Courtesy of Kiratsuda Chirathivat
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Transcript of Courtesy of Kiratsuda Chirathivat
301 W 53RD ST APT 14A NEW YORK, NY 10019 TEL +1.917.459.2055 EMAIL [email protected]
Objective To be a positive contributor in a design/visual related po utilize my unique abilities, discipline, and creativity for the success of the team.
Work Experience TEL / Date
Kiratsuda Design Co. | Freelance Assistant to An Artist, Korakrit Arunanondchai at MoMa PS1, Long Island City, NY Janurary 2014 – Present HWKN | 281 5th Avenue New York, NY USA +1.212.625.2320 Volunteer on ‘Wendy’ project at MoMa PS1, Long Island City, NY June – August 2012 Assisted project manager on preparing site and project. Managed materials and equipments for the construction team to put together scaffoldings. Recorded time log by photographing the process of making Wendy daily. Explored ways of making seating system out of Styrafoam tubes around the scaffolding. Organized small events which accommodate guests to learn more about the Wendy project. TUE Co.,LTD | Bangkok, Thailand +66.081.926.9614 Personal Assistant to CEO December – April 2012 Assisted CEO on a daily bases. Researched and prepared information for each project’s presentation to brief clients. Organized and monitored current fashion events – Christian Dior, Patek Philippe, MAC, Shiseido, Jimmy Choo, La Mer, Bisous Bisous, et cetera. David Bers Architecture | 470 Union Avenue Brooklyn, NY USA +1.718.218.8101 Architectural Intern October – December 2011 Contributed to project teams by preparing construction drawings, space planning and specifying furniture and Created mass and detailed models for space and design studies. Central Chidlom Department Store | Bangkok, Thailand +66.02.655.7483 Merchandising/Visual Associate May 2011 – September 2011 and July 2008 – January 2009 Assisted Senior Architect and team in Design Department in under Central Retail Corporation, CRC. Assisted the visual merchandising team in designing and decorat Architects 49 Limited | Bangkok, Thailand +66.05.322.0158 Architectural + Interior Design Intern June – December 2009 Developed project budgets and analyzed vendor bidding. Contributed to project teams by preparing construction drawings, space planning and presentation to clients.
+1.503.528.4903
Education
PRATT Institute | Brooklyn, NY USA Bachelor of Fine Arts, Interior Design | Class of 2013 Relevant Courses : History of Interior Design | Technical Drawings | Furniture+Lighting Design | 3D Studio Max | Building Construction and Its Systems | Color and Material Study | History of Arts | Space Planning
New International School of Thailand (NIST) | Thailand International Baccalaureate Diploma, IBO | Class of 2006
Skills
Computer Machintosh and PC AutoCAD, 3D Studio Max, Sketch Up, Revit, Adobe Photoshop, Adobe Illustrator, Adobe InDesign, Vector Works, MS Word, MS Excel, MS Outlook, MS Powerpoint, Facebook and Twitter. Language Fluent in both English and Thai.
PortfolioThroughout the years at Pratt Institue and beyond
301 W 53RD ST New York, NY 10019 Tel +1.917.459.2055 Email [email protected] W 53RD ST APT 14A NEW YORK, NY 10019 TEL +1.917.459.2055 EMAIL [email protected]
Objective To be a positive contributor in a design/visual related po utilize my unique abilities, discipline, and creativity for the success of the team.
Work Experience TEL / Date
Kiratsuda Design Co. | Freelance Assistant to An Artist, Korakrit Arunanondchai at MoMa PS1, Long Island City, NY Janurary 2014 – Present HWKN | 281 5th Avenue New York, NY USA +1.212.625.2320 Volunteer on ‘Wendy’ project at MoMa PS1, Long Island City, NY June – August 2012 Assisted project manager on preparing site and project. Managed materials and equipments for the construction team to put together scaffoldings. Recorded time log by photographing the process of making Wendy daily. Explored ways of making seating system out of Styrafoam tubes around the scaffolding. Organized small events which accommodate guests to learn more about the Wendy project. TUE Co.,LTD | Bangkok, Thailand +66.081.926.9614 Personal Assistant to CEO December – April 2012 Assisted CEO on a daily bases. Researched and prepared information for each project’s presentation to brief clients. Organized and monitored current fashion events – Christian Dior, Patek Philippe, MAC, Shiseido, Jimmy Choo, La Mer, Bisous Bisous, et cetera. David Bers Architecture | 470 Union Avenue Brooklyn, NY USA +1.718.218.8101 Architectural Intern October – December 2011 Contributed to project teams by preparing construction drawings, space planning and specifying furniture and Created mass and detailed models for space and design studies. Central Chidlom Department Store | Bangkok, Thailand +66.02.655.7483 Merchandising/Visual Associate May 2011 – September 2011 and July 2008 – January 2009 Assisted Senior Architect and team in Design Department in under Central Retail Corporation, CRC. Assisted the visual merchandising team in designing and decorat Architects 49 Limited | Bangkok, Thailand +66.05.322.0158 Architectural + Interior Design Intern June – December 2009 Developed project budgets and analyzed vendor bidding. Contributed to project teams by preparing construction drawings, space planning and presentation to clients.
+1.503.528.4903
Education
PRATT Institute | Brooklyn, NY USA Bachelor of Fine Arts, Interior Design | Class of 2013 Relevant Courses : History of Interior Design | Technical Drawings | Furniture+Lighting Design | 3D Studio Max | Building Construction and Its Systems | Color and Material Study | History of Arts | Space Planning
New International School of Thailand (NIST) | Thailand International Baccalaureate Diploma, IBO | Class of 2006
Skills
Computer Machintosh and PC AutoCAD, 3D Studio Max, Sketch Up, Revit, Adobe Photoshop, Adobe Illustrator, Adobe InDesign, Vector Works, MS Word, MS Excel, MS Outlook, MS Powerpoint, Facebook and Twitter. Language Fluent in both English and Thai.
04 Acknowledgement
Acknowledgement
In the making of this book...
I would like to show my appreciation to people that matters to me
my family | my Mama, Suchada Chirathivat and my Dada, Kirengsakdi Chirathivat,
whom have always been the people behide my success. My sister, Jane, and brothers,
Yok and Tong for always inspiring me that I can do bigger and better. My Grand-ma,
Grand-pa, Pa’Taew...
My friends | Peech, Gib, Oui, Prin, Bell, Jean, Alissara, Parima, Pie, P’Oil, Punggie,
Ing, Pam, Ana, Krit, P’Nicole, P’Nan...
and everyone else who inspires me....
Thank you!
Kiratsuda ChirathivaT 05 Table of Contents
T h e O x f o r d S h i r t0 6 - 0 7
T h e R h o m e S p a0 8 - 1 5
S l i t n ’ S l o t C h a i r1 6
S t a c k i n g S t a r c k E x h i b i t i o n1 7
A n a l y s i s o f 2 D t o 3 D1 8 - 1 9
P e r i o d i c a l L i b r a r y2 0 - 2 5
T h e ‘ O t h e r H a l f ’ P r o j e c t P r o p o s a l2 6 - 2 7
D i r e c t e d R e s e r c h - H i g h L i n e , N Y C2 8 - 3 3
P a n e l l i n g K i n d e r k a r t e n3 4 - 3 9
3 D R e n d e r i n g s - T h e B a r c e l o n a P a v i l i o n4 0 - 4 1
P r o j e c t s
06 The Charrette September 2009
The Oxford Shirt Design Charrette
The charrette was given as a task to explore and understand the construction of the oxford shirt. Then to redesign the shirt with a new set of rules.
In starting the project, I have decided to take apart the original oxfoard shirt by saperating each component (white. yellow and orange
on the left photo). Then I kept the most orinal detail of the oxford shirt as the recognition point i.e. neck collar, botton strap, wrist straps.
For the rest of the shirt I broke it doen to staprs that are 1” wide. Then reconstruct it according to the set of rule which resulting in
changing a 2D to a more dynamic 3D top.
A
B
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AA A A
A B C
D
Kiratsuda ChirathivaT 07 Pratt Institute, Brooklyn
Final design in different views:
A Disected the Oxford shirt
B Each strip is 1” wide
D Sewing diagram; A to A, B to B
E Detail; side view
F Detail; back view
G Detail; draping
H Overall front view
I Overall back view
J Shirt wraping manniquin
C Detail; strips
G
F
E
H
I J
08 The Rhome Spa October 2009
The Rhome Spa
To rivet and to fold soft ply wood and latex sheet
Kiratsuda ChirathivaT 09 The Pepsico Build. 500 Park Ave, NY
The Rhome Spa
In this project, we started by choosing two verbs and
two materials to test their quality and their relationship
to each other. I chose to rivet and to fold soft ply wood
with latex sheet. The flexibility of latex sheet allows the
wood to bend and keeps it shape, vise versa. Riveting
allows the fold in materials to stay yet flexible enough
to shift around. I also used grid system to create sets
and rules. Wood is a solid material while latex sheet
is more translucent. However, once clustered the
latex heets, they become a sound absorbent material
as well as water resistant. This is way later on they
benefit my spa desig
10 The Phome Spa October 2009
Our location is 500 Park Avenue which is a
glass building in the middle of Manhattan.
Thus, the aim is to create a spa for a high
end costumers. I started by collaging photos
to create programs within the space. The
denser the material the wetter the program.
This then lead to a final design where I
have separated the wet and dry floor. The
entrance and exit area were inspired by the
sweat lodge experience, connecting to the
mother womb.
Pepsico Building
The tunnel like path way allows each user
to experience their individuality and once
reach the grand staircase they officially
inside another world, more connected to
the nature and to their own soul. The shell
of the structure is created by one single
sheet of waterproofing fabric. The material
is changed when the program changes.
Kiratsuda ChirathivaT 11 The Pepsico Build. 500 Park Ave, NY
The bottom floor of the spa serve as the wet floor where all water related programs are locted in.
The top floor of the spa serves as an entering and exiting point. It also provides all the dry programs
that are seperate from the bottom.
12 The Rhome Spa October 2009
Swimmimg pool
Exit Entrance 1
These are sections show the relationship of the programs within the floor and between the floor.
Swimmimg pool
Exit Entrance 1
Kiratsuda ChirathivaT 13 The Pepsico Build. 500 Park Ave, NY
The overall tunnles
Detail
Detail, Entrances
Detail, outtershell
Entrance 2
Grand Staircase
14 The Rhome Spa April 2013
Kiratsuda ChirathivaT 15 The Pepsico Build. 500 Park Ave, NY
These are 3D renderings of the inside of the spa. I
used soft lighting to exhance the warmth and coziness
of the top, dry, floor. The matterials are reclaimed wood
flooring, felt or cotton fabric that will absorb noise as
well as creating tectures, frosted glass panels and
minimal furniture to lighten up the eye. The entrace
connects the user from the elevator all the way to
the core of the spa. You allow to go further into dry
floor through the changing rooms or move downstairs
towards the wet floor, which has full juice bar service.
The concept of it is simple, top floor is for dry activites
and bottom floor is for wet activites. Members can
enjoy and use downstairs as a get together where the
spa also provides many areas for quite, private time
from the busy city of New York. The luxurious you get
right on Park avenue, just steps from Central Park.
16 Chair Design September 2009
18”
16”
This fabric chair was inspired by the honeycomb shape
which is a very strong self supporting structure. It also allows
the material to expand and collapse when needed. I have
designed a pair of template sheets which allow users to slide
and slot in the buttons to create their seating device. With
this design, the seat can easily grow into a long bench, table
or a room divider. Suitable material is industrial felt because
of it’s durability as well as the strength and thickness.
Slit n’ Slot
Kiratsuda ChirathivaT 17 Exhibition Space
In this project we are assigned a chair to come
up with its own exhibition space. I worked with
the Louise Ghost Chair which designed by
Philippe Starck. Its uniqueness is the clear
material and the process of making one
chair, a single mold injection. The curvature
of the overall space created from the contour
of the chair’s top view. A secondary shell
has added to symbolize these Louise Ghost
chairs stacking on top of one another. Another
feature is the mirroring floor which creates the
floating feeling to the space. Within the wall,
LED light is installed to create mood changes
showing how these chairs will adapt to all
environments.
Stacking Starck
from 2D to 3D February 2010
Analysis
In this case study, we have analyzed three different kind
of arts; Painting by Wasilly Kandinsky, Literature by Alan
Lightman, Einstein’s Dreams and song interpretation by
Thenolious Monk. I have learned to interpret story, rhythm,
character, mood and depth into architecture language
and terms in order to create a conceptual idea for further
projects
18
Kiratsuda ChirathivaT 19 Pratt Institute , Brooklyn
20 Periodical Library April 2010
This is the project where we turn
the existing site into a periodical
library. The concept is based of
the previous pages of analyzing
arts. Since the site is on Broadway
in the heart of Soho, New York, I
picked to analyzed people. Which
then can be categorized into 4
main groups; employee, experts/
members, students/researchers
and tourists. Hence, they allow the
overlapping of each group interest
and at the same time separate them
from each other to minimize time
used yet maximize their benefits.
In differentiating each group,
materials were selected to do
so up on their quali t ies and
characteristics. Ceiling height and
floor level were the second element
that automatically separate people
as well as atmosphere from one
program to the next.
Kiratsuda ChirathivaT 21 550 Broadway New York, NY
Mono Periodical Library
22 Modeling March 2010
Study model I, using the mid ground as a core which allows each column to extrude through.
Study model II, the study of both vertical and horizontal panels.
Kiratsuda ChirathivaT 23 550 Broadway New York, NY
4 views in rotation
4 views in rotation
24 Construction Drawing year?
Kiratsuda ChirathivaT 25550 Broadway New York, NY
26 Other Half Summer 2009 - Present
This project was created by a group of young
enthusiastic teenagers from Thailand. Our goal
was to find ways to fight poverty in Thailand
especially for children fighting with hunger
on their daily bases. We hosted a successful
fundraiser as well as donation drop off at center
locations throuhout Bangkok. With many help
and generousity from Thai people, we had
a great success and are still fighting to help
these young kids. We were supported and
regcognized by medias in Thaiand and hopefully
in the eye of the world. In my role, I come up
wtih a concept, ‘Fund with Food’. This concept
is simple, with the help from Thai restaurants
in NYC, one signature dish with be added onto
the menu for the ‘Other Half’ project in order
to rasie money for the children. The profit will
go directly to ‘The Other Half’ foundation. Not
only that costumers learn more about Thai food,
they participate by order the dish and help poor
children who suffer to survive in their country.
Kiratsuda ChirathivaT 27 Thailand
28 Directed Reserch December 2011
In directed reserach, I have chosen interwoven,
weaving and intergrated as my words. From
there, my choice of location then be, The High
Line Park. I find this abandon park fascinating
and is a perfect choice to my wordings. The
High Line has many years of history for the
New York meat packing district. It weaves
along the Hundson River on 10th Ave from as
low as Gansovort St to midotwn, 38th Street.
The new use of this abandon park makes is
a much pleasant site for the city. Also, much
faster and safer path for commuters during
rush hours because we do not have to worry
about the traffic lights. Since this railway
spread over 25 blocks, it allows visitors
to see the change in demography of each
neighborhood. It allows itself it intergrated
into each neighborhood without disturbing it’s
original context. The Architects did amazing
job interwoven the old railroad details with the
new constructin. Moreover, by turning it into an
elevated park, they found the perfect harmony
to interweave nature with man-made material.
Kiratsuda ChirathivaT 29 High Line Park, New Yoyk, NY
30 Directed Reserch December 2011
Kiratsuda ChirathivaT 31 High Line Park, New York, NY
On this page, the diagrams
shows different desity as well as hieght
various of the plant along the highline
park. The type of plants also changes
when entering the new pace of the park.
The architects try to combine made
made exisitng strustute which is steels
colums, wooded floor and steel train
trials with the oraganic forms which is
the plants that were carefully selected.
Below is layers of man-
made structure and oraganic forms
where carefully woven together like the
diagram on the right side.
32 Directed Reserch December 2011
Methodology - To document the Hing Line Park using photographs to understand the neighbourhood as well as the pavment
and plants on the park over a time sequnce. Then, collage and weave them together to understand the relationship of one
subject to another.
Above is a diagram of diffrent weaving patterns connecting
together. I use the same technique with photographs
from the High Line on the opposite page to create the
continuous experience.
Kiratsuda ChirathivaT 33 High Line Park, New York, NY
34 Unfolding Kiddergarten May 2013
In this project I have
chosen 450 W 14TH
s t ree t as my m i te
building. I decided to
create a community
space for the public
as well as a private
daycare kindergarten
on the top level.
Kiratsuda ChirathivaT 35 450 W 14TH ST New York, NY
35 Study of Lighting May 2013
Kiratsuda ChirathivaT 36 450 W 14TH ST New York, NY
38 Unfolding Kiddergarten May 2013
The concept is the infinite outcome
of a play learn experience. I have
created a system where children
will play and learn as they interact
more with each other as well as with
material. Classrooms can be combine
in infinate ways just like playing with
legos. Each morning children will
come together select their group
and decide what they likd to do for
the day. We are an open classroom
system with no age differences.
Each kid will be evaluate upso his
performance. This system allows an
open classroom as well as privacy
area if needed for study. The offices
are located on the North wall isolated
from the creative playground.
Kiratsuda ChirathivaT 39 450 W 14th Street New York, NY
40 3D MODELING March 2013
These are 3D rendering of the Barcelona Parvilion
using 3D Max program. Each photo shows different
angle of the pavilion and also at a different time
of the day. Here we study lightints and angle of
the cameras to give the best presentation witht
the most information. By using 3D program, you
acheive better perspective of the space as well
as how lighting affects the materials. These are
my best renderings from the projec that are able
to capture the quality of horizontal panel versus
vetical chrome coumns, as well as the mix use of
materials and how the pool reflected the pavilion
during sunser and night time.
Kiratsuda ChirathivaT 41 NEW YORK