COMMERCIAL MODULAR ARCHITECTURE

5
PROJECT BRIEF; To design an avenue with commercial lots on both sides of varying numbers of lots in each strip. Each lot is of 30’x40’ dimensions & have 6 floor levels. It has retail shops at lower levels i.e.; lower & upper ground floors & apartments on higher levels. DESIGN CONCEPT; Borrowing architectural elements & vocabulary from the contemporary Arabian architecture to improvise such modular designs that can be joined together in varying manners, resulting in different formations, creating a similar yet different elevation design each time defying the typical practice of monotonous modular repetition. Combining the typical modules in various formations to create numerous different elevations for each strip of lots thus creating a continuously changing Arabian cityscape. PROJECT BRIEF, DESIGN CONCEPT & DEVELOPEMENT |Architectural Design Presentation| RAMAL AVENUE BAHRIA TOWN RAWALPINDI envisage | architecture interior management | All rights reserved. No part of this drawing may be circulated, reproduced, stored in retrieval system, or transmitted, in any form, or by any means- electronic, mechanical, photo copying, recording, or otherwise without the prior permission of envisage. February 27, 2015 PROLOGUE; A close look into the architecture of modern & medieval souks reveals the underlying essence of the design which lies in the randomly placed spaces with varying roofing systems resulting in different heights creating a cascade of fenestrated facades with well crafted fabric awnings, wooden shades & trellises that not only blocks the hot summer sun but also breaks the façade further into smaller details. Special care being given to the form & minor details of the openings enriches the stacked up built form. FORM; Randomly placed masses join together to form an unorganized yet interesting stacked forms. With terraces at different levels & wind catchers on top adds more character to the form. SURFACE TREATMENT; Rendered color crete plastered surfaces with stucco art in niches to highlight specific zones or entry points. ORNAMENTATION; Columns, openings, wooden railings & screens, awnings, wooden shades & trellises used abundantly for ornamentation & to enrich the façade. Wooden brackets: Even the smallest opening would have concrete brackets in corners, a replication of the old mud brackets. Awnings; White fabric awnings & shades covering the terraces & window openings gives a cooling effect. Mashrabiya is an essential element since medieval times & was used to place & keep the water pots cool. Wooden Screens & Concrete Jaffrys; with intricate details & beautifully crafted patterns add richness yet delicacy to the plain look alike mud plaster surfaces. LIGHTING; Plays an important role in glorifying the architectural allure by highlighting the fenestrations & niche’s, creating shadows that gives the feel of depth. Street levels are well lit to fill life in. With the highlighted slits, wind catchers make an astounding view against the dark sky in the night. Ornamentation & form of the parapets on top when lit up gives an overwhelming feel to it. TOP LEFT; Wind Catchers CENTER; Screened Arch BOTTOM LEFT; Column Decor TOP RIGHT; MAshrabiya CENTER; Wooden Trellis BOTTOM RIGHT; Parapet & Railing Detail TOP; Railing Detail BOTTOM ; Fabric Awning TYPE C TYPE A TYPE B

Transcript of COMMERCIAL MODULAR ARCHITECTURE

Page 1: COMMERCIAL MODULAR ARCHITECTURE

PROJECT BRIEF; To design an avenue with commercial lots on both sides of varying numbers of lots in each strip. Each lot is of 30’x40’ dimensions & have 6 floor levels. It has retail shops at lower levels i.e.; lower & upper ground floors & apartments on higher levels.

DESIGN CONCEPT; Borrowing architectural elements & vocabulary from the contemporary Arabian architecture to improvise such modular designs that can be joined together in varying manners, resulting in different formations, creating a similar yet different elevation design each time defying the typical practice of monotonous modular repetition. Combining the typical modules in various formations to create numerous different elevations for each strip of lots thus creating a continuously changing Arabian cityscape.

PROJECT BRIEF, DESIGN CONCEPT & DEVELOPEMENT

|Architectural Design Presentation|RAMAL AVENUE BAHRIA TOWN RAWALPINDI

envisage

| architecture interior management |

All rights reserved. No part of this drawing may be circulated,

reproduced, stored in retrieval system, or transmitted, in any form, or

by any means- electronic, mechanical, photo copying, recording, or

otherwise without the prior permission of envisage.February 27, 2015

PROLOGUE; A close look into the architecture of modern & medieval souks reveals the underlying essence of the design which lies in the randomly placed spaces with varying roofing systems resulting in different heights creating a cascade of fenestrated facades with well crafted fabric awnings, wooden shades & trellises that not only blocks the hot summer sun but also breaks the façade further into smaller details. Special care being given to the form & minor details of the openings enriches the stacked up built form.

FORM; Randomly placed masses join together to form an unorganized yet interesting stacked forms. With terraces at different levels & wind catchers on top adds more character to the form.

SURFACE TREATMENT; Rendered color crete plastered surfaces with stucco art in niches to highlight specific zones or entry points.

ORNAMENTATION; Columns, openings, wooden railings & screens, awnings, wooden shades & trellises used abundantly for ornamentation & to enrich the façade. Wooden brackets: Even the smallest opening would have concrete brackets in corners, a replication of the old mud brackets. Awnings; White fabric awnings & shades covering the terraces & window openings gives a cooling effect. Mashrabiya is an essential element since medieval times & was used to place & keep the water pots cool. Wooden Screens & Concrete Jaffrys; with intricate details & beautifully crafted patterns add richness yet delicacy to the plain look alike mud plaster surfaces.

LIGHTING; Plays an important role in glorifying the architectural allure by highlighting the fenestrations & niche’s, creating shadows that gives the feel of depth. Street levels are well lit to fill life in. With the highlighted slits, wind catchers make an astounding view against the dark sky in the night.Ornamentation & form of the parapets on top when lit up gives an overwhelming feel to it.

TOP LEFT; Wind Catchers

CENTER; Screened Arch

BOTTOM LEFT; Column Decor

TOP RIGHT; MAshrabiya

CENTER; Wooden Trellis

BOTTOM RIGHT; Parapet & Railing Detail

TOP; Railing Detail

BOTTOM ; Fabric Awning

TYPE C

TYPE A

TYPE B

Page 2: COMMERCIAL MODULAR ARCHITECTURE

231231

TYPICAL MODULES - FACADE SECTIONS

+70’-0” C.H

+ 3’-0” FFL

+ 14’-0” FFL

+ 25’-0” FFL

+ 36’-0” FFL

+ 47’-0” FFL

+ 58’-0” FFL

- 7’-6” FFL

AP

AR

TMEN

TS

````

RETA

IL

2

0’-0” FFL

312 31

SECTION A SECTION BELEVATION

231231

TR

4

3

2

UG

1

LG

CH

RL

A B C

|Architectural Design Presentation|RAMAL AVENUE BAHRIA TOWN RAWALPINDI

envisage

| architecture interior management |

All rights reserved. No part of this drawing may be circulated,

reproduced, stored in retrieval system, or transmitted, in any form, or

by any means- electronic, mechanical, photo copying, recording, or

otherwise without the prior permission of envisage.February 27, 2015

+70’-0” C.H

+ 3’-0” FFL

+ 14’-0” FFL

+ 25’-0” FFL

+ 36’-0” FFL

+ 47’-0” FFL

+ 58’-0” FFL

- 7’-6” FFL

AP

AR

TMEN

TS

````

RETA

IL

0’-0” FFL

SECTION A SECTION BELEVATION

TR

4

3

2

UG

1

LG

CH

RL

+70’-0” C.H

+ 3’-0” FFL

+ 14’-0” FFL

+ 25’-0” FFL

+ 36’-0” FFL

+ 47’-0” FFL

+ 58’-0” FFL

- 7’-6” FFL

AP

AR

TMEN

TS

````

RETA

IL

0’-0” FFL

SECTION A SECTION BELEVATION

TR

4

3

2

UG

1

LG

CH

RL

Page 3: COMMERCIAL MODULAR ARCHITECTURE

|Architectural Design Presentation|RAMAL AVENUE BAHRIA TOWN RAWALPINDI

envisage

| architecture interior management |

All rights reserved. No part of this drawing may be circulated,

reproduced, stored in retrieval system, or transmitted, in any form, or

by any means- electronic, mechanical, photo copying, recording, or

otherwise without the prior permission of envisage.February 27, 2015

SYMETRICAL FORMATIONS

6 LOTS AVENUE

8 LOTS AVENUE

10 LOTS AVENUE

12 LOTS AVENUE

Page 4: COMMERCIAL MODULAR ARCHITECTURE

ASSYMETRICAL FORMATIONS

|Architectural Design Presentation|RAMAL AVENUE BAHRIA TOWN RAWALPINDI

envisage

| architecture interior management |

All rights reserved. No part of this drawing may be circulated,

reproduced, stored in retrieval system, or transmitted, in any form, or

by any means- electronic, mechanical, photo copying, recording, or

otherwise without the prior permission of envisage.February 27, 2015

6 LOT AVENUE

8 LOT AVENUE

10 LOT AVENUE

12 LOT AVENUE

Page 5: COMMERCIAL MODULAR ARCHITECTURE

3D ILLUSTRATIONS

|Architectural Design Presentation|RAMAL AVENUE BAHRIA TOWN RAWALPINDI

envisage

| architecture interior management |

All rights reserved. No part of this drawing may be circulated,

reproduced, stored in retrieval system, or transmitted, in any form, or

by any means- electronic, mechanical, photo copying, recording, or

otherwise without the prior permission of envisage.February 27, 2015