CINEMATOGRAPHYfurman.weebly.com/.../week_4_cinematography_part_1.pdf · CINEMATOGRAPHY MED1915:...
Transcript of CINEMATOGRAPHYfurman.weebly.com/.../week_4_cinematography_part_1.pdf · CINEMATOGRAPHY MED1915:...
CINEMATOGRAPHY
MED1915: READING CINEMATuesday, 9 August 11
TERMINOLOGY
ShotTake
SceneSequence
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FINDING THE FRAME
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Up In The Air
Why is this shot in a high angle rather than a straight shot?
What is the dominant colour of this shot and why?
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The Matrix: Reloaded
Look at the two figures here. From this shot we understand they are about to fight, based on the framing.
They look almost equal, so we don’t actually know who is weaker or stronger.
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Lost In Translation
Based on this framing, who do we focus on?
How is this emphasised?
What is the mood and tone of this shot?
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PRINCIPLES OF COMPOSITION
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RULE OF THIRDS
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HITCHCOCK’S RULE
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DEPTH OF FIELD
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DEPTH OF FIELD
SHALLOW DEEP
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The setting up of cameras that define the look and visual feel of a film
CINEMATOGRAPHY:
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IMAGE SYSTEM
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BASIC SHOT TYPES
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1. THE EXTREME CLOSE UP(ECU)
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2. THE CLOSE UP(CU)
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Memento'(2000)'Tuesday, 9 August 11
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3. THE MEDIUM SHOT (MS)
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4. THE LONG SHOT(LS)
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