comm101 inception scene.docx
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Transcript of comm101 inception scene.docx
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Ryan Groat
Movie Scene Written Report
Describe the scene:Our group chose a scene from the 2010 film Inception. Cobb goes to
the French university where Miles, his father in law, works. He is in need of a new
architect, somebody who can design the dream world for Cobbs next mission. At first,
Miles objects to the fact that Cobb is there to corrupt one of his students. After Cobb
reveals that successful completion of his next mission would allow him to go home and
see his children, Miles relents.
1. Apply all 8 elements of interpersonal communication to your scene.The source-
receiverpair consists of Cobb and Miles. The encoding-decodingpair was Cobb, who
argued his point to Miles, who was attempting to understand why he should help his son
in law. The messageis that Cobb will likely never be allowed back into America to see
his children again if he is not able to complete this job, as he is a fugitive from justice.
Miles sends the message back that although he is reluctant to do so, he will help Cobb for
the good of his grandchildren. The discussion is face to face via a vocal-auditory
channel. There is a good deal of noisepresent in the conversation, as Miles is originally
quite reluctant to help Cobb due to the notions he holds about Cobbs professionand
failed relationship with his daughter.
The meeting takes place in Miles university classroom, which is the physical
context. The temporal context is vaguely present day. Miles relationship with Cobb has
been strained due to his daughters suicide after being caught up in a dream world with
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Cobb. The cultural context is that Cobb is American and Miles is from Britain, which are
both individualistic cultures.
The ethicsdisplayed in this scene are questionable. Cobb is asking Miles to
involve a third party in an illegal enterprise to further his own goals. In the end, Miles
compliance is also unethical. Cobb displays extreme competencein the art of persuasion,
as he gets Miles to completely reverse his original inclination after laying out his talking
points.
2. How do we see one of the 7 principles of communication used in this scene?The
principle that I chose is that Interpersonal Communication is Purposeful. Miles must
learnabout why Cobb is in his classroom and why he should lend his help. In order to
make his decision, Miles must relateto Cobbs position and understand his options.
Cobb is there in an attempt to influenceMiles using his children as the crucial leverage.
The dream worlds that both characters have traversed can be a form of playwhen they
arent actively working. In the end, Miles decides to helpCobb and voices the fact that
hes got the perfect candidate for the job.
3. Were your characters from individualistic or collectivist cultures? Explain how
their cultures affected the way they acted towards each other.Cobb is from the
United States and Miles is from England, though he resides in France during the scene.
They are both from individualisticcultures, though the end result would have likely been
the same if they had been from a collectivistculture where the family is highly valued.
4. What is a stereotype and what stereotypes are present in your scene?The
definition of a stereotype is a fixed impression of a group of people. Cobb uses his
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stereotype of what a grandfather should act like to formulate his argument. Miles may
have an impression that Americans are headstrong and stubborn as well.
5. Apply the four parts of the Johari Window to one of the characters in your scene.
Cobb is a well-dressed man during the scene, which is apparent to all and is his openself.
His blindself is that he is losing grip with reality, which Miles recognizes quite clearly
but Cobb himself cannot see. Cobbs hiddenself is that he cannot keep his dead wife out
of his dreams, but this is something he doesnt tell anybody. His unknownself is that he
has it in him to forgive himself for the death of his wife and let go of her memory. He
confronts her projection in the dream world later in the movie and does this.
6. What is a self-serving bias, and explain how one character used it in your scene.
Self-serving bias is when you are harder on other people than you are on yourself for
doing the same thing. Cobb exhibits this in the scene when he blames Miles dream
training partially on his current troubles. However, Cobbs plan is to train somebody in
much the same fashion to do the same job that he once did.
7. How could your characters have increased the accuracy of their impression
formation?Miles could have analyzedhis impressions to make sure that he didnt come
to any early conclusions before Cobb had fully stated his point. Cobb could have
checkedto see if Miles was interested in helping him without using his children as
leverage. Miles could have reduced uncertaintyby asking Cobb more questions about
the job he was about to embark on. Cobb could have respected Miles cultureas a
college professor more.
8. Apply all five stages of the process of listening to the scene in your movie.Miles
receivesthe message that Cobb wants his help. He understandsthat without his help,
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Cobb is unlikely to ever return to the United States to see his children again. Miles
remembersthat Cobb is in a highly dangerous, morally ambiguous and illegal line of
work. He evaluatesCobbs proposal and looks for alternatives. Finally, he respondsby
telling Cobb that he will, in fact, help him.
9. Name a listening barrier you saw and explain how it affected your scene.In the
scene, Miles is biased and prejudicedagainst the profession that Cobb has fallen into.
He steals ideas from people, and the idea of thievery is unappealing to Miles. He does not
want to encourage another one of his students to get into a life of crime.
10. Based on what weve learned in our class, how could communication have been
improved in this scene?In the minute or so that leads up to Cobbs proposal, he makes
almost no eye contactwhile he goes almost as far as accusing Miles of being the cause of
his current predicament. When Miles pleads with Cobb to return to reality, Cobb is
listeningto him but doesnt really hearhim. Instead, Cobb uses the term reality to turn
the argument around onto Miles.