Community Commissions - nyc.gov · Community Commissions 01 10 Aer R or Poposals 2 of 12 PROGRAM...

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Community Commissions 10TH ANNIVERSARY Request for Proposals Tattfoo Tan Nature Matching System (DOT Art inaugural project) Front Street between Adams Street and Pearl Street (Brooklyn)

Transcript of Community Commissions - nyc.gov · Community Commissions 01 10 Aer R or Poposals 2 of 12 PROGRAM...

Community Commissions1 0 T H A N N I V E R S A R YRequest for Proposals

Tattfoo TanNature Matching System (DOT Art inaugural project)

Front Street between Adams Street and Pearl Street (Brooklyn)

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PROGR A M BAC KG ROU N D

Since the launch of the New York City Department of Transportation’s (NYCDOT) Art Program in October 2008, DOT Art has installed over 250 engaging temporary art installations citywide. The Program partners with community-based organizations and artists to present murals, sculptures, projections and performances on public property. These temporary art installations create attractive corridors and activate public space for passersby. Projects are presented within four program tracks: Community Commissions, Barrier Beautification, Arterventions and Art Display Case Exhibits. Additionally, DOT Art produces special projects, such as: Construction Banner Wraps, Summer Streets Interventions and Asphalt Art Activations.

10TH A N N I V ERSA RY R FP BAC KGROU N D

To commemorate its 10th Anniversary, DOT Art is soliciting proposals to commission temporary artwork in partnership with long standing agency collaborators for five signature sites that have been home to multiple art installations over the past ten years. The site of DOT’s first installation in February 2008 was the Front Street fence located in DUMBO, Brooklyn, which has accommodated a total of three unique murals to-date in partnership with the DUMBO BID. Shortly thereafter, DOT Art produced a large-scale sculpture at West Farms Square in the Bronx, and has since installed three sculptures in partnership with the Bronx River Art Center. Another site that has hosted artwork throughout the years in partnership with Sunnyside Shines is the 46th Street Plaza in Sunnyside, Queens, which has hosted a pop-up inflatable sculpture and colorful egg statue designed by a local Sunnyside artist. More recently, the triangle at Riverside Drive and Dyckman Street has been home to two sculptural works, one which had previously been exhibited in Harlem and moved to this site and another specifically commissioned for this location. Most notable, the Staten Island Ferry Terminal has accommodated over six works throughout the years, with this specific wall having been transformed with a vinyl mural once in the past by a Staten Island artist. DOT Art is eager to transform these sites relying on the unique vision of five new artists and hopes to find a new lens in which to produce site-responsive work at these five locations.

COM M U N IT Y COM M IS S ION S BAC KGROU N D

As part of the Community Commissions program, DOT Art commissions artists to produce temporary site-responsive art in collaboration with community-based organizations. Twice a year in fall and spring, NYCDOT owned plazas, fences, medians, triangles, sidewalks and step streets in all five boroughs are announced as priority sites for art. The NYCDOT Borough Offices and Operating Units identify sites that are: 1) in need of beautification; 2) large enough to accommodate artwork; and 3) accessible to a diverse audience.

In advance of the open call, DOT Art has identified community-based partners to collaborate with DOT Art throughout all project phases, including the selection process. Artists are not required to partner with organizations since the agency has already secured such commitments. The partners were identified by NYCDOT to present temporary art because the organizations have experience planning public programs and/or public art projects, the ability to monitor and maintain the artwork, the capacity to hold the liability insurance and indemnify the City of New York for the artwork, and most importantly, the interest in and ownership over the site due to their locale. (Appendix A: 10th Anniversary Priority Site and Partner List.)

Artists are invited to submit proposals in response to the priority site and partner list by a set deadline. The DOT Art Committee will review all submitted applications and rank two to three finalists per site. After the initial selection panel, all finalists will be invited for an interview with the designated partner organization and DOT Art. Once one artist or artist team has been selected per priority site, DOT Art will act as the liaison between the artist and the partner organization throughout the commissioning process. Selected artworks may remain installed for up to 11 months and selected artists are eligible to receive up to $12,000 toward direct project costs. In addition, NYCDOT will arrange for an engineering review by a NYS licensed engineer for all sculptural work and will provide the necessary permits to install on City-owned property. NYCDOT may provide additional services on a case-by-case basis to assist with project implementation; i.e. material donation and installation assistance.

Past examples of successful Community Commissions projects include: Publicolor and Ruth Lande Shuman, Rhythmic Color, Naples Terrace between Broadway and Godwin Terrace, Bronx; A.I.R Gallery and Fanny Allié, Exquisite Corpse, Fulton Street and Grand Avenue, Brooklyn; SoHo Broadway Initiative and Zigi Ben-Haim, Treasure the Green, Broadway between Howard Street and Grand Street, Manhattan; Local Project and Cristian Pietrapiana, We Are All Tourists, Vernon Boulevard and Queens Plaza South, Queens; and Staten Island Maker Space and Harumi Ori, I am Here, Bay Street and Victory Boulevard, Staten Island. (Appendix B: Past Community Commissions.) For additional photos of past Community Commissions, visit www.flickr.com/photos/nycstreets.

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PROGR A M PROC E S S A N D R EQU IR EM ENTS

NYCDOT works closely with selected artists to implement projects within eight months of approval. The DOT Art Program team, the artist, a representative from the partner organization and other NYCDOT staff make up the project team. Throughout implementation, the project team meets to review design, confer on budget, develop a project schedule, assess the engineering documentation and sign the legal agreement. The artist is responsible for: 1) fabrication and installation; 2) maintenance of the artwork during the display period; 3) removal of the artwork upon completion of the display period; and 4) restoration of the site to its original condition.

The identified partner organizations will sign a legal agreement with NYCDOT and provide a certificate of insurance naming the City as an additional insured on behalf of the artist. As per the agreement, the artist receives credit, sole ownership, and copyright of the final design and artwork, but is required to extend to the City and the partner organization the right to a royalty-free, perpetual license to use any depiction of the artwork for non-commercial purposes.

S U B M IS S ION GU IDELIN E S

Artists are invited to submit proposals in response to the list of priority sites by Friday, May 18, 2018. Applicants are notified of selection within one month of the submission deadline. Funding is not guaranteed with project selection. Interested artists are invited to submit a single application. Artists are only eligible to receive one commission per fiscal year. All applicants must select a priority site and provide a conceptual design for consideration. For submission specifications, review the Community Commissions Application Cover Sheet.

S EL EC TION PROC E S S

The Art Advisory Committee, a panel of appointed arts professionals from varying disciplines, the designated partner and NYCDOT will review all proposals based on the following selection criteria:

Public Safety

• Proposal does not present any public safety hazards.

Artistic Merit

• Proposed artwork is aesthetically pleasing and appropriate for the public realm.

• Artist’s past work demonstrates proficiency in the proposed medium.

• Artist has exhibited in the public or private realm and participated in team and/or community-based art projects.

Site Suitability

• Artwork is suitable for the site based on size, scale, and form.

• Proposal considers the variety of audiences at the site.

• Proposal considers the social, historical, architectural, geographical and/or cultural context of the site.

• Proposal illustrates community involvement during design, fabrication, and/or installation.

Artwork Durability

• Artwork will be made of durable materials to withstand outdoor weather conditions.

• Artwork is carefully planned ensuring sound fabrication and installation.

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A DDITION A L L EG A L IN FOR M ATION

Please note the following:

• This RFP is not intended as a formal offering for the award of a contract or for participation in any future solicitation;

• NYCDOT does not intend to grant or issue any additional agreements on the basis of this RFP;

• NYCDOT, the City and their officials, agents and employees make no representation or warranty and assume no responsibility for the accuracy of the information set forth in this RFP;

• No information contained in submissions shall be deemed confidential and such information may be shared with other governmental entities. Therefore, please do not submit any information that may be deemed proprietary in nature;

• Neither NYCDOT nor the City shall be liable for any costs incurred by any respondent in the preparation, submittal, presentation or revision of its submission. Neither NYCDOT nor the City shall be obligated to pay and shall not pay any costs in connection with the preparation of such submissions;

• All submissions shall become the property of NYCDOT and the City and shall not be returned; and

• NYCDOT at its sole discretion reserves, without limitation, the right to;

• Withdraw the RFP at any time;

• To discuss various approaches with one or more respondents (including parties not responding to the RFP); and

• Change any terms of this RFP.

QU E S TION S

All inquiries regarding Community Commissions should be sent to: [email protected].

Appendix A: 10th Anniversary Priority Site and Partner List

PublicolorRhythmic ColorNaples Terrace between Broadway and Godwin Terrace (Bronx)

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10TH A N N I V ERSA RY PR IOR IT Y S ITE A N D PA R TN ER LIS T

BRONX

Site: West Farms Square, East Tremont and Boston Road

Partner: Bronx River Art Center

BROOKLYN

Site: Corrugated Metal Fence, Front Street between Adams Street and Pearl Street

Partner: DUMBO Business Improvement District

MANHATTAN

Site: Sidewalk, Dyckman Street and Riverside Drive

Partner: Washington Heights Business Improvement District

QUEENS

Site: Plaza, 40th Street and Queens Boulevard and/or 46th Street and Queens Boulevard

Partner: Sunnyside Shines Business Improvement District

STATEN ISLAND

Site: Concrete Wall, St. George Ferry Terminal on Bay Street near Richmond Terrace

Partner: National Lighthouse Museum

BRONX West Farms Square: East Tremont Avenue and Boston Road Site Photo + Map

Past installation for reference:

Diego Medina, Aurora

Restrictions/Considerations:

• Only sculptures will be considered for the square. • Pedestrian circulation must be maintained at all times.

Partner:

Bronx River Art Center (BRAC) is a culturally diverse, multi-arts, non-profit organization that provides a forum for community, artists, and youth to transform creativity into vision. Our Education, Exhibitions, Artist Studios, and Presenting Programs cultivate leadership in an urban environment and stewardship of our natural resource — the Bronx

River. BRAC has been an anchor for art, culture, and environmental and urban revitalization in the West Farms neighborhood of the South Central Bronx for more than 30 years. It has provided a wide array of rich cultural services, educational programs, opportunities for leadership, and an enhanced quality of life to an otherwise underserved, ethnically diverse, and economically challenged population. Our goal is to encourage residents to engage in creative activism toward the revitalization and future of their neighborhood. (www.bronxriverart.org)

BROOKLYN Fence: Front Street between Adams Street and Pearl Street Site Photo + Map

Past fence installation for reference:

Ann Lewis (Gilf!), Trust Your Vision

Restrictions/Considerations:

• Only 2-D designs will be considered for the fence. • Painted artwork panels will be mounted within existing frame for installation.

Partner:

The DUMBO Improvement District is dedicated to enhancing and promoting the community known as DUMBO (Down Under the Manhattan Bridge Overpass) in the borough of Brooklyn, New York. The association showcases DUMBO as a world class destination and a center for business, through advocacy, programming and public art, public space maintenance, neighborhood marketing and more. (www.dumbo.is)

MANHATTAN Sidewalk: Riverside Drive and Dyckman Street Site Photo + Map

Past sidewalk installation for reference:

Anthony Heinz May, Common Demoninator

Restrictions/Considerations:

• Only sculptures will be considered for the sidewalk. • Pedestrian circulation must be maintained at all times.

Suggested artwork theme: • Ethnic diaspora, native and immigrant • Community unity • Change, past, present and future

Partner: Since 1983, the Washington Heights Business Improvement District has served as an advocate for the small business community in Uptown Manhattan. Our mission is to create a clean, safe and vibrant commercial corridor by providing supplemental sanitation services, promoting public and private investment, encouraging economic development and implementing capital improvement projects. The BID collaborates with City agencies and local constituents such as elected officials, business, property owners and residents to enhance the district. (www.whbid181.org)

QUEENS Plazas: 40th Street and Queens Boulevard and/or 46th Street and Queens Boulevard Site Photo + Map

Past vinyl installation for reference:

Neue Galerie, Wiener Werkstatte, 86th Street between Fifth Ave and Madison Avenue (Manhattan)

Restrictions/Considerations: • Only 2-D designs will be considered for the plaza surface. • Artwork will be transferred and printed onto approved adhesive vinyl material for installation.

Partner:

The mission of the Sunnyside Shines Business Improvement District (BID) is to invigorate and enrich the economic life of the neighborhood by creating a safe, welcoming and dynamic commercial district in Sunnyside, Queens. The BID is a non-profit partnership of local property owners, business owners, residents and elected officials working together to promote, beautify and enhance the Sunnyside commercial district. Our major programs include supplemental sanitation, district marketing, special events, streetscape improvements, beautification initiatives and

graffiti removal. (www.sunnysideshines.org).

STATEN ISLAND Concrete wall: St. George Ferry Terminal on Bay Street near Richmond Terrace Site Photo + Map

Past vinyl banner installation for reference:

Lisa Dahl, There Goes the Neighborhood

Restrictions/Considerations: • Only 2-D designs will be considered for the terminal wall. • Artwork will transferred and printed onto vinyl material for installation.

Partner:

The National Lighthouse Museum’s Board of Trustees, Advisors and FRIENDS are dedicated to the full development of the National Lighthouse Museum on the site of the US Light House Service General Depot on Staten Island from 1864 to 1939. Partnering with government agencies, non-profits, corporations, foundations, and other organizations, we will work to promote and support historical, educational, cultural, recreational, and other related activities at the site, while maintaining the navigational significance and maritime heritage of lighthouses throughout the world. (www.lighthousemuseum.org)

Appendix B: Past Community Commissions Projects

Fanny AlliéExquisite CorpsePutnam Plaza, Fulton Street and Grand Avenue (Brooklyn)

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SoHo Broadway Initiative and Zigi Ben-Haim Treasure the GreenBus Bulb: Broadway between Howard Street and Grand Street (Manhattan)

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Local Project and Cristian Pietrapiana We Are All TouristsCorrugated Metal Fence: Vernon Boulevard and Queens Plaza South (Queens)

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A.I.R. Gallery and Fanny Allié Exquisite CorpsePlaza: Putnam Plaza, Fulton Street and Grand Avenue (Brooklyn)

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Publicolor Rhythmic ColorStep Street: Naples Terrace between Broadway and Godwin Terrace (Bronx)

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Staten Island Maker Space and Harumi Ori I am HereChain-link fence: Bay Street and Victory Boulevard (Staten Island)

Community Commissions 2018 | 10th Anniversary Application Cover Sheet

GEN ER A L IN FOR M ATION

Submission Date: _________________________________________________________________________________________

Site Selection: ____________________________________________________________________________________________

Artist Name: ______________________________________________________________________________________________

Working Title: _____________________________________________________________________________________________

Artwork Type: ☐ Sculpture ☐ Mural ☐ Lighting Design ☐ Intervention ☐ Other

Materials: _________________________________________________________________________________________________

Proposed Installation Date: ______________________ Funding Request: ________________________________

Materials should be submitted either as printed hardcopies and included on either a CD-ROM or USB flash drive or or submitted online to DOT Art – Community Commissions 10th Anniversary RFP at nyculture.submittable.com. Proposals will be reviewed by the Art Advisory Committee. All items must be included as part of the submission package or applications will not be reviewed.

▫ Community Commissions Application Form;

▫ No more than 4 project renderings (include: sketches, site plan, and Photoshop renderings);

▫ No more than 4 photographs of past artwork in jpeg format (resolution of 72 to 150 dpi) and associated image list that includes: title, date of completion, medium, dimensions, location, sale price or commission budget, description of artwork, and list of partners; and

▫ Artist curriculum vitae.

All application materials should be mailed to:

Attn: Emily Colasacco, Art Program Director NYC Department of Transportation, Urban Design + Art + Wayfinding

55 Water Street, 9th Fl, NY, NY 10041

Community CommissionsApplication Cover Sheet

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Community Commissions 2018 | 10th Anniversary Application

Artist Name: ______________________________________________________________________________________________

Address: __________________________________________________________________________________________________

City: ______________________________ State: ______ Zip Code: ________________ Phone #: ___________________

Email: _________________________________________ Website: ________________________________________________

Site Selection Describe your interest in producing an artwork for the selected priority site in partnership with the designated community partner.

Project Description/Artist Statement Describe the overall concept and approach for the proposed artwork and its consideration for the social, historical, architectural, geographical and/or cultural context of the site.

Community CommissionsApplication

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Community Commissions 2018 | 10th Anniversary Application

Artist Bio Describe your past experience in any significant solo or group exhibitions in the public or private realm.

Project Budget

What is the estimated total project budget? _________________________

Provide a line item budget (Artist Fee, Materials, Fabrication, Equipment Rental, Transportation, Installation, Maintenance, and Removal):

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Community Commissions 2018 | 10th Anniversary Application

How much funding is being requested from NYCDOT? __________________________________________________________

If your budget exceeds the requested amount of funding, please provide the name of the committed source for funding and include a support letter from the funder.

Fabrication/Installation Describe the fabrication and installation methods and include a list of relevant materials, hardware and equipment required to produce and install the artwork.

Maintenance Describe the proposed maintenance plan to monitor and maintain the artwork throughout the display period and include any potential maintenance concerns given the proposed materials.

Project Schedule

Provide a tentative schedule for implementation.

Installation __________________________________________

Display Period _______________________________________

Removal ____________________________________________

Community CommissionsApplication

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