Chapter 2 Understanding & Analyzing the Selection.

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Chapter 2 Understanding & Analyzing the Selection

Transcript of Chapter 2 Understanding & Analyzing the Selection.

Page 1: Chapter 2 Understanding & Analyzing the Selection.

Chapter 2

Understanding & Analyzing the Selection

Page 2: Chapter 2 Understanding & Analyzing the Selection.

Selecting your TextWhere to Look…

LibrariesTechnologyCollege LibrariesCollege BookstoresUsed Books

Audio ResourcesNewspapersInternetTestimonyCan you think of

others?

www.wetmoredeclamation.com

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Selecting LiteratureConsider YourselfConsider Your CapabilitiesConsider Your AudienceConsider Literary ValueConsider Appropriateness

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Understanding the TextSpeakerSceneAudienceActAgencyPurpose

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Introductions should……prepare the audience…allow the audience to meet you…provide essential information…establish a mood

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Introductions should focus on……how you relate to the selection…the category’s requirements…social issues…the writer’s purpose…an element of the selection

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Introductions should avoid……running out of time…spoiling the experience by giving away

too much…asking trite rhetorical questions…copying someone else’s introductions…either reading or performing your

introduction

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Analyzing your textDenotative meaning

Explicit meaningConnotative meaning

Suggestions, overtonesPersona

The narratorLocus

Physical & psychological state

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Structural Components, cont’dClimax

Logical contentRepetitionRhyme

Emotional content

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Aesthetic ComponentsUnity

What holds the piece togetherEx. Persona, LocusConnectives: and, then, later…

HarmonySentence structure layout

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Aesthetic Components, Cont’dVariety

Associations are similar, but different (ex. Twins)

ContrastAssociations are opposite/different (Ex. “the

Quiet noise”

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Aesthetic Components, Cont’dBalance & proportions

RhythmStressed & Unstressed syllablesRhythm Content

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Technical ChallengesPreparing script Using ExcerptsPlacing actionIntroduction

Author of selectionPrepare audience for eventsEstablishes persona

Adopting author’s language

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Cutting Literature for PerformanceRead the ENTIRE selectionThoroughly analyze the work as a wholeContinuity is critical!Beginning, Middle, EndStay true to author’s intentAvoid cutting vivid passagesCut repetition (in prose)Cut tag linesCut subplotsCut references to something you’ve

already cut

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Rehearsal TechniquesEstablish regular schedule110%Seek audiencesMark your manuscriptVideotapeAudiotapeWork with other interpreters