Creative-i_Issue02_Around_the_world

This issuersquos theme

Around the world

A CREATIVE i ON A CREATIVE WORLDA MAGAZINE BY CREATIVE COWBOY DECEMBER 2012

Angelina Pwerle Bush plum

Alick Tipoti Zugub the mask the spirits and the stars

Christopher Green at the British Library

Korean International Art Fair


Around the world






The

IssueSurvival

A CREATIVE i ON A CREATIVE WORLDA MAGAZINE BY CREATIVE COWBOY JANUARY 2012

The road toPormpuraaw

In Durrellrsquos footsteps

Shanghai moon city states

No room for me

New documentaries from Africa Australia Europe and the USA

Maasai Francis Nkodidio recipient of the Creative cowboy tertiary scholarship

Art collecting can be dangerous In search of Tongan Tapa

Cairnrsquos launch - Ken Thaiday The sea the feather and the dance machine


The earth is precious and it needs our guardianship


Creative-i provides news about Creative cowboy film projects around the world creative-i includes images of the places of the people and of the art so important to making our projects a success creative-i includes articles that relate in some way to Creative cowboy film projects articles about art and culture about places people and nature

In this issue we travel to Australia to Badu Island in the Torres Strait Utopia in Central Australia and to Pormpuraaw on the shores of the Gulf of Carpentaria

In these places we meet Aboriginal and Melanesian Australians as once again we marvel at the great diversity of the art of indigenous Australia

Back in North Queensland once more we launch Zugub the mask the spirits and the stars at the Cairns Indigenous Art Fair

Our travels also take us to Singapore China Korea England and Greece as we see first-hand just how important art is in defining cultures and ideas internationally

The rise in the appreciation of contemp-orary art in Asia is particularly remark-able and a phenomenon of our age

This is a resurgence of Asian creativity accompanied by significant investment from the regions governments through the support of major events and construction of major contemporary galleries and museums

UPCOMING ISSUE

PREVIOUS ISSUE

CURRENT ISSUE

Creative-i is published by Creative Cowboy Pty Ltd as an e-magazine and printed on demand Editorial by Peter and Andrea Hylands Photography by Andrea and Peter Hylands Design by Kai Brethouwer

Alick Tipoti Mawa Mask

wel

com

e

2

JANuARY TO MARCh 2012 Completing Central Australian projects and Bush Plum

2012 The creative cowboy year

Gladdy Kemarre Andrea Hylands and Angelina Pwerle Janet Pierce (Artlore) Gladdy Kemarre exhibition Mossenson Galleries Melbourne February 2012

Our very special thanks go to our contributors and to our customers their dedication makes Creative cowboy projects a success around the world

View a brief video clip of an Alick Tipoti performance wwwcreativecowboyfilmscomdocumentariesalick-tipoti

View a brief video clip of Bush Plum creativecowboyfilmscomdocumentariesangelina-pwerle

APRIL 2012Far North Queensland including Badu and Moa Islands in the Torres Strait April is spent with artist Alick Tipoti as we film Zugub the mask the spirits and the stars (see article page 10)

3

4

The creative cowboy year

MAY 2012England Singapore and Greece (Corfu and Athens)

We join General Manager Colin Goh in the Arts House Old Parliament Building Singapore arts are on the move in education and in the development of new gallery spaces

Athens The Elgin Marbles were purchased by the British Parliament from Lord Elgin in 1816 and presented to the British Museum

The Elgin British Museum collection includes sculptures from the Parthenon 247 feet of the original 524 feet of frieze 15 of 92 metopes 17 figures from the pediments and various other pieces of architecture

The British Museum holds about half of what survives of the Parthenon frieze The collection also includes objects from other buildings on the Acropolis the Erechtheion the Propylaia and the Temple of Athena Nike

The British Museum says

ldquoMaterial from the Parthenon was dispersed both before and after Elginrsquos time The remainder of the surviving sculptures that are not in Athens are in museums in various locations across Europe The British Museum also has other fragments from the Parthenon acquired from collections that have no connection with Lord Elginrdquo

The new Acropolis Museum minus its Elgin Marbles reflects the Parthenon

Colin Goh with Andrea and Peter Hylands

5

Restoring the Parthenon and surrounding temples

MAY 2012Greece

6

MAY 2012 From Athens and in Gerald Durrellrsquos footsteps on to Corfu

MAY 2012 Arts development Singapore style

7

JuNE 2012England

Back in England we join lsquoartist in residencersquo Christopher Green in the British Library (see article An artist in residence page 20)

JuLY 2012China and Southern and Northern Australia

In China once more we visit mega city Shanghai

AuGusT 2012Northern Australia Cairns and Cape York

And we visit Sid Bruce Short Joe in Pormpuraaw

Sid Bruce Short Joe in Pormparaaw

Shanghai Bund

The creative cowboy yearThe creative cowboy year


8

Cairns Indigenous Art Fair Lockhart River Dancers Phillip Powloo Elly Macumboy and Steven Bally

Making Kimchi Seoul style

sEPTEMBER 2012Seoul and the Korean International Art Fair Korea this time its Seoul and the Korean International Art Fair (KIAF) and we visit the cultural places of this increasingly cultural city

2013 Then on to Indiahellip

9

We are in the north of Australia and on a flight from Cairns to Horn Island in the Torres Strait Our cameras and other gear safely stashed Alick Tipoti sits across the aisle from me studying his papers

We fly low down below the Great Barrier Reef sparkles in the morning light the turquoise light as the greens and blues of water reef and sky come together in this place small waves cresting and breaking the sand yellow banks surfacing all decorated by the small white clouds that drift past my window

We head inland and across the tip of Cape York as we start our decent to Horn Island There is always the joy of arriving here the little terminal with its friendly faces this is the entry point to the Torres Strait and to Melanesian culture It is hot much hotter than Cairns further south and our cameras shut down as they acclimatise to the conditions There parked at the terminal is our small aircraft chartered to fly us to Badu Island Stacking the gear in the small hold of our aircraft the heat of the sun reflecting off the tarmac in the shimmering light the last bag now stored we climb on board

Engines on motors roar then airborne once more this time we fly even lower than before as we skim the tropical seas the Coral Sea below once the land bridge that joined the Australian mainland to New Guinea

The islands of the Torres Strait all around us heavier clouds now as storms are forecast Then Badu and Moa Islands come in to sight ahead of

us we bank across the hills of Badu and land towards the sea

Josh one of the Badu Island art centre directors is there to meet us he is a warm hearted figure enthusiastic about his role at the art centre and happy to see Alick once more There is a great deal of work to do we have a few days to shoot an important part of a complex film We start immediately There are interviews to conduct art

making and scenery to be filmed there are boat journeys and a feast with the island elders and a whole island to be explored

On the back beach on Badu Island the discussion turns to the importance of language in preserving precious indigenous cultures and customs

Zugub the mask the spirits and the stars

and so to Badu

September 2012

ALICK TIPoTI

10

ALICK TIPOTI says

ldquoLanguage stands in the middle art branches off from that performing art dance song any practice in life from our melanesian culture branches off of that

my art is based on legends of the torres Strait where I depict my interpretations of the land the sea the sky and the many different living creatures and spirits that exist here ndash as with other artists I use my art as an educational tool teaching people about important cultural events practices and beliefs from the pastrdquo Central to Alickrsquos work is the importance of language and how preserving the languages of the Torres Strait will benefit the preservation and revival of culture in these beautiful islands In all our minds we see language as a container a vessel that holds culture safe a protector from the overwhelming influences washing on to these shores

The recent past has not been easy for Indigenous people in North Queensland (Torres Strait is in North Queensland) The role that art has

played in reviving and restoring culture in the last 20 years or so is an important one in one way a kind of healing of the wounds of the past Alick is one of the leaders of this artistic revival through visual art music and dance

Visual art is made powerful when it is combined with music and dance That is of course the way it has always been in Aboriginal and Melanesian culture since deep time

In Queensland the place in Australia where Aboriginal and Torres Strait cultures come together there has been a remarkable resurgence and a growing international interest in the art and culture of this place

The regionrsquos art centres have played their part in this bounce back of culture and their meeting place with the world the Cairns Indigenous Art Fair has become their stage

ldquoAll the winds do belong to themrdquo

You can watch the clip by following the link

creativecowboyfilmscomdocumentariesalick-tipoti

The DVD of the film Alick Tipoti Zugub the mask the spirits and the stars can be purchased from creativecowboyfilmscomproducts-page

Zugubal dancers preparing for dance shoot

Peter Hylands and Rob Pignolet

Heading home

Visual art is made powerful when it is combined with music and dance

11

We join PETER CHURCHER in Spain In the studio there is a sense of stillness In the narrow streets below the shops restaurants and markets of Barcelona are as busy as they have always been

In the Creative cowboy film A portrait in Barcelona Peter Churcher paints a portrait of ANDREA and PETER HYLANDS

What is it like to have your portrait painted and why do people commission these paintings How is the portrait constructed and how does the artist capture a likeness How does history influence the art of portraiture

By way of introduction PETER CHURCHERrsquos paintings deal primarily with the human subject in portraiture and group figure narrative subjects

ldquoI have been primarily concerned with the painting of the human figure in a

Fig 48 Caption Nelson and his warriors

A portrait in barcelona

PETER CHURCHER

narrative context and the depiction of the human presence - that is the portraitrdquo

PETER CHURCHER was selected by the Australian War Memorial to be the official Australian war artist for the War on Terrorism in 2002 and he sketched and painted the operations of the Royal Australian Navy and Royal Australian Air Force at that time A selection of these paintings is held by the Australian War Memorial

STEVE GOWER then Director Australian War Memorial said

ldquoPETER spent time with the Royal Australian Navy in the Persian Gulf and the Royal Australian Air Force on the island of Diego Garcia in the Indian Ocean His responses to the people events and environments have resulted in an impressive body of work The technological and mechanical aspects of modern warfare are captured in his works as well as the human

PETER was chosen for the diversity range and directness of his painting His appointment continues a long

established tradition which began during the First World War and continued through the Second World War and conflicts in Korea Vietnam and East Timor PETERrsquos work provides a valuable and unique insight into the role of Australiarsquos forces in this very important commitmentrdquo

Creative cowboyrsquos first film about the work of PETER CHURCHER was called The master at work and was filmed in Australia PETER and his family then moved to Barcelona where he now lives and works

A portrait in Barcelona was filmed during the early Spanish summer These were days of golden sunlight of food of wine and conversation The only interruption to our tranquillity the spontaneous protests from the balconies and streets of BarcelonaAnd we visit the National Portrait Gallery in London to find out more about the art of portraiture

In the film PETER CHURCHER and PETER HYLANDS discuss the idea of capturing a likeness and we come to understand how intangible this process can be There is a sense that there is more to capturing a likeness in an oil painting than meets the eye there seems to be something more than the image itself

PETER HYLANDS I just want to come back to this issue of likeness because that is what I find so fascinating how that occurs how somebodyrsquos face on canvas looks like a real face looks like their face There is obviously a great skill in doing that How do you sense that works in the way that you paint

I just want to come back to this issue of likenesshellip

12

complex far more about the moment in the room the light hitting the face something like that I donrsquot know

PETER HYLANDS Itrsquos beyond the image itself

PETER CHURCHER It is beyond the image yes and capturing likeness from a photograph providing you have got the basic skills is an easy task because you have got it all there in front of you

and it is just a matter of transferring it on to the canvas really

What is difficult is getting a likeness where someone walks in and goes oh yes that is him or that is her meaning yes it looks like him but it is not just that

Yes it is him

PETER CHURCHER The whole concept of getting a likeness is very peculiar because in a sense probably some of the greatest likenesses I have ever captured are when I was not even trying to get a likeness or not even thinking about it In other words I was just sketching a person in a room and I was not trying to portray their likeness What I am trying to say is sometimes the more you think about getting a likeness the further you get away from it

You have to trust your initial instincts in what you observe The other curious thing about likeness and I always have this sensation when I am painting portraits and I often do take some photographs because they can be useful after sessions are over and the sitters have gone I can use the photographs to refer to for little details in the portrait like the clothing or a hand or something that still needs some finishing So they are useful for that

The funny thing that I always find is that I have observed the sitter say at the first sitting I then take the photographs and I go and get them developed and look at those photographs and they look nothing like what I was seeing that morning or the day before We all regard the photograph as a true perfect likeness curiously I find that they are not and I find them quite useless in a sense in terms of capturing a personrsquos likeness

So clearly there is something going on about a likeness that does not go on in a photograph even though one looks at a photograph and recognises it as the person There is something that goes on in a painting that I think is far more


creativecowboyfilmscomthe-likeness-in-us

The DVD of the film A portrait in Barcelona and The master at work can be purchased from the Creative cowboy shop

creativecowboyfilmscomproducts-page

13

The track overgrown with Buffel Grass

Tracking north to Alice Springs

metapatterns below

bush plum culture and nature

The metapatterns of nature of science of art and everything are down below We are flying over Lake Eyre and then tracking north to Alice Springs the final destination on this trip

The patterns that emerge could be an image from an electron microscope or a view of distant galaxies through the eye of the Hubble Space Telescope The repeated patterns of nature are all clear in the dry air a micro-organism a leaf in a galaxy all in art and design

It is not surprising that the art of Central Australia has become one of the worldrsquos most significant contemporary art movements with its startling explosions of colour and form

14

Down below are the ancient trading routes of Australiarsquos Aboriginal people These ancient pathways of trade following the rivers and waterholes routes that were also the paths of dreaming ancestors

Down below are the ancient rivers of sand of the Lake Eyre Basin Their names resonate in the European history of Australia the rivers that flow when Queensland floods the Georgina Diamantina Thomson and Barcoo Rivers and Cooper Creek Then there are the rivers of central Australia such as the Finke all flowing into Lake Eyre where the water remains until once again it evaporates in the shimmering heat to reveal the dazzling salt pans once more

The rivers have flowed for consecutive seasons in Central Australia after years of drought and during a much needed

wetter period have kicked started the nature of Australia In these precious places nature responds to water in the most extraordinary ways allowing many species to breed and to increase dwindling numbers once more

We are working down there in a place we have always loved So what is it like It is both a harsh land and a delicate land To walk on the pristine untrodden river beds of sand seems a desecration of the patterns of nature a hundred different impressions in the miniature sand dunes left there by the birds marsupials and reptiles that inhabit this land

In the previous issue of Creative-i we write about the impact of our actions on the traditional lives of indigenous peoples Even the remotest parts of Central Australia are not immune from our actions

For now freshwater ecosystems may not be as damaged as those elsewhere in Australia but they are under threat from introduced species from domestic herds destroying precious waterholes and riverside vegetation and the thoughtless actions of introducing plant species into the delicate and arid environment These ancient and arid landscapes provide us with a sensitive record of environmental change The Centrersquos transverse and longitudinal dunes sensitive to small changes in both climate and hydrology

The recent great wets of Northern Australia have further distributed the introduced African species Buffel Grass The Buffel Grass now covers large areas of the country around Alice Springs displacing native grasses After the wet period the now dry Buffel Grass stands waste high covering the desert floor When it burns it burns much hotter than the more delicate native grasses and when it burns the intense heat kills the native animals who cannot escape from it and the desert trees and shrubs adapted to lower intensity fire

Once again this damages the traditional food supply of indigenous people who rely on the fruit and roots of native

Angelina and Gladdy walking in the dry river bed Utopia Rock Wallaby Central Bearded Dragon

15

plants such as the Bush Plum The situation also represents a danger to people particularly indigenous people living in remote places During August much of the area around Alice Springs was on fire by mid August 2011 more than 650 square kilometres of country surrounding Alice Springs had been burnt destroying ecosystems and polluting the atmosphere

And worst to come will be the danger posed to Australiarsquos Great Artesian Basin and the major river flows into the Lake Eyre Basin from coal seam gas extraction processes occurring in Queensland and the little understood impact of these activities on aquifers and natural water systems The Lake Eyre Basin covers around 1170000 square kilometres of arid and semi-arid Central Australia There is a lot to lose

Camel Camp

Nearly a quarter of a century has passed since we first crossed the sandy river bed and drove through the lsquofront gatersquo and into Utopia Utopia an area of just under 2000 square kilometres to the North East of Alice Springs is semi-arid desert country inhabited by

Aboriginal people An art movement has flourished here and from the mid 1970s non traditional media such as acrylic paint and canvas have been used

Aboriginal art of course means a continent of creativity a vast range of styles and materials depending on the region and its cultural traditions

Aboriginal art of course means a continent of creativity a vast range of styles and materials depending on the region and its cultural traditions This is part of why collecting Aboriginal art is such a complex enthralling and engaging thing to do It is the great art of survival the cultural maps of food and water it is the art of the spiritual the recognition of connection to place and the land It represents the constant monitoring of the land not stilled by time but always contemporary and enquiring

Utopia has been particularly important in the recent history of Aboriginal art and cultural practice as it was the heart of a womensrsquo art movement of considerable distinction producing now internationally famous women artists

their work including batiks carvings and paintings on canvas These works are embodied with traditional meaning and are a spiritual and historical record of culture and law

This was to be the second of three journeys over a period of two months filming Bush plum our film project from the region Fires still burning around us as they had done two months earlier we made the 250 kilometre journey to our destination on Utopia Along bitumen covered roads at first and then an hour or so to the north of Alice Springs the turn off and onto the sandy bush roads of the Northern Territory which lead us to Utopia We rattle our way along the sandy tracks clouds of dust trailing behind us

On this journey we are taking two four-wheel drive vehicles full of supplies our swags a great deal of water and of course a lot of technology cameras computers sound recording equipment and lots more There are eight of us two our Aboriginal friends sharing their knowledge of country and culture

We see more and more wildlife the Wedge-tailed Eagles and other birds of

After the fire

16

Angelina with Bush Plum

Crew Utopia

17

prey and here in the lizard kingdom it is not hard to spot a large Sand Monitor (Goanna) or a Dragon catching the early morning sun on the sandy roadway their numbers boosted by the large mouse plague a great feast that accompanied the unusually wet seasons in Central Australia

the bearded Dragons sit dangerously on the road and try to defy any attempts to move them to a safer spot happily we were more stubborn than they were

The Bearded Dragons sit dangerously on the road and try to defy any attempts to move them to a safer spot happily we were more stubborn than they were

The Central Netted Dragons scurry off the road in front of us leaving their smaller footprints in the sand Here the shy Perentie (Australiarsquos largest monitor) also lives elusive despite its considerable size These lizards part of dreaming important in Aboriginal culture

There was a gallery of reptile species suddenly a King Brown glides its way across the road in front of us only slightly smaller than the Australiarsquos Taipan the King Brown or Mulga Snake can reach three metres in length and because of its size produces large quantities of venom This is a place where you keep your eyes firmly to the ground and where you avoid walking through clumps of long grass We tread carefully on country The King Brown

because of its size is easier to spot The Desert Death Adder is almost impossible to see with all its camouflage and relatively small size We stop every few minutes cameras at the ready as some of the reptiles obligingly allow us to film them and do so even in macro

The flowers are out too framed by their background the red earth of Central Australia the Billybutton Sturtrsquos Desert Rose the floral emblem of the Northern Territory of Australia and the Bush Plum

Australian Deserts these semi-arid lands can have a relatively significant cover of vegetation species adapted to these harsh conditions with a complex range of mechanisms to ensure their survival There are deserts or parts of deserts in Australia with a lower density of vegetation the Stony Desert and in parts the bare windswept crests of the Simpson Desert

The flourishing native plant life in parts of arid Australia tricking the early settlers into believing these lands could be used for farming History tells us that there was a mass extinction of native species in Central Australia in the 1930s because of the introduction of feral predators among them cats

Angelina painting at Camel Camp


18

and foxes inappropriate land use and increasing non-indigenous settlement of the region

Among the animals to become extinct was the Desert Rat-kangaroo adapted to the harshest conditions in Australia but sadly no match for European settlement By a trick of language the exterminators of this beautiful animal can reassure themselves that nothing of great value has been lost These dramatic changes once again diminishing the traditional food supply for Indigenous Australians

Through the Utopia front gate and we take the track to the small outstation where we are working Here there are traditional bush shelters and a largely traditional life of hunting and gathering

On this occasion the camp food supply is supplemented by the tucker the fruit and other goodies that we had taken with us We pull up at the camp and are greeted by everyone The place is full of smiling faces and the wagging tails of the camp dogs

It is great to be back

The arid lands of Central Australia a smoke haze as the fires burn all around us

Recording songs Camel Camp


creativecowboyfilmscomtalking-utopia

creativecowboyfilmscomdocumentariesangelina-pwerle

19

It is a chilly summer in London as the Gulf Stream wobbles and the Jet Stream heads south the rain pours down

In a much warmer place CHRISTOPHER GREEN is in the Scholars Room in the British Library at the libraryrsquos St Pancras London home

CHRISTOPHER is the British Library artist in residence for 2012 and he is the first artist in residence at the library CHRISTOPHER is a writer and performer and friend

LONDON

An artist in residence

CHRISToPHER GREEN

20

CHRISTOPHER says

ldquoI use comedy theatre live art cabaret and music to make interactive experiential work from intimate gigs to large scale immersive theatrical happeningsrdquo

Among other things CHRISTOPHER Green is Tina C a global music superstar Ida Barr rapping pensioner and Dr Jedd OrsquoSulli-van US cultural critic

The great thing about library residences is that they are an extraordinary moment for research and access to great collections Access to these collections means creativity and ideas that come from unexpected places

In exploring these vast collections you never know what you will find and what you do discover is a resource that is likely to last you for a very long time indeed

The great thing about the British Library is that it is a storehouse of knowledge a stunning collection of 150 million items with an additional 3 million items being added each year

What is here Well it is hard to start but the collection includes Magna Carta Lindisfarne Gospels Leonardo da Vincirsquos Notebook Beatles manuscripts and the recording of Nelson Mandelarsquos Rivonia trial speech The list of great things goes ever on The logistics of delivering all this information are also immense

For CHRISTOPHER the work at hand is to investigate the history of hypnosis in the British Libraryrsquos collections and we discuss his work sitting in the warmth of the British Libraryrsquos scholars room

PETER HYLANDS I was thinking about advice to young people who want to become performers How did you get into this

CHRISTOPHER GREEN In the last few years I have been asked to go to performing arts places and give advice in an erudite way and I never get asked to go back twice because I always say that if you can do something else do that and really try your best not to do it

ldquotina C is one of the great comic creations of the age A genuinely fine country singer but with a twist of satire and insight which is rare and to be highly prizedrdquo

STEPHEN FRY

PETER HYLANDS But it is not an obvious route to getting into the industry

CHRISTOPHER GREEN it is not I tried my best not to be a performer because I thought it was too scary and risky and it would just not go away as an idea Well I did a degree and I started a masters and I left that to work in television and I worked in television for a long time during my twenties

I think looking back it was the best training so what I would say to people who want to be performers is that you have got to work hard but also do something else because it will really inform when you start making work

I think it is really hard to start making work if you have not lived very much then your work becomes very parodic of everyone else and everything else you are seeing

Our thanks to the British Library for their hospitality and kindness

Christopher Green Mel Rouse and Peter Hylands at the British Library

You can listen to Christopher on

creativecowboyfilmscomchristopher-green

21

e(merge)

beIjINg gt CANberrA

Leaving Shanghai for now ANDREA and I packed our cases for our trip to Australia a few days earlier and further to the north and in Beijing HU QINWU was also packing as he prepared to make the long journey south to attend the exhibition E(merge) two spiritualities at the Drill Hall Gallery Australian National University (ANU) Canberra

A quick dash via Sydney to Melbourne to drop off some materials the following morning I was back on the plane and on my way to Canberra

E(merge) two spiritualities is an exhibition of the work of ANGELINA PWERLE and HU QINWU previously shown at the Space Station Gallery in Beijing this was the exhibitions first Australian showing

Hu Qinwu in Canberra

22

ANGELINA was born in 1946 at Utopia some 250 kilometres north-east of Alice Springs HU QINWU was born in 1969 in Shandong China both artists drawn together in one place by their art and the spirituality of their ancient traditions The works in the exhibition create a space of harmony and reflection a peaceful place in this world

Both cultures steeped in wisdoms of the earth

Part of the exhibition Creative cowboy filmsrsquo Bush Plum the contemporary art of Angelina Pwerle was shown continually during E(merge) two spiritualities at the Drill Hall Gallery at the ANU E(merge) two spiritualities was an initiative of China Art Projects and Niagara Galleries Artlore

The exhibition was curated by REG NEWITT and the exhibition was opened by Professor MICK DODSON AM Director of the National Centre for Indigenous Studies at the ANU

MICK a significant leadership figure in Australia and former Australian of the year has recently returned to Canberra after a stint as Chair of Australian studies at Harvard University

ldquoThe Drill Hall Gallery is an enthusiastic supporter of indigenous arts and indeed indigenous artists The National Centre for Indigenous Studies at the ANU is also deeply committed to broadening cross cultural understanding and seeing the depth of excellence of work

here this evening and acknowledging the initiative and vision of the gallery in bringing together and allowing us to the opportunity of experiencing and celebrating two spiritualities

I am very happy to open this exhibition

2011 and 2012 is a celebratory year for Chinese and Australian cultural interaction and to mark this important relationship this exhibition brings together the work of two painters from two ancient cultures

When I looked at the catalogue I said wow look at this thousands of kilometres apart many cultures separating them what a wonderful presentation of two ancient cultures

I canrsquot help and I guess everybody else canrsquot help seeing the similarities and of course the difference Their art shares spiritual sensibilities and indeed connections to ancient landsrdquo

Professor Mick Dodson and gallery director Nancy Sever

their art shares spiritual sensibilities and indeed connections to ancient lands

23

September 2012

Art and Seoul

Interior Leeum Samsung Museum of Art

In September 2012 ANDREA and I visited Korea to attend the Korean International Art Fair (KIAF) As always the numbers of Koreans attending events was huge and again the vast halls at COEX filled rapidly

24

Gallery ex machina London Right gallery director SooJIN CHEoNG centre British artist ADAM GREEN with JEEHo PARK

Arte ALLIMITE Santiago Chile Artist CHRISToBAL ANWANDTER and gallery director ANA MARIA MATTHEI


KIAF was first held in 2002 Its chair of the operating committee PYO MI-SUN says

ldquoKIAF has been performing as an annual cross venue for art professionals where they share ideas and opinions on Korean and Asian contemporary art One of our key objectives includes introducing Korean artists to the global art worldrdquo

Of the 181 galleries exhibiting at KIAF in 2012 120 were Korean with a further 61 galleries attending from abroad Happily for us this yearrsquos lsquoguest region of honourrsquo was Latin America This gave ANDREA and I a chance to catch up with galleries from across South America The Creative cowboy crew are planning an extensive trip through South America to begin research for new films on the art cultures and nature of this region

KIAF now stands with the worldrsquos major international art fairs which include the Armory Show in New York Art Basel in Switzerland Frieze Art Fair and the Scope London Art Fair Foire Internationale drsquoArt Contemporain France In the Asia Pacific region there are emerging international art fairs which include the Hong Kong International Art Fair (Hong Kong is rapidly becoming a major centre for international contemporary art) the Shanghai Art Fair and the Melbourne Art Fair

Creative cowboyrsquos film Bush Plum the contemporary art of Angelina Pwerle was shown throughout the duration of KIAF ANGELINA is represented by Niagara Galleries Melbourne and Niagara Galleries were one of five Australian galleries attending the art fair

KIAF gave us the opportunity and we spent the 5 days of the fair looking at the art to update ourselves on the artists and art of the region

25

There were also days for visiting the galleries of Korea one such trip to Leeum Samsung Museum of Art one of the most beautiful small museums of art in the world this is a day well spent

The collection includes Korean traditional art modern contemporary and experimental art The museumrsquos ARTSPECTRUM 2012 show was also open on the day we visited exhibiting the works of a group of highly skilful Korean artists Media included photography and moving image and installation works

Then a visit to SEMA the Seoul Museum of Modern Art another contemporary art space with a large number of multimedia works again this was a very worthwhile experience

We also made two visits to the National Museum of Korea (Seoul) which houses an extensive collection of Korean and Asian art from prehistory on A sign in the foyer of this very large museum says that it is the ninth most visited museum in the world It is not hard to

imagine the complexity of the museums history and the dedication of its staff that has ensured the safe passage of so many precious items through all the upheavals of Korean history

In 2005 the museum moved to its new home in the Yongsan complex in the Central District of Seoul and in scale the National Museum of Korea is one of the six largest museums in the world The museumrsquos collection is now being expanded to cover works from Northeast Asia Southeast Asia Central Asia and Western Asia and recent expansion has allowed the museum to build its activities across the museumrsquos four fields of archaeology fine art history and Asian art This again is an impressive institution housed in an extraordinary building

There were visits to historical places including the Jongmyo Shrine the keeping place for the ancestral tablets of deceased kings and queens The original shrine was built in 1395 This shrine was destroyed in 1592 during the Japanese invasion of that time

What exists today was built in 1608

Of all the Confucian states in Asia only Korea has preserved its royal shrine where the rites of Jongmyo Jerye and Jongmyo Jeryeak are still performed In 1995 Jongmyo was placed on the UNESCO World Heritage List and in 2001 the royal ancestral rites and music Jongmyo Jerye and Jongmyo Jeryeak were given Masterpieces of the Oral and Intangible Heritage of Humanity status by UNESCO

Always with an eye out for nature we visited the Natural History Museum so that provided an opportunity to reflect on the natural history of Korea

Creative cowboy director ANDREA HYLANDS has a number of her artworks in public collections in Korea Japan China and Taiwan so this trip to Korea was a chance to catch up with curators

Heading out of Seoul one morning we visited the City of Icheon where museum visits had been arranged for us The three cities of Icheon Gwangju

Galaria Del Paseo Manantiales Uruguay Left to right SILvIA ARRoZES (director) and CECILIA STEIN

National Museum of Korea

26

and Yeoju in Gyeoggi-do province are famous as the centres of Korean ceramic culture In Icheon we visit the World Ceramic Exposition Foundation (WOCEF) and its museums

Here we looked at a major collection of contemporary ceramics from around the world and a collection of national treasures of celadon ware

Back in Seoul there were walks around city street dinners in great restaurants a highlight a meal at the Sanchon Restaurant with its Korean temple cooking Here we sat on the floor at low tables and watched Korean traditional dance

As with all these trips time passes too quickly and so it was that we found ourselves heading back to the airport

Jongmyo Shrine

Lim Inyoung Andrea Hylands Kim Gwang-Rae Korean Ceramic Foundation

Cover image Alick Tipoti photo by Andrea Hylands Back cover image Zugubal dancers photo by Peter Hylands

27

28


Around the world






The

IssueSurvival


The road toPormpuraaw

In Durrellrsquos footsteps

Shanghai moon city states

No room for me

New documentaries from Africa Australia Europe and the USA

Maasai Francis Nkodidio recipient of the Creative cowboy tertiary scholarship

Art collecting can be dangerous In search of Tongan Tapa

Cairnrsquos launch - Ken Thaiday The sea the feather and the dance machine


The earth is precious and it needs our guardianship


Creative-i provides news about Creative cowboy film projects around the world creative-i includes images of the places of the people and of the art so important to making our projects a success creative-i includes articles that relate in some way to Creative cowboy film projects articles about art and culture about places people and nature

In this issue we travel to Australia to Badu Island in the Torres Strait Utopia in Central Australia and to Pormpuraaw on the shores of the Gulf of Carpentaria

In these places we meet Aboriginal and Melanesian Australians as once again we marvel at the great diversity of the art of indigenous Australia

Back in North Queensland once more we launch Zugub the mask the spirits and the stars at the Cairns Indigenous Art Fair

Our travels also take us to Singapore China Korea England and Greece as we see first-hand just how important art is in defining cultures and ideas internationally

The rise in the appreciation of contemp-orary art in Asia is particularly remark-able and a phenomenon of our age

This is a resurgence of Asian creativity accompanied by significant investment from the regions governments through the support of major events and construction of major contemporary galleries and museums

UPCOMING ISSUE

PREVIOUS ISSUE

CURRENT ISSUE

Creative-i is published by Creative Cowboy Pty Ltd as an e-magazine and printed on demand Editorial by Peter and Andrea Hylands Photography by Andrea and Peter Hylands Design by Kai Brethouwer

Alick Tipoti Mawa Mask

wel

com

e

2








3

4











5


MAY 2012Greece

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7

JuNE 2012England







Shanghai Bund



8





9











and so to Badu

September 2012

ALICK TIPoTI

10

ALICK TIPOTI says














Heading home


11








PETER CHURCHER












12






Yes it is him









13



metapatterns below





14











15



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28








3

4











5


MAY 2012Greece

6



7

JuNE 2012England







Shanghai Bund



8





9











and so to Badu

September 2012

ALICK TIPoTI

10

ALICK TIPOTI says














Heading home


11








PETER CHURCHER












12






Yes it is him









13



metapatterns below





14











15



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28

4











5


MAY 2012Greece

6



7

JuNE 2012England







Shanghai Bund



8





9











and so to Badu

September 2012

ALICK TIPoTI

10

ALICK TIPOTI says














Heading home


11








PETER CHURCHER












12






Yes it is him









13



metapatterns below





14











15



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28


5


MAY 2012Greece

6



7

JuNE 2012England







Shanghai Bund



8





9











and so to Badu

September 2012

ALICK TIPoTI

10

ALICK TIPOTI says














Heading home


11








PETER CHURCHER












12






Yes it is him









13



metapatterns below





14











15



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28


MAY 2012Greece

6



7

JuNE 2012England







Shanghai Bund



8





9











and so to Badu

September 2012

ALICK TIPoTI

10

ALICK TIPOTI says














Heading home


11








PETER CHURCHER












12






Yes it is him









13



metapatterns below





14











15



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28



7

JuNE 2012England







Shanghai Bund



8





9











and so to Badu

September 2012

ALICK TIPoTI

10

ALICK TIPOTI says














Heading home


11








PETER CHURCHER












12






Yes it is him









13



metapatterns below





14











15



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28

JuNE 2012England







Shanghai Bund



8





9











and so to Badu

September 2012

ALICK TIPoTI

10

ALICK TIPOTI says














Heading home


11








PETER CHURCHER












12






Yes it is him









13



metapatterns below





14











15



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28





9











and so to Badu

September 2012

ALICK TIPoTI

10

ALICK TIPOTI says














Heading home


11








PETER CHURCHER












12






Yes it is him









13



metapatterns below





14











15



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28











and so to Badu

September 2012

ALICK TIPoTI

10

ALICK TIPOTI says














Heading home


11








PETER CHURCHER












12






Yes it is him









13



metapatterns below





14











15



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28

ALICK TIPOTI says














Heading home


11








PETER CHURCHER












12






Yes it is him









13



metapatterns below





14











15



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28








PETER CHURCHER












12






Yes it is him









13



metapatterns below





14











15



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28






Yes it is him









13



metapatterns below





14











15



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28



metapatterns below





14











15



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28











15



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28



Camel Camp










After the fire

16


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28


Crew Utopia

17












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28












18











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28











19




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28




LONDON


CHRISToPHER GREEN

20

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28

CHRISTOPHER says











STEPHEN FRY









21

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28

e(merge)

beIjINg gt CANberrA





22














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28














23

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28

September 2012

Art and Seoul



24










25















26





Jongmyo Shrine



27

28










25















26





Jongmyo Shrine



27

28















26





Jongmyo Shrine



27

28





Jongmyo Shrine



27

28

Creative-i_Issue02_Around_the_world

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Transcript of Creative-i_Issue02_Around_the_world