CONTRACT RIDER ADDITIONAL TERMS AND · PDF fileMilton Nascimento (100% Headline Billing) A2....

CONTRACT RIDER

ADDITIONAL TERMS AND CONDITIONS

Please read this rider carefully. It is part of the attached contract for International Music Network (who’s company, contractors,

agents, employees, licensees and designees are hereafter referred to as “PRODUCER”) furnishing the services of Milton Nascimento

(hereinafter referred to as “ARTIST”). By signing it, you are agreeing to supply ARTIST with production and proper working

conditions essential to performance. Any breach of the terms and conditions of this rider is a breach of the contract and may cause

ARTIST to refuse to perform without releasing PURCHASER from his obligation to pay PRODUCER. If ARTIST elects to perform

notwithstanding a breach of this agreement by PURCHASER, the performance by ARTIST shall not constitute a waiver of any claim

PRODUCER may waive for damages or otherwise.

A. ADVERTISING AND PROMOTION

Al. ARTIST is to receive 100% star billing on all publicity releases and paid advertisement including - without limitations -

programs, electronic media, flyers, signage, newspaper advertisements, marquees, tickets, radio spots, TV spots, etc. unless

otherwise authorized in writing by PRODUCER. Billing on all advertising and publicity materials must appear as follows:

Milton Nascimento (100% Headline Billing)

A2. PURCHASER agrees to use only artwork, ad mats, photos and/or promotional materials provided or approved by

PRODUCER. Publicity photos, bios and other assets can be downloaded from www.imnworld.com/miltonnascimento

PURCHASER shall supply all publicity and marketing materials to PRODUCER for review and approval prior to

PURCHASER’s print deadlines and/or online launches.

A3. In the condition that PURCHASER is distributing program notes at the performance described herein, only those provided

directly by PRODUCER shall be used. The exact copy of these notes may be translated from English to the local language,

but only with written authorization by PRODUCER before the final version is printed. All program notes must be approved

by PRODUCER prior to publication of the materials – without exception.

A4. PURCHASER agrees not to commit ARTIST to any personal appearances, interviews or other promotional event or

appearance without prior written consent from PRODUCER.

B. PRODUCTION, INSURANCE AND PAYMENTS

B1. PURCHASER shall not allow audience to enter place of performance until technical set-up has been completed. ARTIST

shall complete said setup one hour prior to time of performance or at a mutually agreeable time. ARTIST requires a minimum

one (1) hour sound check after completion of load in and set up. When a tour manager and/or sound engineer travels with

ARTIST, set up must be arranged one hour before sound check with ARTIST. Festival producers are required to comply with

this policy unless otherwise agreed in writing with PRODUCER.

B2. PURCHASER agrees that there shall be no signs, placards or other advertising materials on or near the stage during the entire

performance. ARTIST'S appearance shall not be sponsored by, or in any other way tie-in with, any political candidate,

commercial product or business.

B3. There shall be no opening act without PRODUCER’s prior written approval.

B4. Audio or visual recordings of rehearsal, sound check or performance shall only be permitted with PRODUCER’s prior written

consent.

PURCHASER shall not permit and will prevent:

(a). The recording, filming, taping, videotaping or any broadcast of the ARTIST'S performance or any portion

thereof without the PRODUCER’s written approval. PURCHASER will deny entrance to any person(s) carrying tape

or video recording equipment. PURCHASER shall announce such policy prior to performance while making the

introductions, as well as to announce that no smoking or cameras are permitted during performance, and such

announcement shall stipulate that this policy is that of the venue. PRODUCER must approve any other remarks and

all introductions made from the stage.

(b). The manufacture, distribution, and/or sale of any and all souvenir items associated with the ARTIST or

performance without PRODUCER’s prior written approval. No product, service, or publication utilizing the name or

likeness of ARTIST may be produced, sold, or distributed without the prior written consent of PRODUCER.

B5. In the condition that ARTIST brings merchandise for sale PURCHASER shall provide qualified sales personnel with a cash

bank and receive no greater than 20% commission on the net selling proceeds.

B6. A representative of the ARTIST shall have the right to be present in the box office prior to and during the performance and

intermission periods, and such representative shall be given full access to all box office sales and shall otherwise be permitted

to reasonably satisfy himself as to the gross gate receipts, (and expenditures if required) at each performance there under.

B7. PURCHASER will make available thirty (30) complimentary tickets per show to ARTIST for their sole use. At least ten (10)

of these seats must be in the highest category, with seats in a central position. ARTIST will contact the box office no later

than one hour prior to the concert in the cm of unused tickets. If this is a compensation bonus or percentage based income

then PURCHASER agrees to distribute no more than thirty (30) additional complimentary tickets to each show.

B8. PURCHASER shall indemnify and hold ARTIST, its contractors, agents, employees, licensees and designees harmless from

and against any loss, damage, or expense, including reasonable attorney's fees incurred, suffered by or threatened against

PURCHASER in connection with any claim for personal injury or property damage, brought by or on behalf of any party in

connection with the engagement.

B9. (a) PURCHASER hereby warrants and represents that it has and will maintain in force a

comprehensive general liability insurance policy with _____________________ licensed to do business in the State

/ Country of __________________________________. Policy No. ___________________ provides coverage of

not less than $1,000,000 per occurrence / $2,000,000 aggregate containing all broad form CGL extensions and Non-

Owned / Hired Automobile Liability and $5,000,000 Umbrella Liability insurance.

(b) PURCHASER further warrants and represents that said insurance policy shall name ARTIST, its contractors, agents,

employees, licensees and designees as additional insured parties for the full period of the engagement, including any

rehearsal period and post production periods.

(c) All premiums for such insurance shall be paid on a timely basis by PURCHASER, who also hereby indemnifies and

agrees to defend and hold harmless ARTIST and its contractors, agents, employees, licensees and designees from

and against any claims, costs, (including attorney's fees and court costs) expenses, damages, liabilities, losses or

judgments arising out of, or in connection with, any claim, demand or action made by any third party, if such are

sustained as a direct or indirect result of the engagement. PURCHASER shall also hold harmless ARTIST and its

contractors, agents, employees, licensees and designees from and against any and all loss, damage and/or destruction

occurring to its and/or its contractors, agents, employees, licensees and designees instruments and equipment at the

place of the engagement, including but not limited to, damages, loss or destruction caused by Act of God. The

insurance liability of the ARTIST shall be limited only to claims from its employees and does not apply to the

PURCHASER’S employees.

(d) The PURCHASER further warrants and represents that it maintains at all times, during the term of this agreement,

Workers Compensation Insurance, including Employers Liability Coverage for its employees and others who are

involved in the installation, operation and/or maintenance of the equipment provided by PRODUCER, lighting

suppliers and sound suppliers. The said certificates must be presented to the PRODUCER upon request.

B10. Nothing contained in this agreement shall be construed to constitute a partnership or joint venture, and PRODUCER shall not

be liable, in whole or in part for any obligation that may be incurred by PURCHASER in carrying out any of the provisions

hereof, or otherwise. Further, PURCHASER warrants and represents that he/she has the legal capacity to enter into this

contract.

B11. This agreement may not be changed, modified or altered except by an instrument in writing by both parties. This agreement

shall be construed in accordance with the laws of The Commonwealth of Massachusetts. Any claim or dispute arising out of

or relating to this agreement or the breach thereof shall be settled by arbitration in The Commonwealth of Massachusetts.

B12. Any proposed additional terms and conditions, which may be affixed to this contract by PURCHASER does not become part

of this contract until signed by PRODUCER.

B13. PURCHASER at his/her sole expense shall obtain licenses, permits, or other approval required from any union, public

authority, performing rights society or other entity having jurisdiction with respect to the engagement, and shall comply with

and fulfill all terms and conditions set forth therein. PURCHASER also agrees to secure any and all immigration clearances if

concert is held outside of the United States and bear any costs incurred, including but not limited to application fees, consular

fees, duplication, couriers and expediting agents.

B14. If State, Local or Federal Tax is to be withheld for this engagement, PURCHASER shall furnish PRODUCER with a copy of

the tax law dictating this policy. This copy must be returned with the signed contracts for this engagement. PURCHASER

must also furnish PRODUCER with an official documentation requiring tax deduction receipt claiming the amount to be

withheld on the night of the performance. Any tax paid must be documented by official receipt and forwarded to PRODUCER

no later than 30 days from receipt.

B15. ARTIST’S obligation to perform shall be excused if ARTIST, or any of his group or essential crew, is unable to perform as a

result of illness or injury; detention resulting from inability to obtain reasonable modes of transportation; riots or other civil

strife; strikes or other forms of labor disputes; epidemics; an act or order of any public authority or court; any act of God; or

any other cause beyond ARTIST'S reasonable control. In such event, ARTIST will not be required to perform and shall

return to PURCHASER any deposits paid, less costs incurred by ARTIST and neither party shall be under any other

obligation to each other. Notwithstanding anything contained herein, inclement weather shall not be deemed a Force Majeure

occurrence, except by act of civil authority, and PURCHASER shall remain liable for payment of the full contracted

guarantee, even if the performance(s) called for herein are prevented by such weather conditions. PRODUCER shall have the

sole right to determine in good faith whether any such weather conditions shall render the performance(s) impossible,

hazardous or unsafe.

B16. PURCHASER agrees that PRODUCER may cancel the engagement hereunder by giving PURCHASER written notice thereof

at least forty-five (45) days prior to the commencement of engagement if ARTIST shall be called upon to render services in

connection with motion pictures or television if engagement hereunder conflicts therewith.

C. TRAVEL AND HOSPITALITY REQUIREMENTS

C1. PURCHASER shall provide travel, hotel, dressing room, catering and all other required hospitality at PURCHASER’s sole

expense and at no cost to the ARTIST. Travel and hospitality requirements contained in attachment(s) hereto become a part

thereof.

D. TECHNICAL AND SOUND REQUIREMENTS

D1. PURCHASER shall provide backline, sound, lights, and all other required equipment at PURCHASER’s sole expense and at

no cost to the ARTIST. Technical and sound requirements contained in attachment(s) hereto become a part thereof.

This Agreement shall be effective only when signed by PURCHASER and returned to ARTIST’s booking agency. All attachments

and addendum are considered a part of this contract rider and are binding.

AGREED AND ACCEPTED

__________________________ __________________________

PURCHASER ARTIST

__________________________ __________________________

DATE DATE

Milton Nascimento

"Tour 2013" Equipment List

Attention sir (s) contractor (s) or producer (s)! It is essential that the technician responsible for the sound of the event please contact the Executive Producer, even though everything according to the rider. This contact should be made no later via email and sent to the other should the need arise, by phone. Before effecting changes in rider sound, please check the possibility with the crew. If approved, these changes must be documented by email so we can avoid any problems later.

8 men available to unloading and loading equipment

Supply of electricity

We ask the most attention to this item. The supply of electricity is critical to the performance of sound and lighting equipment. Look for hire leasing of generators of a large company, that can give you quick assistance, thus avoiding problems on the day of your event. We need two (2) silent generator sets: One of 150KVA (minimum) to the sound of 250KVA and one for light. Never hire a generator set only, even though it has twice the capacity requested. We will not allow these generators provide power for other purposes than those specified here. For security, the generators should always be grounded, supplied with fuel and ready to be `connected from 12am on the day of the show. I value the safety, quality and success of your event.

Stage

The stage should be leveled and lined with black carpet and have side structure (wing PA) instead of the "FLY" to mount the speakers to the public. Check the load capacity that the company needs sound. Make sure that the company hired to mount the stage and is registered in the CREA that it has an engineer on its staff. Only then, the company will be able to provide the service. Ask further, for it is done in ART (Technical Responsibility) with CREA your state and make the release of the event space next to the Fire Department. The Stage should still have: - 01 ramp to equipment and 01 access ladder on the back. - 01 area (on the same floor level stage) on the side (monitor mix) - 01 house mix no more than 30 meters from the stage and centralized over the PA. For security, all structures of the stage and PA Wings should be guyed by steel cables and properly aterradas.Em case presentation outdoors, prefer hiring venues that have a good side closure and back, thus avoiding the cancellation of performances due to rains that may dampen the stage and equipment.... Remember that only in the case of public calamity concert may be delayed.

Backline

01 Fender Twin Amp 02 Bass SWR amps, Hartke and Ampeg 800. Boxes 1X15 "and 4X10". 01 Piano Acoustic entire tail, 1/2 or 1/4 Steinway / Yamaha C or S series, Gran coda Yamaha CF III 03 Shure PSM 900 with 01 Phone SE 535 CL 02 Wireless microphones Shure UR4 the series with Beta 58 capsule 04 Workable pantograph Rosco (2 x 1 meters) with wheels and carpeted. Keyboard with Stands: nord lead nord stage yamaha motif yamaha mox 04 bar stools with high backrest 04 sheet music stands 04 instruments stands Drum: Yamaha Kick 20" tans 8"10"12"14'’ Snare 14" 4 stands for cymbal 1 estante de caixa 1 HiHat stand Zildjian ou Sabian HH 13' Crash 16' 18' Ride 20" Ride 22" * The entire system monitor mix should be perfectly illuminated. * The console monitor must be mounted on the left side of the stage and no object that obstructs the vision of the technician. NOTE 1: The piano should be tuned at 440 (the tuner will tune 30 minutes before the soundcheck and stay until the end of it). 2: It will take 2 stools for Piano. 3: You will need a high stool (with backrest) that does not turn to Milton. 4: Amplifiers Bass Boxes in separate. 1 BOX 1X15 ", 4X10 1 BOX."

Monitor info

Console YAMAHA PM 5DRH

Monitor Out 01- Milton L XLR PSM 900/1000 02- Milton R XLR PSM 900/1000 03- Piano XLR PortaPro (My System) 04- Sax XLR PortaPro (My System) 05- Bass XLR PSM 900/1000 06- Drum XLR PortaPro (My System) 07- Sub 08- GTR XLR PSM 900/1000 09- EFX L – Side Fill R – Side Fill 02 side fill : Meyer Sound, LA Acustic, AEW Kf 730/760. 01 sub woofer (for drum) – 18” speakers AC All the required power to the instruments will be provided by event sound company, and should have the voltage 110volts.

PA info

The sizing of the PA is at the discretion of the contractor for supply of equipment, and technicians of the artist the right to correction if deemed necessary, stressing that it should have wide coverage of ALL the audience with good intelligibility and capable of generate 110 Db SPL at House Mix, mounted approximately 25 meters from the stage and 50 centimeters from the ground. In very large spaces calls to delay installation of towers for full coverage and uniform. Suggested Systems (in order of preference) V-DOSC, DB Technologies, MEYER, VERTEC, NORTON, D-VDOSC, EAW 750/760 Series, EV, D.A.S, NEXO GEO T, ... Console Suggested Systems (in order of preference): DIGICO(SD7, SD8 ouSD10), Soundcraft (VI6, VI4, SI3), Digidesign(D-Show, Profile , Mix Rack) ,YAMAHA(PM 5DRH, PM5D, CL5 ). AMEK Recall, Midas XL4, Gamble ou Soundcraft Series 5. 01 SPECTRUM ANALYZER 01 PA SYSTEM INTERCOM / STAGE PREFERABLY WITH powered speakers, 01 in the PA and 01 in MON.

Please read carefully the input, if you did not ask any of the items that sent the rider, not replace it with another without first contacting the Technical Director! Executive Producer: Natália Guimaraes (+55 21) 2294-7294/8122-2353/7864-2973 - ID: 55 * 10 * 2916 [email protected] Monitor: Aurélio Kauffmann (+55 21) 9964-5632 [email protected] PA: Marcio Gama (+55 21) 8785-4208 [email protected] Technical Direction: Darck Fonseca (+55 21) 7832-4909 / 8 * 53 278 [email protected]

Milton Nascimento “Tour 2013”

Input List

Ch Label Mic/Di PA insert Monitor insert Stand Obs. 01 Kick 1 SM91 02 Kick 2 D112 ou Beta 52 Gate+comp Short Boom 03 Snare top SM57 Med Boom 04 Snare bot SM57 Med Boom 05 HH C460/SM81 Med Boom 06 Rack Ton 1 Sennh e604/Beta56 gate Grab 07 Rack Ton 2 Sennh e604/Beta56 gate Grab 08 Rack Ton 3 Sennh e604/Beta56 gate Grab 09 Floor Ton Sennh e604/Beta56 gate Grab 10 Overhead L C414/C460/SM81 Grab 11 Overhead R C414/C460/SM81 Grab 12 El.Bass DI Compressor 13 Ac. Bass DI Compressor 14 Ac.Piano L DPA 4099 P Med Boom 15 Ac.Piano R DPA 4099 P Med Boom 16 Ac.Piano C SM57 Med Boom 17 Key L DI 18 Key R DI 19 Korg DI 20 El.Gtr(Wilson) MD409/SM57 21 AC.Gtr(aço) DI 22 Ac.Gtr(nylon) DI 23 Milton VOX My Mic Compressor Long Boom My Mic 24 Milton nylon Gtr My Transmissor Compressor My Transmissor 25 Sax SM58 Med Boom 26 Flute Beta 57A Long Boom 27 Bck.Vocal GTR Beta 58 Med Boom 28 Bck.Vocal BASS Beta 58 Long Boom 29 SPARE UR Beta 58 Long Boom 30 Guide vocal gtr SM57 Long Boom 31 32 talkback SM58

Milton Nascimento “Tour 2013”

Stage Plot

127V L

Bass

127V

1, 2

7

R MILTON

4

Sax / Flute

3

GTR

127V

8

10

6

5

Lighting Equipment List - Milton Nascimento - Tour 2013

Convencional

12 Source Four ETC 36° Profile Spot 750W - with L202 or R3204 gels

24 Par CP 62 (wide) - with L202 ou R3204 gels

04 Blinders 6x650W DWE

Effects

12 Moving Head Vari*Lite 3000 Spot or Clay Paky Alpha Spot QWO 800

18 Moving Led Robin Led 1200W or Clay Paky A.leda Wash K20

12 Led Ribalta SGM

02 Follow Spots HMI 2500W (with R3409 gels)

02 Hazer Machine with Fans (Smoke machines won’t be accepted)

Control

01 Console GrandMA Full Size Series 1 (Latest software version)

24 Channel Dimmer Rack

01 Communication System (House Mix/Follow SpotsX2/Dimmer Station)

Trussing

04 P30 10 mts

02 P30 09 mts

04 P30 08 mts

04 P30 01 mts

08 Base Ground Suport P30

08 Sleeves Ground Suport P30

04 Lodestar 1 Ton Motor

Iluminação : Arthur Farinon

Mapa de luz de chão com Banda e Cenários - esc 1/75

Milton Nascimento

Tour 2013

2,0m

1,0m

0,0m

1,0m

2,0m

3,0m

4,0m

5,0m

6,0m

7,0m

6,0m 5,0m 4,0m 3,0m 2,0m 1,0m 0,0 1,0m 2,0m 3,0m 4,0m 5,0m 6,0m 7,0m7,0m

8,0m

01

2,0m

1,0m

0,0m

1,0m

2,0m

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4,0m

5,0m

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6,0m 5,0m 4,0m 3,0m 2,0m 1,0m 0,0 1,0m 2,0m 3,0m 4,0m 5,0m 6,0m 7,0m7,0mDistância em relaçãoao centro

Distância doProscênioDescrição

Perna 1,50m 7,0m

Perna Boca de Cena 0,0m

Tabela de Distâncias

Baterista 5,0m 2,0m

Baixista 3,25m -1,40mPianista 3,0m -4,25mGuitarrista 2,75m 3,50m

Milton Nascimento 2,0m 0,0m

Torre com Wash 4,0m 3,0m

Torre com Wash 2,25m 2,0m

110108

LEGENDA

Robin Led 1200 Wash18

VL 3000 spot12

NOTASMáquinas de fumaça:as máquinas de fumaça devem produzir fumaça tipo névoa sem cheiro e sem barulhoRéguas: Observe as medidas nas réguas.Importante: Qualquer alteraçãoou necessidade de adaptaçãodeve ser comunicado com urgência ao supervisor de iluminação.

LER o RIDERImprimir em folha A3

109 111 112 Ribalta de Led SGM12

301 302 303 304 305 306 307 308 309 310 311 312

209

211

210

212

217216 218215214213

Iluminação : Arthur Farinon

Mapa de Luz Aérea com Estruturas - esc 1/75

Milton Nascimento

Tour 2013

Mini Brutt 6x650W DWE04

LEGENDA

Robin Led 1200 Wash18

VL 3000 spot12

Par 64 # 512

Elipsoidal ETC 19º 12

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1,0m

0,0m

1,0m

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3,0m

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7,0m

6,0m 5,0m 4,0m 3,0m 2,0m 1,0m 0,0 1,0m 2,0m 3,0m 4,0m 5,0m 6,0m 7,0m7,0m

8,0m

02

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6,0m 5,0m 4,0m 3,0m 2,0m 1,0m 0,0 1,0m 2,0m 3,0m 4,0m 5,0m 6,0m 7,0m7,0mAltura emrelaçãoao palco

Distância doProscênioDescrição

Fundo Preto 7,25m 8,0m

Contra Luz +Moving Head 6,50m 8,0m

Perna 6,0m 8,0m

Contra Luz +Moving Head 4,75m 8,0mPerna 4,5m 8,0m

Perna 3,0m 8,0m

Perna 1,50m 8,0m

Perna Boca de Cena 0,0m 8,0m

Luz de Frente -1,25m 8,0m

Tabela de Distâncias

202

01

202

03

202

02

202

07

202

01

202

01

202

01

202

01

202

04

202

05

202

06202

13

202

13

202

14

202

14

202

15

202

15

202

13

202

13

202

14

202

14

202

1515

09 121110

Canhão Seguidor HMI 2,5 KW

Canai de dimmer = 24

01 Avolites Pearl 2010 ou GrandMA Full Size Série 1

02 Fog Hazer com ventilador

Toda a estrutura conforme Rider

NOTASMáquinas de fumaça:as máquinas de fumaça devem produzir fumaça tipo névoa sem cheiro e sem barulhoRéguas: Observe as medidas nas réguas.Importante: Qualquer alteraçãoou necessidade de adaptaçãodeve ser comunicado com urgência ao supervisor de iluminação.

LER o RIDERImprimir em folha A3

102101 103 104

106105 107

202

08

201 202 203 204

208206 207205

Com filtro 1/4 CTOR3409

Com filtro 1/4 CTOR3409

02

DMX Id Ch Id Fi Fixture Type Name NoMa Pan Tilt Id F

2(B).1 101 VL3000SPOT 16BI Spot 1 Yes







2(B).197 108 VL3000SPOT 16BI Spot Chao 1





3(C).1 201 Idea LED 300 Led 1

3(C).14 202 Idea LED 300 Led 2

3(C).27 203 Idea LED 300 Led 3

3(C).40 204 Idea LED 300 Led 4

3(C).53 205 Idea LED 300 Led 5

3(C).66 206 Idea LED 300 Led 6

3(C).79 207 Idea LED 300 Led 7

3(C).92 208 Idea LED 300 Led 8

3(C).105 209 Idea LED 300 Led Lateral 1




3(C).157 213 Idea LED 300 Led Chao 1






3(C).400 301 Ribalta Ribalta 1












PRODUCTION REQUIREMENTS

MILTON NASCIMENTO 2013

ACCESS TO THE STAGE Via two stairways: one on each side of the back-stage area. KEYS All of the changing rooms must have keys which will remain with the artist’s producer while the team’s belongings are stored there.

DRESSING ROOMS FOR MILTON NASCIMENTO TEAM

The contracted party must supply an ironing board and iron as well as a maid to be at the service of the artist and the musicians. The maid must be present and available at the changing rooms for the 2 hour period before the beginning of the scheduled show time.

ARTIST (dressing room for 05 persons) Individual changing room situated on the right side and less than 50 meters from the stage, with a private bathroom, equipped with:

1 fan

1 television with good reception

1 sofa, with armchairs and chairs

Toilet paper

Toilet seat sanitary cover

1 full-length mirror

1 hanger

1 white bath towel

5 white face towels

Table covered with a white table-cloth, equipped with:

10 glass tumblers

Stainless steel cutlery (4 knives, 4 forks, 4 teaspoons)

napkins

1 thermal ice bucket containing filtered ice-cubes

1 case of packaged Juice (Grape or Apple) – Del Valle without sugar

10 bottles still mineral water - Saint Pellegrino or similar - at room temperature (or similar brand – please consult Production Team)

5 bottles sparkling mineral water

1 thermos flask containing hot water

1 thermos flask containing coffee (sweetener and sugar served separately)

6 cans of soda: Coca-Cola ZERO (2 cans), Coca-Cola (4 cans)

1 bottle of Prosseco

2 cold plates and bread basket with assorted breads (WITHOUT SUGAR) OR 1 full-length Subway sandwich WITHOUT mayonnaise (consult production about the flavour)

3 plates of savoury oven-baked snacks

2 limes

1 hot pasta dish for 6 persons (to be agreed with Production Team)

NB: Milton Nascimento is extremely allergic to mould, dust and other strong-smelling and corrosive substances found in paints, glues and detergents. The use of such substances in the dressing rooms or stage area within a 24 hour period before the show can cause serious damage to the artist’s voice, leading to the possible cancellation of the performance. We ask for your careful attention to this, and the use of neutral cleaning products without smell.

NB 2: NO ITEMS CONTAINING SUGAR CAN BE SERVED IN THIS DRESSING ROOM.

MUSICIANS (dressing room for 5 persons) Changing room with private bathroom, equipped with:

Tables & Chairs

Air conditioning

bathroom with showers (in case not available, please advise the Production Team)

toilet paper

full-length mirror

glasses for water, whisky and beer and wine-glasses

napkins

1 hanger

5 white bath towels (consult Production Team if necessary)

5 white face towels Table covered with a white table-cloth, equipped with:

1 bottle of Johnnie Walker Black Label or 1 bottle of Chilean Wine (please consult Production Team)

Thermal ice bucket with filtered ice-cubes

5 cans of Red Bull energy drink (or similar brand – please consult Production Team)

10 cans of Coca-Cola

1 thermos flask containing hot coffee (sweetener and sugar served separately)

15 cans or small bottles of Stella Artois beer (or similar brand – please consult Production Team)

16 cups of still mineral water, at room temperature

2 large plates of cold cuts and 1 basket of assorted breads

01 hot pasta dish for 5 persons (to be agreed with the Production Team) OR 2 large pizzas (mozzarella and peperoni) CONSULT PRODUCTION TEAM IF NECESSARY TO SERVE THIS ITEM)

2 large plates of savoury oven-baked snacks

Dried fruits and nuts (cashew, peanuts)

seasonal fruits (ripe)

6 packets of Trident chewing gum (various flavours) plus 1 box of assorted sweets

PRODUCTION & TECHNICAL TEAM (dressing room for 5 persons) Changing room with private bathroom, equipped with:

Tables & Chairs

Air condicitioning

Toilet Paper

6 bars of soap

6 white bath towels

6 white face towels

Thermal ice bucket containing filtered ice-cubes

Glasses for water and beer

Napkins

8 cans of Red Bull - energy drink

8 cans of assorted sodas

2 cases of assorted juices

7 cans/bottles of beer (Stella Artois)

12 cups of still mineral water (at room temperature)

2 large plates of cold cuts and 1 basket of assorted breads or 1 large Subway sandwich TO BE SERVED DURING THE SET-UP (consult the Production Team about the best timing) plus one bottle of Del Vale Juice or I bottle of Soda

01 hot pasta for 5 persons (to be agreed with the Production Team) or 02 large pizzas (mozzarella and peperoni)

2 large plates of oven-baked savoury snacks

6 packets of Trident chewing gum (assorted) NB: During the set-up and break-down, the team should be served the following: coffee (sugar and sweetener served separately) and cold water in small cups/bottles, chilled inside a thermal ice bucket.

For any changes, please contact the Production Team: Natália Guimarães: (21) 8122-2353 / 55*10*2916 / 7864-2973 / 2294-7295

[email protected]

mailto:[email protected]

ROOMING LIST MILTON NASCIMENTO

NOME APTO

MILTON NASCIMENTO SUITE

AMAURY LINHARES / DANILO NUHA DOUBLE

ELISABETH CAMPOS SINGLE

JANAINA LINHARES SINGLE

LINCONL CHEIB / GASTÃO VILLEROY DOUBLE

WILSON LOPES / ARTHUR FARINON DOUBLE

WIDOR SANTIAGO / LINCOLN CONTINENTINO DOUBLE

DARCK FONSECA / JOÃO VITOR CAMPOS DOUBLE

AURELIO KAUFFMAN / MARCIO GAMA DOUBLE

FICHA TÉCNICA - MILTON NASCIMENTO

Milton Nascimento – voz

Wilson Lopes – guitars

Lincoln Continentino – piano/ Keyboard

Gastão Vileroy – bass

Lincoln Cheib – drums

Widor Santiago – sopros

Amaury Linhares – manager

João Vitor Campos – administrative manager

Janaina Linhares – tour manager

Danilo Nuha – Press and personal assessor

Elizabeth Campos – vocal coauch/ audiologist

Marcio Gama – P.A.

Aurelio Kauffman – F.O.H

Arthur Farinon – Light

Darck Fonseca – stage manager

INFORMATION LIST

The following information list is to be completed ASAP and sent with the contracts

1) DATE OF PERFORMANCE __________________ CITY _______________________

a. Name of venue _____________________________________________________

b. Address _____________________________________________________

c. Production Phone # _____________________________________________________

d. Production Fax # _____________________________________________________

2) Name and Contact info. for PRODUCTION MGR _____________________________

3) Name and Contact info. for TECHNICAL DIR. _____________________________

4) Name and Contact info. for SOUND ENGINEER _____________________________

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5) Name and Contact info. for ELECTRICIAN _____________________________

6) Name and Contact info. for ARTIST SERVICES _____________________________

7) BOX OFFICE PHONE and EMAIL/WEB _____________________________

8) STAGE DIMENSIONS: Depth ________________ Width ________________

Height: Stage to Ceiling ________________

Height: Stage ________________

9) Time of Performance______________ Time of Soundcheck (if scheduled)_____________

10) Other bands playing before and after ARTIST ______________________________________

Their Show and S/C times ______________________________________

11) Please provide detailed information regarding loading dock / backstage door for arrival of ARTIST on back of

information sheet.

Please send / fax Technical Information and Artist Guide if available. A map of the area is

also MOST HELPFUL. THANK YOU IN ADVANCE FOR HELPING TO MAKE THE

SHOW A GREAT SUCCESS!

CONTRACT RIDER ADDITIONAL TERMS AND · PDF fileMilton Nascimento (100% Headline Billing) A2....

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Transcript of CONTRACT RIDER ADDITIONAL TERMS AND · PDF fileMilton Nascimento (100% Headline Billing) A2....