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Transcript of Choral at Cadogan 2011/12
insp
irat
ions
EIG
HT
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Ch
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/ 12
Ch
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inspirations
EIGHT CONCERT SERIES19 OCTOBER 2011 – 16 MAY 2012
EIGHT CONCERT SERIES19 OCTOBER 2011 – 16 MAY 2012
Choral atCadogan
2011/12
Ch ral atCad gan
2011/12
oo
Contents4 TheTallisScholars
Magnificat
6 TheWellensianConsortBlessedCecilia
8 TheArmonicoConsortAGermanChristmasStory
10 TheChoirofStJohn’sCollege,CambridgeWhatSweeterMusic?
12 TheEricWhitacreSingersInspirations
14 NewYorkPolyphonyTudorCity
16 ExCathedraBach:ABeautifulMind
18 TheTallisScholarsFieldoftheClothofGold
ChoralatCadogan
isdelightedonceagainto
presentsomeofthebestnames
inchoralsingingtoday.Highlights
willincludeExCathedrapresentinga
completeprogrammeofBach,
includingarareopportunitytohear
someofhismotetssungoneortwotoa
part.In-the-newscomposerEric
Whitacreisrepresentedbothinan
eveningconductinghismusic,sungbyhis
owngrouptheEricWhitacreSingers,and
intheprogrammegivenbytheWellensian
Consort,winnersofChoiroftheYear
2010.UpcomingconsortNewYork
Polyphonywillgiveanexcitinglybalanced
sequenceofmasterpiecesnextMarch,
whilethechoirofStJohn’sCollege
Cambridge,celebratingtheCollege’s
500thanniversary,capturethespiritof
theChristmasseason.AndagainThe
TallisScholarswillopenandclosethe
seasonwithsomespeciallyselected
renaissancegems,familiarand
unfamiliar.Ilookforwardtoseeing
youattheHallduringourseason!
Peter Phillips,ArtisticDirector
insp
irat
ions
EIG
HT
CO
NC
ER
T S
ER
IES
19
OC
TO
BE
R 2
01
1 –
16
MA
Y 2
01
2
EIG
HT
CO
NC
ER
T S
ER
IES
19
OC
TO
BE
R 2
01
1 –
16
MA
Y 2
01
2
Ch
oral
at
Cad
ogan
2011
/ 12
Ch
ral
at
Cad
gan
2011
/12
o o
Contents4 TheTallisScholars
Magnificat
6 TheWellensianConsortBlessedCecilia
8 TheArmonicoConsortAGermanChristmasStory
10 TheChoirofStJohn’sCollege,CambridgeWhatSweeterMusic?
12 TheEricWhitacreSingersInspirations
14 NewYorkPolyphonyTudorCity
16 ExCathedraBach:ABeautifulMind
18 TheTallisScholarsFieldoftheClothofGold
ChoralatCadogan
isdelightedonceagainto
presentsomeofthebestnames
inchoralsingingtoday.Highlights
willincludeExCathedrapresentinga
completeprogrammeofBach,
includingarareopportunitytohear
someofhismotetssungoneortwotoa
part.In-the-newscomposerEric
Whitacreisrepresentedbothinan
eveningconductinghismusic,sungbyhis
owngrouptheEricWhitacreSingers,and
intheprogrammegivenbytheWellensian
Consort,winnersofChoiroftheYear
2010.UpcomingconsortNewYork
Polyphonywillgiveanexcitinglybalanced
sequenceofmasterpiecesnextMarch,
whilethechoirofStJohn’sCollege
Cambridge,celebratingtheCollege’s
500thanniversary,capturethespiritof
theChristmasseason.AndagainThe
TallisScholarswillopenandclosethe
seasonwithsomespeciallyselected
renaissancegems,familiarand
unfamiliar.Ilookforwardtoseeing
youattheHallduringourseason!
Peter Phillips,ArtisticDirector
insp
irat
ions
EIG
HT
CO
NC
ER
T S
ER
IES
19
OC
TO
BE
R 2
01
1 –
16
MA
Y 2
01
2
EIG
HT
CO
NC
ER
T S
ER
IES
19
OC
TO
BE
R 2
01
1 –
16
MA
Y 2
01
2
Ch
oral
at
Cad
ogan
2011
/ 12
Ch
ral
at
Cad
gan
2011
/12
o o
54 The Tall is ScholarsMagnif icatWednesday19October2011,7.30pm
Palestrina: Magnificat For Double Choir Pärt: Sieben Magnificat-Antiphonen Tall is: Miserere Nostri Allegri : Miserere Praetorius: Magnificat II Byrd: Miserere Mei Byrd: Miserere Mihi, Domine Pärt: Magnificat Pärt: Nunc Dimittis Palestrina: Nunc Dimittis for double choir
Director Peter Phil l ips
The Magnificat, Mary’s song of exaltation following the
annunciation, sits together with the Nunc Dimittis at the core of
the Christian liturgy, whether in the Anglican rite of Evensong or
the Catholic Offices of Evening Prayer and Compline. Together
they frame the scope of the Christian experience – from the
joyous anticipation of Christ’s birth to the calm acceptance of
death and resurrection. Their certainty, however, leaves little room
for the human errors and doubts that also shape the Christian
journey, errors for which Ash Wednesday’s Psalm 51 – the Miserere
– is perhaps the most impassioned plea for forgiveness.
Taking these three texts as touchstones, this programme
explores the musical responses of composers divided by age and
nationality, but united by a common spiritual inspiration.
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
‘You could not have hoped for a more finely blended or carefully shaped and entirely affecting performance.’The New York Times
ImAge BY erIc rIchmond
54 The Tall is ScholarsMagnif icatWednesday19October2011,7.30pm
Palestrina: Magnificat For Double Choir Pärt: Sieben Magnificat-Antiphonen Tall is: Miserere Nostri Allegri : Miserere Praetorius: Magnificat II Byrd: Miserere Mei Byrd: Miserere Mihi, Domine Pärt: Magnificat Pärt: Nunc Dimittis Palestrina: Nunc Dimittis for double choir
Director Peter Phil l ips
The Magnificat, Mary’s song of exaltation following the
annunciation, sits together with the Nunc Dimittis at the core of
the Christian liturgy, whether in the Anglican rite of Evensong or
the Catholic Offices of Evening Prayer and Compline. Together
they frame the scope of the Christian experience – from the
joyous anticipation of Christ’s birth to the calm acceptance of
death and resurrection. Their certainty, however, leaves little room
for the human errors and doubts that also shape the Christian
journey, errors for which Ash Wednesday’s Psalm 51 – the Miserere
– is perhaps the most impassioned plea for forgiveness.
Taking these three texts as touchstones, this programme
explores the musical responses of composers divided by age and
nationality, but united by a common spiritual inspiration.
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
‘You could not have hoped for a more finely blended or carefully shaped and entirely affecting performance.’The New York Times
ImAge BY erIc rIchmond
76 The Wellensian ConsortBlessed Ceci l iaThursday24November2011,7.30pm
“Choir of the Year 2010”
Programme to include:
Britten: Hymn to St. Cecilia
Kodály: The Music Makers, an ode
chilcott: Everyone sang
elgar: There is sweet music
harris: Faire is the Heaven
rutter: What sweeter music
Whitacre: Her sacred spirit soars
Vaughan Wil l iams: Silence and music
Conductor christopher Finch
Winners of Choir of the Year in 2010, The Wellensian Consort pay
homage to the patron saint of music in a glorious celebration of
the gift of music. The centrepiece of this programme is Benjamin
Britten’s acclaimed choral masterpiece ‘A Hymn to St Cecilia’; a
deeply engaging work, rich in sonority and characterisation. This
is complemented by a marvellously evocative setting of ‘The Music
Makers’ by the esteemed Hungarian composer Zoltan Kodály.
This joyous celebration will be further enriched by works from
some of the 20th and 21st centuries’ greatest exponents of choral
music, including Vaughan Williams, Elgar, Rutter and Whitacre.
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
‘This is a hugely accomplished choir, demonstrating technical mastery, smooth musicianship and wonderful phrasing.’BBC Music Magazine
ImAge BY olIVer deAn
76 The Wellensian ConsortBlessed Ceci l iaThursday24November2011,7.30pm
“Choir of the Year 2010”
Programme to include:
Britten: Hymn to St. Cecilia
Kodály: The Music Makers, an ode
chilcott: Everyone sang
elgar: There is sweet music
harris: Faire is the Heaven
rutter: What sweeter music
Whitacre: Her sacred spirit soars
Vaughan Wil l iams: Silence and music
Conductor christopher Finch
Winners of Choir of the Year in 2010, The Wellensian Consort pay
homage to the patron saint of music in a glorious celebration of
the gift of music. The centrepiece of this programme is Benjamin
Britten’s acclaimed choral masterpiece ‘A Hymn to St Cecilia’; a
deeply engaging work, rich in sonority and characterisation. This
is complemented by a marvellously evocative setting of ‘The Music
Makers’ by the esteemed Hungarian composer Zoltan Kodály.
This joyous celebration will be further enriched by works from
some of the 20th and 21st centuries’ greatest exponents of choral
music, including Vaughan Williams, Elgar, Rutter and Whitacre.
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
‘This is a hugely accomplished choir, demonstrating technical mastery, smooth musicianship and wonderful phrasing.’BBC Music Magazine
ImAge BY olIVer deAn
98 The Armonico Consort & Baroque PlayersA German Christmas StoryWednesday7December2011,7.30pm
Programme to include:
Schütz The Christmas Oratorio
Praetorius Lutheran Mass for Christmas
Director: christopher monks
The english cornett and Sackbutt ensemble
Heirich Schütz is widely regarded as being the most important
German composer prior to JS Bach, and is also thought to have
studied with Monteverdi in Venice. The influence of Venetian
music on these composers is undoubtedly strong, and the
combination of the brilliance in the perfection of German
compositions of the time with the vibrant excitement of the
Venetian School, created works of incredible colour, drama
and melody.
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
ImAge BY greAT BrITAIn onlIne
‘A beautiful sound’BBc radio 3
98 The Armonico Consort & Baroque PlayersA German Christmas StoryWednesday7December2011,7.30pm
Programme to include:
Schütz The Christmas Oratorio
Praetorius Lutheran Mass for Christmas
Director: christopher monks
The english cornett and Sackbutt ensemble
Heirich Schütz is widely regarded as being the most important
German composer prior to JS Bach, and is also thought to have
studied with Monteverdi in Venice. The influence of Venetian
music on these composers is undoubtedly strong, and the
combination of the brilliance in the perfection of German
compositions of the time with the vibrant excitement of the
Venetian School, created works of incredible colour, drama
and melody.
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
ImAge BY greAT BrITAIn onlIne
‘A beautiful sound’BBc radio 3
1110 The Choir of St John’s College, CambridgeWhat sweeter music? Friday9December2011,7.30pm
Purcell : O sing unto the Lord
Purcell : Remember not, Lord, our offences
Purcell : Behold now praise the Lord
Purcell : O praise God in his holiness
Purcell : Hear my prayer, O Lord
Purcell : My beloved spake
rutter: What sweeter music?
Whitehead: The seven joys of Mary
cashmore: Es ist ein Ros’ entsprungen
arr. ledger: Silent night
arr. ledger: On Christmas night
rutti : I wonder as I wander
darke: In the bleak midwinter
Bullard: Glory to the Christ Child
arr. Wil lcocks: Away in a manger
arr. Wilberg: Ding dong, merrily on high
Director Andrew nethsingha Piano: John challenger and Freddie James The St John’s Sinfonia
Andrew Nethsingha writes; “Today we explore the rich, plangent
soundworld of Henry Purcell. At the interval we change the mood
to present a Christmas selection – popular favourites as well as
new works. Boys’ voices have a special emotional resonance when
evoking the fragility and innocence of Christ’s nativity.”
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
‘some of the most exquisite choral singing I have ever heard’International Record Review
ImAge BY Ben eAloVegA
1110 The Choir of St John’s College, CambridgeWhat sweeter music? Friday9December2011,7.30pm
Purcell : O sing unto the Lord
Purcell : Remember not, Lord, our offences
Purcell : Behold now praise the Lord
Purcell : O praise God in his holiness
Purcell : Hear my prayer, O Lord
Purcell : My beloved spake
rutter: What sweeter music?
Whitehead: The seven joys of Mary
cashmore: Es ist ein Ros’ entsprungen
arr. ledger: Silent night
arr. ledger: On Christmas night
rutti : I wonder as I wander
darke: In the bleak midwinter
Bullard: Glory to the Christ Child
arr. Wil lcocks: Away in a manger
arr. Wilberg: Ding dong, merrily on high
Director Andrew nethsingha Piano: John challenger and Freddie James The St John’s Sinfonia
Andrew Nethsingha writes; “Today we explore the rich, plangent
soundworld of Henry Purcell. At the interval we change the mood
to present a Christmas selection – popular favourites as well as
new works. Boys’ voices have a special emotional resonance when
evoking the fragility and innocence of Christ’s nativity.”
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
‘some of the most exquisite choral singing I have ever heard’International Record Review
ImAge BY Ben eAloVegA
1312 The Eric Whitacre SingersInspirat ionsWednesday1February2012,7.30pm
Programme to include:
Whitacre: Sleep
Whitacre: Lux Aurumque
Whitacre: A Boy and a Girl
Conductor: eric Whitacre
A programme to include some of Whitacre’s most famous
works including ‘Sleep’, ‘Lux Aurumque’ and ‘A Boy and a
Girl’ conducted by the composer himself, performed by his
professional choir, the Eric Whitacre Singers. Alongside his own
works, Eric will conduct pieces by other composers who have
inspired him in his work.
Eric Whitacre is one of the most popular and performed
composers of our generation; many of his works have entered
the standard choral and symphonic repertories and have
become the subject of several scholarly works and doctoral
dissertations. His works ‘Sleep’, ‘Lux Aurumque’, and ‘A Boy and
a Girl’ are among the most popularly performed contemporary
choral works and tonight offers a rare chance to hear the
composer’s own interpretation of each.-
‘Whitacre is that rare thing, a modern composer who is both popular and original’The daily Telegraph, london
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
ImAge BY mArc roYce
1312 The Eric Whitacre SingersInspirat ionsWednesday1February2012,7.30pm
Programme to include:
Whitacre: Sleep
Whitacre: Lux Aurumque
Whitacre: A Boy and a Girl
Conductor: eric Whitacre
A programme to include some of Whitacre’s most famous
works including ‘Sleep’, ‘Lux Aurumque’ and ‘A Boy and a
Girl’ conducted by the composer himself, performed by his
professional choir, the Eric Whitacre Singers. Alongside his own
works, Eric will conduct pieces by other composers who have
inspired him in his work.
Eric Whitacre is one of the most popular and performed
composers of our generation; many of his works have entered
the standard choral and symphonic repertories and have
become the subject of several scholarly works and doctoral
dissertations. His works ‘Sleep’, ‘Lux Aurumque’, and ‘A Boy and
a Girl’ are among the most popularly performed contemporary
choral works and tonight offers a rare chance to hear the
composer’s own interpretation of each.-
‘Whitacre is that rare thing, a modern composer who is both popular and original’The daily Telegraph, london
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
ImAge BY mArc roYce
1514 New York PolyphonyTudor CityWednesday21March2012,7.30pm
Andrew Smith: Surrexit Christus
lionel Power: Beata progenies
John dunstable: Speciosa facta es
Andrew Smith/Worcester fragments (1300): Flos regalis
Will iam cornysh: Ave Maria Mater Dei
Andrew Smith: Ave Maris Stella
Walter lambe: Stella caeli
Schubert: Vier gesange für Männerstimme, Opus 17
gregory Brown: Abschied vom Leser (New York
Polyphony commission)
gregory Brown: The Dying Californian
gerald Finzi: Thou didst delight mine eyes Opus 32
clement Janequin: La guerre (La bataille de Marignan)
Based on New York Polyphony’s acclaimed 2010 Avie Records
release, Tudor City is “a stunning tour through chant, polyphony,
and renaissance harmonies” (American Public Media). An allusion
to the historic New York neighbourhood, Tudor City highlights the
works of English composers active during the reign of the Tudor
dynasty (1485-1603), effortlessly interspersed new works written
for the quartet by Andrew Smith.
The second half of the programme explores works for male voices
by Schubert and Finzi, as well as two commissioned works by
American composer, Gregory Brown and ending with Clement
Janequin’s lively depiction of the Battle of Marignan in “La Guerre.”
‘…the perfect blend of sixteenth-century England and twenty-first century New York.’choral Fixation
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
ImAge BY JoAnne BouKnIghT
1514 New York PolyphonyTudor CityWednesday21March2012,7.30pm
Andrew Smith: Surrexit Christus
lionel Power: Beata progenies
John dunstable: Speciosa facta es
Andrew Smith/Worcester fragments (1300): Flos regalis
Will iam cornysh: Ave Maria Mater Dei
Andrew Smith: Ave Maris Stella
Walter lambe: Stella caeli
Schubert: Vier gesange für Männerstimme, Opus 17
gregory Brown: Abschied vom Leser (New York
Polyphony commission)
gregory Brown: The Dying Californian
gerald Finzi: Thou didst delight mine eyes Opus 32
clement Janequin: La guerre (La bataille de Marignan)
Based on New York Polyphony’s acclaimed 2010 Avie Records
release, Tudor City is “a stunning tour through chant, polyphony,
and renaissance harmonies” (American Public Media). An allusion
to the historic New York neighbourhood, Tudor City highlights the
works of English composers active during the reign of the Tudor
dynasty (1485-1603), effortlessly interspersed new works written
for the quartet by Andrew Smith.
The second half of the programme explores works for male voices
by Schubert and Finzi, as well as two commissioned works by
American composer, Gregory Brown and ending with Clement
Janequin’s lively depiction of the Battle of Marignan in “La Guerre.”
‘…the perfect blend of sixteenth-century England and twenty-first century New York.’choral Fixation
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
ImAge BY JoAnne BouKnIghT
1716 Ex CathedraBach: A Beautiful Mind
Thursday19April2012,7.30pm
Bach: Lobet den Herrn alle Heiden (BWV 230)
Bach: Cello suite No 1 in G major (BWV 1007)
Bach: Jesu, meine Freude (BWV 227)
Bach: Komm, Jesu, Komm (BWV 229)
Bach: Cello suite No 4 in Eb major (BWV 1010)
Bach: Singet dem Herrn (BMW 225)
Conductor Jeffrey Skidmore
Cello: Andrew Skidmore
ex cathedra consort and continuo
A rare opportunity to hear four of JS Bach’s motets for single
and double choir performed by one or two singers per part.
Bach’s genius has moved and inspired music-lovers and
musicians for centuries: legendary cellist Pablo Casals
described Bach as the essence of music and the cello suites as
the essence of Bach.
‘This is no ordinary group of singers’BIrmInghAm PoST
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
ImAge BY PAul ArThur
1716 Ex CathedraBach: A Beautiful Mind
Thursday19April2012,7.30pm
Bach: Lobet den Herrn alle Heiden (BWV 230)
Bach: Cello suite No 1 in G major (BWV 1007)
Bach: Jesu, meine Freude (BWV 227)
Bach: Komm, Jesu, Komm (BWV 229)
Bach: Cello suite No 4 in Eb major (BWV 1010)
Bach: Singet dem Herrn (BMW 225)
Conductor Jeffrey Skidmore
Cello: Andrew Skidmore
ex cathedra consort and continuo
A rare opportunity to hear four of JS Bach’s motets for single
and double choir performed by one or two singers per part.
Bach’s genius has moved and inspired music-lovers and
musicians for centuries: legendary cellist Pablo Casals
described Bach as the essence of music and the cello suites as
the essence of Bach.
‘This is no ordinary group of singers’BIrmInghAm PoST
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
ImAge BY PAul ArThur
1918 The Tall is ScholarsField of the Cloth of Gold
Wednesday16May2012,7.30pm
mouton: Nesciens mater cornysh: Ave Maria mouton: Ave Maria...serena mouton: Quaeramus cum pastoribus Browne: Salve regina mouton: Kyrie and Agnus dei from the Missa Dictes moy toutes vos pensées Fayrfax: Agnus dei from the Missa Tecum principium mouton: Salva nos cornysh: Ah Robin cornysh: Magnificat
Director Peter Phillips
Between the 7th and 24th June 1520, in fields near Calais, there
took place one of the most spectacular political summit meetings
of all time. Henry VIII of England and Francis I of France met to seal
a treaty of friendship between their two warring countries, with no
expense spared.
The two Chapels Royal were of course in attendance, and of course
they tried to out-sing each other. As luck would have it the two choirs
were led by two exceptional composers of the period, composers to
whom the Tallis Scholars have devoted individual recordings: Jean
Mouton on the French side, and William Cornysh on the English.
The Tallis Scholars cannot by themselves, recreate the seething
atmosphere of the original meeting but we can give an idea of the
splendour of the occasion.
‘The Tallis Scholars sang these slow-moving, luminous masses with impeccable blend and balance…This is music where time stands still.’Financial Times
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
ImAge BY AlBerT rooSenBurg
1918 The Tall is ScholarsField of the Cloth of Gold
Wednesday16May2012,7.30pm
mouton: Nesciens mater cornysh: Ave Maria mouton: Ave Maria...serena mouton: Quaeramus cum pastoribus Browne: Salve regina mouton: Kyrie and Agnus dei from the Missa Dictes moy toutes vos pensées Fayrfax: Agnus dei from the Missa Tecum principium mouton: Salva nos cornysh: Ah Robin cornysh: Magnificat
Director Peter Phillips
Between the 7th and 24th June 1520, in fields near Calais, there
took place one of the most spectacular political summit meetings
of all time. Henry VIII of England and Francis I of France met to seal
a treaty of friendship between their two warring countries, with no
expense spared.
The two Chapels Royal were of course in attendance, and of course
they tried to out-sing each other. As luck would have it the two choirs
were led by two exceptional composers of the period, composers to
whom the Tallis Scholars have devoted individual recordings: Jean
Mouton on the French side, and William Cornysh on the English.
The Tallis Scholars cannot by themselves, recreate the seething
atmosphere of the original meeting but we can give an idea of the
splendour of the occasion.
‘The Tallis Scholars sang these slow-moving, luminous masses with impeccable blend and balance…This is music where time stands still.’Financial Times
Tickets £30, £26, £22, £18
Encorememberspay£26fortopprice
See booking information on back cover
ImAge BY AlBerT rooSenBurg
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Choral At Cadogan 2011-2012
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