Class 3 Image - CCRMA
Transcript of Class 3 Image - CCRMA
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IMAGESTools for analysis.
Levels of Abstraction:Picture, Symbol, Sign
MUSIC32N
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LEVELS OF ABSTRACTION
Sign
Symbol
Picture
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Images are pictures to the extent to which they portray things located at a lower level of abstraction (less abstract) than they are themselves. They do their work by grasping
and rendering some relevant qualities – shape, color, movement – of the objects or activities they depict.
The question is: What is it like?
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An image acts as a symbol to the extent to which it portrays things which are at a higher level of abstraction
than is the symbol itself. A symbol gives particular shape to types of things or constellations of forces. Any image is of course a particular thing and by standing for a kind of thing it serves as a symbol , e.g., if it presents a dog in order to
show what the concept of dog is.
The question is: What is it?
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An image functions as a sign to the extent to which it stands for a particular content without reflecting its characteristics
visually. In strictest sense it is perhaps impossible to be purely a sign. Portrayal often slips in.
The questions are: What does it stand for?
What does it signal?
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SIGNS
J.S.BACH (1685-1750) CELLO SUITE IN D-MAJOR
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SIGNS
KRZYSZTOF PENDERECKI (1933- ) - THRENODY FOR THE VICTIMS OF HIROSHIMA (1960)
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SIGNS
LABANOTATION NOTATION FOR DANCE BY RUDOLF LABAN (1920IES)
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SIGNS (and SYMBOLS)
LABANOTATION NOTATION FOR DANCE BY RUDOLF LABAN (1920IES)
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SIGNS (and SYMBOLS)
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SIGNS (and SYMBOLS)
MA
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HASEGAWA TŌHAKU (1539 -1610) – PINE TREES (LEFT) [61.7 × 140.2 IN, PAIR OF SIX-FOLDED SCREENS; INK ON PAPER]
PICTURES (and SYMBOLS)[and SIGNS]
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HASEGAWA TŌHAKU (1539 -1610) – PINE TREES (RIGHT) [61.7 × 140.2 IN, PAIR OF SIX-FOLDED SCREENS; INK ON PAPER]
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ANALYSIS OF IMAGES• background, middle ground,
foreground
• point - groups of points(size, scale of detail)
• line (softness, texture, thickness, color, shape: free/disciplined)
• tone (brightness, lighting, contrast)
• color (hue and saturation)
• patterns, textures (density, detail)
• composition, geometry(balance, center of equilibrium/interest,static-symmetrical ordynamic-asymmetrical)
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MICHELANGELO MERISI DA CARAVAGGIO (1571-1610) – BASKET OF FRUIT [12 IN × 19 IN, OIL ON CANVAS ~1599]
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Utagawa Hiroshige (1797-1858) – Shōno's White Rain from The Fifty-three Stations of the Tōkaidō.
[10 IN X 15 IN, woodcut print 1833-36]
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Paul Klee (1879-1940) – Castle and Sun [20 IN X 23 IN, OIL ON CANVAS 1928]
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Paul Klee (1879-1940) – The Twittering Machine [25.25 in × 19 in, Watercolor and ink; oil transfer on paper with gouache and ink on border 1922]
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Piet Mondrian (1872-1944) – Broadway Boogie-Woogie [50 IN X 50 IN, OIL ON CANVAS, 1942-43]
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CY TWOMBLY (1928-2011) – COLD STREAM [32 IN X 22 IN, WHITE WAX PENCIL ON CANVAS, 1966]
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https://vimeo.com/47276614
STAN BRAKHAGE (1933-2003) – MOTHLIGHT
[MOTH WINGS, FLOWER PETALS, BLADES OF GRASS, PRESSED BETWEEN TWO STRIPS OF 16MM SPLICING TAPE, 1963]