Crafting Ireland Issue 9

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Issue 9 - 16 April 2012 Ireland’s first online craft magazine .... Inside this issue Embossing Tricks Altered Canvas Single Layered Cards

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Issue 9 of Crafting Ireland, Ireland's first free online craft magazine.

Transcript of Crafting Ireland Issue 9

Page 1: Crafting Ireland Issue 9

Issue 9 - 16 April 2012

I re land’s f i rs t onl ine craf t magazine. . . .

Inside th is issue

Embossing Tr icks

Al tered Canvas

Single L ayered Cards

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WELCOME to Issue 9 of Crafting Ireland!

As always we have a fun tutorial packed issue for you all. We

have another guest contributor—Frances Peets. If you would

like to submit to be a guest contributor send us an email with an

outline of your proposed tutorial.

We have exciting news in this issue. We are organising a Crafting

Ireland crop on the 26th May, in Athlone. We want to get all our

readers together for a fun and crafty day out. Best of all it is su-

per adorable at only €5 for entry for the whole day. There will

be a raffle for crafty prizes as well as demos and snacks through-

out the day. Visit our website here for details and booking!

We also have our new submissions email address which is

Submit your work - find out more at www.craftingirelandonline.ie

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[email protected].

Don’t forget you can keep up to date with us on our BLOG

WEBSITE and FACEBOOK page.

Special Contributors

Frances Peets

Felicia Thomas

Nico le T i m i

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E d i t o r s n o t e . . . . . . . . p 2

D e s i g n Te a m C a l l . . . . . . . . p 6

A b o u t U s . . . . . . . . p 8

Fa u x L e a t h e r P h o t o C o r n e r s . . . . . . . . p 1 2

R e a d e r G i v e a w a y. . . . . . . . p 1 4

P r o d u c t r e v i e w. . . . . . . . p 1 6

S i n g l e L a y e r e d C a r d s . . . . . . . . p 2 2

S u b m i s s i o n s . . . . . . . . p 2 7

A l t e r i n g W i t h E m b o s s i n g P o w d e r. . . . . . . . p 3 0

A l t e r e d A d d r e s s C a r d s . . . . . . . . p 3 4

M e m o r y J a r. . . . . . . . p 3 7

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C l a s s e s a n d C r o p s . . . . . . . . p 4 0

A l t e r e d C a n v a s . . . . . . . p 4 2

S p o t l i g h t o n K a t e Wa l s h . . . . . . . . p 4 6

C ra f t y S t o ra g e I d e a s . . . . . . . . p 5 5

C ra f t i n g o n a B u d g e t . . . . . . . . p 5 8

H a t b ox . . . . . . . . p 6 6

F e a t u r e d We b s i t e . . . . . . . . p 6 9

B a c k t o B a s i c s . . . . . . . . p 7 4

P r o c e s s i n g P h o t o s f o r B l o g g e r s . . . . . . . . p 7 8

S c ra p z v i l l e S w a p . . . . . . . . p 8 4

C h a l l e n g e W i n n e r. . . . . . . . p 8 6

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Design Team Call

Crafting Ireland is looking for enthusiastic crafters who have a passion for paper crafting and would like to share their own tutorials and ideas. What we are looking for: Two projects every six weeks with step by step

photo or video tutorials Good photography skills for suitable images

for publication in the magazine We are looking for card makers, scrapbookers,

altered art creators and any other type of pa-per crafters out there!

Keep your personal blog up to date Active participation on Social Media sites, in-

cluding Crafting Ireland’s Facebook page and blog

The term is for five issues of the magazine, starting in Issue 11

In return you will be published in the magazine

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and featured as a regular contributor. You will also have a feature on our website, in-cluding a link to your personal blog. You may al-so receive occasional items from sponsors. To enter: Submit photos of five of your favourite pro-

jects that highlight your style and skills Try to include one project, or link to a blog

post/project that shows your ability to write a crafty tutorial

Write a short biography about yourself and tell us why you would fit on our design team

Entry is open to everyone, regardless of geo-graphic location

Email your submission to [email protected]

Submission deadline: 14th May Date of Announcement: 28th May

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We decided it was about time to introduce ourselves fully to our readers as we have not done this before. We want to tell you’re a little bit about our-selves and why we set up the magazine.

Nicole Mullen Hi everyone! So where to begin? I am from Dublin, Ireland. I am Chief Editor of Crafting Ireland. What does this mean? Mostly that I correct Timi’s grammar :) Her English is fantastic and definetly much better than my Hungarian, so luckily she does not give me too much work to do! I have always been crafty, I used to paint a lot and then progressed into paper crafting a few years ago. I love anything crafty, even DIY on my house, but particularily card making. I love the fact that it is so quick to get a project fully finished, where mini albums etc take much more time. I have recently started to get into Art Journalling and I am hooked. I am not the greatest artist, but it allows me to throw paint

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and colour onto pages, doodle and just let my imagination go free. It is very liberating and great to fit in to a spare 15 minutes in the the evenings! I work full time as a Training Officer for a Irish charity, so my spare time gets filled with crafty fun. When I first got the idea to start the magazine it was because I was getting frustrated with the UK and American magazines. They all had fantastic tips and tutorials. But I found that I had to spend a fortune on supplies to create most of the projects. In the case of the American magazines, half the time you could not even get the required supplies here in Ireland. So I approached Timi about creating a magazine that would work for the Irish market. We use supplies that are available in Ireland, or can be obtained with reasonable shipping. We also try to get a lot of use out of our existing supplies because, like everyone, recession has hit us too! We do make sure the magazine has appeal to everyone across the world though. Our readership figures show readers from places like Ireland, the UK, Europe, Russia, America, South America, Brazil, India, Mongolia, Saudi Arabia and as far afield as Trinidad and Tobago just to name a few. It is really great to see we have such a world wide appeal. I find inspiration from hopping around blogs, Pinterest and then just random ideas that pop into my head! I dont have a set style, it really depends what mood I am in. I perhaps go with vintage and clean and simple the most. For me though, anything goes in crafting!

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I am lucky that I have taken over a bedroom in our house for my craft studio. I have tried to keep to one corner of it. I don’t know how long that will last for though. In my defense my husband has another bedroom for his office, so I reckon I am allowed to take over a room! I love to retreat to my space and put the radio on and get crafty. I can be found in there most evenings, and very early on weekend mornings, usually with my pair of rabbits snuggled at my feet. If I am not crafting then I am on the internet, usually blogging! You can find my blog here. Ok, that is enough about me now. I hope you have gotten an insight as to why we set up the magazine and why we craft. I look forward to meeting more of you all throughout the year at all the various crafty events. Happy crafting!

Timi Konya

Hi All, my name is Timi as you all know and I am one of the editors of Crafting Ireland. This article is to introduce us working behind the scenes, so let me start with my background. I am from Hungary, but I have lived in Ireland for 4 years now. And I like it, despite the weather. My full time job is a Health Care Support Worker, so most of my days are not about creating, unfortunately. I have always been very interested in different crafts like pottery, silk painting, batic etc... But when I found papercrafts and scrapbooking I knew that this is what I really want to spend my time with. As you may already have seen I like to create mini albums and scrapbook pages. I am not a real card maker, but

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sometimes I do cards too. I also started art journalling a while ago, but haven’t really had a chance to show any of the pages I made. It is fun for me to think about new ways to create a mini album or

to alter something to make a mini album from it. One day I will fill my minis with pictures, but at this moment I just haven’t got the time to do so. My inspiration comes from great mixed media artists like Donna Downey, Dina Wakley, Julie Fei-Fen Balzer and Claudine Hellmuth. That is why my scrapbook pages are a bit more of a mixed media style.On my pages I like to use lots of art media and dimension. Texture is something I really love. As a result it is really hard sometimes to fit my pages into page protectors! I try something new (for me) all the time, new products, new art media, new techniques. My biggest crafty dream is to have a seperate studio with a sewing machine in it, where I can hide from the world and leave my mess on the table. Most of the time I scrapbook about my travels and about my cat, Mitzee. I have a

blog, but I am not going to bore you with it, because I am the worst blogger of all. That is all about me for now. I hope you learnt a bit more about me. I also hope that I will meet some of you at crafty events here in Ireland.

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This is a guest tutorial provided by Frances Peets. Frances is a crafter from Toronto, Canada. She is a regular reader of Crafting Ireland and is al-ways entering the challenge too. She has provided this very useful method to create faux leather photo corners.... What you will need

Large self adhesive pho-to corner by 3M

Embossing Ink - Versa Mark

Embossing Powder

Heat gun/tool

Sponge

Tweezers Step 1 Using Versa Mark embossing ink, lightly saturate sponge. Spread ink evenly across clear plastic photo corner. Step 2 Generously spread embossing powder evenly over inked photo corner sur-face. Repeat with a second coat of powder if necessary to cover entire sur-face. Strep 3 Hold the photo corner with tweezers. Using a heat gun

Frances Peets

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(not too close as plastic will melt), dry the powder and ink by steadily moving up and across powdered covered surface. Tip: Try to be steady and slow, moving the heat tool and not shaking it around. This technique with the heating tool is faster and more effec-tive than shaking it. As you move the heating tool at a steady pace and slant the item you are embossing you can better see when the entire surface is embossed smoothly and completed. Step 4 Adhere the photo corner to your layout or card and fill it with whatever suitable embellishment and you’re done!

Here I used punched out heart shapes in green patterned paper but I could see tucking a tag or journaled note-card. If you have melted your em-bossed photo corner in ar-eas just cover the melted spots up with buttons and/or other embellishments for a clustered corner effect. Every “mistake” is meant to further creative explora-tion. Never discard some-thing that isn’t “perfect” but rather change it, alter it, improve it and create something you didn’t ex-pect.

Frances Peets

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Prize Giveaway Store printed photos safely and in style while on vacation or when going to a crop. Made out of an upcycled cereal box covered in beautiful Japanese pa-per. The inside flap can be stamped and decorated or you can use it to make

a list of the photos and places you vis-ited in preparation for scrapping when you return home. Handcrafted espe-cially for you by Frances Peets. This beautiful pho-to keeper will be mailed to one lucky winner. To be in with the chance to win simply email Frances at [email protected] and she will pick a winner randomly!

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Portfolio Series Water Soluble Oil Pastels I recently came across this product and thought it sounded too good to be true. However a very forgiving price made me buy a pack to try out. At £14.95 they were about €18. This was a very decent price for a pack of 24 colours! The box they come in is very clever and a handy way to store them. I used to use oil pastels a lot back in my traditional art days. I love how smooth they are to draw and colour with and love the texture. However I hate the mess they can leave. Oil pastels are obviously oil based. The oil in them never completely dries so anything done with oils can be difficult to fix and preserve. So what makes these pastels so spe-cial? Well these pastels can be used as tra-

Nicole Mullen

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ditional pastels. Or you can use water to blend or wash the colour out. If you com-bine this with a fantastic range of colours that comes in the pack you have a very fun and versatile product. Art Journaling To show how easy these pastels are to work with I did up a quick art journal page. I started by drawing a rough out-line on a journal page of a pattern I wanted. I then coloured in each section in a colour of my choice.

To blend the colour out you can use your finger. If you need to be more precise or don't want to get your fingers messy you can use a paper stump instead. OR—Brush over the pastel with a wet paint brush and watch the colour blend! Be careful not to use too much water or the colour will bleed everywhere.

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The beauty behind being able to blend with water is that you can literally scribble down colour with the pastels and wash it into a lovely ‘painted’ area.

You can also dip the pastels di-rectly into water and apply them wet to your page. This gives a similar washed effect. The blue on the bottom half was applied with the wet pastel, the blue on the top was applied with the dry pastel. The completed page can be seen on the right. Now comes the cool part! Normally with oil pastels your page is going to feel slick and oily. With these pastels when you wash them with water this oily feeling will fade a bit but will still be there. HOWEVER—with these pastels you can heat set them using a heat tool. This has two purpos-es . Firstly it will dry your page.

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But secondly it will sink the oil down into your paper. This means no oil pastel will smear after its been set. It also means you will be able to draw over the top of them, something not possible with traditional oils. Tip: you will have to use a marker or similar, pencils wont work as well as inks or markers will. This journal page took about 10mins to create from start to finish. I love the ability to lay down lots of colour really fast! Tags I wanted to see the versatility of the pastels so I created a tag using them

with no water washing involved. I scribbled on some colour and blended it out using my finger. Again you can use the paper stumps if you wish. Tip: A paper stump is a rolled paper tool that allows you to blend inks/oils etc. It has a tip on it that allows you to precisely blend. When your stump gets dirty you can simply pare it back to a clean sec-tion again.

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I scribbled on another colour and blended it again with my finger. I then scribbled another colour on and blended again. I started with my darkest col-ours on the outside and worked in wards with gradually lighter colours.

Before you can do anything further with the tag you need to again set the oils down into the paper.

Tip: When you heat the tag with your heat tool you will see a faint sheen appear across the paper and then disappear. This is the oil heating and then setting into the paper.

When this step is done you can now stamp on the tag and embellish as you wish.

I created another quick tag using the same technique but this time embossed the tag in-stead of stamping on it.

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Conclusion

Overall I really think these pastels are a fantastic product. I love how easy

they are to work with and how versatile they can be. The selection of colours

is great and allows for a lot of creativity.

The price for a set of 24 colours is hard to beat too, which always helps! I

don’t think the pastels will ever replace my distress inks, but for quick and

fun craftiness I adore them.

I bought mine from Paper Artsy online. There are lots of

tutorials available online using the pastels, but they are so

simple and fun to use I feel that they allow creativity

without needing instructions!

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Normally I don’t really do cards. However there are times when I need to do some for family or friends. In these cases I like to take the quick and easy way to do so. Here I am going to show you a few ideas on how to make some quick and simple cards with only one layer without using any patterned paper. What you will need

Card base

Watercolours or Inktense blocks

Heat tool

Doily paper

Distress Inks

Sentiment Stamps

Stencil

Card #1 Step 1 Pick three colours that you want to work with. Take the first colour and wa-

ter it down on the craft sheet. With

a wider brush apply some colour to

the top corner of the card base and

let the paint flow on the paper. Dry

it with the heat tool.

Step 2 Repeat ‘Step 1’ with the second col-our., and again with the third colour.

Timi Konya

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Step 4 When all the layers are dry stamp a sentiment on to the card.

Card #2 Step 1 Take a card base and a paper doily. Use the doily as a stencil.

Step 2 Place the doily on the card.

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Step 3 Apply Distress Inks with a Blending Tool. Use at least two or three col-ours.

Make sure that you hold the doily down very well to create a crisp im-age.

Step 4 Stamp a sentiment and some flow-er details.

Card #3 Step 1 Take a stencil and sponge daubers.

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Step 2 Place the stencil on the card base and start to add colour with the dauber randomly over the stencil.

Step 3 Take the second colour and continue colouring in. Try to leave space for the sentiment.

Step 4 When there is only few circles left change to a contrasting colour and colour the rest of the circles in.

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Step 5 Stamp the sentiment in the line where you didn’t colour in with the inks.

I hope you found some inspira-tion in these quick and easy sin-gle layer cards.

Would you like to advertise in Crafting Ireland? We offer very competitive prices and a readership of

over 50,000 per issue. Contact us at [email protected] for

advertising rates.

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Birthday Celebration

Call for submissions….Calling ALL crafters – we want to publish you!! For each issue we will give you a list of themes to work with. We would love to see what you create inspired by these themes. When you submit an image of your project, please make sure it is clearly photographed straight-on with a neutral background or scanned. Please make sure you only submit projects that have never appeared online or on a blog before, and it can not have been published previously. The themes for this issue were:

Jessica Fitzhenry—jessicafitzhen-

ry.blogspot.com

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Geraldine Mullarkey

Weenie Thomas— Dublin, Ireland

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Issue 10 Submission themes For issue 10 we have one theme for you to work with. Again you can submit cards, layouts or altered art projects. The theme is:

Summer Fun—show us projects which reflect summer fun!

Please email your entries along with your name and blog address to:

[email protected] by the 14th May

Remember your submitted projects can not have been pub-lished online or in any other publication before it is featured with us. You can find guidelines for submitting your work on

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In Issue 8 Timi did a tutorial showing how to al-ter a tin to create an altered vintage tin. I am go-ing to do a tutorial altering a sweet tin also, but I will be altering mine using embossing powder. What you will need

Metal sweet tin

Gesso

Versamark

Embossing powder and heat gun

Card stock, DP and embellish-ments of your choice

Step 1 Paint the tin with a layer of gesso. I paint it with gesso because it is a easier surface for the versamark to stick to. It also means if I miss any patches with the embossing powder the white will show up and point this out to me! Step 2 Apply a very good coat of versamark to the tin. Starting on the lid is easi-est. Make sure you get a good coverage of versamark.

Nicole Mullen

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Step 3

Cover the versamark with embossing powder. I used a verdigris colour, this is a antiqued green with copper and gold in it, it gives a lovely vintage effect. Make sure to work over a sheet of paper to capture all the loose embossing powder.

Step 4

Heat the embossing powder with a heat tool. Make sure not to hold the tin when you are heating it as it will get very hot!

Step 5

Before you can emboss the sides of the tin you will need to put the lid on the tin and mark a line of where it sits on the base of the tin. Do not emboss above this line. If we emboss above this line the lid also wont close correctly.

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Step 6

Emboss all around the side of the tin. Work in small sections so that you can get good coverage on the tin.

Again dont hold it while you are melting the embossing powder!

Step 7

Wipe off the excess gesso off from above your embossed line to make the tin look neater.

Step 8

I created a set of small note cards to put inside my tin.

To create them I die cut eight circle shaped cards and also eight circles of DP to mount on the top of them.

I glued the circles of DP to the front of the circle card blanks.

I then created sentiment toppers with a selection of sentiments on them, suitable for numerous occasions.

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Step 9

Place the notecards inside the tin. Embellish the tin as you wish.

I kept my tin lid fairly simple as the embossing powder gives such a stunning effect in person.

Enjoy recycling any little tins you may have around your house!!

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I love stationary shops and everything that you can buy in them. I also love making lists of things I like or do. This gave me the idea to alter a packet of address cards. This little register can be used to hold photos or inspirational quotes or for example a list of ”why I love you”. This project is great for when you are left with small pieces of patterned paper that you wouldn’t be able to use on a bigger project like a mini album. What you will need:

Address Cards

Cardboard box to put the cards in

Patterned Paper

Embellishments

Metal label holder

Perfect Pearls and Perfect

Medium

Step 1 Cut the papers to the size of the address cards. Ink all the edges and adhere them to the cards.

Step 2 Decorate the cards with some flowers and chipboard elements.

Timi Konya

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Try to place the embellishments in an alternating pattern - on one page fix them to the left and on the next page fix to the right.

This will make sure that the cards are nice and evenly spaced when you put them into the box.

Step 3 Cover the sides of the box with patterned paper and again ink all the edges to give it an aged look.

Step 4 Take a metal label holder and cover it with brown acrylic paint. Dry it with the heat tool. Step 5 Apply some of the Perfect Medium on the label holder and brush some Perfect Pearls on it. Spritz it with water to make the powder permanent. This will make the labelholder look weathered.

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Step 6 Place the laber holder on the front of the box and secure it with some brads. Embellish it with some flowers and leaves. Step 7 Place all the cards in the box and now you just have to put photos or quotes in it and it’s done!

If you try this project share it with us on our Facebook page.

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I find that I end up with a lot of glass jars to recy-cle in my house. I got fed up of just washing them out and putting them in the recycling bin so I started looking for things to do with them. They can be handy for storing craft supplies. But for this tutorial I decided to do something a little bit different. I used a photo and some mementos from a recent trip to create a memory jar. This is like a dimensional mini scrap-book page. What you will need

Clean glass jar

Acrylic paint

Photo or mementos you want to display

Embellishments of your choice Step 1 Make sure your jar is fully clean! I cut a piece of patterned acetate to fit in the back of my jar. To get the size for your acetate place your jar on the acetate and mark on it where the back of the jar starts to curve on each side. Then measure the height of your jar, just up to the point of the jar where it starts to curve at the top. You should end up with a piece cut that fits just nicely into the back of the jar and doesn't need any adhesive to stay in place.

Nicole Mullen

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TIP: The reason for this piece of acetate was just to make my jar look nice from the back with the gold pattern on the acetate showing up. You could of course use patterned paper instead. Step 2 Gather your photo/embellishments of choice. I like to gather a few things to try them all out, so I wont necessarily use everything I gather for the project. I cut my photo down to a similar size as the acetate. Step 3 Place your photo inside the jar. To help keep it in place I used a few pebbles gathered from a river from the same trip that I took the photo on. Tip: If you don't want to use stones you could use something like bunched up fabric, raffia, shredded paper or sand and shells. You could always glue the photo into place if you don’t want to fill the bottom of the jar with anything.

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Step 4 Add your embellishments into the jar. The embellishments can be anything that re-late to the photo you put in the jar, feath-ers, shells, stones, ornaments, small toys—you are limited only by your jar size. For my jar I simply put in a small die cut bird—we spent a lot of time on the trip watching birds so it related well to the photo. Step 5 Decorate your jar lid. I simply painted mine with acrylic paint. You could cover it in paper, ink etc. You can go as simple or as detailed as you like on this project. Enjoy preserving your memories!

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We would love to publish your classes and crops here. Whether you are a shop running crops and classes or just a group of crafty people looking for like minded people let us know. Simply email your details to [email protected]

Card Art Kilcoole http://cardarteventskilcoole.blogspot.com/

Crafty Angels All places must be booked in advance. Crafty Angels, Cutlery Rd, New-bridge, Co. Kildare. Ph : 045-446678. http://www.craftyangels.ie

Scrapbook Store More info can be found on the website http://www.thescrapbookstore.ie/workshops.php or contact Annamarie at [email protected]

Jackies Cardmaking Workshops http://jackiesworkshops.blogspot.com/

Scrap n Yap Check out Scrap n Yap on Facebook for more information.

An Siopa Buí Check out An Siopa Bui’s website for all class information.

Inspiring Ideas Visit http://www.inspiringideas.com/ for more information.

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Archangels craft club Archangels Craft Club - we meet in St. Gabriels Clontarf every Tues-day 7.30 - 9.30pm and do all sorts of crafts - knitting, cross stitch, card making, beading and scrapping etc. We are in our 9th year - all very informal but it’s a place to craft with like minded individuals. We are always on the lookout for demon-strators and enjoy the social aspect of crafting (along with the tea and cake!) If anyone is interested in coming along to join us, or may-be there is another club out there who would be interested in doing a Christmas craft day together please do contact me. Contact Chris-tine at [email protected] or on 0857151759

Create With Kate Workshops in card making, scrapbooking and mixed media. We also are a mobile craft supplies shop. Visit createwithkate.com for more information or phone 087 984 1196.

Scrapbooking Limerick Create beautiful scrapbook pages & crafts at our Easter crop & class Date: 1st April, 11am - 4pm Theme: Little Chick Costs: €25 includes full kit, refreshments & prizes Bookings: 086 3817677 www.facebook.com/scrapbookinglimerick

The Polka Dot Craft Club Cardmaking and scrapbooking workshop Sunday 22nd April, 12.00– 16.00 The Street Café, Scotts Street, Killarney The Polka Dot Craft Club Facebook page

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Using quotes on your piece of art is very popular lately. I found this quote from Albert Einstein and thought it was a great one to use on a steampunk inspired canvas piece. Here I am going to lead you through how to make your own altered canvas. What you will need:

Streched canvas

Chipboard pieces

Metal Clock Face

Metal gears

Flower trims

Baby wipes

Kraft Glassine

Doily

Old Book Paper/Filmstrip ribbon

Step 1 Take the canvas and gather the pieces that you want to use on the project.

Step 2 Start with adhering the doily, kraft glassine, piece of baby wipe and the old book paper. Use gel medium for this. I used an old baby wipe that I had previously used for cleaning my craft sheet.

Timi Konya

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Step 3 Arrange the chipboard pieces and glue them down. Try to make it dimensional. Add the lace and flower trim as well. Don’t worry about the elements not being the same colour. It doesn’t matter at this stage. Step 4 Put some gesso on the craft sheet and add some water to it. Paint everything on the canvas with gesso. Let it dry, preferably over night.

Step 5 Pick the colours that you want to work with. You will need to colour the canvas using the lightest colour first and then the darker colours. The colours I used were:

Bleached Sand (Americana)

Bahama Blue (Americana)

Gold (Adirondack)

Hazelnut (Adirondack)

Espresso (Adirondack)

Stream (Adirondack)

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Step 6 Cover most of the canvas with the Bleached Sand. Then start adding a little bit of the Bahama Blue. Use a brush to apply the colour closer to the edges and a baby wipe to spread it towards the centre. Try to keep the centre a lighter colourbecause that is where you will need to write the quote. Tip: Dry the canvas between each colour to make the layers show nicely.

Step 7 Cover the chipboard elements with the browns so they will pop up from the background.

Step 8 Add gold paint with your finger or with baby wipes to the chipboard elements and to the edges of the canvas.

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Here are the details up closer:

Step 9 When everything is dried you can start to glue down the metal pieces. I added some of the filmstip ribbon and a Tim Holtz Salvage ticket too. Step 10 Write the quote with a pencil first. Make sure the the spelling is right. Don’t worry too much about the lines being straight or not. This is a

handmade piece of art, it only gives interest if it is not perfect.

And there you have it! An altered canvas with a quote. It can be a lovely present or a home decor piece .

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Kate Walsh In every issue we will be spotlighting the work of an Irish based crafter. We will look at paper crafters, scrapbookers, and altered art aficionados. If you think you know someone who you think sound be spotlighted let us know at [email protected]

This issues spotlight is shining on Kate Walsh. Here is Kate to tell us a bit about herself and her work.... I was born Catherine, nicknamed Caff /Cathy and now go by Kate lol! I grew up in Athlone, spent a few years each in Galway, Cork and Dublin and finished up settling in County Mayo, where I live with my husband (of 11 years and best friend of 19 years) my 3.75 year old son (the .75 bit is very important), two West Highland Terriers, 3 cats,

12 cows, 14 sheep and 4 lambs (so far!). We live in a rural but very beautiful part of Mayo on the shores of Lough Mask about 25 minutes drive from Cas-tlebar or Westport. I am primarily a stay at home mum (although I don’t do the housewifey stuff very well) but I have been teaching papercraft classes for the last few years. Recently I just set up an online shop selling my favour-ite papercraft goodies http://createwithkate.com.

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When and how did you get in-

volved wi th paper craf t ing?

When I got married in December 2000, I made my own wedding sta-tionery and hey I was addicted lol!. Shortly after sending out our invites I started getting commissions, so I quit my job as a microbiologist and Infini-ty Design Wedding Stationery was born. I designed and produced wed-ding stationery for 7 years until 2008 when I became a full time sahm. I started scrapbooking and making mini books around the same time, as I still HAD to play with paper. I also started teaching on a part time basis and I set up the Mayo Papercrafting Club and this led to http://CreatewithKate.com

What is your favour i te aspect of paper craf t ing?

There are several things I love about papercrafting like playing with pattern, colour and dimension but probably the driving force behind my addiction is the social side of crafting. It’s such a wonderful community both on and off line. The fact that you can form great friendships at home and anywhere in

the world all because of paper and stamps, it’s fantastic! It’s a crafting revolution lol!

What are the techniques that

you use most of the t ime?

I always have my stamps at hand as I find I use them in practically every project. I do love to make my own patterned paper so this is a tech-nique I use a lot, and I always add di-mension, so distressing or inking the

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edges comes second nature. I also love working with UTEE, die cuts and ribbon/trim.

What are your "can ' t do wi thout"

products?

Where do I start lol! First my stamps and you have to have inks, so my distress and chalk inks are a must. After that glossy ac-cents, I find I use it instead of double sided tape. Mustn’t forget my big shot, oh and pa-per, Have I mentioned that I’m addicted to paper!

What inspires you?

I live in a beautiful part of the world (even when it’s raining!), and without sounding clichéd, I find inspiration in where I live, who I live with and who I craft with. I think inspiration can’t be acted upon until you are in a happy place and believe me there are plenty of times when I need to pick up my magazines or go to the internet to give my mojo a good kick up the rear lol!

H ow d o y o u d e s c r i b e y ou r

s ty le?

I’m not sure if I have a particular style when it comes to papercrafting. I like to keep challenging myself, creating different things, trying new products and techniques. My wedding station-ery designs always have a clean cut symmetry, where less is more and sometimes you can see this carry over into my other craft projects.

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Do you blog?

I do, and I love it! I have a wordpress blog, http://createwithkate.wordpress.com. I find blogging is a great way of expressing your human self as well as your crafting self. It takes me over an hour to write a post though!

Where can we see your work? Are

you on any design teams?

You can see some of it on my blog, http://createwithkate.wordpress.com. I’m not on a design team, I just like to play and some-times it’s a mess and sometimes I do create something beautiful, it’s the fun of the crea-tive journey for me!

Have you any plans for the future?

I have lots of plans just not sure yet what they are lol! Joking aside, I do want to de-velop my web store so that’s where my fo-cus will be. I am going to the CHA Summer 2012 show again this year and would love to do anoth-er workshop with Dyan Reaveley (Dylusions). Other than that, I aim to be creative every day, whether it’s creating a masterpiece or baking cookies with my 3.75 year old! Kate x

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I have a lot of paper bags in my crafty stash, yet I never seem to make any mini albums with them. This is despite purchasing them just for that purpose! So I decided to create a kind of keepsake journal with them. What you will need

Paper bags

Acrylic paint or distress stains

Picket fence distress stain or wa-tered down gesso

Embellishments Step 1 To colour the paper bags you can use distress stains in a colour of your choice. I didn't have any distress stains so I created my own. I filled a cup with some water and added in some acrylic paint. I used a squeezy tube of acrylic and added in about 1 part paint to 3 parts water. Mix it

well and you can brush it onto the bags. It will work just like distress stains—except it will be much messier!!

Nicole Mullen

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Ke e p g o i n g u n t i l y o u h av e t h e b a g s a l l c o v e re d . T i p : D o n ’ t w o r r y a b o u t g e t -t i n g a p e r fe c t c o v e ra g e o n t h e b a g s . T h e m o t t l e d p a t c h y e f fe c t g i v e s a n i c e d i s t r e s s e d l o o k . S t e p 2 T h e b o t t o m f l a p o f t h e b a g s w i l l n e e d t o b e g l u e d d o w n t o c r e a t e a p o c ke t . I s i m p l y a d d e d a t h i n s t r i p o f g l o s s y a c -c e n t s o n e i t h e r s i d e o f t h e f l a p .

S t e p 3 I p u n c h e d h o l e s a n d s e t e y e l e t s i n t o t h e s i d e s o f t h e b a g s t o t a ke b i n d i n g r i n g s . Yo u c o u l d a l s o b i n d i t w i t h a b i n d i t a l l i f y o u w a n t e d . T i p : Tr y t o c o - o r d i n a t e y o u r e y e l e t s t o y o u r p r o -j e c t c o l o u r s !

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S t e p 4 N o w i t s t i m e t o d e c o ra t e y o u r b a g s . F o r my c o v e r I u s e d a s t e n c i l . O n a l l my o t h e r p a g e s I u s e d a b u b b l e w ra p e f fe c t s t a m p a n d d i s t r e s s i n k s t o s t a m p w i t h .

S t e p 5 I p u t a l l t h e b a g s t o -g e t h e r s o t h a t t h e c o v e r p a g e ’s p o c ke t i s o n t h e i n s i d e c o v e r. A l l o t h e r p a g e s t h e n h av e t h e p o c ke t s s h o w i n g fa c e u p . O n t h e n o n p o c ke t p a g -e s I u s e d t h e p i c ke t fe n c e d i s t r e s s s t a i n t o m a r k o u t a n a r e a t h a t I c a n j o u r n a l o n .

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S t e p 6 O n c e a l l y o u r b a g s a r e t o g e t h e r y o u c a n f i l l w i t h t i c ke t s , t a g s a n d o t h e r m e m e n t o s y o u m ay w a n t t o j o u r n a l a b o u t . T h e p a p e r b a g s a l l o w y o u t o s l i d e t h i n g s i n s i d e t h e m f ro m t h e t o p . Yo u c a n f i t q u i t e a l o t i n t o t h e b a g s .

W i t h t h e j o u r n a l i n g s e c -t i o n s , t h e m i n i p o c ke t s a n d t h e l a r g e p o c ke t s f ro m t h e b a g s t h i s i s a q u i c k a n d e a sy w ay t o c r e a t e a ke e p s a ke j o u r -n a l . I t c a n h e l p y o u ke e p a l l t h o s e l i t t l e m e m e n t o s l i ke c o n c e r t t i c ke t s , t a g s , n o t e s a n d l e t t e rs A l l i n o n e p l a c e !

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In this new series we would like to collect and share ideas on how to store craft supplies. In the first part I am going to show you my craft corner. As I live in a small apartment I don’t have a lot of space or even a separate craft room. Therefore I have to be creative on using the space I have. As a big fan of IKEA I bought most of my storage units there. I use two tables, arranged in an ‘L’ shape for creating. These are the VIKA ta-

bles. In IKEA you can buy these trays that fix onto the legs. I use these to

keep my adhesives in. They folds away nicely under the table top, so are al-

ways easy to reach.

Above the table I have three RIBBA picture ledges holding all my paints and inks. The bottom one is fixed on the wall upside down. This makes it perfect to hold all my ink pads. I always found it difficult to store ink pads. When I had them in drawers I always wanted the one on the bottom. As a result I ended up keeping them on the top of table and it was always a

Timi Konya

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mess. I screwed the lids of the little jars onto the bottom of the ledge. This means that they don’t take up space on a shelf. Under the picture ledges the BYGEL rails and containers hold my scis-sors, brushes, Cropadile and other smaller tools. Across from the tables I have three

EXPEDIT units. In these I can store

lots of supplies; from 12x12 papers

to bulky fabrics and boxes full of

lace and alterable items.

I found that paper boxes from MUJI

are great for 12x12 paper pack and

sheets. For 6x6 pads and loose

sheets I use these white boxes

(image bottom right) from IKEA.

They are called Rationell Variera.

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Helmer drawer units by IKEA are superb

to house all the little bits and pieces,

such as flowers, bling, punches, enve-

lopes, paper doilies etc. I keep these

drawer units under the table and they fit

perfectly.

This was a little tour of my craft corner; I hope you found some ideas. In this series we would like you to show off your craft space!

Email us at [email protected] with some

pictures and description to be featured in the magazine!!

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I am sure most of you out there have the habit of bringing bags to the shops to put your purchase in. Here in Ireland since the plastic bag charge was brought in a few years ago we all tend to carry shopping bags. My problem with shopping bags is that they don’t looks so stylish. You can get some fun and funky tote bags, but they tend to be on the pricy side. So I decided to create my own fun bags at a fraction of the price! What you will need

Plain shopping totes—I purchased mine on eBay for around €3 for six of them.

Stencil & acrylic or fabric paint

Painters tape

Citra solv, paint brush and images suitable for citrasolving

Sheet of cardboard sized to fit inside your bag Bag 1—Stencilled Bag Step 1 Place your cardboard inside your bag. This is going to stop the paint bleed-ing through the other side of the bag. Step 2 Place your stencil on the front of your bag. Make sure you position it exactly where you want it to be. Tape it in place with the paint-ers tape. You need to work on a flat surface. I used the ground and taped my bag to the ground for extra stability.

Nicole Mullen

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Step 3 Dip a round headed paintbrush or a stencil brush into some paint. Dab the paint off onto a piece of paper towel to get your brush as dry as possible. Too much paint on your brush will mean that paint will bleed under your stencil. Keep going until all the stencil is filled in.

Step 4 Let the paint dry fully. When it is dry you can add highlights to your stencil if you wish. I did this by adding a pearlescent ac-cent to the centre of the cherry blossoms, and a gold centre to them again. The birds on my stencil got a dusting of gold paint.

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Step 5 Carefully remove your stencil when the paint is dry. You want to make sure to not smear your paint. Now enjoy your new bag....

Tip: If you don’t use fabric paint you can buy a fabric fixative in a good fabric and sewing shop to fix your acrylic paint.

Bag 2 –Citrasolv image Step 1 Prepare your bag as in step one of the stencilled bag. I use a towel on top of the cardboard just to make sure no citrasolv soaks through the cardboard to the other side. Step 2 Pick your images you want to use. Remem-ber it must be printed on a laser jet printer or on a photocopier in order for the citra-solv to work. Trim the image to fit the area you want to place them. Make sure not to trim them too close to the image. You have some pa-per left to tape the image down by!

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Step 3 Place the image on the bag and tape into place. Citrasolv the image onto the bag. I like to do all the images separately, it is easier to work with. I did my large image first—a vintage bee hive. I then added in the bees after-wards.

Step 4 Let your bag dry. Then place a towel over it and iron it to evap-orate the citrasolv off. This just stops the bag from smelling like citrasolv. My citra-solv is lemon scented so I don't mind the smell too much! Enjoy your fun new custom bags!

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I love having charms and cute keyrings hanging off bags. But as usual they tend to be expensive for the really nice ones. I want to show you how easy it is to make a cute, custom keyring charm. What you will need

Charms

Jewellry chain

Jump rings

Fine needle nose Pliers

Metal snips

Keyring clips and rings—I purchased mine from Etsy for about €2 for a pack of 6

Step 1 Plan what you want on your keyring charm. I tend to buy some charms and also take ones off of old jewel-lery. Some of the charms needed to have some chain added onto them. Step 2 To do this cut a piece of chain to the length you want. Be careful with the snips, as when you cut the chain small pieces of it can fly off. Watch your eyes! Step 3 To get the layout of your keyring it can help to lay all the parts out on your desk separate first.

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This gives you an idea of how long to cut chain, and if certain charms work along side one another. Step 4 To connect the charms to the chain you will need to use the jump rings. To open a jump ring hold it with your pliers to one side of the opening of it. Using either your fingers or a second pliers pull the two sides in the opposite direction from one another.

Step 5 Hook your charm and the length of chain on the jump ring. Then close the jump ring the way you opened it. Tip: It can be a lot easier to open and close jump rings with two pliers rather than just one pliers and your fingers!

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Step 6 You should now have all your charms on the end of their chains. Lay it out once more to make sure the lengths are all ok. If you are happy with the lengths thread them all onto the keyring ring. You

will also need to thread the keyring ring onto the keyring clip.

Step 7 Enjoy your completed charm keyring! Colouring Charms I also created a second charm keyring. I used charms that were silver. I used Alcohol inks to change the col-our of them to look better on my bag. I followed all the same steps to complete this keyring then.

I laid all the pieces out into my intended placement and connected them all up with jump rings.

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You can have great fun making these quick and simple charm keyrings. I love clipping these on-to handbag or tote bag handles for that extra touch! You are only limited by your imagination, and possibly your charm stash when creating these. You can even use fabric scraps die cut into shapes, or feathers as part of the charms. If you create some charms of your own make sure to share your work on our Facebook wall!!

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Everytime I find a round shaped box I want to decorate it in a hatbox style and use it to hold some of my little bits that I gather. This is a very easy but still an interesting way to alter a box. What you will need:

Paper maché box

Patterned paper

Grunge paper

Tim Holtz Hitch Fasteners

Step 1 Cover the side and the top of the box with patterned paper. To make it pretty you could cover the edge of the lid with some lace in a matching col-our.

Step 2 Take a ½” wide piece of grunge paper and colour it an aged leather colour. I used Distress Stains in different brown colours to get this effect.

Timi Konya

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Step 3 Add an eyelet to each end of the grunge paper strip and round the ends as shown in the picture below.

Step 4 Using hot glue adhere the strip onto the box as if it was a handle on it.

Step 5 Place four of Tim Holtz Hitch Fasten-ers on the side of the box. These will act as the legs of the hatbox.

Timi Konya

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Step 6 To finish it off you could place a flower (or any embellishments of your choice) on the top of the lid.

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A bit more about Etsy…… I have admired the deco-rative banners that other Etsy sellers have and often thought about adding one, but, honest-ly I didn’t know how to so my shop was looking a little plain. It turned out to be simple; the hardest thing was choosing a design. You can use a photo that you already have, but none of mine looked right once they had been resized, (the image needs to be 760x100 pixels) so I went in search of a one online. I did a Google search for “Free Etsy banners” and had a huge selection to choose from – I eventually chose one from www.sweetlyscrappdart.blogspot.com there is a great choice there and Emi-ly (the designer) only asks that you display her button on your blog if you

take one of her designs. The banner was blank so that I could add my own title, the first thing I did was click on the banner I had chosen, and saved it to “my pictures” as a .jpeg file. Then I opened Photoshop and added the text. You do this by clicking “file”, “open” and then browsing for the image you have saved.

Felicia Thomas

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On the left click the “T” and draw a text box on your banner. You can choose your font style and size at the top of the page. When you are happy with your text save it as a jpeg file.

Now, open your Etsy shop and click “your shop” at the top and then “info & ap-pearance”. This will bring you to this page click “browse” and se-lect your banner picture. At the bottom of that page you must click “save changes” Click back to your shop and after a minute of two your banner will ap-pear!

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Etsy Community There are all sorts of Etsy Teams; these are groups of people who are con-nected by what they sell, geographically, or similar interests. The advantage of joining a team is that it makes it easier for people to collaborate and make everyone’s shop more prominent. I belong to “The Crafty Ireland team”, they keep a blog at etsyireland.blogspot.com Currently the team has over 8,000 products for sale on Etsy, what a creative bunch! There are plenty of team jobs to do, all of which get your name known to the readers which leads to more shop views and hopefully more sales. My job on the team is the “Tea & Chat” spot – I interview members of the Crafty Ireland team, I give them a list of informal questions and then they send me the answers and some photos of their work. It gets published on the blog every second Saturday. If you are a member of the team I’d love to interview you, drop me a line!! The other team blog writers cover topics from introducing new members, “How to Tuesdays” which has great little tutorials and “Crafty News” which has all the details of upcoming fairs and exhibitions. You also have a “circle” on your page; this is a way of keeping up to date with friends or sellers you like. If anyone likes something new it shows up on your page, I am more inclined to buy gifts from people in my circle then

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trawl through the whole of Etsy – so for this reason it’s good to keep adding to your circle. If you have a blog then you can mention that you have added new items to your shop, the same goes for Facebook and Twitter – that is probably the easi-est and most effective way of advertising, Don’t forget to add a link to your shop on your blog. So, now you know all about selling on Etsy – be warned it may not be an over-night success but you never know when someone will find exactly what they’re looking for on your shop and you make a sale! Best of luck!

http://www.etsy.com/

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If you would like to advertise in Crafting Ireland email us at

[email protected] with advertising in the subject line for more information. Below are a list of some shops that we shopaholics like to order all those es-sential supplies from. All these stores are either located in Ireland, or else ship to Ireland with reasonable rates.

Ireland Cardz’n’Scraps – Cork Art Supplies http://cardznscrapz.com/ Scrapbook Store http://www.thescrapbookstore.ie Crafty Angels http://www.craftyangels.ie/store/

Scrapbook Store http://www.thescrapbookstore.ie

An Siopa Bui – The Yellow Shop http://www.ansiopabui.ie/

Create With Kate www.createwithkate.com

LillyPad Craft Supplies http://www.lilypadcraftsupplies.ie/

Crafty Cutting www.craftycutting.com

United Kingdom Artist Trading Post http://www.artisttradingpost.com/ Artistic Stamper http://www.theartisticstamper.com/ Craft Barn http://www.thecraftbarn.co.uk/ Craft Emporium http://www.craft-emporium.co.uk

WOW Embossing Powders http://www.wowembossingpowder.co.uk/

Wild Orchid Crafts www.wildorchidcrafts.com

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In the last part of our ’Advanced took kit’ series we are going to discuss electronic cutting machines. These electronic cutting machines are on the more expensive end of die cutting machines. It can be difficult to decide which machine suits your needs. One of the smallest machines that you can buy is the Making Memories Slice. With its built-in handle and light weight it is extremely easy to bring along to crops and classes if needed. It is made for scrapbookers and cardmakers and it is limited in the materials that you can cut. It is made to cut paper, vinyl and vellum. It can draw patterns and emboss as well, which is great for a little machine like this.

The next machine we looked at is the Sizzix Eclips. This machine can work independently from the computer, however it needs cartiges which make it fairly expensive. Especially if you want to own a lot of designs.

It is not as lightweight as the Slice but the handles on it help with portability. It will cut only lightweight materials like cardstock and vinyl, but since it is possible to adjust the blade pressure it will work with some lighter chipboard as well.

Timi Konya

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Timi Konya

The Silhouette CAMEO is next on our list. This machine is able to cut paper, cardstock and vinyl but won’t pierce, engrave or emboss metal. It is a great machine for paper crafters who do not wish to cut a whole range of materials other than paper. It cuts really nicely and also is able to draw. It hasn’t got handles on it, so it can be a little bit tricky when you want to bring it out of the house. You can however buy a wheeled tote to help you carry it to classes and crops. It comes with computer software and it is easy to create your own designs on it.

The Cricut Expression machine has a large 12”x24” cutting mat which allows you to create large projects. It can work independently from the computer, but even when you use it with computer you have to insert a cartrige into it. The designing possiblitites are a little limited, but there are plenty of designs available on the different cartriges. It is not a very portable machine, weighs 21 pounds and has no handles to help you carry it around. Cricut Expression will cut a number of materials such as

cardstock, chipboard, foam, felt, balsa wood, vellum, fabric and more.

The Craftwell eCraft die cutting machine features a ’mat free cutting’ technology, so you don’t have to spend money on buying new cutting mats when they get old. The eCraft can be used with or without the computer. There are lots of

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designs on SD cards that are inserted in the machine . You can create your own designs using its software.

The blade pressure is easy to adjust and there are plenty of materials that you can cut with the eCraft: chipboard, cardstock, magnet sheets, rubber, blasa wood, vinyl and even thin metal and leather. This machine is designed to cut, it is not able to emboss or engrave.

If you want to learn more about the eCraft or see how it works in real life join us on our Fun Crop on 26th May in Athlone, Co. Westmeath. More information can be found on our website.

The Black Cat Cougar is one of the most expenive electronic die cutting machines that you can buy today. It comes with a software that you can use to create your own designs. It is able to cut many material.

The usual cardstock and vinyl are not a problem for it, it can also cut rubber, leather, sponge, and even faux fur. It is also able to draw, emboss and egrave into several materials. It can also punch holes or distress items. All these capabilities will give you endless possiblities!

I hope that we have given you a little insight into the world of electronic diecutting machines. If you are just about to purchase one hope this gave you a bit of a help to make the perfect decision! In the next issue: Inks and spray inks

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In issue 7 I looked at photography for bloggers. In this article I want to show you some very easy ways to process your photos. Sometimes you may feel that your images need just a few tweaks to be just right. Luckily you don’t need to be a Photoshop master to get your photos touched up. Below I am going to introduce you to a free photo storage and editing software—Picasa. You can download Picasa totally free here. Picasa allows you to make a lot of tweaks to your photo. These range from photo touch up’s to fun photo effects, such as making your image look like a sketch, poster or a polaroid. When you open Picasa you can get it to import all your photos on your com-puter. You can then see them all listed in folders and organised by date. You will need to find the folder of the images you want to process.

Nicole Mullen

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Nicole Mullen

Double click on the image you want to process to open it up in edit mode. You will see a task pane on the left of the screen. On here there is five tabs of processing options. By default you will be on the first one, the ‘commonly needed fixes’ tab. In here you can crop and straighten your image, fix the image colours and even reduce red eye in photos.

There is also a retouch option in here and it is very user friendly and useful! This will allow you to clean up any dust, dirt or scratches on your images. More im-portantly it will allow you to remove things from your photos. In my picture there is a pin lying on the craft mat. You can see it on the right of the image just at the base of the paper bag. I should have moved it before taking a photo but didn't notice it.

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When you click on the re-touch button you will see the screen below. Here you can pick your brush size. The brush size needs to be big enough to cover the blemish you want to remove, but not too big. Simply drag the slid-er to the left for smaller and to the right for larger. If you then move your mouse over to your image you will see the cursor is now a circle. To use the retouch feature; Single left click on the area you want to retouch—this will select the area to be repaired. Then move your cursor to another area on your screen—you will want to pick an area that matches the area you are trying to replace. In my case I selected a part of my craft mat that would hide the pin!

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When you move your cursor you will see it previews what the repair will look like. If you are happy with your choice then single left click again to fix the area.

Select area to fix

Click area to copy

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When you are happy with the repair then click the Apply button to set it. The other tabs in the pane are filled with more processing options. On the second tab you will find option to finely tune the lighting and colour on your image. You can adjust the fill light, highlights, shadows and colour temperature of the image. The easiest way of seeing what each of these do the best thing to do is to move the sliders one by one to see the effect it has on your image. If you don’t like the effect you can undo it or drag the slider back to where it was previously.

The pin is now gone!

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The remaining tabs contain fun and useful image processing features!

Again the best way to explore these all is to simply click on each of them to see what effect it has on your image. When you are done with your processing make sure to save your image as a copy. Click on File/Save As and give your file a new name. This will make sure you don't over write the original image. Have fun processing your images!

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We have decided to replace our regular challenge with a Swap instead. The

wonderful Felicia of Scrapzville has kindly agreed to host the swap. Some of you may know that Felicia used to run Scrapzville Swap. Well we can hap-pily say that Scrapzville Swap is back in conjunction with Crafting Ireland!! For the swap you will be assigned a partner and a theme to follow. You then create a mini album to send to your partner, and you will receive one in re-turn. We will start off on mini albums first and will look at other projects shortly. The rules for the swap are quite simple;

The album should be no bigger than 6"x6"

It should have at least 6 pages including the front and back covers.

Please remember that your swap partner (probably) doesn't know you and the work you send will be their first impression of you - so make sure that you are proud of your work and would be happy to receive something similar.

Please do not sign up for this swap unless you can complete the swap, your partner may be overseas and you are responsible for postage fees.

You must have an email address to enter - this means you can contact your swap partner to discuss favourite colours etc.

Sometimes people send extra goodies with an album, this is a lovely gesture but NOT compulsory, therefore it is up to you. Please do not expect to receive extras!

The last and most important rule is.... Enjoy creating!!

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To join the swap you will need to email your details to Felicia at; [email protected]

How to join in

Issue 9 Swap Theme—Summer Colours

Sign up deadline—Sunday the 22nd April by 1pm GMT. You must have emailed Felicia your details by this date and time to be includ-ed in the swap.

Swap partners announced—Monday the 23rd April. You will be told who your swap partner is, and given their email address so that you can get in contact to exchange postal addresses, style preference, etc

Albums must be in the post by— Monday the 21st May (or soon-er). Try to get the album posted as soon as you can so that your partner can hopefully receive it before the next swap is announced!

The swap is open to everyone, no matter where you live.

When you have finished your album consider taking a photo of it be-fore posting it, and email this photo to Felicia. We will then publish these photos along side the next swap announcement. We will pub-lish them without names just in case your partner has not yet re-ceived your album—we wouldn't want to ruin the surprise!!

We will set up an Inlinks on our blog where you can post up your album details once your partner had con-firmed they have received it. This way we can all see the fantastic work being swapped!

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According to random.org the winner of Issue 8’s sketch challenge is Val Thorpe—congratulations Val! Val’s beautiful layout using the sketch is below. It is an adorable layout with super adorable dogs, we love it! We will be in touch to organise getting your prize to you.

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For the next issue we would love to see more of your work. Remem-ber the submission theme is:

Summer Fun

Submission deadl ine is 14th May

Article submission If you have an article or tutorial you would like to get published please email us about it at [email protected]

out on 28th May....

Make sure to check out www.craftingirelandonline.ie for more

information on future issues