Chapter 2 Understanding & Analyzing the Selection.
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Transcript of Chapter 2 Understanding & Analyzing the Selection.
Chapter 2
Understanding & Analyzing the Selection
Selecting your TextWhere to Look…
LibrariesTechnologyCollege LibrariesCollege BookstoresUsed Books
Audio ResourcesNewspapersInternetTestimonyCan you think of
others?
www.wetmoredeclamation.com
Selecting LiteratureConsider YourselfConsider Your CapabilitiesConsider Your AudienceConsider Literary ValueConsider Appropriateness
Understanding the TextSpeakerSceneAudienceActAgencyPurpose
Introductions should……prepare the audience…allow the audience to meet you…provide essential information…establish a mood
Introductions should focus on……how you relate to the selection…the category’s requirements…social issues…the writer’s purpose…an element of the selection
Introductions should avoid……running out of time…spoiling the experience by giving away
too much…asking trite rhetorical questions…copying someone else’s introductions…either reading or performing your
introduction
Analyzing your textDenotative meaning
Explicit meaningConnotative meaning
Suggestions, overtonesPersona
The narratorLocus
Physical & psychological state
Structural Components, cont’dClimax
Logical contentRepetitionRhyme
Emotional content
Aesthetic ComponentsUnity
What holds the piece togetherEx. Persona, LocusConnectives: and, then, later…
HarmonySentence structure layout
Aesthetic Components, Cont’dVariety
Associations are similar, but different (ex. Twins)
ContrastAssociations are opposite/different (Ex. “the
Quiet noise”
Aesthetic Components, Cont’dBalance & proportions
RhythmStressed & Unstressed syllablesRhythm Content
Technical ChallengesPreparing script Using ExcerptsPlacing actionIntroduction
Author of selectionPrepare audience for eventsEstablishes persona
Adopting author’s language
Cutting Literature for PerformanceRead the ENTIRE selectionThoroughly analyze the work as a wholeContinuity is critical!Beginning, Middle, EndStay true to author’s intentAvoid cutting vivid passagesCut repetition (in prose)Cut tag linesCut subplotsCut references to something you’ve
already cut
Rehearsal TechniquesEstablish regular schedule110%Seek audiencesMark your manuscriptVideotapeAudiotapeWork with other interpreters