Chapter 9 and Lit. Crit

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    The Savage: Using Lit. Crit. techniques

    Starter:

    Read over the critical perspectives on thesheet. Which ones do you know already?

    LO: to apply at least two critical perspectives to an

    extract of text

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    Using Literary Criticism in Your Exam

    A piece of literature can be read from a number of

    critical positions, which means you notice differentthings in the text and draw different conclusions.Even if you dont subscribe to a particular theory,

    you always have a vantage point from which youlook at the text.

    You do not need to know the names of thetheories for the exam, but you will need to knowhow to approach the text from that theorys view-point and knowing the names makes it easier to

    know what you are doing.

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    Once we have read chapter 9, you aregoing to analyse the story so far from

    one particular perspective using the

    cards in front of you as prompts.

    Heres an example of how its done

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    CinderellaFrom a Marxist perspective

    Cinderella is a representative of theproletariat:

    Oppressed by her bourgeouisiestepmother and stepsisters, whohave stolen her rightfulinheritance and turned her into aservant in her own home

    Desiring to join the ranks of thebourgeouisie by marrying theprince

    From a Feminist perspective

    Consider:The potentially misogynist theme of

    abused-girl-rescued-by-prince

    The values conveyed in the portrayal of

    the good girl as physically beautiful and

    the wicked girls as physically ugly

    Psychoanalytic or Freudian theory

    Consider:

    Cinderella as a representative of the id

    expressing desire

    The stepmother and stepsisters as

    representatives of the superego preventingthe id from fulfilling its desire

    The fairy godmother and the prince as

    representatives of the ego- negotiating

    between the id and the superego and

    allowing the desires of the id to be fulfilled in

    a socially acceptable manner

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    Lets read chapter nine

    As we read, take notes on how you might applyyour given perspective

    e.g.

    lay Lenina, fast asleep and so beautiful in themidst of her curls, so touchingly childish with her

    pink toes and her grave sleeping face, so trustful inthe helplessness of her limp hands and meltedlimbs, that the tears came to his eyes.

    Feminism: easily

    corrupted / dominated

    Psychoanalytical: Fulfills the ids

    desire to regain lost childhood

    and explore his sexuality throughsex with a child

    Reader response: curls remind me of pre-Raphaelite women,

    who are seductive and symbols of the male gaze in Victorian

    art and poetry; Lenina could be the thing that leads John awayfrom his strict morals and Puritanical religious beliefs

    Structuralism: patterns created by writer mimic the sheer disbelief of

    Leninas beauty experienced by John at this point. Repetition ofso

    could be being used to remind of Romeos words when he first sees

    Juliet i.e. doomed relationship? Climaxes in his awareness of her

    unconscious trust of him perhaps he will take advantage of this OR

    could highlight irony of her taking advantage of him?

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    Point to introduce

    support of

    particular critical

    perspective

    Chapter nine could be seen as the first temptation of John, the savage, in which he

    enters Leninas room not knowing that she lies there sleeping. It is a this point that

    we get a real sense of his developing desire along with his puritan-like restraint and

    caution towards any form of sexuality or carnal desire. When faced with the semi-

    clad Lenina, John resorts to his religion and knowledge of Shakespeare to question

    his actions. He clearly is faced with a dilemma extending further than respect forthe opposite sex and reaches out to the sleeping girl with the

    Embedded

    Quotation

    hesitating gesture of one who reaches forward to stroke a shy and possibly

    dangerous bird

    Full explanation of

    significance inrelation to critical

    perspective (with

    cross-references if

    necessary)

    Here, the metaphorical significance of the shy and possibly dangerous bird could

    have links to the albatross, beautiful but ultimately a sign of a bad omen towhomsoever touches it. On the other hand, this bird could signify a wind of

    change for John to new worlds and emotions he has only read about through the

    teachings of his mother. In his apprehensions, one could draw allusions to the

    post-colonial era: in a sense, those considered a lower caste or breed in a new

    society have been taught to revere the ruling classes as saviours from themselves

    and their cultures (the bird that carries them away?). John could be an archetype

    of such reverence, his upbringing as an outsider has reinforced his sense ofbelonging to a culture that, for all intents and purposes, will ultimately reject him

    due to his otherness. The reservation could symbolise the old and as yet,

    uncivilised world whereas Lenina and Bernard (for all his tendencies towards

    insubordination) represent the new, civilised world. Unfortunately, John is not a

    member of either of these cultures and is therefore open to oppression from all

    sides. Surely, his struggle for identity has facets not experienced by anyone else inthis brave new world.

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    Point to introduce

    support of

    particular critical

    perspective

    Embedded

    Quotation

    Full explanation ofsignificance in

    relation to critical

    perspective (with

    cross-references if

    necessary)

    Your on the other

    hand (apply

    another critical

    perspective to

    raise your grade

    and develop your

    response)

    Your turn (with a catch)!

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    What one thing do you

    want to know for the

    future?

    What two things do youknow about Critical

    Theory and the exam

    unit that helped you

    today?

    What three things did

    you feel confident doing

    today?

    To finish