CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013
-
Upload
fallon-cooke -
Category
Documents
-
view
27 -
download
1
description
Transcript of CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013
![Page 1: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/1.jpg)
CEART- UDESC
ARTE NO CAMPO
José Luiz Kinceler2013
![Page 2: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/2.jpg)
UDESC – CEART – DAP / PPGAV
ARTE RELACIONALNOS LIMITES DO REAL
José Luiz Kinceler2009/01
CEART – UDESC
REPRESENTAÇÃO E RECEPÇÃO
![Page 3: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/3.jpg)
REGISTROS LACANIANOS
REAL IMAGINÁRIO
SIMBÓLICO
De 0 a 6 meses
União com a mãe
O real é irrepresentável
Princípio do Prazer
De 18 meses em diante
Lei do Pai
Princípio da realidade
A criança entra no mundo da linguagem
Herda uma determinada cultura
De 6 a 18 meses
Fase do espelho
Imagem de sí mesmo
![Page 4: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/4.jpg)
ESQUEMA DO VASO INVERTIDO
ARTICULAÇÃO DOS TRÊS REGISTROS
![Page 5: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/5.jpg)
A aliança entre o imaginário e o simbólico nos permite aproximações ao “Real”
O imaginário é formado pela fantasia, é subjetivo
O simbólico é cultural - linguagem e representação.
![Page 6: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/6.jpg)
Segundo Lacan, toda “necessidade” se origina na “Falta”, (perda, carência, vazio, oco, buraco) , ou seja:na busca primária do complemento maternal (falta-de-ser)
• na necessidade original, na “pulsão”
• nos desejos de demanda provocados pelo “Outro”
• na ordem simbólica
A Falta
![Page 7: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/7.jpg)
Este fenômeno dá início as relações entre os três registros em que se dá toda a experiência humana:
• o real
• o imaginário
• o simbólico falta
Estes três pontos de vista estão intimamente vinculados entre si. Este fluxo (movimento) continuo constitui o processo de formação e reformulação do sujeito.
R
I S
![Page 8: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/8.jpg)
PROCESSO CRIATIVO
REAL
IMAGINÁRIO
FALTA
SIMBÓLICO
Processo criativo = FALTA
Se falamos que não podemos conhecer o real, senão somente uma imagem, deve ser porque ao real, ou bem lhe agregamos algo, ou bem lhe tiramos algo. A falta se constitui concretamente quando ao real lhe 'agregamos' algo que não tem, e por tanto nestas condições ao real sempre lhe faltará algo.
![Page 9: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/9.jpg)
AULA 1 - REPRESENTAÇÃO
Induzida
A) RECEPÇÃO passiva
reflexiva
colaborativa
![Page 10: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/10.jpg)
COLABORATIVA
SIMBÓLICA
REPRESENTAÇÃO
EM ARTE
PRODUTOR OBRA PÚBLICO
PRODUTOR OBRA
PÚBLICO
PRODUTOROBRA
PÚBLICO
REFLEXIVA IMAGINÁRIA
PRODUTOR OBRA
PÚBLICO
![Page 11: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/11.jpg)
Rembrandt Harmens van Rijn Auto-retrato, 1640, óleo sobre tela, 102x80 cm, National Gallery, Londres
![Page 12: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/12.jpg)
Auto-retrato, 1669, óleo sobre tela, 86x70,5 cm, National Gallery, Londres
![Page 13: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/13.jpg)
Auto retrato com orelha enfaixada. 60 x 49 cm. 1889
![Page 14: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/14.jpg)
Retrato de Daniel-Henri Kahnweiler, 1910, 100,6x72,8 cm, óleo sobre tela, Art Institute of Chicago
![Page 15: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/15.jpg)
Gillian WearingSelf-Portrait, 2000, chromogenic development print, 67 3/4 x 67 3/4 inches, Collection of Anthony T.Podesta, Washington D.C., Courtesy of Maureen Paley Interim Art, London
![Page 16: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/16.jpg)
Marc Quinn, "Self", 1990
![Page 17: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/17.jpg)
Sam Taylor-Wood Self-portrait in single-breasted suit with hare,
![Page 18: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/18.jpg)
REPRESENTAÇÃO
PRODUTOR OBRA PÚBLICO
RECEPÇÃO INDUZIDA
TENDÊNCIA AO SIMBÓLICO
![Page 19: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/19.jpg)
Velazquez
“As meninas”
![Page 20: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/20.jpg)
A dança, 1869
Pedra - 420 x 298 x 145 cm
Jean -Baptiste Carpeaux
![Page 21: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/21.jpg)
Etienne Falconet
Estatua ecuestre de Pedro el grande, bronce, 1782
Plaza de los Decienbristas - Leningrado
![Page 22: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/22.jpg)
Luiz Bayre León aplastando a una
serpiente, de 1833
![Page 23: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/23.jpg)
REPRESENTAÇÃO
PRODUTOR OBRA
PÚBLICO
RECEPÇÃO PASSIVA
TENDÊNCIA AO IMAGINÁRIO
![Page 24: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/24.jpg)
Rodin “La edad del bronce”
1875 – 1876Bronce,
181 x 66,5 x 63 cm
![Page 25: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/25.jpg)
"Los Burgueses de Calais"
Obra hecha por encargo en 1886. Él decía "La verdad de mis figuras reside en que en lugar de ser superficie, parecen surgir de dentro a fuera, exactamente la propia vida"... Las obras de Rodin fueron fuertemente criticadas en su época, pese a conservar múltiples herencias del pasado, quizá fue por los múltiples aspectos innovadores que introdujo en su plástica, la modulación de los planos, el facetado de los perfiles y la expresión abofetada de los
rostros...
![Page 26: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/26.jpg)
Brancusi
![Page 27: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/27.jpg)
Brancusi Targu Jiuo Arco do Beijo
![Page 28: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/28.jpg)
Brancusi Targu JiuColuna infinita
![Page 29: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/29.jpg)
Brancusi Targu JiuMesa do silencio
![Page 30: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/30.jpg)
Picasso
Cabeza de picador con la nariz rota. 1903.
Escayola, 18,5 x 13 x 11. Colección privada
Cabeza de Mujer (Fernande), 1906
Bronce, 14¨ de altura
Cabeza de Mujer (Fernande), 1909
Bronce, 40,5 x 23 x 26 cm. Museé Picasso, Paris.
Vaso de Absenta, 1914bronce pintado, arena, cuchara para
absenta21,5 x 16,5 x 6,5 cm. Centre Georges Pompidou, Paris
![Page 31: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/31.jpg)
Cabeza de mujer, 1931Bronce
128 x 54,5 x 62,5 cm Museé Picasso, Paris
Cabeza de mujer, 1931 Escayola original
128,5 x 54,5 x 62,5 cm Museé Picasso, Paris
Cabeza de toro, 1942 Bronce, Museé Picasso, Paris.
Niña saltando a la comba, 1950
Bronce, 152 x 65 x 66 cmCentre Pompidou, Paris.
Picasso
![Page 32: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/32.jpg)
Henry Moore
“Reclining Figure”1926
Bronce40, 6 cm
![Page 33: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/33.jpg)
Henry MooreLarge Figure in a Shelter LH 652c
![Page 34: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/34.jpg)
Three Piece Sculpture: Vertebrae LH 580
![Page 35: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/35.jpg)
Large Reclining Figure
LH 192b
![Page 36: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/36.jpg)
Henry MooreDuas grandes formas, 1966-69
![Page 37: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/37.jpg)
REPRESENTAÇÃO
PRODUTOR OBRA
PÚBLICO
RECEPÇÃO REFLEXIVA -
TENDENCIA AO REAL
![Page 38: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/38.jpg)
![Page 39: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/39.jpg)
Donald Judd
![Page 40: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/40.jpg)
Robert Morris
![Page 41: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/41.jpg)
Richard Serra “Rasgando chumbo entre...”
![Page 42: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/42.jpg)
Kosuth “Arte como idéia como idéia”
![Page 43: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/43.jpg)
Joseph Beuys
![Page 44: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/44.jpg)
Nancy HoltSky MoundNueva Jersey - 1988
![Page 45: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/45.jpg)
Jeff KoonsPuppy 1992
![Page 46: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/46.jpg)
Jeff Koons
New Double Shelton Wet/Dry, 1980
![Page 47: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/47.jpg)
Sherrie Levine -1947, nasceu em Hazleton PA, vive e trabalha em
New York
After Walker Evans # 19.
B/w Photografy, 36 x 28 cm
![Page 48: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/48.jpg)
Markus Raetz
“Metamorfosis I” Berna, 1991Hierro Fundido, núm. 2/6, Fundición Nottaris, Oberburg32,2 x 27 x 12,5 cm,pedestal: altura 146,5 cmMusée Dárt et historie, Ginebra
![Page 49: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/49.jpg)
Ulrich Ruckreim
Ground relief, cut, split - 1996
Granito
200 x 200 x 12 cm
Munster
![Page 50: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/50.jpg)
Gillian Wearing ( 1963, nasceu em Birmingham / vive e trabalha em Londres )
“Dancing in Peckham” 1994. Video de 24 Minutos.
![Page 51: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/51.jpg)
Nan Goldin (1953, nasceu em Washington / Vivce trabalha em Nova York
![Page 52: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/52.jpg)
Cindy Sherman 1954, Glen Ridge NJ Vive e trabalha em New York
![Page 53: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/53.jpg)
Cindy Sherman
![Page 54: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/54.jpg)
Cindy Sherman Untitled,
# 175 1987
![Page 55: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/55.jpg)
![Page 56: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/56.jpg)
Untitled, 1991 Felix Gonzalez-Torres
![Page 57: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/57.jpg)
Jenny Holzer “Proteja-me daquilo que eu desejo”
Survival 1983- 1985. Spectacolour singboard, 51x102 cm.
Outdoor installation, “Selections form the Survival Series” Times Square, New York, 1986
![Page 58: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/58.jpg)
REPRESENTAÇÃO HOJE
PRODUTOR
OBRA
PÚBLICO
PROCESSOS COLABORATIVOS
![Page 59: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/59.jpg)
Colunas de basalto para 7000 robles - 1984 Joseph Beuys
![Page 60: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/60.jpg)
Ana Laura Aláez
"Dance & Disco".ARTE EFÍMERO “Lo bueno o lo malo que tiene el arte es que es efímero, por eso yo tengo verdaderos problemas con las obras que se venden, porque para mí una obra es una idea. Pero ahora que estoy un poco harta del mundo del arte, me gustaría empezar a meter la nariz en cosas más funcionales y diseñar cosas reales... pero eso aún es un sueño.”
![Page 61: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/61.jpg)
Felix Gonzalez-TorresUntitled (ROSS), 1991.
Candies wrapped in vaiously coloured cellophane,
unlimited suply, ideal weight: 175 Lbs, Dimensions Variable
![Page 62: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/62.jpg)
![Page 63: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/63.jpg)
Carsten Höller Los Toboganes como ArteThe Unilever Series: Carsten Höller. "Test Site".Tate Modern. Londres. Del 10 de octubre 2006 al 9 de abril de 2007.
![Page 64: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/64.jpg)
![Page 65: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/65.jpg)
![Page 66: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/66.jpg)
KILLING CHILDREN II, 1992The jerry can is filled with gas; if one rides the tricycle, the match burns the wick...
![Page 67: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/67.jpg)
HARD, HARD TO BE A BABY, 1992children swing, installation for "Project for U.F.O.", Air de Paris in Monte Carlo.
![Page 68: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/68.jpg)
LAX HABITS IN CONTEMPORARY FLOWER SOCIETIES, 1994Umbrellas and plants that are sprayed with a mixture of water and spermine; their odour changes...
![Page 69: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/69.jpg)
THE PLANT THAT IS BORED AND WANTS TO SEE MORE OF THE WORLD AROUND, 1994Actually, the sculpture goes for a walk...
![Page 70: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/70.jpg)
Upside Down Mushroom Room, 2000
![Page 71: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/71.jpg)
Solandra Greenhouse
![Page 72: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/72.jpg)
![Page 73: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/73.jpg)
![Page 74: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/74.jpg)
![Page 75: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/75.jpg)
![Page 76: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/76.jpg)
![Page 77: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/77.jpg)
![Page 78: CEART- UDESC ARTE NO CAMPO José Luiz Kinceler 2013](https://reader035.fdocuments.us/reader035/viewer/2022070401/568135dc550346895d9d50dc/html5/thumbnails/78.jpg)