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name: Kevin Crookswebsite: www.kevin-crooks.comemail: [email protected]: 310.384.7562
WORK SAMPLES
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HEROFiltered TransparenciesInstallation, Filipa Valente, 2015WeDo Technologies User Group, Lisbon, PortugalArt Director
Filtered Transparencies attempts to create an inhabitable image. Through projecting graphics on a series of invisible porous screens the material becomes simultaneously planar and volumetric. Participants can traverse the visuals by moving between the screens or and alter/distort the content by interfacing with a sensor or manipulating the screens. As art director I designed and coordinating the fabrication of the structure and contributed conceptual and graphical content for the projections.
various environments of the installation
circulation diagram
concept diagram
context render
technical drawings
Project S’moreInstallation, Edmund Ming-Yip Kwong, 2013Materials & Applications, Silver Lake, CAProject Coordinator
Project S’more was an exercise in architecture as community builder. It created a proof of concept to replace standard hardwood housing frames with laminated plywood — a method for using a mater that yields 90% less waste. The fabrication process was driven by creating our own tools, from custom pressure forming jigs to a multitool 4’ x 10” CNC machince and router.
Fabricated through public volunteer workshops led by Oliver Hess at Aperiodic Industries, I was the project coordinator managing fabrication and construction.
installation photos
elevation
plan
panel unit connection diagram
panel assembly
panel map
cnc cut files panel rig: dimension projection
panel rig: projection alignment
panel rig: lamination
Good magazine reception and Materials & Applications staff meeting.
La Cage Aux Folles Installations, Warren Techentin Architects, 2014Materials & Applications, Silver Lake, CAProject Coordinator
La Cage aux Folles is a space-age jungle gym. Technically speaking it is an experiment in utilizing the craft of pipe bending to construct surfaces of linear strands which define variable spatial conditions in synchronicity with structural needs. It was fabricated and constructed largely through volunteer workshops. I co-directed the fabrication and construction workshops.
installation photos
19'-1 9/16"
22'-3 7/16"
3'-1 7/8"
17'-1 5/16"
circulation
corridor access to main building
elevation section
floor plan & circulation diagram
exploded unit diagram construction photos
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pipe pipe dimensions pipe construction
photographs from various events including: multimedia art installations, dance performances, and concerts.
TITLEProject info: lkajsdlkjasldkjasdjasdklajsldjalskjdklasjdasdalskjdalkjsdasjdaljsdlkjlkjlkjlkjlkjlkjlkj
Benj (Sony Records) & Cher Lloyd (Epic Records) - “What I Like” Music Video, Snow Beach Productions, 2015Production Designer
“What I Like” is a music video for new Sony Records’ signee, hip hop artist, Benj, and pop star, Cher Lloyd. The aesthetic for “What I Like” is drawn from a mix of early 1990’s hip hop, Nickelodeon cartoons and contemporary skater culture. The clients wanted poppy colors dressing a mix of urban and surrealist environments that would convey an edgy, fun, and youthful atmosphere.
“trailer”, and “living room” set stills.
“living room”, “tattoo”, and “alley“ scenes (clockwise from upper left)
“trailer”, and “living room“ sets models.
Hyatt Photobooth - “All In” CampaignInstallation, Rokkan Agency, 2014Treasure Island, Newport Beach, CA
clockwise from: constructed installation on site, construction drawings, interior views.
The “All In” installation was a photobooth with a rotating diorama foreground and a digital screen background. As the starting point of Hyatt’s campaign, participants were selected to be photographed “immersed” in 4 different adventures - destinations to which a select few winners would a vaccation.
Eureka & the BiomasssMusical, Dir. Megan Daadler, 2014 Emma Grey’s 5 Car GarageArt Director
Eureka & the Biomass is a sci-fi mini-musical in which the fallout of our current ecological conundrums set the stage for a love affair between a synthetic organism and a human being in the year 2100. Through puppeteering, original music and onstage special effects the performance will present a Beauty and the Beast for the 22nd century. As art and technical director I collaborated on conceptual and design development of the biomass creature and the set, and was the lead designer and fabricator of the Biomass’ performative skeleton and skin.
various shots from performance at Emma Gray’s 5 Car Garage.