Coinage of Cilician Armenia / by Paul Z. Bedoukian
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Transcript of Coinage of Cilician Armenia / by Paul Z. Bedoukian
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
http://slidepdf.com/reader/full/coinage-of-cilician-armenia-by-paul-z-bedoukian 1/585
a
E D O U K I A N
NNU M SMAT CSO C E T
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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E S R V E D Y
NNU M SMAT CSO C E T
G R MAN
N -G U C S TAD T
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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T S AN D M O NO G R A H S
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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T S AN D M O NO G R A H S
eatiseson sub ectsrelating
y medalsanddecorations.
N CO M M T T E
E L L I NG R Ch ai rma n
U TTR E Y R .
O TT
STA F
s R d i to r
L S O N A ss oc ia te d it or
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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NT NTS.
V Ü
A H Y A ND E Y TO AB B R E V I AT O NS X Í
U B L I CAT O N SO N R O U P E N AN CO I N S Х Х П
NTR O D U C T O N
TH E AR M N ANSTO C L I C A3
A E R I O D O F C L I C ANAR M N A5
I NGD O MO F C L I C A9
MM R C O F C L I C ANAR M N A25
M SU S D O R V A R I O U S CO I NS 43
F TH E R O U P E N ANS50
L E O F C O I NS 56
N SO N R O U P E N A NC O I N S6 5
E E R I O D O F R I NC S 67
NS68
B Y T H E I N GS 76
9
1
91
N G O S D ANT N I ) 95
95
S U R P E R 97
98
S G NA N9 9
101
CO L L E C T O N SO F R O U P E N AN CO I NS 03
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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08
SИ З
27
F T H E C O R P U S 128
O N I 129
3 0
ou m- a be l 2 27
9
4
34
З 6
68
N G O S D ANT N I ) 380
38 2
SU R P E R 3 95
3 99
S G NA N4 0S
N A N4 Ю
E G ND S 411
E X 49
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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meniandynastyinCilicia ( 1080 1 75
restingperiodsinthe longhistoryofthe
althofmaterialfromtheCiliciankingdom
lablefromArmenianand E uropeansources
ttemptthisworkon thecoinageofCilician
iesofB rossetandL angloisarepri-
sincethey containalargenumberoferrors.
enin1877 isfa irlyaccurate w iththee ception
rperiodof thek ingdom butit isl im itedin
ninA rmenian isnotcomprehensibletomost
isnoade uatepublicationinaW estern
fCilicianArmenia thewriterhopesthat
a usefulpurpose.
dmateria lconsistedforthemostparto f
et sw ork conta ins17draw ings L anglois , 70
0 a n d B a s ma d i a n s a b ou t 5 0 a l l o f t he l a tt e r be i ng
ook ontheH istoryof theA rmenianPeople .
ybadlymadeandthe inscriptionsareoften
presentvolumecontainsthephotographs
coins fewofwhichhavepreviouslyappeared
rpusascompleteandaccurateas possible
minefirsthandallthe coinsintheimportant
wasfeasible.F ortunately mostofthe
mitednumberofcollections.Thismission
pein1 58 andsome4ooorubbingsw ere
collections withinaperiodofthree
hodofobtainingclearrubbingswasfound
ardrubbersheetswereattachedtothe
ofablank corporationsea l w hichwasused
ngaluminumfoilandplacingthe coininthe
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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btain overonehundredimpressionsper
everyclear photographedsatisfactorily
ulhandling andcouldbefiled likestamps
opesforreferencepurposes.
semblingthecorpuswasthe ac uisition
n oftheMekhitaristsinV ienna.Thiscol-
nearly2400pieces isby farthe largestandmost
eredforthe mostpartbyF atherSibilian
go it includesmany rarit iesandsomeuni ue
articularlygratefultohis Grace Arch-
an thechiefA bbotof theMek hitaristorderin
osityandassistanceinmakingavailablethe
bingscould bemadeofthe24oocoins.
hisimportantcollection thisworkwould
sameencouragingcooperationwasgiven
V enice w herethechie fA bbot A rch-
readilygrantedthew riterpermissiontomake
of nearly600pieces amongthemsome
risparticularlygratefultoF atherNerses
sistancein thepreparationoftherubbings.
uetoM. J eanB abelonandM. Georges
erationingetting aluminumimpressionsmade
penianco insintheB iblio th q ueNationa le.
dMr. G. K . J enk insof theB rit ishMuseum
nveryshortnoticeto e aminetheirinter-
thisperiodandto obtainrubbings.
ateinsecuring rubbingsofthreeim-
ance: thato fMme. N. Kapamad io f the
ris o fM. KamerB aghdadlianof theGaleries
dofM. A lbertA chd ianofGaleriesC hirvanin
ncoinsin theNearE astseemedtobe
gain willinghandsundertookthearduous
s. Mr. GarabedSan ianofB e irut L ebanon
rgeand valuablecollectionoftheMar-
enianNationalCulturalSocietyin B eirut.
t ion thato fP ro f . A sbedDonabedianof
a ilableby theowner w hopersona llymadethe
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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tion.The well-knowncoindealer M.Ar-
e irut sentpaperrubbingsof thehoardsof
abe l. E x aminationof the latter incon unction
lection madeitpossibletoestablisha
sificationoftheH etoum-Zabeltrams.P rof.
utsubmittedrubbingsof theco insinhis
e corpus.F atherB erardMarthaler
tswithMissNakrimanO lcay curatorof
e I stanbulA rcheologicalMuseum tohave
eArmeniancoinsin thecollectionofthat
oupeniancoinsintheAsiatic andthe
eningrad.Specialthanksaregivento
dProf . E . D obrovo leskiif o rsendingme
ctions. Thee istenceofauni uecopper
struck inTarsusestablishesthefactthat
s werestruckinthismint. Thiscoin
eum. Prof . K . GhafadarianandMr. Kh. Mou-
cD ivisionoftheStateMuseumin Soviet
softhetramsand doubletramsofL evonI
um-Z abel numberingoveronehundredpieces.
ntic thew riterisindebtedtothe late
ofNew York forhisreadyw ill ingnesstopermit
sentireco llection andtoMr. H. K urdian
w hopreparedandsentrubbingsofhisco ins.
e collectionofR oupeniancoinsofthe
ciety asw ellasthew riter sow nco llection.
oupenianco insinpublicandprivate
an12 000. Onthisbasis thepresentcorpus
o ins coversovere ightypercentof theco ins
rpuspresentedmanyproblems.Noneof
rriesthedateof issue anditw astherefore
cialmethodof classification.Aftermuch
niformsystemofclassificationwaschosen
nsofthisperiod.The methodconsisted
of thisco llectionisnow intheStateH istorica lMuseum
enia .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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ypeof coinissuedbya rulerandarranging
completenessofthelegendon theobverse.
saccompaniedbyvarietiesofthe legendon
hat thissimpleclassificationwillenablethe
speedilyandwithoutmuchdifficulty.
t ingthisbook itw asf re uentlynecessary
ousmembersofthestaffofthe American
dtheauthorwishesto takethisopportunity
lappreciationtoDr. GeorgeC . Milesfor
ete tandforhis manyveryhelpful
n a lltheA rabicinscriptionsonthebilingual
udiedandclassifiedbyD r.Miles.Sincere
SawyerMcA.Mosserforhisassistance
hete tandcorpus. O nnumerousocca-
oca llonMr. HenryGrunthalandMr. Will iam
ndthelibraryworkwasgreatlyfacilitatedby
ationofMr.G.H .NorthandMr.R ichard
ersessianthewriterwishesto e presshis
ngof themanuscriptandforthemany
uggestionswhichshemade.
ouldlik etoe presshisgratitudetoMr.
ephotographerof theA NS forobtainingsuch
ealuminumimpressions andofcourseto
pingw iththismanuscript w ithitsnumerous
gends.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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A H Y A ND AB B R E V I A T O NS
be r t Ac h d i a n P a r is F r a n c e.
f . A sbedDonabedian B e irut L ebanon.
nt , “ L ' a e ul de sR o ub n ie ns ” B y a nt io nX ( 1 3 5 ,
C. A d le r M u se u m Cu f ic u m B o r gi a nu m V e l i tr i s R o m a e
1 6 2 I 5 . N um mu s Ar ab ic o- Ar me nu s P l . X I I C .
. A li s ha n S is s ou a n. V e n i c e 18 8 5. ( I n A r me n ia n .
h un l ul < u l li u p n. H h i l i < uy hu hu i ' i L h hh y f il -
u n p , ' l h i nfr in hh 1 88 5
. A li s ha n S i ss o ua n o u l A r m n o -C i li c i e. D e s c r ip t io n g o -
e aveccarteetil lustrations. Traduitdute te
1 8 9 .
. A li s ha n L ' A r me n o- V e n e to C o mp e nd i o st o ri c o e do c u-
egliA rmenico iV ene iani. P rimoperiodo seco li
. 2 vol s. V en ic e 1 8 3 .
. A li sh an H a y -V e n e d. V e n ic e 1 8 6 . ( I n A rm en ia n .
l . < u y- 1 6 b h in h u ll 8 u pp i sn i H h i k p < u y n g hl - l hl h in h u
pu l hl hi nh 4 1 8 6
L e n in g ra d U . S . S .R .
O C H E – A ss is es d A nt io ch e r ep ro du it es e n F r an a is e t
ecentena irede lamortdeSempadleConn table leur
nien. V enice 1876.
. A v k er i an E x p l an a ti o n of M e as u re s a nd W e i g ht s o f th e
8 2 1. ( I n A r me n ia n . [ 3 . $ . U l i h p fr u i F u g ui n pn i -
i n n gL u u ll r ug l ln u gi np n l- H h ul b ul hh ul in i-
lg i y ' l h i n fr i nh 4 1 8 21 .
U S B a r H e br ae us C hr on og ra ph y 2 vo ls . O x f or d 1 3 2 .
– A . d e B a r th l e my N o uv e au m an u el c o mp l et d e n um i s-
eetmoderne. Paris 1851.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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bbrev iations
K . J . B a s ma d i an Nu mi sm at i u e g n r al e de l A rm n ie .
I n A rm en ia n . [ ' i . 8. R u u li ng hu i < u y uh ui
liu h in n- h lh ' l li u hu lh 1 3 6
. J . B a s ma d i a n L e oV L u si gn an P a r is 1 0 8. ( I n
u u /u / ru b l i l -n i b . I n " F u k u it " u ph u 1 0 8.
N— P . B e d ou ki an “ T he C oi na ge o fC on st an ti ne I I a nd I V ,
nia TheA mericanNumismaticSociety
1 5 4 , p p .1 3 – 1 9 .
N— P . B e d ou ki an “ T he B i l in gu al C oi ns o f H e to um I , ’ ” T he
c ie t y Mu s eu m No t es V I I ( 1 5 7 , p p . 21 – 2 0 .
N P . B e do uk ia n “ T wo H o a rd s of H e t ou m- Z a be l Tr am s ”
cSocietyMuseumNotesV I I I ( 1 58 ,
N— P . Z . B e d ou ki an “ T h e Co in s of C on st an ti ne I ( 1 2 8 t o
fC il ic ia n Ar me ni a ” H a n de s Am so ry a L X X I I ( 1 5 8 ,
n A rm en ia n. [ 9 . Q . " i n n Mh ui ' i h/ Ml in / P u u m p
( 1 2 8 1 2 9 ) ' p ur uk pp Z u u t u ll l li op hu y 2 6
#. 3 81 3 9 0 .
N — P . Z . B e d o u ki a n W h a t w er e t he A r me n ia n C oi n s Ca l le d
s ” ? H a n de s Am so ry a L X X I I I ( 1 5 ) , p p .2 41
n. [ 2 . 7. W i nn h uh / / F i k hi , B i s s an ci os
' i h /f i ft y < u y uh u it " p u lf ' u h pg < u i l t k u U l l io p hu s /
, , £ 8 . 24 1 2 5 0.
N — P . Z . B e d o u ki a n “ T h e G o ld C oi n s of t h e Ar m en i an
a nd es Am so ry a L X X I V ( 1 6 0 , p p. 16 2 7. ( I n
i n n Mh u ib ' i h / hi h n/ < " t y P u u " p h hp . m. / l uh h ap u -
phuy 4%, L hhuuu 1 6048.16 27.
N — P . Z . B e d o u ki a n “ T h e O r i gi n o f th e D e s i gn s o f th e
nd es Am so ry a L X X I V ( 1 6 0 , p p. 52 5- 5 4 . ( I n
i n n Mh u ib l / rl - nl l l . P u u n n pf i u " u n l ik p ut n ut f it
u l il io ph uy 3 % . ' l l hi bu 1 6 0 # . 5 25 -5 4 .
. B l a nc ar d “ L e b es an t d o r s ar ra i na s ” M em oi re d e
nc e B e l l e s- e t tr e s et A r ts d e M ar s ei l le s 1 8 77 1 8 78
rit ishMuseum London.
eNationa le CabinetdesM dailles Paris. Thethreeco l-
insfoundinthis museumconsistofthe
ection(about3 70co ins , theV ogueco l-
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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viationsx iii
ns andtheC abinetdesM daillesco llection(near-
C orpustheco insofa llthreearedenotedbyB N.
. P . B o rr el l “ R e s ti tu ti on a H é t hu m I e tI s ab el la s a
d ai ll e at tr ib u e p ar S es ti ni a H é t he m I e t L é o n I I I ,
e vu e N um i sm a ti u e X , p p . 4 51 - 45 8 .
r o s se t M on o gr a ph i e de s m on n ai e s ar m n i en n es S t . P é t e rs -
x tra itdeB ulletinde laclassehistorico -philo logi uede
r ia le d es S ci en ce s de S t. P é t er sb ou rg 1 8 9 , V I , N o. 3 – 4
r o s se t H i s to i re d u B a s - m p ir e N o u ve l le é d i ti o n C o r-
apr sleshistoriensorientau , parSa intMartinet
ss et 2 1 vo ls . ( P a ri s 1 82 4 1 8 6 : X V I , p . 26
w r on g ly a t tr i bu t ed t o p ri n ce L e v on I ( I I 2 ) ;
A copperco inofaMoslemrulerw hichwaspreviously
X V I I , p . 4 , E i g ht c o pp e r co i ns o f
a b in e t de M . l e du c d e B l a ca s ” X V I I , p p . 3 2 4
r co i ns o f H e t o um I f r om “ c a bi n et d e P a r i s a n d
nunpublishedbilingualcoinof H etoum-
p . 5 o A n u np u bl i sh e d si l ve r c oi n o f O s h in f r om
eB lacas.
r o s se t R a p p o rt s u r un v o ya g e ar c h o l og i u e d an s l a
m n i e S t . P é t e rs b ou r g 1 8 5 o.
. B u c he n au D e r B r a c te a tf u nd v on S e eg a M a rb u rg 1 ο 5 .
. C. B u c h o n R e c he r ch e s et m a t r i a u p o ur s e rv i r a un e
F r an a is e au X I I I ° , X I V e e t X V ° s i c le s
L a S y ri e d u No r d à l é p o u e d es C r oi s ad e s e t l a pr i nc i -
t io ch e P a r i s 1 4 o.
C al e y “ E s t im a ti o n of C o mp o si t io n o f An c ie n t Me t al O b -
f icGrav ityMeasurements. A na lytica lC hem-
1 5 2 , p p. 67 6 6 8 1.
T – G . Ca pp el le tt i L ' A rm en ia F i re n e 1 8 41 .
aogodellaco lle ioned undistintonumismatico . . . di
e d el l A r me n ia F i r e n e 1 8 88 . ( F r o m
ataloguedemonnaiesdumoyenâ gecomposantlacol-
b e t k oy P a r is 1 8 6o p . I o . R o y au m e ar -
5 . ( S i b i li a n X I I I .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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bbreviations
Ch a mc h ia n H i s t o ry o f A rm e ni a V e n ic e 3 v o ls . 1 78 1
n. [ U . Q u il z h ui l q u i n if u Gh ri < u y ng ' l l bh in 4
i nn p .
amich HistoryofA rmenia f romB . C . 2247totheyear
fromtheO riginalArmenianbyJ ohannes
27.
C o lophonsofManuscriptsf romtheF if thtotheSeventeenth
e ba no n 1 5 1. [ ? - up h f l. l l. H u l n h hn u
hn u p ug b . ' h up ni y U l i l z h d ( ? ' h up U l i H H L H u lu
R U M I T A I C O R U M – V ol s. V I a nd V I I , R o me
i s t o ry o f t he C r us a de s V o l . I . E d i te d b y Ma r sh a ll
e rs i ty o f P e n n sy l va n ia P r e ss P h i la d el p hi a 1 5 5 .
C up e ri I n L a c ta n ti u m d e mo r ti b us p e rs e cu t or u m no t ae E d .
t i a d R . 1 6 3 . ( S e e Mi g ne P e t ro l og i ae C ur s us C o m-
P a r i s 1 84 4 V I I , p . 48 o.
d A i , R e c ue i l de s H i s t or i en s C ro i sa d es H i s t o ri e ns O c c i -
1 84 4 1 8 5 V o l .I V .
D a r d e l C h ro n ic l es R e c u e il d e s H i s t or i en s d es C r oi s ad e s
ns I I , P a ri s 1 8 6 .
T A . d e B e a um o nt R e c h e rc h es s u r l o r ig i ne d u b la s on e t e n
i s P a r i s 1 8 5 .
A N H . D e r Gh a a ri an A C op pe r Co in o fP r i n ce L e v on I I ,
ic e 1 2 o p . 16 7 Z o ua rt no t , P a r is 1 3 0 p p. 40 t o
n [ 4 . Sl ip l u u ph ui l l hl n i h l uu lf " L l ib 4
H u l ' l lb hi n 4 1 2 o H ? 1 67 .2 n u p li fu ng ß u p h ,
-4 o.
S A N S . D e r Ne rs es si an A rm en ia a nd t he B y a nt in e
M a ss . 1 4 7 .
S A N S . D e r N e rs e ss i an M an u sc r i ts a r m n i en s i ll u st r s
I I e et X I V e si c les P a ris 1 3 6 .
. D e s im on i A ct es p as s s e n 12 71 1 27 4 et 1 27 à l A ia s
e t à B e y r o ut h p ar d e va n t de s n ot a ir e s g n o is A r ch i ve s
P a r is 1 88 , p p. 4 4 -5 4 .
. S e i gn e ur D u C a n g e H i s t o ir e d e S. L o u ys p a r le s i re
1 6 68 .
r o f. A . A . E b e ya n B e i r u t L e b an o n.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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viationsX V
ofA rmenia E rivan A rmenia U . S. S. R . Theco ins
allthedoubletramswhichwere partof
eseweredonatedtotheStateMuseumof
o ladianofB e irut L ebanon.
c u e il d e s H i s to r ie n s Cr o is a de s H i s t o ri e ns O c c i d e nt a u ,
5 V o l .I I ( L ' E s t oi re de E r ac le s .
T -V e r e ic hn is v on M n e n un d D e nk m n e n de r J u l es F o n -
g B e r l i n 1 8 78 . ( A r m e ni e n N o .4 8 44 4 8 7 .
A V – S . A . Ga m al o v- C hu r ae v C l as s if i ca t io n o f
co r di n g to C . Si b il i an , S t . P e t er s bo u rg 1 2 . ( I n
aM aM ob -U l y pa eB , K I I a cc hd ow ka uw a P y e H M C M
6M U I A H y T l eT ep 6y pr 1 2 .
. M. Garabetian TheR oupenianC oinsintheMuseum
g at i on S t . L a a r e V e n ic e P a m a ve b C X ,
p. 1 55 1 68 . ( I n A rm en ia n. [ 7 . H u pu ut hu ku it U .
i Mkm- fuhuil Trulluhpg F ugiliu//ut E d.
# 8. 1 55 1 68 .
. M. Garabetian TheLionontheA rmenianC oins
er A nt el i as ( L e ba no n , 1 4 – 1 5 0 p p. 2 65 -2 3 .
7 . ' l u pu u th u ku i t U n h & g < u y ' p u ll u l ip n i l n y
S up ha li pe l ug h h uu l hp ui hu ih I 9 4 - 1 5 0
B . M . G a ra b et i an T h e H o ar d o f D a p hn e H a s k A n nu a l
e ba no n , 1 4 – 1 5 0 p p. 1 6 2 1 . ( I n A rm en ia n.
urpuk hT ipuliughling &uuh A uyuithnului
h uu l ip ui hu i 1 4 – 1 5 0 # . 16 2 1.
. M. Garabetian TheOriginandDevelopmentofA r-
a s k A nt el ia s ( L e ba no n , X I X , 1 5 0 p p. 2 74
n . [ 7 . H u p u uk i nh u ih z u y uh u i M u ll i um hu i n P ł h -
n -3 u p u gu -U g & u u/ d / l h / /h uu l ig ui bu lu
.
. M. Garabetian A nOutlineofA rmenianNumis-
C X , V e n ic e 1 5 1 p p. 3 1 7 3 2 4 .( I n Ar me ni an .
h p m ut h & < " y " f u lf u h i nn ( H r u i l Q u i nt l n I d h ui b
hu ku .h 4 1 5 1 £ 3 . 3 1 7- 2 4.
G e l e r “ A b r i ss d e r by a n ti n is c he n K a i s er g es c hi c ht e . I n
schichtederby antinischenL iteratur Z w eiteA uf -
8 7 , p p. 9 1 1 -1 06 7.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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bbreviations
G r ie r so n * * A R a r e C r us a de r B e s a nt w i th t h e Ch r is t us
TheA mericanNumismaticSocietyMuseumNotesV I
- 17 8 P l . X V I I I , 1 -2.
r ou s se t H i s to i re d e s Cr o is a de s 3 v o ls . P a r is 1 4 8
r ou ss et H i s t oi re d e l A r m n ie P a r i s 1 4 7.
M O Z - . G ui lh ie rm o " N ot e su r le s po id s de s mo ye n â g e '
É c o le de sC ha rt es L X V I I ( 1 o 6 , p p. 16 1- 2 3 ,
. H a b es hi an " A H a l f Tr am o fO s h i n ' A a da na rd
C on st an ti no pl e ( I s ta nb ul , I 9 I I , p .5 44 . ( I n A r-
u 4 2 hu l 0 2 f i l P u u i np f ih i h uu p u ul U l u u nu u li u pu n
% n f u 1 1 1 4 S .5 44 .
A .H a g op ya n M in or C hr on ic le s of t he X I I t o X V I I I
, E r i v an A rm en ia U . S S. R . 1 5 6. I n st it ut e of
Sciences A rmenianSS. R . [ l . U l. & utnfuih
I I - X V I I I " ) . ) . & u u tu lU . l . I ) .
hrulbuf lunulf inj uilF huufunnn. bphuil
t n A r me n ia n N um i sm at i cs 1 8 51 N o . 3 3 - 8 5. ( I n
a n X I I ) . [ & u y u u un u h & u u 4 ul T p uu l iu i f un n d fh
u m L e n in g ra d U . S S . R .
H i s to ir e du c om me rc e du L e v an t 2 v ol s. L e i p i g 1 3 6 .
. K u r di a n W i c h it a K a n s a s U . S . A .
- b n A l- A th i r K a m e l -A l te v ar y kh ( S e le c ti o ns w i th
R ecueildesHistoriensdesC ro isades Historiens
. 1 8 7 2 p p . 18 7 -7 4 4.
A N- G. I n d i d i an R e p or t on A rm en ia n Co in s T ar ab ad ou m
l . 7 p p. 2 9 - 2 4 o. ( I n A rm en ia n. [ T . F i hh h ui l
T u pu u u u nn d I h h hu n f4 1 8 27 . & n p . B . 4 g .
B r v e H i st oi re d el a P e ti te A rm n ie P a r i s 1 3 o .
gica lMuseum I stanbul Turk ey .
L e v o n I t r am s i n I S .
r ek i n I . C a t ho l ic o s C o lo p ho n s of M an u sc r ip t s V t h t o
ur ie s A n t el ia s L e ba no n 1 5 1 V o l . I . ( I n A rm en ia n.
h d hp b uu l fp ub ul I 9 5 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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viationsx vii
. K amerB aghdadlian C annes F rance. Thisco l-
e fatherofMrs. K amerB aghdadlian the
ian.
L . S . K h a c hi g ya n C o lo p ho n s of F o u r t ee n th C e nt u ry
rivan A rmenia 1 5o. U . S. S. R . I nstitute
o f S ci e nc e s A r me n ia n S .S . R . [ l . U . h u H 4 j u i l
yh p i 2 hn u p hp < h 2 ui nu hu pu il ib hp $ uy hu hu l U . U . / .
hu hilkuyhQuinil inHyuil F uuinhunni-in. bpb| uil
. K e g h am K a l a i a n of N e wY o r k.
ft J a hr b c h er de rL i t er at ur W i en 1 84 , C I I . An e ig e-
af t un d K u ns t C I I p p. I - 2 . ( B e sc hr ei bu ng
derrupenischenD ynastie inC il icien.
S CH E S M U S U M K u n st h is t or i sc h es M u se u m in
ossessesasmallcollectionofR oupeniancoins
rtramofC onstantine I thoughttobethe
nceuntilquiterecently .
, S e co n do c a ta l og o d i og e tt i d i nu m is m at i ca V e n e i a 1 8 55 .
M o n et e d i R e d A r me n ia d e ll a D i n a st i a R u p en a .
. V . d e L a C r o e H i s t o ir e d u Ch r is t ia n is m e d E t h io p ie e t
1 7 9 .
L a ng lo is C hr on i u e de M ic he l le G ra nd V e n i ce 1 86 8.
L a ng lo is C ar tu la ir e L e t r s or d es c ha rt es d A rm n ie o u
rieroya ledesR oup niens V enice 186 .
L a ng lo is N um is ma ti u e de l A rm n ie a um oy en â g e
. L a n gl o is “ L é g e nd e A ra b e d u n e m o nn a ie b i li n gu e
e vu eA rc h o l og i u e V I I ( 1 85 o , p p. 22 o- 2 3 .
. L a n gl o is “ S u r le s m on n ai e s de s r oi s a rm n i en s d e la
” R e vu e Ar ch o lo gi u e V I I ( 1 85 o , p p . 26 2 2 75
P l . I 4 4 I 4 7 I 4 8.
L a ng lo is “ S u r u ne p i c e in d it e d O c hi ne ( C ui vr e , ”
e V I I I ( 1 85 1 , p p. 22 5 2 2 .
. L a n gl o is “ S u r q u e l u e s mo n na i es i n d i te s o u pe u c on -
o lo gi u e X ( 1 85 ) , p p . 46 7 4 75 P l . 2 22 -2 2 .
L a ng lo is “ S u r de u mo nn ai es i n d it es d e L é o n I I , ”
u e B e l g e 1 8 66 p p . 4 7 4- 4 77 . P l . X V I I I .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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Abbreviations
S — A r i st a ge s L a s d v er d ts i H i s t o ry E y e W i t ne s s Ac c ou n t of
( 9 8 – 1 0 71 , V e n i c e 18 4 4 an d A le a n dr o po l
m en ia 1 8 3 . ( I n A rm en ia n. [ l ph un u u l u u / -
/i u hu h uf f y Q u i nl i n P h i l i ( 9 8 – 1 0 7 ) . ‘ l b h in h /
L , 1 8 3 ] .
rudhomme H isto ired A rm nieparA ris-
64 .
e M. B r o s s et H i s t o ir e d u B a s - m p ir e .
J . L e le we l N ot es in “ G n ie de l O r i en t b yL . L . Sa wa s -
e 1 8 46 p .2 14 P l . X I . 9 4 9 5 .
S . L o p e a n d I . W . R a y m on d M e d i ev a l Tr a de i n t he M e di t er -
o r k 1 5 5 .
ac le r C am br i dg e Me di ae va l H i st or y 1 3 6 V o l . I V .
anantyan A C rit icalTreatiseof theHistoryof the
o ls . E r i v a n A r me n ia 1 4 4 1 6 0 . P u b li s he d b y
y TheA cademyofSciences A rmenianS. S. R .
4 .U ' u ih ui lt h ui u R u h ul ui S hu n- / ni < " y d in in ( " t h
4 p . b ph i lu b 1 4 4 1 6 0 4 .U . U . / k. % h i r n. E / n ih h ph
y u il F u u i n hi n nl i n .
r “ D e s c r ip t io n o f a Co p pe r C oi n o f L e o K i n g
J ourna lo fL iteratureandScience Madras
G . P a u t hi e r N o uv e ll e B i o g ra p hi e G n r a le P a r is
pp .6 7 65 .
a r sd e n O r i en t al C o in s L o n do n 1 8 2 .
. d e Ma s L a t r i e H i s to i re d e C hy p re 3 v o l s. P a r i s 1 8 52
A E T Z I — M at eo sO u r ha ie t i H i s to ry ( 9 5 2- 11 6 , J e -
d V a g ha r sh a ba d A r m e ni a ( 1 8 8 . ( I n A r me n ia n .
m/ ^ n u f / - n -S uy kg . Ty b pm u u é u 1 86 ; L u u ip -
e n c h Tr a ns l at i on : E . D u l au r ie r M a tt h ie u d É d e ss e
handA rmenianV ersions: R ecueildesHistoriens
m en t s Ar m n i en s I . P a r i s 1 8 6 .
e rt e ns D e r B r a kt e at f un d v on N o rd h au s en H a l l e
on M an ue l d a rt M us ul ma n P a r i s 1 0 7.
rdikianMuseum ArmenianNationalCultural
e b an o n.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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v iationsx i
Sh. Mnatsaganyan A rmenianDecorativeA rt
. S .S . R . 1 5 5 . ( I n A rm e ni a n. [ U . 6 . U ' h u gu h ui y ui b
u p u ib hu ti bh p b ph il ub I 9 5 5 .
C omptedeMontgomery. SeePembrok e.
s de M o rg a n H i s t o ry o f t he A r me n ia n P e o p le T r an s -
H a i r e ni k P r e s s B o s t o n 1 5 2 .
. N ad i a K a p am a d i P a r i s F r a nc e .
h q uearm nienneNubar. Theco llectionof thislibrary
oupeniancoinsandformerlybelongingto
containsararecopperco inofP rinceLevonI I
ramofHetoumI - a ik husrew.
s t r u p C at a lo g ue d e s mo n na i es A r ab e s et T u r u e s C o pe n -
eauthor New York .
F r a nc e sc o d i B a l du c ci o P e g o l ot t i L a p r at i ca d e ll a m ar c a-
a n s C am b ri d ge M a ss . 1 3 6 .
J . P e l le ri n L e tt re s de l A ut eu r de s re cu ei ls d e m d a il le s de
t d e V i l l es P a r is 1 7 70 .
T . P embrok eetC omptedeMontgomery Numismatica
ivisa L ondon 1746.
H i s t oi re g n r al e de s pe up le s P a r i s 1 2 5.
rds. Theauthorw asfortunate insecuringf romMr. A r-
rutthepaperrubbingsof tw ohoards oneof
ero fL evonI . P arto f theLevonhoardwas
o l o .
W . R ay mo nd s ee L o pe , R . S.
ue ildesHistoriensC ro isades DocumentsA rm niens
1 0 6.
T . R e i n au d D e s c r ip t io n s de s m on u me n s Mu s ul m an s P a r is
N C E — A h a n d co p y of a m an u sc r ip t b y th e l at e P r o f .
arvardUniversity . Theoriginalpresumably
I V century isintheMekhitarianlibrary inV enice .
u n c im a n T h e H i s to r y of t h e Cr u sa d es 3 v o ls . C am -
5 1 1 5 4.
. S a ba t ie r D e s c r ip t io n s g n r a le d e s mo n na i es b y a n ti n es
R e p r i nt G r a , 1 5 5 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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dA bbrev iations
— S . A n et s i H i s t o r yf r om 1 1 26 t i ll t h e 17 t h Ce n tu r y
n ia 1 8 5 . [ U u i lh ' L l u hg h ' l u Tu p ou l tu i n
slation: M. B rosset C o llectiond historiensar-
S t . P é t e rs b ou r g 1 8 76 . ( T a b l es c h ro n ol o gi u e d e
ki si an P a g ed a rt ar m n i en P a r is 1 4 0.
o I n J . B o n g a rs G e st a d ei p e r F r a n co s 1 6 11 . F i d e l im
a r sI V .
e L ' A rt d e la P e r se a nc ie nn e P a r i s 1 2 2.
S au lc y N um is ma ti u e by a nt in e 2 v ol s. M et , 1 8 6 .
ionsdessuitesmoneta ireB y antines.
S au l cy N u mi s ma t i u e d es C r oi s ad e s P a r is 1 8 47 .
G R — G . S ch l um be r ge r Ar c hi v es d e l O r i e n t L a t i n P a r is
G R — G . S ch l um be r ge r N u mi s ma t i u e d e l O r i e n t L a t i n
R — G . S ch lu mb er ge r M l an ge s d A rc h o lo gi e B y a nt in e
G R — G . S ch l um be r ge r “ M o nn a ie s d es p r in c es C h r t i en s
I r oi d A rm n ie ” R e vu eA rc h o l og i u e X X X ( 1 87 5 ,
4 5 3 4 . ( D e s c r ip t io n o f a bi l lo n o f L e v on I s t r uc k i n
blishedha lfdoubletramofLevonI .
e st i ni L e t te r e e D i s se r ta i o ne N u mi s ma t ic h e s o pr a a lc u ne
ioneA insliena. L ivorno 177 . ( D escription
seyco llection I I I , p. 147.
e st i ni L e t te r e e D i s se r ta i o ne N u mi s ma t ic h e e t c . D i s s e r-
oneteA rmenedeiP rincipiR upenensi L ivorno
22 55 P l .I , I I .
e st i ni L e t te r e e D i s se r ta i o ne N u mi s ma t ic h e e t c. S o pr a d ei
nc i pi R u p e n en s i L i v or n o 1 7 0 I V , L e t te r e
. S ib i li a n C l a ss i fi c at i on o f R o u p en i an C oi n s V i e nn a 1 8 2
utpublishedin18 2w ithe tensiveaddit ionsby
( I n A r me n ia n . [ ' i . U h u t h/ h ui h M u uu - np m -A h li
g l li bi ih u 1 8 2 .% p m u 1 87 7 F u H i S u lm u 1 8 2 F i
n/ Q. l. luth/ hulphuibhin ū ’ # .
. S ib i li a n U n p u b li s he d Co i ns o f t he R o u p e ni a n K i n gs
1 85 1 N o. 46 4 8: 1 85 2 N o. 2 9 , 1 1 1 6. ( I n A rm en ia n.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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v iationsxx i
f / km ( f u hu i P u u m ph h p. m . U ’ F l i gh - < h i l iu 9 9 p u a n up u li n -
u lu 1 85 1 G h- e 46 4 8 1 85 2. P h - 2 9 , 1 1 1 6.
. Si bi li an N um is ma ti u e ar m n ie nn e R e v ue d el O r i e nt
86 0 p p. 1 3 – 2 0 .
. Si bi l a n “ B e s ch re ib un g vo n X V I I n oc h un ed ir te n
c h- R u p e ni s ch e n D y n as t ie i n K i l i k ie n S i t u n gs -
Classederk.AkademiederW issenschaften
I , p .2 75 .
h “ A M e et i ng o f E a s t a nd W e s t ” S e mi t ic a n d
niversityofC alif o rniaP ublicationsofSemitic
1 5 1 , p p. 42 – 4 2 7.
of thek ingdomofC ilicia . Chronicle9 52 1274and
1. A rmeniante tpublishedinMoscow in1856
ecentte tinV enice in1 56. F renchtranslation
i u e d e Se m pa d ( e t r ai t , S t . P é t e r s bo u rg 1 8 62 .
hu l l S u ph a li p e ' l h uk s hi 1 5 6 .
. S p in e ll i M o ne t e Cu f ic h e b e tt u te d a p ri n ci p i L o n g ob a rd i
gnodelledueSicil ie Napoli 1844.
— J . S t r y g ow s ki D i e B a u ku n st d e r Ar m en i er u n d
nn a 1 1 6.
A . S ur m ey i an T h e P s a l te r o f K i n g O s h i n W r i tt e n in
nt el ia s L e ba no n 1 3 3 . ( I n A rm en ia n. [ l pi nu l lu g.
h u pu a li f 0 2 [ i . P u u m ph u d u/ i a7 / pp / h I 3 1 .
hu ih 1 3 3 ]
deSaint-Amant Commentaireshistori uescon-
ra ledesempereurs imp ratrices caesarsetty rans
vo ls. Paris 1644.
O Y -Al.Troubet koy.SeeCataloguedesmonnaieetc.
H i s t o ry f r om t h e B e g in n in g t il l 1 26 5 V e n ic e 1 8 62 .
Z u l u . pm i f i Q u i nl / in ( J / r ui t ‘ l u pt u ou y ' l u pt u ut h sh
Mek hitarianMuseuminV enice I ta ly.
O . v o n F a l ke K u n st g es c hi c ht e d er S e id e nw eb e re i 2 v o ls .
N H E I M - V e r e i ch n is s d er M n - u n d Me d ai l le n -S a mm l un g
e l l en h ei m W i e n 1 8 45 . ( A r m e ni s ch e K ö n i ge a u s
i li c ie n N o .1 2 05 6 1 2 06 0 I I . A b th e il u ng p . 5 70 .
Mek hitarianMuseuminV ienna A ustria .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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AR L I E R P U B L I C AT O NS
A NCO I NS
oupeniancoinwasapparentlymadein
cludedadrawingofa bilingualcoinof
nhise tensivew ork onnumismatics. Tristan
lthoughincorrectly theArabicinscriptionon
phertheArmenianside althoughheknew
nian.Thedrawingofthis coinwasdoneso
etoreadtheArmenianinscription.Some
D uC ange re ferredtoTristan sbil ingua l
oaPersianmonarch. Thecoinw asagainbrie fly
fiveyearslaterbyCuperi whomoreorless
entsmadebyTristanandD uC ange. I tw as
arlyahundredyearsafterTristan spublication
temptedtodeciphertheA rmenianinscription. A l-
rrectly readitas“ ThagavorThagavorat
n g of K i n g s o f th e A rm e ni a ns h e a pp a re n tl y h ad
witha goodknowledgeofArmenianbe-
is grammaticallyaccurate andhisfaulty
eenduetothepoor conditionofthecoin.
dler reproducedanotherbil ingua lco inofHetoum-
eededinreadingtheinscriptioncorrectly.
sbearingentirelyArmenianinscriptions
ribedina catalogoftheSt.P etersburg
min1745. Thedescriptionthere isasfo llows:
.
8 .
3 9 – 3 4 4.
P l . X I I , N o .C .
etropo litani. V o l. I I ( 1745 p. 452. Theauthoris
A.B ykovoftheH ermitageMuseumforlocating
hi nvariouslibrariesofL eningrad.O nlyafter
v sreportwasitpossibletodeterminethatthiswas
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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cationsonR oupenianC oinsxx ii i
coronatus sedens de tracrucem sinistrascept-
tenens.
A W E Z ( i . e. A rm en ia e . A .I n si gn ia r eg ni :
O R D I A D E I
us.
atesflantescrucemtenent.
H A W E Z . A . L e o g ra di en s s u p ra q u e m cr u .
O R D I A D E I N i mm us su su s.
werereadincorrectly thedescriptionsare
fLevonI andtheoneofH etoum-Z abel.
copperco inofLevonI appearedinP em-
streatise publishedin1746 buttheauthors
oneouslyasaR unicco in. I n1762 P e llerins
ofsi copperco insofLevonI w ithA rmenian
eadtheinscription.Shortly thereafter before
ndvolumeof hisworkin1770 henoted
oininapublicationwhich describedthe
sdeSavorgnan. I t ispresumedthatthis
metimebetween1762and1770 asP ellerin
keuse oftheinformationinhisfirst
eMekhitarianF athersinV enicehadpublished
ks thusintroducingthelanguageto
Pe llerinw asthenabletoread thoughnot
inprinto fR oupenianco ins w iththee ception
toumI . I nhismonographonR oupenianco ins
greferences:
74 5 I I , P l . I I I , p . 45 2
tiondeMinnisaria liorum ueA rmeniaeregumnummis
56
Minnisaria lio rum ueA rmeniaeregumnummis. V ienna
e n p . 1 8 M i on n et I V , p p . 45 1 4 5 8. B r o s s et a d ds t h at
ancientArmeniancoinswithGreeklegendsand
upenianperiod.H isremarkswouldleadoneto
a ltw ithR oupenianco ins. F roe lich sbook iscon-
Christianperiodcoinsand notR oupeniancoins.
w asimpossibletocheck eitherC orsiniorA lter but
p. 1 w ouldleadonetobelievethatonly thef irst
ins.
go me ry I V , P a r t 4 P l . X L .
1 47 P l . I . N os . 6 7 8 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ierP ublicationsonR oupenianC oins
variationsofthe inscriptionsonthecopper
mchian publishedhismonumenta lHistoryof
. Thisstudy publishedinA rmenian w as
lish. I nhisw ork C hamchianmentions
ruck go ld silverandcopperco ins andgives
w roteatreatiseontheco inageof theR oupenians
storyof thedynasty.H elistedthirteen
rbianand erroneouslyidentifiedasAr-
estini gaveadescriptionandengrav ingofa
oumandofanew copperco inofLevonI . I t
atSestini alsoreproducedanengraving
dtotheR oupeniank ing Toros. Thisisone
cha coinhasbeenattributedtothis king.
t ini spictoria lrepresentationwassopoorthatit
e inscription.H owdidSestinimanageto
ehistoryandcoinageofthe R oupenians
atherI nd id ian inareportappearingin
ication. A pparently in1788 w henLord
d i d i a n in C o ns t an t in o pl e ( I s t an b ul h e
rofunidentifiedcoins and“ insistedon
ingthesecoins.I tbecamenecessaryto
eR oupeniank ingstogivetoSestini the
omakemodelsof theoldandnewformsof
estiniusedinhisI ta liantreatise . Sestini
theinvaluablehelpgivenhimin thisphase
obv iousthatF atherI nd id ianw asprobably
knowledgeofthecoinageoftheR oupenian
unatethathe madenoattempttopublish
ry o fA rm en ia V o l . I I I , p . 3 6 5.
o fA rmenia .
I , p p. 22 5 5 P l . I , I I .
V , p .8 4.
I I , p .1 47 .
. 2 9 – 4 0.
p .8 4 L e tt er eV I I I .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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cationsonR oupenianC oinsxx v
ears theco inageof theR oupeniansreceived
chon describedthedesignofsomeArmenian
hecoinsofC yprus. B rosset thenoted
ussedanumberofR oupenianco ins w hich
il ingua lco inofH etoum- a ik obad and
ofOshin ” andlater in18 9 , publisheda
helistedaboutsi tyco insinvariousR ussian
Thisworkdidmuchto arouseinterestinthe
anperiod. A ta laterdate B rosset reported
tin.
ark onaco inofLevonI byC appelle tt i
a thene timportantcontributionw asmade
isw ork conta insagoodreview of theprev ious
ect w ithappropria tecommentsonthe ircon-
A ccordingtoMarcar(45 thisarticlehas
m.K raftdiscussesatsomelengththe
oupeniank ingdomandlists5 co ins o f
eR oya lMuseuminV ienna 2 totheco l-
i and7totheMekhitarianMuseumin
wellillustratedand includedasilvercoinof
gB rosset sandK raf t streatises R oupenian
omecatalogs.O nepublishedin1845listed
insofLevonI andHetoumI * andan-
8 l istedasi ablecollectionof theco insof the
o ins. O thercontemporarycata logs a lso in-
field.
- 4 05 .
re du B a s- m pi re X V I , p . 26 3 0 5 X V I I , p .4 ;
, pp. 3 24 3 2 5
p .5 10 .
aphiedesMonnaiesA rm niennes.
p o rt s s ur u n V o y a ge A r ch o l og i u e d an s l a G o r gi e e t da n s
p. I 4.
8 181.
atalogue p. 570.
ct i on p . 2 4 .
u e 1 8 55 p . 5 7 I h a ve n o t se e n th e c at a lo g o f P r i nc e
on andthisreferenceiscopied fromSibilianX I I .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ierP ublicationsonR oupenianC oins
moreprominencetothe coppercoins.
causeofthediscoveryofvarioushoardsof silver
sreversed. I n1845 threesilvercoinsofZ abel-
byB orre ll. Thefo llow ingyear another
asdescribedbyL e lewel ” a longwithaco in
nA rabicsurcharge. I n1847 Saulcy i l lustrated
chheascribedtoC yprus andanotherA rme-
nscription.
periodof intenseactivityinthefield of
utstandingcontributionsweremadeby
soelucidatedtherelationshipofthe R oupenian
world andbyF atherSibilianwhosere-
he causeofArmeniannumismaticsfar
w ork inscopeandaccuracy . L anglois w rit ingin
dE uropeansw iththisbranchofnumismatics and
enian placedthecoinageonafirmfoundation.
i l ian sw ork remainedaclassicfornearlya
L angloisreportedthecompletereadingof the
m- a ik husrew. H e laterpublishedagenera l
l ist inga llthek now nco llections bothpublic
culatedonthe originofthedesignsof the
ans. I nanotherarticle L anglo isdiscussed
ttributedtoToros. I n1851 hereported
andpublishedthreearticles summingup
onR oupenianco ins. Tw oyearslater hepub-
clelistinghithertounknownorlittle known
L angloiswerebroughttogetherinbook
icationentit ledNumismati uedel A r-
P l .
P l . X I , N o. 9 4 9 5 .
u e d e Cr o is a de s 1 8 4 7 P l . X I X , N o s. 5 7 .
e A rc h o lo gi u e 1 85 0 p p. 2 20 2 .
p. 2 62 -2 71 3 5 7 3 6 8 4 16 4 26 P l . I 4 4 1 4 7 I 4 8.
p. 4 1 6 4 2 6 .
85 1 p p. 2 25 2 2 .
85 1 p p . 26 2 -2 7 4 3 5 7 3 6 8 4 1 6 4 2 6 a n d 3 p l at e s.
85 , p p. 4 67 4 75 P l . 2 22 a nd 2 2 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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cationsonR oupenianC oinsxx v ii
I tw asanotablecontribution butasSibil ian
ater itcontainedno lessthansi ty -nine
the lighto fourpresentk now ledge thisnumber
o ld. I n1866 L angloisa lsoreportedona
bletramofL evonI . Thisco inw iththe
ompleteinscriptiononbothsides
Sibilianwroteseveralimportantarticles.
mberofthe ArmenianR omanCatholic
nna anorderestablishedin1717inSt. L a-
Mek hitaro fSebastia. I n1811 somemembersof the
. B othbranchesof theorderhavemadee -
tionstoArmenianculture.TheMekhitarists
nsofArmenianbooksandan impressive
anmanuscripts.V iennapossessesbyfar
oupenianco ins andthecollectioninV enice
havelongdependedon thesetwoestablish-
nformationonArmenianstudies.Neither
dhavecarriedouttheir studieswithoutthe
khitarists.
he fatherofArmeniannumismatics.
ne haustivestudiesandhaveprovedre-
ibil ian sdeathSchlumberger w rote “ le
uiconnaissa itadmirablementcettebranchede
n i en n e et q u i l a v ai t é t u d i e à l a f oi s e n pa t ri o te f e r-
tedistingu n estplus.
antinople(I stanbul onF ebruary17
Mek hitaristorderinV ienna in18 8. E ncouraged
n hetook anactive interestinA rmenianco ins
treatiseonthecoinageof theR oupenians.
nsufficientmaterialinV iennaforasatis-
rneyedtoArmeniaandneighboringcountriesin
erial.Thus inadditiontohisreligious
mein writingonnumismaticandhistorical
ma t i u e d e l A r m n i e au M o ye n A ge P a r is 1 8 55 .
e d el a Nu mi sm at i u e B e lg e 1 86 6 p . 47 4. P l . X V I I I .
ch i ve s d e l O r i e n t L a t i n 1 8 81 p p . 67 5 6 7 8.
a n s P r e fa c e to S i bi l i an s b o ok X V I I .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ie rP ublicationsonR oupenianC oins
878 attheageof54 asaresulto fanil lness
ls.H ewasunabletowritethe e haustive
oinswhichhehadplanned butdidcomplete
oupenianC oins w ritteninA rmenianin1877
ithe tensivenotesbyF atherK. H . K a lem-
tincludedabibliographyofearly refer-
Althoughlimitedin scopeandinaccurate
erperiodofthekingdom thishasserved
his day.
bil ianw roteaseriesofsi papersonun-
ns. Thesepaperswereincorporatedinan
appearedinGermaninaV iennesepublica-
Sibilianpublishedadditionalinformationon
periodinclude anoteona coppercoinof
etoum-Z abelsilvercoins prev iouslydiscussedby
nera ltreatiseonR oupenianco ins inanA rmenian
mousnumismatist Schlumberger madea
ibutionstoourknowledgeofR oupenian
opublishaco inofLevonI struck inA ntioch
nthesamearticlehefirstdescribedahalf
. Shortly thereaf ter aga inforthef irstt ime
nago ldcoinofL evonI . Schlumberger
k istheonly referencew ork ontheco inageofC il ician
rtunatethatithasneverbeentranslatedinto a
V i e n na 1 85 1. N os . 46 4 8 1 85 2 N o. 2 9 , I I , 1 6.
yappearinginanewspaper wereaddedtoSibilian s
bletothe generalreader.
andreprintedinbook form.
el O r i en t 1 8 60 X I I , p .1 3 – 2 0 .
u r n al o f L i t e r at u re a n d Sc i en c e 1 8 51 p . 1 51 . I t i s
hofthis coppercoinasprintedis amirrorimage
o ins. Thisisprobablyduetoanerrorinprinting
riptionand imagecoinshavebeenreported.
40 , 4 46 P l . X I I I .
– 8 5 ( i n A rm en ia n .
v ue A rc h o lo gi u e 1 87 5 p p. 3 4 5 3 4 .
ch i ve s d e l O r i e n t L a t i n 1 8 81 p p . 67 5 6 7 8.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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cationsonR oupenianC oinsxx i
nofR oupeniancoins whicheventually
io th q ueNationa le inParis.
shanof theMek hitaristO rderinV enicepub-
atise “ Sissouan ” onC ilicianA rmenia . He
hecoinageofthekingdomanddiscussedat
alrelationshipofthekingdomwiththe
Numismatically thevalueofhiswork is
efirsttocontain adescriptionofthecopper
antin TorosandL evonI I , anda lsoof the
. H isw ork w astranslatedintoF rench
ageoftheR oupeniandynastyseemedto
ork andforthene tf if tyyearstherew ereno
e.Thediscoveryofseveralcoppercoinsof
promptedsevera larticlese lucidatingthe inscription
B a s m a d i a n p u bl i sh e d hi s g en e ra l t re a ti s e on
ia inwhichhegavean accountnotonly
butalsoofcoins struckonthesoil ofGreater
ankingsandby theMohammedanin-
theArabs.H ealsogavedescriptionsofcoins
ncludingR omancoinswiththeinscription
A r me n ia ” e t c. a n d of t h e co i ns o f m an y B y a n ti n e
gin.Thisvolume however addedlittlenew
owledgeoftheR oupenianperiod.
therehasbeenrenew edactiv ity inthef ield
andconsiderableprogresshasbeenmade.
publicationsby Garabetianwho inhis
cataloguedanumberofcollectionsand
ollectionintheMekhitaristMuseumin
i n A r m en i an , 1 8 85 .
Tw oarticlesinA rmenianpublicationslistedinthe
nA rmenian containsasectiononR oupeniancoins.
thorhastakenlittle careinpreparingthissection
fof thenumismaticmaterialtobefoundin
hedrawingsaretak enf romJ ac uesdeMorgan s
A rmenianPeople .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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l ie rPublicationsonR oupenianC oins
va lue isadescriptionof thehoardofDaphne ”
whichcontainedalargenumberof rare
therinterestingandinformativearticlesby
hytreatiseonsomeaspects ofthedesign
ndbibliographicalsurveysonpublications
meniannumismatics.
oundin1874inC il icia Sibilianpo intedout
tw eentheL evoncoins( w rittenlb / ) and
1 4 4 a nd Go sd an ti nI I ( 1 4 4 1 6 4 . H e s ug -
kelythatthesecoinswereall madebythe
ian wasapparentlythefirsttoattribute
c o in s t o L e v o n th e U s u r pe r w ho r u le d f ro m 1 6
afterthediscoveryof theC hronicleofD arde lin
nceof theruleofL eotheUsurperbecamek nown.
forenotavailabletoSibilian.Metrological
rin supportofGarabetian stheoryare
k.
berofstudieshavebeenpublishedwhichhave
theproblemsconcerningthe coinageofthe
hertobeenimpossibleto distinguishthecoins
ndGosdantinI V f romeachother. Thishasnow
ghacritical e aminationoftheweightsand
numberofcoinsofthesetwo rulers. Since
arnodates it isnotpossibletoclassif y the
logicallyaccordingtotheirorderofissue.
rativestudiesande aminationof two large
m av e b N o . 7 9 , 1 5 2 p p . 1 5 5 1 6 8. G a ra b et i an h a s
heco llectionsintheB iblio th q ueNationa le in
tMuseuminV iennaandV enice anda lsothesmall
q ueA rm nienneNubarinParis. Thesecata logs
nGarabetian spossession arenotava ilabletothe
ngpublication.
A n nu a l Nu m be r 1 4 – 5 0 p p . 16 2 1 . Th i s va l ua b le
pertyofMr. A rmenak Po ladianofB e irut L ebanon
MuseuminErivan A rmenia .
k A nn ua l Nu mb er 1 4 – 5 0 p p. 2 65 -2 3 .
k 1 5 0 p p. 2 74 2 80 G ar ab et ia n P a m av ab 1 5 1
SM us eu mN ot es V I ( 1 5 4 , p p. 1 3 – 1 9 , P l . X X .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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cationsonR oupenianC oinsxx x i
e ltrams anorderof issuew asassignedtothe
ns.
eanhistoricalstudy onthecausesofthe
sbyHetoumI , ” the identityof “bissantios
bycontemporarywriterswiththetramsof
m-Z abel ” andanaccountof theco inageofGos-
ublication establishedtheauthenticityof the
ypointingoutthee istenceofauthentic
samediesasthegold coins.Amorerecent
nof thedesignof theco insofLevonI .
Mu se um No te s V I I I ( 1 5 8 , p p. 14 5 1 8 0 P l . X X X I X .
Mu se um No te s V I I ( 1 5 7 , p p. 21 – 2 0 P l . X X X .
de s Am so ry a 1 5 , p p. 2 41 2 50 ( I n A rm en ia n .
de s Am so ry a 1 5 8 p p. 3 8 1 3 9 0 ( I n A rm en ia n .
de s Am so ry a 1 6 0 p p. 1 6 2 7 ( I n A rm en ia n .
de s Am so ry a 1 6 0 p p. 5 25 -5 4 ( I n A rm en ia n .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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L I C A NAR M N A
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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A .
'
n
C AN AR ME N A
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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I N TR O D U C T O N
TH E AR M N ANSTO C L I C A
aterritoryw hichdidnotbelongtoA rmenia
leventhcenturybecametheseatofan
wasthefirstto issueaseriesof coinsbearing
reviously therulersofGreaterArmeniahad
rearlyGreekcoins andonesbearingGreek
ntsleadingtothe foundingoftheR ou-
ebrieflyr eviewedheretogivebackground
od.
hepowerof theCaliphateofB aghdadat
century anumberofindependentorsemi-
ereformedinArmenia.O fthese the
mostpowerfulandfoundedakingdomin
oA 5. Unfortunate ly thee istingfeuda lsystem
blefor therivalprincipalitiestocombine
erfulstatecapableof resistingthemachi-
y antineempires. Therulersofbothempires
skeptina constantturmoilthroughpetty
riousk ingdoms o fw hichtherew eresi inthe
erulero fA ni crow ned“ k ingofk ings andso
phandtheemperorofB y antium e erted
eyondhisfeudalholdings.
mberofsemi-independentprincipalities
w ereunderB y antinerule . TheB y antine
Armeniannobilitytosettlein variousparts
yinCappadociaandCilicia andnumerous
ypositionsweregivento Armenians.
umadoptedapo licyofsub ugatingthe in-
othArmeniaandGeorgia apolicycarried
ryor diplomaticmeasures andoftenby
landsandhighofficeswithinthe bound-
tstandinge ampleofthistrendwasthe
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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nia
ing SenekerimofV aspourak an inthe
tof Sebastiawithalargeportionof his
hepo licyofshift ingpopulationsinordertoerase
ovedtobeshort-sightedanddisastrous.
e l uk Turkishtribesf romC entra lA sia it
ctorinthedow nfa llo f theB y antineempire .
hhadlongprotectedthe easternlandsofthe
ndleaderless sothattherewerenoestab-
theadvanceoftheSel uks.
rmenianstomovefrom theirancestral
G a gi k t h e ki n g of K a r s e c h an g ed h i s ki n gd o m
rusmountains—thecitiesof D samentav
omana togetherw ithahundredvil lages and
withalargeportionof hisnobilityand
k shadcon uerednotonlyA rmeniabutavery
nlyinthemountainousdistrictsof Greater
bleto survive.I nthemountainsofCilicia
eArmenianswereleftwithouttheprotection
andtheirhistorica lantagonismtowardsthe
easuresleadingtoindependence.AB y an-
escent P hila retus a lreadyheldlarge
andeastern Cilicia includingAntioch.
dambitionsofestablishinganArmenian
ragedArmenianstocomeand settleinhis
shadcapturedSebastiaandputanend to
Someofthenoblemenwhoheldlands as
arentlycametoCiliciaandsettledin the
upen whoclaimedtoberelatedto the
heldPart rbertandthesurroundingterritory
herewerenumerousotherArmenianrulers
sedloya lty totheB y antineemperorandbe-
hodo ratherthantheArmenianNational
untof theseevents includingcondit ionsbeforethe
andtheshort-sightedpo licyofB y antium isgiven
yan V o l. I I I ( inA rmenian anda lso inGrousset
ie d es O r i gi ne s ă I o I , p p . 3 4 - 6 5 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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on5
ginningofthe eleventhcenturyO shinheld
undingterritory Tatoulhe ldMarash Gabrie l
E dessa. K oghV asil w hobelongedtotheA r-
he lde tensive landsaroundGabanand
erenotpropitiousforP hilaretustoforma
onofmanyof theaboverulerswasprecarious
ngSel uk tide. O nlyoneof theprinces
nmaintaininghisruleand beganadynastywhich
three hundredyears.
A P E R I O D O F C L I C ANAR M N A
10 5 pro f itedf romfavorablecircumstancesand
sposition.Takingadvantageofthepolitical
y antinesandtheSel uk sw erebusyw ith
oupene tendedhisho ldings. I t ishighlyun-
ns sinceheruledonlyover asmall
o 5 I I o o s u c ce ed ed h is f at he r R o u pe n. I t w as
firstwaveofCrusadersarrived andthe
setieswiththemas naturalalliesagainst
ndtheSel uk s. TheA rmeniansactive lyassisted
gthemwithnecessitiesduringthe siegeof
hatGosdantinissuedcoins a lthougha
dlyw orn w iththe inscriptiononlypartially
utedbysometoGosdantin.
112 ) felthimselfsufficientlystrongtocomedown
pturetheimportantcity ofAna arpus
er. WiththehelpofK oghV asil hew asableto
e l uk attack sande tendedhisterritory
menianswerebeginningtoplayapartinthe
rusaders. Toroshe lpedB aldw inI o fE dessa
miro fMosul. WhenB aldw inbecamethe
osce linofC ourtenaysucceededhim. J osce linw as
s andtherelationshipswerefriendly.O n
orosandKoghV asilw ereforcedtow aragainst
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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nia
tionsofestablishingaNormankingdomin
leftfromToros andinallprobability
1 1 8 s u cc e ed e d hi s b ro t he r . H e w a s an a mb i ti o us
ashortt imecapturedtheB y antinecit iesof
arsus ande tendedhisboundariestothe
adaq uarrelw ithB ohemondI I o fA ntioch
anishmendemir Gha i defeatedhim.
theD anishmends.Thereafter Antiochwent
husbecamemoreF renchthanNormanin
nd inturn managedtocaptureLevonthrough
eedomonlyafterL evonagreedtocedethe
anatohis captor.U pongaininghisfree-
vonrecapturedthecitiesandpreparedtoresume
Matterswouldhavebecomeworsehadnot
osce linofE dessa arrangedforatruceanda
thetwo adversariesdecidedtomake
onthatastormwasbreakingover theirheads.
or J ohnComnenus whohadalwaysconsidered
Sy riaasB y antineterritory lookedupon
ormanprincipalityofAntioch andthe
ntCilicianArmeniaasoutrightacts of
perorreachedC iliciaw itha largearmyand
only themaincit ies buta lsoLevonandhis
ero fB a ldwinofE dessa andtheirtw osons
othersons StephenandMleh w erewith
dthusescapedcapture.Theprisonerswere
w hereL evon brok enhearted diedw ithin
u p e n w as k i ll e d by t h e B y a n ti n es b u t To r os
liciaafter anabsenceofsevenyears.
I 44 I I 68 reachedCilicia anduponhearingofhis
ansgatheredthe irforcesunderhim. I nashort
sterofCilicia.Asecond attemptbythe
theA rmeniansfa iled. Theemperor sson
ghsupportedbylocalArmenianrulers— O shin
fB ragan w how erevassa lso f theemperor
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
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on7
.Theprisonerswereallowedto obtaintheir
nsoms.
y antineemperorManuelcoa edSultan
oattack Toros. TheSultanwasdefeatedby the
meniansandthe Templars.F ollowingthese
endedhisterritorybycapturingI sauria f rom
mepromisedlargesumsto theprinceof
C hatil lon toattack C ilicia . Theresultsw ere
eemperorfa iledtopay forthew are penses
andthetwoinvadedand pillagedCyprus.
mperorcametoCiliciawitha largearmy .
theforgivenessof theEmperor andToros
E ventually throughtheinterventionof
erusalem peacew asestablishedw herebyToros
mperorandwasnamedP ansebasdosby
nterferenceonthepartof theB y antines
althoughtherewereseveralattemptsbylocal
todefy thew illo fToros. I nthebitterstruggles
hedtheirpowerandforcedmanyof themto
dal probablystruckbyTorosI I .
l lcopperco inattributedtothisprincerecent-
nof theauthor.I tbearsthenameof
dconsiderablepowerandholdings itisq uite
s althoughonlythetwocoinsmen-
obeine istence.
1 1 74 . A l th o ug h T or o s ha d l ef t a y ou n g so n a s hi s h ei r
i lThomas hisambitiousbrother Mleh ob-
r-a l-D inofA leppo inw hoseserv icehehad
Toros re ign andbecamerulero fC il icia . He
a lit ies. H ehadatonetimej o inedtheorder
ughtthe infidelswithdistinction.H ethen
dfoughttheC hrist ians. Hishatredof the
ounds andhedecimatedtheGreek population
p . 3 7 8 . S ee P l . I .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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nia
yopportunity torobtherich includingthe
isreignbecameunbearable andthe
ssassinatedhim.Mlehwasburiedin the
whichhehadbuiltduring aperiodofreli-
hstruckcoins butunfortunatelycould
ormation.H emightpossiblyhavehadin
tributionofacerta incointoMleh butL anglois
omeotherrulerin AsiaMinor.
1 1 75 1 1 87 . T h e pr i nc e s el e ct e d R o u pe n t h e s on o f
soro fMleh. Hew asacapableruler determined
entsstil lrecogni ingthesu era intyof the
m. R oupenla idsiegetoL ampron w hoserulers
consideringthemselvesthevassalsof
n srulerappea ledtoA ntiochandaconference
ndofAntiochtreacherouslyheldR oupen
oupen sbrothercontinuedthesiegeofL ampron
toum toarrangeforthereleaseofR oupen.
onpaymentofa ransomof3 0 000dinars
esofAdanaand MamistratoAntioch.Soon
oupenandL evonrecapturedthetwocit iesand
ofTarsus.I tappearsfromthesetrans-
weremadewitheitherB y antineor
incenocoinsofR oupenhavebeenfound. One
tirelye cludethepossibil ity thatR oupenstruck
predecessorandhissuccessorissuedcoins.
r i nc e or B a r on 1 18 7 1 1 9 ) . W h en R o u pe n de ci de d
ndspendhisremainingdaysin amonastery
fgovernmenttohisyoungerbrother since
.L evonprovedtobethemost capableand
nians.H enowhadal argeandpowerful
eestablishmentofa newArmeniandy-
stomtoreceivethecrowneitherfrom an
L evontook stepstoe ploreallavenues. A c-
mpron acrow nw aspromisedbyF rederick
hehelprenderedto theCrusadersbythe
du B a s - m p i re X V I , p . 3 0 5 .
e l A r m n i e au m o ye n ä g e p . 3 4 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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on9
edashock toL evonwhenhelearnedthat
ccidentallydrownedintheriverCalycadnus
aw a s ma d e to F r e d e ri c k s s u cc e ss o r H e n ry V I ,
an. TheEmperor hav ingplansforanew
owntoA malrico fC yprusandtoL evon. I nthe
angedarapprochementbetweentheArmenian
omanChurch inspiteof thev io lent
npeopleandthe B ishops.Thesuperficial
w ochurcheswonP opeC elestine I I I ' s
evon.
7 t h e I m p e ri a l Ch a nc e ll o r C on r ad B i s h o p of
NicosiaandcrownedAmalricking ofCyprus.
mperorH enryw ere infavorofgiv ingacrow n
mperordiedinJ anuary I I 9 8 soonafter
C onradofHildeshe im camewiththePapa l
esbach A rchbishopofMain , toTarsusand
ony took placeonJ anuary6 11 9 . The
regoryA birad placedthecrownonL evon s
king whileConradgavehimaroyalsceptre.
NK I NGD O MO F C L I C A
nominallyavassalofthe Germanemperor.
evonbecameembro iledinstrugglesw ith
heChristiancause.L evonhade tracted
ondI I I o fA ntiochthatof thetw oheirs
emondI o fTripo liw ouldsucceedthefather.
thepromise L evonlaidsiegetoA ntiochin120
aw upontheapproachofA l-Z ā hirGh z io f
managedtocapturethetownbutthecitade lhe ld
ianforcesw erew ithdraw n. In 1216 he
includingthecitade l andestablishedhis
dR oupenasprinceofA ntioch. How ever in
nw asoustedbyhisuncle B ohemondofTripo li.
f thehistoryof thisperiodseeR unciman sH istory
sset sH isto iredesC roisades andA Historyof the
.Setton.AmongtheArmenianpublications
s themostdetailedaccountofthis period.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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nA rmenia
evonsuf feredaseverereverse inhisstruggles
my theSultanK a ik ausofK onya. The
stableGosdantinsufferedacalamitous
bilityweretaken prisoner.TheagedL evon
retreatoftheSultanbyinvadingthe
slater compelledtoconcludeapeacetreaty
nordertosecurethere leaseof theprisoners. I t
kely eventuallyledtothestrikingof
m.
berofgold coins thousandsofsilverand
evonhavereachedus.H ealsostruckcoins
tehisvictory.
T O U M I ( 1 22 6 1 27 1 . L e v on l ef t a th re e ye ar o ld
shisonlyhe ir. The inev itablestrugglesforsuc-
etendertothe thronewasJ ohnofB rienne
laimedpriorityoverZ abelbecauseofhislineage
ans.TheArmeniansappealedtotheP ope
o interfere inA rmenianaf fa irsonpa inofe -
ndpretender R aymond-R oupen managed
andse i edthecityofTarsus. H ow ever
eededincapturinghimandcausedhis
ethronetothe fourthsonofB ohemond
thebeliefthatan alliancewithAntiochwould
esultanofKonya K a ik obad w hohad
eighteenyearoldP hilippromisedthathe
nNationalChurch abidebytheregulations
andmakenoef fortto introduceL atin
yearortwoaf terhismarriagetoZ abel P hil ip
misesandreplacedmanyofthe Armenians
henitwasdiscoveredthathe wasalsosecretly
stohis fatherinAntioch theoutraged
dtheyoungkingandimprisonedhim inthe
latein1224.H isfatherrefusedtoreturn the
diedinprisonshortly thereaf ter probablyasa
M us eu m No te s V I I , p p. 2 1 – 2 0 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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onI I
ghPhil ipw ask ingforthreeyears w ehave
lruler ofthelandandthe headofthe
ndmostpowerfulfamilyaftertheR oupenians.
ofthe Catholicos theheadoftheArmenian
orityof thebaronstomarryhissonHetoumto
o inedthetw ofamiliesandhadastabil i ing
Gosdantinmadepeacewiththeneigh-
sedthesultanof K onyathathewould
n accordancewithL evon sagreement
acetreatywasprobablysignedin 1228and
ntheArmeniansalliedthemselveswiththe
curringtheenmityof theSel uk s. Nobil ingua l
45.
ery capablerulerandtookstepsto con-
salliancewiththeMongolssavedthe Ar-
o f theSel uk sandtheMamluk sofEgypt.
M on g ol s G u yu k d i ed a n d a ne w K h a n
H etoumsetoutinpersontoKarak orum then
werfulrealmtheworldhadeverknown and
norsbythe K han.H etoumobtainedcon-
andhis kingdom andreturnedwith
ainsthisenemies.
a n s b r ot h er H u l a g u c a rr i ed o u t so m e su c ce s s-
Mamluks butgraduallythetideturned
theMamluk sultan B a ibars capturedmostof
reatenedCilicia.Awareofthe danger
s L evonandToros toguardthecountryand
anceof the I lk hanA baghaofTabri . The
medtheoutnumberedArmenians andinthe
evonwascaptured.O neMamlukarmy
s A danaandTarsus andanotheronead-
thetow nandlootingthetreasury . I tw asa
meniansneverfullyrecovered.
ewitha smallMongolarmy.H ewas
withB aibarsinwhichhe cededsome
ngthesoutherndefensesina veryweak
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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rmenia
von wasreleasedine changeforaprisoner
a ibars favorite . Levonreturnedtohis
gedH etoumretiredtoamonastery . Thisw asin
yearLevonw ascrownedk ing.
ispredecessor spolicyofstriking silver
neness.Alimitednumberof bilingualcoins
mentioned incompliancewiththetreaty
a . Laterinhisre ign H etoumstruck copper
s asw ellascoinsof lessersi eandw eight.
1 27 0 1 28 ) . L e v on w as c ro wn ed k in g on J a nu ar y 6 1 27 ,
a inTarsus. He facedadif f icultperiod
redfromthe attacksoftheMamluksand
thecompletedestructionoftheCrusader
niankingdom.I n1272B aibarsinvaded
thestubborndefense succeededincapturing
seffortstocaptureSis failedandonhis
hecityofA yas. Hissuccessesandthefailureof
rmeniansencouragedB aibarstomarchinto
ncitetheSel uk storevo ltaga instthe
eMongolgarrisonbutretreatedupon the
golarmy . Onhisreturn hew asharassedby
ednearD amascus.
awreakedvengeanceontheSel uksby
ands.H ethenaskedL evontobecomethe
butL evon see ingthe impossibil ityo f
withhisverylimitedforces wiselyre ected
80and 1281therewereseveralbloodyen-
mlukandMongol-Armenianforces without
t Q al ‘ ü n continuedhisattacksonL evon.
stingdearand seeingthattheMongols
ontohelphim L evonsoughtpeaceand
theMamluks—anannualtribute ofhalfa
alfwasto bepaidincash theremainder
onbars. ThepeacegavetheA rmeniansa
Ayas prosperedsinceitwasthe only
tla ire pp. 217 2 1givestheoriginalA rabicte to f
renchtranslation.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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onI 3
vastMongolhinterlandfortradeandthe
andreceivedmadepossiblethe payment
sofpeace thecountry recoveredandcul-
ouraged.L argenumbersofmanuscripts
utedtochurchesand monasterieswhich
meofthesehave survivedandincludethe
nianartasindicated intheilluminated
ary6 128 . O f thee levenchildrenbornto
tthetimeofhisdeath. H isf ivesonsfought
ne timeorothereachmanagedto occupy
aughters Z abelmarriedthebrotherof the
becametheempressofB y antium. The
edCrusaderprinces.
1 28 – 12 3 , 1 2 5 12 6 1 2 9 – 1 01 1 01 1 0 6 , TO R O S
, SM AD ( 12 6 12 8 , GO S D ANT N ( 12 8 12 9 ) . L e von I I
es t s on H e t o u m I I , w h o h o we v er p r e-
atofgoverninghisland.I nthefirstyears
k su l ta n Q a l ’ ü n a n d la t er h i s so n a l -A s hr a f
ftheCrusaderprincipalitiessothat by12 9
recapturedandmuchof thepopulationput
andeastern bordersofCiliciawereleft
owerstoprotectthem.W henal-Ashrafin-
mwasforcedtosuefor peaceandsurrendered
otheenemy.
umretiredtothemonasteryandturnedoverhis
ther Toros. Tw oyearslater how ever atthe
wellasToros H etoumagainundertook
try.D uringthisperiod Torosapparently
oinssincehewasnot crownedking.
andTorosle f tforC onstantinopletoattendthe
Michael thesonofAndronicusP alaelogus
nthecareof thene tbrother Smpad.
selfkingwiththeconsentof theCatholicos
andconsolidatedhispositionby payinga
z ā nw horecogni edhiscla imtothethrone.
nedf romthew edding hehadthemim-
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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rmenia
illedandH etoumpartiallyblinded.These
brother Gosdantin torebe laga instSmpad
s Gosdantinmanagedtocapturethe city
andsetHetoumfree. TheblindH etoumw as
otherGosdantinrulethecountry.The fol-
H etoumrecoveredhiseyesight andtheprinces
le thecountry.Gosdantin notwillingto
ratedhisbrotherSmpadandthetwo setout
ecountrywaswithH etoumasthelawful
anceofthe TemplarsandH ospitallerswho
orts inCilicia H etoumemergedvictorious.
ecapturedand senttoConstantinople
d.
n nowhavingbecomeaMoslem declaredhim-
yiaw ithanarmy andw iththehelpofA r-
ndingvictoryoverthe Mamluks.Hetoum
ost territory includingtheimportant
mdoon.
muk sga inedcontro lo fSyria andagaininvaded
owlands.TheMongol-Armenianforcesmet
epeatedlyattacked.H etoumappealedtothe
orcetodefendthesouthernborders.The
enMongolforce underP ilarghouwas
pus. H etoumlef ttheproblemsofstatetohis
andin1 05againretiredtoamonastery .
1 0 1 1 0 7 . H e t ou m I I h ad a pp oi nt ed h is b ro th er T or os
r ul e r on J u n e 2 , 1 0 1 s o t ha t h e co u ld e ve n tu a ll y
oughthecoronationof L evontookplace
6 h e w as i n f ac t r ec o gn i e d a s ki n g of t h e Ar m en i an s
atleastone instance he isre ferredtoask ing
criptdated1 02. I t istherefore logica lto
andtoassumethathisco inagee tendsover
0 7 . Th e s il v er c o in s o f L e v on I I a r e su f fi c ie n tl y
possibilitythattheycouldhaveall been
nin1 06untilhisdeath November17 1 07.
ernalforcesburdeningthek ingdom re ligious
untrybegantocreatea turmoilwhichsoon
3 – 1 4 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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onI 5
tagonisticcamps.The comingofthe
stablishanArmeniankingdomin Cilicia
ormedclosetieswiththeleaders ofthe
ntermarriagebetweentheArmenianand
common.I nordertostrengthentheir ties
Armeniankingsattemptedtobringabout a
theArmenianNationalChurchandthe
theless althoughtheArmenianroyaltywas
aresulto f thef re uentintermarriages the
oftheprinces remainedstaunchadherents
meetingw asheldinMarchof1 07inSis
ntheologicalgroundsfortheunionof the
high clergymenofCilicia hopingthatsuch
wCrusade advocatedunionwiththe
ymenfromgreaterArmenia however
consideringittantamounttoLatini a tionof the
ofeventsinthe MiddleAges religious
nationwastornintwo.
onof thenationa lists H etoumandL evon
tsby theMongolgenera l P ila rghou to
henweretreacherouslymurdered( No-
I tw asironicthatHetoumshoulddieatthehands
e uesthadbeensentby thegreatK hanto
mlukattacks.
2 0 . U p o n he ar in g of h is b ro th er s m ur de r O s h in
droveouttheMongolgenera l. The latter on
w asreca lledby thegreatKhananddecapitated
declaredhimself rulero f the land andw as
rintheSt. SophiaCathedralinTarsus.
n severa lre ligiousmeetingsw ereheldinan
heproblemofrapprochementbetweenthe
shintook sternmeasuresinanattemptto
ntstocomplywithhis wishesandwentto
orimprisoningthosew hoopposedhim. H ow ever
ffortsto jo intheA rmenianandR oman
sdomtopermit matterstotaketheirnatural
suedthemiddleroadto avoidreligious
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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rmenia
4 1 15 e ternalenemiesaga ininvadedC ilicia.
oliantribes wassuccessfullyrepelledby
ewesternmostpartofCilicia.Thefollowing
n A l-NasirMuhammad capturedMalatia
stil lcontrolledconsiderableterritory la rgerinarea
principalities.Thelossof L arandatothe
htaboutthegradualshrinkingof theboundaries
Mamluk s. Tw oyearslater theQaram nids
oftheland butwerebeatenbackbythe
namedOshin . D eterminedtodestroy the last
ronthemainland theMamluksentered
1 20andbeganravagingtheland.The
gerableto meettheenemyintheopen
hipof theB ailO shinandConstableGos-
eenemy slaughtered6000of themnearA yas
to flee . KingO shindidnotlivetoseethis
ortlybeforethisevent—onJ uly20 1 20.
rof O shin scoins bearinganArabic
ameofA l-N sir. I t isprobablethatthese
ya ltreasuryw hichO shin ssuccessorusedto
ks w hothenoverstruck Nasir sname. The
ngmostlyofLevonI V co ins mostlike ly in-
shin.
2 0 1 4 2 . O s h in w as s uc ce ed ed b yh is o nl y so n L e vo n
hetimeofhisfather sdeath. Of thefour
po inted O shin theL ordofGorigos became
ntry andeventuallymarriedhisdaughter
nued.TheArmenianforceswereoften
mthe mountainsandfortifiedpointssince
theenemyonopenground.E ventually at
haninP ersia theMamluk sultanconsented
conditionthattheArmenianspayanannual
takvorins ha lf the incomefromtheporto fA yas
alt revenues. "
reaty inL angloisC artula irep. 2 2—2 3 .
oinshaving anArabicsurchargebelongto
asmallnumberaref romOshin. A boutonequartero f
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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on17
mewisdominmanagingtheinternalaffairs
onmighthavesurvivedandevenprospered.
aldissensionweakenedtheland.Theregent
sisterandhertw ochildren andtheseactsso
erthathehadOshinandhisbrotherde-
puttodeathhisq ueen w how asOshin s
thedaughterofF rederick I I o fSicily w hohad
tablishacloserre lationshipwiththew est
othenpersuadedtheEmiro fA leppoto invade
stingpeacetreaties. L evonwasforcedto
hchgaveallthe landeasto f theDj ehiun
includingthehighlyprofitableportof Ayas.
3 7 spelledtheendofthe Armeniankingdom.
L evonraisedthequestionofunitybe-
heR omanCatholicchurches.R eligious
andthenationaliste lements f indingthe
able assassinatedhimonA ugust28 1 42.
N ( 1 4 2 1 4 4 . W i th t he d ea th o f L e vo n I V , th er e
leroya ll ineofR oupen-Hetoumbecamee tinct.
ashissuccessorhisnearesto fk in GuyL u-
aterna launt I sabel( w how asthew ifeof
C ou n t of T y re n e ph e wo f H e n r y I I o f C yp r us .
sdeath Guyw asinConstantinople . Thenobles
imtothethrone andinthemeantime
erJ ohnasguardianof thethroneuntilGuy s
ecomekingwithunderstandablere-
trywasin direstraitsandneededoutside
fthreehundredsoldiersandwascrowned
Gu y o r G os d an t in I I , a s h e wa s c al l ed b y t he A r -
dierandhe refusedtocontinuepaymentof
ntheensuingf ights Guyprovedhismettle
oryintact andduringhisshort reignmade
sideringthecondit ionsatthetime w asan
merit.
o fL evone aminedhadasurchargebearingSultan
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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rmenia
renchinspirit andmostlik e ly fe lt l itt lek in-
hefact thathismotherandtwobrothers
shinduringthere ignofK ingL evonI V
ortheArmenians.Mindfulofthe necessity
ope heproceededtosendambassadors
bringabouttheunion betweentheR oman
hecourttookon theappearanceofaL atin
oundedhimselfwithF renchspeakingcour-
estpositionsin theland.
rrulerswhohad behavedinasimilar
ter Guy.TheArmeniansdidnotfeel that
andstronglybelievedthataunionwith
dresultin thelossoftheir identity.U nder
man by thenameofO shin theA rmenians
g alongwithhisbrotherand thethree
cometoArmenia astheking sbodyguard.
ionto befoundaboutGuyin contem-
ripts. Onehastore lyonDarde l sreportand
tionsbetweenthekingandthe P opewhen
arriedontobring aboutaunionbetween
renchname Guy andnottheArmenian
ppearsonhisco ins perhapsindicatesa lack of
fhissub ects fee lings. Ontheotherhand
andhadhelived hemighthavebeenable
militarilyandeconomicallybyresisting the
( 1 4 4 1 6 ) . A ft er t he a ss as si na ti on o fG uy ( G o s -
rmeniannobleschoseastheirK ingthee ldestsonof
o fNeghirandheadofapow erfulfamilyof the
sedtoa personwhoalthoughdistantly
wasnotofroyalblood.
hisposit ion GosdantinI I I thoughtit
sewhoby theirfamilyrelationshipsto
signansmighthavepriorclaimto thethrone.
andtw oyoungchildrenofGuy sbrother
andmayhaveplannedtocausetheirdeath but
he irperil escapedandf ledw ithherchildren
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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onI 9
tothecourto fC yprus. TheyoungL eo then
tobethe lastkingofCilicianArmenia.
stheirruler thepeopleandprinceswere
treportsindicatethatnegotiationsfor
ntheR omanandArmenianchurchescon-
nga inedpossessionof the importantporto f
eKnightsofR hodes. Thisv ictorywasshort-
e inthesameyeartheEgyptianf leetblockaded
dit. Simultaneously theTurcomantribes
hecountryand managedtocapturethe
sus.Asifthese disasterswerenotsufficient
verA rmeniaandontoE urope causingthe
.
60whenSultanAl-N sir sarmyunder
in theEmiro fA leppo capturedthecities
evastatedSis.An E gyptiangarrisonwas
anaandTarsus andthusthesetwocities
.
ossessionof theinlandmountainous
ofthecitiesand countrysidead acentto
oftheenemies.E venthefortofGorigos
ram nidsbutitwaslaterrega inedbyP eterI
elongedtoCyprusandnot Armenia.
onotethatatthist imetheEmiro fA leppo
sinthenameofSultanA l-N sir.
toopposetherelentlessattacksofhis
me P eterI o fC yprushadambitionsofe ither
niaor placingthenephewoftheformer
H ewasableto findsomeencouragementfor
enianprinces w ho nodoubtdiscouragedby
hopedtoregainsomeofthe lostpossessions
phew ofGuy namedB ohemond andset
nthehopeofpersuadingtheP opetocrown
eA rmenians. U nfortunately B ohemond
nddiedshortly thereafter thecla imtothe
syoungerbrother L eo . ThePopeina letter
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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menia
essedtotheA rmenians datedA pril3, 1 65
stoacceptLeoasthe irtruek ing.
tak ingplace inEurope Gosdantindied
asprobablyGosdantin sson cla imedthethrone.
S U R P E R ( 1 6 – 1 6 5 . A lt ho ug hG os da nt in I I I d ie di n
d i d no t a sc e nd t h e th r on e u nt i l 1 6 5 . I n t h e t wo
pearsthatanotherperson usuallyreferredto
occupiedthethrone. ContemporaryA rmenian
nofthisL evon butitseemspossiblethat
n I I I .
ideredthispossibil ityandpo intedoutthat
nedin1 45thathehadtwo sonsnamed
shanmentionsthechronicler A vedik ofA mida
henameofL evonbecamek ingandthere
land. A lishan ” how ever didnotbelieve
antinI I I w erea live in1 6 , andthispo int
neofhispublications. Dulaurier statesthat
o sd a nt i n I I I d a te d 1 4 5 L e v on i s m en -
ek ing ssons. TheGreek historian Ma-
atin1 60theA rmenianthronew asinthehands
ndredcastlesand towns.Thediscrepancy
smaynotbesignificant.
ceseemstoberather meagerinsupport
e v o n wh o r ul e d fr o m 1 6 t o 1 6 5 t h er e i s
cetoindicatethatsucha kingdide ist
1 6 5 1 7 ) . I t i s no t kn ow n j u s t wh y L e vo n th e
rmittedthesonof H etoumofNeghirtobe
ameofGosdantinI V , in1 65. Mostlik e ly
mpossibleforhim toremainonthethrone.
ellawareofhis difficultsituationand
tP eterI , thev igorousk ingofC yprus. I t
agreementwasreachedbetweenthetwokings
e o V L u si gn an p . 27 .
p. 544and560.
ensdesC ro isades D ocumentsA rm niens V o l. I p. 714
hi g ya n p . 3 4 .
L e o V L u si gn an p . 24 f oo tn ot e I .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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on2
pproachedA yasandcapturedthecity but
emptsto entertheCitadelfort.Gosdantin
reachAyas andafterwaitingeightdays
s.Theinabilityof Gosdantintomakea
s militaryweakness andtheenemywas
thelowlandsbetweenSisand Ayas.
ngtheking wereq uitewillingtohaveP eter
obtainingsomemilitaryassistance.A
erwhohadagaingoneto E uropeinthehope
ngs ofE urope.TheArmeniandelegation
1 68inV enice andof feredhimhislongsought
rhurriedbacktoCyprusin ordertoenter
tledsomeurgentmattersin Cyprus he
butwasmurderedbyoneof hiscourtiers
eterthusneverdidbecomek ingof theA rmenians
oreign.L anglois assertionthathesaw
ingof theA rmenians mustbedismissed as
beenaforgeryora mistakewasmadein
eMoslemswererelentlesslypressingtheir
andGosdantin srealmnowconsisted
dterritoryaroundSis andAna arpus.
ngsw ereconstantlyunderattack andin1 6
ttingfire toSisitself.Theattackswere
earandthe E mirofAlepposucceededin
arentlyreferredto thelowercity asthe
nthehandsofthe kingandhisarmed
ecityafterthe retreatoftheenemy.
ontotheir desperatesituationseemedto
prusandtheW esternpowers andconstant
suitablepersonforthethroneof Armenia
y.
nactivelyinciting thepro-Western party
antinI andplacehimonthethrone. A
de l A rm n ie a um oy en ä g e p .9 6 9 7 . P l . I V , N o. 9 .
hesev iew s(p. 6 ) . Theco inwhichL angloispictures
r. O rta inA dana C il icia . Thiscollectionw as
soldandnotrace oftheP etercoinwaseverfound.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
nC yprusin1 72 7 , invit ingLeotothe
eveitspurposebecauseatthattimeP etero f
ad ambitionsofaddingArmeniatohis
n L eocouldnotopenlyaccepttheof fer. Soon
egationtoSis GosdantinI w asmurdered
a n d th e w id o wo f G os d an t in I I I w a s el e ct e d R e g en t .
NA N ( 1 7 4 1 7 5 . A ft er t he m ur de r of G os da nt in I V ,
mpoweredbylettersfromtheCatholicosand
sandask edPeterI I topermitL eotoascend
smentionedearlier L eow asthegrandson
usignan. Hisfather J ohn hadbeencalled
I I tobecometheconstable. J ohnw asrelated
ousinonhispaterna luncle sside. J ohnw as
dunderstanding.H ewasmarriedtoa
eV I o fGeorgiaandhadearnedthetrusto f
owonderthenthat hehadbeenselectedas
essionofGuy tothethrone. J ohndiedin
hldren o fw homtheyoungestw asL eo agedtwo.
, w how asnotof roya lblood ascendedthe
nef forttoe lim inatea llpretenders imprisonedthe
herandelderbrother. E ventua lly they
o lderbrotherdied andL eow asle ftasthe
inganeyeonthethrone re fusedtograntL eo
ferof theArmenians.Thedelegation after
mL eo returnedtoSisw iththegreatest
me theGenoesehadenteredC yprus P eter
eowasimprisoned.Afterpayingaheavy
lossofa llo fhisandhisw ife sw ealth L eo
issiontosail totheCilicianfortof Gorigos
nA pril2 1 74. Hew asplanningacourse
hat theGenoeseplannedtotakehimback
f attemptingtotakeCyprusfromthe
f thesecharges L eoplacedhismotherand
origos andw ith25horse I oofootsoldiers
dtowardsSis avoidingallpossiblecontact
achedSissafe ly andtheA rmenians be ing
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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on2
welcomedtheirnewking.L eoreachedSis
andafew dayslaterhadhisfamilybroughttoSis.
proachingchildbirth thecoronationceremonies
ghterswereborntoL eo.Thecoronation
14 1 74 inthepresenceof theC atholicos
o be ingaR omanC atho lic hadintendedtobe
accordingtotheL atinrites butinv iew of
nalistArmenians agreedtohavetwo
wnedfirstbythe L atinbishopandthenby
vonV , K ingof theA rmenians. Thisdua lcere-
eopentoL evon butitapparentlyantag-
ementswhohadlong resistedanyeffortsto
tincustomstotheA rmeniancourt.
edthembygiv inghighpositionstohis
sarriva l therulinge lementsinthecityhad
Moslemsas thepriceofbeingleft inpeace.
gtocontinuethe paymentofthistributeuntil
ew lyac uiredrea lm.
theinstigationofthe nationalistelement
lemsleaders Dā ’ ü dB egandA bu-B ak r
orysiege agreedtowithdrawuponpay-
nthecityofSis re ligiousfeelingshad
hethoughtofaCatholicking witha
adbecomeunbearabletothenationalists.
iveunder thedominationofthekingof
von.
rotetoaformer Armenianprince Ashot
V w hohadturnedMoslemandgoneto
gypt ask inghimtocometoC iliciaand
ng.Ashot informedtheSultanoftheturn
M el i k al - As h ra f ( 1 6 – 1 7 7 c o mm an d ed A b u-
u-B ak rla idsiegetothecityw ithaforceof
1 75. A ga inatthe inv itationof thenationa list
le p po A l -N s i r ‘ A s h i t i m r A b u- B a k r j o i ne d
oooonF ebruary24. Levonretiredtothe
totheend.At thispoint thenationalists
r assassinatetheking butwereun-
hehopelessnessofthissituationand decided
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
A l-Nasir so f fero f safeconductifhesur-
ering L evonwasrece ivedw ithgreathonors
ttoCairowithhis q ueenandfifteennobles.
nApril 16 1 75 thusendingtheR ou-
hadbegunsomethreehundredyears
leasedattheintercessionofArmenian
ttoEurope andaf termak ingnumerousun-
ainmilitaryaidfromwesternrulers to
ed i n P a r i s i n 1 9 3 .
erpart oftheR oupeniankingdomwasclarified
f thechronicleofDarde lin188 . D ardelbecame
L usignanandw roteanaccountof thek ingdom
helatter periods.Thechroniclewaspublished
s DocumentsA rm niens V o l. 2.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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MM R C O F C L I C ANAR M N A
ofCiliciaofferedspecialadvantagesfor
withtheMediterraneannationsandwith
inland.Tradersof manylandsusedthe
mercialactivities andthecountrybene-
venue.
sesseda numberoffineharbors.A
andamapby Sanuto describethecoastal
n Armenia.Startingfromtheeasternmost
d SanutomentionsA yas( L a asso ancient
orum(a lsok now nasportusdePa ll ibus P ortella
bysim ilarnamesinmedieva lrecords , Mamistra
ncientMopsueste , A danaandTarsus( A rmenian
asw ellasseveralothersof lesserimportance. A llo f
mportantrolein thecommercialactivities
om.
melyimportantportofcommerce especially
ourteenthcenturies.W iththedisappear-
palitiesin theeast muchofthetrade
vastAsiatic hinterlandpassedthroughthis
ynationsandracesmi ed giv ingitthechar-
ty . TheGenoese V enetians andother
tablishmentsinthiscityand en oyed
TheportusP allorum showninanumberof
ntionedinvariouscontemporarycommercial
maincustomshouseof CilicianArmenia.
asthemainportgraduallyovershadowed
P allorum itisapparentfromthe notarial
lusedbyships fromGenoaandB arcelona
SanutostatedthattheportusPa llo rumw as
I , P a r s I V , p . 88 .
6 .
pp .45 1 4 7 , 4 74 47 5 I I , 2 4 0.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
a lian w esto fA yas betweenA yasandtheriver
un . D esimonimentionsothersourcessupporting
mouthof theriverP yramus( D j ehiun
ontheriverwasthe importantcityof
Sehiun atthattimef low edintothesea
us andformedacommonentry tothesea.
awassituated ontheSarusa short
othAdanaandMamistrawerethuson navi-
reableto usethesetwoportsfor commerce.
erCydnus andseveralleaguesinlandonthe
of Tarsus.R ecordsindicatethataslate
bletoapproachthecitybywater. F ore ample
evonI re fusedtheGenoesepermission
atin1 22 w hentheE gyptianscapturedA yas
peanshipswereforcedtousethe portof
tdownbythe riversfromthemountainshas
andtodaythethreecities areremovedfrom
navigablewaters.Anotherimportantportwas
sport hadlongbeenusedfor commercial
aravansto travelbyland.Caravans
arryinggoodsbroughtfromthelandsbordering
passedA ntiochandcrossedintoCil icianA rmenia
sintheA manusmountains. Theroadled
ntersofA yas P orte lla Mamistra A dana
dnorthtothe passofGouglaginthe Taurus
wascontrolledbythepowerfulfortressof
dthefrontierfacingthe domainoftheSel uk
sohadacustomhouseandco llecteddutieson
teringthecountry.Asecond traderoute
northeast comingfromtheAsiaticheart-
rynearMarashandreachedthe coastalcities.
anotherpowerfulfortress Gaban which
utiesongoodsenteringor leavingthecountry.
e s D o c . Ar m n ie ns I , x l i i x l i i i.
e s D o c . Ar m n ie ns I , x l f f .
3 6 8 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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reengagedinthestruggleto takecontrol
uationnaturallydidnot encouragethe
tivities.With thecoronationofL evonI
a n d th e e st a bl i sh m en t o f a la r ge a n d we l l or g an i e d k in g do m
sh.
hetw omostactivetradingnationsof the
ately sentambassadorstoLevon scourt
s.TheGenoesewerethefirsttoconclude
andatreatyw assignedinMarch 1201 be-
enoeseambassador O geriodiPa llo . The
mptionsfrompayingdutiesonmaterialsim-
em.Theywerealsograntedthe righttohave
alestablishmentsinSis Mamistraand
churchesin MamistraandTarsusand
einSis. I naddition theyhadtherightto
nageandprotectGenoeseinterestsand
putes.
asomewhatsim ilartreatyw assignedw ith
weregrantedtherighttohave residencesand
nMamistra butnomentionismadeof such
arsusorSis.Theyhadthe samee emptions
nde ports buttheydidnothaveaconsul
restsandsettledisputesamongthemselves.
theGenoeseappearedtohavesecuredmore
action thesituationwasreversedlateron
ry theV enetiansovertooktheGenoese
n Armenia.
thatthepriv ilegesgrantedtotheV enetians
r broughttothecountrywouldbe duty
hesepreciousmeta lswere importedforco inage
asetheV enetiansw ouldpay thesamedutyas
yenough thispointis repeatedlymadein
rantedtotheV enetiansbyH etoumI in1245
L e v on I I I i n1 0 7 a nd L e vo nI V i n1 2 1. T hi s
attheV enetiansstruckgoldcoinsin
ir e p p. I O 4 I o 8.
i re p p . I o — 1 1 2 .
ir e p p. I 4 , 1 51 1 5 , 1 67 1 68 1 82 — 1 84 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
ruck inA cre inim itationofA rabco ins. These
beendifferentiatedfromsimilarcoinsstruck
ossiblythe“ bissanciossarracinales
nedonnumerousoccasionsinnotarialactsof
coins.
heGenoesewererenewedin 1215 with
especiallywithrespecttotheirholdings in
esewerepermittedtotradewithinthe
uties therewerefourstrategicallylocated
mwhichmaintainedtheright toimpose
entof thek ing sregulations. Thebaronsw hoheld
as:H etoumofTabaria AdomofGaston
andL evonofGaban. The identityofHetoum
ofTabariaarenotk now ndef inite ly . Tabaria
sof Tarbas nearthepassofGouglag
sintothe sultanateofK onya.Tabariawas
8 andismentionedagainin1210byL evonI
ospitallers. Theforto fGaston(A rmenian
uatedj ustnorthofA ntiochandcommandedthe
goswasthewell-knownportfacingCyprus
dewith K onya.Gabanwasanother
Marash situatedonthetraderoutestoand
rtheast. I t isobv iousthatthebarons
sitionsen oyedconsiderableautonomy even
gcommerce. L evon spromisetoe liminate
sedistrictsas soonashecouldindicated
shedabsolutecontrolinhisnewlyformed
documentshavebeenfoundlistingthe
Armenianportsduringthese earlyyears.
ousthatboththeV enetiansandtheGenoese
esincetheytook greatpainstohavetheir
4 -5 4 .
i re 1 2 6 1 2 8.
e s D o c . Ar m n ie ns I , x c v i i p . 6 7 .
e s D o c . Ar m n i en s I , p . 6 7 L a n gl o is C a rt u la i re
e s D o c . Ar m n i en s I , p . 1 71 .
es D o c . Ar m n ie ns I , x x v p . 48 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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245 HetoumandZ abelrenewedtheprivileges
ns w honow hadho ldingsinA yasasw ellas
68whichthreatenedtoendthe amicable
entheArmeniansandtheGenoese.The
chettodeGrimaldi f o llow inganargumentw ith
Gorigos se i edtheshipby force . Thega lley
erchandiseandtheownersprotestedto
restitution.Thekingthereuponseveredrelations
allprivilegesuntil thein uredpartieswere
sentenvoystosettlethematter andfinally
dw iththeGenoesedelegate J . P a lav icino
ettledforthesumof22 7 7A rmenian
os. TheArmenianbesantswerethetrams
n d th e c ha r at o s ” t h e co p pe r c oi n s ( k a r de o f
natethatthe materialsandtheirvaluesare
documents.
netianswererenewedin1271byL evonI I ,
tthistimethe V enetianshadaconsulor
terests.
creasinglyimportantasatrading center.
osetoutfromA yas onhisfamousvoyages. He
primeport foralltypesof spices.
o f thee tensivetradingactivit iesof the
.Thenotarialacts ofAyas asreportedby
lightonthissub ect. Theacts coveringmainly
7 mentionthecommercia lactiv it iesof the
ndothers. Theygive informationonthee istence
nicknights apierbelongingtothe Templar
gtotheHospita llers etc. Thesedocuments
nthattheymentionthevariouscurrencies
ir e p p. I 4 – 1 45 .
i re 1 4 – 1 5 1 D e s i m on i p . 4 41 l i st s i nd i vi d ua l p ay -
menianforcharatos.
, p p. 74 7 7.
i re p p . 15 - 1 5 .
u l th ie r I , p p . 15 1 8 3 4 .
4 -5 4 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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nA rmenia
their e uivalentvalues.TheE nglishtrans-
ts arefoundinarecent publication.
L evonI I renew edthepriv ilegesgrantedto
cument w ehaveane tensive listo fmateria ls
thedutiespa idforthem andotherre levant
hetradingactivitiesofthe Genoese.The
cientinterestto bepresentedhereinits
origina lA rmenianandL atinversions a long
on aregivenbyL anglois.
S ACCO R D E D T O TH E G NO E S B Y L E V O N I I ,
, 1288
ther theSon andtheHolyGhost A men. Thisis
der the invariabledecreeofL evon trueservant
aceandmercy k ingofa lltheA rmenians w hichwe
noese w homGodpreserve uponthere uesto f
d thehonorableconsulo f theGenoese onthis
dictiZ acarie theperfectandtrustedfriendofour
erchantswillbetreatedasfollows:in allthe
thedutiesandta espa idw illbethesameasin
otherw ise indicated formateria lsw hichareso ldon
ent orathome i. e . theywillpayonly the
w inew hichtheyse ll inbarre lsorinj ugs ortheo il
o rj arsw ithoutw eighing theyw illnotpayany
ofonetramperbarrel. F orslavespurchasedinour
omourcountry formerlyonpaymentofduty
yanyduty butiftheypurchaseChristian
tthe slaveswillnotbesold toMoslemsorto
se llthemtoMoslems. Onlumber forw hich
de p e r ba r o u na g 4 k a rd e p e r fi l ak h 1 k ar d e
onepercent thesedutiesaremaintainedw iththe
rcent. Onw heatandbarleywhichthey imported
of fourpercentincludingthebroker scommission
urpercent butthebrok er scommissionismain-
noutofour country forwhichtheywerepaying
stauratos oneachhorseormule f ivenew tramsper
msandonek arde perheadofcattle fourk arde
arde forabuf fa lohide andsi k arde foracattle
erpayanyduties norw illtheypayduty forpoultry
akenoutofthecountry.Theanchorageta of
mo nd p p. 1 71 2 24 .
i re p p . 15 4 1 6 0.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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smast w hichtheypa idattheestuaryofour
ncattlew hichtheybuy theyaretopaynoduty
Onironw hichtheybuy theyw illpaybutoneper
faship theywillpayha lfanew tramperload. I f
seare stolen andthegoodsrecovered irrespec-
thieves therewillnotbe achargeofa third
ods.Themerchantswhoreceivegoods andare
andregistertheirbelongings willnolongerbe
ases tomark them ortoregisterthe irbe longings.
antarrives andit isnotk now nw hetherhe is
enoese theconsulandhis assistantswilldecide
he sonofaGenoese.Theconsulwill thensend
thecustomshouseinorderto liberatehimand
nameofthe consulandhiswitnesses sothat
ntwill nothavetobeheld untilonegoestothe
thispermissiontothecaptainof theport.I fa
ourofficerswillnothave therighttolay hands
thecommune( ofGenoa w illobta initanddispose
forpassagebetw eenA yasandGouglagisfi ed
camelload ofsilkwillbe charged25newtrams
sforacamelload. Onindigoandbotanica ls w ith
r gingerandbra ilw ood theyw illpay25new trams
new tramsforamule load and16new tramsfora
r gingerandbra ilw ood 20new tramsforacamel
f romF rance bethey f ineorcoarsemateria l o ra ll
theyaretopay20new tramspercamelload andfor
pay 20newtramsfora camelload theyareto
uleloadand12 newtramsforadonkeyload.F or
ur y c o ra l l e ad c o pp e r a n d ot h er s t h ey a r e to p a y
oad 12foramule load and9 new tramsfora
I onew tramsforacamelload 8foramule load
ndf romthismomenton andinthefuture may
oya lpower behegreatorsmall havetheaudacity
ublimeordinance ortocauseanyve ationsto
mayGodprotectit bye actingotherta esor
ngshallremainaswehaveordained.I tisfor
cordedour royalandsublimeordinance our
ordertogive itmoreauthority w ehavesea ledit
e intheyear7 7of theA rmenianera theyear2
rdofDecember. May thisordinancebeconf irmed
w asw rittenby theeffortso f thechancello rHetoum
of theholykingwhohasgrantedthis privilege.
ourk ingdompossesseshereditarygoods be itf rom
k ingdom andifhediesw ithoutaw illo rhered-
goods w iththee ceptionofhereditarypossessions
andthelatterwillrevert toourdomain.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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menia
eirpart werebecomingincreasinglyactivein
entsofV enicecoveringtheperiod from
tiveof thisfact. There ismentionofaba ilo f
74tosuperviseandprotectthe interestof
itappearsthattherew asaV enetianba il in
tl t he e n d of t h e ki n gd o m. I n 1 0 – 1 0 4 a n
eatenedtodisruptthe commercialrelations
. F orsomeunk now nreason theV enetians
fortof Ayasandpillagedit.I nretaliation
heprivilegesgrantedtothe V enetians
negotiationsbeforethematterwas
ionwasmadebythe V enetiansforthe
ymentsforthegoodsconfiscatedare
tdated1 07. Thisdocumentw rittenin
ficientinterest tobepresentedherein its
M D F O R D A MA G S I N CU R R E D B Y T H E W E N T ANS
hichw ererece ivedf romhimby
efortheV enetiangalleys18 5 5trams
he chestlevelreceivedfrom
bove-mentionedshipsofthe
.. . I O O t r am s
... ...50 trams
. . . . . . . I 5trams
... .... .40trams
. . . . . . . . 20trams
... .... .45trams
. . I 5trams
. . . . . . . . . I 50trams
sim ilartocuirass . . . . 200trams
. . . . . . . 460trams
s
SenutoandP aulMaureceni
o f theabove-mentionedgalleysand
ysentto theking.. .6757trams
e n et o v o l s . I , I I .
i re p p . 17 0 1 7 5.
usly innew trams andnottheoldtramsofL evonI
w hichwereheav ierandofhighersilvercontent.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ereceivedorstolenfrom theinhabitantsoftheroyal
ionedgalleys:
annamedR ita . . . . . 8trams
. . . 3 0 0 t r am s
. . . . . . . . 77trams
. . I 5 t r a m s
. . . . . . 8trams
. . . . . . . . . . . I 5 t r a m s
oss. . . . . . . . 5trams
tw elvepa irso fhose. . . 24trams
.... .... .2trams
. . . . . I O trams
. . . . . . I O trams
el. - - - -7trams
6 trams
.. .... 3 trams
eivedfromGeorgioGuardiani:
200trams
t. . . . . . . . . I 5trams
nt . . . . . . . . . 5trams
. . . . . . . . . 2trams
ilk robe. . . . . . . . 20trams
6 trams
15trams
k . . . . . . . . . 2trams
. . 6trams
. . . . . . . 5trams
silk floss. . . . . . . I 2trams
. . . . . . . . . 2 t ra m s
. . . . . . 20trams
. . . . . 4trams
. . . . . . . . . 6 trams
ivedfromoneby thenameTrosJ ohaim:
58trams
mantle . . . . . . . . 50trams
s .... .... 50trams
. . . . I 2trams
. . . . . 20trams
. 8trams
. . . . . . . 50trams
dal- - - - -20trams
oapursecontaininga sumofnon-Armeniancoins.
toftengivesincorrecttotals.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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a
ivedorrobbed fromTherosP aidarbythe
26otrams
... .... 20trams
. . . . . I t r am s
oseshoes. . . . . . 3 0trams
es. .... ..22 trams
ves. . . . . . . . 2trams
. .. . I t r am
. . . 2trams
s
ivedfromStephenCasseriby theabove-
srobe onewoman s.. ..I I O trams
.. .... 9 0trams
. . . . . . . . 80trams
. . . . . . . . . 15trams
ivedfromGregorioGa arbythegalleys:
urse . . . . . . . . 3 0trams
. . . . . . . 5 trams
. . . . . 40trams
.40trams
. . . 20trams
. .. . . 8 t r am s
riniSignuoliwe agreewith
ensio f thesumof . . . . . 15oootrams
ndabytheoftmentionedgalleys:
. 6 O t r am s
.3 0trams
... .24trams
. .... 40trams
fgo ldthread. . . . . . . 48trams
- - - I t r am s
.. 24trams
thenest. . . . . . 2O trams
.... .... .3 0trams
n sshirt. . . . . . . 3 0trams
.... ...20 trams
.... ...16 trams
e l s . . . . . . . . . I O t r am s
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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k ey .
- -
otgarment
bove-mentionedgalleys:
nto fA rgenta :
-
ecklaces
m
--
e a e .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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a
L ordofGaban brotherof thekingthroughhis
edmaterial.
es .* --
. . . .
hsbank
sshirt
daco:
ans:
- -
hose. . . . . . . .
r:
neS uireTheroso J anni
orthis onewhitecoverlet
mentofcamelot oneboy sshirt
copperconta iner andonewooden
stooneS uireA verta a
meConstantinoV assarabam
pplies. - - - - -
meMessorH aurannifor
T H E D E B T SO F P A NTA E . O N U S
estheaforementionedMessori
. . . . . . .
ephewofSirMarciGuillelmo
ow esthew ifeofB onasere
husGuillelmoowesfora
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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7
parationshadbeenmadethatL evonI I I
gesoftheV enetians.
tianswerenottheonlynationscarryingon
enia . A snotedabove theP isansw erecompen-
erchantsofMontpellierwerepermittedto
paymentofdutiesamountingtotwopercent
w asrenew edbyL evonI V in1 21. A
tedtotheSiciliansin1 3 3 . E arlierrecords
andmerchantsfromMarseilletradingin
antedtotheV enetiansonMarch1 1 21
blishmentsinall theprincipalcities:Sis
arsusandA yas. I tw asaga instipulatedthata
ciousmetalsimportedbytheV enetians
usedforstrikingcoins.Theduty wasatthe
. F urthermore inthiscase L evonwanted
thecountryfortheroyalmint. L evon
takvorinsinordertopaythe heavyin-
heE gyptians.
lactivitiesonthe onehand andthe
alsituationin Armeniaontheotherhand
derstandingstoarisebetweentheV enetians
dstrainedtheiramicablerelations.The
fmistreatment abuseof the irpriv ileges and
cia lsinprotectingV enetianinterests. The
onI V , w asan ioustoencouragecommercia l
ismain sourceofincome andenabledhim
demandedby theEgyptians. I tw asnot
thatfullsatisfactionwasgiventothedemands
e irpriv ilegesreaff irmedande tended. I na
w ritteninL atinw hichisgivenbelow inits
enotethescopeofactiv itiesof theV enetians.
i re p p . 18 5 1 0 .
i re p p . 16 – 1 6 4.
ir e p p. 1 80 1 81 M as L a t r ie I I . 1 18 1 22 .
m en o- V e ne to I I , p . I I . H a y -V e n e d p . 10 .
i re p p . 1 1 - 1 2 .
ir e p p. 1 3 – 1 4 M as L a t ri e I I I , p .7 26 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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menia
t he r S o n a n d H o l y Gh o st A m en . L e v o n b y t he
p K ingofa lltheArmenians pow erfulandsub-
milyofR oupen sonofOshin k ingof theA r-
restingunderChrist.W ithrespecttothe petitions
atandgloriousDoge SirF rancisD ando lo andthe
throughthehonorablemediaryandfaithfulam-
appo intedtoourroya lma esty tow it Sir
egrantthesepetit ionstoa llV enetiansandthe irde-
e rightsandprivilegeswhichwehavepreviously
ntsealedwiththegolden seal inthesame
rmthesenewgrantsto themwhichtheyhave
esty .
fV eniceandthe irdescendantsbea llow ed w ith
to remainin andretire f romourcountry w hich
houtanyharmorhurt.
etiansandthe irdescendantsf romV enetianterri-
B lack Sea C oron Modon andtheirotherterritories
dshouldbetreatedinaccordancewiththe con-
rivileges.
enetiansw homanufacturegarmentsofcamelha ir
ns w ee tendtothemthefo llow ingpriv ilege
thatwhattheyortheir descendantsproducebe
ctionsconcernthe irtrades andnoonesha lldo
etiansw homanageanestablishmentforthesa leof
sha llno longerpay thatta w hichourof f icia ls
mely onetakvorinweek ly butif theysha llnotse ll
easuresand shallconstructmeasuresthatare
officialsshallhavethepowerto finethemaccording
se buttheyshallbringno greaterharmnorhurt
nsshoulddealandtransportwineorunfermented
w hasbeenrescindedw hereby theypayonenew tram
asbeengrantedfor wearemostgraciousto them.
aveunderthatlaw inthecityofTarsusforthe
oad andthetraf f icintannedhides sha llbesim ilar
forw earemostgracioustothem.
etiansofV eniceandthe irdescendantsbeabletobuy
rother merchandisewhatsoeveroutsideofour
cewithwhatwehavegrantedto themintheother
especttothatlaw whereby theygaveameasureof
llnolongerdo soforweare mostgracioustothem.
hisstatementthatthecityofTarsusatthist imehada
proper.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ansshouldnotbeforcedbyourof f icia lsw ithrespect
ndsalt noranythinge lse norsha lltheymake
ns.
o f thegoodsof theV enetiansandthethiefbefound
ntoourcourtsandimprisoned thesto lengoods
owner butthethiefshallremainto fulfillthe
urcourt. I f anyofourpeopleorsub ectsshallbe
netians e itherthroughadebtproperorasaguar-
ldfreehimselfofhis debtandrepaywhenhewill
above-mentionedV enetiansshallbeesteemedhonored
andpropertybyour royalma estyandour
w andverily nooneshallhavethepow erf romour
theprivilegesinrespectto greatorsmallmatters
buttheyshallremainfirmand ratifiedinparticular
creedabovewithoutcontradictionorresistance
rmationof theaboveweaf f i andsealw iththe
sty . GrantedintheyearofourL ord1 3 3 , and
gof theA rmenians theyear782 tenthday
underthechancellorshipofthehonorable
g of a l l th e A rm e ni a ns
naddressedtotheV enetiansin1 41 ”
edthathehadforcedtheSaracenslivinginA rmenia
andthatthesultanofE gyptdemandedpay -
hissub ects ho ldingL evonresponsible for
ansalso.F earfulofrenewedinvasionsbythe
npaidtheEgyptiansthesumof27 oootak-
6 oootakvorinsw ereowedby theV enetians
menians.
rparto f thee istenceof theA rmenian
rancescodiB a lducciP ego lott i o f thepower-
houseofSocietasB ardorum w rotee tensive ly
esofthe Mediterraneancountriesincluding
vesa clearpictureofcommercein
urrencyused.I tisreproducedherein its
ir e p p. 1 6 1 8 .
– 6 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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menia
istosay A yasofA rmenia isw hereagreatdeal
useit isonthesea andmerchantsfrommany
ga r c i nn a mo n i n ce n se b r a i l wo o d l a c c o tt o n a n d
copperandtin area llso ldinA yasinruoto li one
5occhia and33 ruotolistoonecatarsofA rmenia .
soldin occhia 12occhiabeingcountedas one
asthemarketocchia.
d50 pesiiscountedas onemarsofArmenia.
w hichise ua lto50pesi.
tofmarchioand40weightsare neededtogive
reso ldby thehundredcannes andtheprices
enars tentakvorinsbeingonebesant.
hairareso ldinruoto li oneruoto libe ing15occhias.
rmenia ingrossmoggio andmar apanni and
dmar apanni onemoggiobe ingI omar apanni.
chiawhichweighs11o direms.
asit is.
iscountedI osilvertakvorins thetakvorin
andthedenar 4poghs.
A D B Y TH E AR M N ANM NTF O R AMAR SO F S L V E R
I I 4 t a kv o ri n s an d I d e na r .
lo fV enice 11 tak vorinsandI denar.
o ss i I I t a kv o ri n s.
I I o tak vorinsand5denars.
at i s t o sa y B u e n m in i I I o t a kv o ri n s an d 2 d em a rs .
tak vorinsand5denars.
ea lo fGenoa I o tak vorinsand5denars.
ea lo fV enice I o tak vorinsand5denars.
y I o takvorinsand5denars.
changedP ego lott i sspe ll ingofw eightsandmeasures.
nicewassomewhatlessthan3 20grams( seeGui-
1 3 , 4 0 2 4 5 0 . O n t h i s b as i s s i nc e o ne r u ot o li w a s e u a l
enice( seebelow thew eightof ruoto liw asabout
sof Armenia21 .180kilograms.Theocchiaat
b ou t 4 0 g r am s .
ce( seeGuilhiermo p. 447 w asabout240grams. Since
enicew ase ua lto I o f f .5marcofsilvero fA rmenia the
about225grams andthepesiabout4.5grams.
. 377givesthe lengthofacanneasbeinge ua lto
saf igureof12 . 407litersforamoggio .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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asilver coinwhichiscalled takvorin( tac-
ns8f ineouncesofsilverperpound and91 tak vorins
O N SA E O F GO O D S I NAR M N A
enetiansarefreeofduty asaretheSicilians
sbroughtinortak enout w iththee ceptionof
andtheypayonepercent oftheweight.
iisfree andpaysnothingthroughouttheking-
ginnorontak ingoutgoods w ithouttroubleor
nesoranyotherpersonsof whateverlanguageor
oppositiontotheC ompagniae ceptw henthefault
portingthis there isapriv ilege w iththego lden
enians grantedinArmeniaonthetenth day
r i n t he y e ar o f o ur S a vi o r 1 3 5 .
agnia F rancescoB alduccisucceededinre-
Cyprusinthe serviceoftheCompagnia.
ntofthevalueof thegoodse portedorimported.
z iofF loren e theCatalans andtheP rovencals
ande ports.
nimportsande ports.
F W E I G H TS AN D M A SU R E S O F A R M N A
F O T H E R C O U NTR I E S AND P R I MAR I L Y W I T H V E N C
A rmenia ise changedw ith20subtlepoundsand
. 4 ruotolio f cottoninA rmeniaaree ua lto9 subtle
eocchiaofsilk orf inespicesofA rmenia isthee uiv -
and4ouncesof V enice.Grossthousandmeasure
ce is76or78ruoto li inA rmenia or20. 5catarsofA r-
ero fV enice is106.5marsofA rmenia . 315V enetian
a lI oocanneofA rmenia . I I subtlepoundsofV enice
dsofA yasinA rmenia .
terialsbroughttoArmeniafromV eniceor
a inshipsof theC ommuneofV enice areatthe
osste tilesandlinens onaba leof350peso
echarge is6silverso ldigrossio fV enice. F orf ine
hecharge is6so ldigrossiforaba lew eighing260pounds
er t in andiron—6so ldigrossiforamiglia ogrosso
percent.
orsim ilararticles—3 percentpercase. A ll
if o rasubtlemiglia o . C otton-1 so ldigrossiper
tinanarmed galleyand1.5percentin amer-
persubtlemiglia o .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
rmenia ise ua lto20Genoesepounds. F ive
eweightis e ualinArmeniato 5mars.7.5ruotoli
Genoesecatar.
mparativevalueswithvariouscities
gNimes Montpe ll ie r Ma orca Sev ille in
a nd e rs L o n do n A p ul i a M e ss i na i n S ic i ly S i va s
amagusta inC yprus etc.
actedwasconsiderable.I ntheyear1 12
ysw rotethat27or28V enetianmerchants
ntingto400 000newtrams.
ltanofEgyptcapturedanddestroyedA yas. He
uction providedtheArmenianspaidan
00 oootakvorins w ithanaddit iona lI oo 000
ttheArmenianswereable topaysucha
tributeddirectlytothe revenuesderived
Crusaderprincipalities theE gyptians
rattacksagainsttheArmeniankingdom.
agedtwiceas earlyas1266and1275.I t
nddestroyedin1 22byNasirMohammedof
uingpeace theportw asrebuilt buttheSultan
structionofthe seafortwhichprotected
turedagainanddestroyedin1 3 7. This
wouldnotevenpermittherebuildingof thewalls
itto themercyof theenemy . F ina lly in1 47
theMamluksandthereafterremainedin
ter thisdate theArmeniankingdomwas
ecameland-lockedterritory.Theenormous
twocenturiesended andtheseaportsof
importanceininternationalcommerce.
p . 3 8 6 .
p . 3 9 0 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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M SU S D F O R V A R I O U S CO I NS
penianperiodhasbeenbestcoveredin
l is h an ” B a s m a d i a n a n d Si b il i an . T h e fi r st
elengthon thenamesgiventoArmenian
ytheychosetolist thenamesgiventogold
ancienttimes therebyleadingthereader
salsoapplied toR oupeniancoins.Much
mthisandan attemptwillbemadehere
ststhenamesgivento gold silverand
s mentionedabove:
pperCoinsU ncertain
an , " Tank , * Taccolinil
eg an s bi da g K a r d e * , * B i s s an ci os
Tram1 2 3 Tenar2 3 stauratos
t ra m H a l f- tr am
P o g h l * , *
m
smentionedintheprevioussection theR oupenians
coinsforcirculationbutmerelystruck a
istributionon specialoccasions.Thenames
therefore couldnotrefertothefew gold
upenians.
e l A r m n i e au M o ye n A ge P a r is 1 8 55 p p . 9 - 1 5.
p p . 3 7 8 - 8 6 .
um . G n r al e de l A rm n ie ( i n Ar me ni an , p p . 1 4 -1 5
ionofR oupenianC oins V ienna 18 2.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
v " bull/ , denarius wasthenameusuallygivento
es.Theword8mV á ptovwastranslatedfrom
hegan andnumerousinstancesof theuseof
elisted byAvkerian. O noneoccasion
d andtenarw ereusedinterchangeably .
11. 7 besant w asthenamecommonlyusedinthe
ngtheMiddleAges. When accompaniedby
tedthego ldco insof theA rabsorB y antium.
containnumerousreferencestoinstances
ypeswereusedin commercialtransactions.
ssantiosquadragintaduossarracina lesadiustum
ssantiosducentosveteresauriB abiloniebones et
ponderisadgenera lepondusterreE gypti ” “ bis-
etdimidiumsarracinalesAcconisadgene-
r“ bissantiosquadragintosquin uaginta
ov MlAbill , denarius wasameasureofweight
silverco in. Shiragat i w rit ingintheseventh
eganwasthenamegivento asilverorgold
sreferencesofearlytimes whereitdenoted
s nmorerecenttimes( A . D. 9 72 , Matthew
hat“ A rabgoldof3 0 000tahegansw astak en
40 000tahegansofA rabgo ld.
l / U ' h / ) o f c o u rs e r ef e rs t o t he c o lo r o f th e c oi n
dThus Smpad mentionsthat500garmir
t ionofMaw d d. I t isinterestingtonote
hesameevent( intheyear111 Matthew
t500tahegansw erepaid. V artan mentionsthat
aybarsI a l-B unduk d ri invadedC iliciaand
repared capturedandsackedthecity of
edtheroyaltreasuryandfounda container
rmir. Unfortunate ly V artandoesnotmak eclear
adinmind. I nanycase itrepresenteda
7 4 .
4 -5 4 .
1 8 6 , p p . 9 , 2 6 1 8 1 3 6 , 4 1 0 .
5 6 E d it io n of V e n ic e .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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Samuelo fA ni speak sof I oootahegan
thefatherofSa ladin sa idhissonw illgiveto
birthofamalechild. I nthechronicles
ofKingO shinofC il icianA rmenia " it is
1260 theTurkomanscapturedthelord
f r20 000garmir. Thiseventhasa lsobeen
e. I t isthusseenthattheterm“ garmir
oldcoinwhichthewriter hadinmind and
edabove itreferredtoa foreigngoldcoin.
beenfoundincontemporaryliterature
aR oupeniancoin.
R A T w i ll b e d is c us s ed u n de r s il v er c o in s .
R A C N AT D ' A R M N E . T h e nu me ro us n ot ar ia l ac ts
yas mak efre uentmentionof thisco in
arracinatio fA cre Tripoli Sy ria E gypt
of transactionsinvolvinghundredsand
sanciosarracinatid A rmenie itw ouldseem
thetypeissuedby theCrusadersinthe
someof thego ldco insascribedtotheC rusaders
y theV enetians asindicatedinthepriv i-
eniank ingsintheyears1201 1245 1271
enetianstherightto issuecoinsonthesame
inthe irco inageinA cre . A sreportedbySchlum-
asimilaropinion. Unfortunately ithasnotyet
ansofidentifyingthegoldbissanciosar-
nd differentiatingthemfromtheother
writingstruck bytheCrusadersinseveral
actsof Ayasindicatethatthevalueof the
ntwasin1274ten sousorhalfa Genoese
nineandahalf sous. Sincethesebesantsw ereof
andstruck by theV enetians theyarecon-
eof thiswork.
sg i po ol f ll /i h R / R L i s li st ed b yB a s ma d i an a s on e
dco ins. I t isprobablyanamegivento
H . C . D o c u me n ts A r m n i en s I , p . 4 5 .
, p . 82 v ol . I I , p . 71 .
ch i ve s d e l O r i e n t L a t i n p . 6 77 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
tunfortunate lyB asmad iandoesnotgivethe
Ns. Theseareof fargreaterimportancethanthego ld
sincetheyconstitutedthebackboneof
trade.
G AN o r T N A R ( G re ek : 8n v p to v L a ti n: d en ar iu s .
sinceanti uityforthesilvercoins currently
ve A naniaShiragat i " w rit inginthe
heganandtenarwereidentical andwere
ofweightorameasureof coinage.Although
goldcoins especiallywhenwrittenasgold
theyweremuchmoreoftenusedforsilver
sla tions theGreek 8nvoptov isa lw aystrans-
occasionallythewordtenarwas usedinter-
D uringthetimeofthe Crusadersand
ofthecoinageofCilician Armenia tahegan
s Matthew ofEdessa sa idthatthroughthe
asil theA rmenianprince there leaseof
ossiblebypaymentof thesumof I oo oootahe-
ds. ThissumisgivenasI oo ooodinarsby
as b e sa n ts b y R u n c im an ” pi c e s d o r b y Gr o us s et ”
in s o f Mi c ha e l V I D u c a s o f B y a n ti u m b y
herinstance B a ldwin sre leasew asobta inedfor
hegans. A notherw riter givesthef igureas
rtan w rotethatw henSaladdincaptured
ttedeachmantobuyhisf reedomforthesumof
oman f ivetahegans. Smpad inhisC hronicle
ntwishingtoleavewasto payoneE gyptian
wishedtoremainwere assessedonered
givesthef iguresastendinarsforaman f ivefor
p p. 3 3 – 3 6 6 10 — 61 2.
.I I , p .3 8 .
, p . 3 9 8 .
1 4 .
p. 172.
, p .2 4 .
p . 1 5 .
5 6 p p . 1 9 – 2 00 .
I I , p . 46 5.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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hld w hileGrousset q uotingE racles
e paidwastenbesantsperman fiveper
ild. I bna l-A thir givesthef iguresindinars—
men andtw oforchildren w hileanA rmenian
ansformenandfive forwomen.
orC hronicle thew ord“tahegan occursin
ntly referringtosilverco insincirculationatdif-
tleastoneinstance threedifferentdocuments
tionusingeither thetermstaheganor
arthattaheganwasthe namegivento
r thantothesilver R oupeniancoins.The
wnastrams.
AGorSB I D AG.Sbidagmeanswhite andtahegan
vertahegan asdifferentiatedfromtahegan
mesoneof thew ordsw asomitted andprices
f tahegan vosgiorsbidag( the lattero f ten
b. . I ntheyears1256—1260 tahegan tram
thesamew riterindiscrim inate ly a ll
ametypeofsilvercoin.E venearlier in
w asusedforasilverco in. I nK hachigyan s
ophons thewordsbidagismentionednoless
erallyforcoinageotherthanR oupenian.
cameintomorecommonuse inlaterperiods
ly inf if teenth si teenthandseventeenth
enotethesilverco inageof thew riter sparticular
rmenia A siaMinorortheC rimea.
uh L atindrachma wasanotherwordusedfor
rchangeablyw ithtaheganorsbidag. I t is
I , p .8 1 .
p .9 1 .
7 01 .
1 5 .
, 1 5 1 4 , 3 4 6 3 8 1 3 9 8 .
.
4 2 - 4 .
ic o s p . 8 8 .
11 .
6 , 4 76 4 7 5 28 5 70 5 77 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
ramwasusedmoreoften duringthe
anuscriptsw ritteninC il icia . How ever V artan
asumof300 000tramsintheyear1045.
ourteenthC enturyCo lophons tramismentioned
signif icantthatL evon spaymentof tribute
0 000tramsratherthanas tahegansor
mo s n ov o s a n d O L D T R A M s ( d a re mo s v et e re w e re
ccasionsbyGenoesenotariesin1274-127 .
ere usedtorefertocoins incirculation
R oupeniansilvercoinswerecalledtrams.
onI andH etoumI , beingheavierandhaving
wereworthmoreandwereknownasdaremos
romtheco inageofLevonI w hichhada
i k u M l l / w er e c oi n s ha v in g h al f t he w e ig h t an d h al f
( b / I ' l / l l/ w er e is su ed o nl y by L e v on I a nd h ad
of thetrams.
A T o r S TA U R A T S ha v eb e en d i sc u ss e d at s o me
Thew ord staurat meaningcross re ferred
thesilverco insofL evonI andHetoumI .
therefore werethesilverbesantsortrams of
/lh/m/ F ) werethedebasedsilvercoinsissued
eR oupeniandynastyandwillbediscussed
N S — TA N , T N AR o rK A R D E Z , a nd P O G H . T he se co in s
er detail.
g obolus ' N R ) inancienttimeswasa measureof
eofaco in. Shiragat i statesthatsi tanks
The wordtankoftenappearsintheArmenian
Therewerebothsilverandgold tanks.
z apparentlyreferredtothemedium-si edcopper
ghthetenarordenar wasusuallythesilver
y p . 1 0 1.
2 5 .
nd es Am so ry a L X X I I I , 1 5 , p p. 24 1- 24 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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copperco in. Thus P ego lott i statesclearly
vorin , w asw orthtendenars. Therefore the
wasthecopper coinusedinArmeniaaround
edabout1260usethew ordk arde forthecopper
g f ol li s b / ' l w as u se d in a nc ie nt t im es a s ag en er al
ins. WhenP ego lott i statedthatonedenar
mayhavemeantthatonelarge coppercoin
r s ma l l co p pe r s of O s h i n L e v on I o r L e v o n V .
– 6 0.
p . 6 1.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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F TH E R O U P E N ANS
iliciaissuedliterally millionsofsilver
hichabouttwelvethousandcannowbefound
collections. I naddition tengo ldco insare in
onedinthecorpus. Therearealsorecordsof
eenlostor destroyed.
sstruck duringthisperiodareas follows:
i f l l/ i h . T h e te n g ol d c oi n s in e i s te n ce t o da y
silvercoins ofthisdynasty.F orwantofa
implycalledvosgi orgo ld. Certa inpecu-
mmonvariationsin weight coupledwith
urvived haveledthewriterto believethat
rc ulationbutratherasgifts whichwere
sions.
N s . Ap p ro i m at e ly t wo t h ir d s of t h e R o u pe n ia n c oi n s
silver andtheseconstitutethemostim-
rtionofthec oinageofthisperiod.
nvenientlydividedintoseveralclasses:
tr am , b / ' M l l/
e ss y e rg t ra m ' i k u b/ I ' l f l l / b
a r or t y er g tr a m R U / k m / b / I ' M l l / £ o n I
m an t ra m 0 0 l/ l l , ' M l l/
ramissuedbyH etoumI
M ll/ , alsoknownas“ besantstaurat issuedby
m I
m , t h u M l l /
u / l/ ? / l l lf i s su e d by L e v on I I
/m/ F ) silvercoinageofallkingsafter L evonI I
vonI inA ntioch(bearingL atincharacters , and
etoumI I .
mallerdenominationsconstituteadistinct
omtheusualco inageofL evonI . Thesecoins
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ans5
dwereissuedfora shorttimeonly probably
sweregivenin ordertodistinguishthem
althoughthehalfdoubletramis actually
ter aha lf -tram.
ueinits designsinceitis theonlycoin
famonarch.I tisnoteworthythatno half-
n foundasyet.
etoumI areratherrareandon oneside
n recognitionofthenominalsu erainty
onya. B il ingua lha lf- tramsarevery rare .
andH etoumI arethecommonesttypesof
dynasty.O verhalfofthesilver coinsin
sclass. A cursorye aminationof tramsw ill
nantcrossononesideof thecoin. I n
thecrossisf lankedby tw olionsrampant
ofHetoumI show thecrosshe ldby thek ing
contemporarywritersreferredtothetram
rthebesantw ithacross anda lso“daremos
thusdifferentia tingitf romthelatersilverco ins
sting commercialprivilegesgrantedtothe
in1288discloses thattheduty fore portinga
which wastranslatedinthecon-
as“ bissanciosstauratos ” adonk ey—f ivenew
enew tramsandonekarde , asheep—fourk arde .
ainsthatthedutyfor pepper gingerand
bythe weightcarriedbytheanimal.The
enasnineteennewtrams andforadonkey
ms therebyestablishingadegreeof relative
eys.O bviously fourstauratswereworth
newtrams.I twillbeseen belowthatthe
sorstauratsofLevonI andHetoumI w as
fivenewtramsaround1288.O necan
methatthe“ besantstaurat wasthetram
ou m I .
SM us eu m No te s V I I , 1 5 7 p p .2 1 – 2 0 . P l . X X X .
i re p . 1 54 .
nd es Am so ry a L X X I I I , 1 5 , p p. 24 1- 24 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
eenpu z ledandmisledby themarriage
of H e t o u m I , E u p he m ia t o J u l ia n t h e L o r d
nthiscontract itw asstipulatedthatHetoum
ty-fivethousand“ besanssarra inasau
hichthek ingwastopayseventeenthousand
lpoisd A cre ceq uenosauronsesoq uiremendra
r soea irequiq uatrebesansdenosstauratpor
H ere it ismadeclearthatonego ldbesantof
de ua lto fourof thek ing sstaurats. The
tthreegramsandcontainedabout 65per
gold. Sincetherelativevalueofgold tosilver
hosedays it isapparentthatthego ld
uttwentygramsofsilver. Thesilvertramsof
about2. 5gramsofsilver. Hence itw ouldtak e
ratstoe ua lago ldbesant. Thisirregularityhas
dA lishan tosupposethatthestauratw asa
oravery largesilverco in. I t istheopinion
kemayhavebeenmadeincopyingthe
ffortstoobtaina photostatcopyofthisdocu-
rthatHetoum hav ingpromisedadowryof
hadstipulatedthatpartof thissumw astobepa id
spergo ldofA cre. I t isobv iousthatthe
w asaverycommonsilvercoinusedinlargenumbers
uedbyH etoumwasthecommontram.
notuncommonanditis notnecessaryto
daninternationa lrateofe change. I t is
atthetramofL evonI andHetoumI is
vetere asdistinctf romthenew tram“ da-
o n I I .
r e p . 1 46 .
etypeSchlumberger P l. V , No. 24 w asgiventopublic
ty - fivepercentgo ldincontent. I t isinteresting
agewasobtainedby takingthespecificgravity
thatthemetalwasa mi tureofgoldandsilver.
8 V o l .I .
ma ti u e de l A rm n ie a um oy en ä g e p p. 1 2 1 .
p p. 3 8 2 3 8 . S ee a ls o D e si mo ni p . 52 6 L X I .
ousinstanceswherethe termsdaremosvetere daremos
ratosarementionedincommercialtransactions.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ans5
eweightandvalueof thetramsand
type.While manytramsareofbarbaric
eyweremanufacturedcarelesslyunderpres-
eusuallyofgooddesignandworkmanship.
ein anyq uantityandfewhavesurvived.
req uitescarce.
lyacoin ofL evonI I ( 1270 128 ) since
edindocumentswrittenduringhisreign.
enceindicatingthe gradualdebasement
atchedby metrologicaldataobtainedby
, e ightnew tramswerethee uiva lento f
1 2 7 ( M ay I o i t t oo k n in e n ew t r am s t o
nt w hereasin1284theacceptedratew as
einternationalvalueof thenewtrams.
otaria lacto f1274 177new tramsw ere
to I oGenoese liv resor200sous. I nanearlier
w hentheA ssissesd A ntiochew astranslated "
derede ua lto36 sous. The latterw erepro-
saders.
ntofthenewtramsis evidencedbythe
w tramsw erew orth35V enetianso ldi the
uiva lento fone“bissanciosaracinato ” andin
t oo k t we l ve n e w tr a ms t o e u a l th i s am ou n t.
dsthrowlight onthevalueof
ri o d. I n 1 2 9 – 1 0 0 I o o n ew t r am s we r e
santsofC yprus. I n1 07 inasettlement
ramsw ere listedasbeinge uiva lentto I oo
ightandsilvercontentof variousnew
bearsoutadebasementw hichaccountedforthe
he internationalmarket.
6 X X I I I .
p . 2 8.
e n et o I I , p . 5 .
p . 3 8 ( N o s ou r ce r e fe r en c e gi v en .
i re p . 1 71 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
ghLevonI I re ignedfornineteenyears
ce.A possiblee planationmaybethat
ver contentmadetransactionsdifficult
swereeventuallymeltedtomakethemore
sors.
ranslatedas“ belongingtotheking ) were
I , O s h i n L e v on I V , a n d th e t hr e e Go s da n ti n s.
ydebased untilfinallythepercentageof
than50percent andtheweightofthe coins
grams.As aresult thetakvorinsofthe
worthconsiderablylessthanhalfof the
e t o um I .
venumerousinstanceswheretakvorins
incommercialtransactions.Asmentionedabove
rinsw eredeclaredtobew orth77new trams. I n
nse actedatributeof1 200 000takvorinsan-
k ing. AccordingtoP opeJ ohnX X I I , this
f lo ri ns . I n 1 3 3 ( J u ne 1 7 , a c om mu ni ca ti on
cestatedthat24takvorinswereto beregarded
t. I nthesameyear 12grossiso fV enicewere
w hichinturnw eree ua lto2“ bissanciosa lbos
P e g o l ot t i wr o te t h at “ I l b i sa n te d e R o m an i a si
gento i ltaccoliniva leden. X deE rminia e il
. H efurtherstatesthattheA rmenianroya l
n alloycontainingeightouncesofsilver
1tacco linisw eremadef romamarc( 226. 26gms.
wasverifiedbymetrologicaldataobtained
ospecial occasions.Thefirstbillonwas
ntioch inL atincharacters tocommemorate
ecoinisvery similarinappearancetothe
oinsofAntioch.Theothercoinwas struck
issuednosilverco ins.
p . 3 8 4 ( N o s ou r ce r e fe r en c e gi v en .
e n et o I I , p . 1 07 .
e n e to I I , p . 1 0 2 .
– 6 0.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ans55
of thenames w eightsandtitreof the
sectionundermetrology.
Ns. A pparently threetypesofcopperco insw erestruck
gecoppercoinsstruckby L evonI andH etoumI .
U / Sk8 Medium-si edcoppercoinsof H etoumI ,
um I I , S mp ad an dL e v on I I I .
s ma l l co p pe r c oi n s of O s h i n L e v on I V , G u y G o s-
er k i ng s .
pinionthatallof thecoppercoinswere
ughtherew asagradua ldecrease inthe irsi e
hatnoha lforquarterpoghsw ere issued but
f thisstatement.I nadocumentdated
esevera linstancesw herevarioussumsaregivenin
the latterobv iouslybeinganabbrev iationof
megiventothecopperco insincirculationatthattime.
A n ti o ch e t h e w or d k ar d e ( R U P S 5 ) i s w r it t en
tisstatedthatoneso lw ase ua lto12k arde ,
ams thusmak inganew trame ualtoabout
me. Sincethe“ A ssisesd A ntioche w asw ritten
vevaluesrefertothat period.Thiswould
w asprobablyw orth12k arde andsince
smuchasak arde itw astwiceasva luable
stlik e lyworthoneo ldtram. P ego llo ti w rit ing
atonetak vorinw asw orthtendenars andone
A denarwastheL atintermfork arde ,
metank forthe largecopperco insofLevonI
unfortunatethatnodocumentshavebeenfound
hewordtankforthelarge coppercoins.
speriods tank w asanamecommonlygivento
tank swerew orthasilverco in. A snotedabove
eree ua linva luetooneo ldtramofL evonI
e it isreasonabletoassumethattheywereca lled
p p . 60 6 1 .
p . 3 7 0 . A ls o i n L a n g lo i s C a rt u la i re p p . 17 0 1 7 5.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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L E O F CO I NS
suedbytheR oupenianse hibitsomany
ablyledto speculateontheirorigin.
b ve r se o f a ll t h e si l ve r c oi n s of L e vo n I ( w i th
ronationco ins , thek ingisseatedona
onsheads.H ewearsacrownand aroyal
usuallyhasacrossin hisrighthandanda
mostof theco ins thek ing sfeetrestona
gnanimitationof thecoinsof“ carlins
b l an c s d a r ge n t de C hy p re ” b u t th e re i s l it t le
nsofL evonI andtheA n ousilverco ins
referred towereallissuedmuch later.
Garabetian po intsoutthattheroya lsealo f
1 1 7 b e ar s a m ar k ed r e se m bl a nc e t o th e o bv e rs e o f
Thereareearliersea lso fF renchk ingsw here
rone ho ldingacrossorli ly intherighthand
.Garabetianconcludeserroneouslythat
appearedpreviouslyon royalseals itwas
vonI .
etruthwhenhestatedthat thisdesign
antineandNearEasternco intypes butre-
histhesiswasdevelopedfurtherinan
pointsoutthatL evon spromotionf romprince
Germanemperor H enryV I , andspeculates
dieontheobversewasa Germandesign.
to thatofthebracteatesof Augsburg
e l A r m n i e au m o ye n ä g e p . 4 1.
m . de l O r i en t L a t in P l . V I I .
k An nu ai re 1 4 – 5 0 p . 27 2.
2 10 .
p . 2 7 .
4 27 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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s57
ere islitt ledoubtthattheobverseofL evon s
contemporarybracteatesincirculation
ryV I . Mertens publication containsre-
atesofH enryV I ( w hose liegeLevonw as ,
theobverseof thetramsofL evonI .
sinagreementw ithrecordedevents. L evon
arbarossaforthecrownandhadobtainedhis
k sdeath thepromisew asfulf i lledbyhis
enryV I . L evonthusbecamenomina llyavassa l
hapsingratitudethatheplacedtheEm-
histrams. Thedesignw asingeneraluse in
dandevenearlier.
ew coronationcoins w ef indC hriststanding
heroya lmantle isk neelingw iththecrown
eheadofChristand thekingthereissome-
dingfromthesky orthefigureof adove
orhande tendedtow ardthek ing scrow n.
andA lishan mentionthatthisdesignw ascopied
netianD oges. How ever V enetianco insof
f irststruck byDandoloX L V I I I in128o
tyyearsaf terthecoronationofLevonI . , *The
evon scoronationcoinsmusttherefore
ll-knowntypesofB y antinecoinson
ningthestandingemperor. P ossibly the
nsideredmodificationsoftheB y antine
antypespresentsufficientdifferencesindesign
tramsofL evonI hasaveryunusual
ntwolionsrampantregardant.L anglois sug-
ppearedonMohammedanarticlessuchas
I , X I I .
4 N o. 2 0( 5 41 5 42 .
e l A r m n i e au m o ye n ä g e p . 3 8 .
tonofR oupenianC oins p. 8.
t a li co ru m V o l. V I , V I I , p . 2 7 P l . 1 2 .
enice .
l .X L V I , I o p .1 6 , P l . L , 1 1 e tc .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
delsforL evon sco insmustbere ectedsince
fersaremythicalfiguresbearinglittle or
sfound onthecoins. NeitherSibilian
eorigin ofthedesignofthe twolions
thyarticle doesnotshedany lightonthis
haveappearedforthefirsttimeon
eisperhapsj ustifiedinstatingthatitw asan
mismaticart.
nousforms hasbeeninwidespreadusein
uity . I nthefamousruinsofP ersepo lis
" onef indslionsw alking standingupagainst
gandfacing etc. Onnumerouste tilesof the
esA.D . therearelionsseatedwiththe tree
ndlionsstandingandfacingthetreeof lif e etc.
ifswasadoptedbytheMoslemsand
ope. ThemantleofR ogerI I o fSicily ( 11 3 )
nsattackingcamels withthetreeof life
tandingandfacingarea lsoseeninaSel uk
ury.
hedevelopmentofdesignsonfabricsf rom
ion motifsshowninillustrationsdating
nturiesbear acloseresemblancetothe
on. I na llcasesthe lionsf lank thetreeof lif e
thecaseofL evon slions.
t thelionwasnativeto southernArmenia
lity.Neither thelionnorits useinorna-
theArmenians.I nGreaterArmenia
onbuildings cityw alls andevenchurches.
hemaincitygate ofAni thecapitalcity
ygowsk i givesanil lustrationofanA rmenian
nsfacingeach other.
I , P l . V I I I , an dp .3 9 4 .
A nn ua ir e 1 4 – 5 0 p p . 27 4 2 3 .
17 3 9 , 52 55 6 9 8 108 I I 2 3 , 128 etc.
3 9 5 4 17 .
p 40 5 4 6 8 7 0 7 7 8 0 9 0 1 05 1 10 4 1 62 e tc .
8 11 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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s5
cribeslionsinapositionverysim ilartothatin
ankingthetreeof lif e . Hecla imsthatthisil lus-
elfthcenturyArmenianB iblewhichhe
hitaristMonastery inSt. La are V enice.
3 there isagoode ampleof rampantregardant
nsivetreatiserecentlypublishedonillustrations
erivedfromvegetableandanimallife
cesoflionsshownin variouspositions.O ne
urteenthcenturymanuscriptshowsthe
sonaL evonI co in.
t thedesignoflionsrampantregardant
NearE astbutthatthe adoptionofthe
flife wasaninnovationpeculiartothe
ans.
onanditssmallerdenominations ( alsoa
haveonthereversealion walkingor
truethatthelion appearedonsomeofthe
evon sco inshasacharacterist icdesignand
sinstance the lionisholdingacrossoris
hislion designmayagainbeconsideredan
mismaticart anditisfound onthecoins
oupenianrulers.O neisremindedofthe
coinswhereinthe lambappearsholdinga
eremostlikelyissuedhalf acenturyafter
butthesubstitutionofa lionho ldingthecross
olding thecross cannotbeoverlookedin
nofL evon sdoubletramtypes.
earsonararecopper coinattributedto
rp ol i ( 1 1 52 1 1 87 b u t th e l am b i s wa l ki n g an d i s
The“ agnusdei ” ho ldingacross a lsooccurs
fV eniceof theyearI I 9 3 .
, 6 7 p p. 52 3 .
M an us cr it s Ar m n ie ns I l lu st r s P l . X V I I I , F i g . 40 .
9 6 N o . 7 7 4 .
m. d e l O r i e n t L a t i n P l . X I X , 9 . S ee a l so G r ie r so n
, 1 6 – 1 7 6 P l . X V I I I , 1 2 .
m . de l O r i en t L a t in p . 10 , P l . I V , 8 .
M an u sc r i ts A r m n i en s I l l us t r s P l . X X I X .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
N S . L e v on I i s su e d a la r ge n u mb e r of c o pp e r co i ns o f
eandw eight. Ontheobverseof theseco ins
fthe kingwithacrown andonthere-
htwostars.
theobverseofL evon scopperco insw as
fthe NormankingsofSicily. Thereseems
ipbetweenthesetwotypes however as
on shead w hereasL evon sco insshow the
w ithbeard crow n etc. I tw ouldtherefore
L evonchoseadesignofsomeoriginality .
scoppercoins havingaP atriarchalorCal-
appearstoberelatedin designtosome
butthe introductionofstarsindicatesadegreeof
thesecoins.
htheascensionofHetoumtothethrone adef inite
ypeofcoinage.Thedoubleliondesigndis-
satendencyto imitateorientaltypesof
tingaweakeningoftheinfluenceof theCru-
rengtheningofthe Mohammedanelements
s.
oinswerethe trams.Thereverseofthese
oldingacrossor accompaniedbyone.The
facingf ront sometimesho ldsthecrossasin
ndsometimesw alk swithonepaw inthea ir
thecrossbehindhim. There isnodoubtthat
ecoindesignof L evon.
s however isuni ueinthatit showsthe
eachother w earingroya lvestments andboth
Therepresentationof theq ueen simageon
cognitionof thefactthatshewas of
sHetoumw astheprinceconsort crow nedk ing.
” sucharepresentationofak ingandqueen
ti n e co i n of C on s ta n ti n e X I I D u c a s a nd Q u e e n
e l A r m n i e au m oy e n ä g e p . 4 7.
7 21 .
m .d el O r ie nt L a ti n p .9 1 P l . X L I I I , 4 5 .
e l A r m n i e au m o ye n ä g e p . 5 4.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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s6
0 67 . T h e de s ig n s h o we v er a r e by n o m ea n s
issuedbyH etoum( incomparatively
nonesidethek ingonhorseback w earinga
e. Thehorseisfacingright inallcases.
eking onhorsebackwasusedonmany
s.Coinswith ane uestriandesignwere
n ( 1 1 56 1 1 88 o f K o n y a an d b y hi s s uc c es s or s ” , *
luencedHetoum scho iceofdesignforhis
S. Thecopperco insofHetoumalsopresentnove l
ose issuedbyLevon. I ndeed unlikeL evon s
ereof thesametypeandofuniformsi e
presentsevera lvarietiesandtw odistinctsi es.
coinsofH etoum ofaboutthesame
evon s w iththek ing ontheobverse seated
throneornamentedwithlions wearinga
ceptre intherighthandandacrossororbin
parentlyavaria tionof theobverseofL evon s
these coppercoinsbearsaGreekor P otent
s w ithmany typesof f ie ldmark s. Thecrosscanbe
tineco ins asw ellasonnumerousco insstruck
ndicationof thek ing sC hristianfa ith.
allerversionof theselargecoppercoins.
ppershowsthekingona throneorna-
ntheobverseofLevon strams butthe
l.
ppercoinisalso foundingreatnumbers.
k ingisonhorseback . Thedesignisverymuch
ilverco ins butithasnotbeene ecuted
Thisisobviouslyacase wherethedesign
u e B y a nt in e P l . X X V , 1 .
, P l . L , 9 .
Mu se um N ot es V I I , p p . 21 – 2 0 P l . X X X .
0 V o l. 1 P l .V I , No .L X X X I I I .
P l . I V , N o. 1 1 2.
, P l .L I , 3 .
m. d e l O r i e n t L a t i n.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
relytransferredtothecoppercoins.The
withvariousfieldmarks.
n t h e o b ve r se t h e s i lv er c o in s o f L e v o n I I a r e al l o f th e
byH etoumI , w ithvariousf ie ldmark s and
Thereverseofthese silvercoinsalsofollows
decessors.Thelioniswalkingorstanding
coins showsalionwalkingleft orinrare
na llprev iouscasesofsilvercoinsw ithasingle
esentedfacingf ront crow ned andeither
paniedbyone.Theliononthe coppercoins
otfacef ront andisquitedif ferentinsty lingf rom
coinsoftheGermanemperors.I tclosely
thewalkinglionsappearinginarchitecturalde-
andquite lik e ly the lionmotifonA rmenian
rmeniaratherthan elsewhere.Thereverse
ecrosswithvariousstarsor linesasfield
hecopperco insofH etoumI.
T h e co i na g e of H e t o u mI p r es e nt s c er t ai n p ec u -
calcircumstancesandpersonaleccen-
dnotissue silvercoinsandcontented
rcoinsand billonsbearinghisname.
ssomeofthe contemporaryCrusader
thek ing shead e ecutedinasty lesimilar
y de L u s ig n an o f J e r us a le m ( 1 1 8 6 1 1 2 .
2 12 1 22 5 a nd H e n ry I o f Cy pr us ( 1 21 8 1 25 ) .
sua lcross notunlik etheoneontheco insof
oumalsoshowtheL atininfluence.O nthe
king similarinstyleto thecoinageofthe
Thereversehasacrosswithornamental
tinctive ornamentedcrossappearedonthe
ofE dessa andonthecoinsofL atinem-
1204 1261 .
opperco ins thek ingisseatedintypical
gacrown hisrighthandathisbreastand
2 85 2 86 2 5 5 40 8 11 .
m .d el O r ie nt L a ti n P l . I V , 2 5 3 1 P l . V I , 8 9 .
8 9 , 14 15.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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s6
rcross.D esignsofthistypehave appeared
oslemrulers inAsiaMinorand Syria e.g.
s o f Ma r di n ( N s i r al - D i n U r t u A r s l n —
1 A . D . . O n t h e r e ve r se t h er e i s an o r na m en t ed o r
Smpaddonote hibitanynovelfeatures. The
rim itationsof thoseofLevonI themain
stcases theking slefthandis abovethe
acew hiche tendsoverthe le f tshoulder. Theco ins
thlittlecare . Thee uestriandesignof the
derivedfromthe bilingualcoinsofH e-
theusual crossbutinthe fieldtherearefour
dovesin flight.
isinterestingthata lthoughGosdantin srule lasted
verthe lessstruck go ld silver andcopperco ins
esigns.
ferenttypes ofgoldcoins. , * O nthe
ngisonhorseback facingright andho ldinga
isdesign althoughreminiscentofthe
v on I a n d H e t ou m I s h ow s ma r ke d d is -
nsteadofamaceorsim ilarob ectbe ingheld
r thek inghereho ldsara isedswordinhis
rike.
etypebearsapictoria lrepresentationofa fort
et.Theothertypeshowsthree turrets.The
thatofthecoins ofsomeoftheCrusader
kingsofCyprus.
ins islikethatof thegoldcoins.The
ndingandwearinga crownandroyalrobes
thandandacr ossinhisleft. Theideaof
usticebyacross andswordisnotentirely
onehisbestto representGosdantin simage
hatsimilar thoughcrudercoinsofthis
hecountsofE dessaaboutacenturyearlier.
. M . O r i en ta l Co in s V o l . I I I , N o. 4 6 ( 1 87 7 .
um . G n r al e de l A rm n ie p . 16 5.
de s Am so ry a 1 5 8 p p. 3 8 1 3 9 0 .
um d el O r i en tL a t in P l . I V , V , V I .
2 P l .X I X , 2.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
I tw ouldberepetitioustoenumeratetheco inageof
e vo n I I t o t he l a st k i ng L e o V L u s ig n an
varyonlyslightlyduringthisperiod.All of
I I I , O s h i n L e vo n I V , G uy ( G o s da nt in I I ) ,
e v on t h e U s u rp e r a n d Go s da n ti n I V , s h ow o n
orseback w ithvariousmintmark s and
nwalk ingright w ithacrossinthef ie ldabove
onofthecoinsof eachsucceedingkingde-
thatthesilvercoins ofthelasttwoGosdantins
dpresenta greyishappearancebecauseof
onV L usignanshow adifferentsty ling re -
etoumI I andprobablypatternedaf terthe
gs.
ns decreasedastimewenton.Thecoins
y an d G os d an t in I I I a r e ve r y sm a ll a n d ar e m on o to -
bverse thek ingisseatedonthethrone
hisrighthandanda fleurdelysin hisleft.
earsonthereverse . In design thesecopper
onof the largecopperco insofHetoumI .
rperandGosdantinI V abandonedthestriking
poghs butusedinsteadsilvercoin( tak vorin
co inage. L evon scoppercoinshavethe
lcasessofarencountered. GosdantinI V
milar indesigntothesilver takvorins
f ie ld butsomedonothavethismark.
struck ata laterperiod.
o fL evonV , w how asaL usignanof
aria tioninsty ling. Thecopperco insarequite
obverse there isthecharacterist icl ionofCyprus
donthereverse across.
esnoco instoL evontheU surper a llcopperco ins
mark / are listedasbelongingtoLevonV . I ngeneral
periodof1 44 1 75 w hendealingwiththe
I , L e v on t h e U s u rp e r G o sd a nt i n I V a n d L e v o n V .
m .d el O r ie nt L a ti n P l .V I , 2 , 2 6 P l .V I I , 9 , 1 2 1 . 24 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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N SO N R O U P E N A NCO I NS
thesmallnumberofbil ingua l( A rmenian-
ou m I , a n d th e r ar e b il l on s o f L e v on I ( L a t in
f theco insof theR oupeniandynastybearA rmenian
s.
meniansarefamiliarwiththeArmenian
thereadingoftheinscriptionson thecoins
ewitha littlepractice.TheArmenianal-
nd405A.D .byanArmenianclergyman and
language.E achlettercarriesa singlesound
word.
nsonthecoins ofthedifferentrulersare
ri ingafew typesof inscriptions onecan
mostof theR oupeniancoins.
nsistedofthirty-si characters( three
morerecentlyanddonot o fcourse appear
. Thetypeandformof thescriptontheco ins
r(b/ i l l / 0/ 1% h/ ) andaresim ilartotheuncia l
mporaryandearliermanuscripts.
touse combinedlettersorligatureson
c.Themostcommonligatureswerecombinationsof
( O R a s in P l l U R / T ( T A A V O R i ns te ad
nd R t o g iv e / h ( O U ) a s i n U U S / N W / 1 8 in s te a d of
U DZ O ) . O therligaturesarese ldomfoundoncoins.
T O NO F TH E AR M N ANA P H AB E T
I e ve r
T t an k
h a u re
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
ma n 2 : Ch m il d ch
nR r h a r d
v
ch /pR rrace
y Ts t s ia n g
r V i n l i ga t ur e s
oo r
y
k
k i c k
oupeniancoinsfollowageneralpattern.
tedformofthefullinscription appearsonthe
e amplesgivenbelow .
hemselves< ll8( H A , pronounced
or d & l l6 08 ( H A O T S m ea ni ng “ o f t he A rm en ia ns
s withnumerousabbreviations.
willfacilitatethereadingof thelegend
speriod.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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TR A T O NS I N A B O V E D I A GR A MS R E D U C D
S Z E
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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TR A T O NS I N A B O V E D I A GR A MS R E D U C D
S Z E
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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T E P E R I O D O F P R I NC S
, e ightsuccessiveR oupenianprincesruledover
vonI I , the lastof theseprinces beganhisrule
edk ingin11 9 .
avesurvived althoughitisnot known
struckcoins.Thecollectionofthe B iblio-
arisconta inssomeco insw hichhavebeen
ersofAsia Minor.Thesecoinsdonotbear
hasbeenplacedin thecorpus.
eumofV enice there isaratherinteresting
nd.Alishan whowasthefirstto describe
o ei t he r G os d an t in I ( I o 5 I o 9 ) o r t o T o ro s .
ss nowintheMekhitariancollectionin
to T o ro s I ( 1 1 2 – 1 1 7 . O n o n e s i de i t h as t h e
ntheother acrossw ithvariousuninte ll igible
n obv iouslyacoin recentlycameintothe
uiredasmallcoppercoin withtheins-
chwasattributedtoTorosI I .
ssouan mentionsthatMlehhadstruck co ins
nofA leppo butaddsthathedoesnotrecall
on. I t ispossiblethathehadinminda
erningacoinstruck byaMohammadenruler
meof the laterprincesstruck co insastheyw ere
ontrollede tensiveterritories comparableto
.
ehavefromthisperiodwerestruck by
w holaterbecamethef irstk ingofC il icianA rmenia .
e istinpublic andprivatecollections
ewhichhas beenlost.
. * A li sh an S is so ua n p. 3 7 8 . * L e be au X V I , p . 3 0 5.
e l A r m n i e au m o ye n a ge p . 3 4 .
m av e b J u l y S e pt . 1 5 2 p . 1 56 . A cc o rd i ng t o t hi s a rt i cl e
r. D erGha arianofA leppohasbeenlost.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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NS
f si teenArmeniangoldcoinsofthe
oSo 1 75 hasbeenreportedatvarioustimes
ionedago ldco inofGosdantinI ( 12 8to
longedtoP eterMark arA lishan andaf terhis
ntinople w asgiventothemuseumof the
enice w here it istobefoundtoday .
r uc k b y L e v on I ( I I 9 9 – 1 2 1 ) w a s r ep o rt e d
81 w ithafulldescription.
onofPeterMarkarA lishan andamemberof
inV enice mentionedanothervarietyofa
nhismonumentaltreatiseonCilicianArmenia.
nArmenianin1885 andinF rench
ensivelistingsoftheknowngoldcoins ofthis
ian sbook . I t isindeedunfortunatethat
hwhilepublicationonthe coinageofthe
ppearedonly inA rmenian andw astherefore
matists.Sibilianwrotehismanuscriptin
tatthattimehe wasonlyfamiliarwiththe
. Whenthebook w aspublishedin18 2 the
mk iarian mademanyaddit ionstothete tin-
portedgo ldcoins. Onpages1 – 14of this
mk iarianquotede cerptsf romaletterw rittenon
goldco insduplicatesessentia lly theauthor sarticle in
p p . 11 – 1 2 0.
um is ma ti u e de l A r m n i e au m oy en ä g e ( P a r i s 1 85 5 .
r ch i ve s d e l O r i e n t la t in V o l . I , p p . 67 5 6 7 8 1 8 81
so ua n ( V e n i ce 1 88 5 ( I n A rm en ia n .
souanoul A rm no-Cil icie. D escriptiongeographi ue
arteetil lustrations. Traduitdute tearm nien.
.
ca t io n o f R o u pe n ia n C oi n s ( V i e nn a 1 8 2 ( I n A r -
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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1885 bySerovpeM. A lishan F atherA lishan s
well-knownnumismatistinConstantinople.
hatit listsallthegold coinsknowntothe
the relevantpassagesfollows:
ssessionanoldletterw rittentomy fatherby
eMek hitarists w horeca llsthattheyhadagold
asdestroyedinthegreatf ireofPera in18 1.
nwhichbelongedtomyfather.
nw asfounduponthedeathofDj anigA mira .
known.
ofminesawagold pieceinthepos-
menianmonasteryinCaesarea.
I , w hichisnow inV eniceandisil lustrated
chlumbergerbroughtfromCaesarea.
soldinCaesareawhicheventuallyfound
e possibly f romC aesarea.
only. The lastfourbe ingsim ilar it ispossible
ebeenfound possiblyalongwiththesilver
chwerece ivedf romF atherSibil ian. I amin
sibilityof theoneswrittenI bhubeing
kingismissingbutpossibly theancientdie
asit is.
hergoldcoins werediscoveredandthese
vpeM.Alishan.
voninpossessionofsomeoneinC onstantinople
mbers7and9 .
von-Hetoum now intheMek hitaristMuseum
nintheB iblio th q ueNationa le inParis.
ge1 o fSibil ian sbook F atherK a lemk iarianmen-
opyof the letterw rittenbyF atherP hil ippeto
nw hichthisco inisdescribedw ithsomedeta il. I t is
atitbe longedtoLevonI I .
igA miraoccurredbetw een1850and1860.
euardent dea lersinco insandmedals endedits
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
dentica lw ithNo. I o .
asofferedforsa letotheB iblio th q ueNa-
sedby thelatterbecauseitwasidentical
sbook publishedin1 3 6 liststhethirteencoins
addsthreeothersknowntohim:
nI inR o ll in spossession.
nI intheco llectionofN. K a leb ian.
nI intheco llectionofH . H abeshian.
beenreportedsincethatdate with
ndgo ldco inofGosdantinI inthe I stan-
calwith No.2.I tisinterestingto note
en t ic a l a l s o 6 I I a n d 1 . B a s ma d i a n do e s
ionof histhreepieces.
n cla imedthata llthego ldco insw erefor-
eptionof theGosdantinpiece. H edoesnotgive
butpromisestoreturnto thatq uestionat
of thewriter sk now ledge nofurtherreport
issub ect.
arationof thecorpusonthecoinage ofthis
aminedmostof the importante istingco llections
overI o ooospecimens. A mongthesew ereten
offourtypesasfollows:
Type
l l/ - /l / A ll 1 1 8
, U U S A U / 18
q ueNationa le[No. 6of list
i ot h q u e N at i on a le [ N o .I I o f l is t
g hd a dl i an C an n es [ N o . 15 o f l is t
i an N um is ma ti u eg n r al ed el A rm n ie ( V e ni ce 1 3 6
a m av eb N os .7 9 , 1 5 2 p . 16 6( V e n ic e I t al y ( I n
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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e
I R / l / Al l f l6
l/ S/N0/ 1
i ot h q u e N at i on a le [ N o . 7 or 9 o n l is t
Mek hitaristMuseum[No. 7or9 onlist
. a p am ad i P a r is [ N o . 7 or 9 o n l is t
ristMuseum( ? ) [ No. 5onlist
TO U M I
/ l/ 3 U B X / 1 +
R / 7 < l l / 18
ennaMekhitaristMuseum[ No. 12of list
ic e M ek h it a ri s t Mu s eu m [ N o . 1 0 o f li s t
k h , / % & l l / 18
) , A P U Q U /m
ceMekhitaristMuseum[ No. 2of list
bulA rcheologica lMuseum[ Turkey
hesi teenco inslistedabove No. I w asde-
. 2 6 7 8 9 , I o I I , 1 2 an d 15 a re k no wn t o be
dabove.No.5was apparentlyintheMekhi-
e butonarecentv isit I w asnotableto f ind
n mentionit indescribingtheco llectionof
o inV I isoneof thesi teenlisted. The
sthereforefive anditmaybe thatsome
.Thee istenceofcoinX wasdiscovered
lverandcoppercoins ofthisperiodare
e therearefew goldco insbecausethesew ere
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
bers andonlyonspecialoccasions.
f irstandmostpowerfulk ing mayhavestruck the
ins.O necanreasonablye pectsomeday
gularH etoum-Zabel tramvariety.The
go ldco insw ereundoubtedly struck byHetoum
e lo s s of t h e un i u e g ol d c oi n o f L e v on I i s i nd e ed
opedthatotherswillbediscoveredat some
nceofago ldco inofoneof thesonsofL evonI I
fstriking goldcoinscontinuedatleast
yoffindinggold coinsofthesucceeding
v on I I I , s h ou l d no t b e e c l ud e d.
outherethattheL evonI —H etoumI go ld
lyattributedtoHetoumI - evonI I . This
a lemkiarianandrepeatedbyB asmad ian
vonsideofthegold coinisidenticalwiththat
sstruck byL evonI . A samattero f fact
thistraminSibil ian(P l. I , No . 11 asw ell
—H etoumI co in a lthoughbecauseof thepoor
stwhopreparedthedrawingsof thisbook
ntical.
rth insupportofclaimsthat thegold
follows:
otuniforminweight.
vertrams there isa f reemovementof
easthediepositionsarerigid inthegold
tingoldcoin hasadesigndifferentfromthe
na llo thergo ldcoins thedesignissim ilar
ving adesignsimilartothat ofthegold
heforgercopiedthe dieforthegold coins
agumentsmayseemplausible butthe
rtobemorevalid.
funiformweightbecausetheywerestruck
gcertainoccasions.Theywerenotin-
de.
he diesmaybedueto thegreatercare
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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llissues.As canbeseenfromthe illus-
e f irstsi a rett theseventhandeightharety
andM.
ediesusedforthego ldco insw erealsousedto
hileitis truethatthereareno silver
ngolddesign itmustberemembered
re knowntoe istfromthisking who
mostlybeingstruckfromdifferentdies.
muchtoe pectto f indatramstruck f rom
ilvertramshavingdesignsidenticalwith
rtainlybeinterpretedasevidencesup-
thegold coins.
ningthatinthepast thosew hostudied
pressednodoubtsregardingtheauthen-
anglo is Sibil ian K a lemk iarian A lishan
ad ianneverq uestionedit. Q uiterecently
khitaristCongregationinV ienna Arch-
w rotetomethathehadca lledintw oe perts
piecesinthe irco llection bothofwhom
enuine. A tarecentmeeting D r. P aulB a log
ad theopportunityofe aminingthegold
useuminV enice andthatheconsidered
n goldcoinsdescribedinthis paperwere
hew riteranda llappeartobeauthentic. I n
eyresemblethegenuinetramsofthis
bereca lledthattherecordsonsomeof these
ebeginningofthenineteenthcenturywhen
sw erek now ntoe ist. I t ismostun-
aliber wouldbemadeatatime whenvery
secoinsand fewpeoplewereparticularly
meof twokingswouldhaveimme-
fit hadbeentheworkofa forger.
tionssupporttheviewthatthe goldcoins
titutecircumstantialevidenceratherthan
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
rtramsofindisputableauthenticity
struck withthesamediesusedfor the
nbe concludedthatthelatterwerestruck
dwere genuine.Thepossibilitythatoriginal
ater forthegoldcoins waseliminatedbe-
eyunlike ly . Of thethousandsofdiesused
ynasty nonehascometo light andthe
several ingoodconditionsi hundredyears
ry slightindeed.
tisq uitepossiblethatasilverGosdantin
dpiece[No. 8 w il lneverbefoundbecause
f theseco ins. O f theotherthreetypes itw as
ramsf romfouroutof thesi diesusedin
n d I I I a r e al l f r om t h e sa me d i e [ C o r pu s N o. 5 . W e
mthesamedie one intheB iblio th q ueNation-
therinthemuseumof theV eniceMek hitarians( V M .
ssfulinlocating silvertramsmadefrom
, V a n d V I .
I I o f ferthestrongestsupporttotheauthenticity
evonside iso fauni uedesignandispresum-
ecially forthego ldissue( No. 6 . I t isreadily
sualtramtypesandwe wereabletofindno
histype a llf romonedie thato f thego ld
nterestingtonotethatthefifteen tramshadon
fthe usualtwolion-crossdesignusedon
evonI .
inshowsthecommontypeoflion holding
verseof theHetoum-Z abeltrams. F ortu-
cimenstruck f romthisdiew asfoundinthew riter s
.
uthentictramsstruckfromthe samedie
eyondareasonabledoubtthatthesegold
foundintheMersinhoardofL evonI tramsin
a nd es A ms or ya L X I I , 1 5 8 p p .3 8 1 — 3 9 0 ( V i e n na
en ia n .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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anumberofnew goldcoinshaveappeared
k f romthesamedie. Thesepieces o fw hich
otheauthor areobviousforgeries.Their
grams whichislessthan eventhatofthe
nandw ork manshiparepoor andunlik ethose
Thewriterwasinformedonseveralin-
aderecentlybya j ewelerinAntakya
cedonthemark et. Anil lustrationof thisforgery is
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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B Y T H E K I N GS
F L E V O NI
eofLevonI , one isconfrontedw ithanumber
suchasthereasonfor theissuanceofthe
rtheoccurrenceof somanyobverseandre-
atpresentimpossibletoarrangethemany
achronologicalorder.
w iththee ceptionof thedoubletramsand
s areofthetwo-liondesign.P erhapsthe
bletramsand theirsmallerdenominations
ethe establishmentofthemintinSis. The
ngeinthedietothetwo- liondesigncoins and
bletrams( single liontypes isnotk now n.
havingtwicetheusualvalueand weight
incirculationinthe Mediterraneanarea
aveoriginatedw ithL evon. I tdidnotbecome
usethepeoplewereusedto theregular
silverco ins andfoundthe largeco intoomuch
worthy how ever thatLevonissuedthistype
alf andq uarterdenominationshaving
. 8 and1. gramw eightrespective ly. Sincethe
onlyon thesecoinsandafew rarecoro-
greatma orityof theremainingcoronation
sign itisreasonabletoassumethat the
rst coinsissuedbytheking. I tappears
omeanscertain thatLevonw ascrowned
t it w a s no t u nt i l I I 9 9 t h at h e w as a n oi n te d i n th e
Armenianchurch theCatholicosAbirad
te C onradtheA rchbishopofMain . P ossibly the
between11 6and11 9 , fo llow edby the
The corpusofthisbooklists only
er1 0ha lf -doubletrams andonly threeof the
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ings77
essthantenofthese bearthefullinscriptionof
/ l/ U l / b ul l6 & l l / 18
f u I I I I S / NA T /8
theabbreviatedinscriptionof
l / b ul l t A ll f l
f u l l. S / R ø / 1 8
gintermediateinscriptions.I tisnote-
alf-doubletramsbeartheabbreviatedin-
-doubletrams becauseof insuf f icientspace
.
1 8
oubletramsin e istence allofwhichare
heyhavebeene aminedbythewriterand
arentlyasmall numberofthesecoinswere
reare how ever nocopperco insof thehalf
esago ldsea lo fL evonI , a ttachedtoaroyal
1207 whichissomewhatsimilarindesign
houghdifferingintheinscription.
donthesecoins aremostlikelymarksof
marksindicatingperiodsofissue sincethe
ppear oncoinshavingdifferentinscriptions.
heinscription arenotconsideredin-
ofissue theyserveadmirablyasamethod
orpusthe mostcompleteobverseinscriptions
t givingalltheavailablevariationsofthe
s followedbythene tmostcomplete
reversevariations etc.
ni ueinthatthey werestruckonlyby
ly tocommemoratethebeginningofanA rmenian
onationitself.Thesecoinsshowtheanoint-
ua r y I I 9 9 , a n d we r e mo s t li k el y a ll s t ru c k
eis seentheletter8which maybeanab-
theA rmenianforJ esus ormaysimplybea
coinshavingasingle liononthereverse
l a ng e d A r ch o l og i u e B y a n ti n e p . 1 64 :
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
mthesinglelion tothedoubleliontram
d. I t isinterestingthatthedesignof thecross
sis differentinstylingfromthecross designs
evon andonemightconsiderthisa forma-
crosstypesbecameestablished.
ationtypeareknowntoe ist.
evonwerestruckduringhisentire reign
earsafterhis deathuntilthecoronationof
uringthisentireperiod therewasanevolution
tsincenoneof thetramsbearsadate it is
eperiodsof issue.
scriptionon thecoinsappearstobe
emakertoproducedies havingauniform
someofthecoinshave inscriptionswhichlack
oteworthy how ever thatmostof theco ins
onwithfewmissingletters andtheseare
carethantheonesmissingmore letters. I n
thema orityofcoinsissuedby therulersof
uenceof issue itw asnecessary tocreatean
ation.Sibilian inhisclassictreatisepoints
fLevon stramsbasedontheobverse in-
onstyling.H eobservesthatina hoardof
a lmostf if teenmainvarieties eache hibiting
orvariationsindesignand inscription.
tsomeofLevon sco insareartist icin
ist ic andsome barbaric. Heconcludesthat
orationinthe artisticworkmanshipof
latteryearsofhisre ign.
n adoptedanew systemofclassif icationbased
coins.H eproposesthatanewcross design
dthateachdiemakeradopteda definitein-
e varyingtheinscriptionon thereverse
r.I tshouldthereforebepossibleto establish
ueofagivenco in asw ellasthediemaster
Suchasystem however wouldhavedemand-
tonofR oupenianC oins p. 10.
m av eb 1 5 2 p . 16 0.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ings7
deunknowninthosedays.Themainthesis
aschoseneachyearforall thecoinsseems
ons.W efindanumberof crossdesignson
etitisnot likelythattherewasanyoccasion
earafter yearanditis logicaltoassume
amintmarkusedby thedie-master.
co ins suchastheonesw iththe inscription
/ l / Al l l l 8 h a ve a u n i u e c ha r ac t er i st i c de s ig n n ot
inscription—obviouslytheworkof one
cperiod.Althoughther eversepresentsa
rossdesigns itisimprobablethatcoins
periodoftime cansocloselyresemble
tseemsmorereasonabletoassumethat
nscriptions designandworkmanship
edperiodof time perhapsayear inspite
n agiventype.
o f thetramsofLevonandcomparative
dpermutationsofdifferentvarietiessug-
edonthe obverseinscription.I nthecorpus
achtype islistedunderthe inscriptionof theob-
fthetype bytheinscriptiononthe
criptiononthe obversebuthaving
kmanshiparenotconsideredasbelonging
stedseparatelysincetheywereundoubtedly
otacommonoccurrence.
hibitsauniformitywhichservesadmi-
on butthee istenceofsomanyvariations
nthereverse isdif f iculttoe pla in. I tmaybe
designsaretheworkofdifferentdie-
neaccountfor themanifoldinscriptionsac-
sign Garabetian ssuggestionthateach
nthoftheyear cannotbereadilyaccepted
twelvevarietiesofreverseinscriptions.I t
the obversewasindicativeofaspecific
signsonthe reversedifferentiatedthedie-
attentiontothe completenessofthein-
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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menia
hree-thousandtramsofL evonI , one isstruck
esignand legend.Thereappeartobe
s eachwiththeirnumerousvariations.I t
eseareassociatedwiththeartistic types
nvariablyfoundinthesemi-artisticor
factssuggestthat periodicallytherewas
theco ins andquite lik e ly bothsty lingand
dtowardstheendoftheking sreign.
onI co ins thesingle lionco insappearf irst.
alftrams.This wasdoneinorderto
onof thesesmallco ins. A ctua lly theha lf
hetramsand thereareanumberof types
oritybeingtheartist ictype. I t iscuriousthat
dtramsarelistedinthe corpus thehalf
enty-five.
oinsissuedafterthe coronationserieswere
criptionI bh/ T P ll M ll l / b 4ll608. These
gthew ordll l/ bu reminiscentof thedouble
thestyleofthe crossonthereverseis somewhat
ecutionfromthecommoncrossesofthe
uesofthespecial types thecorpuslists
alloftheartistic type.Thereseemstobeno
thespell ingof thek ing sname andthe
b hu I b /T o rP l l N R / T P l l U R / l / an d< l l / 18
verysim ilarinsty lingande ecution indicatingthat
eacceptableatleastfor coinagepurposes.
ingisplacedinadifferentsectioninorderto
icationadopted.Arelativelysmallnumber
versionsof thew ord&ll / 18 suchas< ll / 7
andtheseareplacedinadif ferentsectioninorderto
ionsystem.Similarly variousspellings
l l / 1 8/ 1 & l l l l /1 8 a re a l l pl a ce d i n di f fe r en t s ec t io n s
variousobverseinscriptionsis tobefound
ornatekingseatedonthethrone.These
edfromothersand itisinterestingthat
alwaysofthebarbarictype.Similarly the
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ings8
ofacrossin theinscriptioncircle con-
andallhaveacross ofthebarbarictype.
lassofbadlye ecutedcoinswhichdefi-
ypeandbelongtothe laterissues.
ypes thecorpuslistserrors rarit ies co ins
gthefleur-de-lysintheright hand andthe
dofv ice-versa . Hereaga in someseemtobeof
thereareindividualpieces whichbelongto
elsewhereinthecorpus inwhichthedie-
dplacedthecross inthewronghand.These
genddisclosesacertain evolutionofstyling
earliertypeslisted the lettersareclearcutand
e ceptionofa few co ins thesemi-barbaric
esscarefullye ecutedletters andina ll
ertedto9 . I nthe laterissues onenotices
ettersindicativeofthecarelessnessofthe
deteriorationinthesty lingande ecution
dof theking sre ign thew eightandf ineness
ohavesufferedlittle ifatall.
on( tanks aregenerallylargeandfairly
hecaseof thesilverco ins ithasbeenfound
maccordingtothe obverseinscription.The
hablebythenumberof dotsontheking s
omerelationshipbetweenthecrown design
he coins.Afurtherdifferentiationofclasses
edesignof themonarch sha ir. Wethushave
thecrownofthe king anotherwithfive
eha ir a thirdw ithf ivedotsandtw ocurls
sificationrepeatsitselfwith thecrownhaving
ots.
againthatinthe absenceofsomedefinite
ppercoinsin chronologicalorder wehave
sofclassificationin ordertomakeitpos-
neasily.
onof boththesilverandcoppercoins
hronologicalorderofissue mustawaitthe
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
sunfortunatethatalthoughseveralhoardsof
beenreportedinthepast there isnoaccurate
maketheirstudypossible.
ityo fcoinsstruck byL evonI consistso f the
ntionedabove therearetwootherseries
maticinterest.
Antiochin1216and appointedhisgreat-
penastherulero f thecity hestruck co ins
sion.Thesecoins resemblingtheregular
ery rare . Theyare inLatincharactersand
O D E I G R AT A R E X A R M N O R , o ri ts
oinsare listedinthecorpus.
, alongwithothergoldcoins ofthis
atsomelengthin theprevioussection.
F H E TO U MI
issuedduringthelongreign ofH etoum
mberofvarietiesof typesfoundinL evon s
wconsiderableoriginalityin designand
ntdifferencesoccurinthe designofH etoum s
mitedissuesofbil ingua lco ins andthetwode-
ns withtheirseveraldistincttypes.
oupenianrulers theobverseshow sthe
e. I nH etoum sco inage ontheobverseH etoum
withthe inscriptionil l/ 0 10R / hk u U8 k in
hereversethereis alioneitherholdinga
thecrossabovethe lion andthe inscription
/ 18. Thesidebearingthe imageof thek ing
eobversesimplybecausethe inscriptionlent
mof classification.
ingandq ueenopenlyacknowledgedthe
ofroyallineageandthat H etoumwasher
hy thata lthoughZ abeldiedin1252 a llo f
sbearthe imageofboththek ingandqueen
dtostrike coinsofthisdesign untilthe
ofthehoardsofL evon stramshasmade
numeroustypesinchronologicalorder.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ings8
e theac uisitionin1 58ofasubstantialhoard
ticSocietyandthe rubbingsac uiredof
gingtoA . P o ladianinB eirut L ebanon
ementofH etoum stramsinthe orderof
y comparingthetwohoards oneofw hich
ddleofHetoum sre ign andtheothershortly
itw aspossibletoarriveatthefo llowingorder
O I N S
thstar
ss 8 I 2
sw ithdot
ss I 2 9
eddiesI 2
ro s s wi t h do t
I 2
i n c r os s
I O 8
cross
6-
i n c r os s
l a in c r os s
I w i th n a me L e v on 2 -
caseofL evon strams agradua ldeterioration
pisapparent andthecoinsstrucktoward
e ignare indeedbarbaricinsty leandpoorin
aredwiththebeautifulandcarefullystruck
Mu se um N ot es V I I I , p p . 14 5 1 80 P l . X X X I X .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
esilvercontentofall thecoins however
of theorderof9 0percent andthew eightis
ms.
tothetramsandfall intovariousgroups
uckin greatnumbers.O nlyaboutfiftyof
a instnearly tw othousandtrams. Thema ority
artistictype andarelistedin onegroup
study.
ordingto thecompletenessoftheob-
oup withvariationsoftheinscriptionof
nscriptiontypesarelisted intheinde .
eroftrams withthenameL E V O Ninstead
y.Mostlikely thesewerestruckshortlyafter
eforethediemakershadtimetopreparenew
thenew k ing L evonI I .
toumformaseparateanddistinctclass.
sononeside Arabicontheother and
ignof theSultansofKonya—K aik obadand
1245 asatok enofH etoum snomina lacceptance
Thesmallnumberof thesecoinsandtheobv ious
utionattesttothefact thattheywerestruck
plywithcertainagreements.
dcoinswereprobablyissuedfrom1228 12 6
lle ecuted theyare lessartist icthanthe
h us r aw ( 1 2 7 1 2 45 . T h e H e t ou m - a i ko b ad
restruckinSis.The earlyissuesofH etoum-
notdatedandresemblesomewhatinstyling
co ins. A mark edchangeinsty linginthe
ace intheyearH. 6 7andthereaf terthe
ongwiththesultan snameandthe in-
kin Sis.
H etoum- aikobadcoinsinchronological
uenceswasunsuccessfulbecauseofin-
e . One aminationof theseco ins especia lly
k husraw co ins itbecameapparentthatthe
withsucceedingyears indicatingthat
e-makers marksratherthanissues.I nall
Mu se um No te s V I I , p p. 21 – 2 0 P l . X X X .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ings85
co ins theA rmenianinscriptionisconsistently
A ll& / 18andthiscontinuesw iththeearly issuesof
Subse uently thistypeasw ellas<b/ / 7/ U"
18appearedeachyear. In onlyafew instances possibly
partofthe die-maker isthefull legend
q uiterare.L essthanado enarelisted
st225ofthe bilingualtrams.Theyareall
ee amination.
oumhaveawiderrangeoftypesthan those
s sim ilarinsi eandw eighttothetank sof
bversethek ingseatedonathroneadornedw ith
rcrossinthe le f thandandastaf f shapedlik e
edesignwaslater simplifiedandbecame
edlions thenmere ly two legsofathrone and
ach side.Thefourtypesarereadily distin-
.
beingabouthalftheweightofthe tanks
b e en c a ll e d ka r de ( R U P S h ) , b y c on t em p or a ry w r it e rs .
e uestrian whichshowsthekingonhorse-
similarindesignto thebilingualcoinsbut
andtw oothertypesw hicharemere ly smaller
coppercoinageofH etoum Sibil iancomes
onclusions.H enotesthatin thecaseof
e ismoreorlessuniform w hereasthereverse
esof whichhelistssomefourteenvarieties
ona lones . Sibil ianfurthernotesthatthe
denticalwiththebilingualcoinsof H etoum-
wo r d /l / N R / l / i s n ev e r sp e ll e d /l / N R / T o n t h e
ronthebil ingua lco insofHetoum- a ik obad.
rshape oftheletters8 and/onthese
king andtheindicationisunmistakable
onedie-maker.Sibilianalsopointsoutthe
dmarksbetweenthe e uestriancopper
aikobadsilvertrams.Againtheword
ire pp. 154-161.
p . 6 1.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
writtenP ll U R / l/ . I tmay thusbeconcluded
hee uestriank arde co insw erethef irst
heperiodofHetoum- a ik obad.
ngisseatedon abench-likethrone—and
bearsastrikingdegreeof similaritytothe
oins.Thestylingoftheletters isidenticaland
ll% ll/ / 7 . Thesim ilarityandpeculiarities
, / 7onthetw oclassesarestrik ing.
largetankswerefirststruckalong with
oppers.Thesewerefollowedbythesmall
gis seatedonabench-likethrone and
which bearadesignreminiscentofthe
pper coinsisarrangedinthis order.
F L E V O NI I
showauniformityinstyleboth inthesilver
eobverserepresentsthekingonhorseback
nga sceptre crossormacein hisrighthand.
ight eithergallopingorwalking.The
edfromthee uestriancoinsofH etoum.
alionwalkingorstandingin eitherdirection
there isacrosswith varyingdesigns.
representaperiodoftransitionfromthat of
—H etoumI , w iththe irveryhighsilvercontent
w eighingabout3 grams tothetakvorintype
andhavingasilver contentoflessthan
withinashortperiodof eighteenyears
olitical andeconomicconditionsofthe
ey few tramsofL evonI I w eighingabout
vercontentofabout9 0percent w eremost
t yearortwoofhis reign.Shortlythere-
ravagedbyB aibarsandit isprobablethat
setheco inagetoabout2. 8gramsw eight and
Thene tgroupofcoins w eighingaround
rcontentof60 70percent be longedtothe
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ings87
rtheMongol-ArmeniandefeatatH omsand
eavyannualtributestoQ al ‘ ü n.
enyearsandmusthaveissued averylarge
hise tensivenationalandinternational
etribute demandedbytheE gyptians.I t
thatre lative ly few ofhisco insare ine istence
on it ispossiblethattheconstantdebasement
de itdif f iculttousethemincommercia ltrans-
ifferentperiodsvariedconsiderablyinreal
entuallyhavebeenmeltedtostriketak-
ormweight.
on s s u cc e ss o r H e t o u m I I , d i d no t i ss u e si l ve r
eof the irf ratricida lstruggles H etoum s
osdantinI issuedonlyaverysmallnumberof
earenoco insf romToros. C onse uently f rom
e v o n I I u n ti l t he a c ce s si o n of L e v on I I t o
periodof tw elveyears thesilvercurrency inuse
vonI I . Thesecircumstancesprobablyde-
sissuedbyLevonI I .
ed accordingtotheirinscriptionand
at inmostofthe heavierandhighsilver
onthereverse isfacingle f t andw ithfew
riptionreads “ L evonKingofa lltheA rmenians ”
R / l / U U ' b ul l , A ll / . M os t of t he p oo re r co in s ha ve t he
the inscription initsvariousabbrev iatedforms
of t h e Ar m en i an s ” “ l b h / T P l l U R / l / Al l / 1 8.
twherethe inscriptioncontainstheword
h e ki n g s n a me i s s pe l le d L e o n I b / Tu w he r ea s i t is
n(1bR f f ontheotherco ins. Thismayof
tohavemorespacefor thelongerinscription.
ntentcoinse hibitconsiderableartistic
ecution.Thelowsilvercontentcoinsare
indicatingthenecessityofissuinglarge
sarearrangedintheusua lorder basedon
scriptiononthe obverse withthereverse
withthe longerinscriptionandthelion
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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enia
ighersilvercontent theyarelistedfirst
nsitionalperiod andfinallybythecoins
ntand thelionturnedright.As inthecase
chs thereisagainagradualdeterioration
p andalsoadebasementinthe weightand
e.
ospecimensofhalftramshave survived.
is struckwithahalftram dieontheob-
nthereverse.The remainder numbering
mblanksstruckwith tramdies.Theonly
in thecorpuswasbyrelatingthem to
tonsthee istenceofnumeroushalf trams 8mm.
tothismonarch.Thesecoinsare notknownto
mentionedinSibil ian sbook .
onareaboutthesamesi e orslightly
ppersofHetoumI . The lioniswalk ingle f t
ecaseof thesilverco ins. On theobverse the
e itherlb/ 7 orlbh/ 7 asonthesilverco ins. O n
n sc r ip t io n i s 6 u b li l / R U Q U A R , h U h l b u t on
hew ord& llS ll l isusedinsteadof theusua l
morevulgartermandmeansmorenearly
theformeristhecorrecttermfor“struck . I t is
ssometimesontheobverseandsometimes
struck andmanyofthemhadto be
ssimplybecauseit wasimpossibletodecipher
pointedout thecoppercoinswerestruck
notre uirethesamedegreeofcare ine e-
whichwereusedininternationaltrade and
es. The latter therefore hadtobeofaccept-
ecoppercoins ofL evonI I haveonetype
whereasthecoppercoinsofhis twoprede-
typesofcrossdesigns onthereverse.Nolarge
werestruckbythismonarchor byanyofhis
recases the lionisw alk ingrightinsteadof le ft.
um . G n r al e de l A rm n ie p . 15 8.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ings8
F H E TO U MI I
ntermittentre ign H etoumdidnotissuesilver
umberofbillonsfromhim resemblingthe
andw ork manship. Hedid how ever strikea
ns.As mentionedpreviously H etoumpre-
asteryanddidnotwishtobe consecrated
s ane planationofthelackofsilver coins
m.indiameter weighinglessthanone
cientspace foracompleteinscription the
A ll i l hm / U U ' b u l , A l l m i s b ro ke n i nt o
l/ s /l / o n th e o bv er s e a n d ll l / b u ll # & l l / 1 8 on t h e re -
isusua lly incomplete. O ntheobverse the
w earingacrown andonthereverse a
rks.
omaintypes andwereprobablystruck
iewofthefact thatthecoppercoinsgradually
ucceedingkings itislikelythat theslightly
rissue.
the obversetheking shead crowned
poorlye ecuted w ithconsiderablevaria tions
Onthereverse there isadecoratedcross
en onthecoinsof theL atinkingsofCon-
in showsonthereversethekingseated
ringacrownandholdinga staffintheright
theGreek cross w ithslightvaria tionsindesign.
oumI I arepossiblythemostcarelessly
oupeniandynasty.Theletteringisseldom
hediehas beenstruckoffcenter.Thein-
/ l/ Q U R / l / A l l m a n d C h ub u l h R U Q U A R , h U h l /
f thesecoins w iththee ceptionofa few
/ 011% ll/ -/ 1/ & ll / 78onbothsides andsomew hich
ll / 78.
rother Toros w asentrustedw ithmanaging
vertwoyears Toroswasnotcrownedking
ng srepresentative . I t isforthisreasonthat
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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menia
gthe nameofToros.O fthethreeinstances
entioned theletteringofthecoin mentioned
rnthatitbearsnoresemblancetothew ord Toros.
resentationofaTorosco inisa lsoofveryuncertain
sthethirdspecimen w hichL anglois says
oughCilicianArmenia withtheinscription
0 U P l l M / A ll / 1 8 an d o n th e r ev e rs e ó p u bl l
. I nv iew of thefactthatnoco insofToroshavebeen
mustbeassumedthatL angloismayhavebeen
the inscriptionontheso-ca lled“P / 1/ 0U”
F SM AD
whileH etoumandToroswereawayvisiting
essR itaofB y antium Smpadtook advantage
edhimselfK ing.I nordertoconsolidate
eKhanandobta inedhisconsent. Atthesame
dcopper coinsbearinghisname.
re rare andthisledSibilianto speculate
laterdateinorder toerasethememoryof
ins arereminiscentoftheonesissued by
psinanobv iousef forttodeclarethe legit imacyof
ek ingisseatedonathronedecoratedw ithlions
htherighthand amacew iththe le f t. O n
evonI designoftwolionsrampantregardant
em. Theinscriptionisa lsosim ilartoL evon s
euseof thenameSmpad.
are commonandconsiderablysmaller
previousmonarchs.Theyareallofone
ofvaria tionsinthe inscription. O ntheob-
backwalkingrightandholdingamacein
versethereis theusualGreekcrosswith
tinthefour corners.
1 77 , I I I , p .1 47 T ab le I I I , N o. 11 .
ro is ad e p . 17 4 P l . X I X , 7 .
de l A rm n ie a um oy en à g e p . 6 , P l . I I , N o. 1 2.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ings9I
F GO SD ANT NI
ss thanayear itisnot surprisingthat
umberofco ins andthesearee tremely
ismaticinterestbecauseof thebeautyand
andthe unusualinscriptionsattestingto
snowthe king.I tisalsoi nterestingthat
esofgold coins.Thesearediscussedinthe
nare alsoe tremelyrare therebeing
. Ontheobverse thek ingisonhorseback
th e i ns c ri p ti o n ' i m u S U ' , ' k h ly m u / ' } / m 2/ 8
reverse thekingisstandingand holding
nd thesw ordw iththeright andthe in-
1 0 R / f U . 8 k / l /M T ( B y t h e wi l l of G o d he i s
declaringthatw iththeswordandcrosshehasbecome
ty ofSis.
nsarea lsovery rare . On theobversethe
holdingthe crossinhisleft hand the
nthesilverco ins w ithasimilarinscription.
e isaga intheusua lGreek crossw iththe in-
T ' , U h l y 5.
F L E V O NI I I
fL evonI I I accountsforthecompara-
sleft byhim althoughtheyarebyno
type representingthekingonhorseback
ho ldingastaf f inhisrighthand. V arious
stingofletters distinguishthedifferentissues.
heusuall ionw alk ingrightbutnotfacing w ith
merousvariationsoftheinscriptionsl bh/Tu
8 a nd h l l l h R U Q U I R , h U h l a re l is te d in t he c or pu s.
nI I I e hibitmarkeddeterioration bothin
t— coinsweighing2. gramsandhaving
rareq uitecommon.Thestylingisalso
rlierkingsbuttheworkmanshipisfair and
flater kings.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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menia
a definitereductioninsi e andalthough
ecarein thepreparationofthedies most
truckthatonlyrarely doesonefinda
kandin agoodstateofpreservation.
isseatedorientalfashion crownedand
thand acrossinthe lef thand sim ilarto
oumII . O nthereverse isaGreek crossw ith
esign.
co insofH etoumII , insomecasesthe
s I b h /1 P l l U R / l / Al l & n , a l th o ug h i t is
nothers thereverse inscriptionis6 ubllP
hl .
evonI I I a retakvorins andslightvaria-
tributedto thegradualdebasementofthe
ooccuruntil thefallofthe kingdom.
i on s h al f t ra ms o f L e v o n I I I . N e ve r th e le s s n o
sking havecometoourattentionand it
d ianmayhavehadinmindsomeof the
F O SH I N
over12years it isnotsurprisingto f ind
hisperiod.A raretypeofcoinshowson
don athronealmostidenticalindesign to
e ceptthatithasaf ie ldmark w hichappearsto
ng andanotherf ieldmark lik eanE found
fLevonI I I . O nthereverse isacrossf lank ed
co insofL evonI . E x ceptforthenameof
isa lsosimilartothecoinsofL evonI . A s
secoinsshow greatartist iccare inthe ire e-
every few ine istence theyw ereprobably
oas coronationcoins andpossiblythe
essuponthe peoplethathewasthesuc-
L evon.
tudeofsilver coinsofO shinaresmaller
andinappearanceresemblethoseofhisprede-
um . G n r al e de l A rm n ie p . 16 8.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ings93
. O ntheobverse thek ingisonhorseback facingand
rksaremostlyletters orcombinationsof
sobviouslyindicatedifferentissues.O nthe
he usuallionwalkingrightwitha crossinthe
ntssomenovelfeaturesin thatforthe
hew ordsČ hubll Ghulllo rö hlbl. w ecome
namelyGhullo.Thisvariationappearsonly
sothatit ispossibletoascribeanysilverco in
w ordGhull eventhoughtheresto f the in-
ek ing sname isnotlegible .
sthattherewasa furtherdecreaseinthe
shin sco insascomparedwiththoseof
tro logica lstudiesshow thatingenera l theco inageof
ortothat ofhispredecessor bothinweight
mayhavebeentheresultof morestable
untryduring hisreign.
n I I I n o h al f t ra ms o f O s h i n ar e k no wn t o
ad ianmentionsareport onaw ell-preserved
ndj udgingf romthedescription thisw asa
type.I tisunfortunatethatthis single
dno othershavebeendiscovered.
kvorinsofO shinwithanArabic surcharge.
v ingasurchargebelongtoL evonI V , it is
eofOshin sco insfell intothehandsof the
coinsofL evonI V , andw eresurchargedfor
s.
naredefinitelyofa differenttypefrom
skings.They areverysmall weighingonly
ndarethuseasilydistinguishable f romthecopper
rs. WhilethecoppersofLevonI andthe
m I a r e d e si g na t ed a s ' N ' u ( t a nk , a n d th e
rsasf ll/ Sk 8( k arde ) , thecopperco insbe-
esentathirdclassk now nasp " ( pogh .
ecoppercoins thek ingisseatedona
ehandandacrossinthe le f thand very
sofL evonI . The inscriptionU R ö ht
bid. p. 171. R eferencetoanarticlebyH. H abeshianin
p e r A a d am a rd 1 1 1 N o .3 4 p . 5 44 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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menia
sua lly incomplete . Onthereverse there isalw ays
thvariousfieldmarks.Asin thecaseofthe
ehavethe inscriptions& P ubll C h ubl
e irsmallsi e few of thecopperpoghsof
andtheseusuallyinverypoor condition.
F L E V O NI V
nI V showconsiderablesimilaritytothose
Thesty ling poorw ork manship andtypeof
thecoinsofO shinthatwereit notforthe
name itw ouldbedif f iculttodistinguishone
a in ontheobversetherearevariouscom-
robablyindicatedifferentissues.Although
aresomew hatsim ilartotheearlierL evonI I I ,
gscanbereadilydistinguishedas theformer
lsobearletters asfieldmarksonthe
tethattherewasabouta ten-per-cent
thecoinsf romOshintoL evonI V , w ith
e silvercontent.
wereusedforaslong aspossiblesince
whichthefullwritingis legible.O nmost
f the lettersarev isible butso longasthe
spossibleto classifythem.Theinscriptions
e o bv e rs e I b h / / l /Q U R / l / A l l& m o r
/ Al l& n a nd o nt he r ev er se C h u bl l h R l l l l R u h U h l ,
ringin anabbreviatedform.
longre ign L evonI V issueda large
imatelyone-thirdof theco inse aminedby
oorconditionthattheycouldnot beplaced
ablenumberofco insofL evonI bearan
dnot beincludedbecauseoftheobliter-
esewere probablypartofthetributepaid
onI V , calledb/ ' l( pogh areaboutthe
thoseofOshin w eighingaround1. to I . 5grams.
k ingisseatedonathroneoradivan ho ldinga
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ings95
ndamacew iththeright. Withthee -
ersofonetype allofthesecoppercoins are
mm. indiameter. O nthereversethere is
sua llypla in butattimes decorated.
complete islbf/7 foll U R /l/All n on
e r ev e rs e ó p u bl ( o r C hu b ul h R U Q U A R ) , h U h u .
F Gl Y L U S GNAN
f tw oyears Guyhadlitt le timeto issue
nse uently hissilverco insareq uiterare
pperco insine istence.
tothoseofO shinorL evonI V .O nthe
horseback facingandw alkingright and
thand. I nthef ie ldthere isusua llyacircle
enera lly reads' ihP ll UR / l/ A ll&/ 18. Onthe
ngright andaboveinthefieldthere isthe
on i s a s us u al & P u b ll h R U Q U A R ) , h U h l w h ic h
realmostidenticalwiththoseof L evonI V
to distinguishthemfromeachotherwere
me. Ontheobverse thek ingisseatedona
onehand andf leursde ly sintheother.
e isacross usuallyornamented. The inscription
silvercoins.
F GO SD ANT NI I I
itw asnotpossibletodistinguishbetw eenthe
andhissuccessor GosdantinI V , sinceboth
earanceofthe coinsofthesetwokings
inhisclassictreatise isvery indef initeandun-
tionofthe coinsofthesetwokingsand
ofconsiderablerarity toGosdantinI I w ho
andthebalancetoGosdantinI w horuled
coinsof thesetwokingsshowedthat
twodistinctclasses ” thosehavingspecific
Mu se um N ot es V I , p p . 1 3 – 1 9 P l . X X .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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menia
ndthosehavingspecif icgrav it iesunder9. 0.
ofthesetwoclassesofcoins indicatedclearly
ecific gravity beingmoredebasedcoins
ataobtainedfromahoardand certain
ethismethodofidentificationbasedon
tions.
I I areratherpoorlymade andtheirlow
hema greyishappearance.Theusualdesign
ingon horseback facingandwalkingright
ghthand. Onthereverse a lionisw alk ing
dabovethe lion.Thefieldmarksserveto
osdantinI I I f romthoseofGosdantinI V .
eobversetherearecircles dots le ttersoranL
reverseusuallyhasdots att imesletters and
caseofGosdantinI V , boththeobverseand
orSshapedsigns. Theco insofGosdantinI I I
heobverseandanL orSonthe
heobverseof thecoinsofGosdantinI I I
SUL T. hu / / 1% ll/ s/l/ & ll 3 / 78andthereverse
o f & p u b ll h R U Q U A R , h U h l ( o r S U / U / T u ,
GosdantinI ismuchmoreuniform be ing
& p u bl h R U Q U A R , h U h l , a lm os t al wa ys c om pl et e
uted.
someofthe GosdantinI I I coinstothe
ck inTarsus( A rmenianDarson iso f in-
aminte istedinthatcity . Onlyonthese
scription “ Struck inthecityofTarsus.
sof thiskingdomcarrytheinscription
. Thequestionthereforearisesastowhether
previouslyandwhethersomeofthecoins of
kthere eventhoughtheydonotso state.
silvercoins Gosdantinstrucksome
unfortunate ly very few of theseare ine ist-
pearance thesecoppercoinsareverysim ilar
d L e v on I V .
inI I I struck inTarsusisfoundin
tonofR oupenianC oins p. 57.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ings97
.Thisspecimenindicatesthatbothsilverand
ntheTarsusmint. R ecently asecond
ecameinto theauthor spossession.
F L E V O NTH E U SU R P E R
n " andlaterbyGarabetian " theco ins
evontheU surper becauseof theirsty ling
egroupedunderoneperiod.
fone type withtheusualinscription
/- /7 < l l 8/ 18 o n th e ob ve rs e an d Ch u bl il / R . ' l l R u h U h l ,
customaryvariationsandabbreviations.O n
on horsebackfacingandwalkingright
thand. O nthereverse there isa lion
allyhashairy legsorahairy mane a
e lionsofGuyandofGosdantinI I I , but
evontheU surperhasthe inscription
< l l 6 / 78 o n b ot h s id e s.
atw hiletheco insofL evonI w eigh
ms thoseofL evontheU surperw eigh2.0to
fcantthattheco insofGuyandGosdantinI I I
2. 2grams. Onemightcommentthatperhaps
sinthe e ecutionoftheircoinsthan did
gs.
rdof120 coinsfoundin1874between
nsistingof:
ionlb l/ ,
I
o insw iththe inscriptionlb l/ Muhavea
aminationandcomparisonwiththecoinsof
tbecomesapparentthattheyarethew ork of the
renceinappearanceandstylingof the
vonI isdiscussed. Sibil ianconcludesthat
be contemporaryoftheGosdantins.These
m av eb 1 5 2 p . 16 7.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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menia
bservationsandindicatethekeennessof
s how ever impossible forSibil iantoacceptthe
gby thenameofL evonbetw een1 6 -1 65
ficienthistoricalevidenceinhistime.
lthecoinsw iththe inscriptionlb l/ T to
tantiatedbymetrologicaldataobtained
stobe littledoubtthatthesecoins canbe
reignedforappro imatelytwoyears.
fGosdantinI I I continuethesi eand
decessors L evontheU surperdidnotissue
nstead heappearstohaveemployeddies
thesilvercoinage.This isthefirsttime
wereusedtostrikecoppercoins andthis
thereignofhissuccessor GosdantinI V .
istinguishedfromthesilvercoinsnotonly
t alsobythefieldmarks.All ofthecopper
ethe letterP asaf ie ldmark .
ecopperco instoL evonV L usignan. Since
tothe coppercoinsofthislast king and
ndstyling tothecoinsof L evonthe
ccessor there isnoreasontoascribethemto
pperc oinsasbeingsilver.W hileitis
e agreyishappearancepossiblyduetothe
alsw ithcopper scratchingthemw ithak nife
avityestablishedthe factthattheyare
F GO SD ANT NI V
thecoinsofthis kingbearconsiderable
GosdantinI I I . I t isnow possibletodefinitely
eir inscriptionsandfieldmarks.
ataconsiderablenumberofthe coinsof
rvived.Thekingdomwaslimitedtoavery
tlyfairlylargenumbersofcoins werestruck
constantlydemandedbytheenemy.The
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ings99
elyinpossessionof considerablewealth ”
etemporarilybypaymentoftributein
o ins thek ingisasusua lonhorseback
nhisrighthandheho ldsamace. Onthe
lionw alk ingrightandacrossabovethe lioninthe
obverseshowsconsiderablevariationin
V R P , A l l A R / l / A l l& m b u t on t h e ob v er s e it i s
i ng C h u b li l ( o r C h u b l C h u ll h R U Q U A R , h
teform. Suchcomplete inscriptionsarese ldomtobe
dantinI I I .
yofdistinguishingthecoins ofthetwo
f ie ldmark s. ThoseofGosdantinI haveanL
erseandreverseofthe coins.O ntheob-
nder theking shorseandon thereverse
hipofthecoinsare q uitepoor.B ecause
lessthanhalfsilver— thecoinsareusually
dthepracticeofL evontheU surperin
ies similartothetypeused forsilvercoins
ostofthecopper coinsarepoorspecimens
becauseoftheir appearancefewhavebeen
hefield mark/resemblethesilver
gnand stylingthatthereislittle doubt
memonarch.
F L E V O NV L U S GNAN
dC iliciaatGorigosonA pril2 1 74 reached
4 w a s cr o wn e d ki n g on S e pt e mb e r 14 1 7 4 a n d
onA pril16 1 75.
thathistota lstay inSiswaslessthannine
mentionsthatw henLevonV surrendered theroya l
usstonesandtwocrownsvaluedat halfamillion
t possiblye aggerated indicatesthattheroya l
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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cianA rmenia
k ingforonly sevenmonths. I t isinterestingthat
nsthatL evonruledforsevenmonths tw o
atethathereignedfor elevenmonths—pos-
e lawfulrulerfromthedayof hisentry
tedthatinthisbrie fperiodof timeLevonhad
nandstrikecoins. H eundoubtedlydid
ncommercialtransactionsashehad topay
he coinsremainingintheroyal treasury.
insofLevonV arek now n andof these
tencalledbillons.Thebillonsweighless
copperco insaboutonegram mak ingthemthe
gtheentire historyofthekingdom.
ndicatethatavarietyof typeswere
the irsmallsi ehascontributedtothe irdis-
ebil lonsw enotonlyhavetheusua lin-
— l l R / l/ A ll & m , b ut a ls o lb f/ T P l l U R / l/ —
h /T / / 1% l l R / l/ — l l / b ul l& i < l l . T he t it le
a lltheA rmenians ” seemshardlyappropriatefor
nanditsenvironsforsuch ashortperiod.
e Armenians appearsonlyonthecoinsof
I I .
of thebillonsrepresentstheking shead
Hetoum sbillons andonthereversethere
ithitsvariations.
he obversealion whichasSibilian has
thelionofCyprusrather thantheArmenian
obversehastheusualinscriptionI bh/ ,
/ t he re ve rs eC h u b ll h R l l l l R u U h l o rl ll / b u ll t
someof thediesusedforthebil lonco inswerea lso
verseofthe coppercoins.
o c u m en t s Ar m n i en s V o l . 1 p . 6 85 . S ee a l so B a s -
u si gn an p . 52 .
tonofR oupenianC oins p. 71.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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offorgeriesofR oupeniancoinshave
The lackofinformationaboutthesecoins
and probablymadeforgeriesfinancially
w nforgeriesisaco inofL evonI w hichbears
he reverseindicatingadate.Although
coinsshoweddates thepossibilitythatthese
wasthesub ectofconsiderablespeculation
earethreespecimensofthisforgery
a lthoughduetodif f icult iesincasting they
ntonfirstglance.Sibilianpointedoutthat
notstruck andwereinappearanceobvious
onI isacopperco inw hichtheeditoro f
ntsasadif ferenttypeofco in. Thisco in o f
mensin theMehkitarianMuseumsof
issodif ferentf romalltheothercopperco insthat
ruckwithaverycrudelymadedie. There
riouscoin.
dinterestin Armeniancoins alargenumber
tramshaverecentlyappearedonthemarket.
enstruckwithadie andthenflattened
coin averyflatsurface.Theirgeneral
ohe ightinthe letters etc. mak ethe identi-
simple matter.
to thepublicareforgeriesof goldcoins
orsalein thepastfewyears.Aj ewellerin
sapparentlymadeadieofaL evonI typeof
.
d e l A r m n ie a um oy en ä g e p . 4 .
nofR oupenianco ins p. I I .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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nA rmenia
nggoldcoins andsomesilvercoinswithit.
coinsstruckwiththisdie havecometothe
nowhas oneofeachin hispossession.The
ood buttothetrainedeye thestylingis
niancoins.Theobverseiswelldone although
erandtothe right.Thereverseismuch
enaturalnessofthegenuinecoins andthe
ntfromthecommontypes.I naddition
evonI w eighbetw een5. 5and6. 5grams the
around2.5grams thusbeinglessthanthat
e aminationofsomeofthesecoinsrevealed
ointsofthe lettersinthelegend.
o f theseforgeriesareofLevonI co ins. The
efact thatmoreisknownaboutthecoins
boutthoseofthesucceedingrulers.
sratherdif ficulttopassforgeriesofR ou-
iffornootherr easonthanthefactthatthe
nsfromthesamedies wouldimmediately
o llectionnotformingparto fahoard the
sfrom thesamediesareverysmall indeed.
ctionofsevera lhundredHetoum-Z abeltrams
oftwocoinsstruckfromthe samedies.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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R E P O R T D
SO F R O U P E N AN CO I NS
reastofcollectionsnotin publicinstitutions
ot wellreportedandareveryoftendis-
ntrecord.
e B rosset studiedaboutsi tyco insin
llections.H especificallymentionedthe
A c ad m i e et l I n s ti t ut a s ia t i u e d u de p ar t e-
g res aSt. Pé tersbourg.
P aris
acas Paris
einSt. P etersbourg
spublicationwerefromtheR ussiancol-
a f t publishedavery interestingaccountof
a.Theseincluded:
n d An t ik e n K a b in e tt e V i e nn a
atherT imoni
taristMuseuminV ienna
n1850 L anglois gaveamoree tensive list
e laB iblioth q ueNationa le
agoy A i
annesofC astelSarra in
enice
ienna
aphiedesMonnaiesA rm niennes p. 45.
sco llectionisnow intheV iennaMek hitarianco llection.
.
e A rc h o lo gi u e 1 85 0 p . 26 8.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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A rmenia
ienna
erlin
St. Petersbourg
. Petersbourg
cioninC onstantinople
nSmyrna( I z mir
ttheR ussiancollectionsareveryrich.
an statedthathehade aminedthefo llow ing
ienna( 700pieces
enice
na
n
urg
B lacas
nstantinople
mberofR oupeniancoinsw hichhee -
usand thegreaterportionofwhichap-
ekhitaristMuseuminV iennaandthe
antinople.
w hoeditedSibil ian sbook andmade
mentionedthefollowingcollectionse -
ienna
enice
na
n
laB iblio th q ueNationa le inParis
Gotha
io n o f R o u pe n ia n C oi n s p . X V I .
throughoutSibilian sbook the“ notednumismatist is
hisname.Thepersonreferredtowas SerovpeM.
henotedauthorof themonumentalwork Sissouan
sapparentlyaw ell-k now nco llector andj udging
Sibilian musthavehadacollectionnumbering
f icationofR oupenianC oins p. 6.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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nC oinsI O 5
etersbourg
nArmenia
MonasteryinJ erusalem
annumismatist
wereapparentlythemostimportant
nswasmentionedbyB asmad ian in1 3 6
ntinople
eninak en(A rmenia
ianinP aris
sianinP aris
nB rothersinParis
d e l a B i b li o th q u e N at i on a le i n P a r i s
A rmenia
MonasteryinJ erusalem
18
nArmenia
ninCairo
e rs c o ll e ct i on i n P a r i s
eK ingofI taly
ngrad
eningrad
smad ianinP aris
e(I stanbul
scow
shianinParis17
umbergerco llectionisnow intheMus edesM dailles
Nationa le.
um . G n r al e de l A rm n ie p . 24 .
1 4 1 5 1 6 1 7 1 , 2 0 As f ar a s ca n be a sc er ta in ed n on e of t he se c ol -
ence.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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nA rmenia
aninA leppo Sy ria
aris1
arianinA leppo Sy ria
osSahagofSis now inLebanon
ienna
enice
aris
ehasbeenlitt lechangeintheco llectionsofpublic
berofveryimportantprivatecollectionshave
usofthis bookisbasedonthe followingcol-
orderofspecimenslisted.
ienna
nNew Y ork
ninB eirut L ebanon
irut L ebanon
enice
laB iblio th q ueNationa le inParis
minI stanbul
nB eirut L ebanon
nWichita K ansas
cSociety scollectioninNewY ork
o n in N e wY o r k
nP aris
sco llectioninParis
t ioninC annes F rance
eningrad
ngrad
teMuseumcollectioninA rmenia
ninNew York
A.E beyan B eirut L ebanon
ntheStateMuseumofA rmenia( E rivan . See
av eb 1 5 2 p . 15 6.
y importantco llectionof thefamousanti uedea ler
sgiventothew riterforanomina lsumbyhisson
ishtotak ethisopportunity tothank Mr. Ke lek ian
agingmystudy ofthecoinageofthis period.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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nC oinsI O 7
mentionedcollections thewriterhashad
miningthecollectionsorrubbingsofthe
x ford E ngland
ollection L osA ngeles C a lifo rnia
toninHollyw ood C a lif o rnia
nionC ity New J ersey
co llectioninJ erusalem
ioninNew York
oninNew York
oston Mass.
reknowntoe istbutwerenot available
rethereforenotincludedinthe corpus.
ectioninDamascus Sy ria
StateMuseumofErivan A rmenia
uminV ienna
ncollectioninB eirut L ebanon
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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startedwithanambitioussystemof
silver thelatterbeingofthree denomina-
5 g ms . t r am s ( 2 . g ms . a n d ha l f tr a ms
mapparentlyprovedimpractical.Thedouble
andeventually asthecoinagedeteriorated
andoned.
emainsilver currencyofthisdynasty
mentisgraphica llypresentedinGraphI . I t
co inagee istedduringtheperiodofLevonI
hiletheserulerswereonlytwo ofthefourteen
s theirreigncoveredaperiodofseventy-
1270 , asaga instatota lo fonehundredandseventy-
7 5 t h e du r at i on o f t he R o u p e ni a n dy n as t y as a
twasthe mostprosperousperiodofthe
ot onlyofuniformweightbutalsohave a
nt.O fthe7886silvercoins mentionedin
5belongtothesetworulers.
eco insofLevonI andHetoum-Z abelw ere
ghtandconta ined9 0percentsilver. During
, therewasadeclinetoabout2.6gramsand
belk ings SmpadandGosdantinI appar-
appreciably butsincetheystruckonly a
thisconstitutedbuta feebleattemptto
ards.Thereafter thecoinsgraduallyde-
gramsto 2.0grams andthesilvercontent
ss than40percent duringthereignof
one istsinthecopper coinage.The
andHetoumI ( 7. 2grams soongavew ay to
e t o um I , L e v on I I ( 4 . 5 gr a ms , f o ll o we d b y
3 . 5grams duringtheperiodofH etoumII .
oinagewasfurtherreducedin si etopoghs
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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andcontinueddeclininguntiltow ardstheendof
tw asI gramorless.
lvercontentof thetramsbytaking
bestappro imateandadmittedly sub ect
easatisfactoryovera llpicture . I nmak ingthese
iouslycorrodedspecimensorthosesub ected
otused andit isprobablethatagraphbasedon
ouldresultina similarcurve.Theerroris
latercoins because j udgingfromtheir
a inmeta lsotherthansilverandcopper. It is
mindsincethemethodusedin assigning
theassumptionthatthecoinsweremade
silverandcopper.
theco insusedinmetro logica lstudiesw ere
ollection.Asthis collectionisarather large
es gatheredoveraperiodofyears itrepresents
ecoinageof theperiodunderconsideration.
H TNO . O F S L V E R C O NT N T
NS E C -H I GH L O W AV E R .S E C -H I GH L O W AV E R .
65. 4659 8849 5
8 8 2. 4 5 2. 6 9 9 3 8 8
. 06 I . 25 2 9 8 8 6 9 2
8o49 88 8
. 1 2 .5 4 2. 84 3 9 4 8 1 8
20 2 .5 2 2. 8 5 9 4 7 8 7
02 .5 2 .8 I 8 8– 8 5
. 0 2 .8 52. 6 4 9 68 9 0
3 . 04 2 .4 6 2. 76 3 9 5 8 29 0
2 5 3 . 7 2 .4 2 2. 82 I o 9 6 7 5 8 7
. 05 2. 7 2 . 1 I 8 8– 8 8
3 2 . 78 2 . 85 3 9 0 8 2 8 7
d 5 3 . 0 2 2. 8 7 2. 6 2 8 7 8 1 84
o 3 . 1 5 2. 56 2 . 9 3 9 6 8 49 0
. I O 2 .5 52 .8 6I o 9 3 8 8 8
2 3 . 0 2 .5 6 2. 0 9 9 2 8 1 87
O 2 .6 2 .8 9 8 8 8 5
h em i st r y 1 5 2 p . 6 76 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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cianA rmenia
H TNO . O F S L V E R C O NT N T
NS E C -H I GH L O W AV E R .S E C -H I GH L O W AV E R .
8 . 8 6. 7 7 .4
7 .5 6 . 7 .0
. 66. 67.6
L ”
7 4 2. 8 4 3 9 4 9 0 Q I
40 I . 46 2 9 3 8 7 9 0
4 6 3 . o 2 .8 2 . 6 2 O 9 5 9 0 9 2
4 3 . 1 5 2 . 82 2 . 5 3 9 2 8 8 9 0
67 3 . 0 2 . 82 2 . 6 1 7 9 8 8 9 2
. 2 0 2 . 80 2 . 4 2 9 4 8 6 9 1
0 2. 1 3 8 4 8 2 8
2 . 4 I 9 0 – 9 0
8829 08688
48.65.27.2
. 0 7. 0
07. 6
5.76.5
. 4 4 .6
64.5
4.
45 I . 4 I . 4 2 8 48 8 4
. 3 I . 2 I . 0 2 6 5 05 7
essive lyw ornspecimensw ereomittedandonly those
erwerelisted.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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N
/ 7
H T
L O W AV E R .
R C O NT NT
L O W AV E R .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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a
N
L O W AV E R .
S U R P E R
R C O NT NT
L O W AV E R .
ecif ic
2.25gramsorover weretaken.
2.25gramsorover weretaken.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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erCoins
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ntofTrams
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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owerlimits.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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S
s work theauthordependedforthemostpart onactualrubbingsmadeofthe coins
aterialwhich unfortunately isoftenunreliable.
tabulatedanalysesaregivenofthecoinageof eachrulerandthespecimensfound in
mari edversionofthesetablesis alsogivenfortheentire corpus.
M B N P H H K A N K K A A B M N K B M S8 I S
I 4
3 1 2 1 2 3 6 2 I 3 I 9 8
12 I I 2 3 4 I 2 I 3 2 I I 3 4
I 3
I I I 2
5 6 4 1 1 6 I 3 3 7 I 6 7 6 8 I 3 3
4 .20 I I 5 26 I I 3 I 4 I I 3 4 4 I I 2
1 61 2 I 9 7 2 2 5 3 3 2 5 1 83 4 4 6 1
3 22 4I 2 I I I I I I 5 5
5 4 I I I I 2 I 2 24 74
7 2 2 2 6 2 22 7 I 2 2 I 4 68
I 3 3 8 8
7 2 3 2 I 3 6 6
erspecimens. " I ncludesonecopperspecimen. ” I ncludestramsw ithonelion.
M H E , E B a nd J G c ol le ct io ns . * I n cl ud es I S a nd I S -H ( H o a rd o f1 60 0 L e vo n I t ra ms .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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M B N P H H K A N K K A A B MN K B MS
e tc . 8
n ed 3 5
2 4
c 6 4
ig n 2 1
r Ta n ks
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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0
4
810
5810
bbingsofV MandK tramswereaccidentallymi edandconse uentelya llplacedunderV M.
K A N
L
9 40
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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N
L
op pe r
MS
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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6
) 2
I
S il ve r
pe r
B i l lo n
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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M B N
C op pe r
S i lv er
per
A B M N K B M S
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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— Si lve r
op pe r
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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M B N
S il ve r
mostof theco insinthisco lumnareL evonI V . Some undoubtedlybe longtoO shin.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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pe r
— S il ve r
– C op pe r
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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A NK K
S U R P E R — S i lv er
R P E R — C op pe r
S il ve r
C op pe r
i ll on
er
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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L
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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M B N P H H K A N K K A A B MN K B MS I S
.
I I 5 I 7 7 8I 3 2 2 7
I 2
S U R P E R
2 5 I I 2 5 4 9 3
4
1 82 6 I 3 I O I O 2 7 4
5
on 73 2 I I I 4
I 9
6 4 6 2 3 1 7 3 5 7 1 5 4 2 22 I I I 8 8 0 8 7 3 6 4 1 o 1 8 8 7 88 6
7 1 6 1 2 8 2 0 2 1 7 5 4 0 4 1 3 8 4 7 1 7 54 9 5 2 1 2 56 7
2 8226 75 05183 5 3 2 262I 52I 27I 27I O 49 o505200 I O 45
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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e clusiveofcountingerrors containsthefol-
E R . . .. . . . .. . . . .. . . . .. I
S . . . . . . .. . . . .. . . . .. . . .3
A NT N ( ? ) . . .. . .. . .. . .. . I
O N I I . . .. . .. . .. . .. . .. . .. . O
S . . . .. . . .. . . . .. . . .. . . . .. I O
. . . . . S i lv e r . .. . . . . . . . 4 08
L . . . . Si lv er . . . .. . . .. . 18 6
. . .. . . . Si lv er . . . .. . . . .. 3 2 4
. . . .. . . B i ll on . . . .. . . . .1 7
Si l ve r . . . . . . . . . .4
. . . . Si l ve r . . . . . . . . . . I O
. . . . .. . . . Si lv er . . . .. . . .. . 22 2
. . Si l ve r . . . . . . . . . . 2 5
. . .. . . . Si lv er . . . .. . . . .. 3 9 9
Si l ve r . . . . . . . . . .4 6
. . . . . S il v er . . . . . . . . . . 27 7
S U R P E R S il ve r. . .. . .. . .. 9 3
. . . . . S i lv e r . .. . . . . . . . 2 74
.. . . .. B i l lo n .. . . . .. . . I 4
. . . . . . .. . . . .. . . . .. . . - -- - - I 2
N A N( ? ) . . . . .. . .. . • - - -- - I 3
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
http://slidepdf.com/reader/full/coinage-of-cilician-armenia-by-paul-z-bedoukian 166/585
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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F T H E C O R P U S
achronologicalorderofrulers.
egivenintheorder ofcompletenessofthe
ndereachobverseinscription there-
dbeginningwiththe mostcompletelegend
ompleteone.V arioustypesofcoinsissued
ingthesameobverseinscriptionarelisted
Aninde oflegendsappearsattheend of
ew eight( ingrams andthepercentagesilver
en alongwiththelocationofthat specimen.
citationindicatesthenumberof coinsof
ol l ec t io n . Th u s 2 . ( 8 8 % ) , P B ; W M ( 9 ) ,
coininq uestionw eighs2. grams hasa
andisinPB co llection a lso that9 specimens
M co llection. Thecitationsaree pla ined
.
atthespecimenis illustrated.Thelocation
icatedby* markprecedingthecitation.
nsecutively eachtypevariationbeing
Thoseofthesame variety thoughnot
die aregivenasinglenumber.
ddieposit ioninstrik ingtheco insof this
shavebeenomitted.
hasalso beenomittedsincetherewere
onsineachtypeandthe specimenswere
ar.Asufficientnumberof coinsareillus-
ndicatethesi eandshapeofmosttypes.
tographsweretakenfromaluminumpaper
etheyappearto lackcontrast buton
nifyingglasswillshowmuchof thedetailof
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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( 1 14 5 1 16 ) .
) / m/ mu
R I N C .
N C . A t tr i bu t ed t o a n ea r ly R o u p e ni a n pr i nc e
I o 5 I o 9 ) o rT or os I ( I o 9 — 1 1 2 ) .
R R / / /
I o 9 – I I 2 ) or TO R O SI I ( I I 4 5 1 16 ) .
ndcharacters.
( 1 ( L e ge nd cl oc kw is e
oN I I . ( 1 187 11 9 )
nI ]
U l l / l l 11 8
kh
f theA rmenianPeople p. 1 3 . A lthoughthiscoinis
ianco insintheC abinetdesM dailles it isim-
telytothisperiod.
p. 3 78. Thisappearstobeagenuineco inandbears
ngtothe earlyCrusadercoins.Theconditionof
readingoftheinscription.
ininvariousnumismaticbooks thisisarather
ttleresemblanceto thecoinsofthis period.I t
n acoinstruckfor circulation.Asecondspecimen
srecently seenbyP rof . A . DonabedianinB eirut.
f somanyspecimensindicatesclearly thatL evonhad
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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nA rmenia
tarianMuseum
tarianMuseum
d ia n C ol l ec t io n B e i r u t L e b an o n
m B e i r u t L e b an o n
e N ub ar P a r i s
e N a t io n al e P a r i s
u e N at i on a le P a r is
ca l M us e um E r i va n A r me n ia
ia n N ew Y o r k
p os s es s io n o f D r . D e r G h a a r ia n
wl o st "
P l l U R / l / Al l& / 18
# I l l /S R U / 1 8
( 1 .
l N R / l / Al l& / 1 8
/ ho/
1 ; N ( 1 ; V M 1 ( ? ) .
H E T O U MI
- /l / A ll 2 4 / 8 +
N ' l lh /7 < l l / 78
M 1 .
k h , / 7% & l l / 1 8
" , l .A l ' l l/ m
S 1 .
use ofthee istingmintbeforehiscoronation.
edw erequitew ornbutacarefule amination
ruckwithmorethan onedie.
m a ve b J u l y- S ep t . 1 5 2 p . 1 56 .
thego ldco ins seep. 68.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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truckinAntioch
I G R AT A 1
N O R
D E I GR A T A
N O R
D E I / // // /
N O R
E X 2
AMS
R / l/ I I I / b ul l t A ll 5/ 18
l l/ f ul l U S m R ø / 1 8 R e v .N o f ie l d ma r k.
P B , P B ( 1 ; E R ( 1 ; V M 1 ; W M 1 ; M M 1 .
U U S m R ø / 1 8 R e v. F i e ld m a rk h t o
( 1 ; B N 1 .
U U S m R w n R e v .F i e ld m a rk C t o
lu ff U U S / R W I 1 8 R e v. L i o n fa ci ng r ig ht
ue A rc h o lo gi u e N . S. 1 6 3 o e . p. 3 4 5 3 4 , 1 87 5 .
titspresentwhereaboutsisunknowntome.
thecoindescribedasasecondvariety inB asmad ian
stlikelyanerroronthe partofthedie-maker
lionfacingrightis alsofoundinthehalf double
ted:Nos.66and67.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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nA rmenia
L u s m R w m R e v. F i e ld m ar k A t o
( 1 .
U S / T h ir / 18 R e v . C i n u e f o il t o l ef t
w nsR ev . Nof ie ldmark .
M 2 ; E R ( 1 ; B N 1 .
, A l l n
I U S / R T / 1 8 R e v . D o t u nd e r li o n.
I / S / h b / 1 8 R e v . Ci n u e fo i l ov e r
R U / 18R ev . Nof ie ldmark .
( 1 .
f U U S mR ø / 18 R e v .C in u ef oi l to l ef t
5: 55 ( 9 8 %) , * P B ; 5. 40 5 .5 0 K K ;
; AN 2 ; B M 1 ; E R ( 9 ) ; MM 1 ; B N 2 ;
U S mR w m R e v . N o fi e ld m ar k .
, P B ; W M 1 ; N ( 1 ; B N 3 ) ; E R ( 2 .
U S m R w / 1 8 R e v . Ci n u e fo i l to l e ft
P B ; 5 .25 * K K ; W M 3 ) ; E R ( 6 ; V M 1 ;
1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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S / R U / 1 8 R e v . Ci n u e fo i l to r i gh t
I I I / Sm R ø / 1 8 R e v. Ci n u ef oi l to l ef t
; * W M 2 ; V M 2 ; E R ( 4 ; B N 1 ; E B ( 1 ;
U S / R / / 1 8 R e v . H a l f mo o n to l e ft
M 1 .
U U S mR w / 18 R e v . H a lf m oo n to l ef t
U S mR ø / 18 R e v .D o t u nd er l io n s
1 .
U U S m R w /1 8 R e v . Ci n u e fo i l un d er
S m R w / 1 8 R e v . Ci n u e fo i l to l e ft
U S mR w n R e v . Ci n u e fo i l to l e ft
U B / 7 8
U U S i l k w/ 1 8 R e v . Ci n u e fo i l ov er
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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nA rmenia
I I / S mR w / 1 8 R e v . D o t t o r ig h t of l i on .
A MS O F CO P P E R "
b u l l , A ll #0 8
I / Sm R w n& S im il ar t o 2 .
U S m R ø / 1 8 Si m il a r to 2 7 .
E T R AMS
/ l / Al l& / 1 8 b
I U S m R w / 1 8 R e v . Ci n u e fo i l to l e ft
l l /S / /w / 18 R e v . h . t o le f t of l i on
1 .
3 U . 8 /7 8 /
/ S mR w / 1 8 R e v . F i e l d ma r ks a s i n
2 ; A N 1 ; MM 1 .
I I / S /1 0 /1 8 R e v . F i e l d ma r ks a s i n
esecopperdoubletramsispu z lingespecia lly inv iew
sofhalfdoubletrams havebeendiscoveredso
althoughtheyappearedtobe struckwithadie
Thesearetheonlycoppercoins ofL evonI
ilvercoins.Thereis howeverasinglespecimen
um-Z abelco in(No. 1421 andacopperco inof
s t ru c k wi t h si l ve r c oi n d ie s .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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SA w /18R ev . F ie ldmark sasin
.
R / l/ Al l m
bl uf f U U S / R W I l R e v . No f ie ld m ar k.
2 ; E R ( 1 ; B M 1 ; B N 2 .
U U S m R w / 1 8 R e v . No f i el d m ar k .
8 % ) ; 2.77 ( 8 % ) ; 2.7 , * P B ; P B ( 3 ) ;
8 ; AN 2 ; V M 1 ; M M 4 ; B N 8 ; I S 1 .
S/ R u f l R e v .C i n u e fo i l to l e ft
P B ; E R ( 1 ; B N 1 .
U S / R W I l R e v. F i el dm ar ks as
U S m R w /1 8 R e v . h .t o l ef t o f li o n.
1 ; V M 1 ; AD ( 1 ; M M 1 .
S m R w n s R e v . I l t o l ef t o f li o n.
f t U U S m R w / 18 R e v . h . t o le f t of l i on
1 ; E R ( 4 ; * W M 3 ) ; B M 1 ; MM 2 ;
1 .
S m R w n& R e v . D o t t o le f t of l i on .
S m R w / 1 8 R e v . Ci n u e fo i l to
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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a
R ø / 1 8
S / 1 0 // 1 8
S A / 18
62.
62.
2. 72 ( 9 3 % ) ; 2 .6 0 ( 88 % ) ; 2 .66 2 .6 ,
E R ( 2 ; M M 2 ; B N 3 ) .
u I I .U SA ( 1 8
2.
P B ; W M 4 ; E R ( 3 ) ; V M 1 ; N ( 1 ; B N 2 .
S A / 18
l /S / 10 / l
1 ; E R ( 1 .
U S / . 7 /
/ 1 8
1 .
U S T /1 8
S R / 18
S R / 1 8
S / 18
P B ; E R ( 1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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I U S R U / 18 R e v .F i e l d ma rk s as
? ) U U S m i r n R e v . No f i el d m ar k .
I U S m h / 1 8 R e v . L i o n t ur n ed r i gh t .
B ; 2 .5 5 K K .
U U S mR ö m R e v . As a bo ve b ut w it h-
I ) .
s.
f o ll . R e v . N o fi e ld m a rk s .
78
P B ; E R ( 1 ; * B M 1 .
/ l/ 3 U 8 / 18 H
howsadraw ingofaq uarterdoubletramw hichSchlum-
pecimenin MarkarAlishan scollection.The
not knownatpresent.Asinglespecimenwas
ardandtheauthor sco incamef romtheKelek ian
mSibil ian sdraw ing theauthor sco inmaybethe
Theoriginofthe B ritishMuseum sspecimen
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
U B l l h
u n # -
/ l / Al l / 18
d£-H .
1. 0 P B ; 1. 0 K K ; * W M 1 ; V M 1 ;
.
# H –
l / 18
as ' +
B , P B ( 1 ; * W M 2 ; V M 1 ; B N 3 ) .
S m i r n + +
T& l l 6
O R T / # +
< l l 1
U S ( + + - R e v. L i o n sa nd c ro ss
thatthiserror—invertedcrossandlions—occursona
7 – 680.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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T A MS
I R / l/ Al l n
0. 1% m
I / S N 00 8
S m /
u n ? )
S n
T & l l / 1 8
U S
M 1 ; B M 1 ; N ( 1 .
< l l / 7
U U S n
U U S /
P B .
1 .
/ 7 < l l#
( I ) .
sintheV iennaMekhitarianMuseummarked
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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m # -H -
mn " + –
M 1 ; I S-H ( 1 .
+ –
( 5 ; H E ( 1 .
I / Sm R ø .
U S m ir n
( 1 .
S mi rn
1 ; I S-H ( 2 .
S mh + + -
2 ; I S 1 ; I S -H ( 4 .
# + —
1 , W M 1 ; B N 2 ; I S 1 ; I S -H ( I ) .
U S m h
S U l
r v
1 ; MM 1 ; I S-H ( I ) .
U S m w
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
U U S n { - - o nv er y sm al l 6.
M 1 ; I S -H ( 22 ; J G 1 .
S U # H
S / + + —
I S + + –
2 ; I S -H ( 1 ) .
U U I { - - -
U U # -
Al l & m
re lyw ithincircle
us mR o m + + -
M 1 ; I S-H ( 2 .
g# -H-
( 1 ; W M 3 ) .
4-H -
; K B ( 1 ; I S 1 ; I S -H ( I ) .
# -
1 .
' + -
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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Al l / 18
cle
m( H - :
( 1 ; I S-H ( 4 .
( " — H . :
1 ; I S-H ( 7 .
I I L S U / ( + + - :
S 1 ; I S-H ( I ) .
f l
pcross
U S / mh f [ - i-
m ( - - -
N W ( - -
m i ( - i -
R / l/ & l l / 1 8
rn e d ou t wa r d "
m a gn e ( + + - —
P B ; * W M 1 ; MM 1 ; I S -H ( 5 .
gne( + + -
.
hilethe obverserepresentsadistinctiveand
hereverseshowsseveralvarieties.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
nR 8 0 8 ( + + - :
M 1 ; I S -H ( 2 .
m R 8 0 8 ( + + - :
( 1 .
808( + + -
B .
6 0 ( + + -
sm ( + + -
1 .
S m 80 ( + + -
/ l/ Al l m
rnedoutw ard
i um ( + + - :
M 2 ; A D ( 1 ; MM 1 ; I S -H ( 2 ; J G 1 .
S mR w ( + + - :
M 4 ; V M 2 ; I S-H ( 3 ) .
( 3 - H :
-H ( I ) .
+ + -
1 .
U S m ir ( + + - :
0. ( ++ -
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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S / R ( + + - :
1 ; I S -H ( 2 .
T G ( + + - :
l m il o ( + + - :
U U S R ( + + - :
/ Al l n
hfootstoo l
i 8 0 8 ( + + -
2 ; N ( 1 ; H K ( 1 ; M M 2 ; I S -H ( 2 .
U U S mR 9 0 8( + + -
1 ; A A 1 .
gn ( + + -
-H ( 2 .
gne( + + -
0% ) ; 2 .56 2 . 8 ( 9 6 % ) , P B ; W M 2 ; I S 1 ;
0 8 ( + + - —
( 4 .
I l l/ S/ R 8 / 18 ( + + -
I ) ; J G 1 .
R / /7 1+ + -
ha m ( + + -
( 1 ; V M 1 ; N ( 1 ; AD ( 1 ; A A 1 ; V M 2 ;
4 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
h am ( + + -
P B , P B ( 1 ; K K ( 1 ; W M 1 ; N ( 1 ;
1 ; I S-H ( 3 ) .
n an ( + + - .
na n ( + + - - .
mn a n ( + + -
, U U S N / # + — , R e v. A rt is ti c cr os s.
/ l / 3 1 16 /1 8
ootstoo l
s mi 8 08 ( + + -
1 ; I S -H ( 2 .
a gn e ( + + - -
1 ; H K ( 1 ; I S -H ( 5 .
a gn ( + + -
a gn e ( + + -
ma n ( + + -
I ) .
sm i sm ( + + - - -
; W M 2 ; A D ( 1 ; I S -H ( 4 .
u sn R 8 0 ( + + - :
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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/ l / Al l& / 1 8
inscriptioncircle
gn ( + -
S / R T / 1 8
( 1 ; W M 3 ) ; M M 1 ; B N 1 ; I S 1 ; I S -H ( 9 ) .
/ S / R U / 18 * ( + -
P B ; AD ( 1 ; I S-H ( 2 .
/f U U S mR ø / 18 * ( + + - O b v .S om et im es s ta r to
/ S /T h 0 8 l ef t o f cr o ss .
; 2 .88 ( 9 3 % ) , P B , P B ( 3 ) ; * V M 5 ; W M 3 ) ;
1 ; MM 1 ; B N 3 ) ; I S 2 ; I S-H ( 15 .
us mR o m ( H - .
I J S /T R 9 0 8
2 .82 ( 88% ) , P B , P B ( 1 ; W M 3 ) ; B M 1 ;
; I S -H ( 5 ; J G 1 .
mR ø m s * ( + + -
/ Th / 18
1 ; A N 1 ; I S 1 ; I S-H ( I ) .
w ns" ( t+ -
S / TR 9 0 8
us mR o m ( + -
R 9 / 1 8
.
U S mR ø / 1 * ( # -
U S / R 9 / 18
2 .
mR w n * ( · - -
S O R 8 / 1
B , P B ( 3 ) ; K K ( 1 ; V M 1 ; W M 1 ;
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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A rmenia
u sn R w n * ( + + -
/ S/ R S )
1 ) ; V M 1 ; H K ( 1 ; M M 1 ; B N 1 ;
( 2 ; E B ( 2 .
U S nR ø m * ( + - R e v. S om et im es d ot
5% ) ; 2.85 P B ; W M 3 ) ; M M 1 ; I S-H ( 3 ) .
U U S mR ø m * ( s -H - . R e v . So me ti me s do t
ul l. U S /T h / 1 O n ' i
2. 6 ( 8 8% ) , P B ; * W M 5 ; A A 1 ; MM 2 .
U U S m R ø m * ( H - .
/ R 8 /
( 9 0% ) , P B ; W M 1 ; K K ( 1 ; I S 2 ;
ft U U S mR w n* ( H -
I S / R S /
) ; H E ( 1 .
u U V S / R ø / > { + + -
w n* ( # -
U B / 7 8
U S mR 8 0 8 ( # —
( I ) .
U S m R o m ( + + - - -
l l. S / R 8 / 18
1 ; I S-H ( 2 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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U U S mR ū n " ( t + -
, I I I I S/ h /1
1 .
w n s ( + + -
# I U S /T h / 1
( 1 ; I S -H ( I ) ; J G 1 .
U S mR ū n " ( + + -
Nf U U S mh n - + — .
S -H ( 2 .
S nh 0 * ( s - -
u I U S U R I / * ( * — —
/ 3 U B / 78 1
uu s mn o n ( + + - R e v .I n s cr i pt i on
M 1 ; MM 1 .
n R o n ( + + - - * R e v . I n s cr i pt i on
I ) .
/ l/ Al l m
-artist ic
sm a ns k ( + + - -
2 ; P H ( I ) ; MM 1 .
es i n N os . 6 7 – 6 8 oc .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
m ag n ( + + -
M 2 ; V M 1 ; A D ( 1 ; P H ( I ) ; MM 1 .
1 .
S m h 0 8 ( + + - - . O b v . So me t im es w i th
4 ; P H ( 3 ) ; A D ( 1 ; K B ( 1 ; H K ( 1 ; M M 3 ) .
a gn e ( + + - - >
1 .
m i n ( + + -
P B ( 1 ; P H ( I ) ; I S-H ( 4 .
mi 9 0 8 ( + + -
1 ; I S -H ( 2 .
nR 808( + + -O bv . Threedotstoright
M 1 ; AD ( 1 ; I S-H ( 3 ) ; J G 1 .
m/ Sm ( + + - --
P B ; V M 5 ; W M 2 ; MM 2 ; I S -H ( 7 .
sm ag n e ( + + - - -
; AD ( 1 ; I S-H ( 1 .
S m R 8 0 8 ( + + -
M 1 ; B N I ) ; I S -H ( 2 .
us ma gn ( + + -
1 .
us m ag n e ( + + - - -
S m h 0 8 ( + + - - - O b v .S t ar u n de r c ro s s
I ) .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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808( + + -O bv . Threedotstoright
I ) .
s m ag n e ( + + -
( I ) ; E B ( 1 .
sm a gn e ( + + - :
hmgm( H -—# R ev . Twodotsw ith
S S.
u s nR 8 0 ( + + - :
9 2% ) ; 2. 3 , P B ; W M 2 ; V M 1 ; P H ( I ) .
sm h 0 ( + + - #
2.8 , P B ; W M 1 ; P H ( 2
0R / f u I I U S m R 9 0 ( + + - - - O b v. S om e wi th f ou r
B ; * W M 4 ; V M 2 ; I S -H ( 7 ; H E ( 1 .
80( + + - :
1 ; H K ( 1 ; P H ( I ) .
. S / m/ g /n ( + + - O b v . T h re e d ot s u nd e r
1 ; V M 2 ; P H ( I ) ; I S -H ( 3 ) .
a n ( + + -
1 ; A N 1 .
im h 0 ( + + -
1 ; V M 1 ; M M 1 ; I S -H ( 2 .
an ( + + -
M 1 ; H K ( 1 ; M M 1 ; I S-H ( 6 .
++ -
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
U S m R 8 0 ( + + - - . O b v . T hr e e do t s un d er
8 0 ( + + - - >
( 3 ) .
0 ( + + -
1 .
sm i sm ( → - - .
a n ( + + -
0 ( + + -
n an ( + + - - .
s mi sm ( + + -
sm( ++ -
( I ) .
u sm i sm ( + + - O b v . S t ar t o l ef t
U S mh ( + + - .
1 ; P H ( I ) ; A D ( 1 ; M M 1 ; I S -H ( 5 ; I S 1 .
U S mh ( + + - O b v .T hr ee d ot s un de r
1 ; I S -H ( 2 .
U U S mR 8 ( + + -
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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U l S /h
( 2 .
ft U l l S mh
.
l l l S / /n g
.
/l hp -f i l l S /h g
( 2 .
/o f U l l S /h g
S U / g
of t U l l S /m /
l l S / 1
U l S /n g
U l l S /7
S/ 1
e ( ? )
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
U U S / ( + + - O b v. D o t s un de r fl eu r
.
, U U S ( + + -
ft U U S ( + + -
( 5 ; I S 1 .
R / l/ Al l m
u sm an s ( + + - -
( I ) ; I S 1 .
, U U S mh 0 8 H ( + + - O b v .T hr ee d ot s to r ig ht
1 .
sn R 9 0 8 K ( + + - : O b v . Th r ee d o ts a b ov e
m i 9 0 8 k ( + + -
h/ ft U U S mh 0 8 ( + + - . O b v. D o t s ab ov e cr os s
; I S-H ( 3 ) .
808( + + -- -Obv . Sometimesw ith
; K B ( 1 ; I S-H ( 10 .
k/ f u U u s nR 8 0 8 ( + + - O b v . S o me t im es w i th
( 2 ; M M 1 ; I S-H ( 3 ) .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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u sm n gn e ( - - -
1 ; V M 1 ; I S-H ( 5 .
mngne( - -
( 2 .
mngne( - -
-H ( 1 .
S n n gn e ( - H – O b v . T h re e d ot s u nd e r
( 3 ) .
S n h m 8 ( - H - O b v . T h re e d ot s u nd e r
; I S -H ( 5 .
u u sm n gn e ( - - :
S n n gn e ( -
snhgn( - -Obv . Threedotsunder
P B ; W M 7 ; V M 1 ; H K ( 1 ; P H ( 1 ;
gn ( - H - S m al l 8 .
% ) , P B ; P H ( 3 ) ; A D ( 1 ; H K ( 1 ; M M 1 .
sm ng n ( - - -
P B ; P B ( 1 ; W M 2 .
s m ng m ( - H -
1 .
ningn( - -
M 1 ; P H ( 1 ; H K ( 1 ; I S -H ( 14 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
mit5m( H - - - - . Obv . Threedotsabove
; I S -H ( 6 .
S m h 0 ( + + - O b v . T h re e d ot s u nd e r
1 ; MM 1 ; I S-H ( 2 .
U U S mR 9 0 ( + + - -- O b v . W it h or w it ho ut
1 ; AD ( 1 ; I S-H ( 4 .
U U S mh 0 ( + + - O b v. W i th o r wi th ou t
1 ; B N 2 ; I S -H ( 2 .
ng n ( + + - :
( I ) .
ma g n ( + + -
mh a m ( + + -
P B , I S 3 ) .
t U U S mh 0 ( + + -
( 6 .
/f u U u sn R 8 0 ( + + -
u s mn n ( + + - :
I ) .
u s im h 0 ( + + -
0 / 8R , U U S mh ( + + - —
5 ; P H ( I ) ; I S -H ( 7 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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n s ( + + -
1 ; I S -H ( 2 .
m ns ( + + -
( 4 .
m 8 ( + + -
u sm n s ( + + - - -
u us mn s ( + + -
/ R W , U U S / 1 ( + + - O b v .T hr ee d ot s ab ov e
( I ) .
U U S m ( + + - O b v. T hr ee d ot s ab ov e
; I S -H ( 5 .
/R W , U U S /1 ( + + -
1 0R / /# I U S /1 ( + + - :
u s me ( + + - - .
tu us me ( + + -
tu us ms ( + + - :
u us ms ( + + -
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
U S /1 ( + + - O b v. 4 /7 8/ 78 .
P B .
U U S m l( + —
U U S $ ( + + - O b v . Th re e do ts u nd er
R /T & l l# /1 8
ool
m R w n # — H -
S / h t /1
S mR w n
S / N m
7 .
, U U S /R w n
u U U S / R w n
U U S mR U
1 .
U U S mR ø
S / R U
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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U S mi r # --
{ - - -
- -
U U S ) 4 H
( 7 .
# + –
U S + + –
< l l # /1 8
c
+ -
( 2 .
( # - -
, " - - -
M 2 ; I S-H ( I ) .
m n ' + –
' + –
U U S ml + + -
1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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anA rmenia
U S m /
U S m R
U S n k
l / Sn k
I / S /T
U U S mi r
S /
1 ; V M 1 ; I S -H ( 1 .
R / , U U S+ + -
l l m
rtist iccrossw ithincircle
sm ko ( 1 + - :
M 2 ; * W M 1 ; AA 1 ; MM 1 ; I S -H ( 2 ;
, I U S /h t ( — - —
, U U S U R ( + + - :
1 .
S / NA ( — # — s
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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turnedoutw ard
4 3 — :
/ , U U S O R ( + + - :
( 1 .
T T ( + + - :
.
m ir ( 4 -# — :
B ; W M 1 .
) ( + + - :
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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rmenia
&
w ard
8 0 8 ( + + - :
mh ( + + - :
U U S / ( + + - :
& l l
rt ist ic
n # H
1 .
U U S R + + -
U U S /# + —
; I S -H ( 6 .
U U S * — H
( 3 ) .
l 6 1
ns( ++ -
am( ++ -—
1 ; V M 2 ; I S 1 ; I S-H ( 7 .
iso f tenverysmallandsimplif iedintoa line .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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m h ( + + -
D S / R : ( + —
u l /S m/ ( — # — >
- - -
1 .
I l l/ S/ ( + —
1 ; I S 1 .
/ ( + —
1 ; P H ( 5 .
U S ( + —
B ; M M 1 .
/
ccrossincircle
+ + - :
( 4 .
m ( + + -
2 .
( 4 - H . :
; I S-H ( 6 .
mt ( + + -
- ( 2 .
+ - :
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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rmenia
/ A ll
rtistic
sm i sm s k ( + + - O b v . Th r ee d o ts u n de r
U U S m/ ( + + - O b v. T hr ee d ot s un de r
n40 81
( # --
2 ; V M 1 ; P H ( I ) ; M M 1 ; I S -H ( 1 ) .
S m/ + + -
. 8 P B ; W M 5 ; P H ( 2 ; V M 1 .
U S m / + + -
; I S-H ( 6 .
us n { - H -
U U S mi r# -
2.84 P B ; * W M 10 ; V M 4 ; P H ( I ) ;
; I S-H ( 2 ) .
, U U S mi r + + -
( - - -
U S / #- —
, H K ( 2 ; P H ( 2 ; N ( 1 ; I S 1 ; I S -H ( 5 .
78.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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U U S / #+ —
I I /
f t U U S mR 8 ( + + - O b v. T hr ee d ot s un de r
e ly s.
R / m& l l/
+ + - :
ft U U S /1 ( + + -
U U S /1 ( + + - :
-H ( I ) .
R / n 4l l/
rt ist iccross
U U S /+ + —
l l /
on-artist iccross
+ + -
( 2 .
/ l / Al l
t U U S mR 9 ( + + - ? )
S / ( + + -
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
R /T & I I
rt ist ic
U S / #- -
( 3 ) .
U S #- -
1 ; 1 S-H ( 5 .
/ T & l l
ccross
S n #+
( 6 .
U U S # + —
1 ; H K ( 3 ) ; I S-H ( 6 .
/T Al l
-art ist iccross
U S /1 0 ( + + -
B , I S 1 ; I S -H ( I ) .
/ T & l l
sticcross
mi 8 08 ( + + -
n R 8 0 ( + + -
1 ; I S-H ( 4 .
S mh ( + + -
( 5 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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S / 1 ( + + -
; I S -H ( 3 ) .
R / m2 /
ccross
S / #+ -
- ( 6 .
# - -
2 .
B / 18
S / R # +
S / ( + —
l l 5/ 7 8
istic
an( ++ -
g ( + + -
m
n4- —
3 ) ; * W M 2 ; H K ( 1 ; M M 1 ; I S -H ( 2 .
6 F –
S 1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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anA rmenia
m R ö m + + — R e v . D o t t o l ef t O f
( I ) .
l l #
U S mi r# H
-H ( I ) .
U U S m / #-
S-H ( 2 .
/ 18
m( ++ -O bv . Threedotsunder
1 .
mns( + + -O bv . Threedotsunder
2.85 ( 88% ) , * P B , P B ( 1 ; V M 1 .
l# 08
rnedoutw ard—nofootstoo l
sm a gn e ( + + - :
( 1 ; I S-H ( I ) .
8 0 8 ( + + -
.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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a gn ( + + -
2 .
an( ++ - :
1 .
an( ++ -
4 - # ?
R / l/ Al l3 / 1 8
rnedoutw ard—w ithfootstoo l
( 1 + :
l l / 1 8
rnedoutw ard—w ithfootstoo l
us mn ( 4 H – :
/ Al l& / 1 8
gne( + + -
on( ++ - :
1 .
sn R 8 0 × ( - — .
+ +- :
0 ( 9 0% ) , * P B ; P H ( 1 ; I S-H ( 2 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
o4+
, I I / SR U . ' + + -
l& I )
rnedoutw ard—nofootstoo l
S m i r ( + + - :
8/ N S R ( + + - :
l / 1
u l/ Sn R 8 08 ( + - ? )
S mh 0 8 ( + + -
( # -
U U S U R , + + —
M 2 ; I S-H ( I ) .
u : 8. 6%
( 4 -H .
u t ( + + - :
; A D ( 2 ; I S-H ( 2 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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+ + - :
R /T & l l& / 1.
l m uw ( + + - :
- / R / 2 & l l -
mu ( + + - :
M 2 ; I S -H ( 1 .
t c .
N Q U R / l / 3 U 8 / 1 8H R e v. I n sc ri pt io n
D S / T h 0 8 : — H ) u p si d e do w n.
/ N Q U R / l / A l l& n d 5 R e v . I n s c r ip t io n
U S / T h / 1 8 — - #4 u p si d e do wn .
N R / l / A l l / 1 8 H R e v . I n s cr i pt i on
f u I I U S / Th / 18 — + + ) u ps id e do wn .
' l l R / l / Al l / 1 8 R e v . I n s c r ip t io n
u u sm k un g k -- - ) u p si d e do w n.
U Q U R / l / 4 1 1 / 1 8 R e v .I n s cr i pt i on
lh / f u l ll / S/ T h / — - # 4 u p s id e d ow n .
0 . 1% l l R / l / A l l& / 1 8 R e v . I n s cr i pt i on
I l l /S / R G / 7 — - H ) u p si d e do w n.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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A rmenia
l l M R / T & l l m R e v . I n s cr ip ti on
fu I I I / S/ R £ / / -- H ) u ps id e do wn .
P l l U j i m Al l 0 8 O b v. T wo w it h th re e do ts
/ fu l l .U S / R T — £ 4 u n de r fl e ur d e ly s .
de
M 2 ; I S -H ( 4 .
" I ' l l h/ l / Al l /1 8 R e v . I n s cr i pt i on
I I / S / R G / 18 - - H ) u p si d e do wn .
1 ; I S-H ( 9 ) .
P U Q U R / T & l l /1 8 R e v. I n sc ri pt io n
F , U U S O R ø / 1 - H ) " u p si de do wn .
l l U h m / A l l n R e v . I n s cr i pt i on
/ 2 f t U U S O R 8 - H ) * u ps id e do wn .
l l N M T Al l& n : R e v .I n sc ri pt io n
U S O R T / - H ) u p s i de d o wn .
U I R / l / Al l / 18 R e v .I n sc ri pt io n
, U . . Sm h / - H ) * u ps id ed ow n.
I ) .
l l U R / T & l l / 18 R e v .I n sc ri pt io n
h/ f u ll .U S / lh / — H ) * u ps id e do wn .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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/ N Q U I R / l / Al l / 18
/ f t U U S / R // 18 ( + + - :
M 2 ; I S-H ( 2 .
l l h /m & l l #/ ( + + - :
/ / # I l l/ S/ /
1 .
/ N Q U I R / l/ Al l / 1 8
mek ( + + -
- ( 2 .
U I R / l / 3 U B / m
8R , U I U S /A ff /1 ( + + -
N Q U I R / l / Al l/ 18
o m e 5 ( + + -
l l h/ l / 3 U B / 1 8
U S / R T / ( + + -
/ N Q U R / l/ A ll
I R I I / mh 0 8| | ( + + -
N L ' l l/ /m & I I / 18
/ R / /# I l l/S /R & ( + + -
P u u km / Al l& n g 4
f u ll l/ S/ Th / 18 ( + + - --
- ( 2 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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A rmenia
l l U R / l/ A ll & n d
0 / f ul l. S / R 8 /1 8H ( + + - - .
( I ) .
l l U R / l/ A ll m
0/ # I U S / 1
l l h/ l / Al l & / 1 8
/ R I I , U S A /
l l U R / l/ A ll & n d
/ N F L l l l /S m/
P l l N R / T & l l6 08
f t l l l/ S /1 9 / 1 8
P U Q U R / l/ A ll & n d (
I , I I U S / R I , H -
l l U R / l /A ll & m U
/ t l U R L I I & #+ -
u nn r z u n iv i K - H
I U S m / R e v . C ro wn s o n bo t h li o ns
U Q U R / l/ 3 U 8 l l6
h/ . .. . + + -
/ l/ N R / l / Al l/ 18
I U S M .8 8/ 18 ( + + -
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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A I ' l l R /T & I I 6 /1 8
I I / S/ ( + + -
N S– T AN S
/ 78
b ut u + + +
h/ 18
us u pu pu + + +
p up u + + +
B ( 1 .
% , h U h ly + + +
l lf u l up + + +
u b u p+ + +
Al l & R / 1 8
andsinglecurl
U A U h U h l / + H : -
.
U R U h U h + + +
.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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A rmenia
/ Al l& R / 18
andtw ocurls
u pu pu + + + | |
( 1 ; W M 5 ; * V M 1 ; K B ( 1 ; H K ( 2 ;
; H E ( 1 .
h l / + + + | |
h U h + + # |
1 .
R / l/ Al l h / 18
p U P U + + +
5 ; A D( 2 ; B N 1 .
, p up u + + +
( 1 .
u pu + + +
1 .
, p up u+ + +
; B M 1 ; K B ( 1 ; * AD ( 2 ; MM 1 ; H E ( 1 .
b up + + +
1 ; B M 1 ; AA 1 ; J G 1 .
p+ + : -
T I I ' ' , p U U + + +
1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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T I I ' ' , h U U + + +
I ' ' , h U + + +
ll h / 18
ndsinglecurl
pu+ + : -
1 .
U h U h l + + +
4 ; H K ( 2 ; B M 1 ; A N 1 .
E R U P U + + +
p + + +
, P B ( 2 ; K K ; W M 9 ) ; A N 2 ; V M 2 ;
( 2 ; A A 1 ; A D ( 1 ; B M 1 ; MM 2 ; * B N 5 ;
+ +
1 .
/ l / Al l h /1 8
pu p u + + +
) ; J G 1 .
p u p u + + +
1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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Armenia
U B R / 18
ndsinglecurl
pu++ +
l l R U h U h + + +
h /l / Al l h /1 8
l l ? " , h U hl + + +
M 1 .
pu+ + +
1 .
R / l/ Al l m
, pu p u + + +
/ 1 6
andtw ocurls
u+ + +
; H K ( 2 ; A A 2 ; AD ( 2 .
+ +
.
h + + +
3 ) ; H K ( 1 ; A A 1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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3 / 7 8
ndsinglecurl
fu Tu fu ( ? ) + + +
M 1 .
/
u pu + + : -
5 ; A D ( i ; MM 1 ; B N 1 .
M T U 9 - U h U h ly + + +
. P B ; W M 8 ; K B ( 2 ; A A 2 ; A N 2 ;
1 ; B N 1 .
T U R U h U h + + +
; M M 1 ; I S 1 ; E B ( 1 .
T Q U h U h + + +
M 3 ) ; V M 3 ) ; A D ( 1 ; M M 1 ; B N 4 ;
I : R U h U + + +
T Q - U h U + + +
2 ; A N 1 .
B R / 7
U I /U h .h U h + + +
1 ; M M 1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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menia
/ i / -U 8 R / l
pu p u + H :
pu+ H
p u pu + + # |
N ( 1 .
+ + +
/ l/ 3 U B R 0
andsinglecurl
+ +
p ? ) + + : -
/ l /A ll & R /
h l + + +
1 .
+ + +
H K ( 1 ; W M 1 ; B M I ) ; V M 1 ; N ( 1 .
b u tu + + +
1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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+ +
; B N 1 .
u b u p+ + : -
V M 3 ) , W M 3 ) ; K B ( 1 ; B N 4 .
l/ A ll & R /
y pu b u H + | |
u pu H + | |
#
Al l & R /
ndsinglecurl
+ : -
1 ; W M 3 ) ; AD ( 1 .
T U R U h U h + + +
2 .
R /
ndsinglecurl
h + + + |
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
/ l /A ll & M
ndtwocurls
+ #
l /A ll & R / l
u pu p u + + +
M 1 ; B N 1 .
R U P U p + + +
1 .
h /l
ndtwocurls
uHll
& R U
u l U h u + + +
M 1 .
& R U
ndtwocurls
+ + ll
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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Al l h
T U -R U h U h l + + +
( 1 .
u p up u + + +
/ Al l h
andsinglecurl
' l l R U hU h + + +
; I S 1 .
Al l h
pu++ +
1 .
l /A ll h
ndsinglecurl
+ : -
3 ) ; K B ( 1 ; A D ( 1 ; B N 1 ; H E ( 1 .
R U h U h l / +
1 .
U A R U h U h + + +
3 ) ; K K ; W M 4 ; A D ( 3 ) ; V M 3 ) ; K B ( 2 ;
1 ; B N 2 ; E B ( 1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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menia
: -
1 .
h U + + +
1 .
h
ndsinglecurl
+ : -
P u u km & l l l ub
/ 1 % z i l I
3 ) .
P u u km /
l l R u U h l /
3 ) .
m P u % mu rb z u n
I l l /S / MU / 1 8
1 ; H K ( ? ) .
u % mu rb z u n
/ 2 f t U U S /T W / 18
1 . [ Gold ; * P B ( 1 ; W M 1 ; A A 3 ) ; A N I ) ;
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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T R AMS
O B A D
R / l / Al l 80 8
J . M > e c k- i l ou t -i l O b v . F i e l d m ar k . * >
2 .76 K K ; A N 3 ) ; A A 3 ) ; N ( 2 ;
3 ) ; MM 2 ; V M 8 ; * W M 18 ; B N 5 ;
O I ) ; J G 1 .
| & M y e c h- l o a l -l l O b v . F i e l d ma r k. . #S .
, P B ; * W M 3 ) ; B M 1 ; N ( 1 .
M S e r b -l o ut - ll O b v . F i e ld m ar k . ~ ~
1 .
l ou d o n F i e ld m a rk 4 -
2 . *
. . .a l lo w- o n F i e l d ma r k 4 -
0 8
/ l / Al l m
& 2 1 : .. . ll d u l- S c ro l l O b v . F i e l d ma r k. >
1 ; * W M 1 .
llow -Scro llow F ie ldmark 4×
o u -l S cr o ll o w F i e l dm a rk 4 s
* . d ou - Ms c ro l lo w F i e l dm a rk 4 -
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
K H U S R E W
Q U I R / l /A ll 5/ 18
Ka ik obadcoins
l = | c ke s d ul - i O b v . F i el d ma rk .
; * W M 1 ; B N 1 .
M & l = | c k e y Cu l -i O b v . F i e ld m a rk .
M 1 ; A N I ) ; B N 1 .
. l = | c ke s o ut J . O b v .F i e l dm ar k.
1 ; AD ( 1 .
l = | c ke S d ua l- O b v . F i el d ma rk .
. M & l = | c ke S i Su ll i O b v. F i e ld m ar k.
A ll c l | c ke S c ul - O b v. F i el dm ar k.
. M& l = | c ke y du l- O b v . F i el d ma rk .
K H U S R E W
R / l / Al l / .
U . M. & l = | c ke y ou l - O b v. F i e ld m ar k.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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C .: : - J - - ~ ~ : - O b v. F i e ld m ar k. - ->
T & l l f l
a l U . M& l = | c ke Si J u - l
. M in t m ar k . 4-
P B ; 2 . 0 K K ; AN 1 ; * W M 5 ; V M . 3 ) ;
C- * - U - - ~ ~ O b v . F i el d ma rk . ~
( 9 0 % ) ; 2 .8 ; 2 . 4 ( 9 4% ) , * P B ; 2 .8 0
M M 1 ; V M 2 ; AN 1 ; AA 1 ; B M 1 .
& 4 - - - ~ ~ O b v. F i el dm ar k. * >
- * - J - - ~ ~ O b v . F i el d ma rk . -- >
1 .
C- - U - : * . O b v . Mi nt m ar k. - ->
1 ; * A N 1 .
4 - U - - 5 . O b v . F i e l d ma r k. * S
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
K H U S R E W
I R / 7 & l l / 7 8
mediatebetweenK aikobad
C - < -- U - - ~ ~ O b v . F i el d ma rk .
1 ; W M 1 .
4 - - - ~ ~ O b v. F i e ld m ar k.
1 ; J G 1 .
- L - - ~ ~ O b v . F i el d ma rk .
C- < - - U - - ~ ~ O b v . F i el d ma rk .
- J - - ~ ~ O b v. F i e l dm ar k.
/ A l l& / 1 8
C - * - U - - ~ ~ O b v. F i e ld m ar k.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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l l / 1 8
- - - ~ ~ O b v . F i el d ma rk . - -
: < - - U - - ~ ~ O b v . F i e l d m ar k . 4-
1 .
C -: * - U - - ~ ~ O b v . F i el d ma rk . -- >
C .J - - ~ ~ O b v . F i e ld m ar k. - >
- J - - ~ ~ O b v .F i e l d ma rk . . - -
nepigraphysim ilarO bv . F ie ldmark . - ->
*
U - - " - > O b v . F i e ld m a rk . --
P B .
c : -J - - ~ ~ O b v. F i e ld m ar k. - ->
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
/ T & l l f l
- - " - > O b v . F i e ld m a rk .
( 4 ; B M 2 ; A A 2 .
- - ~ ~ O b v .F i e ld m ar k .
1 ; W M 1 ; N ( 1 .
~ ~ O b v . F i e l d m ar k .
- ~ ~ O b v . F i e ld m a rk .
U I R / m & l l# 08
- ~ ~ O b v . F i e ld m a rk .
- ~ ~ O b v . F i e ld m a rk .
2 .
- J - - - - - - > O b v . F i e l d m ar k .
M 1 ; H E ( 1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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- J - - ~ ~ O b v . F i e l d m ar k . -- >
- > * - - 2 O b v .F i e l d ma rk . 3 +
; * AD ( 1 ; B N 1 .
- J - - ~ ~ O b v . F i e ld m a rk . A -
- : -J - - ~ ~ O b v . F i el d ma rk . -- >
/ l / A l l& / 1 8
- J - - ~ ~ O b v . F i e l d m ar k . -- >
1 ; B N 2 .
/ m 2/ 1 8/ 7 8
- - ~ ~ O b v . F i e l d m ar k . -- >
4 - - - ~ ~ O b v .F i e ld m ar k . -- >
N 1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
/ m . A l l& / 1 8
< - J - - ~ ~ O b v . F i e ld m ar k. - -
1 ; H E ( 1 .
K H U S R E W
legible
7 6 • l is & 3 - > | & # 1 2 U . M& l = | c he s du al -l
7 6
1 .
e7 5
80 2
e7 6
yp e7 5
yp e7 5
O B A D
A F T R AMS
/ l / A l l& / 1 8
M & l = | c la ss d ua l- I S cr ol l O b v. F i e ld m ar k. - -
1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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R / l / A l l 5 0-
> e c h al l d ua l -l l O b v . F i e l d ma r k. - -
al l l ec k -i l d ul - i O b v . F i e l d m ar k . -- >
H U S R E W
A F T R AMS
/ T & l l / 18
& l = | c ke s o ua l- l. O b v . F i el d ma rk . -- >
M 2 ; * H K ( 1 ; B N 3 ) ; NB ( 1 .
= c k eS o u t- O b v . F i e l d m ar k . -- >
1 .
A l l c l: c k eS o u t- l . O b v .F i e ld m a rk . 24 -
E L
ingcross
h . , I l b
u h m& l l 6 m 8 • - 4 -
. oo ( 9 5 %) , P B ; * M M 1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
A M T Al l 0 6 • } - k -
.
R / T & l l m - i- 4-
, l 8 b i
l l R /T & l l / 1 8[ 5 + – * -
. 06 ( 9 5% ) , P B ; W M 3 ) ; P H ( I ) ; A ( 2 ;
I ) ; MM 1 .
R / T Al l& m [ b + — * -
( 9 5 %) , P B ; W M 2 ; M M 1 .
m & u m [ b + – * - :b mR U ( A N .
; P H ( I ) ; AN 1 .
T & l l / 18 [ 5 + + - -
2 ; W M 1 ; V M 1 ; J G 2 .
lM A ll m [ k + + - -
1 .
R / T & l l / 18 [ b + - -
I ) ; AA 1 ; I S 1 .
R / m 2 / 1 88 • # — % -
l l R / T & l l6 0 + – * -
R / T & l l m + + - k - R e v. F i e ld m ar k C
3 ) ; N ( 1 ; P H ( 1 .
R / T & l l 60 - i -k - R e v . L e t t er 4 w i th o r
; N ( 1 .
u hm & u m 4 4- -
sisarethe lastlettersontheobverse.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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R / T & I I B / - # — k- R e v .& b / / 1U a nd
2. 8 P B .
R / T 2 U 8 [ 5 + + - - R e v . W i th C a nd
6 3 .00 3 .00 2.56 P B , A ( 3 ) ; W M I ) ;
2 .
I R / T & l l • + - -
R / T & ll • + + - -
.
/ n 4 U . * — k -
8 , P B , P B ( 1 ; A ( 1 ; A N 1 ; MM 1 .
l l
l lM r Al l n + # — -
2.64 ( 9 0% ) , P B ; * K K ( 1 ; AN 1 .
n h
R / m 2 / 8 / + + – * - R e v . & b / / l /w i th d o t
B , A ( 2 .
N R / m 2 /1 8/ + + - - R e v .N o do ts o n4 .
I R / T & l l + + - -
.
. 8 k
/ / m 2/ 1 8/ 1 8 + + - - - R e v . L .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
R / T & l l m + + - - - R e v. D o t .
B ; * W M 1 .
b
I R / T & l l 0 8 + + - -
I ) ; AD ( 2 ; B M 1 ; AA 1 .
u hm & l l 68 + + - -
N R / m 2 /8 8 + + - -
. , l b
l l R / T & l l 6/ 1 8 + + - - R e v. U
M 1 ; B M 1 ; P H ( I ) .
h m& u n - -- > | - R e v . P l l% l l /7 , U
u hm & u n it — - R ev .P u u m o
U M r & l l& f 4 4 ' - R e v. U
B .
um : u 6 + - - R e v . o
1 .
M < l l + + - - R e v. 0
2 .4 2 P B .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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3
l l Mr A l l& n d + + - -
u hm & l l m + + - - R e v . -a nd # .
2.81 ( 85% ) ; 2 .4 , * P B ; W M 1 ; P H ( I ) ;
/ T & l l / 1 8 + + - - R e v. U a nd k .
u u hm & u m + + - - R e v. P i l i lu r.
.8 8( 9 0 % ) ; 3 . 06 ( 9 2 % ) ; 3 . 07 ( 9 0 % ) , P B ;
1 ; A N 1 ; M M 1 .
R / T & l l / 18 + – * -
2.62 ( 9 3 % ) ; 2 .88 P B , P H ( 1 ; A ( 2 ;
; E R ( 1 ; H E ( 1 ; I S 1 .
/ T A ll m + – # - R e v. & b / fl l/ .
I ) ; W M 1 ; J G 1 .
R / T & l l 60 8 + 4 * - R e v .I I ' l lM r.
1 ; MM 3 ) .
uk mz u m + + - -
1 .
u hm & l l 60 - # * -
h m & ü 8 8 + + - -
.
- l l/ - /7 < l l 68 - i -4 > e -
2 ; A A 1 .
U R / T& l l 0 + - --
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
Q U I R / 7 < l l / 7+ + - - R e v. U , d ot un de r&
B .
R / T & l l m + + - - - R e v. D o t u nd er b ot h
4 .
; 2 . 2 ( 9 5 % ) ; 2 .6 ( 9 4 % ) ; 3 . 07 ( 9 0 %) , P B ;
B M 1 ; A D ( 2 ; V M 1 ; A A 1 ; MM 1 .
A m & l l n + — k - R e v . D o t u nd e r bo t h
I R / T & I I B / + + - - R e v. D o t un de rb ot h < ' s .
AA 1 .
I R / T & l l / + : -- R e v .U a nd k .
< l l / + + - -
R / T & l l + + – * - R e v .U , d ot u nd er
, A ( 2 ; V M 1 ; A D ( 1 ; MM 1 .
I R / T & l l + + - - -
1 ; MM 1 .
l l 5
R / T & l l & m - -- -
l i l hm & l l / + + - k - R e v. D o t o v e r fi r st a n d
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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' , l 8
R / T Al l m + 4 * - O b v .S om e wi th d ot
1 ; A D ( 1 ; W M 1 .
N R / T Al l& n 4 4 -
M 2 .
U R / m 2/ 18 + + – * - R e v. P l l % l l/ T.
B .
ngcross
I l k [ o rb
Q U R / T 2 U 8 0 8 + - - - R e v . D o t u nd e r bo t h 2 s .
I ) ; A D ( 1 ; * AN 1 .
l l U R / 4 U . 8 0 8+ – - R e v .D o t un de r bo th 4 s .
2 ; H K ( 1 ; AA 2 ; P H ( 1 ; AN 1 .
M A ll 0 8 + – - R e v. N od ot s un de r 4.
( 1 ; M M 1 ; B N 1 .
l l R / T & l l n + — - R e v. D o t s ov er a nd
R / & l l / 18 + – - R e v . O n ed ot u nd er
1.
N 1 .
N R / T & l l / 1 8 + - -- R e v . S o me t im es l i on
2 ; A N 1 ; A A 1 .
i m z u n + - - - R e v. L i o n cr os s so me -
( 1 ; W M 2 ; AD ( 1 ; H K ( 1 ; MM 1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
A R / T & l l / 18 + 4 - R e v .D o t u nd er f ir st 4 .
2 ; P H ( 2 .
N R / T A ll m + * — - R e v . D o ub le c ro ss .
; M M 1 .
N R / T & l l m + * — - R e v . Cr os s do es n ot
1 .
R / T A l l & / 1 8 + - - -
I ) ; W M 1 .
/ T & l l / 1 8 + - -- R e v . D o t i n f i el d .
M < l l m + : — - R e v . D o ub le c ro ss a nd
; M M 1 .
R / T A l l & m + — - R e v . D o u b l e cr o ss a n d
U R / T A ll 8 [ b + + - - - R e v .S o me t im e s do u bl e
M 1 .
u hm & l l 6 + — - R e v. D o t un de r
( 1 .
R / T & l l m + — - R e v . D o t u n d er s e co n d
R / T & l l m + é — - R e v . F i e ld m ar k SČ .
( 1 ; MM 1 ; B N 1 .
/ T A ll & n + 4 -
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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U j i m Al l / + é — - R e v . F i e ld m ar k SČ .
) ; 3 . 15 P B , A ( 5 ; P H ( I ) ; W M 3 ) ;
Q U M & l l 6 /+ — - R e v. F i e ld m ar k SČ .
R / T & l l / . + ( — - R e v .F i e l d ma rk S Č .
( 1 ; E B ( 1 .
A m & l l + é — - R e v . F i e ld m ar k SČ .
.
h h . , l 8
u hm & ü 8 06 - – e R e v .S Č a nd d ot u nd er
; E B ( 1 .
' l lM r & l l n + 6 — s R e v .S .C .
l lM r Al l n t - — - R e v . D o t in f ie ld .
R / m 2 / 8 0 + ( 4 s - R e v . S Ca n d do t s un d er
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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( 1 ; W M 1 ; H E ( 1 .
I R / m 2 / 8 + : -
1 .
U I R / m 2/ 1 ( # -
I R / m & l l( 3 - -
; I S 1 .
R / m . A l l + : -
R / m . A l l & - –
R / m . A l l * H -
Q U R / 7 & l • : -
U 8 H
R / m . Al l& - - —
U 8 m 5
A R / m 2 /8 /. £ 4 : -
U / /m 2 /8 & —
( 2 ; M M 1 .
U I R / m. Al l ( 3 -
U I R / m . Al l • : -
.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
U R / T & l ( 2 -
P B ; 2 . 9 , A N.
N R / 3
R / l /[ N o< 3 –
l / 1
R / m 2 /8 / * —
.
U 8 l
U R / T & l l & : - R e v . W it h or w it ho ut
.
) ; 2 .88 ( 9 2% ) , P B ; K K ( 1 ; P H ( I ) ;
1 ; A D ( 1 ; A N 1 .
U R / T & l l / ( 2 4 :-
2 ; * W M 2 ; A A 1 ; AD ( 1 .
R / T & l l * : : : -
R / m 3 L & # -
1 .
ku , l l
R / T & l l / . & # — R e v . F o u r d ot s i n fi e ld .
B :
U R / T& l l 0
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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U R / T Al l 4
1 .
U I R / m 2 /1 8 & -
U R / m 2 /1 8 & # — R e v . S o me t im e s do t s in
M 1 .
U R / m 2/ 8 + -
j i m Al l < - –
( 8 6% ) , P B , P H ( 2 ; A D ( 1 ; B N 1 .
R / T A l l • l -
R / T & l l ( > 3 -
( 1 .
R / T & l * : : :-
R / T & l 4
R / T 4+ + -
l U 3
R / m 2 / 18
1 .
R / n 4 1 1 8 & : -
R / T & l l • : -
I ) ; B N 1 .
I R / m & L • : -
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
8 | |
u hm & l l m + + -
) ; I S 1 .
/N ' l l R /T Al l& / 7 + + -
1 ; E B ( 1 .
N Q U R / 77 & l l #0 • l -
( N ' l l R /T & ll / + ( —
B ; 3 . 06 2.81 AN AD ( 1 .
Q U R / T& l l 6/ * H -
( 2 ; P H ( 2 ; AD ( 1 .
R / m 2 / 1 8/ - H -
/ T & l l < - -
P B ; K K ( 1 ; 2 .65 2.85 2. 7 AN
2 ; W M 8 ; AD ( 2 ; B M 2 ; A N 1 ; MM 2 .
U I R / T & l l& < - -
; P H ( 2 ; E R ( 1 .
R / m 2 /8 • 3 -
l lh /m & l l + F -
2.71 ( 9 5 %) , P B ; P H ( 1 .
u hm & l l • : -
h m & l l + ( —
2 ; W M 1 ; I S 1 .
R / T A l l < -
.
/ T & l l 4 4 -
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t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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R / T & l • : -
P B .
A R / T & l • } - -
R / n 4 + F -
1 .
U R / n 4• 3 - i-
R / m2/ 18/ 164-s—
R / m 2 / 18 / @ # R e v . S om e ti m es d o ts i n
P B ; W M 1 ; A ( 1 .
A R / n 4 1 1 8 $— R e v . D o t s in f i el d .
A R / m 2 /1 8 • : -
I R / T & l l ( # -
U R / TA ll • H -
B .
I R / T & l l 6 & # -
1 ; W M 2 .
/ n 41 18 ( 3 -
1 ; H K ( 1 .
l l Mr & l l 6 & { –
R / T & l l • : -
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
R / T A l l ( X -
N ' l l R / T & l ( 4 :-
P B .
m& Q4—
1 .
l
U " fo ll U R / 7 < l l / + + -
1 ; * V M 1 .
R / m 2 / 8/ 3 —
( 1 ; W M 1 .
l l h m & l l / . • : -
m& l l / . + + -
N M TA ll + + -
) ; 2.87 ( 8 % ) ; 3 .01 P B ; K K ( 1 ; P H ( 7 ;
) ; V M 2 ; H K ( 2 ; B M 1 ; A A 1 ; N ( 1 ;
; I S 2 .
U A m Al l
1 ; W M 1 .
u hm & l l * X -
) ; P B ; P H ( 3 ) ; 2.86 2. 2 3 .04 AN
1 ; H K ( 1 .
R / T & l l + + -
B , P M 1 ; W M 1 ; H K ( 1 ; A ( 1 ; MM 1 ;
u hm & l l 4 - -
B ; K K ( 1 ; 2.85 A N A ( I ) .
/ T & l l
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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Q U A mA ll & < -
.
A R / m . Al l 4 -4 -
l h/ m & l l ( X -
B .
Q U I R / T & l l + + -
I R / T & l l & – R e v . F i rs t on e 4/ 0/ 1/ l / .
2 .77 P B ; P H ( 4 ; A ( 2 ; W M 2 ; A N 1 ;
U I R / m & l l+ ( —
1 ; AD ( 1 ; B N 1 ; I S 1 .
R / T & l l • H -
1 ; A A 1 .
R / T & l l < -
f ol l } l l/ /7 < l l + -
R / T & l l & # -
R / m & l l + + -
R / T & l < -
P B .
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( 1 ; B N 1 .
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1 .
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t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
Q U R / n 4+ { -
M 2 ; A A 1 .
& + + -
1 .
6 k
N M T A ll & / Q 4 —
U R / T A ll & * : -
1 .
l l H
u hm & l l — -
l l R / T 4 • : - e-
u hm & + - e-
l h
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l R / T & l l / . < - -
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t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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R / T & l l * H -
1 .
R / T & l l * } -
U A m & < -
U B :
N Q U I R / T & l l4 -
B .
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.
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B .
l 8 k
R / l / A l l • -
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l l // l / [ N o 4 . . .—
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
M / 3 * —
U R / /( ? ) * H
l l
U R / l/ A ll + -
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ht l l&
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. h t l l h
l l i l hm /3 * } -
1 .
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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l h
R / T 4 < -
.
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1 .
l l
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.
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. 5 * P B ; K K ( 1 ; 2 .66 3 .0 , AN W M 2 .
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
A m / < - - -
8 H
U R / l / Al l / < -
( 1 .
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1 .
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.
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.
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N E R ( 1 .
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. 77 A N W M 2 .
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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I R / m / • H -
U h m < - -
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9 , AN A A 1 ; E R ( I ) ; I S 1 .
h
U I R I ) < -
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2 .5 4 2 .7 5 P B .
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t l l
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.
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B ; W M 1 ; * AA 1 .
ingcross
l l
A R / T & ll & m 4 ' -
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t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
I l A
l l R / T & l l 6 8 - #— k -
) ; J G 1 .
M T Al l 8 + - - [ & b // U )
U R / T 3 U B 8 - i- k -
l
P l l % l lh /7 < l l 6/ l < - -
1 ; I S 2 .
/ m & l l • + — k -
ngcross.
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M 4 ; V M 1 ; A D ( 1 ; H K ( 1 ; MM 1 ;
( 1 .
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1 .
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8 H
l lh /m & l l + - - -
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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l A
Q U R / T 4U B / 18 + – -
R / T A l l 8 + - - -
king
' , U 8 H
I R / m . A l l& + + - e -
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U R / n 4 < - - -
, * W M 1 ; A A 1 ; B N 1 ( ? ) .
l l
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walking
I I ?
Q U I R / m. Al l + + -
M 1 .
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V M 1 .
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t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
R / / + – ( ? )
W I R / T • # -
h t l l
Q U A m -- --
l
U R / m+ + -
N S– T AN S 12 .
ornedwithlions
U I R / l/ Al l 0 8
' l l ' } } , h U hly k→ L :
ngthek ingisusua llyasolidline andonrareoc-
hereverse a llspecimense aminedhadaso lidcircle .
otethegradualsimplificationofthethrone design.
ornedwithlions reminiscentofthesilvercoins
o llowedbyasimplerthronew ithconventiona li ed
sunderwentaprogressivesimplification.Thencame
hlik e w ithtwopostsoneachside andf ina lly a
withonelegon eachside.Thisprogressive
ntedasfollows:
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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T U % h U h l/ * #
AN I ) ; K K ( 2 ; W M 5 ; V M 2 ; H K ( 3 ) ;
M 1 ; K B ( 1 ; MM 2 ; B N 1 ; AM 1 ; H E ( 1 ;
' , h U h l # O b v .S ol id o r do tt ed
5 7. ; 5.2 7.4 8. ; 5 .6 7. , P B , P B ( 1 ;
; W M 1 ) ; V M 7 ; H K ( 5 ; A D ( 6 ; A A 3 ) ;
B N 8 ; J G 3 ) ; I S 1 ; H E ( 1 ; E B ( 3 ) .
Tu % h U U #
1 * \ \
T ' , h U h > | <
2 ; A D ( 1 .
T U 9 4 h U S k
T U % h U h l / #
1 ; W M 1 .
U % h U h l/
R / l /A ll & / :
% , h U h l/ \ l e
2 .
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coratedwithconventionali edlions
Al l & / 1 8
T U % h U P U # .
M 1 2 ; V M . 3 ) ; B M 2 ; H K ( 2 ; AD ( 2 ;
; I S 1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
N T ' , h U h l £ i : O b v. N os ta r in f ie ld .
b u y #.
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1 .
Q U % , h U U U #.
; W M 2 ; B M 1 .
U % h U h u h :
( 1 ; A D ( 1 ; MM 1 ; B N 1 .
p up u " +
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.
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u , p ub uh u si t.
I ' ' , h U h £ i :
U ' , h U h l /# £ i . R e v .N ot e st ar a t en d
1 .
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2 ; V M 1 ; * MM I ) ; J G 1 .
' , h U h l /h E i t . R e v. G hu ll .
h U h l / £ i t . R e v . Gh u ll .
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t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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I ' l ll f h U h si t.
U Q U I R , f U £ i t.
U T I R , £ i t.
u , p u pu lS .
. * A N
N T ' , h U hl /.#
1 ; MM 1 ; B N 1 .
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T U % , h U h #
. Z AN
l l ? ' h U h l / .# O b v .N o st ar i n fi el d.
2 ; V M 1 .
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M 1 ; V M 1 ; H K ( 1 ; H E ( 1 .
U 9 , U U U S i
U % , h U hl /* K
3 ) ; M M 3 ) ; B N 1
U T U % , h U h l / S O b v . No s ta r in f ie ld .
M 2 ; W M 1 ; J G 1 ; E B ( 2 .
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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Armenia
/MU T I ' ' , h U hl " L e
1 . * A
N T I ' ' , h U hl/ #
2 ; MM 1 .
N T U % , h U U # O b v .N o st ar i n fi el d.
U % h U h l / #
; W M 7 ; A D ( 5 ; H K ( 1 ; B N 3 ) .
h Q U T I I ' ' , h U P U # * R e v. St ar at end of
lh Q U T U % , h U hl /#
K ( 1 ; * W M 5 ; V M 1 ; MM 3 ) ; B N 2 ;
T I ' ' , hU h l/ *
1 .
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4 ; W M 2 ; MM 1 ; E B ( 1 .
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2 ; H K ( 1 .
R / l / Al l& n
l l ' ) , h U h l / N O b v. N os ta r in f ie ld .
t en d o f
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t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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T U % , h U h l > | < O b v. N os ta r in f ie ld .
2 .
U T I I ' ' , h U h # o w. N os ta r in f ie ld .
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vingtwolegs oneachside
/ l/ 3 U B / 7 8
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8 6.2 P B , P B ( 2 ; W M 15 ; V M 4 ;
; H K ( 5 ; A D ( 7 ; M M 2 ; B N 2 ; J G 1 ;
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.
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ld.
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l l ' } } , b U h l/ 3 % .
. % W ye
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
T U % , h U h l / --
4 ; V M 2 ; B M 1 ; H K ( 2 ; M M 1 ; B N I ) ;
T U ' ) , h U h %
hQ U T I I ' ' h U h l/ \ l a rO b v. D e co ra ti ve de -
f ki n g.
2 ; W M 1 ; V M 2 ; A A 1 ; B M 1 ; AD ( 2 .
T I ' ' , h U h #
/ l/ 3 U B / :
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; AD ( 1 .
U I R / l/ 3 U B
T Q : h U hl /> | <
1 ; A N 1 ; N ( 1 ; MM 3 ) ; B N 2 .
l l l ' } \ , h U h l/ kN , R e v. St ar at en do f
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2 ; A A 1 .
T U ' ' , h U h l /© -
M 2 ; H K ( 1 ; B N 1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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T U % , h U h l / + :
M 3 ) ; H K ( 1 .
U % , h U h #
' , h U h l/ * W / C -
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T I ' ' , h U hl/ • •
1 . • -
/ l/ 3 U B :
T U % , h U h l/ + :
5 ; V M 1 ; A D ( 2 .
U % ) , h U h l / & W : R e v . Cr os s at e nd o f
M 1 .
% , h U h l / #
/ l / 41 1 / 18
T I ' ' , h U h l / : O b v. S om et im es s ta r
.
M 2 ; V M 1 ; A D ( 2 .
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t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
l l ' } ' ' , hU h l/
1
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1 .
tar
1 .
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u l l , h U hl # O b v. 3 b/ I P .
T I I ' ' , h ( ? ) - | | -
/ l / Al l& n :
l , h U h l / \ l e O b v . So m et i me s s ta r
1 .
l / & l l # 1 7
U T U % h U h l x " | x O b v. S om et im es s ta r
2 ; V M 1 ; MM 1 ; * N ( 1 .
T ' , h U h* # .
1 . x \ x
Q U T U % h U P U > | < O b v. S om et im es s ta r
e g en d
4 P B ; A D ( 4 ; W M 6 ; M M 1 ; B N 3 ) .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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T U % , h U h l y :#
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1 ; B N 2 ; E B ( 1
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; E B ( 1 .
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U T I ? ’ , h U hl /
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U T I I ' ' , h U
1 .
U T Q , ' I U h
2 .
TU ' , h U U
T U % , h U
1 .
ld .
T I I ' , P , U P U
f ie ld .
( 1 ; V M 2 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
' l l ? " , h U h#
1 * \ \
T ' , h U hl/ N X
1 . * *
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1 . •
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u l l , p U p H
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R u l l F u h U h l N Q O b v . R a re ly i nv er te d
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M 1 0 ; V M 1 ; B M 1 ; H K ( 5 ; AD ( 6 ;
0 ; J G 1 ; E B ( 1 .
h N T U % , h U hl > ' .
5.o 3 .6 4.1 4.0 P B , P B ( 2 ; * K K ( 1 ;
; B M 1 ; M M 2 ; B N 2 ; A D ( 4 ; J G 1 .
T U % , h U h \ O
Q U TU % , h U > ' .
; W M 3 ) ; V M 1 ; B M 1 ; H K ( 2 ;
3 ) .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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T I I ' ' , h L #.
1 ; A D ( 1 .
T ' , h # .
N ( 1 , W M 1 ; V M 1 ; AD ( 3 ) .
m A ll & n
hQ U T I ? ’ , h L #.
1 ; H K ( 1 .
T I I ' ' , h \ O
2 . > #
R / T& l l .
T Q , t h U h \ | J
T U 9 1 h U > ' .
P B ; W M 4 .
/ m 2 /
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/ m . Al l
U % , h U \ Q
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t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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menia
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/ A ll / 18
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1 . * \ \
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T I I ' ' , U P U * \ l e
( 1 . * .
, h U h
% , h U U \ l ar
, h U \ l ar
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T I ' ' h U h l/ J O b v. St ar in fi el d.
I ' ' , h U U N ( ? ) O b v. St ar i nf ie ld .
..
R / l / Al l
' l l ? " , h U > ' .
M 1 ; V M 1 .
U % , h U h l/ - .
1 ; MM 1 .
I ' ' , hU h l/ > | <
( 5 ; W M 5 ; V M 1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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T I ? ’ , h U hS .
I ) ; J G 1 ; P B ( 1 .
, h U U *
1 . * \ \
, h U
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2 ; H K ( 1 ; AD ( 1 ; AA 2 ; K B ( 1 .
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/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
abeldesign
k
lh /l / Al l& / 1 8 ? ) k + -
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T . . . ) , U h l R d l / MU U
A l l A R / l / U U b u l . . . . .8 U &
l / b u ll l < l l / .
h U h l \ n t.
P B ; W M 1 ; A A 1 ; A D ( 1 ; MM 1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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hR U Q U R , h U h l/ * I l f-
* P B ; 2.47 K K ; W M 1 ; AA 1 ;
1 ; MM 2 ; A M 1 ; J G 1 .
l lR u h U U \ n t
;
U A R , U * F l f -
T I R P ) , h U h l hK F l f-
B ; A D ( 1 .
T F R , h U hl p kI l f
3 , * P B ; 2. 0 ( 8 0% ) , K K ; V M 1 ;
l lR u h U h l k
P B ; V M 1 ; M M 2 ; B N 1 .
Q U A R ) , h U hl / , ' , % T
; E B ( 1 .
Q l l f h U P U K I l f
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
U T I R , h U hl P U k Tl I
/ l/ I I I / bull t All U
h U P U P u h k in g.
l R u h U h l p k I l f
/ l/ I I I / bull , A ll " .
U A R , h U h l \ n t.
/ l/ U U ' b ull , & l l / .
h U b u \ n t .
.
U A R , h U h u m \ n t .
h U h l / \ r + R e v . I n s cr i pt i on
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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I I / bu ll t A l l
l l R u h U h l /\ l f
I / bu ll t A ll
U A R , h U h l/ \ n t. O b v .I I ' l lh /7 / .
1 .
R ) , h U P U O b v . I n s cr ip ti on
T l f h U h uh l/ K n t.
, I S 1 .
hUhlpO bv . I nscription
R , h U h ly k * I f
B ; M M 1 .
l l R u h U h l / n + .
.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
a rk
U A R , h U h l / u n de r h or s e.
hl/ \ lfObv . Nof ie ldmark .
B ; W M 1 .
h U h l / • O b v . F i e l d m ar k
( 1 .
/ ll l/ b ul l t 4 U /
R U T U R , h U h l y pl / O b v. K i n g ho ld in g
l d
.
R , h U h l f i O b v. K i n g ho ld in g
e ld
; W M 1 ; V M 1 ; AA 1 ; A D ( 2 ; A M 1 .
I R , h U h l K O b v. K i n g ho ld in g
2 ; M M 2 .
R u h U h l h k I l f -
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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U I R , h U h ly h K F l f
R , h U h u h l h O b v . K i n g h o ld i ng
e ld
1 .
l f h U h l O b v . K i ng h ol di ng
l d
1 ; V M I ) ; J G 1 .
I / b ul l& t 4 U [ o r " . U ]
I R , h U h ly p l/ x I l f-
1 .
I R , h U h l y pl / \ n t .
.
I R , h U h ly h & I l f
0% ) , P B ; V M 1 ; H K ( 1 ; B N 1 ;
I ' l lR V h U h l/ K I l f-
N W M 4 ; V M 2 ; B M 1 ; K K ( 1 ; I S 1 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
I R , h U h ly p l/ \ l f
' l ll fi h U h l y h n + .
T I : ft h U h l / W rl f-
T U - R ) , h U U \ n t.
) ; A M
h l h ? ) O b v . F i e l d m ar k
h U h l p K n t .
B ; B N 1 .
' l l R V hU h \ n t.
b ul l , 2 U
T I : # h U h l h\ n t .
M 2 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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I I T bi ll . % , 3
l ll :R u h U h ly h \ n t .
.
/I I I / bu ll & t " .
f.
I R , h U h ly h \ n i.
pubuKni.
T U f u h l/ h K n i .
U I R , h U h ly h \ n t.
T I f h
I I I / b L I I 5% ,
Q U I R , h U h ly h K I l f
2 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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A rmenia
T U R , h U h l / x F l f -
' l lR u h U h \ I l f
l R u h U h l x I l f
b u ll &
h U h l \ n t.
l l fu h U p \ n t.
/ l/ ll l/ b ul l , A ll
pubu\ in
( 1 ;
P B .
/ l/ Al l& R /
bu\ nt.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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I )
T I R ' , h U U \ n t.
K K .
I R , h U U A ni .
3 ( 48% ) , P B .
/ l/ & ll l /
- R ) h U h l / An i.
T U R , h U U * \ t .
M 3 ) ; V M 1 .
T I R , U U * \ t -
h/ 78
I ' ' , h U hl /\ i n
B ; W M 2 ; V M 1 ; M M 1 .
% , h U h l / \ f ir l
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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cianA rmenia
ol d in g
lf p u bu y C r O S S .
B ; W M 4 ; * V M 3 ) ; A A 1 ; M M 2 ;
h U P U \ i n
h U h l l : | | h o ld i ng c r os s .
R / l/ 3 U B R /
ol d in g
I u p u y C rO S S .
.
U A R , h U h l A .i n
' l lR u h U h l \ i n
A ll / 18
h U h l / k _ f I
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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R / l/ Al l U 8
u T uf t h U h l \ f r
( 6 2% ) , * P B ; 2 .8 0 K K ( 1 ; W M 3 ) ;
1 ; MM 1 ; I S 1 .
U % , h U h l \ i n
, B M 1 .
R / l/ Al l l l
I R , h U h l/ \ f I l
n
T U R , h U h l / Ni n
K ; 2 .42 P B ; W M 3 ) ; V M 2 ; A D ( 1 ;
1 .
% ) , h U h l/ X i n
; V M 1 ; M M 1 .
U E F , h U h l / \ i n
2 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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rmenia
l l ' } } , h U h l/ \ i n
1 ; MM 1 ; I S 1 .
l ? " , h U h l/ \ + n
I ' l ll fi h U h l R + n
% , h U h l/ \ , i n
Al l l /
T I R ' , h U h l y h , f ir l
1 .
h U h l y * i n
( 5 2% ) , P B ; W M 4 ; A D ( 1 ; M M 1 ;
1 .
I R ' , h U h l /\ , i n
I ' l lf , h U h l/ M. _| |
.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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' l l R u h U h l y h N. t r .
1 ; A A 1 .
' l lR u h U h l/ Ni n
1 .
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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T U - R ) , h U h l O b v. L e t t er ' I u nd er h or se .
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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T I ? ( ? ) O b v . K i n g s ea t ed o n t hr o ne .
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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8/21/2019 Coinage of Cilician Armenia / by Paul Z. Bedoukian
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NO A H T
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S U R P E R ( 2 1 0 -21 68
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