Chapter 13 Investing Fundamentals Chapter 13 Investing Fundamentals.
Chapter 13
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Transcript of Chapter 13
Chapter 13Chapter 13
The MusicalThe Musical
On Musicals On Musicals American musical theatre is ourAmerican musical theatre is ourindigenous art form. We can’tindigenous art form. We can’tclaim drama, ballet, or opera,claim drama, ballet, or opera,but musical theatre is our verybut musical theatre is our veryown. . . . Musicals are in ourown. . . . Musicals are in ourblood and in our bones, are partblood and in our bones, are partof our collective personality.of our collective personality.Molly Smith,Molly Smith,Artistic Director of the Arena StageArtistic Director of the Arena Stage
Broad Categories of MusicalsBroad Categories of Musicals Book musicals
Rodgers and HammersteinLerner and Loewe
Dance musicalsMichael BennettBob FosseTommie Tune
Operatic musicalsAndrew Lloyd WebberStephen SondheimAdam Guettel
Musical Theatre GenresMusical Theatre Genres OperaOpera OperettaOperetta RevueRevue Variety showVariety show VaudevilleVaudeville BurlesqueBurlesque Musical comedyMusical comedy Straight Straight
musicalmusical Rock musicalRock musical
Avenue Q
Components of the MusicalComponents of the Musical
MusicMusic ComposerComposer LyricistsLyricists
BookBook LibrettistLibrettist
Types of Musical NumbersTypes of Musical Numbers Overture
Previews the music from the show by playing a medley of tunes before the show begins
BalladUsually a slow love song
Comedy numberDesigned for comic relief
ShowstopperA big brass production number
RepriseRepetition of pieces of a song or melody line
Musicals: A Brief HistoryMusicals: A Brief HistoryOperaOpera
OperaOriginated in Italy in the 1500sReached its peak in the 19th century with
composers like Wagner, Mozart, Puccini, Rossini, and Handel
Comic OperaDeveloped from intermezziGilbert and Sullivan’s opera are regarded by
most as the epitome of this formExists today in the form of the rock opera
Musicals: A Brief HistoryMusicals: A Brief HistoryEarly American MusicalsEarly American Musicals
Ballad Operas Began with John Gay’s Three Penny Opera in 1728
Vaudeville 1890 – 1920 was its height of popularity
Minstrel Shows Caricatured African-American plantation life in song and
dance Revues
Ziegfeld Follies was the epitome of this unique form of the American musical theatre
Extravaganzas The Black Crook in 1866 spawned this unique form of musical
that emphasized elaborate scenery and scantily glad female dancing chorines
Musicals: A Brief HistoryMusicals: A Brief HistoryAfrican American MusicalsAfrican American Musicals
A Trip to Coontown (1898) The Origin of the Cakewalk
(1898) Scuffle Along (1921) Running’ Wild (1923) Porgy and Bess (1935) Cabin in the Sky (1940) The Wiz (1975) Bring in da Noise; Bring in da
Funk (1996)
Musicals: A Brief HistoryMusicals: A Brief HistoryThe The Show BoatShow Boat (1927) (1927)
RevolutionRevolution The quintessential American
musical Integrated book, lyrics, and
music into a unified whole Focused on serious themes in
American culture Brought Euro-American and
African-American performers together on the same stage at the same time
First musical to win the Pulitzer Prize
Established Jerome Kern and Oscar Hammerstein II as major figures in the development of the American musical
Musicals: A Brief HistoryMusicals: A Brief History1927 - Today1927 - Today
Oklahoma! (1943) West Side Story (1957) Cabaret (1966) Hair (1967) A Chorus Line (1975) Cats (1982) Rent (1996) The Producers (2001) The Light in the Piazza (2005)
Musicals TodayMusicals TodayThe main problems for Broadway The main problems for Broadway
musicals has to do with the musicals has to do with the exorbitant cost of producing themexorbitant cost of producing them
Disneyification of the musicalDisneyification of the musicalReliance upon revivals to recoup Reliance upon revivals to recoup
huge investmentshuge investmentsThe Tourist Musical is challenged by The Tourist Musical is challenged by
smaller cast musicals like smaller cast musicals like UrinetownUrinetown and and Avenue QAvenue Q