Copyright 3
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Copyright for EducatorsCopyright for Educators
Intellectual propertyIntellectual property
Patents: The right given to be the only one who may make and sell a new invention, or use a method for a certain number of years
Trademarks: A special picture, mark, word, etc. placed on a product to show who its maker or dealer is
Copyrights: The legal right to be the only publisher, producer, or seller of a particular piece of work
Copyright LawCopyright Law
Congress has the power “to promote the Progress of Science and the useful Arts, by securing for limited Times to authors and Inventors the exclusive Right to their respective Writings and Discoveries.”
U.S. Constitution, Art. 1, Sec. 8, Cl. 8
What is copyrighted?What is copyrighted?
“Original works of authorship” that can be recorded in a “tangible medium of expression” musical works, including any accompanying lyrics literary works dramatic works with any music pantomimes, choreography graphics, artwork, sculptural works sound recordings motion pictures and other multimedia
What cannot be copyrighted?What cannot be copyrighted?
Ideas Facts Procedures/process Systems Operation Methods Concepts/principles Discoveries
How long does copyright last?How long does copyright last?
Life of author plus 70 years Joint authors—life of last survivor plus 70
years Works for hire—95 years from publication
or 120 years from creation
What is not covered by copyright?What is not covered by copyright?
Anything not fixed in a tangible medium (telling a story, a dance—must be recorded in some form)
Works consisting entirely of common property (no original authorship)
Federal documents Titles, names, short phrases, slogans, familiar
symbols or designs (trademarks), Listings of ingredients or contents (recipes)
“Fair Use”“Fair Use”
The use by someone other than the author, without the author’s permission, of a copyrighted work
Purposes of “Fair Use”Purposes of “Fair Use”
Criticism & Comment Scholarship/Research Teaching Preparation for teaching News reporting Parody
“Fair use” Questions“Fair use” Questions
Is the use commercial? Is the original work mostly fact? Has the original work been published? Are you copying only a small part of the
original work? Does your conduct leave unaffected any
profits that the owner can make? Are you giving credit to the author?
What can teachers do?What can teachers do?
Get permission from the author and you can do whatever you and the author have agreed upon
Make a single copy for scholarly research, use in teaching, or in preparation for teaching Chapter from a book Periodical or newspaper article Short story, short essay, short poem Chart, graph, diagram, cartoon, or picture from a book,
periodical, or newspaper
Classroom copies Classroom copies
Limitations: One copy per pupil Must meet the “brevity test” guidelines Must meet “spontaneity rule” Not more than nine instances for 1 class in 1
class term No term-to-term use of same materials for same
class Every copy must include notice of copyright
“Brevity Test” Guidelines“Brevity Test” Guidelines
Poem: complete if less than 250 words-- if longer, no more than 250 words
Prose: a complete article, story, or essay if less than 2500 words
Prose: an excerpt of not more than 1000 words or 10% of the work, whichever is less
Illustration: one chart, graph, diagram, drawing cartoon, or picture per book or periodical
Multi-media exceptions explained later
“Spontaneity Rule”“Spontaneity Rule”
Copying is immediate and the inspiration of the individual teacher
The decision was so close in time that it would be unreasonable to expect a timely reply to a request for permission
However, poor planning will not get you far in court…
Keep It LegalKeep It Legal
Cite the source!!! Keep the use in the classroom Extending beyond school door will get you
in trouble. Example of extensions : web page, published report, article in the local newspaper, bus trip.
Ask for permission!!!
Music Guidelines Music Guidelines
MUSIC: FAIR USE-GUIDELINESMUSIC: FAIR USE-GUIDELINES
Emergency copying to replace purchased copies which for any reason are not available for an imminent performance, provided purchased replacement copies ordered
For academic purposes other than performance, single or multiple copies of excerpts of works may be made, not more than 10% of the whole work.
One copy per pupil.
FAIR USE - NOT ALLOWEDFAIR USE - NOT ALLOWED
Out-of-Print: Still protected, write and ask No reply - still don’t have permission to
copy Collections: One song out of a collection -
ask Extra Parts: Buy if available. Ask! Contest: If originals are required - order Choral/Speaking parts for musicals:
Blatant violation to copy - lack of $ does not justify photocopying!
RECORDINGS-Compulsory Mechanical License-Fair UseRECORDINGS-Compulsory Mechanical License-Fair Use
1) A single copy of a sound recording of copyrighted music may be made from sound recordings owned by an educational institution or an individual teacher for exams or oral exercises
2) A single copy of recordings or performance by students may be made for evaluation and rehearsal purposes and may be retained by the educational institution or individual teacher
OTHER DILEMMASOTHER DILEMMAS
Arrangements - No Fair Use -- Get permission
Adaptations - Fair use applies when editing or simplifying provided the fundamental character of the work is not distorted or lyrics altered or added
Transcription - Get permission Parody - Requires authorization - be safe -
ask
Multimedia Copyright IssuesMultimedia Copyright Issues
Permission Use Sheet(Signature of author allows others to use their material)
Permission Use Sheet(Signature of author allows others to use their material)
Internet sites such as: Music Vendors www.bmi.com, www.nmpa.org, etc.
Call publisher/producer Write request for information See resources page
Commercially Produced Audiovisual MaterialsCommercially Produced Audiovisual Materials
Rented or Purchased Video, CD, DVD, Audio cassette, etc.* No copying even for archiving purposes* No charging of viewing fees* Must be in the course of face-to-face teaching activity (tied to the curriculum)*Must be presented by students or teachers*Must be legally acquired copy of the work*Must be used in an educational setting* Broadcast rights may be purchased
Television RecordingTelevision Recording
Copying of Programs is allowed (fair use) if done by the schools media specialist for instructional purposes.
Only one main showing per class in the first 10 school days is allowed. Teacher may use until day 45 for evaluation, etc. Copy must be destroyed after 45 days from recording.
Noone else in the school can record the same program more than once.
Parts of programs can be shown but no altering of content.
The copyright notice must be included.
Cable TelevisionCable Television
Programs designated as Cable in the Classroom can usually be used up to one year. Locate programs at www.ciconline.org
Programs labeled (RES) can be shown in public as it airs but not taped for later playing.
Broadcasting to Cable TVBroadcasting to Cable TV
Work made for hire statement should be
signed for school ownership
Check with local cable provider before attempting to broadcast
No copyrighted videos, plays, or recorded music can be rebroadcast
Educational Multimedia Educational Multimedia
Combining of original work with portions of copyrighted material to produce an integrated presentation
Teachers must use in face-to-face instruction for up to two years. Permission must by secured after that.
Can use 10% or up to 3 minutes, whichever is less of motion media
Text is limited to 10% or 1000 words, whichever is less Music is limited to 10% with a maximum of 30 seconds
Educational Multimedia (Continued)Educational Multimedia (Continued)
No more than 5 images or photos per artist No more than 10% or 15 per collective
work Up to 10% or 2500 fields or cells from a
database or table One copy can be made for backup purposes
Copyright Issues Concerning Visual Arts and Images
Copyright Issues Concerning Visual Arts and Images
“Originals are the fairest flowers:
Imitations are of quicker growth but fainter bloom.”
Thomas McFarland
Visual Art Copyright 20th Century Reality
Visual Art Copyright 20th Century Reality
“Societal goal underlying copyright is to stimulate and encourage progress in the arts. Copyright supposedly sparks creative impulse through economic impetus. Conversely, unauthorized copying inhibits creativity.”
Darraby, Jessica L. 1995. Art, Artifact and Architecture Law.
Visual Arts and ImagesVisual Arts and Images
Paintings Slides Cartoons
Photography SculptureDrawings
Graphics Illustrations Graphs
Prints ChartsPosters
When an artist creates a work of art, the copyright comes into existence automatically.
By registering artwork, you have more rights.
Derivative WorkDerivative Work
The right to prepare “derivative works” rests with the copyright owner.
The right to change the chart, picture, cartoon, or illustration into a poster or slide or video (also called the right of adaptation) rests with the copyright holder.
Derivative Work RightsDerivative Work Rights
Can’t reproduce the work in a different media
Can’t copy or reproduce the heart of the artwork or image
The more you copy, less likelihood it constitutes fair use
The amount taken from the copyrighted work in relationship to the totality of that work is the crucial factor
Infringement ExamplesInfringement Examples
Teacher uses the opaque projector to enlarge a greeting card illustration for a bulletin board decoration.
Cheerleaders create a poster that features a popular cartoon character dressed in a team uniform.
Teacher copies an image from a coloring book and adds more detail to it for a worksheet.
Parody and/or SatireParody and/or Satire
The work must have a critical component. The work still falls under fair use – good
faith. Only elements that are necessary for the
parody can be used. The appropriation in the copied work must
change the message of the underlying work. Settled case-by-case, so ask permission.
Clip ArtClip Art
Clip art is sold to be copied in certain formats
Check the clip art limitations
Views on copying images for artViews on copying images for art
“I consider general copying as a delusive kind of industry.”
President of English Royal Academy, Sir Joshua Reynolds 1769
“It has generally been accepted that children should not copy anything. The arts are supposed to be a means of one’s own expression and not a superficial copy of someone else’s thoughts and ideas… There is no place for mindless copying of others’ art in a meaningful art program.”
Viktor Lowenfeld 1987
Digital MediaDigital Media
Digital MediaDigital Media
Digital Media is covered under the same copyright laws as other media
Digital Media covers other media including print, music, art, multimedia
Special laws have been passed to cover unique situations created by technology
Digital Media LegislationDigital Media Legislation
Computer Amendment of 1980 – protects computer software
No Electronic Theft Act – NET Act – 1997 – protects software and digital recordings
The Digital Millennium Copyright Act of 1998 -
The Digital Millennium Copyright ActThe Digital Millennium Copyright Act
President Clinton signed the act into law on October 28, 1998
Covers code-cracking technology Internet provider regulations Submission of recommendations for
promoting while protecting distance education will be coming
Internet UseInternet Use
Copying information from one website to another is not permissible
Using copyrighted material from the web in a multimedia production with authorization is permissible
Copyrighted images on the web must be displayed with the creator’s name and authorization
Copying source code is not permissible
Website Linking & PostingWebsite Linking & Posting
Follow the directions for linking provided by website
If there are no directions provided, ask for permission from the webmaster or e-mail address provided
Creating a link from one website to another is permissible if the words describe accurately what is being linked to
West Fargo Public School WebPagesWest Fargo Public School WebPages
There are many rules relating to proper posting and safeguards for educational sites
The WF School District does not sponsor personal or classroom websites because they are difficult to monitor
If you wish to post sites and/or documents for classroom use, see your librarian or e-mail Peggy Spitzer, our district webmaster
E-MailE-Mail
Posting or forwarding an e-mail message without the consent of the author is not permitted
Be careful when sending E-mail. E-mail messages can be tracked to their sources
The same laws apply to e-mail and posted mail (terrorism, threats, etc)
Postings on Chat or UsenetPostings on Chat or Usenet
It is illegal to print or post an individual’s posting without written permission from the author
If you read something that you would like to share with others, try something like:
I heard in the copyright newsgroup that most people are not aware of the laws related to cyberspace.
PasswordsPasswords
Using or sharing a password which provides controlled access to information is not permitted (user account or database access)
Any attempt to circumvent any protection measure is not permitted (password or form of encryption)
SoftwareSoftware
Creating or using code-cracking software is not permissible
“Personal” versions or copies of software are not permissible on district computers
Making personal copies of district software is not permissible
Appropriate documentation of all software must be maintained by the buildings or district
Scanners and CD WritersScanners and CD Writers
It is illegal to scan or alter images for the purpose of fraud (false ID, printing money, etc.)
It is illegal to save any copyrighted materials in any form using district equipment
Copyright InformationCopyright Information
Use our library website to access these and other links: What is Copyright? Copyright and Fair Use United States Copyright Office
This site also provides all materials presented today
BibliographyBibliography
Althouse, Jay. Copyright: The complete guide for Music Educators. Van Nuygs, CA: Alfred Publishing Co., Inc., 1997.
Bielefiled, Arlene. Technology and copyright law. New York: Neal-Schuman Publishers, 1999.
Copyright Implementation Manual. 30 May 2001. Media Technology Services, Groton Public Schools. 17 July 2001 <http://groton.k12.ct.us.mts.egtoc.
Copyright Law of the United States. Library of Congress, 15 November 2001. http://www.loc.gov/copyright/title17/
Darraby, J. L. Art, artifact and architecture law. New York: Clark Boardman Callaghan, 1995.
The Digital Millennium Copyright Act. UCLA Cyberspace Law and Policy, 15 November 2001. http://www.gseis.ucla.edu/iclp/dmca1.htm
Bibliography cont.Bibliography cont.
Digital Millennium Copyright Act Guide. American Library Association Washington Office Newsline, 15 November 2001. Volume 7, Number 125, October 13, 1998 http://www.ala.org/washoff/alawon/alwn7125.html
Federal Crime Statues. Laws and Texas Tech University System Policies Affecting Computer Use, 15 November 2001. http://www.itts.ttu.edu/documentation/lasws/lpc3.html
Lowenfeld, Viktor. Creative and mental growth. Englewood Cliffs, NJ: Prentice Hall Career and Technology, 1987.
McFarland, Thomas. Originality and imagination. Baltimore: John Hopkins University Press, 1985.
O’Mahoney, Benedict. Usenet Newsgroups. 15 November 2001. Copyright Website http://www.copyrightwebsite.com/digital/usenet/usenet.asp
Bibliography cont.Bibliography cont.
O’Mahoney, Benedict. Website Issues. 15 November 2001. Copyright Website http://www.copyrightwebsite.com/digital/webIssues/webIssues.asp
Reproduction of Copyright Office 17 July 200 1 http://lcweb.loc.gov/copyright circs/ Copyrighted Works by Educators and Librarians. Circular 21. Washington, DC: United States circ21.html
Reynolds, Sir Joshua. Discourses in art. San Marino, CA: Huntington Library, 1959.
Simpson, Carol. Copyright for schools: a Practical Guide. Worthington, Ohio: Linworth Publishing, 2001
Spatt David M. Ocean State Lawyers for the Arts Arts & Law Home Page. 1997 http://www.artslaw.org/
Bibliography cont.Bibliography cont.
US Copyright Office Reproductions of Copyrighted works by Educators and Librarians, Circular Washington, DC: Library Of Congress,
Woody, III , Robert Henley and Robert Henley Woody, II. Music Copyright Law in Education. Bloomington, Indiana: Phi Delta Kappa Educational Foundation, 1994.
Copyright Curriculum Writing ProjectTeam
Copyright Curriculum Writing ProjectTeam
Richard Cwikla – Multimedia Susan Jordahl – Music Brenda Luthi – Images Mary Soehren – Printed Material Peggy Spitzer – Digital Media
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