Chapter 9. Sound- sound was added in 1927, music is used to create mood Camera-point of view,...
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Transcript of Chapter 9. Sound- sound was added in 1927, music is used to create mood Camera-point of view,...
CinemaChapter 9
Conventions of Film
Sound- sound was added in 1927, music is used to create mood
Camera-point of view, camera angles add to experience
Color-1936 technicolor, black and white are often enhanced by the play of light and dark
Time-flexible, use of close ups, dissolves and freeze-frames/speed ups enhance understanding
Challenging Conventions
Use of special effects Audience doesn’t mind if it is unreal CGI, 3D, all part of the experience
Major Film Genres
SLAPSTICK
Rapid and violent farce where there is a lot of violence, dehumanized
Charlie Chaplin
FARCE
Marx Brothers On the wrong side of
rules or regulations, manage to never be caught
Rules they break are unfair, or only aristocrats care about
Genres Continued…
FILM NOIR
Gangsters, private detectives, gritty underworld, play by own rules
Dark, somber tone
ROMANTIC COMEDY
Attractive couples, circumstances beyond their control pull them apart.
Boy meets girl, boy loses girl, boy gets girl back
CLASSIC ROMANTIC COMEDY
It Happened One Night
Roman Holiday Love is greater than
money Depression-Era
escapism
MODERN ROMANTIC COMEDY
Annie Hall When Harry Met Sally The American
President As Good As It Gets Up In the Air
SCREEN MUSICAL
Couple were kept apart until the final embrace
Dancing at any moment (illogical) Singing In the Rain Dirty Dancing Chicago
THE WESTERN
Uniquely American
Good vs. Evil
When a hero is needed, a hero will be there
Social Issues
Film is a powerful social criticism Mr. Deeds goes to town-hero distributes
$20 million inheritance and must defend his sanity because of it
It’s a Wonderful Life-people’s worth is measured by the amount of good they do
Grapes of Wrath-struggle for justice must transcend his own family and self-interest
Documentaries
Nonfiction, factual films Some have been criticized for
possibly doctoring the truth to further their agenda Frederick Wiseman-Welfare, Racetrack,
The Store Michael Moore-Bowling for Columbine,
Waiting for Superman, Fahrenheit 9/11
The Suffering Artist
Films depict the lives of geniuses, leave the audience with memories of the art as well as temper tantrums and mental illnesses.
The Agony and the EcstasyAmadeusLust for LifeLa Vie en Rose
Citizen Kane
Classic, theme-can money buy happiness? Traces the life of a rags to riches millionaire, reporter tries to solve the mystery of his last word, “Rosebud”. It was his childhood sled.
Casablanca
Classic, story of one man’s moral dilemma and conflicting moral values. Film noir hero, conceals his broken heart under a tough exterior. Lost love and her husband walk into his bar. He helps them escape Nazis even though she would be willing to stay with him instead.
The Film Auteur
Applied to the most significant directors Special style and themes so evident
their work is instantly recognizable Ingmar Bergman-The Seventh Seal Federico Fellini-La Strada, 8 ½ Alfred Hitchcock-The Birds, Psycho Akira Kurosawa-Rashomon, The Seventh
Samurai Stanley Kubrick-Dr. Strangelove Francis Ford Coppola- Godfather
Critical Viewing –use to determine the merit of a film
Use of a unique style to Cinema Characters with complex inner lives Relevance to the times Integrity Gravity of Theme No violations of probability Realistic depiction of gender