Cristina Manzoni Architecture portfolio
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3About Me, Cristina ManzoniI obtained a MArch degree at the faculty of Architecture and society in Politecnico di Milano. The topic of my with thesis is a new understanding of the museum typology: The museum of living coexistence in Circular Quay, Syd-ney. The dissertation represents the unavoidable in-dep-th analysis of the previous project developed during a six months exchange program at the University of Techno-logy in Sydney. This unique opportunity was one of the most stimulating and rewarding experience I have had to date and it allowed me to focus on different aspects and strategies to design in a multicultural environment.
Previously I achieved a bachelor degree at the faculty of Architectures Science in Politecnico di Milano. During the three years program I spent a academic year at the Czech Technical university in Prague where I assimilated a different method to design.
In 2010 I gained my first professional experience working at DNPR Associates. Beside the intense design activity, I enjoyed the opportunity to visit construction sites of com-plex buildings, as well as, interacted with clients. During my gap year I moved to London where I first worked as a sale assistant for Geox and then I worked as an intern architect for Rabih Hage enhancing my professional skills and cultural baggage as a designer thanks to a stimulating and challenging environment.
Thanks to the daily teamwork commitments with collea-gues, as well as, many years of voluntary work for Agesci association I have a clear understanding of team-working value as a fundamental part of the organisational deve-lopment. I am able to create supportive and productive relationships with colleagues. Having considerably travel-led, lived and worked in different countries, I have gained the ability to deal with people from a wide spectrum of background, adapting my behaviour and my words to the interlocutors.
Thanks to the work experiences and my university stu-dies I gained the ability to work under pressure, often in challenging conditions and with short-term deadlines, re-specting my duties and offering excellent products, which have always been appreciated and praised from the custo-mers and colleagues.
I am able to work flexibly, learning the tasks quickly and prioritising the most important duties. I have learnt how to deal with the stress and provide the results on time, finding alternative solutions to what originally planned, solving problems in an analytical way.
My ultimate ambition is to learn new skills and improve my architecture knowledge working in a creative environ-ment. I believe I could be a valuable addition to a design team, eager to learn, improve myself and giving ideas.
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5TABLE OF CONTENTSAustralian museum of living coexistence, MCA Sydney Identity crisis, MCA, Sydney
The Theatre of Creativity, Borronis Factory, Milan
Housing Bicocca, Bicocca district, Milan
A new space for art, Porta Volta, Milan
A sustainable campus Citt Studi, Milan
Workshop UnExpected MateReality
Phisical Models
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7Graduation Project
The experience as an exchange student into the design studio Identity crisis at the University of Technology in Sydney drive me to rethink about the problematics into the area and reopen the project as my graduation thesis in Politecnico di Milano.
Graduation project, Prof. Ingrid Paoletti
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9ARCHITECTURAL DESIGN STUDIOAcademic year 2012-2013University of Technology SydneyProfessor William Feuerman
Museum of contemporary animals, Sydney
The starting point of the project was our proposal for the new Museum of Contemporary Art and Petting Zoo, de-signed in 2012. The aim of the previous project was the building to respond to its site in a way that the current museum does not. The value of the exhisting building has been argued more than once and accused to be autopoietic. Self-generating and selfmultiplying, autopoiesis is a cancerous condition manifesting itself architecturally in outbreaks of mindless, space-filling, selfreferential geometries. Situated in Circu-lar Quay and surrounded by the most identifiable buildin-gs in the country, such as the Opera House, the Harbour bridge, Sydneys ferry terminal, this building seeks to ce-lebrate rather than disregard its surrounding context. The building absorbs and emphasizes the fixed as well as chan-ging image of Sydney. The site surrounding our precedent OMAs Casa da Musica is distorted by the geometry of
the building, here our projects uses this process in re-verse; the building is shaped by the context carved out along main visual axis to the Sydneys iconic landmarks, projecting them back inside the building.Through snap-shots of context separated from program, a sequence of events is constructed which builds to a finale on the roof terrace, where the two are unified allowing visitor to reflect on the identity of Sydneys icons and by extention to the surrounding area, through the lenses of contradi-cting programmatic requirements.
Architectural design studio, Prof. William Feuerman
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Combination Matrix
Identity CrisisCriteria
Sanaa, 21st Century Museum of Contemporary Art
Circulation Circulation Circulation
Form
Landscape
ContextSecond floor plan +6.50m
Private/Public
Landscape
Visual connection
Programme
Structure
Facade
OMA, Casa da Musica
FOA, Yokohama International Port Terminal
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1 Tasmanian devil2 Dingo3 Wombat4 Dugong5 Video room
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Architectural design studio UTS, Prof. William Feuerman
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5 20
Discovering Australia Emotional and discovery process
Longitudinal section
See belowSee behind glass Face off terrace See behind window
OPEN THE CAGES
4 m
9 m
12,5 m
16 m
19,5 m
23 m
6 m
0 1 2 5 10
Architectural design studio UTS, Prof. William Feuerman
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The aim of this project is to design a unique building both in its shape and program in order to create an uncommon, exclusive well adapted to the context(s) new building. The existing building on the area, the MCA does not respond to the site and it was defined as a superimposition of dif-ferent shape boxes. It does not solve areas problems relat-ed to the use during the night and to the lack of connec-tion in between the historical quarter the Rocks and the promenade leading to the famous Opera House. On the bases of those premises our approach to the design start-ed with a strong, deep and critical analysis of the context. From such analysis it emerges the importance of the area both for the citizen and for tourists visiting Australia, it is a proper gateway of people. Such considerations encour-age us to develop a program related to sport, Australian wild nature and a museum. The heterogeneity of the pro-gram and the will of melt the function together drive us to investigate on the possibilities of hybrid architecture de-sign. We reaches a form organized in main cores hosting
the peculiar Australian habitats around which the col-lection of the museum it is unrolled; on the promenade level the sport center is developed next to a leisure side made of a restaurant and a cafeteria. All those functions are addressed to different typology of users; tourist, vis-itors, workers, citizen and animals living in the habitats. The external public space is studied to take advantage of the site stunning location with spectacular views over Sydney Harbour to the Opera House, as well as creating a new attractor point in the quay. In conclusion, the re-sulting building is well adapted to the location. Indeed it is a unique construction within the country where our ambition was to provide an alternative way to live and ex-perience common programs tied to Australian tradition.
GRADUATION PROJECT Academic year 2013-2014Professor Ingrid PaolettiGroup project
Australian MUSEUM of living Coexistence, Sydney
Graduation project, Prof. Ingrid Paoletti
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KANGAROOS
NEXT10 km
CLIMBERS
NEXT5 km
CBD USERS
NEXT10 km
TRAVELLERS
NEXT5 km
A distinctive natureNature is a precious topic for Australia. Althought, the iden-tity of all Australians is shaped by a relationship with the natural environment, the most of theme are not consciouss of the wide set of habitats.
Migrations and new nomadsCircular Quay is a neuralgic crossover for both tourists, travellers, workers and inhabitans. The context with the Opera House, Harbour Bridge, CBD and ferry terminals attracts disparate users .
National sport identitySports and activities are part of everyday life for australian inhabitants, sporting successes have assisted the emerging nation of Australia to establish its character.
A museum of coexistenceIn order to fulfill the needs of the users the essence of a new museum is the coexistence of animals living their habitat, visitors the museum and customers of the sport center and recreational center.
ree dierent programs operate togheter and
indipendently
Osmosis through programs
Relation between system and context
Dierentiation into subprograms Relation between subpro-
grams thorough Klein bottle intersection
Study of superimposition of dierent programs circula-
tions
Study of superimposi-tion of dierent
programs circulations
Morphological study
Diagramatic section of conical elements and podium
From cilindrical to conical volumes
Relation between cilindrical elements and
the context
Relation between a central volume and other spaces
through circulationAddition of two dierent programs to a third one
Volumetrical addition of a third program
Connections between dierent parts of the
programs and the public space
Massing
Plan shape of the cones
Overlap three programs
Connections between with the system and intersection with
landscape Massing study and connections between doerent
portions of the system and intersection with landscape
Ramp connection and external skin modeling
Australian Museum of livingcoexistence
Interior modeling through surfaces systems
Form finding diagrams
Graduation project, Prof. Ingrid Paoletti
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Conical volums, nucleus of the building
?!PARK ?!
PARK
?!PARK ?!
PARK
?!PARK ?!
PARK
Process
Improve the image of the site Share differences through architecture
Sports and leisure part of everyday life
A new tipology against an arts container Adaption to the context
Graduation project, Prof. Ingrid Paoletti
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ProgramLandscapeThird floorMain exhibition 2100mq
Second floorMain exhbition 1500mqTemporary 1100mq
First floor, George StreetCafeteria 45mqSeatin area 115mqService room 20mqShop 60mqEntrance 85mqHall 550mqMain exhibition 1000mqAdministration 530mqConference room 150mq
Ground floor, PromenadeDaintree habitat 680mqDesert habitat 420mqGumtree habitat 390mqRock habitat 520mqGym 350mqChanging room 110mqTechnical rooms 220mqSpa and massage 265mqSwimming pool 550mqBulder 100mqKitchen/services 130mqRestaurant/caf 850 mqInfo point 200mq
Underground floorMain exhibition 2000mqDeep water tank 560mqCoral reef tank 350mqTechnical room 210mq
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Graduation project, Prof. Ingrid Paoletti
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Third floorMain exhibition 2100mq
Second floorMain exhbition 1500mqTemporary 1100mq
First floor, George StreetCafeteria 45mqSeatin area 115mqService room 20mqShop 60mqEntrance 85mqHall 550mqMain exhibition 1000mqAdministration 530mqConference room 150mq
Ground floor, PromenadeDaintree habitat 680mqDesert habitat 420mqGumtree habitat 390mqRock habitat 520mqGym 350mqChanging room 110mqTechnical rooms 220mqSpa and massage 265mqSwimming pool 550mqBulder 100mqKitchen/services 130mqRestaurant/caf 850 mqInfo point 200mq
Underground floorMain exhibition 2000mqDeep water tank 560mqCoral reef tank 350mqTechnical room 210mq
Main entrance Upper square
Lower square Promenade
George street Under highway
1 2
3 4
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Landscape views
Graduation project, Prof. Ingrid Paoletti
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Section
AUSTRALIANMUSEUM OFLIVING COEXISTENCE
5SectionAustralian Museum of Living CoexistenceSupervisor: Ingrid Paoletti Cosupervisor: Roberto Stefano NaboniEdoardo Binda, Mattia Bravin, Cristina Manzoni
SectionGraduation project, Prof. Ingrid Paoletti
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Section
AUSTRALIANMUSEUM OFLIVING COEXISTENCE
5SectionAustralian Museum of Living CoexistenceSupervisor: Ingrid Paoletti Cosupervisor: Roberto Stefano NaboniEdoardo Binda, Mattia Bravin, Cristina Manzoni
Graduation project, Prof. Ingrid Paoletti
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1 Main hall2 Cafeteria3 Cloackroom4 Reception5 Services6 Shop7 Sculpture8 Small object9 Statues10 Conference room11 Kitchen
12 Chill out area13 Administration14 Director
Legend
Museum
5m 40m
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Climbing the rock habitat
Yoga in the gumtree forest
Entrance hall
First floor
Underground floor Swimming over the Great Barrier Reef
Museum views and leisure contacts
Graduation project, Prof. Ingrid Paoletti
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Exhibition pathFirst floor: The wild Australia Second floor: The British period Third floor: Australia Today Underground floor: The biodiversity
Circular Quay The Rock Gumtree habitat
Systems analysis Habitat units and exhibition layout
main staircasesmall statueshabitat space gallery big statues / performance space exterior
internal voidexhibition spacehabitat space exhibition space exterior
exhibition space habitat space habitat space
habitat spaceobjects exterior habitat spacegallery
gallery
staircaseexterior
habitat space statues projection exteriorexteriorexterior
main staircasesmall statueshabitat space gallery big statues / performance space exterior
internal voidexhibition spacehabitat space exhibition space exterior
exhibition space habitat space habitat space
habitat spaceobjects exterior habitat spacegallery
gallery
staircaseexterior
habitat space statues projection exteriorexteriorexterior
main staircasesmall statueshabitat space gallery big statues / performance space exterior
internal voidexhibition spacehabitat space exhibition space exterior
exhibition space habitat space habitat space
habitat spaceobjects exterior habitat spacegallery
gallery
staircaseexterior
habitat space statues projection exteriorexteriorexterior
main staircasesmall statueshabitat space gallery big statues / performance space exterior
internal voidexhibition spacehabitat space exhibition space exterior
exhibition space habitat space habitat space
habitat spaceobjects exterior habitat spacegallery
gallery
staircaseexterior
habitat space statues projection exteriorexteriorexterior Podium Double short wallWall and short wallExternal light
Double height artificial light
main staircasesmall statueshabitat space gallery big statues / performance space exterior
internal voidexhibition spacehabitat space exhibition space exterior
exhibition space habitat space habitat space
habitat spaceobjects exterior habitat spacegallery
gallery
staircaseexterior
habitat space statues projection exteriorexteriorexterior
No podiumPodium and short wall
Double height and podium
Double wallHabitat light
Graduation project, Prof. Ingrid Paoletti
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Leisure layout Dry system
Water system
Spa and thermal center
Contact between gym and rainforest habitat
Swimming pool
Scuba diving
Contact between climbin wall and rock habitat
Free space contact between rock habitat and gumtree habitat
Heater
Filter
Skimmer
Filter
Heater
Sydneys bay water
Fertilizer
Water tankWater tank
Water filtering systemEnvironmental control system
Heating/Cooling system
The heating and cooling system needs to be set-ted up on various temperature depending on the specific habitat and its temperature leap between day and night.
Light diffusion
The different materials cladding of the inner membrane allows the light to refract inside the habitat. An artificial lighting system is added both on the surfaces of the cone and the floor.
Natural ventilation
The openings on the roof are designed to as-sure a natural ventilation through the conical volume.
Graduation project, Prof. Ingrid Paoletti
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Finishing panels
Acustic insulation panels
Alluminium support frame
Device space
Steam barrier
EPS insulation layer
Steel frame
Reinforced concrete
Habitat device Solid soil for tall trees Exhibition
Final skin
Opening mapping
Paneling (1x2.5m)
Building shape
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Technology and skin
Urban section
Design steps
Graduation project, Prof. Ingrid Paoletti
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INTERIOR DESIGN STUDIOBachelor degree, Politecnico di MilanoAcademic year 2007-2008Professor Letizia CaruzzoGroup project
The THEATRE of Creativity, Borronis factory, Milan
The Borronis factory is a nineteenth-century industrial building hosting art exhibition nowadays. The main idea of the project is to recover and convert some of the factory premises in a theatre exhibition, not just with the intent of reusing a derelict building but with the aim of creating a centre of considerable cultural expansion. The commis-sioner asks us to create an eclectic space, versatile and suit-able for different needs. It involves respecting the existing proportions and details whilst introducing new materials to create a fresh new-old dialogue.The result is an Experimental theatre, where the role of the audience in the performance is fundamental and the whole project is based on this function. The theatre is a multipurpose space with a spacious terrace and small bal-conies suspended. The outdoor area can be connected to the indoor space thanks to a wide slit on the main wall.
The design take form from several references such as the Tate Modern art gallery, the project of Prometeo by Renzo Piano, Le Corbusier, boite miracle and for the steel inte-rior the Jean Nouvelles Fondazione Cartier.An accurate choice of materials has been made and the steel is predominant next to a large amount of oak wood. The detail of both the glass covering panels and the tie roads on the suspended balconies where studied carefully through physical models, sketches and modeling.
Interior design studio, Prof. Letizia Caruzzo
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5 30
Theatre into the surrounding area
Preliminar sketch
Plan level +2.00m
Experimental theatre
Longitudinal section foyer and boite
Interior design studio, Prof. Letizia Caruzzo
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5 30Cross section foyer
Interiors views
View of the opening from interior to exterior
Perspective view foyer
Perspective view foyers balcony
Perspective view foyers balcony
Interior design studio, Prof. Letizia Caruzzo
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ARCHITECTURAL DESIGN STUDIO 3Bachelor degree, Politecnico di MilanoAcademic year 2007-2008Professor Letizia CaruzzoGroup project
The first stage of planning is based on a abstract grid of 60x60m which was later superimposed onto a map of Milan. The main idea developed by the project is the use of different shapes and the composition through the row house typology which overlooks a square. The pub-lic ground floor is extremely permeable in contrast to the main elevation characterized by small squared windows.This choice highlights the relation between public and private spaces, as well as the collective spaces.The composition systems are: the unit and the proportion which means the relation between every single part and the entire building. The unit used and repeated with some variation is of 5,40x5,40metres. The building up to the fifth floor has a square hole which gives the impression of two different buildings reconnected on the last two floors in a uniformed body. The interior space is divided into housing simplex, duplex and triplex with two different
heights on the terrace and accessible thanks to a long bal-cony leading on the west side. The east elevation is like a skin placed on the body of the building defined by a series of small modular windows. A cubic opening and the stairs space out the composition of the windows. The result is a multipurpose building design using the mod-ular system.
HOUSING Bicocca, Bicocca district, Milan
Architectural composition studio, Prof. Francesco Menegatti
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5 35
Compositive exercises Grid 60mx60m
Eastern view of the building
Western view of the building Grid addition to Bicocca quarter
Third exerciseFirst exercise
Second exercise
Western section
Architectural composition studio, Prof. Francesco Menegatti
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5 35
Plans Design schemes
Column grid
Ground floor plan
Typical floor planNorth-west view
Houses typology
Shared areas
Mono 324 mqGround floor
Typical floor
Roof floor
Duplex 4966 mqTriplex 1004 mqDistributive area
Eastern section
Architectural composition studio, Prof. Francesco Menegatti
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Frontal view of the window
Detail of the vertical connection Detail of the duplexs staircase Second floor
First floor
Technological section Typical duplex designViews
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Perspective section
Architectural composition studio, Prof. Francesco Menegatti
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ARCHITECTURAL DESIGN STUDIOMSc Architecture, Politecnico di MilanoAcademic year 2011-2012Professor Cino ZucchiIndividual project
The strong historical analysis of the site drove the evo-lution of the design proposal. The urban organization of Porta Volta traces back the 15th century when the Mura Spagnole city walls defined the citys growing boundaries. After the opening of the bastion in the late 19th centu-ry, Via Alessandro Volta laid the basis for the citys ex-tension outside the ancient walls, connecting as a new, prominent urban axis the historical center with Cimitero Monumentale. The idea of recreating a physical wall along Viale Francesco Crispi both with stones and keeping the existing trees come from the history of the site and the necessity of isolating the area from the track street. The analyses of the main access point, as well as, the axes of the site drive the decision where to place the main en-trance of the building and the cut of it along Via Frances-co Bonnet the main street connecting the city center to the site.
The museum is designed as a contemporary gallery with a main hall around which unroll side activities such as the cafeteria and the book shop. Both the temporary and the permanent exhibition are designed into two distinctive branches with double high versatile spaces. The materials choices are, once again, related to the tradition of the city with Ceppo di Gr slabs covering the entire building and plane timber for the interiors.
A New ART GALLERY in Milan, Porta Volta
Design sudio I, Prof. Cino Zucchi
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5 40
MasterplanThe wall
Aerial view of the site
Eastern elevation
ArtificialNatural
DepositVertical connectionServicesDistribution spaceTemporary exhibitionMain hallCafeteriaBookshopAuditoriumPermanent exhibition
Design studio II, Prof. Cino Zucchi
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1 Timber boars 2 Porfido slabs 3 Granito stone
4 Concrete
C PlaneB Yok-elmA Magnolia
5 Ceppo di gre
A
B
C
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Materials and trees
5 40
Second floor plan +6.00m
Permanent exhibition proposal
A
A
Rotante primo sezionale n, 1991
Disco solare, 1989-1990
Orizzonte, 1958
Sfera n, 1993-1994
Foundation Arnaldo Pomodoro, 1926-Today
Frammento, LArte delluomo primordiale,Emilio Villa 2004-2008
Plan
Cross section A-A
Design sudio I, Prof. Cino Zucchi
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Roofed formed by a pre-cast reinforced concrete slab, waterproofing membrane insulator waterproofing membraneSkylightSkylight curb formed by sheet allumium flashing insulation, interlayer plywood panelSolar shading systemSlanted false ceiling formed by gypsum board aluminium c profiles
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Study of the light
Main entrance view
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B
B
Longitudinal section B-B
Design studio II, Prof. Cino Zucchi
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Main hall
Design sudio I, Prof. Cino Zucchi
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ARCHITECTURAL DESIGN STUDIO IIMSc architecture, Politecnico di MilanoAcademic year 2012-2013Professor Remo DorigatiIndividual project
A SUSTAINABLE CAMPUS, Citt Studi, Milan
Politecnico sustainable campus is a project with a view to transforming the citys university district into a campus with regard to quality of life. The aim of the project is be-coming sites of genuine exchange and interaction between the university and the surrounding community because, although the campus is architecturally integrated into the city, it is unrelated on the social aspect. An accurate analysis reveal Citt Studis district composed by different blocks of buildings. The Old block which is introvert, composed by eight buildings in a classical language, the modern area with buildings like objects into a platform creating spatial relationships only between each other. The two systems are effectively disconnected among each other, as well as, poor of designed spaces encouraging the encounter between student and citizen. The project is a pure volume that plays the role of integrator in order to combine characters of existing buildings. It is aligned to
the main people flow creating a continuous public space through the pedestrianization of via Bonardi. The area aims to be a social condenser and metropolitan urban re-source. The design of new public spaces and removal of the existing fences improve the permeability and accessibili-ty to the site, as well as the contemporary portico on the ground floor making the building almost floating instead of being a new barrier. The new multifunctional structure recreates a faade to the Politecnico filling the voids on the existing one. An underground exhibition tunnel is the physical connector among the old and modern block enhancing the importance of social common spaces ad-dressed to everyone. The spaces designed are flexible and with a variety of function such as, from the offices, small library and media library, reading room, model room, ex-hibition space and a student dormitory.
Design studio II, Prof. Remo Dorigati
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Social Infrastructure
CITY
CAMPUS
Social fragmentation Uni as close antityes Unrecognizability spaces Barrier with the city
? ??
Physical fragmentation
Need of permeability
The situation of urban campus led to search new space not always near. This situation has led to a fragmentated situation. The project wants to overlap new design elements inside the existing paths to constitute a virtual network of relations.
The size of the campus and the lack of shared spaces between the faculty has led to a fragmentated society. The strategy of the project includes the conversion and creation of spaces for studying, concentration and free time.
Currently, the campus works as a closed entity inside the city, even during the day while being open compeltamente not contain functions that can be used from outside. The creation of a social infrastructure connecting the city to the campus through the new features available for all city users.
The campus currently is using the space available in a traditional way, there are many unused spaces (roofs, gardens, the back of buildings) with a few changes its possible to offer new areas and functions. The project intends to identify those areas and allow modification and propose reuse.
Social aggregation Uni as open antityes Innovative use of spacerecognizable
Physical aggregation
Unrecognizable spacesSocial fragmentation
Data restitution General strategy Masterplan
Social aggregation
Uni as a open entity
Innovative use of the spaces
Social Infrastructure
CITY
CAMPUS
Social fragmentation Uni as close antityes Unrecognizability spaces Barrier with the city
? ??
Physical fragmentation
Need of permeability
The situation of urban campus led to search new space not always near. This situation has led to a fragmentated situation. The project wants to overlap new design elements inside the existing paths to constitute a virtual network of relations.
The size of the campus and the lack of shared spaces between the faculty has led to a fragmentated society. The strategy of the project includes the conversion and creation of spaces for studying, concentration and free time.
Currently, the campus works as a closed entity inside the city, even during the day while being open compeltamente not contain functions that can be used from outside. The creation of a social infrastructure connecting the city to the campus through the new features available for all city users.
The campus currently is using the space available in a traditional way, there are many unused spaces (roofs, gardens, the back of buildings) with a few changes its possible to offer new areas and functions. The project intends to identify those areas and allow modification and propose reuse.
Social aggregation Uni as open antityes Innovative use of spacerecognizable
Physical aggregationUni as a close entity
Barrier with the city
Need of permeability
Denition of a continuous public space in between the blocks of the campus a social condenser and metropolitan urban resource
Connection between the historical block and the new one
Improve the permeability and accessibility remov-ing the exhisting barriers
Open the area as it were a city block and create a new centrality
Redine the facade on the street
General strategy
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Denition of a continuous public space in between the blocks of the campus a social condenser and metropolitan urban resource
Connection between the historical block and the new one
Improve the permeability and accessibility remov-ing the exhisting barriers
Open the area as it were a city block and create a new centrality
Redine the facade on the street
General strategy
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Denition of a continuous public space in between the blocks of the campus a social condenser and metropolitan urban resource
Connection between the historical block and the new one
Improve the permeability and accessibility remov-ing the exhisting barriers
Open the area as it were a city block and create a new centrality
Redine the facade on the street
General strategy
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Denition of a continuous public space in between the blocks of the campus a social condenser and metropolitan urban resource
Connection between the historical block and the new one
Improve the permeability and accessibility remov-ing the exhisting barriers
Open the area as it were a city block and create a new centrality
Redine the facade on the street
General strategy
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Redefine the facade
Addition Permeability Identity
A new centrality opening the area
Removing the existing barrier
Connection between blocks
Drawing relief
North elevation
Design studio II, Prof. Remo Dorigati
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Masterplan PlanCross section B-B
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+ 0.00
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Design studio II, Prof. Remo Dorigati
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C C
Longitudinal Section C-C
Design studio II, Prof. Remo Dorigati
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47Design studio II, Prof. Remo Dorigati
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01
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0203
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05 06
Joints
ID tags & perforations
Group makingUnrolling & nesting
Final shape
Face extractionRibs extrusion
494
UnExpected MateReality.Form finding to fabrication WORKSHOP 02
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0304
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08 09
Initial mesh
Mesh iterations
Material analysis
Relaxed mesh
Analysis
Subdivision oset
Quad mesh
Triangular mesh subdivision
Interpolate curveFinal shapeForm finding workflow
Pattern workflow
Assembly workflow Final build pavillon
Final topology and final topology with pattern
Topological variation
02
030405
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0708 09
01Dene the global positionsMark the position of the
foundations and add double-sided tape
Assign each component to the right group, using color coding
First connect the components in arches, then connect the arches in a vault
Rotate the vaults 180o, then glue the piers to the ground using the double sided tape
Attach the next vault and then connect the rib Voil!
Fold and glueHere is the component!
Workshop, Prof. Ingrid Paoletti
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Model making
Handmade modelsMaterials: cardboard, acetate, PVC, twine, methyl methacrylate, foam,
Josep Maria Jujol, Patronat Obrer Theatre, Tarragona, 1908
Louis Kahn, Phillips Exeter library, Exeter, 1967-1972Urban regeneration, Porta Genova, Milan, Town planning studio
Sydney Circular Quay and the bay, Sydney, Graduation project Australian museum of living coexistence, Sydney, Graduation project
Extention of science and technology museum, Milan, Design studio I
Experimental theatre in Borronis factory, Milan, Interior design studio
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Cristina [email protected] (Skype)+39 3460127842