CONTEMPORARY SCULPTURE/INSTALLATIONS Contemporary artists or sculptors: use traditional sculptural...
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Transcript of CONTEMPORARY SCULPTURE/INSTALLATIONS Contemporary artists or sculptors: use traditional sculptural...
CONTEMPORARY SCULPTURE/INSTALLA
TIONSContemporary artists or sculptors:• use traditional sculptural techniques of
carving, casting and constructing to create their three-dimensional objects
• challenge the idea of the permanent, precious art object.
INSTALLATIONS
• An installation is a method of display whereby objects are arranged for a particular space.
• One of the newer installation methods is the transient sculptural form.
• Transient sculptural forms must be documented because they do not last.
CONTEMPORARY SCULPTURE/INSTALLATIONS
Callum Morton’s Habitat depictsthe following characteristics:
• a sculptural installation resembling a scaled-down architectural model
• added lights and sound, suggesting there are people within it
• reality versus illusion
• Postmodern aspects in its questioning of our values and the way we live
• a Postmodern appropriation of a modernist building.
Callum Morton, Habitat 2003Wood, acrylic paint, aluminium, sheet magnets, lights, sound
74 x 660 x 130 cmCourtesy the artist and Roslyn Oxley9 Gallery
CONTEMPORARY SCULPTURE/INSTALLATIONS
Ricky Swallow’s sculpture KillingTime portrays the followingcharacteristics:
• a traditional carving technique in wood
• the illusion of reality
• themes of memory and time passing
• reference to past artworks and the traditional still-life subject.
In Swallow’s other works, there isreference to mass contemporaryculture (e.g. the computer, StarWars).
Ricky Swallow, Killing Time 2003-4Laminated jelutong, maple
108 x 184 x 118 cm (irregular)Art Gallery of New South Wales
© Ricky Swallow and Darren Knight Gallery
CONTEMPORARY SCULPTURE/INSTALLATIONS
Hossein Valamanesh’s Untitled(1999), shows the followingcharacteristics:
• an example of the use of found objects in installations
• the suggestion of spirituality and the artist’s cultural background
• symbolism in the use of the candle and the branch
• the depiction of nature and self-identity as two concerns in the artist’s works.
Hossein Valamanesh, Untitled 1999Lavender bush, oil burner
80 x 58 x 82 cmCourtesy the artist and Sherman Galleries, Sydney
CONTEMPORARY SCULPTURE/INSTALLATIONS
Mona Hatoum’s Untitled(Wheelchair) portrays thefollowing aspects:
• the altering of the purpose of the objects by the artist to suggest meaning
• using the objects as symbols of hostility, danger, oppression and anger
• linking the work to the artist’s own experience of displacement from Lebanon.
Mona Hatoum, Untitled (Wheelchair) 1998Stainless steel and rubber
97 x 59 x 84 cm© The artist. Photographer: Edward Woodman
Courtesy Jay Jopling/White Cube (London)
CONTEMPORARY SCULPTURE/INSTALLATIONS
In Tim Silver’s Untitled (adrift), thefollowing aspects are portrayed:
• the artwork is no longer a permanent, precious object
• documentation of the artwork becomes essential
• the objects are transient — they melt, decay, are used up and transform their state
• the artwork links to the changing nature of our life and consumerism.
Tim Silver, Untitled (adrift) 2004Archival ink on archival watercolour paper
47 x 65 cm, Image 7/10Courtesy the artist and GRANTPIRRIE