CHARLES AZNAVOUR - · PDF filecontrat technique / technical rider saison 2012 charles aznavour...
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CONTRAT TECHNIQUE / TECHNICAL RIDER SAISON 2012 CHARLES AZNAVOUR PERSONAL MANAGER MONSIEUR LEVON SAYAN +33 (0)6 07 65 95 77 REGISSEUR GENERAL Philippe MAUCOURT +33 (6) 11 15 36 02 [email protected]
Transcript of CHARLES AZNAVOUR - · PDF filecontrat technique / technical rider saison 2012 charles aznavour...
CONTRAT TECHNIQUE / TECHNICAL RIDER
SAISON 2012
CHARLES AZNAVOUR
PERSONAL MANAGER
MONSIEUR LEVON SAYAN +33 (0)6 07 65 95 77
REGISSEUR GENERAL
Philippe MAUCOURT +33 (6) 11 15 36 02 [email protected]
CHARLES AZNAVOUR TOUR – TECHNICAL REQUIREMENTS Updated: June 2012
C. Aznavour – 2012 – English version Page 10 de 14
ANNEX #2
STAGE ARRANGEMENTS
Azn
avour
2012
1/1
00 @
A4
Dru
ms
@ 6
0 c
m h
igh
Keyboards
C L
As
per
may
2012
Sub
ject
to m
od
ifica
tions
3.0
0
3.0
0
Sax
/ Fl
ute
Keys Accordian
Bass
1.5
0
4.5
0
0.8
0
- RIS
ERS
- 1
ris
er 2
m w
ide
x 2 m
dee
p x
40 c
m h
igh
1 r
iser
3 m
wid
e x
3 m
dee
p x
60 c
m h
igh
All
rise
rs t
ops
to b
e co
vere
d w
ith
bla
ck c
arpet
All
rise
rs s
ides
to
be
cove
red w
ith
bla
ck m
olto
n
Step
s
NB: A
ll d
imen
sions
are
in m
eter
/ c
enti
met
er
@ 4
0 cm
hig
h
Back
grou
nd
sing
ers
2.00
2.0
0
Step
Guitars
CHARLES AZNAVOUR TOUR – TECHNICAL REQUIREMENTS Updated: June 2012
C. Aznavour – 2012 – English version Page 11 de 14
ANNEX #3
SOUND
!"AZNAVOUR"2012"–"SOUND"REQUIREMENTS"!"
As#per#September#2012## Aznavour#2012# Page#1#out#of#3#
"Tour%2012%(Update%September%2012)%
"
Sound"Requirements
1"!"Power"Supply#
2"!"PA#
3"!"FoH"desk"and"FX"
4"!"Monitors"desk"and"FX"
5"!"Wireless"equipment"
6"!"Stage"monitors"equipment"
!"AZNAVOUR"2012"–"SOUND"REQUIREMENTS"!"
As#per#September#2012## Aznavour#2012# Page#2#out#of#3#
"1"!"Power"supply"# See%backline%specs.%for%details.%
2"!"P.A.#See%attached%file%for%details.%
3"!"FoH"desk"and"FX"and"PA#See%attached%file%for%details#
4"!"Monitors"desk"and"FX#4a)!"Monitors"desk"" 01"x#Soundcraft#Vi6#sound#desk#with#Lexicon"FX"card"
01#x#Stage#Box#(64#in/32#out)#
4b)!"Effects"&"treatment"# # 01"x#Lexicon#480L#(reverb)#
01#x#SPL#Frontliner#or#Channel#One#(lead#vocal#preLamp)#or#VT737#
5"!"Wireless"equipment"5a)!"In"Ear"Monitors"(IEM)"
05#x#Shure#PSM1000#dual#transmitters#(P10T)#or#10#x#Shure#PSM900#transmitters#(P9T)#• 10"x"Shure#PSM1000#receivers#(P10R)#or#10#x#PSM900#receivers#(P9R)%• 02#x#PA821A#Antenna#Combiners##• 01#x#HA8089#PWS#Helical#Antenna##
04#x#Fischer#Amps#‘InEarAmp2’#wired#IEM#with#3.5mm#connexion#for#the#headphone#(DRUM,#BASS,#ACCORDEON,#VOCAL#CLAUDE)#
5b)!"Shure"wireless"Microphones"
01#x##EM#3731#Sennheiser#Receiver#01#x#SKM#5200#BK#01#x#KK104#BK#
02#x#UR4D#Shure#Dual#receiver#• 01#x#UA845LSWB#Antenna#distribution#system#• 02#x#UA874#Antenna#
01#x#UR2#Shure#handheld#transmitter#• 01#x#UB58A#capsules#for#the#above#mike#
03"x#UR1/UR1M#Shure#Bodypacks#
01#x#DPA#4088#Beige#Color#Headset#
01"x#DAD6010#(adapter#for#use#with#Shure#UR1)#
02"x#ATM350#with#adapter#from#TA3F#to#TA4F,#for#use#with#Shure#UR1#
5c)!"Misc."
01#x#TTi#PSA1301T#(Mobile#frequencies#Scanner)#or#equivalent#
All#Wireless#equipment#should#be#connected#with#an#Ethernet#switch/router#
!"AZNAVOUR"2012"–"SOUND"REQUIREMENTS"!"
As#per#September#2012## Aznavour#2012# Page#3#out#of#3#
6"!"Stage"monitors"equipment#6a)!"Wedges"/"monitors#
Note"that"we"do"not"use"floor"stage"monitors"(wedges),"nor"side"fills."
The"all"band"is"using"IEM."
02#x#small#speakers#for#Talkback#with#FoH#(i.e.#Yamaha#MS202)#1#at#FoH#/#1#at#monitor#
02"x#mikes#fitted#with#on/off#switches#(i.e.#Shure#SM#58S#or#SM#48S)#
01"x"drummer#stool#shaker#(Full#rig:#motor#+#power#amp#+#drum#throne#mounting#bracket)#
01#x#speaker#for#the#teleprompter#(Meyer#UPM,#LLAcoustics#108XT#or#D&B#E3#…)#with#amplification.#
6b)!"Mics"&"DI’s#See#Input#patch#
6c)!"Mike"stands#See#Input#patch#
6d)!"Cabling#Necessary#mike#cables#(Around#80)#Necessary#multicore#/#multipairs#as#per#necessary#stage#boxes#
#
Please"also"provide"all"the"necessary"accessories"(mikes"clips,"etc…)"and"fresh"batteries"
(Rehearsals,"soundchecks"and"concerts)"for"all"wireless"devices.%#
Azn
av12
- M
ain
Pat
ch A
ugus
t GB
.xls
ed :
06/0
9/12
Main
Patc
h - P
age
1/1
IN#PATCH
IN#FOH
Instrumen
tsFO
H#In
sert
Notes
MIC,#O
UR#RE
QUEST
MIC,#YOUR#PR
OPO
SAL
COMMEN
TSMic#Stand
sIN#M
onitors
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Vi6$Stage$Out$1
@2
Vi6$Stage$Out$2
13
Kick
Gate+Co
mp
Shure$Be
ta$52
Small$boo
m$rou
nd$base$stand
Vi6#@#In#1
Vi6$Stage$Out$3
24
Snare#1#Top
Shure$SM
57Sm
all$boo
m$stand
Vi6#@#In#2
Vi6$Stage$Out$4
35
Snare#1#Bo
Nom
Gate
Neu
mann$KM
184
Clam
pVi6#@#In#3
Vi6$Stage$Out$5
46
Hi@H
atNeu
mann$KM
184
Small$boo
m$stand
Vi6#@#In#4
Vi6$Stage$Out$6
57
Rack#Tom
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Gate
Senn
heiser$e904
Clam
pVi6#@#In#5
Vi6$Stage$Out$7
68
Floo
r#Tom#14"
Gate
Senn
heiser$e904
Clam
pVi6#@#In#6
Vi6$Stage$Out$8
79
Floo
r#Tom#16"
Gate
Senn
heiser$e904
Clam
pVi6#@#In#7
Vi6$Stage$Out$9
810
OverHead#SL
Neu
mann$TLM103
Tall$bo
om$rou
nd$base$stand
Vi6#@#In#8
Vi6$Stage$Out$10
911
OverHead#SR
Neu
mann$TLM103
Tall$bo
om$rou
nd$base$stand
Vi6#@#In#9
Vi6$Stage$Out$11
1012
Bass
Comp
DI$A
valon$ADU5
Vi6#@#In#10
Vi6$Stage$Out$12
1113
Upright#Bass
Comp
DI$A
valon$ADU5
Vi6#@#In#11
Vi6$Stage$Out$13
1214
Fend
er#Twin#(E
lectric#guitar)#SR
Aud
io$Techn
ica$AT$4050$0d
B/Flat
Clam
p$OR$Sm
all$Boo
m$Stand
Vi6#@#In#12
Vi6$Stage$Out$14
1315
Acous[c#Gtr##SR
DI$RetroBo
x$LVL$4$NIV$M
IC$(Tub
e$DI)
Vi6#@#In#13
Vi6$Stage$Out$15
1416
Pian
o#Low
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3Vi6#@#In#14
Vi6$Stage$Out$16
1517
Pian
o#Hi
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Vi6$Stage$Out$17
1618
Pian
o#Mid
Grp1
Shoe
ps$CMC6
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VVi6#@#In#16
Vi6$Stage$Out$18
1719
BV#Yan
nick#(G
uitar$player)
Comp
Neu
mann$KM
184
Tall$bo
om$rou
nd$base$stand
Vi6#@#In#17
Vi6$Stage$Out$19
1820
BV#Kevin#(B
ass$player)
Comp
Neu
mann$KM
184
Tall$bo
om$rou
nd$base$stand
Vi6#@#In#18
Vi6$Stage$Out$20
1921
BV#M
agali#(Accordian)
Comp
Neu
mann$KM
184
Vi6#@#In#19
IEM$11$LEFT$"BA
CKLINE"
Vi6$Stage$Out$21
2022
BV#Ka[
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Comp
Neu
mann$KM
184
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om$rou
nd$base$stand
Vi6#@#In#20
IEM$11$RIFH
T$"BACK
LINE"
Vi6$Stage$Out$22
2123
BV#Claud
e#(Backgroun
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Comp
Neu
mann$KM
184
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om$rou
nd$base$stand
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U"
Vi6$Stage$Out$23
2224
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aVT737+D
PR901
GAIN$0
HF$UR2
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Vi6$Stage$Out$24
2325
Lead
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rles#1#/#2$(Switch)
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ING#THIS#STA
ND
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2426
Spare#wireless
Gain$[25$/$Flat
SKM5200$+$KK1
04Vi6#@#In#24
Vi6$Stage$Out$26
2527
Keys#Eric#Lea###(SL#Ke
ys)
Grp3
DI$B
SS$AR1
33$$0dB
Vi6#@#In#25
Vi6$Local$M
on$A$Le\
2628
Keys#Eric#Right#(SL#Keys)
Grp4
DI$B
SS$AR1
33$$0dB
Vi6#@#In#26
Vi6$Local$M
on$A$Right
2729
Keys#accordian
#1#Lea
###(SR#Ke
ys)
Grp5
DI$B
SS$AR1
33$$0dB
Vi6#@#In#27
Vi6$Local$Out$1
2830
Keys#accordian
#1#Right#(SR#Ke
ys)
Grp6
DI$B
SS$AR1
33$$0dB
Vi6#@#In#28
Vi6$Local$Out$2
2931
Keys#accordian
#2#Lea
###(SR#keys)
Grp5
DI$B
SS$AR1
33$$0dB
Small$boo
m$stand
Vi6#@#In#29
3032
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Grp6
DI$B
SS$AR1
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Vi6#@#In#30
3133
Accordion
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d)SENS#@10d
B#/#GAIN#0dB
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Vi6#@#In#31
3234
Accordion
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#(Lea
#Han
d)SENS#@10d
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io$Techn
ica$ATM$350$HF$UR1
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m$stand
Vi6#@#In#33
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Vi6#@#In#35
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3840
Vi6#@#In#38
Line
#1#From#A/B#BOX#(SL#Ke
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B#/#GAIN#0dB
Vi6#@#In#39
Line
#2#From#A/B#BOX#(SL#Ke
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OVIDE#A/B#box
Vi6#@#In#40
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itch
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Amb#Ext#S
LWe#Provide
Neu
mann$KM
184
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Amb#Int#S
LAud
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ica$AT$835
Vi6#@#In#43
Amb#Ext#S
RWe#Provide
Neu
mann$KM
184
Vi6#@#In#44
Amb#Int#S
RAud
io$Techn
ica$AT$835
Vi6#@#In#45
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ACK
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Vi6#@#In#46
47@
TB#M
ON
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LEXICO
N$480L$#1$$LEFT
#Vi6#@#Line
#1#Local#Rack
LEXICO
N$480L$#1$RIGHT
#Vi6#@#Line
#2#Local#Rack
LEXICO
N$480L$#2$LEFT
#Vi6#@#Line
#3#Local#Rack
LEXICO
N$480L$#2$RIGHT
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FOH
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IEM$5$$$$LEFT$$$$$'YANNICK'
IEM$5$$$$RIGHT$'YANNICK'
IEM$6$$$$LEFT$$$$$'EWILMS'
IEM$6$$$$RIGHT$'EWILMS'
IEM$7$$$$LEFT$$$$$'M
AGALI'$W
IRED
IEM$2$$$$LEFT$$$$$'G
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IEM$13$$LEFT$$$$$'M
ONITOR'
IEM$7$$$$RIGHT$'M
AGALI'$W
IRED
IEM$8$$$$LEFT$$$$$'EBE
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IEM$8$$$$RIGHT$'EBE
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IEM$9$$$$$LEFT$$$$$'CLAUDE'$W
IRED
IEM$9$$$$$RIGHT$'CLAUDE'$W
IRED
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IEM$10$$RIGHT$'KATIA'
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NCIS'$W
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IN'$W
IRED
IEM$1$$$$LEFT$$$$$'CHA$RLES'
IEM$1$$$$RIGHT$'CHARLES'
MON#ONLY#44
MON#ONLY#45
MON#ONLY#46
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IKE
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MON#ONLY#42
MON#ONLY#43
CHARLES(AZNAVOUR((2011)(
PA(SOUND(&(FoH(REQUIREMENTS((
PA(The(sound(system(/(PA(provided(shall(fit(the(venue(and(have(a(top(pro(quality.(It(must(offer(a(clean(and(clear(sound(and(free(of(any(distortion.(It(shall(be(equally(located(to(provide(sound(to(any(part(of(the(audience(and(also(of(a(sufficient(acoustic(pression(to(the(mixing(area.((The( equalization( and( filtering( system( (L/R( channels,( SUB( channel,( delayed( sound( channels( and( near( fill(channels)(shall(be(easily(accessible(and(located(at(the(mixing(area.((
PA(cabinets( Drivers(●" Line(Array(VVDosc(ORMeyer(Sound(( ● 1(x(Galileo(Meyer(Sound(●" Front(Fills( ●" 5(x(Lake(Contour(● (( 1(x(Tablette(PC(( ●" (
((
Desk(( (
●" 1(x(Midas(Heritage(3000(V((56(inputs(( ●" No(digital(console(●" 8(x(Littlite( " ((
((
(( (●" 1(x(Lexicon(480L((2(stereo(units)(( ●" (●" 1(x(Yamaha(SPX2000(( ●" ((●" 1(x(Aphex(Aural(exiter(type(II((studio)(( ●" (
((
Inserts((Nb(of(channels)(( ((
● 6(x(Drawmer(DS201(noise(gate( ● ( 1(x(SPL(Vitalizer(9530(● 4(x(Tubetech(CL2VA(compresser( ● 1(x(Klark(Teknik(DN370(● ( 3(x(Summit(Audio(TLA100(compressor(( (( (● ( 8(x(Drawmer(DL441(compressor( (( (● ( 2(x(Avalon(VT737(PreampVEQVvacuum(tube(
compressor((
(( (
● ( 2(x(BSS(DPR901(Dynamic(EQ( (( (● ( 1(x(Summit(Audio(DCL200(compressor( (( (
((
Misc.((( (
●" 2(x(CDVR(recorders( ●" 10(x(Blank(CDVR(discs(●" 1(x(Spectrum(analyser( ●" ((●" 3(x(Intercom(system( ●" (
(((
CHARLES AZNAVOUR TOUR – TECHNICAL REQUIREMENTS Updated: June 2012
C. Aznavour – 2012 – English version Page 12 de 14
ANNEX #4
BACKLINE / PROMPTING
Ch
arl
es
AZ
NA
VO
UR
20
12
- IN
STR
UM
EN
TS
an
d P
RO
MP
TIN
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REQ
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Prin
ted
22/0
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Phili
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Mus
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Pro
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Page
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p)1
Bas
s ca
bine
tAm
peg
410
HLF
1U
prig
ht /
Ful
l siz
e do
uble
bas
s w
ith
adju
stab
le b
ridg
e &
bridg
e m
ike
1U
prig
ht /
Dou
ble
bass
sta
nd1
Elec
tric
bas
s gu
itar
sta
ndH
ercu
les
GU
ITA
RS
2G
uita
r am
pFe
nder
Tw
in R
ever
b (1
will
be
a sp
are
/ ba
ck-u
p)1
Elec
tric
gui
tar
with
adju
stab
le s
trap
Gib
son
335
1El
ectr
o ac
oust
ic m
eta
l st
rin
gs
with
adju
stab
le s
trap
sTa
ylor
614
CE
OR
Tak
amin
e TS
F 48
C S
anta
Fé
(No
Takam
ine E
G m
od
els
) 1
Elec
tro
acou
stic
nyl
on
str
ing
s gu
itar
w/
adju
stab
le s
trap
sTa
kam
ine
OR G
odin
with
nylo
n st
ring
s (N
o O
vati
on
gu
itars
)1
AB s
elec
tor
peda
l (To
sw
itch
fro
m 1
gui
tar
to a
noth
er)
DO
D O
R W
hirlw
ind
OR M
orle
y O
R B
oss
1M
ono
volu
me
peda
ls f
or t
he a
cous
tic
guitar
sEr
nie
Bal
l OR B
oss
(No
alte
rnat
ive)
Ch
arl
es
AZ
NA
VO
UR
20
12
- IN
STR
UM
EN
TS
an
d P
RO
MP
TIN
G D
EV
ICES
REQ
UIR
EM
EN
T -
Prin
ted
22/0
5/12
Phili
ppe
Mau
cour
t -
Mus
arm
Pro
duct
ion
Page
2 o
ut o
f 5
AS
PER
: M
ay
20
12
KEY
BO
AR
DS
288
not
es w
eigh
ted
keyb
oard
with
mid
i (in
/thr
u/ou
t)Ya
mah
a M
otif
8 X s
erie
s1
keyb
oard
with
mid
i (in
/thr
u/ou
t)Ya
mah
a M
otif
7 se
ries
1ke
yboa
rd w
ith
mid
i (in
/thr
u/ou
t)Ya
mah
a M
otif
6 se
ries
161
not
es k
eybo
ard
/ di
gita
l pia
no w
ith
built
-in
loud
spea
kers
Yam
aha
/ Rol
and
/ Kor
g (C
harles
dre
ssin
g ro
om)
1Key
boar
d am
plifi
erRol
and
Cub
e /
Yam
aha
(Cha
rles
dre
ssin
g ro
om)
1Rol
and
expa
nder
Rol
and
JV-1
080
(no
su
bst
itu
te)
1Rol
and
soun
d ca
rdSR-
JV80
-02
(Orc
hest
ral)
wav
e ex
pans
ion
boar
d (n
o s
ub
stit
ute
)4
Ste
reo
volu
me
peda
lBos
s O
R E
rnie
Bal
l or
Yam
aha
ster
eo v
olum
e pe
dals
5Sus
tain
ped
al1
for
each
key
boar
d4
Expr
essi
on p
edal
sYa
mah
a FC
75
Key
boar
ds s
tand
sRTX
typ
e O
R e
quiv
alen
t, s
olid
and
stu
rdy
to t
ake
the
wei
ght
of t
he
prov
ided
key
boar
ds /
dig
ital
pia
no.
2Key
boar
ds s
tand
tie
rRTX
typ
e, s
olid
and
stu
rdy
to t
ake
the
wei
ght
of t
he p
rovi
ded
keyb
oard
s (n
o an
gle
/ no
tilt
).
GU
ITA
R S
TA
ND
Stu
rdy
and
secu
re (
only
Her
cule
s ty
pe)
4 (2
for
aco
ustic
guitar
s /
1 fo
r el
ectr
ic g
uita
r /
1 fo
r el
ectr
ic b
ass)
CA
BLI
NG
86-
outlet
s po
wer
str
ip b
oard
s3
@ K
eybo
ards
/ 1
@ G
uita
r /
1 @
Bas
s /
1 @
Acc
ordi
an /
1 @
Mon
itor
s de
sk /
1
@ F
oH d
esk
Nec
essa
ry p
ower
ext
ensi
ons
for
the
abov
e
6Po
wer
ste
p-tr
ansf
orm
ers
(Inp
ut 1
20 v
/ O
utpu
t 24
0 v)
Som
e pi
eces
of
our
equi
pmen
t (K
eybo
ards
har
d di
sk,
guitar
eff
ects
, et
c...
) re
quire
a 24
0 vo
lts
/ 50
Hz
pow
er s
uppl
y. E
SSEN
TIAL
whe
n lo
cal p
ower
is 1
10 /
120
vol
ts.
10Ja
ck t
o ja
ck le
ads
1 m
10Ja
ck t
o ja
ck le
ads
2 m
10Ja
ck t
o ja
ck le
ads
3 m
10Ja
ck t
o ja
ck le
ads
4 m
6Ja
ck t
o ja
ck le
ads
6 m
4M
idi c
able
s4
m4
Mid
i cab
les
6 m
Ch
arl
es
AZ
NA
VO
UR
20
12
- IN
STR
UM
EN
TS
an
d P
RO
MP
TIN
G D
EV
ICES
REQ
UIR
EM
EN
T -
Prin
ted
22/0
5/12
Phili
ppe
Mau
cour
t -
Mus
arm
Pro
duct
ion
Page
3 o
ut o
f 5
AS
PER
: M
ay
20
12
MIS
C.
20Bla
ck m
usic
sta
nds
Nic
e an
d id
entica
l (n
o c
heap
fo
ldin
g t
ype)
16Bla
ck m
usic
sta
nds
light
sN
ice
and
iden
tica
l - M
ax 2
5 w
atts
with
spar
e bu
lbs
1Bla
ck h
igh
chai
r w
ith
blac
k fa
bric
sea
t an
d ba
ckre
st
Um
brel
la W
orld
Fam
ous
Bar
Hei
ght
1Te
nor
sax
stan
d1
Alto
sax
stan
d1
Flut
e st
and
6Bla
ck h
igh
stoo
ls w
ith
back
rest
(N
o ar
mre
st)
Nic
e, id
entica
l and
stu
rdy:
1 @
bas
s, 1
@ a
ccor
dian
, 2
@ s
inge
rs,
1 @
gui
tar,
1 @
sax
PR
OM
PTIN
G3
28"
OR 3
0" L
CD
vid
eo m
onitor
s w
ith
BN
C/V
GA c
onne
ct.
To b
e us
e on
sta
ge for
pro
mpt
er s
yste
m3
25 m
BN
C /
VG
A c
able
s fo
r th
e ab
ove
To c
onne
ct L
CD
vid
eo m
onitor
s to
com
pute
r fo
r pr
ompt
ing
1Con
nect
ion
box
with
VG
A in
puts
/ o
utpu
ts
To s
plit v
ideo
sig
nal f
rom
com
pute
r to
eac
h vi
deo
mon
itor
s
Ch
arl
es
AZ
NA
VO
UR
20
12
- IN
STR
UM
EN
TS
an
d P
RO
MP
TIN
G D
EV
ICES
REQ
UIR
EM
EN
T -
Prin
ted
22/0
5/12
Phili
ppe
Mau
cour
t -
Mus
arm
Pro
duct
ion
Page
4 o
ut o
f 5
AS
PER
: M
ay
20
12
K
eyb
oard
sta
nd
Keyb
oard
sta
nd
exte
nsi
on
Mu
sic
stan
d
Up
rig
ht
bass
sta
nd
Mu
sic
stan
d l
igh
t
Ch
arl
es
AZ
NA
VO
UR
20
12
- IN
STR
UM
EN
TS
an
d P
RO
MP
TIN
G D
EV
ICES
REQ
UIR
EM
EN
T -
Prin
ted
22/0
5/12
Phili
ppe
Mau
cour
t -
Mus
arm
Pro
duct
ion
Page
5 o
ut o
f 5
Dru
m s
hie
ld (
5 p
an
nels
)S
R-J
V8
0-0
2 (
So
un
d c
ard
bo
x)
M
usi
cian
sto
ol
SR
-JV
80
-02
(S
ou
nd
card
ch
ip)
Bo
ng
o s
tan
dTra
p t
ab
le
D
ou
ble
co
ng
a s
tan
dA
lto
sax s
tan
d w
ith
fit
-in
flu
te s
tan
d
Cla
rin
et
OR
so
pra
no
sax s
tan
d
Prom
pter
lapt
op
Con
nect
ion
box
Vide
o m
onito
r #1
Vid
eo m
onit
or #
2
Vide
o m
onito
r #3
AZN
AVO
UR
2010
- P
rom
ptin
g co
nnec
tion
diag
ram
ABS
OLU
TELY
NO
T TO
SC
ALE
Lapt
op o
utpu
t
Box
inpu
t
Box
outp
ut #
1
Box
outp
ut #
2
Box
outp
ut #
3
Inpu
t
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tIn
put
NB:
We
prov
ide
the
lapt
op +
the
sofw
are
CHARLES AZNAVOUR TOUR – TECHNICAL REQUIREMENTS Updated: June 2012
C. Aznavour – 2012 – English version Page 13 de 14
ANNEX #5
LIGHTS / DRAPERY
Drapes'and'lighting'equipment'list'Aznavour'2012'
'01'x'14'm'wide'x'7'm'high'PVC'Cyclorama'screen'(front'OR'rear'projection)'01'x'Black'curtain'/'Star'cloth'on'tab'track'
01'x'GRAND'MA'FULLSIZE'lighting'desk'21'x'ALPHA'SPOT'1500'W'moving'lights'
06'x'MAC'III'SPOT'moving'lights'14'x'MAC'301'moving'led'lights'
10'x'Alpha'700'OR'MAC'700'Spot'moving'lights'
04'x'ALPHA'1500'WATTS'profile'moving'light'
24'x'ALC'4''LED.'Cyclo'light'(12xFLOOR;'12xUP)'
09'x'714'SX'profile'spot'02'x'Cyrano'2500'W'follow'spots'
01'x'Rotating'mirror'ball'(Diameter:'75'cm)'01'x'MDG'3000'smoke'machine'+'Fan'/'Turbine''06'x'Black'legs'Necessary'sofits'/'borders'
Cha
rles
Azn
avou
r 200
8St
age
desi
gn -
NO
T TO
SCA
LE
19,6
0 m
4 m
8 m
3,5 m
4 m
8 m
20 m
Dra
peri
esM
oteu
rs
Lége
nde
20 m
ESPACE MONITORS
ESPACE BACKLINE
Cha
rles
Azn
avou
r 201
0Im
plan
tatio
n -
SAN
S EC
HEL
LE
18,7
0 m
Toile
cyc
lo r
etro
Fond
sur
pat
ienc
e
3,30 m 4,70 m
Boul
e à
face
ttes
8 m
Gar
de-c
orps
1,2
m
16 m
1 m
coul
oir
circ
ulat
ioncouloir circulation de l'artiste
AZN
AVO
UR
OLY
MPI
A 2
011
Con
cept
ion
Lum
iere
ROUV
EYRO
LLIS
. JD
ates
:As
sist
ante
DUCL
OS.
JES
SICA
Ren
tal C
ompa
nyRE
GIE
LUM
IERE
Pupi
treu
rG
AUTI
ER. N
ICO
LAS
Res
pons
able
MAU
COUR
T PH
ILIP
PEE
mai
l.na
rgau
tier@
yaho
o.fr
Tel:
+33
6111
5360
2G
MS
+33
6124
1149
6em
ail:
phil.m
auc
wana
doo.
fr
UP V
iew
mov
ing
light
Cyclo
ram
a
Cu
rta
in o
pe
nF
ron
t vie
wC
urta
in c
lose
Fro
nt
view
Cyclo
ram
a
Sta
ge
Ho
rizio
de
s o
n fl
oo
r
Ho
rizio
de
s o
n fl
oo
r
To
p v
iew
Cu
rta
in o
pe
n
Cyclo
ram
a
To
p v
iew
Cu
rta
in c
lose
Ho
rizio
de
s o
n
flo
or
Cyclo
ram
aT
rave
ling
cu
rta
in
Sid
e vi
ew
Ho
rizio
de
s =
asym
etr
ica
l la
mp
s f
or
cyclo
ram
a
AZ
NA
VO
UR
- C
YC
LO
+ C
UR
TA
IN
NO
T T
O S
CA
LE
Ho
rizio
de
s o
n fl
oo
r
Sta
ge
