CharacterizationCharacterization

The method a writer uses to reveal the The method a writer uses to reveal the personality of a character in a literary work: personality of a character in a literary work:

Methods may include (1) by what the character Methods may include (1) by what the character says about himself or herself; (2) by what others says about himself or herself; (2) by what others

reveal about the character; and (3) by the reveal about the character; and (3) by the character's own actions. character's own actions.

ClimaxClimax

The decisive moment in a drama, the The decisive moment in a drama, the climax is the turning point of the play climax is the turning point of the play to which the rising action leads. This to which the rising action leads. This is the crucial part of the drama, the is the crucial part of the drama, the part which determines the outcome part which determines the outcome of the conflict. of the conflict.

ConflictConflict

In the plot of a drama, conflict occurs In the plot of a drama, conflict occurs when the protagonist is opposed by when the protagonist is opposed by some person or force in the play. some person or force in the play.

DialogueDialogue

In drama, a conversation between In drama, a conversation between characters. One interesting type of characters. One interesting type of dialogue, dialogue, stichomythiastichomythia, occurs , occurs when the dialogue takes the form of when the dialogue takes the form of a verbal duel between characters, as a verbal duel between characters, as in the following between Hamlet and in the following between Hamlet and his mother, Gertrude. his mother, Gertrude. (William Shakespeare's "Hamlet" - Act 3, scene 4)

QUEEN: Hamlet, thou hast thy father much offended.HAMLET: Mother, you have my father much offended.

QUEEN: Come, Come, you answer with an idle tongue.HAMLET: Go, Go, You question with a wicked tongue.

ExpositionExposition

In drama, the presentation of In drama, the presentation of essential information regarding what essential information regarding what has occurred prior to the beginning has occurred prior to the beginning of the play. In the exposition to the of the play. In the exposition to the film "Star Wars," Luke Skywalker film "Star Wars," Luke Skywalker sees a 3D holograph projection of the sees a 3D holograph projection of the Princess Lea warning that she is a Princess Lea warning that she is a prisoner of Darth Vader and begging prisoner of Darth Vader and begging for help. for help.

Falling ActionFalling Action

The falling action is the series of The falling action is the series of events which take place after the events which take place after the climax. The falling action of a drama climax. The falling action of a drama leads to the conclusion leads to the conclusion

Figurative LanguageFigurative Language In literature, a way of saying one thing and In literature, a way of saying one thing and

meaning something else. Take, for example, meaning something else. Take, for example, this line by Robert Burns, this line by Robert Burns, My luv is a red, My luv is a red, red rose.red rose. Clearly Mr. Burns does not really Clearly Mr. Burns does not really mean that he has fallen in love with a red, mean that he has fallen in love with a red, aromatic, many-petalled, long, thorny-aromatic, many-petalled, long, thorny-stemmed plant. He means that his love is as stemmed plant. He means that his love is as sweet and as delicate as a rose. While, sweet and as delicate as a rose. While, figurative language provides a writer with figurative language provides a writer with the opportunity to write imaginatively, it the opportunity to write imaginatively, it also tests the imagination of the reader, also tests the imagination of the reader, forcing the reader to go below the surface of forcing the reader to go below the surface of a literary work into deep, hidden meanings a literary work into deep, hidden meanings

Figure of SpeechFigure of Speech

An example of figurative language An example of figurative language that states something that is not that states something that is not literally true in order to create an literally true in order to create an effect. Similes, metaphors and effect. Similes, metaphors and personification are figures of speech personification are figures of speech which are based on comparisons. which are based on comparisons. Metonymy, synecdoche, synesthesia, Metonymy, synecdoche, synesthesia, apostrophe, oxymoron, and apostrophe, oxymoron, and hyperbole are other figures of speech hyperbole are other figures of speech

FlashbackFlashback

A reference to an event which took A reference to an event which took place prior to the beginning of a story place prior to the beginning of a story or play. In Ernest Hemingway's "The or play. In Ernest Hemingway's "The Snows of Kilamanjaro," the protagonist, Snows of Kilamanjaro," the protagonist, Harry Street, has been injured on a Harry Street, has been injured on a hunt in Africa. Dying, his mind becomes hunt in Africa. Dying, his mind becomes preoccupied with incidents in his past. preoccupied with incidents in his past. In a flashback Street remembers one of In a flashback Street remembers one of his wartime comrades dying painfully his wartime comrades dying painfully on barbed wire on a battlefield in Spain.on barbed wire on a battlefield in Spain.

ForeshadowingForeshadowing

In drama, a method used to build In drama, a method used to build suspense by providing hints of what suspense by providing hints of what is to come. is to come.

HyperboleHyperbole

A figure of speech in which an A figure of speech in which an overstatement or exaggerationoverstatement or exaggeration

ImageryImagery

A word or group of words in a literary A word or group of words in a literary work which appeal to one or more of work which appeal to one or more of the senses: sight, taste, touch, the senses: sight, taste, touch, hearing, and smell. The use of hearing, and smell. The use of images serves to intensify the impact images serves to intensify the impact of the work. of the work.

MetaphorMetaphor A figure of speech wherein a comparison is A figure of speech wherein a comparison is

made between two unlike quantities without made between two unlike quantities without the use of the words "like" or "as." Jonathan the use of the words "like" or "as." Jonathan Edwards, in his sermon "Sinners in the Hands Edwards, in his sermon "Sinners in the Hands of an Angry God," has this to say about the of an Angry God," has this to say about the moral condition of his parishoners: moral condition of his parishoners:

There are the black clouds of God's wrath There are the black clouds of God's wrath now hanging directly over your heads, full of now hanging directly over your heads, full of the dreadful storm and big with thunder;the dreadful storm and big with thunder;

The comparison here is between God's anger The comparison here is between God's anger and a storm. Note that there is no use of and a storm. Note that there is no use of "like" or "as" as would be the case in a simile "like" or "as" as would be the case in a simile

ImageryImagery

A word or group of words in a literary work A word or group of words in a literary work which appeal to one or more of the senses: which appeal to one or more of the senses: sight, taste, touch, hearing, and smell. The sight, taste, touch, hearing, and smell. The use of images serves to intensify the use of images serves to intensify the impact of the work. The following example impact of the work. The following example of imagery in T. S. Eliot's "The Love Song of of imagery in T. S. Eliot's "The Love Song of J. Alfred Prufrock," When the evening is J. Alfred Prufrock," When the evening is spread out against the sky Like a patient spread out against the sky Like a patient etherized upon a table. uses images of pain etherized upon a table. uses images of pain and sickness to describe the evening, and sickness to describe the evening, which as an image itself represents society which as an image itself represents society and the psychology of Prufrock, himself.and the psychology of Prufrock, himself.

InferenceInference

A judgement based on reasoning A judgement based on reasoning rather than on direct or explicit rather than on direct or explicit statement. A conclusion based on statement. A conclusion based on facts or circumstances. For facts or circumstances. For example, advised not to travel example, advised not to travel alone in temperatures exceeding alone in temperatures exceeding fifty degrees below zero, the man in fifty degrees below zero, the man in Jack London's "To Build a Fire" sets Jack London's "To Build a Fire" sets out anyway. One may infer out anyway. One may infer arrogance from such an action.arrogance from such an action.

Point of ViewPoint of View

A piece of literature contains a speaker who is A piece of literature contains a speaker who is speaking either in the first person, telling speaking either in the first person, telling things from his or her own perspective, or in things from his or her own perspective, or in the third person, telling things from the the third person, telling things from the perspective of an onlooker. The perspective perspective of an onlooker. The perspective used is called the Point of View, and is referred used is called the Point of View, and is referred to either as first person or third person. If the to either as first person or third person. If the speaker knows everything including the speaker knows everything including the actions, motives, and thoughts of all the actions, motives, and thoughts of all the characters, the speaker is referred to as characters, the speaker is referred to as omniscient (all-knowing). If the speaker is omniscient (all-knowing). If the speaker is unable to know what is in any character's mind unable to know what is in any character's mind but his or her own, this is called limited but his or her own, this is called limited omniscience.omniscience.

MoodMood

The atmosphere or feeling created The atmosphere or feeling created by a literary work, partly by a by a literary work, partly by a description of the objects or by the description of the objects or by the style of the descriptions. A work may style of the descriptions. A work may contain a mood of horror, mystery, contain a mood of horror, mystery, holiness, or childlike simplicity, to holiness, or childlike simplicity, to name a few, depending on the name a few, depending on the author's treatment of the work. author's treatment of the work.

PlotPlot

The structure of a story. The sequence in The structure of a story. The sequence in which the author arranges events in a which the author arranges events in a story. The structure of a five-act play often story. The structure of a five-act play often includes the rising action, the climax, the includes the rising action, the climax, the falling action, and the resolution. The plot falling action, and the resolution. The plot may have a protagonist who is opposed by may have a protagonist who is opposed by antagonist, creating what is called, antagonist, creating what is called, conflict. A plot may include flashback or it conflict. A plot may include flashback or it may include a subplot which is a mirror may include a subplot which is a mirror image of the main plot. image of the main plot.

Rising ActionRising Action

The part of a drama which begins with The part of a drama which begins with the the expositionexposition and sets the stage for and sets the stage for the climax. In a five-act play, the the climax. In a five-act play, the exposition provides information about exposition provides information about the characters and the events which the characters and the events which occurred before the action of the play occurred before the action of the play began. A began. A conflictconflict often develops often develops between the protagonist and an between the protagonist and an antagonist. The action reaches a high antagonist. The action reaches a high point and results in a point and results in a climaxclimax, the , the turning point in the play. turning point in the play.

Setting Setting

The time and place in which a The time and place in which a story unfolds. A drama may story unfolds. A drama may contain a single setting, Or the contain a single setting, Or the setting may change from scene setting may change from scene to scene. to scene.

Simile Simile

A figure of speech which takes the A figure of speech which takes the form of a comparison between two form of a comparison between two unlike quantities for which a basis for unlike quantities for which a basis for comparison can be found, and which comparison can be found, and which uses the words "like" or "as" in the uses the words "like" or "as" in the comparison, as in this line from Ezra comparison, as in this line from Ezra Pound's "Fan-Piece, for Her Imperial Pound's "Fan-Piece, for Her Imperial Lord:"Lord:"clear as frost on the grass-clear as frost on the grass-bade,bade,In this line, a fan of white silk is In this line, a fan of white silk is being compared to frost on a blade of being compared to frost on a blade of grass. Not the use of the word "as."grass. Not the use of the word "as."

Style Style

Many things enter into the style Many things enter into the style of a work: the author's use of of a work: the author's use of figurative language, diction, figurative language, diction, sound effects and other literary sound effects and other literary devices. Ernest Hemingway's devices. Ernest Hemingway's style derives, in part, from his style derives, in part, from his short, powerful sentences. short, powerful sentences.

Symbolism Symbolism

A device in literature where an object A device in literature where an object represents an idea. In Willaim Blake's "The represents an idea. In Willaim Blake's "The Lamb," the speaker tells the lamb that the Lamb," the speaker tells the lamb that the force that made him or her is also called a force that made him or her is also called a lamb: lamb:

Little lamb, who made thee? Little lamb, who made thee? Little lamb, who made thee? Little Little lamb, who made thee? Little lamb, I'll tell thee, Little lamb, I'll tell lamb, I'll tell thee, Little lamb, I'll tell thee! He is called by thy name, For he thee! He is called by thy name, For he calls himself a lamb;calls himself a lamb; The symbol of the lamb The symbol of the lamb in the above lines corresponds to the in the above lines corresponds to the symbolism of the lamb in Christianity symbolism of the lamb in Christianity wherein Christ is referred to as The Lamb of wherein Christ is referred to as The Lamb of God.God.

Theme Theme

An ingredient of a literary work which An ingredient of a literary work which gives the work unity. The theme gives the work unity. The theme provides an answer to the question provides an answer to the question What is the work about?What is the work about?There are too There are too many possible themes to recite them many possible themes to recite them all in this document. Each literary all in this document. Each literary work carries its own theme(s). The work carries its own theme(s). The theme of Robert Frost's "Acquainted theme of Robert Frost's "Acquainted with the Night" is lonliness. with the Night" is lonliness.

Tone Tone

Tone expresses the author's Tone expresses the author's attitude toward his or her subject. attitude toward his or her subject. Since there are as many tones in Since there are as many tones in literature as there are tones of literature as there are tones of voice in real relationships, the tone voice in real relationships, the tone of a literary work may be one of of a literary work may be one of anger or approval, pride or piety-anger or approval, pride or piety-the entire gamut of attitudes the entire gamut of attitudes toward life's phenomena. toward life's phenomena.