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Transcript of Covet Garden 30
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3co vet gardeninspiration grows here
greg everything in
its right place
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contributors
VALERIE WILCOXphotographer
Toronto-based photo-grapher Valerie has
been shooting people,
places and things for
over seven years. We’re
glad to have her back
shooting for us again!
valeriewilcox.ca
PAUL Cphotographer
Paul takes pictures ofinteriors, exteriors, eats
and assorted other things.
His work has appeared
in such magazines as
Style at Home, Elle Canada
and Reno and Decor .
paulc.ca
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welcomeLast month, we wanted to move in with
Lindsey and her kids. This month, we want
to run away with photographer Greg. We
shot Greg’s compact Parkdale home just
before he packed it all up to take a trip
halfway across the world and then maybe
take to a life on the water. But before
he left, he shared his favourite rooms,
collections and renovation ideas.
And proving that home really is where
the heart is, Greg plans to return to
land-based living and his house one day.
In the meantime, adventure awaits!
On the cover and contents : photos by Valerie Wilcox.
Self-portrait in felt (above) by Greg White.
4 the spaceA small space and
the wide world
20 Q & A
22 the styleUrban cycling chic
24 the projectSleeping bags for
your gadgets
29 the drinkRum runner
30 inspirationFelt likes
contents
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The tapestry on thewall was a find fromthe St. LawrenceMarket. “I thinkthe lady I boughtit from thought it
was crazy. My momthought it was crazy.”
LEAVING HOME
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the space“I found thiswood slab at anantique shop…
I don’t know whatit was for originally,
but it’s perfecton the wall.”
By the time you read this, Greg will be far away, exploringthe world. But a piece of his heart will remain in his compact
Parkdale house interior photography by Valerie Wilcox still-life photography by Paul C
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Greg openedup the ceiling,leaving the
floor joistsexposed.
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the space
This is a story about a house in
transition. While every place we’ve
featured in Covet Garden has rep-
resented a snapshot of how it was lived in at
that moment in time, this month we visit Greg’s
house mere weeks before he packed everything
into storage to set off on his travels.
When Greg bought his west-end abode, he was
an Ontario College of Art and Design grad who
found himself working in finance. “I was in a job
sitting at a desk for 14 years,” says Greg. “This
house became an expression of creativi ty. An
oasis of creating felt collages and sewing projects,
making pizza and playing cards with friends.”
More recently, Greg decided to transition back
to his first love, photography. “Now that I don’t
have to go to Bay Street every day, I have another
creative outlet.”
The house has always been in a state of flux—heoriginally lived there with his sister and brother-
in-law—but it’s also a symbol of stability. Born and
raised in Durban, South Africa, Greg and his family
left almost everything behind when they relocated
to Markham. “I lived in eight different places in 10
years before I bought the house,” he says. “I was
trying to create a sense of personal history.”
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opposite: Greg foundthese diningchairs at
Value Villagefor $3 each.
the space
‘I still loveand appreciatethe spaceI’ve created’
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On her attrac-tion to wooden
objects, Jensays, “I’m inter-
ested in the lay-ering of things.”
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the spacethe space
One of the most charming things
about Greg’s home is that while
it is compact, it also tells a story
via his many collections.
The vibe of his rooms is definitely eclectic, mixing
sturdy Edwardian pieces with sleekly cantilevered
Scandinavian designs and Pop graphic pieces.
Apart from the art, says Greg, “It’s all thrift-store
finds.” He says it’s difficult to describe the aes-
thetic that he’s attracted to. “The pieces that most
appeal to me show the aesthetic or enthusiasm of
the designer.”
Greg’s greatest find is a signed lithograph by
Alexander Calder, which you can see hanging on
the kitchen wall in the previous pages. “I found it
in a storage unit that was being cleared,” he says.
“As soon as I saw it I grabbed it.” Still, in such
a small space the collections must also serve a
purpose. “I don’t carry collecting to an obsession.
I don’t have that level of attachment.” For exam-
ple, the Fire King coffee mugs and the fromage-
festooned cheese plate pictured in these pages get
regular use. “They’re beautiful, but I use them. If a
piece breaks, I’ll get another one. It’s important to
feel like I’m not just hoarding.”
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How did Fionaand Maciek find
the cast hands intheir living room?The hands foundthem. “We went
to the Junctionfor a visit–strictly
for coffee,”
Perfectlymatched: AnEdwardianmantel anda piece froma pinball
machine.
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the space
appliqué that he made for his flatscreen. The
meta-design looks like a 1970s-era console TV.
Greg also appreciates things with a sense of
humour. Among his favourite art pieces is a
series of paintings of animals smoking by Rob
Elliot. “They’re just so good,” he says of the bright-
ly coloured images. These beasties with bad hab-
its hang alongside works by some of the biggest
names in art—including a print by photographer
Elliott Erwitt. Photography gallery owner “Stephen
Bulger is taking care of that one while I’m away.”
So in this time of transition, Greg
admits that it was a bit of a battle
to pack things away into storage.
The living room, for instance, is the scene of many
a great night, hanging out with favourite people
and creating with friends Robert and Christine.
“We’ve been getting together and using felt and
scrap material to make things for a couple of years
now,” says Greg. “We spend an evening of craft-
ing, perogies and borscht—it’s like the old quilting
circle.” One of the best examples of Greg’s things
being beautiful and useful is the cover with felt
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Knit pieces byCatherine Rupert
mix it up withMexican folk
art and thrift-shop finds.
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the space
‘I love the motifs of1950s and 1960s design’
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Greg picked uphis Communist-era cameras ona trip to Berlin.
the spacethe space
in the financial industry and I needed a backup
plan,” he says. “And it had to be something that I
already knew how to do.” He decided to redevel-
op his skills working as a wedding photographer.
“It’s stressful, hectic and physically painful,” says
Greg. “And I really enjoy it.”
Some photographers use their camera as a shield
to distance themselves from their subjects. Work-
ing weddings, Greg says, helped him open up
as a person and engage with people. That con-
nection translates into his images and, he adds,
“has deepened my approach to photography.”
When Greg started his reno-
vation, he set up a base-
ment office to keep all his
photography gear organized. When he left his job
in the financial services industry, he transformed
the room into a dedicated space where he couldwork on projects and leave them out without hav-
ing that process interfere with his living space.
Also, he was lucky that his basement has a big
window that floods the room with a lot of light.
Greg went back to photography two years ago. “I
started to get a sense of how insecure my job was
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the space
“I sleep in hereoccasionally,“ saysAaron, “and it feelslike I’m staying overnight in a hotelroom. It’s still verynew so it really doesfeel like part ofa different house.”
E ven now, while the house is
being emptied for new tenants,
you can sti ll sense how Greg’s
embrace of change energizes it. So many details,
such as the sliding closet door in the living room
and the bathroom sink frame, were added by
Greg himself. He fashioned the sliding door fromsalvaged barn board that he found in Kitchener.
The enamel sink was discovered in the field of
an antique market north of Bayfield and set on a
stand of Greg’s devising. “I took a woodworking
course at George Brown,” he says. “It gave me
the confidence to build things like this and the
deck, which I also built myself.”
His small but well-planned home in many ways
reminds us of a boat, with everything stowed
away just so. Part of Greg’s plan on his next ad-
venture is to sail some of the seven seas. One
of the reasons he bought the place was for its
view of Lake Ontario. He used to stop and watch
whenever a sailboat drifted by. Eventually he meta guy who was looking for a crew for his boat and
Greg signed up, learned to sail and then got a
strong urge to start a new adventure.
“Part of the desire to live on a sailboat is a reaction
against the clutter of land-based living,” says Greg.
“But I’m pretty certain I’ll be back.”
‘It would be fun to start thehunt again, but the golden age of
finding things at the Value Villageat Bloor and Lansdowne is over’
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What’s your favourite Toronto experienc
Greg’s classic calypso
Greg is reading
1. Duke of Iron
2. The Fabulous McClevertys
3. Lord Kitchener
4. Lili Verona
Aaron and
Amelia
who?A favouriteschool photoof Greg’s.
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GREG: Looking at the city from the lake.
Gregory White is a Toronto-based
photographer. He studied at the Ontario
College of Art and Design University,
took a detour to work in the world of
finance and then returned to his work
behind the lens. He also enjoys wood-
working, sewing and sailing. He plans
to buy a sailboat and live on it during
the spring and summer, travelling to a
warmer climate for the winter, until he
finally returns to his dream home.
links•Greg’s website
the profle
What’s your greatest strength?
GREG: Extraordinary patience.
What’s your greatest weakness?
GREG: In the absence of a deadline, I am
a master procrastinator.
If you could travel in time, what era would
you most like to visit?
GREG: I’d love to see what Toronto looked
like 20,000 years ago.
What’s your favourite place on earth?
GREG: Cat Ba Island, Vietnam.
Which musical instrument do you wish you
could play?
GREG: The trumpet: its sound brings me
to tears sometimes.
Whose talent do you wish you had?
GREG: Alexander Calder’s.
Forced to choose between night and day,
which would you give up forever? And why?
GREG: I’d give up day because I get all my
creative energy late at night, and because
night sailing under a clear starry sky is an
incredible experience.
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BIG WHEELSGreg loves his handmade Dario Pegoretti Luigino because itis an incredible machine and a thing of beauty. Just as thesecycling accessories are a great mix of form and fashion
Oopsmark
Wine Bottle
Rack, $40
Brooks
Eton
Leather
Satchel,
£299
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the style
Wildhagen’s
Skipper Cap
has ear flaps
that fold down
for warmth andit’s snug enough
to the head that
it fits under a
helmet, $145
Hövding’s
Invisible Cycling
Helmet inflates
to cover and
protect the head
when irregular
movement isdetected by
the sensors,
$499 Euros
Outlier
Double
Fine Merino
Cardigan,
$240
Rapha Hardshell
Jacket in Dark Red
keeps you dry and
warm, regardless of
the weather, $440
Fred Perry
Club Stripe
Scarf, £50
Rapha perfor-
mance denim
Jeans for city
cycling, $240
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cover-UPSInspired by Greg’s fabulous felt projects, we came up withthese easy-to-sew, colourful sleeves for all your electronicsphotography by Jessica Reid
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the spacethe space
inspiration: Wechose graphicbotanical printsinspired by mid-century dishwaremotifs to dress upour gadget cases.
the project
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the pouch• felt fabric
• thread
• scissors
1. Lay the felt fabric down on a surface
with your gadget on top. Trace around
the item leaving ½ inch border on all
sides. Cut two pieces like this.
2. Sew up the pouch around three
sides with a sewing machine.
the decoration• paper punch
• stencil plastic sheet
• fabric ink
• stencil brush
1. Use the paper punch to make a stencil
in the plastic sheet. If you want a small
repeating pattern, punch a few in a row
to help line up the pattern as you go.
2. Apply a small amount of fabric ink on
the brush. Dab it on a scrap of paper first
to make sure you don’t have too much ink.
3. Set up your first stencil where you would
like it on your finished pouch. Gently dab
the brush repeatedly in an up-and-down
motion to apply the ink on the fabric.
Repeat as necessary. Follow your ink’s
directions to set the image and enjoy!
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Visit our blog for
thisproject!
the project
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For a hale and hearty cocktail, we asked Greg to recommenda concoction that puts the wind in his sails photography by Paul CTHE RUM DIARIES
dark and stormy
A favourite of the sailing set from
Bermuda, this drink embodies two
great tastes of the tropics. It’s darker
than most tropical drinks, but it’s
just as refreshing.
Ice
2 ounces dark rum (if you want to
make the drink true and proper,
it must be Gosling’s black rum)
10 ounces ginger beer
1. Fill a 12-ounce glass with ice.
Pour the rum into the glass. Add the
ginger beer. Stir lightly and serve.
the drink
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Felt is warm, soft and —as Greg demonstrates—endlesslyversatile. Let’s cuddle up with something felty this winter
1. Bev Hisey Butterfly Cushion in pebble grey, $168 2. Flock of Tea Cosy Modern Shorn cosy
black, £225 5. Ten Red Poppy wool felt pillow, $42 6. Tom Dixon Felt lamp shades (sold indiv
cover, $21 9. Glerups Boot slipper in charcoal, $99.95 11. Peace Industry 19” w x 13”h Choob
14. Mika Tolvanen for Muuto Restor Basket in Light Gray, $99 15. Klippie Kuties Poinsettia
heart felt
1 3
2
4
13
14
15
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in the next issue...Cool Modernism
meets warm folkloric
touches in artist
Kara’s cool east-
end loft conversion
Can’t wait untilnext month forthe new issue ofCovet Garden?Check out our blogfor more ideas
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