Corporate Identities, International Syle, Alivn Lustig 1950- 1970

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C ORPORATE I DENTITIES I NTERNATIONAL S TYLE A LVIN L USTIG 1950 - 1970

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Transcript of Corporate Identities, International Syle, Alivn Lustig 1950- 1970

Page 1: Corporate Identities, International Syle, Alivn Lustig 1950- 1970

Co r p o r at e Id e n t I t I e sIn t e r n at I o n a l st y l ealv I n lu s t I g1950 - 1970

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5019Korean War Begins

51 6968

6765

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6261

5554

End of WWII

Segregation Ruled Illegal in U.S.

Rosa Parks Refuses To Give

Up Her Seat.

Berlin Wall is Built

Cuban Missile Crisis

JFK AssassinatedMLK Jr. “I Have A Dream” Speech

U.S. Sends Troops to Vietnam

Civil Rights Act Passes

Apollo ICatastrophe

MLK Jr. AssassinatedRobert Kennedy

Assassinated

Neil Armstrong is The First Man on

The Moon

Earth 1950 - 1970Earth 1950 - 1970

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Earth 1950 - 1970Earth 1950 - 1970 International Style-Also known as Swiss Style and International Typography Style-Popularized in 1950-Originated from Switzerland

-Style is based upon: Cleanliness, Readability, and Objectivity.

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The New TypographyBauhausDe Stijl

Swiss StyleSwiss StyleSwiss Style

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Swiss StyleSwiss StyleSwiss Style

Characteristics: grid systemsans-serif typefaceflush leftasymmetricalwhite spacegeometrically uniformsimplicity

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Die Neue TypographieBy Jan Tschichold

Typography as an art of communication.Influenced many designers throughout this era.

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Ernst Keller - “Father of Swiss Style” - Initial creator of the Grid System

Poster for Reitberg Museum of Zürich in 1955

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Josef Müller- Brockmann - Swiss designer - Studied under Keller - “Grid Systems in Graphic Design”

Festival en Juin à Zurique, 1959

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Max Bill - Swiss designer - Theoretical writing & progressive work - Ulmer Hocker of 1954

Ulmer Hocker of 1954

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Edouard Hoffmann - After college, held technology & engineering internships in Zürich, Berlin, & Munich - Worked for his uncle at Haas Type foundry - Approached Miedinger in regards to creating a neutral font.

Max Miedinger - Freelanced for a year until he met Edouard Hoffmann - Created Neue Haas Grotesk in 1957 and changed the name to Helvetica.

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- Wider spacing- Neutral typeface - No intrinsic meaning

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- Popularized in America after WWII - Businesses were seeking a modern style - Corporate Identities helped businesses establish credibility. - recognizability - symbolizes organization - structured - employee identification with organization

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Designer“born modern” in 1915became a magician believe in curative power of designbelieved it was not necessary to design down

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Book jacket for Monsieur Teste

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Lorca: 3 Tragedies

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Exhibit Invitation, 1950

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Force and Freedom, Meridian Books, 1955

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Gerald Holtom

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SOURCES:

http://swissgraphicdesign.blogspot.com/http://www.1stwebdesigner.com/design/swiss-style-typography/http://guity-novin.blogspot.com/2012/03/history-of-type-face.html