Clict Magazine Photo Annual 2009
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AUS US Photo Annual #1 2009
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Clict Magazine has assembled the world's best mtb photographers for their inaugural Clict Photo Annual. 196 pages of amazing dirt/street/dh racing images.
Transcript of Clict Magazine Photo Annual 2009
ISSN 08177686
AUS US
Photo Annual #1 2009
www.mavic.com
OUR NEW XC MARATHON BIKE
DISTRIBUTED BY CHARLES PURTON IMPORTS - PH: 61 3 5248 2208EMAIL: [email protected]
Super4-australie2.indd 1 24/10/08 11:44:19
The Limited Edition hard cased version of the Clict Photo AnnualSam Hill portrait shot by Victor Lucas
Now available in Colours
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ATLAS AM
Now available in Colours
Designed for 4-6” travel bikes, the Atlas AM crank is engineered for riders that want a crank they can ride virtually anywhere. The ATLAS crank is designed specifically for All Mountain riding If you want a crank that’s light enough for XC climbs but strong enough for light free ride use, the Atlas crank is the perfect choice.
ATLAS AM
For further information on Felt bikes go to :: www.southcottcycles.com.au
Distributed in Australia by Southcott Pty. Ltd. Telephone: (03) 9580 7388 Toll Free 1800 805 024
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CASt & CREW
PUBliSHER FreeWheel Media
EDitOR Damian Breach
ASSiStANt EDitOR James Wiiliamson
EDitORiAl SUPPORt Robin Weaver
ARt DiRECtOR/DESiGNER Niki Fisher
www.designbypeppi.com.au
CONtRiBUtiNG SHOOtERS Damian Breach, Mark Watson, Fraser Britton, Geoff Waugh, Shawn
Spomer, Chris Benny, Steve Behr, Victor Lucas, Sven Martin, Stephen
Hillenbrand, John Gibson, Sterling Lorence,
Adam MacLeod, Markus Greber, Adrian Marcoux, Lars Scharl, David
Ulrich, Joakim Andreassen, Yorrick Carroux
ADVERtiSiNG & EDitORiAl Adam MacLeod
(03) 9853 0841
Mobile: Adam 0438 292 006
FAX: (03) 9853 3930
EMAIL: [email protected]
POSt CORRESPONDENCE tO : 29 Loch Street,
Kew
VIC 3101
Articles printed in this publication are the opinion of the
author, and do not necessarily reflect the opinion of the
Editors or Publishers of Clict.
Andrew neethling and I shoot quite a lot together. A symbiotic relationship if you will, he knows my style I know his. As a result we constantly give each other shit, but always end up with some gems for our combined efforts. Early 2007 near his home town of Somerset West, Cape town South Africa. Viewpoint trail.
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Maxxis_Clict_Spread.indd 1 12/13/07 3:48:24 PM
Distributed in Australia by:For the complete range of Maxxis MTB,
Road & BMX tyres log onto -
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Maxxis_Clict_Spread.indd 1 12/13/07 3:48:24 PM
When I was approached by Clict to write the introduction for their first photo annual
I was shocked, amazed, and humbled. Did this mean that I had finally made it as a
“photographer” and can call myself a professional?
I never planned for this to happen; to become a professional photographer that is.
It seems like only a few years ago I was looking through my favourite magazines’
photo annual, lost in the imagery and fascinated about how they took the photos.
now all of a sudden I’m writing a forward for one. For me it all started when I final-
ly bit the bullet and decided to scale back racing and concentrate on photography.
I have always been amazed at photography and how you can create images that
can inspire, stir emotion and capture history. taking photos for a job was never
my intention and my original push to have my images published was, and still is, an
avenue to display my images – my artistic expression of the mountain bike world.
looking through the list of contributors for this photo annual I can bet that it was
the same for them. they like riding mountain bikes and they like taking photos and
one day they woke up and realised that they’re travelling around the world taking
photos for all of us to enjoy. In reality however it’s not that easy. Every image
you see in this magazine, or on the walls of your local bike shop, or as part of an
advertising campaign are a result of years of blood, sweat, and tears. It takes time,
money, patience and a lot of luck to get the right photo. You have to put yourself
in the right place at the right time. You have to take risks and be willing to make
mistakes. You have to live poor and make sacrifices. You have to beg. You have to
accept criticism and rejection. You’ll get hot, cold, wet, dirty, dusty, thirsty, tired,
bored, and lonely. the list is endless and it’s very, very hard work.
So why do we do it? First off, it’s fun. We get to travel the world, visit exotic loca-
tions, hang out with cool people and be part of the best sport in the world. But
there’s more to it than that. We shoot for many reasons and whist I cannot speak
for all the contributors I would like to guess that we’re all pretty similar. Simply
put, we love photography as an art and we love mountain biking and we want to
combine our two great loves and hopefully when we share what we’ve created we
can inspire you to ride and see the sport as we see it.
that “sharing” of our images has to be one of the most frustrating parts of the
work. Photographers are very tough on themselves we want to take photos to push
our boundaries and please our own inner critic. It’s painstaking to select an image
that we think’s good enough and so many times once we’ve made that selection our
customers (a lot of times Editors) pick our least favourite photos. Argghhh, it’s so
frustrating and we’ll never understand. this is where a photo annual becomes a
special part of our photography. A photo annual let’s us be the ones who select our
favourite images; the ones we think are the best. one of the most common things
asked by people when they see me next to a race track holding a bucket load of
photo gear is “who do you shoot for?”. there’s a simple answer to that – I shoot
for myself, to please myself. I’m pretty sure that everyone you’ll see on these next
pages thinks the same, we have to make ourselves happy before we can share with
the public.
So here you have the first Clict photo annual. A selection of images that we’ve
taken that satisfies ourselves enough to share with you and we all hope that we can
create that same feelings in you that we get from looking at these photos.
Enjoy.
Ed note
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DAMIAN BREACH16
MARK WAtSoN30
FRASER BRIttoN142
GEoFF WAUGH66
SHAWN SPoMER98
CHRIS BENNY124
StEVE BEHR136
VICtoR LUCAS150
SVEN MARtIN1170
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You’ve seen us on the sides of mountains or hanging around at a race. We’re the ones who
stand out from the crowd. You know, the ones lugging around a huge backpack, staggering
uncomfortably and being drawn towards tumbling down the hill because of the shear weight of
our packs. have you ever wondered what’s inside those packs. I pulled everything out of mine
one afternoon having just finished a shoot and here’s what I found.
1. nikon D2X with 70-200mm f2.8 VR attached. I use this lens more than anything else as it’s
so fast and versatile.
2. nikon D2X with 10.5mm f2.8 fisheye attached. My favorite lens. Fisheye’s are so much fun.
3. nikon SB-800 flashes. I sometimes do use three flashes at a race but I stick to two most of
the time. these babies have been through the wars and have been covered in mud, dust,
rain, and have also been ridden over a few times.
4. Pocket Wizards – three flashes so I need 4 Pocket Wizards – you do the math
5. tripods with coldshoes attached. Something to hold the flashes and if I use a 3rd flash I
have a little stand for that which wasn’t in the bag.
6. nikon 50mm f1.8 lens. Great for portrait stuff and I have used it to shoot racing.
7. nikon 12-24mm f4 lens. I like wide and this lets me have a little more control than fisheye.
8. Sekonic light meter. not used too much but makes me look like a pro if I pull it out of the bag.
9. Spare batteries for flashes. I normally carry about 30 spare batteries
10. Memory cards – I have 8 cards as it’s best not to have all your eggs in one basket as they
can fail.
11. Rubber bads and tape – for holing things together
12. Pen – for writing of course.
13. Cleaning accessories – it’s important to keep your stuff clean
14. Dust blower – it gets so dusty at races this little handy thing lets me blow the dust of my
lenses easily and effectively.
15. Flash sync cable – for that off camera flash scenario when I just want to run one flash.
16. not shown: various extra little cords, rain jacket, sun cream, camelback bladder, fly spray.
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What’s in the Bag
Damian BreachHOW DiD yOU GEt StARtED iN PHOtOGRAPHy?I guess I’ve been playing with a camera for ever but started to take it all seriously
when I stopped racing bike back in 2003.
WHEN DiD yOU DECiDE tO SPECiAliSE iN mOUNtAiN BikE PHOtOGRAPHy?I loved racing mountain bikes and still ride as much as I can so I thought I’d keep
being involved in the sport I love.
ANy mENtORS OR iNflUENCES?My passion for bike photography really grew from skateboard and BMX photogra-
phy so they’re one big reason I shoot. no real mentor but myself, Shawn Spomer,
and Sven Martin exhange notes on stuff so I guess we all help each other out.
fAVOURitE SHOOtiNG lOCAtiON AND WHy?I would say my favorite place to shoot is a place that I’ve never shot at and it’s
in the Rocky Mountains of Canada. the huge mountains, brilliant vistas, green
colours, and blue skys all make for a perfect backdrop for shooting. I guess it’s
why there’s so many mountain bike photographers from Canada.
WHAt CAmERA GEAR DO yOU USE?I use nikon bodies, lenses, and flashes. If there’s one bit of advice on gear that I
can give it’s spend your money on good lenses rather than chasing camera tech-
nology. there’s always going to be a better camera than the one you just bought
but good glass will remain top of the range for years and years and years. I also
use Manfrotto tripods and White lightning Strobes.
WHAt ARE yOUR tHOUGHtS ON tHE CURRENt StAtE Of DOWNHill?It’s good. It’s sucking in the uSA at the moment and the old 2nd home for Aussies
to race overseas is in a bad state. So many people are just going straight to the
World Cups now and the Aussie scene is so good there’s no real reason to use the
uSA as a leapfrog to the big league anymore.
WHAt iS tHE fUtURE fOR mOUNtAiN BikiNG?the return of Slalom and the death of 4X.
DO yOU Still RiDE/RACE?Yep. Ridden 6 times in the last two weeks and crashed 4 times. I still love pinning
it until you crash.
fEARS? Being a failure.
HOPES? that one day I can be a fulltime photographer.
DREAmS? to be a full time photographer and no longer having to work 16 hour days with
two jobs.
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Chris has to be one of he unluckiest riders on the world race circuit. At the Snowmass, Colorado he was killing it but his luck was once again against him and he finished way off the pace. Chris is a
great racer to shoot as he has such an aggressive attacking style and this photo grabbed my attention as it reminds me of how much
he was pinning it that weekend.
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Fun, you have to have fun. Jared and Paul Begg take particular attention to Amiel’s nipples…. I guess it’s an insiders joke. I like the photo as it shows that even though they
try their hardest to beat each other on the track they’re still friends away from the action.
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this was a favorite because of all the wood. not that I’m a big fan of all the wooden stunts being built these days they sometimes make a nice photo and here’s an example as it matches all the big trees.
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I like this one as I’d just purchased big strobe lights for shooting and this was pretty much the first time I used them. It just worked out right with the big green tress, the colour of the soil, and a glimpse of a
storm approaching in the background. It also helped that George flipped this huge double.
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Race photographers have “spots” on the mountain that they either keep secret or share with other photo buddies and this shot was taken at one of my secret spots. I had an image in my head as to how I wanted the shot to look but the key ingredient, the
rider, I had no control over. It wasn’t a special part of the track with the stereotypical huge burm or jump to get mega action from and most riders were not hitting it as I wanted. I couldn’t ask for the riders to hit the section “just one more time” as it’s a race,
so I just sat there patiently. Rider after rider the shot just wasn’t working until I got this one of Joel and bang, it put a smile on my face. I knew my patience had paid off and I had a keeper.
I was at highland shooting photos with Don hampton from Dh produc-
tions who was shooting a section for an upcoming DVD. the sun was in a bad spot and the trees were losing
some colour but when I played around with the photo and put a blue filter
on it, it just looked different and was appealing to my eye. I generally leave my photos alone as I hate Photoshop but this one was a rare occasion and
I was happy with the result.
I know I said I hate Photoshop but here’s another one I’ve obviously played with. Sam had just won the race and the ensuing media circus had swamped him for words and images. I jumped behind it all to capture the scene and looking at the photo later I thought that by making everything but Sam B&W that I’d be able to make the photo more representational of the scene as Sam was the centre of everyone’s attention.
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Sometimes you don’t even plan for a photo and it just works out. I was shooting street stuff with Adam and he was waiting for an all-clear from me as there were cars and people coming and going. one such time when there were a few people around the wait was longer than usual so I decided to shoot some photos of Adam waiting and it just worked out so well. Maybe I should name the photo “Waiting”.
Jared had a killer year in 2007 and he ended up winning the uS national racing series but it wasn’t all good news for him. At the World Cup race in Quebec he got a flat in qualifying in the first few hundred meters of the track and didn’t make the cut-off for the finals. however, Jared being the good guy that he is and me being a pestering photographer I convinced him to shoot this one showing his disappointment at the flat tyre. If you look closely at the rear rim you can see why you can’t even stop a flat tyre even when running a tubeless system.
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Ben is normally all black and dark but this day he was bright and red. tip, if you want to be easily recognised on a race track wear something that stands out. It makes it easy for us
photographers to spot the riders we want to shoot.
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As I said before, sometimes we photographers keep our spots secret and sometimes we share them. Gary “Flipper” Perkin showed me a photo just like this and shared with me his spot. thanks Flipper…this photo really is yours.
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AD
AM
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ClE
oD
The Firebird sets a ‘Whole Nutha Level’ in long travel trail bike performance. We’ve harnessed Dave Weagle’s ability to design the world’s best downhill suspension and added more than a few tricks of our own. The Firebird’s dw-link™ design has the DNA of 6 DH World Championships under its belt and its gravity based
heritage is clearly evident in the bike’s incredible descending skills…...but it doesn’t end there.
We’ve built a bike that can climb as well as it descends. The dw-link’s™ position sensitive anti-squat ccharacteristics make for exceptional climbing and snappy acceleration with perfectly tuned Fox suspension to handle anything and everything you love to ride. Build it up light for ultra-technical epics or build it up big
for gravity runs.The Firebird is your ultimate trail machine.
Log onto www.jetblackproducts.com for more info on what makes Pivot Cyles different from any other bike on the planet and to find a Pivot Dealer near you.
Floating Front Derailleur OOur patent-pending variable position floating front derailleur mount is another piece of engineering mastery, translating into even further performance gains. Big travel is the enemy of front shifting. Our floating design maintains the correct relationship with the chain for better shshifting and chain retention at every point in the travel. In addition, the floating mount is fully removable so that a single chairing chain guide can be easily installed to the Firebird’s inte-grated ISCG05 mounts. No fuss, and a better ride for you
Full-Floating Rear ShockTThe Firebird is packed full of cool innovations to make your ride better. The Firebird’s full-floating rear shock (it’s not attached to the front or rear triangle) features a constantly variable shock rate, giving precise control over the suspension performance at every point in the travel. The result is awesome small bump compliance and a controlled ride for every size and speed of hit imaginable allowing you to ride faster and in control.
Whole Nutha Level!
www.jetblackproducts.com02 4560 [email protected]
FirebirdAnodized Root BeerXT Kit with Fox DHX 5.0167mm Travel
The Firebird sets a ‘Whole Nutha Level’ in long travel trail bike performance. We’ve harnessed Dave Weagle’s ability to design the world’s best downhill suspension and added more than a few tricks of our own. The Firebird’s dw-link™ design has the DNA of 6 DH World Championships under its belt and its gravity based
heritage is clearly evident in the bike’s incredible descending skills…...but it doesn’t end there.
We’ve built a bike that can climb as well as it descends. The dw-link’s™ position sensitive anti-squat ccharacteristics make for exceptional climbing and snappy acceleration with perfectly tuned Fox suspension to handle anything and everything you love to ride. Build it up light for ultra-technical epics or build it up big
for gravity runs.The Firebird is your ultimate trail machine.
Log onto www.jetblackproducts.com for more info on what makes Pivot Cyles different from any other bike on the planet and to find a Pivot Dealer near you.
Floating Front Derailleur OOur patent-pending variable position floating front derailleur mount is another piece of engineering mastery, translating into even further performance gains. Big travel is the enemy of front shifting. Our floating design maintains the correct relationship with the chain for better shshifting and chain retention at every point in the travel. In addition, the floating mount is fully removable so that a single chairing chain guide can be easily installed to the Firebird’s inte-grated ISCG05 mounts. No fuss, and a better ride for you
Full-Floating Rear ShockTThe Firebird is packed full of cool innovations to make your ride better. The Firebird’s full-floating rear shock (it’s not attached to the front or rear triangle) features a constantly variable shock rate, giving precise control over the suspension performance at every point in the travel. The result is awesome small bump compliance and a controlled ride for every size and speed of hit imaginable allowing you to ride faster and in control.
Whole Nutha Level!
www.jetblackproducts.com02 4560 [email protected]
FirebirdAnodized Root BeerXT Kit with Fox DHX 5.0167mm Travel
I won’t waffle on with PR rubbish about how cool I am or what a great job I have
but instead simply say that I know one end of a lens from another. I spend my
daylight hours (come to think of it, also many night time ones as well) with a cam-
era in hand. I shoot commercial imagery and adventure sports for a living and so
seem to be pretty adept at putting some of the best built pro-camera’s through
their paces, whether it be in the studio or getting rained or snowed on. My cam-
eras are my tools and I expect them to work the way I need them too to allow me
to create the images my client wants. I’ve used 35mm cameras, medium format
and large format cameras to get the results I need and I’ve shot on both the big
players when it comes to Digital (Canon and Nikon) however I have been a long
time Nikon user for reasons that I can’t be bothered explaining here. therefore
you are getting a Nikon user’s view but what I am giving you is an overview of one
hell of a camera… I’ll let you then go and test and choose whether you like the D3
or would rather the white-lenses of Canon or the super-cool name of Hasselblad
or even a Leica that doubles as a fashion accessory… in the end it’s you’re call!
Nikon have quietly been working behind the scenes over the past year to blow the
photography world away with the release of a high speed, high-resolution, ad-
vanced auto-focus digital SLR camera to rival Canon in both the commercial and
sports market. Put simply, the Nikon D3 pro digital SLR camera is a pure beast
of a camera that fulfils the needs of nearly every sports-shooter out there; and
then offers more. However instead of talking highlights and histograms, this
mini-review will look at the everyday application of what is a complex piece of
circuitry and machinery and discuss in layman’s terms the benefits of the new
camera.
But firstly, for all you budding photography gurus out there, here are the stats:
the D3 is a 12.1 megapixel full-frame CMoS sensor, professional DSLR camera,
firing and focus tracking at 9 frames per second (FPS) in full frame mode and 11
FPS in DX-crop mode. With 51 auto focus points, dual CF card slots and a 3.0inch
922 000px LCD, the camera also boasts an ISo range from 100 to 6400 (with
boost to ISo 25600) and a shutter lag of under 41 milliseconds. the magnesium
alloy exterior is ergonomically designed for both horizontal and vertical shooting
with vertical grip, command dials and shutter release as well as being compre-
hensively sealed against dust and moisture.
… But enough of all that stuff, lets look at the everyday application of the above
numbers and what they all mean.
Firstly lets take a quick glimpse at the body. A magnesium alloy fully sealed pro-
fessional body is a must for anyone shooting in the outdoors and the D3 boasts
all the above, meaning the camera won’t keel over and die when you are shoot-
ing in the heat, rain, dust or snow. Additionally the body has a vertical grip with
a second shutter release and command dials so it is as comfortable shooting in
portrait mode as it is in landscape and in both modes allow you to fully control
the exposure and focus settings. the body contains a dual compact flash card
slot (one of my favourite features) allowing for copious memory so you can simply
shoot more and change cards less. the new toggle button on the back allows
super fast and accurate selection of your menu items, auto-focus points and
preview options in playback mode and the incredible 3.0inch 922 000px LCD of-
fers an amazingly accurate representation of the image allowing zoom to 100%
to check clarity and sharpness.
Now here’s where the good stuff begins. Instead of upping the pixel count, Nikon
redesigned their sensor from the ground up and stuck their first full-frame sen-
sor inside the D3. this means the D3 has no more pixels than the D2Xs, however
the pixels are much larger and fit on a sensor which is now the physical size of
35mm negative. What this means is that the 12.1 megapixel full-frame sensor
produces a super sharp magazine size double-page-spread (DPS) image straight
out of the camera allowing the photographer to simply grab the RAW, tIF or JPG
file and supply directly to a magazine for cover or even poster use without having
to digitally enlarge the file… very nice. Additionally the larger sensor means high
ISo shooting is simply incredible. I used to balk at shooting over ISo 400 however
will now push the D3 to ISo 800 or ISo1000 without a second thought with a
resulting image-quality equivalent to ISo 200 from other DSLR’s on the market.
of course the full-frame sensor also means there is no conversion/cropping on
your lenses so now my old 16mm fisheye once again has become a much-used
favourite, and my AFS 80-200mm f/2.8 is once again a true 80-200mm zoom lens
this camera is blisteringly fast… in all areas. Let’s not talk about the 12-millisec-
ond power-up but instead go directly to the super fast formatting of cards. It is
an awesome feature often overlooked but as soon as I first formatted a card the
D3 I realised what an issue this had been in the past. the D3 allows a two-but-
ton rapid format of both CF cards and this all happens instantly so you’re ready
to shoot when you need to be. then the really good stuff begins… Just dial the
lens to continuous-servo, the D3’s focus mode to 51 point (3D tracking) and the
nikon D3 Mini Review
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Who the hell Am I?
the Beast
the Buttons and Rubber Stuff:1.
the Sensor:2.
the Go-Fast option: 3.
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Images 1 through to 5 highlight the reliability of the nikon Creative lighting System (ClS) to produce consistent flash reults with motor drive sequences Image 6 - test pilot Mick Ross.
6
shooting mode to continuous high and when you press the button you’ll be focus-
tracking and shooting at 9FPS. of course what will blow your mind is that the
new multi-CAM 3500FX tracking system is awesomely accurate and just doesn’t
drop a frame… Nikon have really nailed it this time. But if you really want turbo-
charged-go-fast-mode you can change the image size to DX format and you’ll
get 11FPS (but your image size will be cropped to 5.1MP). However 9FPS is pretty
much all you need for most applications and with a minimum 6+ FPS required for
true sequence photography, killer sequences are now ‘in the bag’ without having
to worry about missing shots or running out of memory as the D3 additionally
carries a 20-shot RAW buffer and 64-shot JPG buffer at 9FPS.
Did I mention the high ISo shooting? oh yeah… but just in case you didn’t get it,
you can put your flashes back in your bag because now when trying to nail that
perfect muddy downhill mountain bike shot in the shade under the trees you can
dial the D3 to ISo 1600 and let-rip with a sequence instead of setting up a load
of remote flashes for one shot. I should also mention that the camera enables
live view mode so you can use the rear LCD screen to compose and shoot and
the D3 also has an inbuilt intervalometer for timed sequence photos etc (which I
have found is not just a gimmick but actually a handy tool I’ve used on quite a few
occasions). the D3 also captures images in 14-bit for better colour reproduction
and highlight and shadow detail. the new sensor size did mean I had to go shop-
ping for some new lenses as while my DX lenses work fine, they don’t fill the full
sensor and so reduce the final images to a lesser resolution. Usually this would
be a negative side-effect of a new camera but when you get your hands on the
sexy new super-wide AFS 14-24mm f/2.8 or the AFS 24-70mm f/2.8 then the pin-
sharp results are enough to deter any negative comments about having to spend
the extra dollars.
oh yeah! Just in case you thought this camera was tailored only to sports, press
and magazine work then think again. I recommended the D3 to a portrait and
wedding photographer mate of mine, who then took it for a test run and two
weeks later had one of his own. For those who want true reproduction of skin
tone, natural images in low light conditions or perfect clarity in studio situations,
then the D3 also excels in these area’s with features such as tethered shooting
and camera command from your laptop etc… but that’s another story.
Put simply there are limited high end pro DSLR’s with the build and features to
satisfy the professional photographer demanding high resolution, high speed
imagery. Currently the winners are the Nikon D3 (12.1MP @ 9FPS) or the Canon
EoS 1D MKIII (10.1MP @ 10FPS). of course this will change over the coming years
as new developments occur however in the present market both the above cam-
era’s will well and truly offer as much as you can ask when it comes to magazine
and editorial imagery. the D3 has put Nikon in a very good place over the last few
months but before you get carried away, remember your camera is just a tool so
owning one of these babies does not make you a professional… you actually have
to know how to compose, expose and execute great imagery before you start
walking into the pub telling everyone how much of a photo-guru you are.
For further details and technical spec’s on the Nikon D3 go to ::
www.nikon.com.au
other Bits:4.
Another last Bit:5.
Final Say (I Promise):6.
®
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Brunswick Street433 Brunswick StFitzroy, Victoria 3065P 03 9416 1133E [email protected]
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Elizabeth Street 307 Elizabeth StMelbourne, Victoria 3000P 03 9670 5925E [email protected]
Greensborough 167 Para RdGreensborough, Victoria 3088P 03 9435 0833E [email protected]
www.bscbikes.com.au
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Photo : Martin Bissig
Super Trail ST01Full Shimano SLX
Fox 36 TALAS RC2 100-130-160mmCustom tuned Fox RP2 rear shock
160mm travelAll-Mountain.Swiss
Photo : Martin Bissig
Super Trail ST01Full Shimano SLX
Fox 36 TALAS RC2 100-130-160mmCustom tuned Fox RP2 rear shock
160mm travelAll-Mountain.Swiss
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Recommended rear shock
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Recommended rear shock
TM
HOW DiD yOU GEt StARtED iN PHOtOGRAPHy?I started working as a photographer in high school
and ended up doing a mass communications de-
gree, followed by a journalism degree in university.
Somehow, I got sidetracked into print and then ra-
dio work and the photo stuff just sort of faded away
for a few years.
I moved to Colorado not long after and slowly got
back into shooting to have photos to go along with
the content I was providing to magazines from the
race scene. It made the articles an easy sell. Even-
tually a friend convinced me to buy a new 10d and
not an hDtV. It was the best decision that was ever
forced upon me, as I have been working full time as
a photographer ever since.
WHEN DiD yOU DECiDE tO SPECiAliSE iN mOUNtAiN BikE PHOtOGRAPHy?It was sort of a natural progression as I have been
racing bicycles since the early 90s, almost exclu-
sively mountain bikes. I wanted to continue to travel
with my friends, and knowing where an athlete is
going to be at any given time in any sport gives you
a huge advantage. I still shoot other sports as well
as studio stuff for clients, but I am most at home in
the woods shooting downhill.
ANy mENtORS OR iNflUENCES?I don’t really have any specific mentors but plenty
of influences. I am constantly looking at what other
cycling photographers are doing. Graham Watson
manages to make some amazing images, with bikes
almost as the second story most of the time. the
sheer drama of the venues we are at can make the
image many times. As for MtB shooters, my first
job was working for Plush Magazine out of Boulder
and Mark Dawson, Matt lanning and Mark Doolittle
really helped me out early on offering advice and
support. Currently I really admire what Flipper is
doing. his off the cuff finish line portraits are sim-
ply the best I have ever seen.
fAVOURitE SHOOtiNG lOCAtiON AND WHy?Scotland is fantastic for the drama. Shiite weather,
great course, epic riders. Whistler rates way up
on the list as well. I managed to talk my way into
a shoot on the absolute top of the peak last year
(no bikes allowed normally) and it was epic. the
backgrounds were incredible and the light was
perfect. Maribor is up there just because they have
the sketchiest gondola of all time, and the biggest
2 euro burgers you have ever seen. And $1 beer. I
loVE $1 beer.
WHAt CAmERA GEAR DO yOU USE?I shoot with all canon gear. 1dmk2 bodies (and that
original 10d still as well!). 300mm 2.8, 70-200mm
2.8, 17-40mm 4, 15mm 2.8 Fish for lenses. I use
Elinchrom Ranger lights when I need a fake sun and
vivitar 285 flashes the rest of the time.
WHAt ARE yOUR tHOUGHtS ON tHE CUR-RENt StAtE Of DH mOUNtAiN BikiNG?Dh mountain biking is about to hit it’s next big wave.
It probably won’t touch the mid to late 90s, but the
slump is nearing an end I think. Better technol-
ogy, slowly decreasing prices and the next batch of
young guns are starting to show up to play. Fair-
clough, Smith, Cammelini, Atherton, Gatto.
WHAt iS tHE fUtURE fOR mOUNtAiN BikiNG?no idea at the moment. Racing isn’t going any-
where, but trail riding is on its way up. Whistler and
the other resorts are filled with people on $4000
bikes who have never raced a day in their lives, and
are just out shredding. It is good to see. hope-
fully some more rampage style events show up, big
mountain riding. Slopestyle bores me, but watching
Cedric work his way down a massive big mountain
line and then throw a backflip makes me smile.
DO yOU Still RiDE/RACE?I still do both. I manage 2 race teams with the
help of orange Bikes, and am currently on the Mojo
orange trade team. the more I travel to work the
less I get to race, but I still try to cram in a half
dozen events every year. local stuff, Canada Cups,
Crankworx etc.
fEARS?Sketchy chairlifts.
HOPES?that MtB goes rockstar again and I am around to
shoot it.
DREAmS?See above!
Fraser Britton
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once in a while standing on the side of a world cup course, something just makes your jaw drop. last year in Vigo, Gracia managed to somehow ride out of this. he lost traction, slammed his inside shoulder into a tree
started to drag his foot behind him, face over his tyre and then somehow got back on the gas. he pedaled out of it as if he never missed a beat. I was standing with Ian hylands and we both looked at each other in awe.
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Gee Atherton on the way to his first senior World Championship victory, Val di Sole, Italy, 2008
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Itton DEALERS - NSW - BIKE ADDICTION 02 9938 3511 CITY BIKE DEPOT 02 9279 2202 BLACKMANS @ PENRITH 02 4731 3048 BIKE CULTURE 02 9543 8233 ACT - HAMMER N CYCLE 02 6299 6666
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Jared Graves winning the Adelaide round of the national series on the
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DEALERS - NSW - BIKE ADDICTION 02 9938 3511 CITY BIKE DEPOT 02 9279 2202 BLACKMANS @ PENRITH 02 4731 3048 BIKE CULTURE 02 9543 8233 ACT - HAMMER N CYCLE 02 6299 6666 THE BIKE SHED 02 6257 2171 WA - WEMBLEY CYCLES 08 9387 3708 QLD - CHAIN GANG 07 3715 8990 EPIC CYCLES 07 3368 2324 FOR THE RIDERS 07 3892 5356 NT -SPOKES NT 08 8931 3111
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Jared Graves winning the Adelaide round of the national series on the
2009 model Yeti 303 R DH
photo_Evan Jeffrey
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Kyle hansen clearing a road gap/sequence drop in on Vancouver Island, Canada, during the filming of the new video, Barred For life
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HOW DiD yOU GEt StARtED iN PHOtOGRAPHy?When I started work as a reporter and someone thrust a nikon
FM in my sweaty palms.
WHEN DiD yOU DECiDE tO SPECiAliSE iN mOUNtAiN BikE PHOtOGRAPHy?When I bought my Muddy Fox Courier and cut my knees to f**k.
ANy mENtORS OR iNflUENCES?not really in mountain bike photography, but guys I used to look
up to from mainstream sports photojournalism where Chris
Smith, Mike King, Michael Steele shooting for the broadsheet
newspapers and some of the Allsport agency boys.
fAVOURitE SHOOtiNG lOCAtiON AND WHy?Anywhere where the light is firing and the trails look good. But I
particularly like the graphic colours of Provence, France, utah,
uSA and Australia.
WHAt CAmERA GEAR DO yOU USE?nikon Digital, Bronica and horizon Panoramic film bodies.
Q-Flash and Multiblitz lighting.
WHAt ARE yOUR tHOUGHtS ON tHE CURRENt StAtE Of DH mOUNtAiN BikiNG?the state of Dh mountain biking will improve 100% when Peaty
wins the World Champs.
WHAt iS tHE fUtURE fOR mOUNtAiN BikiNG?Dh will make it to the olympics in place of those dirt roadies. And
on my small island access may become an issue.
DO yOU Still RiDE/RACE?I ride whenever I can get the dog off my back if you know what I
mean!
fEARS?of another Dubya Bush
HOPES?to attend Peaty’s Rainbow Jersey piss up!
DREAmS?A happy face, a thumping bass for a lovin’ race.
Geoff Waugh
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When you drink the water, don’t forget those that dug the well.
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Who will unmask the mystery rider?
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Dirt hero Cam McCaul leaving the Boneyard wallride in his wake.
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Mick airing it out at the les Gets Bike Park, June 2005
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World Cup winner, uK Dh scenester and international playboy, showing his Giant colours. Wales, January 2008
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Former downhiller and now freeride vet’ Dave Watson taking some shade at the Kona Camp in les Gets
Proudly distributed in Australia by Adventure Brands Ph: 03 9770 8912 E:[email protected]
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the man that changed the face of downhill racing in the ‘90s.
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Shot by John Gibson for Red Bull at the Snake Pit
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imAGES fROm tHE mAkiNG Of SEASONS A mOUNtAiN BikE film By tHE COllECtiVE - A StORy tOlD tHROUGH tHE COURSE Of A yEAR AND it’S 4 SEASON’S. fEAtURiNG SOmE Of tHE WORlD’S BESt RiDERS.
MAtt huntER AIRS In CAMlooPS BCPHOtOS: StERliNG lORENCE | StERliNGlORENCE.COm
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VERY toP: DARCY WIttEnBuRG FIlMS AnDREW ShAnDRo VIA thE CABlE CAM, on BoWEn ISlAnD, BC | ABoVE: thoMAS VAnDERhAMPHOtOS: StERliNG lORENCE | StERliNGlORENCE.COm
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imAGES fROm tHE mAkiNG Of SEASONS A mOUNtAiN BikE film By tHE COllECtiVE - A StORy tOlD tHROUGH tHE COURSE Of A yEAR AND it’S 4 SEASON’S. fEAtURiNG SOmE Of tHE WORlD’S BESt RiDERS.*
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Distributed in Australia by The Bicycle Corporation
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VholdR (vee-holder) is the go-anywhere do-anything video camera. Mount it
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My recollection of Highway 99 dates back to 1994. It was on a gloomy west coast September morning. I was 20 years young and had just spent the last 3 days traveling the railways across Canada. It was my first trip of significance away from home and I was only a few hours away from completing the 3000 mile journey. My destination was a relatively undeveloped ski town in coastal British Columbia called Whistler.
The last 63 mile stretch of road connecting Vancouver to Whistler is known as the Sea to Sky Highway, but over time has earned more dramatic titles like the ‘Drive to Die’ and ‘Killer Highway’. Needless to say the length of bumped-out off-camber pavement had seen it’s share of tragedy. Fortunately, my introduction to the road was nothing more than an inexperienced traveler taking his first steps in to the mountains.
Much time has passed since then and since that day countless incidents have occurred. Most dramatic have been at the hands of Mother Nature. Landslides, flooding and heavy snowfall have all shut the road down and often in tragic fashion. But the most common and unsettling occurrences have been a result of poor human judgment. Whether it’s been excessive speeds, fatigue, reckless driving or alcohol related, the ‘Drive to Die’ has claimed more than 20 lives in the past 5 years alone, while some 800 other accidents have occurred.
It’s the roads plagued resume that has demanded a $600 million upgrade. While much talk has surfaced over the years about how much and when, it wasn’t until the 2010 Winter Olympic Bid that the real push began. Without the Games the project may still have been in procrastination. Without the projects willingness to move forward, the bid would have never succeeded.
“I will never save enough time driving the new highway, as I have wasted in construction delays on the current highway.” - mountain bike filmmaker Darcy Wittenburg.
The driver of the Greyhound played it calm as he drove his bus northbound. He hugged the wet cliff wall of the narrow two-lane undivided highway with an unsettling confidence. In the opposing lane, cars buzzed by seemingly unaware of the hundred foot plunge into the Pacific Ocean. Chilled, I forced myself to watch the driver caress each corner blindly at a frightening speed.
The Plague
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The plan was to reconstruct and expand a 2-lane highway in to a 4-lane speedway. The project has brought much positive and negative attention to the road. I can still remember the night my ex was heading home from work in Squamish and was unlucky enough to be the first driver to deal with an overnight closure. They decided to begin blasting that night and as a result a 5 hour wait on a lonely midnight mountain highway began.
That closure came out of nowhere, while they had a tentative date set it had passed and nobody knew when it was going to start. Of course much commotion was raised, mothers returning to their children and delivery truck drivers were all forced to wait. The following Thursday the local paper was filled with discontented letters from stranded passengers. Over time, progress brought organization and the now prepared community had grown to except this project as part of their life.
While the blasting and clearing occurred in the black of night, a new road way had slowly begun to surface. The trees that at one time blocked life-inspiring views of the Howe Sound, had been plowed and as the views opened so did the areas potential. For some, focus on the slow traveling road began to turn in to focus off the road. It seemed with every pass, something new was being offered to the ambitious. Old ‘spots’ had become obvious from the road and new ones had been created with every blast.
Conversations soon swayed from a traveler’s blues to a positive mountain bike stoked. Previously only a few had taken the time to pull off the road and session these spots. With the realization of a 4-lane highway halfway through its destruction, a couple of riders came to realize the lifespan of each spot was indefinite. As a result one-off descents, natural rock wall rides and blazing stretches of singletrack were in need of immediate attention.
“I hate getting stuck in construction, my A.D.D kicks in and I can’t stop looking for things to ride.” – Wayne Goss
On July 18th Dave Smutok and Wayne Goss loaded their bikes over the tailgate of Wayne’s recently acquired 72 Chevy C10 pickup. Their mission as backwards as it sounded was to get stuck in traffic and ride out the waiting game. A list of spots was collected and the daylong session began to take shape. The list was as variable as the mountain bike is, such names as the Britannia Boat House, Tricuoni jib, the Brackendale drift and even a Dual Slalom spot found a space on the hand scribbled list.
Construction
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The session began in an abandoned boathouse on the waters edge of Howe Sound in Britannia Beach. The boathouse has stood before the highway even existed. In the early 1900’s the Britannia community was only accessible by boat. Only two structures have managed to survive the coastal weather patterns and one now acts as a roof to four experienced wooden ramps.
Dave and Wayne quickly moved one ramp outside and began jamming their bikes against the old wooden structure. Wayne managed to nudge himself snuggly under the overhang of the knife-edge metal roof, only just avoiding near decapitation. It was at that point Wayne called the session to a close quickly realizing it would be deadly to go any higher. The ramp was put back in its place and the first spot on the list was crossed off.
Britannia Beach
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Just over a year ago a new section of rolling rock was exposed alongside of the highway. Apparently the section cleared was a mistake and was never supposed to be cut. I guess the only positive occurrence about that mistake was it let an imagination run a bike over cleanly sculpted rolling transitions.
After realizing the speckled orange curves of the rock was far more attractive than ride-able, Smutok’s mind wandered around the backside of the mound where it edged the rim and overlooked the port of Squamish. After a short hike-a-bike up the rock an old trials trail made itself visible. The area is notoriously windy and over time the wind had blasted subtle curves along the top of the bluffs resulting in an unassuming play land. Surrounded by water, mountains and the largest granite monolith in North America, the old and now unused trails trail made for a creative hour in the sun.
Granite Skatepark
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The granite skatepark sat on the south end of Squamish, after a slow drive through the town, the smaller and neighboring town of Brackendale waited. Alongside this stretch of road sat a section of trail generally used by horses and riders to access the Alice Lake trail network. It is flat and in most cases would be ridden at a very casual pace.
Fortunately Goss and Smutok don’t ride at a casual pace and with the most minimal decline in the land, they both shifted their thighs into overdrive. Their point of interest was a slight doubletrack bulb in the trail, the gentle elbow was summer dry and provided the perfect surface for their wheels to drift in a perpendicular fashion. After the cloud of dirt cleared, front wheels steered the bikes straight and an uncontrolled stoke was released. The pleasure expressed on the faces of the two would have been impossible to rehearse, further proving how little you need when you have a bike between your legs.
Brackendale Drift
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It’s likely the most obvious spot on the Sea to Sky; a near vertical rock sits with a seemingly perfect transition butting its way to a 12-foot high wall tap. Previously the parking lot it sits on the outer edge of, had been filled with an unmanageable rock surface. To ride a bike on it would be impossible at speed and a s it would be this natural one-off would only be accessed by snowboarders who tow in by snowmobile.
Over the last season construction on this area of the highway called for a truck turn-around. The lot was graded and a near perfect set up was that much closer to riding. The only problem left was the transition to wall was still made of small boulders. The rocks were shaped into a mock lip and 4x8 sheets of plywood were ‘borrowed’ from the local Cat Skiing operation and subsequently shimmed and wedged into place.
It shouldn’t have worked. The set up was literally pieced 4 pieces of wood shimmed together and required realignment with every attempt. The emotion of breaking in a new line took over Dave and as he tapped the rubber of his rear tyre higher and higher with every effort, to where he eventually found his rear wheel wedged in a crack. A quick panicked tug and he popped out of the nook and back into the makeshift transition. The boards rattled out of place and a look of relief was evident in his eyes. He rode back, stopped and weighted his elbows on his bars, where he proceeded to grin with a quilty pleasure.
A Snowboarders Jib
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Expecting to Fly
Wayne spends his summer days living with his uncle in Squamish. Sweating through a coastal heat he has searched out the area for the perfect terrain to build stunts for his movie parts in New World Disorder. During the process he has gained a network of knowledge for the local trails. After the boys turned back south they made a quick stop on a new and very short length of trail called Expecting to Fly. A snaking line of step-downs just a mile off the road.
A quick flow session broke out. The dirt was dry and would have normally choked out a rider but today was different. The roost became the objective. Corners resembled deep powder sprays and the tail-gunner learned how to ride by trust and feel as the visibility became non-existent in the cloud of smoke.
On the way out a quick one-off dirt jump waited in the woods. The shovels of Darcy Wittenburg and his Collective crew had left a large double in an over saturated land of moss. Wayne started with a snapped moto-whip bringing his bike to a 90 degree angle and then dropping his front wheel into the sniper transition. A quick hike up and he upped his own ante with a tail-whip that seemed to pause in time. He found his pedals and rolled out clean. After some quick mechanical adjustment, Smutok followed with a nothing; no hands and no feet- found his pedals and bar, rolled away and left the woods for the truck.
“What are you trying to cause an accident!” – Said the man looking backwards driving his truck forward.
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The day wound down and light started to fade. Content with a day of highway inspired riding Wayne and Dave loaded up the truck and began the return to North Vancouver. As irony would have it traffic came to a stand still and again the boys found themselves in a line of traffic waiting for the stop sign to be flipped back to slow. An exhausting day had patience wearing thin. Coincidentally a downhill section of fresh asphalt lined with 2 rows of well-spaced pylons stood ahead. Quickly the boys jumped out of the vehicle and a headed to the start of the Sea to Sky Dual Slalom.
Wayne started strong but brushed a gate and lost a bit of speed. Smutok took advantage of Wayne’s technical and railed the surprisingly tacky track and managed to pull away with the win. As he crossed the imaginary finish line a frightened large man driving in opposing traffic stuck his head out of his window, looked back and yelled at the boys. He nearly rear-ended the vehicle in front of him in the process.
Dual Slalom
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Just 2 weeks after Wayne and Dave laid the rubber down on the last slalom session of the day. A few hundred meters down from the course, a massive rockslide broke loose. The beginning of the slide grazed a passenger bus crushing the sides. Fortunately no one was seriously hurt. The highway saw a different fate. A pile of boulders 30 feet high and 100 feet wide now sits waiting for removal as crews work around the clock to clear the mess.
Currently we are in day 3 of a projected minimum 5 day road closure. The last reports have the town of Whistler out of gasoline and a long weekend about to begin. The 2 hour drive to the Whistler Bike Park is now a 6 hour detour. Stores have shut down and according to local news reports; the village has become a ghost town. On a lighter note; I am stuck out of Whistler at perhaps the best place in the mountain bike world - Silver Star Mountain Resort. And for the folks stuck on the other side of the rock pile the Canadian Barbeque Championship scheduled this weekend will still go on.
The Plague Continues
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HOW DiD yOU GEt StARtED iN PHOtOGRAPHy?I started with video and wanted to try photogra-
phy. I went to a police auction and lucked out by
getting an old Pentax Spotmatic with a bunch of
lenses for $100. At a race in 2000, my derailleur
sucked into my rear wheel on my first practice
run, ruining the weekend. I had the camera with
me and played around with it. I was hooked.
WHEN DiD yOU DECiDE tO SPECiAliSE iN mOUNtAiN BikE PHOtOGRAPHy?It wasn’t really a decision, it was the only thing I
cared to take photos of regularly.
ANy mENtORS OR iNflUENCES?Malcom Fearon, Paul Bliss, Mark Dawson, Victor
lucas, Damian Breach, Sven Martin.
fAVOURitE SHOOtiNG lOCAtiON AND WHy?Any World Cup race because everyone is fast and
they do their thing, while I just poach ‘em.
WHAt CAmERA GEAR DO yOU USE?old Canon stuff...1d and 1ds. used sunpak flashes
and Alienbees big lights.
WHAt ARE yOUR tHOUGHtS ON tHE CUR-RENt StAtE Of DH mOUNtAiN BikiNG?I think it is in a good place. the slopestyle/fre-
eride buzz is evening out and racing seems to be
gaining some popularity. I love all forms of mtb
competition, slopestyle, race, etc...it’s all sick. I
just think that now, perspective is getting a little
more realistic and the different formats are level-
ing out a bit. For all I care, it can stay under-
ground and not become mainstream. the trails are
crowded enough already.
WHAt iS tHE fUtURE fOR mOUNtAiN BikiNG?Who knows, maybe the continued specialization of
styles? Fewer riders dabbling in a variety of race
formats, instead, they focus on one thing only.
hopefully slalom takes out mountaincross, though.
DO yOU Still RiDE/RACE?Yep, ride as often as possible. Mostly a little bike
at the skatepark and lifts in the summer time.
fEARS?9-to-5 job.
HOPES?that hairy men become fashionable and again and
not ever having another 9-to-5 job.
DREAmS?to retire to Crescent City, California or Mountain
home, Missouri in the next 5 years (yeah, right!).
Spomer
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Chris makes Superco Bikes. When he’s not welding impeccable frames, he’s shredding them on the pumptrack in his backyard
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Joel schralps the jumps at the Fix Bikes in Boulder, Colorado
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Amiel on his way to destruction at Crankworx. he overshot the GlC drop here by a good 15 or 20 feet and landed flat, exploding in the worst way possible, inches from the finish. he grabbed his bike and rolled through the finish, in spite of the beating
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John Kirkaldie can handle anything. See the greasy, off-camber corner before this lip? Most riders could barely make the corner and had to push the lip. Kirkaldie railed it and blasted
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Cameron McCaul tweaks on the fly and sneaks on by some lumber in northern California
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BACK FlIP SuPERMAn | Photo: DAVID ulRICh
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thE CIRCuS thAt IS VIEnnA AIR KInG | Photo: DAVID ulRICh
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Velo-Vita Pty.Ltd P- 02 9695 7744 E- [email protected]
Hydrolite 3.0L
Speedlite 2.0L
Hydrolite 2.0L
Bike 1
Compact Exp 8 3.0L
Compact Exp 12 3.0L
HYDRATEFOR THE NEXT ADVENTURE
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sam hill
SAM, WhAt hAS YouR oFF-SEASon BEEn lIKE? WhAt’S BEEn
thE MAIn ACtIVItY You hAVE EnGAGED In to unWInD FRoM
YouR RACE SEASon?
I’ve been enjoying it quite a lot. I had some house renovations to
finish off so I’ve pretty much finished that now. I’ve been riding a
lot of motocross and just hanging out with my buddies at home so
it’s been cool.
WhAt hAS BEEn thE BESt thInG So FAR to CoME FRoM
YouR nEW SIGnInG WIth SPECIAlIzED?
I’m just stoked to be riding for a company that wants to win as
much as I do. they are willing to develop new stuff and make me
happy. the whole program is going to be real sick and I have a
great group of people around me.
IS thERE GoInG to BE An All nEW SPECIAlISED Dh BIKE
FoR YouR 2009 WoRlD CuP SEASon?
I have no idea really, they are getting me all dialled in on the
Demo 8 right now. I’m loving riding that bike so I’ll give them my
feedback and we’ll see what happens with further development.
WhAt ARE YouR oVERSEAS CoMMItMEntS thIS oFF-SEA-
Son GIVEn WIth thE nEW tEAM?
I’m actually in the uS right now. We’ve been having a bit of a team
camp and testing out new bikes and stuff. We are just all getting
set up and making sure we have everything ready to go for when
the World Cups start.
hoW MuCh tIME WIll You BE SPEnDInG ADAPtInG to YouR
nEW BIKE thIS oFF-SEASon CoMPARED to PREVIouS YEARS
WhERE You hAVE PREttY MuCh hunG uP YouR hElMEt In
thE oFF SEASon?
I am really motivated to be on my bike to prepare for 2009. I’m
not happy with my results this past season so it has re-lit the fire
and I think ’09 is going to be good so I will be putting in a lot of
time on the bike to get fully used to it.
thE StRoMlo WoRlD CuP hAS CoME AnD GonE. WhAt
FRAME oF MInD hAS thIS lEFt You In WIth REGARD to
ClAIMInG BACK thE WoRlD ChAMPIonShIP CRoWn?
It’s going to be a tough one for sure. I don’t think I was prepared
SAM hIll IS A nAME thAt EVoKES SIMIlAR thInGS FRoM MoSt PEoPlE. hIS RESERVED DEMEAnouR AnD ABIlItY to BRutAlISE hIS CoMPEtItIon AGAInSt All oDDS MEAn thAt It IS VERY hARD not to BE In AWE oF thIS GuY.
In thESE unCERtAIn tIMES, SAM hIll IS A ConStAnt – An IRon-hoRSE-RIDInG PoDIuM toPPER AnD RESult CollECtoR. But WhAt’S thIS? 2009 WIll SEE SAM on A SPECIAlIzED DEMo 8 – YES, thE BIKE KnoWn MoRE AS A FREE-RIDE SlED thAn A nIMBlE, WoRlD CuP WEAPon. hE’ll StIll BE ChuGGInG DoWn MonStER EnERGY DRInKS, BounCInG RoCKShoX AnD SRAMInG It uP, But thE BIKE IS A BIG ChAnGE.
hIS FIRSt outInG on thE SPECIAlIzED WAS onE to FoRGEt. DRAWInG PlAtE nuMBER 13 MEAnt SAM WoulD loSE hIS DERAIllEuR to A RoCK At EAGlE MountAIn BIKE PARK, AnD hE FAIlED to QuAlIFY. thInGS WEREn’t All BAD thouGh, SAM’S ‘DEMonStRAtIon Run’ WoulD hAVE GIVEn hIM SEConD In thE FInAl BEhInD GRAVES.
WIth MASSIVE ChAnGES AFoot, RoBBIE MCnAuGhton InJECtED SAM WIth SoME tRuth-SERuM FoR A GooD olD FAShIonED ChAt ABout thE nEW BIKE, nEW DEVEloPMEnt PRoGRAM, SECREtS oF SuCCESS, MotIVAtIon, PRESSuRE
to WIn AnD houSE PAIntInG.
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for that race in ‘08 and I know I have a lot of work to do if I want
to get the rainbow stripes back. I am going to prepare the best I
can for it and try my hardest. I would love to be able to win there
in front of the home crowd but I know it’s going to take a lot. I
don’t think it’s an impossible task so I will be going there to try
and win.
WhAt Do You thInK You WIll BE DoInG DIFFEREntlY WIth
REGARDS to tRAInInG In CoMPARISon to PREVIouS YEARS
In PREPARAtIon FoR thE 2009 WoRlD ChAMPS?
Just some top-secret stuff!
WhAt ChAnGES ARE You hoPInG FoR WIth REGARD to thE
StRoMlo DoWnhIll FoR thE AuStRAlIAn ChAMPIonShIPS
AnD thE WoRlD ChAMPIonShIPS In 2009?
there really is still a lot they can do with the area they have built
the track on. I would like to see it a bit more technical stuff up
the top and it would be good to seem them either take the flat out
at the bottom or have a more high-speed entry into the flat with
some nice big jumps to break up the pedalling.
hoW Do You FEEl thE StRoMlo Dh CouRSE CoMPARES to
othER WoRlD CuP VEnuES, AnD MoRE IMPoRtAntlY, to
othER WoRlD ChAMPIonShIP CouRSES thAt You hAVE
CoMPEtED on?
I only have negative feedback about it so I might just keep my
mouth shut and stay out of trouble. [laughs]
WIll You onlY BE CoMPEtInG In WoRlD CuPS thIS YEAR
AnD IF So WhY?
My schedule will have me focusing on World Cups and the World
Champ’s. they are the premiere races and what Monster Energy/
Specialized and I want to compete in. I will also be competing in
some other one-off events like the uS open, Crankworks, and
other events we might have time to do.
WhAt’S thE BESt thInG ABout hAVInG BREnDAn FAIR-
ClouGh on YouR tEAM AGAIn?
he is just a cool guy, we get along really well and he goes off on a
bike so it’s all deadly.
lASt YEAR DuRInG YouR oFF SEASon You DID SoME RunS
At thE AWABA tRACK outSIDE oF nEWCAStlE. WhAt WERE
YouR thouGhtS on thE tRACK?
Yeah, I think the track is sick – it has a lot of really good turns,
rocks, jumps and all-round fun stuff. It is good to see people put-
ting in time to build something cool.
At the Specialized training camp in Elsinore, Southern California, getting acquainted with the new gear photo_ Isreal Romero
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BlackBox product testing - home trails in W.A, prior to the start of the 2008 World Cup season
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You hAVE MEntIonED thAt It WoulD BE A GooD IDEA to Put thE
AuStRAlIAn ChAMPIonShIPS CloSER to WhEn thE IntERnAtIon-
Al RIDERS ARE hEADInG oVERSEAS, WhAt IS YouR REASonInG
BEhInD thIS?
I think you would get more of the international race guys going to the
Aussie events because they would want to do a warm up race before
leaving. Also, the top guys would be in better shape, which would make for
better racing.
EVEn JuSt DoInG WoRlD CuPS, hoW hARD IS It to StAY on toP oF
YouR GAME thRouGhout thE SEASon? IS thAt WhY You lIKE to
hAVE A BREAK In thE oFF-SEASon?
It gets very hard towards the end of the season. It’s hard to stay focused
for six months and I am usually hanging to get home again by the end. I
find riding my bike a lot more fun after having time off it which is why I
don’t do a lot during the off season.
tEll uS A lIttlE ABout FIlMInG At Sun PEAKS, MAInlY thE lARGE
StEP-DoWn FEAtuRED In ClAY PoRtER’S MoVIE, F1RSt.
Sun peaks is just an awesome place to ride. I’ve been going there almost
every year since 2003. there are two drops that I have looked at and
thought would make a sick jump. Finally filming there with Clay I thought I
may as well do it, it’s pretty massive and blind – you can’t see a thing until
you’re in the air!
Do You FEEl thAt thE EXPECtAtIonS oF FAnS, SPonSoRS AnD
oRGAnISERS hAVE InCREASED WIth YouR SuCCESS? DoES thIS
AFFECt You At thE RACES?
I’m not sure. I guess when you win a race then they know you can do
it again and might expect more to follow. I try not to deal with all of the
added pressures and just try to get on with it.
WhAt Do You FEEl It IS thAt AlloWS You to REMAIn FoCuSED
EnouGh to KEEP on WInnInG At thE WoRlD StAGE?
Just not wanting to be beaten is enough to keep me focused.
At the Adelaide national round at Eagle Park, with a broken derailleur an unfortunate first outing for Sam photo_Adam Macleod
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HOW DiD yOU GEt StARtED iN PHOtOGRAPHy?Years and years ago at one of the national round’s
in Mount Beauty my dad passed me the camera and
said ‘oi punk, wanna have a go?’ Ever since, I
always hogged the camera and shot like crazy.
WHEN DiD yOU DECiDE tHAt yOU WANtED tO SPECiAliSE iN mOUNtAiN BikE PHOtOGRAPHy?It just happened. I would always steal my brothers
MtB magazines and look at all the awesome shots
for ideas.
ANy mENtORS OR iNflUENCES?Sterling lorence and Chris herron have always
been people who have inspired me to shoot.
fAVOURitE SHOOtiNG lOCAtiON AND WHy?Probably the cliff edges Vincent Pernin took me to
recently.
the view was breathtaking and scary. I was
hanging on the edge of a 200 foot cliff shooting
Vince ride inches from the edge. It was just one of
those moments where I thought ‘this is awesome!”
WHAt CAmERA GEAR DO yOU USE?Canon 1Ds Mrk III and Canon lenses / Flashes.
WHAt ARE yOUR tHOUGHtS ON tHE CURRENt StAtE Of DH mOUNtAiN BikiNG?Dh seems to be growing every day. there are so
many affordable bikes and an endless amount of
trails being built by local kids.
WHAt iS tHE fUtURE fOR mOUNtAiN BikiNG?hopefully we will see more and more legalised
spots for people to ride.
DO yOU Still RiDE/RACE?Yep, still ride on a regular basis. A bit of
trials, Dirtjumping and Street.
fEARS?Dropping my camera.... hehe.
HOPES?to ride and photograph as much as possible!
Chris Benny
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I had seen some shots of Shorty posted on an internet forum and was keen to meet up with him for a shoot. Shorty has a background in BMX and rips the skateparks and shreds the dirtjumps. he had only just picked up his new frame from his new sponsor Rhythm Imports and was keen to hit the jumps. I set up the lighting and watched the rain clouds creeping towards us. this shot was his 3rd attempt on the jump, whipping out a huge one foot flatty.
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It w
as la
te a
fter
noon
whe
n I
got
a ca
ll fr
om A
lex,
ask
ing
if I
wan
ted
to t
ake
som
e sh
ots
at M
anly
Val
e. o
nce
I go
t to
the
par
k, A
lex
was
kee
n to
rid
e, a
nd h
ad s
et u
p so
me
gene
rato
rs t
o ru
n lig
hts
so h
e an
d a
few
mat
es c
ould
rid
e in
to t
he n
ight
.I s
etup
my
flash
es a
nd w
aite
d fo
r th
e su
n to
just
dro
p be
low
the
hor
izon
. Ale
x w
as b
usti
ng h
uge
off
the
quar
ter.
I w
as t
ryin
g to
com
pose
the
sho
t an
d be
nt d
own
to c
hang
e le
nses
and
not
iced
a g
ap in
the
rai
ling
fram
ing
Ale
x. I
fine
tun
ed t
he li
ghti
ng a
nd g
ot t
he s
hot.
Soo
n af
ter
gett
ing
the
shot
, I
put
dow
n th
e ca
mer
a an
d gr
abbe
d m
y bi
ke t
o jo
in in
on
the
sess
ion.
Ch
RIS
BE
nn
Y
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CéD
RIC
GRA
CIA
_WA
LLR
IDE
/ BI
KE
PAR
K T
ENER
IFE
(SPA
IN)
UK Gabarit Cata09.indd 22 29/08/08 16:40:49
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A few weeks before Shorty entered a BMX competition on his MtB and placed third. to say the least, he has some serious skill. he awed everyone at Campbelltown while flying high with no foot can’s and huge supermans. I set up my lighting and again waited for the afternoon light. the sun set and produced an awesome deep blue graduated backdrop.
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136
I had some spare time and was keen to shoot something a little different. I pulled out my bike rig and mounted my camera to my bike. Mounted a flash and set off to take some shots.
Ch
RIS
BE
nn
YC
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ho
to A
nn
uA
l
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HOW DiD yOU GEt StARtED iN PHOtOGRAPHy?I’d always wanted to get a decent camera and when
I started work after leaving law school I spent my
early pay cheques on an SlR and a couple of lenses.
the bug bit and I kept learning and shooting as
much as I could.
WHEN DiD yOU DECiDE tO SPECiAliSE iN mOUNtAiN BikE PHOtOGRAPHy?As my interest in photography developed, I started
getting into mountain biking, and the two interests
coincided and progressed together.
ANy mENtORS OR iNflUENCES?I had an early mentor in mountain biking photog-
raphy who was shooting for Bicycle Action at the
time, Mark Wohlwender. I remember him being very
helpful to me at early races, giving me tips and
suggestions which kind of set me on my way. An old
friend from home (South Africa, onne van der Wal
who is now a top marine/yachting photographer in
the united States, has also been influential, and is
still inspiring. And a couple of ski photographers I
worked with in the early 90’s inspired me too – tony
Mclaughlin and Marko Shapiro. Also, a lot of the
surf photographers whose work has graced the
pages of Surfer magazine over the years have been
inspiring. But mostly it’s the riders I’ve worked
with over the years that have inspired me to try to
capture their moves. Without those guys pushing it,
the pictures wouldn’t be anywhere near as good.
fAVOURitE SHOOtiNG lOCAtiON AND WHy?hmm… tough one. Probably the last one I took a
good picture at! the Alps are always inspiring, the
scenery and backdrops are second to none in places
like Chamonix, and Whistler always has good action
going on. Bizarrely enough I still get a kick out of
shooting on my local common, I guess ‘cos its home
and I’ve seen it in so many moods and shades of
light. Its still enjoyable and a challenge to find a new
angle, and always fun when the light is good.
WHAt CAmERA GEAR DO yOU USE?I went with Canon from the early EoS 1 in about
1990, and have been through all their various bod-
ies, now using the EoS 1d mk II and 1DS, about to
upgrade to the Mk III. I have a range of lenses from
15mm through to 300, and several flashes includ-
ing a Quantum Qflash, with pocket wizards to fire
them. And a range of bags to carry them in, from
lowepro, thinktank and Crumpler.
WHAt ARE yOUR tHOUGHtS ON tHE CUR-RENt StAtE Of DH mOUNtAiN BikiNG?It just seems to get faster and the riders are
getting good younger. Great to watch. Some good
characters in it still and that keeps it interesting.
WHAt iS tHE fUtURE fOR mOUNtAiN BikiNG?Phew, big question. there isn’t as much money in it
for the riders as there was in the heyday of downhill
racing, and there are some talented riders not
making as good a living out of it as they deserve to.
not sure if that will turn around or not, but I hope
it does. the level of riding continues to rise, and I
think it will continue to do so.
DO yOU Still RiDE/RACE?I don’t race, but I ride several times a week usually,
mostly for fitness these days.
fEARS?that I’ll run out of cf cards just as the perfect shot
presents itself…
HOPES?that I don’t run out of cf cards just as the perfect
shot presents itself…
DREAmS?that I manage to capture the perfect shot when it
presents itself.
Steve Behr
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HOW DiD yOU GEt StARtED iN PHOtOGRAPHy?My parents were into photography, not profession-
ally or anything but I guess I got an interest there. I
grew up in the countryside so bikes were a big part
of life – transport, fun whatever. I was into bmx in
the 80’s and then moto-cross in a small way after
that. the first local moto race I went to with my dad,
I borrowed his camera to take photos of the action.
Afterwards I discovered there was no film in it.
then for years I just messed around having fun with
taking photos of all sorts of things. For a while I
went to all the local moto-x races and sold prints to
riders in the pub afterwards.
WHEN DiD yOU DECiDE tO SPECiAliSE iN mOUNtAiN BikE PHOtOGRAPHy?It was a long slow process. In about ’92 I dis-
covered mountain biking during the boredom of a
summer beach holiday in Spain. tearing around the
sheep tracks behind the beach resort on a piece
of crap rent-a-bike was much better than lying on
the beach with all the other pale and flabby Irish
tourists. then I discovered Dirt mag and became
obsessed with mountain bikes. I guess like a lot of
people I thought it would be really cool to get paid
to take pictures of the things you are passionate
about. I started going to races and by trial and
many errors slowing started to get a few reason-
able shots. I started sending a few in to Mike Rose
[editor of Dirt] and eventually he caved in and used
one from a race in Ireland. that was 6 years ago
and I just kept at it, eventually I was actually able to
make a living out of it.
ANy mENtORS OR iNflUENCES?too many to mention. Every good photo I see is an
influence. All the photographers who shoot for the
best mountain bike mags like Dirt, Decline and Bike
- Bliss, Rose, Gibson, Fearon, Dawson, Spomer,
Flipper, Frankowski. BMX photographers like Rob
Dolecki, Manu Sanz, Ricky Adam. lots of other
sports too like skate, snowboard, and moto-x of
course which is where it all started for me. then
there’s all the great documentary, portrait and
lifestyle photographers like Cartier Bresson, Garry
Winogrand, Weegee. Also the national Geographic
photographers like David Alan harvey. Documentary
photographers like Don McCullin and Sebastiao
Salgado.
fAVOURitE SHOOtiNG lOCAtiON AND WHy?Anywhere new with interesting possibilities. It’s the
adventure and search for some amazing riding spot
that keeps me going. When you go back to a race
venue many times it’s hard not to repeat yourself.
WHAt CAmERA GEAR DO yOU USE?Canon 1D mark II, Canon 5D, 580ex flashgun
lenses – 15mm fisheye, 24mm, 50mm, 85mm and
135mm. Sometimes a 70-200 or 300.
A big, heavy and powerful Quantum flash Pocket
Wizard radio flash triggers and some home-made
flash cables Batteries, memory cards, Dictaphone,
coloured flash gels, lens cloth, ipod Ricoh
GX100 compact
WHAt ARE yOUR tHOUGHtS ON tHE CUR-RENt StAtE Of DOWNHillJeez. how long do you want this to be? I think it will
be an interesting World Cup race season – a couple
of new venues, lots of people moving around to
new teams, so riders will surely find new inspira-
tion (or want to impress new sponsors) and they
will up their game. I know the Athertons have been
working harder than ever over the winter getting
bikes dialled and training their asses off, so it could
be a good year for them. the World Champs being
early is a weird one, it doesn’t give much time for
things to build up, it might be over before we know
it. I think there’s some great stuff happening with
bike parks opening in ski-resorts all over the place.
there seems to be more and more variety of races
happening – from endurance events like the Mega-
valanche to many different levels of local Dh races
– to short track ‘min-dh’ races. this is also good
as it gives more people a chance to race without
getting blown away by the best riders around. on
the not so good side – I think Dh fashion is pretty
confused. People can’t decide whether skinsuits
are cool or geeky, and the only other alternative is
‘MX-lite’. Something new and original please Mr
Fashion Designer. From a photographers point of
view I especially hate all the black kit that seems to
be so popular at the moment. Means I have to use
flash on nearly everything.
WHAt iS tHE fUtURE fOR mOUNtAiN BikiNG?Cars will be banned and all major roads will be
replaced by smooth flowing A-line style trails that
run downhill in whatever direction you happen to be
going. ha ha.
DO yOU Still RiDE/RACE?What do you mean ‘still’? Do I look old and frail or
something? I ride whenever I get a chance. usually
that’s once or twice a week, other times its 4 or 5
days in a row. I enjoy everything from XC to Dh, just
don’t ask me to huck off anything bigger than about
3 feet high.
fEARS?not being able to ride and take photos. or somebody
getting badly hurt when riding for my camera, it’s
not worth it for a picture in a magazine.
HOPES?to keep on doing the things I love, with people who
are passionate about it. to create something that
other people find either interesting, amusing or en-
tertaining. to not waste time doing stuff that nobody
appreciates.
DREAmS?to ride every good trail and photograph every
interesting person on the planet.
Victor lucas
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- Lao-Tzu, 6th Century, BC
- Baron Acton, 1887
- HeMan, Saturday Mornings, 1980s
Four-piston, monobloc caliper
Radial master cylinder
Long, aggressive lever
Tool-free reach adjust
Sintered or semi-met pads
427g (w/6" rotor and hardware)
hayesdiscbrake.com
wHayes is proudly distributed by Dirt Works Australia | ww [email protected] | 02 9679 8400 | www.hayesdiscbrake.com
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Sven MartinHOW DiD yOU GEt StARtED iN PHOtOGRAPHy?My Dad taught me the basics as a kid shooting lions and elephants,
then my brother got me into surf and skate photography for some
South African Mags, and that carried over into MtB as I got into it.
WHEN DiD yOU DECiDE tO SPECiAliSE iN mOUNtAiN BikE PHOtOGRAPHy?Started racing Dh fairly late in life (28yrs old) and got fully into the
sport like a grom. Achieved my race goals and just recently began
focusing more on photography. less injuries for me that way, but still
get to travel and ride the best places in the world with all my great
friends I’ve met along the way.
ANy mENtORS OR iNflUENCES?liked the work of all the great skate photographers. Atiba and Brit-
tain. the Spomer and Flipper have been good influences and helped me
along the way. And Breachie (Damian) the underground Aussie legend.
fAVOURitE SHOOtiNG lOCAtiON AND WHy?no one favourite. that’s the great part about the job. new places
every week. Its awesome and challenging to do scenic places justice
and make shitty places look good.
WHAt CAmERA GEAR DO yOU USE?Canon… 1DMKIII and a bunch of lenses and a bunch of flashes and
things that need way too many batteries and chargers, wires and
adapters for different countries. the 15mm fish and 70-200 2.8 does
the bulk of the work.
WHAt ARE yOUR tHOUGHtS ON tHE CURRENt StAtE Of DH mOUNtAiN BikiNG?Couldn’t be better in terms of the level of riding, skill and competition.
Could be better in the sense that there is not a lot of talent out there
not being supported or paid what they are worth. Bikes and technol-
ogy has come along way. Some companies “get it” others still try pay
for photos with valve caps and tyre levers.
WHAt iS tHE fUtURE fOR mOUNtAiN BikiNG?hopefully better tV coverage worldwide, which will attract bigger
corporate interest to the sport, which will be beneficial for the teams,
riders and everyone involved in racing.
More endurance Dh events in crazy locations with big prize purses. Is
the future already here with Sam hill?
DO yOU Still RiDE/RACE?Yeah I still do both, but it was tough last year doing some world cups
and world champs while still having to deliver good shoots at the same
time. this year I will have to be more selective in my racing and pick
some smaller ones and maybe the masters worlds, who knows. As long
as I’m healthy and injury free I will always race, just leave the World
Cup racing to the younger faster pros, who I have a better chance of
getting a good photo of than beating on the race track.
fEARS?Computers Crashing, losing luggage, Injuries and X-Rays.
HOPES?Stay healthy, keep travelling, Keep riding.
DREAmS?have a couple of houses in different parts of the world taking advan-
tage of the best beaches for surfing and best mountains for riding.
Keep travelling and going on new adventures with my wife Anka.
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172toP RIGht one of my favourite shots that never saw the light of day. I don’t know
if it’s the whites of her eyes, her focus or the fact that she is off the brakes that makes this shot. having the white rainbow jersey on definitely completes the package though.
BottoM RIGht nathan Rennie always dominates @ Sea otter, both in results and presence. the big man on a small bike always turns heads. Dual Slalom
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Pierre Edouard Ferry from lyon France gets creative on an old abandoned mine shaft during the filming of a music video for MtV with German band, 4 lyn
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the neethling brothers have to thank their parents for their genes. Jonty and Andrew both have some of the best style in the business. Even if its just squeezing a few extra inches out of the local pumptrack
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Andrew neethling at home on the slalom course in South Africa, carrying the coveted SA-MtB number 1 plate
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nathan Rennie hydrating after a long day of practice at Mont Sainte Anne. Always a chararcter and full of laughs, but still a threat on any given day.
The Riot has everything a pro rider needs without the expense of a custom Mob. With a great aftermarket frame and name brand components there’s no easier way to put together a high-end Black Market. Jump on one and join the family.
Intense 2.25” MicroKnobby tires front and rear.
Tektro Auriga hydraulic disc brake with 160mm rotor
BLKMRKT_09_TEAM.indd 4 09/10/2008 6:43:19 PM
The Riot has everything a pro rider needs without the expense of a custom Mob. With a great aftermarket frame and name brand components there’s no easier way to put together a high-end Black Market. Jump on one and join the family.
Intense 2.25” MicroKnobby tires front and rear.
Tektro Auriga hydraulic disc brake with 160mm rotor
BLKMRKT_09_TEAM.indd 4 09/10/2008 6:43:19 PM
With tried and true Mob geometry the Three57 can do it all: dirt jump, street, park and 4X. You won’t get a similar bike that rides this good from a company specializing in ergonomic utility bikes. Get yourself a Three57, they’re locked and loaded.
Disc compatible front hub
Full CNC Black Market stem
Carter Hollandphoto: Ben Tobin
BLKMRKT_09_TEAM.indd 5 09/10/2008 6:43:29 PMDistributed exclusively by :: Elite Cycle imports - 03 9735 9911 www.eciimports.com
Stephen hillenbrandHOW DiD yOU GEt StARtED iN PHOtOGRAPHy?When I eventually saved up 400 bucks and got my first SlR so I could
shoot my mates on Skateboard and BMX in the early nineties.
WHEN DiD yOU DECiDE tO SPECiAliSE iN mOUNtAiN BikE PHOtOGRAPHy?4 years ago with help from mates.
ANy mENtORS OR iNflUENCES?Mentored by everyone but no one in particular, Influences any day
could be, zielinski , Gourlay, Pollack, holmes, lucas, Jonze, harookz,
o’meally, Chisholm, Benny, Mapstone the list goes on. Really any photo
that jumps out and says ‘shit yeah’ influences me.
fAVOURitE SHOOtiNG lOCAtiON AND WHy?Anywhere the guys are riding and they are having fun. It would be nice
to live in a country where the scenery is snowcapped with massive
mountains, it would make MtB photography so much easier. Whats that
saying. location location…
WHAt CAmERA GEAR DO yOU USE? I shoot Canon DSlR gear with the best glass I can afford. I have
some bags and with remote triggers, flashes, stands and batteries,
which are the drain of my life, last count I had over 50 for my flashes
and triggers. I’m sure everyone here has better gear than me, even
the nikonians.
WHAt ARE yOUR tHOUGHtS ON tHE CURRENt StAtE Of DH mOUNtAiN BikiNG?the future holds a lot in Australia as long as the upcoming juniors
get support from the AIS and larger corporate bodies. World cup in
‘08 will be interesting with a few new tracks and everyone wanting
to knock hill off. But I want to see more chicks racing. I mean girls in
lycra, cool. Boys in lycra. no Deal.
WHAt iS tHE fUtURE fOR mOUNtAiN BikiNG?Your guess is as good as mine, olympics? lighter hardware? Catch
bmx? Big mountain freeride return?
DO yOU Still RiDE/RACE?Yeah for sure, if it’s not at my local trails it’s down to the bottle’o for a
long neck of Coops red.
fEARS?Shark munching me in the green room. the next male fashion
explosion. oS rider on this cover.
HOPES?healthy spawn.
DREAmS?Guitar hero III, Expert, Fire and Flames.
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We had some fires rage through a local trail a while back, after a few days of hot backing sun the dirt was like a soft powder dust. Alan is known for his big Freeride and dirt jumping skills but also love to get a bit sideways from time to time. 200mm 1/250th sec at f4.5 2 flashes.
12 hours before his flight to Whistler loius Maddiford had to get one last ride in. using natural terrain as quarter down near the torrens River in Adelaide. I pushed him to try and barspin it but he didn’t want to injure himself before the long haul. he would have pulled thou. Fish 1/160th sec at f4.5 and a couple of 120J flashes.
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Aussie Big Mountain and Freeride Pioneer Grant Allen showing the kids how it’s done. Massive no foot can in a sunlit winter afternoon. I wish he rode his MtB more its fun shooting with him and his entourage. 300mm 1/500th sec at f5 and natural light.
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Dave West pushing it to the limits and railing hard. I really wanted to get a shot that showed him on the gas, I would have liked to get his eyes in this shot, so focussed all the time. this was the last photo I took before leaving Adelaide. 200mm 1/250th sec at f5 with 2 remote flashes.
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Alan hepburn getting all euro over this one. Probably would have been better without the lurker in the background. I just love this kids style. 200mm 1/250th sec at f5 one remote flash.
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Chris Soininen pulls tricks when you least expect it. Busting out and styling it up at a late afternoon session at the Dirtbags freeride zone. he made the finals at Crankworks last year but didn’t get an invite this year? Such a Canadians boys club. Fish eye lense @ 1/320th sec at f7.1 with remote 2 flashes.
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If you come from Adelaide you will know this spot in the hills. A short fun trail that you can push up and get 6 or 7 in before having a beer at the pub. nice little rim light used here to define Grant. 70mm 1/250th sec at 2.8 and 2 sunpak 555’s.
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taken from the top of Eagle MtB park in the Adelaide hills. laurie mid race run and on to the podium. I love the feeling of riding this trail knowing you are only 15 mins to the city and the local pub. 70mm 1/800th sec at f4 natural light.
32cm Tall X 24cm wide Plus .5cm (5mm) bleed on all 4 sides.
