Movements: Terms:The New York School: Action paintingPop Art Appropriation Minimal & Earthworks InstallationPhotorealism AssemblageConceptual Art PerformanceNeo-Expressionism HappeningNeo-Dada PluralismFeminism Postmodernism

Chapter Twenty-two

Art Since 1945

The New York School

Insert 72 dpi visualSuggested visual: figure 22.1Jackson Pollock, Number 1, 1949

Abstract Expressionism: Action Painting

Insert 72 dpi visualSuggested visual: figure 22.3Willem de Kooning, Woman and Bicycle, 1952-53.

The New York School

Abstract Expressionism: Action Painting

Insert 72 dpi visualSuggested visual: figure 22.4Mark Rothko, Orange and Yellow, 1956.

Insert 72 dpi visualSuggested visual: figure 22.5Helen Frankenthaler, The Bay, 1963.

The New York School

Abstract Expressionism: Color Field Painting

Neo-Dada, Assemblages

Insert 72 dpi visualSuggested visual: figure 22.7Jasper Johns, Target with Four Faces, 1955.

Into the Sixties

Insert 72 dpi visualSuggested visual: figure 22.8Jean Tinguely, Homage to New York, 1960

Assemblages and Happenings

Insert 72 dpi visualSuggested visual: figure 22.9Allan Kaprow, The Courtyard, 1962.

Assemblages and Happenings

Insert 72 dpi visualSuggested visual: figure 22.10Andy Warhol, 100 Cans, 1962

Art of the 60’s & 70’s

Insert 72 dpi visualSuggested visual: figure 22.11Roy Lichtenstein, Masterpiece, 1962

Pop ArtDerived imagery from popular, mass-produced culture

Abstraction, economy & repetition

Insert 72 dpi visualSuggested visual: figure 22.13Frank Stella, Valparaiso Flesk and Green , 1963.

Minimal Art & Earthworks

Insert 72 dpi visualSuggested visual: figure 22.14Donald Judd, Untitled, 1969.

Photorealism: painting that resembles photographs

Insert 72 dpi visualSuggested visual: figure 22.16Don Eddy, New Shoes for H.,

1973-74

Real, Super Real

Idea is paramount, Form is secondary

Insert 72 dpi visualSuggested visual: figure 22.17Joseph Kosuth, One and Three Chairs, 1965.

Conceptual Art

Honored female art and the domestic realm

Insert 72 dpi visualSuggested visual: figure 22.18Miriam Shapiro, Heartfelt, 1979

Feminism and Feminist Art

Postmodernism: Words and Images, Issues and Identities

Appropriation: artistic recycling of existing imagesPluralism: multiple directions

Insert 72 dpi visualSuggested visual: figure 22.21Sherrie Levine, Fountain, 1991.

Art Since the Eighties

Postmodern World

Neo-Expressionism: emotional intensity of the Expressionists

Insert 72 dpi visualSuggested visual: figure 22.22Anselm Kiefer, Interior, 1949

Postmodern

The Painterly Image

Words and Images,Issues and Identities

Insert 72 dpi visualSuggested visual: figure 22.28David Wojnarowicz, Untitled (Sometimes I come to hate people), 1992.

Insert 72 dpi visualSuggested visual: figure 22.29Juane Quick-to-See Smith, House, 1995.

Insert 72 dpi visualSuggested visual: figure 22.32Laurie Anderson performing, Stories from the Nerve Bible, 1993.

Toward Theater

Insert 72 dpi visualSuggested visual: figure 22.33Cai Guo-Qiang, Dream, 2002.

A full performance text of 22.23 can be found online.

Performance and Installation

Insert 72 dpi visualSuggested visual: figure 22.35Mary Flanagan, [collection], 2001.

The Digital Realm

To participate: www.maryflanagan.com/collection.htm.

Insert 72 dpi visualSuggested visual: figure 22.36Matthew Barney, Cremaster 5: Her Giant, 1997

Being Human

The Life of the Body

Insert 72 dpi visualSuggested visual: figure 22.39Lorna Simpson, Still from Easy to Remember, 2001

The Life of the Spirit

Being Human

Movements: Terms:The New York School: Action paintingPop Art Appropriation Minimal & Earthworks InstallationPhotorealism AssemblageConceptual Art PerformanceNeo-Expressionism HappeningNeo-Dada PluralismFeminism Postmodernism

Chapter Twenty-two

Art Since 1945