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33 Music© 1995 The Iona Community. G!A Publications, Inc. exclusive North American agent. 32

Kyrie eleison (Lord, have mercy)

Ky ri e el .ei son.

.;

- e. Ky - ri e el ei son. Ky ri e. Ky- ri - e el - ei son. ,,----. I n J 1 ~

'-- Ky ri e el ei son. Ky - ri -

Ky ri e.

Ky n e el ei son.

I' •'h' P r I 42 f '¥ I J II r I r Ky ri . e el ei son. - e. -

e el son.

·.~

e _ ri Ky e. ri Ky

ri e. ~

~ tr '--..:;:

ri Ky ri e. Ky - e. Ky ri e.

mysteriously . Ky ri . - e. Ky . - ri e.

f~/i;~&6~b11~¥4fi~~ ~--J ~· Jg§~. ·.··1~J~·· . ~~/~. ~§~J~fJ~ .. • ·~1 a~··.~J~~I 1.;

.. .: · ... ··•.--- .. · .. b[;r u r. .····· .. ~ bf Ky ri · . ..;. ri -

, :'Ky - e; ··;

Kyrie eleison 2

son. el - ei e ri Ky

35 Arrangement© 1995 The Iona Community. GIA Publicotions, Inc. exclusive North American agent. Music© 1995 The lone Community. GIA Publications, Inc. exclusive North American agent. 34

0 Lord, our God, hove mercy on us,

Ye, Tuhonku, k~ifh~~iloh doku. (Lord hove mercy, Christ hove mercy, Lord hove mercy.)

Kyrie eleison, Christe eleison,

- Kyrie eleison.

cy. Lord,

do - ku. on us.

Ya, Tu - hon - ku, 0 Lord, our God,

son. _ .ei el e r

cy.

da ku, -. on us.

Words: ancient liturgical text _Music: Javanese melody amended bySutarno

Lord, our God (Ya fuhanku)

36

The three ports ore very easy to teach. The congregation can be divided into three ad lib or the women can be split into two groups to toke the upper parts while oil the men sing the lowest part. · GLORIA 2. The two parts of this Gloria stand on their ownancf cari be sung separately, buuhey are best used when sung sim.ultoneously bymen {'Deo gratias') and women {'Gloria in excelsis'J. When using th~m together, start the men singing once or twice on their own, then bring in the women. This setting is ideal as a recessional. . . . .· · .: < .. · .. " -: · .· · · GLORJA3; Jhissimple·G/orio is more of o doxology, pr~isingthe"three per-

.. • .sons in theJr,inHy. It can be used appropriately afterthereading of God's · word or after the sermon. It may also be used to interspei:se sentences in o prayer ofthonksgiving; .. ·· . .. . . . · ·.. ····•· . . > • The two ports imitate ~ach other and, fo this end, the c~ngr~g~tion ~hould be divided in two along geographical rather than gender lines. .i

.: ' •'. ' · .. '• .. ' '·,

·.. · There ~re numerous 6ccasio~i in life when· people. mClke ·· predi~able but spontaneous expressions when so~ething good happens. Supporters do

.when_theirteam scores a gool;•a stlJdentmaydo •. itwhen she discovers that. she has passed the exam she·~as sure she had failed; a child does it when"

· his mothersurpriseshim wit,hit!te. riew~ of a.forthcoming treat. Often people ··may say 'Hurray!' or 'Wow!' and such things are said out C)f joy at the news; the surprise, the reolizofion, •··.. "', v . . · .. ·

We doh;t use these specific expressio~s in worship as d regular part of the liturgy; but we do, orccm,siqg theG/orio .. This is an ancient hymn based on

··. the inodel ofthe psalms end insorP?f~fi.ng the acclamation sung by the.an~ gels above the sheph~rdsqfyer annour¢ing Christ's birth. · . < > .. . In some traditions; the full textbf the ~ncierii hymn is sung; But most pe6ple

• will be familiarwith the abbreviated: Glory to God in the highest•

.with orvvithoutthe additional line: bric/ ori earth peace to thos~ on; whom God's favou/ rests .. ·

The time and place wh~n these words ore used in worship vary from tradi· tion to tradition'. Some use the Gloria to conclude the celebration of Holy Communion; many more will use it to follow the declaration of God's for· giveness or to precede end/or follow the .-eading of scripture. . GLORIA 1. This Is an ancient and simple Gloria, which is reckoned to come from the Benedictine period on Iona. Legend has it that it was sung back ond forward between monks departing on boats and monks remaining on the island at the start of missionary journeys.

Other similar· ~ongs · . . .. (See page 95 for more information on the following publicatiorls)

·. Gloria {Argentina).,. Many and Great. . .. ·.· . · · •Gloria · (Peru) -,. Sent bythe Lord .

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71 © 1995 The Iona Community. GIA Publications, Inc. exclusive North American agent. Music© 1995 The Iona Community. GIA Publications, Inc. exclusive North American agent. 70

Listen, Lord, .listen, Lord, not to our words but to our prayer. You alone, you alone understand and care.

Grant us peace on earth, grant us peace, 0 Lord.

Dona nobis pacem in terro, dona nobis pacem, Domine.

, ... •.un -vder • stand and care. you a - lone a • lone, ne. pa - cern, bis

Words: trod. liturgical

no

Dona nobis pacem in terra Listen, Lord

Arrangement© 1995 lhe Iona Community. GIA Publicotions, Inc. exclusive Norlh American agent.· © 1995 The lono Communiiy; GIA Publicolions; Inc. exclusive North Americon agent. 72

3. Someone's dying, Lord, Kumbaya ... 6.

5. Someone's praying, Lord, Kumbayo ... 2. Someone's crying, Lord, Kumbaya ...

Don't be afraid. My love is.stronger, my love is stronger than your fear. Don't be afraid. My love is stronger and I hove promis'd, promis'd to be always near

4. Someone's shouting, Lord, Kumbaya ... 1. Kumboya, my Lord, Kumbayo {x3) 0 Lord Kumboya.

ways near. prom - is'd to be al prom • is'd,

··-ea- r r

·r_:r.:c~. yo_· Kum - ba ·• ya my Lord, Korn- ba • ,ya_ 0 Lord,_ Kum - ba • ya.

I-

Words & tune: Afro~Caribbean, traditional . Arrangement: JLB firmly

75

LEADER: let us rejoice that we can worship freely .in this land. All: 0 bless the Lord ... (etc.)

Such a pattern may, in some communities, allow for spontaneous contribu· tions encouraging the congregation to sing. IE THE GIVING OF THANKS. Psalm 50.23 provides this text*'1ich1 as with. 0 bless the Lord, requires some port singing. it' .~: ;.,, · . Ideally, this sho~ld be o song of praise which graduc;illy builds up; There are three main vocal lines and, if the congregation has been sµbdivided,a cantor who sings part A should sing it once then encouragethosei)9 that section to join in. When they ere comfortable with the part1 thf:> vqlume should drop while a second cantor introduces part B to the second s~£.ti()n'.They sing, drop in volunie, and the third cantor introduces part c'. ; )/,'·':' ·. . •. '' .: ·· -.' · .. · ••.. · This is not so likely to be used to intersperse pr~yers Cis io provide a fitting conclusion to o prayer or a whole act of worship., , •> . GLORY AND GRATITUDE AND PRAISE. Like Let the 9iving~{th~~ks; this is, more a song for concluding an act of worship or a section within the liturgy than for responding to phrases of prayer. It also has the benefit of being teachable in asimilarway.. · ·.· ·\Xi.·.·· Even though the .congregation does not have the musit; they ca~ be divided into high and low women, high and low men, and 'le(irn the appropriate parts, building the song up as in the previous item. . . / .· .. · Because the bass has a minimal vocal line and the'up~~fr parts have a parallel progression, it is easily picked up even by the least enthusiastic.

Other similar songs ': < -: (See pa9e 95 for more information on the foflqwin9publicatiClns.) Imel a (Nigeria) - Many and Great ·· · · · Bayuvaya (South Africa) - Sent by the Lord

74

'It is good to givethonksJo.the Lord' is a·recurrentthe'rile in the Psalms, much the same as 'count your blessings' is o recurrent phrase in folk wisdom .There is something valuable in setting against our worries arid negative feelings a reme~?ra~ce oft.he good things in life, the surprises which have happened, the d1ff1culhes which have been overcome and the intrinsic goodness of life itself.

. To.some people, the corporate expression of grotitudeto God .'.:ds of praise - bri ngs a sense of awkwardness. The more flamboyant demonstrations ofchar- ismatic worship or the questionable sincerity of 'good time/old time' worship makes them reluctant to show too. much exuberance lest it be taken the wrong way. Whether or not this is a Western fixation or one more common among Calvinists than Catholics is debatable, .but theneed to offerwarmhearted thanks to God remains. It is hoped that the following verses might allow en- thusiasm to bubble 'up, even amongst the most reticent. D BLESS THE LORD. Psalm l 03 provides the text and the music is set in cm Afro-American style: It can be sung in four parts or in two with men taking the bass arid women the soprano lines. The song c~n be used as a~ introitto worship, as a recessional,as a response to the read mg of the gospel or to intersperse prayers of gratitude where the musical line almost trips over the spoken word. For instance:

LEADER: Let us give thanks to God for this day, this place and every· one around us. ALL: (immediately) 0 bless the Lord ... LEADER: let us remember that God knows all our names and calls us by name. ALL: · 0 bless the Lord ...

GRATITUDE

© 1995 The Iona Community. GIA Publications, Inc. exclusive North American agent. 76

0 bless the Lord 0 my soul, and never forget his love!

3 bless the .. .Lord and ne - ver for - get his love!

J 3

"/ 1 1 1 1 n 3 bless the Lord and ne • ver for - get his

1 J 3

"I 1 1 1 n 3

0, bless the Lord, bless the lord and ne - ver for - get his love!

3 0 bless the Lord, bless the Lord and ne • ver for - get his

0 bless the Lord, ~-- 0 bless the Lord, _

brightly Words: Ps 103.2

'" ,

0 my soul, 0 my

"/ 1 } "/ 1 }

love! .o bless the Lord, 0 bless the Lord, 0 .my

"/ 1 ···) 0 ; my · 'soul,

' 1

0 bless the Lord

79 © 1995 The Iona Communily. GIA Publications, Inc. exclusive North American agent. 78

1 n~1 - - -

the giv - ing of thcnks, Let sac - ri - fice_ to God.· Let the giving of thanks be our sacrifice to Goel. Amen.

II

A . - men,_ A - men. _

{lN:ir tr @fil·LJ" the giv - ing of thcnks; ro oo (descent optional) Let

be our the giv - ing of thanks_ Let ·God.

A - men. _ A - men,_

Let the giving of thanks be our sac . ri • fice_ to God. A - Words: Ps 50.23

' I

[& ###$ very relaxed

4 ·r··llJ .. B3~ t r IJ E}tf ' I be sac - ri - fice_· -·to God. r our I ., I

Let be our ·'SOC . ri - fice_ to I

Glory and gratitude and pr.aise now let earth to heaven raise. Glory and gratitude and praise: these we offer to God.

God. _

© 1995 The Iona Community. GIA P.ublicalions, Inc. exclusive North American agent. 80

~--~~--~--~ and praise _

he Cl ;;;:;·.ven raise. Glo - ry ·and gra - ti - tude and praise:

1 1 1 J l 1.

gra fY------- .Glo

_J gra - ti - Jude

1 .. ~. r. 1 r, firmly

~ #p tf.r r

Glory and gratitude and praise

82

or: ''..into your safekeeping we commit ourselves, 0 God, this niaht and . every n,ight .· _.. . .. ·· .., foryouristheKingdom ... _ . __ .. . _· .. .'. \' -·

The song is particola~ly effective if,in the initial singings, it'rno'ies quietly and gently, groduallybuilding up in volume and intensil>\ · _· .

<, TAKE 0 TAKE ME AS I AM>This verse is primari~ a 'quiet so11g of dedication; It ·may be used as people walk forward to the front ofthe sa~ctuary during an act of commitment; it.may be used when pe6ple havl:lb~enconfirmed or it may sim~ly b~ used tooff~r ourselves to God atthel!lrd of an act of worship or some mtenhonal gathering. · ... · ·•· IF people find the key ofD flat major awkward to read, or should the musk: be arr?nged for strings, change the five Rats into tWo sharps and read it in D ·· mojor; AMEN. This is one of the easiest Amens to teach, especi~liy to a British con- wegation. The music is pentatonic, which is an immediate help in_ossimilat- mg the melod~. It a!so f~lls nattirally into a four-part canon. After sing in~ it throu~h t~r~e hmes 1_n unison, an a~sembly con be directed to break into parts and sing 1t in canon as the church ts vacated. There is no problem if someone forgets the line. He or she simply needs to wait for two bars and start again from the beginning with another 25% of the congregation. ·

Other similar songs (See page 95 for more information on the following publications.} Halle, halle, halle (Caribbean) - Many and Great · Wen Ti (Chino) -Sent by the Lord Sent by the Lord (Nicaragua) - Sent by the Lord

. As with gatherin~; ther~ i~ o tendency omon~ British Christiohs to c:issume that 0 churc~ service cannot end unless there has been some kind of organ volun~. ' tory_or 1nstrum~~talploy-out1 even though few people rerncin to l_isten to the ·

. -rnusic. · · . . ·. . . . . _ .

. While there _are·~~ny\itu~tions.wher~ this'i-ill,be th~ c?se, it_~~ed n~t al···. ways be so. There is something very offirm6fr:te about moving from the sanc- tuary into the ~tree! in. song, or about feeling that the voice of.~h;. people cari hove - from t1me_to time- the lost word, ofter which no more musicis re- quired. · · . ·

-·· 1ri previous sections, especially Acclamation, items \l>'ere listed which co~ be sung as recessionals. The Alleluias in the Word of God section con also be used this way. .. . · -. It will be apparent th.at the song; in this section ore_ 1)6t aU lively recessional ones. · ·· ·. · " · BEHOW, l MAKE AU THINGS NEW. As ~ith Take 0 take me as I am {below) this song may be used to conclude worship in which there· hos been a focus .on personal dedication and commitment. It can be sung.on the move, alld is especially enjoyable ifthe two main ports have been learned according to gender. These two parts imitate each other and once people have sung them through once, they tend to stick in the mind. There is a third part written tongue in cheek, for people who say they can only sing two notes. C~lling on those who Wont to sing in a monotone, the leader should teach this by stretching one hand out in front and dipping it as the note drops from G to F sharp at the end of each musical phrase. FOR YOURS IS THE KINGDOM. This may be sung repeatedly at the end of the Lord's Prayer, or it might be sung at the end of a prayer of commitment orcs

a form of benediction when the lost spoken phrase naturally leads into the song. For instance: . -·

.... so we give di that we have and ore to you, with no fear or reservation · For yours is the Kingdom .•.

© 1995 The Iona Community. GIA Publications, Inc. exclusive North American agent. 84

Behold, behold! make all things new, beginning with you ond starting from today. Behold, behold I make ollthings new, my promise is true, for I om Christ the way.

way.

my

my

© 1995 lhe Iona Community. GIA Publications, Inc. exclusive North American ogent. 86

For yours rs the Kingdom, the Power and the Glory, for ever and ever. Amen.

-.men.

,, & .. ·'

J~· f 1.f f: r· ?

r ~r. - men. A men. __ For yours is the

~1

© 1995 The Iona Communi!y. GIA Publications, Inc. exclusive North American agent. · Music© 1995 The Iona Community. GIAPub!ic;alions, Inc. exclusive North American agent. 88

Take, 0 take me as I am; summon oufwhat I shall be; set your seal upon my heart and live in me.

Amen, amen, alleluia, omen.

nn 1

.men .. al ·~ le - lu - ia, .a .men,

II

© 1995 The Iona Community. GIA Publications, Inc. exclusive North American agent. 90

(Lord have mercy, Christ have mercy, Lord have mercy.]

_ Kyrie eleison. Christe eleison. Kyrie eleison.

The St Bride setting of the Kyrie (lord have mercy), Sandus (Holy, Holy), Benedictus (Blessed is the one) and AgnusDei(LambofGod) is offeredfor use at celebrations of Holy Communion where .,..for reasons of necessity or · design - there is neither choir nor organ. All that is required is a cantor and • the absolute minimum of rehearsal time. The Kyrie was taught.to a.crowd of 20,000 in under.half-a-minute!< i .·· · · KYRIE. . Toke very slowly and d~liberotely, with as m~ch tenderness .or ur- gency .in the center's singing as the situation requires. The congregation simply hums.in response to.the.first two phrases and sings the eleison after the third. Jf ci large dru1n. (bass, tom or bodhron) · is available( it can add . ··

.. urgency by beoiirig as indicated while the congregation hums. . ..... . SANCTUS AND BENEDICTUS. Sing with liveliness, the congregation imitating each phrase exactly, though the entries for the second and fourth phrases ore irregular. The Sanctus should be sung twice and the code at the Benediclus should increase in volume. · · AGNUS DEi. A gentle and quiet pi~ce in ~ isfindion from the above. sired, it con be sung as a Four·portconon at the bar, -t-+ - - : --- -

Kyrie eleison (St Bridesetting) A COMMUNION SETTING

93 Music© 1995 The Iona Community. GIA Publications, Inc. exclusive North American agent. 92

Blessed is the one who comes in the name of the Lord! Hosanna in the highest!

Holy, Holy, Holy Lord, God of power and might, Heaven and earth are full ofyour glory. might,

Lord! pow'r and name of the

God of in the

high - est! ven and eorth.L, are full, _ son - no in __ the high est!_

hea Ho

might, Lord!

Ho • son - no in the high • est!

Ho - ly Lord, _ one_ who comes _

1&2 Ho • Jy, .Ho • ly, 3 Bies - sed is the

In the high • est! f':'I

It r Cf 0 Ir r· II Ho . son- no in the high . est!

Ho • son· na 'in .the high· est! are full_ of your (v.3 only) Ho - son - no in the

pow'r and name of the

God of in the

(v.3 only) Ho - son - no in .the high - est! glo - ry. high - est!

ry] [gio

ven and earth_ are full _ son ~ no in_ the high est! __

Hea Ho

Lord, _ comes _

Ho ly ·one_·_ who

ly, the

Ho is

ly, sed

brightly (cantor)

Words: trod. liturgical

Sancfus and Benedictus (St Bride setting)