Chapter 3 Fundamentals of the Shot

28
Chapter 3 Fundamentals of the Shot

description

Chapter 3 Fundamentals of the Shot. Objectives. Understand the difference between scenes and shots. Visualize a scene in terms of framing, angles, and movement.  Understand illustrating camera and character movement. What Is a Scene?. - PowerPoint PPT Presentation

Transcript of Chapter 3 Fundamentals of the Shot

Page 1: Chapter 3 Fundamentals of the Shot

Chapter 3Fundamentals of the Shot

Page 2: Chapter 3 Fundamentals of the Shot

Objectives

• Understand the difference between scenes and shots.

• Visualize a scene in terms of framing, angles, and movement.

•  Understand illustrating camera and character movement.

Page 3: Chapter 3 Fundamentals of the Shot

What Is a Scene?

•  A combination of shots that shoes the action that takes place in one location or setting

Page 4: Chapter 3 Fundamentals of the Shot

What Is a Shot?

• A continuous view filmed from one perspective

Page 5: Chapter 3 Fundamentals of the Shot

Shot Descriptions• Camera framing

– How close or far a subject is from the camera• Camera angles

– Angling of the camera from which you view the subject.

•  Camera movement– The movement of the camera forward, backward,

left, right, up, and down

Page 6: Chapter 3 Fundamentals of the Shot

Camera Framing

• Extreme long shot• Long shot• Full shot• Medium shot • Close-up shot

Page 7: Chapter 3 Fundamentals of the Shot

Extreme Long Shot

• Establishes the location or setting– Example: Western landscape

Page 8: Chapter 3 Fundamentals of the Shot

Long Shot

• Shows the location, characters, and action– Example: soccer field and its players

Page 9: Chapter 3 Fundamentals of the Shot

Full Shot• Frames the entire height of a person, with

the head near the top of the frame and the feet near the bottom

Page 10: Chapter 3 Fundamentals of the Shot

Medium Shot• Frames an individual from either the waist

up, or from the knees showing the audience just enough to feel as if they are looking at the whole subject

Page 11: Chapter 3 Fundamentals of the Shot

Close-up Shot

• Shows a character from the shoulders to the top of the head

Page 12: Chapter 3 Fundamentals of the Shot

Camera Angles• High-angle shot• Low-angle shot• Eye-level shot• Bird’s eye view• Canted shot• Tilt Shot• Three-quarter shot• Over-the-shoulder shot

Page 13: Chapter 3 Fundamentals of the Shot

High-angle Shot

• A camera placed higher than the subject (not directly overhead) and tilted downward

Page 14: Chapter 3 Fundamentals of the Shot

Low-angle Shot

• A camera placed lower than the subject and tilted upward

Page 15: Chapter 3 Fundamentals of the Shot

Eye-level Shot

• The camera is positioned at eye-level with a character.

Page 16: Chapter 3 Fundamentals of the Shot

Bird’s Eye View

• The camera is positioned directly overhead of the action

Page 17: Chapter 3 Fundamentals of the Shot

Canted Shot

• The camera is tilted so that the subject appears to be diagonal and off-balance.

Page 18: Chapter 3 Fundamentals of the Shot

Tilt Shot

•  A fixed camera that moves on it vertical axis, tilting up or down

Page 19: Chapter 3 Fundamentals of the Shot

Three-quarter Shot

• Positions the camera between a frontal angle and a profile shot.

Page 20: Chapter 3 Fundamentals of the Shot

Over-the-shoulder Shot• Positions the camera

over the shoulder of one character, revealing part of the backside of their head and shoulders in the foreground, and focuses on the character facing the camera in the background

Page 21: Chapter 3 Fundamentals of the Shot

Camera Movement

• Pan shot• Crane shot• Dolly shot• Tracking shot• Zoom• Zolly shot

Page 22: Chapter 3 Fundamentals of the Shot

Pan Shot

• A fixed camera pivots on its axis turning from left to right for the purpose of following the action within a shot

Page 23: Chapter 3 Fundamentals of the Shot

Crane Shot• A camera

positioned on a crane can swoop down or up covering great distances and producing unusual camera angles.

Page 24: Chapter 3 Fundamentals of the Shot

Dolly Shot

• The camera moves toward a subject (dolly-in) or away from a subject (dolly-out).

Page 25: Chapter 3 Fundamentals of the Shot

Tracking Shot

• The camera tracks alongside of the object or person.

Page 26: Chapter 3 Fundamentals of the Shot

Zoom Shot• Camera stays stationary as the focal length

of a lens zooms in or out.– Framing gets ‘tighter’ if the camera zooms in.– Framing gets ‘looser’ if the camera zooms out.

Page 27: Chapter 3 Fundamentals of the Shot

Zolly Shot

• A dolly shot in combination with a zoom

Page 28: Chapter 3 Fundamentals of the Shot

Summary• A storyboard artist must understand the

difference between a shot and a scene.• Shots are blocked according to camera

framing, angles, and movement.• Camera framing is based on the distance

from the subject to the character.• Camera angles add dynamism to a frame

and often grab the audience’s attention.