 3Jeffrey Nytch and Carter Pann,

composers, with Christina Jennings, flute, Jennifer

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MARCH 31College of Music faculty Christina

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Richard Toensing Memorial Concert

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Artist Series

BENEFACTORMark and Margaret CarsonCarson-Pfafflin Family FoundationPaul Bechtner FoundationGreg Silvus and Melanie MillerEllen and Joshua Taxman

SPONSORDiane and Richard DunnDaryl and Kay JamesMary LamyLouise Pearson and Grant Couch

PATRONAnonymousJoan McLean BraunChris and Barbara ChristoffersenRuth Carmel KahnMidge KorczakHal OsteenScott Wiesner and Janet Ackermann

SUPPORTERAnonymousAlbert and Nancy BoggessFiona and Marv CaruthersCarol and Michael GallucciDoree and Jerry HickmanMyra JacksonSusan and Jon LounsburyHeidi and Jerry LynchJanet and Scott MartinRobert and Sandra McCalmonJudy and Alan MegibowBarbara and Irwin NeulightJerry and Jamie OrtenMikhy and Michael Ritter Alicia and Juan RodriguezLawrence and Ann Thomas

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Robert TremblyGregory and Gladeane LefferdinkHarold and Joan LeinbachRobert and Francine MyersGary and Beth RauchStephanie and Alan RudyKenneth Pope and Christine Willis

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Carol SeidemanMary Ann Shea and Steven MeyrichCourtland and Carolyn SpicerZoe StiversRandi and Anthony StrohTom and Karen ThibodeauLloyd Timblin Jr.Geoffrey TyndallDerek Van WestrumVince and Caroline Wayland

ARTIST SERIES ADVISORY BOARDGil BermanRodolfo BetancourtEllen BoalJoan McLean BraunJohn DavisDiane DunnClay EvansMichael GallucciLissy GarrisonLaima HaleyDaryl James, PresidentMaryan JarossRuth KahnJerry OrtenLouise PearsonErika RandallGregory SilvusEllen TaxmanNicholas Vocatura

The Artist Series presents performances of fine music and performing arts to which the community would otherwise not have access. The highest quality emerging and internationally recognized artists provide world-class performances and residency activities that enhance the learning environment at the University of Colorado Boulder and the cultural life of the community. The Artist Series includes a variety of presentations from many cultures and traditions.

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Hours (6-6 weekdays, 7-6 weekends)

956 West Cherry Street Louisville, CO 80027 720.259.1723 www.paulscoffeeandtea.com

V IA TOSCANAr i s t o r a n t e

viatoscana.com 303.604.6960356 McCaslin Blvd. Louisville | 4pm Mon - Sat

$20 off any purchase of $60 or more**Limit one discount per table and and not valid with any other coupon,

offer, or discount or when happy hour items are ordered. ExcludesSpecialty Dinners menus. Please compute gratuity on pre-discount

amount. Excludes Valentine’s. Expires May 28, 2015.

Tuscan cuisine made with farm fresh ingredients

dine from our seasonal menu and enjoy an incredible meal in an intimate and casual atmosphere.

Connect with us

eclectic american cuisineReservations (303) 651-3330101 Pratt Street, Longmontwww.sugarbeetrestaurant.com

Perfect TasteDINING TO COMPLEMENT THE PERFORMANCE

THE

Boulder’s Best Pizzeria

2525 ARAPAHOE, BOULDER

303.396.6366

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1123 Walnut Street303.447.1345

walnutbrewery.com

delvickiosincredible Italian

Superior CO

1631 Coalton Rd, Superior, CO 80027 (in the Safeway Shopping Center)

303-494-6000 • delvickios.comOpen 4:30 Mon-Fri and 9am-9pm Sat & Sun

Pearl St. PatioSake Bar & Whiskey LoungeHappy Hour Everyday 3-6pm

1136 Pearl St., Boulderwww.boulderjapango.com

TasTe modern mexican cuisine

Join us for ValenTine’s day

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new Pollo mango mole

2480 Canyon Blvd @ The Village Shopping Center303-938-8800 voltaboulder.com

Sunday Brunch 10a-2:30p Lunch (Tues-Sat): 11a-2:30pTapas Hour: 4:30p-6p Dinner: 5:30p-9p

Sunday Greek Night: 5:30p-9p

A TRUE TASTE OF GREECELocal. Fresh. Organic.

Mediterranean Restaurant

One of the “8 Hottest New Restaurants In Denver & Boulder” by ZAGAT

Dinner and theatre go together like the Takács Quartet and Boulder. Make sure your

restaurant advertising is part of that equation.

www.ColoradoArtsPubs.com303.428.9529

Global performance. World-class entertainment.You have to be here.

2 0 1 3 – 2 0 1 4 S e a s o n

musicexperience the

Beer Garden Opens Memorial Day – Labor DayLunch served Friday & Saturday

Anytime, with Anyone, for Anything.Your go to place for great food, wonderful

friendly service and Euro ambiance.Czech Us Out!

Happy Hour Daily from 4:30-6:30 pmDinner from 5pm until close

Open Tuesday-Saturday

7521 Ute Highway • Longmont, CO 80503www.praharestaurant.com 303.702.1180

Takács Society

BENEFACTORAlbert and Nancy BoggessGary and Judith Judd in memory

of Fay ShwayderNorma R. Johnson Fund in memory

of Fay ShwayderJanet and David RobertsonThe Takács Quartet

SPONSORPamela DeckerMarion Thurnauer and Alexander

Trifunac

PATRONCatharine Hawkins FoundationThomas and Carol CechChris and Barbara ChristoffersenCarol Lena KovnerKathleen SullivanJohn and Carson Taylor

SUPPORTERAnonymousAnne Heinz and Ron YaronRobert R. KehoeWalter and Eileen KintschMaxine MarkLise MennVirginia M. NewtonNewton Family Fund, Inc.Neil and Martha PalmerMikhy and Michael RitterSusan and David SeitzLawrence and Ann ThomasJames and Lena Wockenfuss

CONTRIBUTORVirginia and Stanley BoucherWilliam and Alice BradleyChristopher and Margot BrauchliNoel and Pauline ClarkRobert and Lenore DamrauerJon and Liz HinebauchHarold and Joan LeinbachNancy and Paul LevittPatricia and Robert LisenskyCheryl Stevenson and James CannonLynn StreeterRandi and Anthony StrohPatricia Thompson

MEMBERLois AbbottMaria and Jesse AweidaTed and Ingrid BecherMarda BuchholzKevin and Diana BunnellPatricia ButlerShirley CarnahanPenny CheneryCharlotte CorbridgeJoann and Richard CrandallBarbara and Carl DiehlCarolyn and Don EtterJean and Bob FischerMarcia Geissinger and Neil AshbyMary and Lloyd GelmanSteve Goldhaber and

Mariana Goldhaber-VertensteinDianne and Kenneth HackettDavid HammerBruce and Kyongguen JohnsonJennifer and Bob KamperCaryl and David Kassoy

Mireille KeyAlice and Judah LevineAlbert and Virginia LundellHeidi and Jerry LynchKamilla MacarThomas and Gail MaddenCaroline MaldeNancy and John MalvilleJ. Richard and Marjorie McIntoshPeter and Doris McManamonChristopher Mueller and

Martha WhittakerJoan NordgrenAlison and Graham OddieJoanie OramJulie and Wayne PhillipsArthur and Ina RifkinJoanna and Mark RosenblumJoAn SegalRuth Shanberge in memory

of Carol SeidemanTodd and Gretchen SlikerGrietje SloanCarol and Art SmootJan and Charles SquierHelen StoneBerkley TagueLaurie and Arthur TraversMary and Peter Van EttenBetty Van ZandtThomas VanZandtChristopher and Leanne WaltherNurit and Jim WolfBill WoodM. Yanowitch

The Takács Society is formed by the College of Music and provides the resources critical to supporting the work of the Takács Quartet—to advance their teaching endeavors, provide scholarships that are essential to attracting and retaining exceptionally gifted young artists, and sponsor guest artists in the Takács performance series.

If you would like to name a seat in Grusin Music Hall, please call the College of Music Development Office at 303-735-6070.

Make all gifts payable to the University of Colorado Foundation and mail to Takács Society, CU College of Music, 301 UCB, Boulder, CO 80309-0301. For credit card payments, questions or additional information, please call the College of Music Development Office at 303-735-6070.


| 303.492.8008 | 31

The Center Stage Club offers online versions of CU Presents Magazine for

patrons to read before performances. And, check out upcoming metro-area performing arts events in the calendar.

CenterStageClub.com

The Center Stage Club is produced by Colorado’s Performing Arts Publications

.com

1661 Alpine Ave. Boulder, CO 80304 www.watershedschool.org [email protected]

303.440.7520

WATERSHED SCHOOL College Preparatory Grades 6-12

The World is Our Classroom Fostering critical thinking, academic excellence

and character development through real world learning.

EDUCATION FOR A SUSTAINABLE FUTURE

NOW ACCEPTING APPLICATIONS

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Experience the









Experience the








• Simply the Best Since 1921




Dinner Theatreproudly presents

FOR TICKETS: www.jesterstheatre.com or 303.682.9980

FEBRUARY 13 – APRIL 26

Friday & Saturday Nights & Sunday Afternoons

224 Main StreetLongmont

Family Owned and Operated Since 1999

Friends of the Eklund Opera Program

BENEFACTORAnonymousThe Academy Charitable

Foundation, Inc.Allen Family FundPaul EklundBob GrahamAnn Oglesby

SPONSORAlan and Martha Stormo

PATRONChris and Barbara ChristoffersenAlbert and Betsy HandBob and Mikee KapelkeKen and Ruth WrightWright Family Foundation

SUPPORTERAnonymousCaulkins Family FoundationJohn HedderichJo and David HillMikhy and Mike RitterRotary International District # 5450Lawrence and Ann Thomas

CONTRIBUTORDonna and Ken BarrowJim and Judith BowersRobert and Lenore DamrauerWalt and Mary Ruth DuncanMartha Coffin Evans and

Robert TremblyDavid and Janet HummerHarold and Joan LeinbachBurr LloydDennis PetersonDave and Ann PhillipsRichard and Caroline Van PeltPeter Wall

MEMBERJudith Auer and George LawrenceBob Burnham and Gail PromboinAllene CashBen and Gale ChidlawWallace and Beryl ClarkSara-Jane and William CohenPeter and Joan DawsonRichard and Margaret DillonLloyd and Mary GelmanEllen and John GilleSteve Goldhaber and

Mariana Goldhaber-VertensteinSusan GraberJanet HanleyLinda L. JohnsonFrank and Marion KreithNicholas and Mollie LeePatricia and Robert LisenskyHeidi and Jerry LynchBruce MackenzieMarian MathesonByron and Cathy McCalmonDenise McCleary and

Paul Von BehrenCorinne McKayRichard and Donna MeckleyPat and Bob MeyersMarilyn NewsomMargaret OakesRobert and Marilyn PeltzerJuan and Alicia RodriguezElaine SchnabelRuth SchoeningJoAnn Silverstein and Nevis CookHelen StoneDaniel Urist

GRANTSDenver Lyric Opera GuildGalen & Ada Belle Spencer

FoundationLouis and Harold Price FoundationRoser Visiting Artist EndowmentThe Schramm Foundation

The Eklund Opera Program is recognized nationwide as one of the finest programs of its kind in the country. Its success is a reflection of outstanding faculty, exceptionally gifted students, professional production standards, and, ultimately, the successful placement of students after graduation in the professional world. You are invited to be a part of the tradition of excellence that has come to characterize CU Opera. Your support is pivotal to maintaining the stature of this seminal program. To explore the role you can take in supporting CU Opera, please contact our Development Office at 303-735-6070.

E K L U N D


ABOUT THE EKLUND FAMILY OPERA PROGRAMRecognizing the importance of the arts and live-vocal performance in an increasingly distracted world, long-time Boulder resident Paul Eklund made a generous gift in October to help establish a $2 million endowment at the CU-Boulder College of Music. Funding from the endowment will help support three opera productions each academic year, the CU New Opera Workshop and an opera-scenes program for new students.

From left, Paul Eklund, Director of Opera Leigh Holman and Dean of the College of Music Robert S. Shay

| 303.492.8008 | 33

for the purchase and rehabilitation of the historic

NOMAD PLAYHOUSE1410 Quince Avenue, Boulder

M arch 6 – 8, 2015The weekend’s events to celebrate the theatre will be an eclectic performing arts lineup including film, dance, bluegrass, Irish and classical music, theatre and more!

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BenefitGala

For more information seewww.nomadplayhouse.org

Joan van Ark in My Life in ‘Logues and Songs, memories of Boulder, Broadway and beyondPete & Joan Wernick with members of The Long Road Home bluegrass band

Featuring

TARANOMAD GALA

Personnel

COLLEGE OF MUSIC ADVISORY BOARDRobert Shay, DeanJames R. Austin Chris BrauchliSteve BrunsBob BuntingJan BurtonJohn DavisPaul EklundBill ElliottMartha Coffin EvansJonathan FoxDavid FulkerGrace GammLissy GarrisonLloyd GelmanDoree HickmanDavid HummerDaryl JamesCaryl KassoyRobert KorenblatErma ManteyJoe NeglerSusan OlenwineMikhy Ritter, co-chair Becky Roser, co-chair Mark TezakJeannie ThompsonJack Walker

HONORARY DIRECTORSDean BoalBob CharlesEileen ClineDonna ErismannDave Grusin

STAFFJoan McLean Braun, Executive DirectorNick Vocatura, Operations DirectorLaima Haley, Marketing DirectorClay Evans, Communications DirectorDaniel C. Leonard, Marketing

and Public Relations CoordinatorMelinda Plett, Publications Coordinator Karen Schuster, Graphic DesignerRachel Dodson, Emily Scraggs, Amelia

Weller, Public Relations AssistantsMargaret Romero, Production AssistantAndrew Metzroth, Box Office ManagerMichael Casey, Box Office Services

CoordinatorCiara Glasheen-Artem, Sydney Bogatz,

Starla Doyal, Lucas Munce, Melanie Shaffer, Bradley Steinmeyer, Box Office Assistants

Kevin Harbison, Recording EngineerNancy Quintanilla, Financial ManagerTed Mulcahey, Piano Technician

MACKY AUDITORIUM STAFF Rudy Betancourt, DirectorJohn Jungerberg, Operations ManagerSara Krumwiede, Assistant DirectorJP Osnes, Technical DirectorRhett Snyder, Assistant Technical DirectorRojana Savoye, House ManagerNicole Anderson, Assistant House Manager

Program editor: Clay Evans Cover design: Karen Schuster

PATRON INFORMATION• CU Presents venues are fully accessible

to patrons using wheelchairs and those with other special needs. Please call the box office as early as possible at 303-492-8008 to make arrangements.

• Parking is available in the Euclid Avenue Autopark, Lot 310, and Lot 204 for $4 per evening or weekend day. Lot 380 (near Macky) is reserved for VIP members of the Artist Series. Drop-off and handicap parking is available near all venues. For more information about the best parking options for each venue, please call the box office at 303-492-8008.

• Food is permitted in seating areas of Macky Auditorium and the Mary Rippon Outdoor Theatre, but prohibited in other campus venues unless otherwise noted.

• Photographic and recording devices are prohibited.

• All programs, artists and prices are subject to change.

• All sales are final; no refunds. Subscribers may exchange tickets for another night or performance with no exchange fee; single-ticket exchanges are subject to a $3 per ticket exchange fee. Exchanges are subject to availability and must be made at least one business day prior to performance; an upgrade fee may apply.

• CU presents will hold all events as scheduled unless the CU-Boulder campus is closed due to hazardous weather. We will make every effort to notify patrons of an emergency closure as soon as the situation arises. For detailed information on the Colorado Shakespeare Festival’s rain policy, please visit coloradoshakes.org.

• Patrons are encouraged to call CU Presents at 303-492-8008 for information on the suitability of events for children.

• Patrons are encouraged to be considerate of those around you and to refrain from wearing strong fragrances.

• Can’t use your tickets? Return them to the CU Presents box office as a tax-deductible contribution prior to the beginning of the performance.

• The University of Colorado Boulder is a smoke-free campus.


303-443-3683Bowl by Hudson Beach Glass Ornaments by Fritz Lauenstein

1421 P E A R Lb o u l d e r a r t s a n d c r a f t s . com

Open 7 Days a Week. Always Free.Located on CU Main Campus

Henderson Bldg., 15th & Broadway.

303-492-6892cumuseum.colorado.edu

University of Colorado Museum of Natural History

STEPS IN STONE, WALKING THROUGH TIME

The movements of animals across the landscape are captured in the tracks they leave behind. Some tracks last only a few moments and others become fossils that

endure for millions of years.

Steps in StoneSteps in Stone is a fantastic opportunity to see amazing fossil tracks, many of which have never been on display before, and

learn about animals in ancient environments.

Cherry Creek North : Denver | Pearl Street : Boulder | Landmark : Greenwood Village

hwhome.com

We’re celebrating 15 years as a Colorado company. To us, Colorado is home. But we’ll

go to the ends of the earth to bring you the rare and beautiful. So let’s mark this 15th

anniversary with something uniquely special. Stop in and see us — Jim and Ron

CU Presents Magazine Artist Series Winter 2014, Jan. 22, 2015

Documents

Transcript of CU Presents Magazine Artist Series Winter 2014, Jan. 22, 2015