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Seams, Frames & CurvesPlus iPad pens, Movie apps, Contours and Inspiration.....all on a Leap Year!

Hide tHe seams04 Seamless texture creation.

Adriana Granados shows youhow to create seamless textures inPhotoshop.

Boos clues08 Need to build a frame fast?Follow Eric Lays superb step by stepspaceframe tutorial.

speed up?14 Optimize SketchUp to lower

le size. Aidan Chopras top tip fromthe Google SketchUp blog is oneeveryone needs to know.

Gallery29 Are you featured? Our members submissions to the Galleryfor February

contours25 Use ContourMaker to get themost out of Add Location. How touse TIGs ContourMaker on terrainmaps.

Get inspired17 MoI3D gets put through theringer. NURBS modeling app thatsever so simple and oh so SketchUp.

Theres lots of reasons

why we love SketchUp at

SketchUcation. The #1 being

its simplicity. While other apps

may give you more dials and

knobs, SketchUp still reigns

supreme for pick up and play.

This month weve focussed on

using other apps and plugins

to leverage some extra muscle

and make things even easier.

We also showcase what

our members are doing with

SketchUp in our Gallery

section. You guys rock!

Plus we have our regulars Eric,

Adriana and Dennis showing

you how to become a SketchUp

ninja.

Go on.....dig in!

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smalldifferences

becomemuch morenoticeable

seamless textures in photoshopby adriana granados

For organic materials such as wood or granite where each part of the material is unique, a perfect

result is almost impossible unless you have a picture of the whole area to cover. However, there are

techniques to improve the appearance and avoid the tiled result using programs like Photoshop.

The first image is a portion of a photo of granite chosen randomly. Observe where the arrow points to

a cloud belonging to the same material. This natural imperfection is not too noticeable in small areas.

However, when the texture is used to cover larger areas this small difference becomes much more

noticeable as you can see in the image on the right.

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One way to correct these imperfections is by simply applying the Clone Stamp tool in Paint.net or

Photoshop and re-save the image. The result wil l be similar to the image on the right. However, you can

still see the t iled appearance although it is much less noticeable.

A technique I use to achieve better results is done in Photoshop following these steps.

1. Open the source image in Photoshop. Click on Image > Image Size, and noted what the image size is. You

will need that information in the next step.

2. Then click on Filter > Other > Offset. Enter half the height value, and half the width value of the image in

the offset values. Select Wrap Around. This action shifts the edges of the image to the center, and the center

of the image to the edges.

3. To disguise the seams that is in the center use History Brush Tool (Hotkey Y). This brush instead of

painting in a speci c color it paints with the original part of the image. You can also use Clone Stamp.

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4. Paint over the seams. Avoid painting straight lines to fade off those seams in a natural way.

5. Now that you have a rst draft of your seamless texture, it is a good idea to use Photoshop or SketchUp

to tile it for you so you can make sure it tiles nicely. To do this in Photoshop select Edit > De ne Pattern from

the main menu. Write a name.

6. Create a new image that is many times larger than your original. With the new image selected select the

Fill tool from the Edit menu > Fill.

7. Select Pattern under the Use drop-down menu and your newly created pattern as the Custom Pattern.

Once OK is clicked Photoshop will tile your texture automatically.

8. If there are any parts of the image that stand out in the tiled image, you can go back and work on them a

little more before nishing.

9. In cases where I want a awless result I apply the texture to a big canvas. Then I resize the patterned

image in Photoshop to something close to 200x200 pixels and save the new image.

10. At the time of creating a new material in Sketchup I de ne the texture size ratio accordingly with the real

world dimension of the image that I have saved in Photoshop. Having shrunk the texture size in Photoshop

I am able to cover bigger areas with a seamless appearance result and manage different aspect size ratio

using the same base image.These are some resources where you cancreate tiled or seamless texture -

www.blitzbasic.com www.seamlesstexturegenerator.com www.pixplant.com

Here you can find some great textures

www.flickr.com/photos/zooboing

For more interior design tips and tricksfor SketchUp check out Adrianas Blog

http://sketchup-interior-design.blogspot.com/

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boos clues : BuildinG a spaceframeBy eric lay

For this tutorial you will need four free plugins - Sphere , Mirror , Joint Push Pull and lines2tubes .

First decide how many segments you want for your space frame. In this example I used 10 segments on the

diameter of the semi-circle and 6 segments on the width. You can use more or less depending on the densityof the frame you want.

01 - Start with a circle on the blue axis, 20 segments

with an 8-0 radius. It is critical that you de ne your

segments at this point or things will not line up later.

02 - Draw an arc that is 8-0 wide with a bulge of

1-6. You might need to draw the arc off to the side

then move it by the center to place it on the edge of

the circle, otherwise lining it up is near impossible.

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03 - Fill in the arc, select the circle, click the Follow

Me Tool and then click the arc. This will result in

the arc shape sweeping around the circle. Turn on

hidden geometry to see the result of the sweep.

You can already see the outline of where the space

frame will end up.

Now offset the circle you rst created for a reference.

04 - Select all unwanted geometry and delete it. This

shows the backbone of the space frame.

05 - Select all the geometry in the arch shape then

activate the Joint Push Pull plugin. Before clicking

anything press the Tab key and change the Finishing

Options to Thickening. This will leave the original

faces when you create the new volume. Press on

the selected geometry, start pulling inward and then

type your distance. Here I used 1-4.

06 - Now delete all but one arch segment volume,

preferably not one of the ends as they were

triangulated during the Joint Push Pull operation.

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07 - Delete half of the remaining segments. Draw

a line across the face of the inner segments from

center point to center point on the edges of the

face. This gives us a reference point to create our

pyramids. Now connect all the outer corners to the

center points on the inner face.

08 - Delete all the faces and the inner geometry

leaving 3 pyramids of lines only. Mirror those to the

other side then make all 6 pyramids a component.

09 - Select the component you just made, click the

rotate tool, hover over the edge of the reference

circle, hold down ctrl then click at the center point

of the circle to start the copy/rotation. Use the circle

segments as reference to nish the rotation.

Now edit the bottom component and draw some

more lines. This time connect the pyramid tips to

each other and to the tips of the component above.

You may need to delete some faces as you go, you

dont need them.

10 - Copy/Rotate 9 more around the circle with the

last one below the ground plane. We need this one

for the connectors later.

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11 - Edit the component then use the sphere plugin

to place a sphere at the line vertices. I made the

sphere with 1.5 radius, 6 longitude and 6 latitude

lines. Move the sphere so the vertices are at the

center of the sphere.

12 - Now copy the sphere to all the inside vertices and

bottom vertices. Do not copy them to the top vertices

as they will show up on the other components.

13 - Edit the component again, select all the lines

then activate the lines2tubes plugin. I used a

Diameter of 1 and Precision of 6.

14 - Select the component that is below the ground

plane and context click then choose Make Unique.

Edit that component and delete everything exceptthe spheres connecting the adjacent component.

Select the adjacent component and Make Unique,

edit it and delete the stray geometry. You may need

to edit the group inside this component to do so.

Check out Erics blog at http://boofredlay.blogspot.com/

Check out Erics Character Modeling Book at http://books.sketchucation.com/

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speed up sketchup :extrude curves witH fewer sidesby aidan chopra

The most sure- re way to mitigate your models

geometric complexity (its count of faces and

edges) is to pay attention to extruded circles and

arcs. Experienced modelers know that curves in

SketchUp are actually constructed out of multiple,

straight edges. By default, circles have 24 sides and

arcs have 12 sides. Zoom in and youll see what I

mean.

When you extrude a default, 24-sided circle with the

Push/Pull tool, you create a cylinder with 26 faces.

Choosing View > Hidden Geometry shows the

smoothed edges between the faces.

Using two default arcs and the Follow Me tool to

create an fancy bullnose along the perimeter of a

rectangular countertop yields no fewer than 90 new

faces.

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Modeling a simple bike rack using a combination of

24-sided circles, 12-sided arcs and Follow Me, then

placing ten of those bike racks in your design, adds

more than 86,000 entities (faces and edges) to your

model. Oof.

T e S lut To dramatically reduce the amount of geometry in

your models, change the number of sides in your circles and arcs before you extrude them into 3D

shapes. Its easy:

1) Create a circle or an arc using the appropriate

tool.

2) Before doing anything else, type 6s and hit

Enter.

This tells SketchUp to draw the curve you just

created using six sides. The s tells it that youre

changing the side-count and not the radius. Of

course, you dont have to choose six sides you

can type in any number you like.

Note: Once youve manually changed the

number of sides in a circle or an arc, every

subsequent circle or arc you draw will have that

same number of sides.

I modeled the bike rack below using 5-sided circles

and 6-sided arcs. It only has 322 faces -- an 89%

reduction over the bike rack I modeled using curves

with the default number of sides.

For more top tips and SketchUp news you can head

on over the the Of cial SketchUp Blog

http://sketchupdate.blogspot.com/http://sketchupdate.blogspot.com/

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MoMent of InspIratIon 3d reviewby rich obrien

Mo-ment - a brief period of time.

Inspiration - Te process of being

mentally stimulated to do or feel

something creative.

MoI3D, or Moment of Inspiration,

is, according to the developer,

the perfect choice for someone

who has been frustrated with

complexity of existing CAD

tools. There is something very

SketchUp about that statement. I

frequently come across members

on the forums who have thrown

off the shackles of AutoCad and

embraced SketchUp as their

weapon of choice.

But we are all aware of the

limitations of SketchUp. It does not

do organic shapes easily. Thereare people doing incredible things

in SketchUp but the workarounds

or ability needed is high.

True organic shapes are best

achieved with NURBS - Non

Uniform Rational B-Spline. Simply

put, it creates shapes using control

points. These control points then

allow you to stretch and transform

your shape with ease.

mentallystimulated

to do

or feelcreative

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So to the actual modeling aspect, this is MoI3Ds

strongest point. It is so easy to get to grips with

each function doing exactly what you expect.

Whether you want to the llet an edge or union

objects it is all explained as you click.

The inferencing engine is also very natural.

Anytime you activate a tool you can place a series

of construction lines by clicking and dragging.

These construction lines allow you to inference

every possible direction and angle. As soon as

the tool exits they are removed. Very clever and

helpful as it constantly delivers visual feedback

through tooltips.

All in all getting familiar with Moi3D takes minutes

rather than hours. It is very reminiscent of getting

to grips with SketchUp. Its styling and general

layout along with its quirky look are a real joy. Also

its worth mentioning that to run MoI3D you dont

need a high end GPU. It uses the same Direct3D

display system as games, and so it works well on

the lower end consumer gaming oriented video

cards and doesnt really need the more specialized

high end cards, although it runs ne on the high

end cards as well.

But Moi3D is far from being a one trick pony. It is

extremely powerful and intuitive to use. Its sparse

UI and comic book styling mask the plethora of

options you have to play with.

If you look at the opposite page you will see the

standard UI that MoI3D has. Very uncluttered and

easy to interact with. The workspace itself is easily

adjustable with icon sizes, toolbar layouts and

modeling areas all customisable.

The toolsets are divided into 3 categories - create,

edit or transform - with each tool opening up

added functions when you click. This keeps the

toolbars very focus orientated. The tools on offer

are standard design tools. Curves and Solids

for modeling; Join, Trim, Separate and Extend

for editing and Boolean, Lofting and Filleting for

constructing.

The viewport is very Rhino-esque with Top, Front,

Right and 3D views. These are easily maximized

with a click and MoI3D uses a clever view reset

system that means you never get disorientated

while modeling.

MoI3D takes

minutes

rather thanhours

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So to the nitty gritty. Digging around the tools you

will nd every you need to perform some serious

lofting/skinning operations. If you are familiar with

TIGs and Fredos skinning tools then you will feel

immediately at home. Where MoI3D stands out is

the extra parameters that you have to re ne your

shapes. This is all handled through sliders and

drop down menus that is very forgiving for new

users to get to grips with initially.

Unlike SketchUp, MoI3D is very fast to execute

complex commands. If you ever encounter

SketchUps Non Responsive state you will know

what I mean. MoI3D can boolean, llet and loft

in seconds if not instantly. When you do ask it to

perform a very intensive command it will still allow

you to orbit about while it crunches the numbers.

You can even choose to cancel an operation if youwant by hitting Esc.

How MoI3D handles visibility of various objects is

also similiar to SketchUps layer pallette. Anything

you create can be named and coloured. These

Objects can be easily toggled on/off. Because

you are using curves as the framework to construct

your solids/surfaces things can quickly get

confusing for new users. Having a simple visibilty

system that allows you to isolate each object/

curve just makes things easy from the offset. It is

not something that has not been done before but it

is just handled very eloquently.

very easy

for new

users to

get togrips

with

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Pascal Beeckmans - Headphones

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So far so good but it gets better. MoI3d uses the

best exporter I have ever seen. With the following

le types supported.

.fbx

.obj

.skp

.3dm

.stl

.igs

.stp

.3ds

.lwo

.ai

Since its primary role is modeling MoI allows users

to have total control over the export process. If

you are moving from NURBS to polygons then

youll know meshes can get very unwieldy. MoI3Dapproaches this as it approaches other functions.

Simple sliders bars help control the level of detail

on export.

You dont need to worry about the small faces

issue in SketchUp either as you have control over

that too! And the actual objects themselves are

treated with some type of tesselation that means

your SkethUp models look super smooth.

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Up until recently Mac users were unable to enjoy

MoI3D but since the beginning of January v2.5

Beta has been available. The expected nal

release is another 2 months away but judging

from the feedback so far Mac users are highly

impressed. You can try out the public beta version

here .

Verdict

What struck me most about MoI3D was its

immediate charm. Its uid nature and eye pleasing

UI make the actual learning process very quick. It

does draw comparison with SketchUp because it

has what a lot of other apps dont, a personality.

MoI3Ds creator, Michael Gibson, was the brains

behind Rhino initally and this is very apparent

within MoI3D. While Rhino is immensely powerfulit can be daunting for a new user to embrace.

It requires you to invest time to reap rewards.

MoI3Ds learning curve is much lower and sets in

place the foundation to grow your skill set quickly

and enjoyably.

MoI3D is a stripped down Rhino, of sorts, where

the focus is only creation rather than confusion. I

rarely found myself digging out the user manual

to understand a function or feature. That is not to

say you can approach this and immediately work

miracles.

If you have not yet tried MoI3D then you deserve

to treat yourself as there is an unlimited demo

with saving disabled and a 30 day trial available here . If

you have tried then I recommend giving the latest version

another go as it really is very impressive.

The focus is on

creation rather

than confusion

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plugin tip : contour makerby rich obrien

This month Im sharing another little gem from TIG.

Its ContourMaker and if you use SketchUps Add

Location alot then this is essential. You can get it

here and if you have not installed a script before

you can follow Dave Richards excellent guide here .

Once you are up and running you will notice a new

item in your plugins menu - Contours . To use it

simply select your terrain and choose Contours fromthe plugins menu.

A dialog box will appear asking for the spacing

between the contours in whatever units you are

currently using. Just input a value and hit ok.

Dependent on the spacing and size of your terrain it

will then calculate the contours.

Once complete the contours are placed on their own

layer and named according to the date and time.

You can watch a video tutorial by clicking the link

here or just subscribe to our YouTube channel to

get all the latest tutorials and updates.

s b b H

http://forums.sketchucation.com/viewtopic.php?p=273795#p273795http://forums.sketchucation.com/viewtopic.php?f=323&t=35746http://youtu.be/I1VOMjDNeZshttps://www.youtube.com/user/irishsketchuphttps://www.youtube.com/user/irishsketchuphttp://youtu.be/I1VOMjDNeZshttp://forums.sketchucation.com/viewtopic.php?f=323&t=35746http://forums.sketchucation.com/viewtopic.php?p=273795#p273795

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adonit proBy mike lucey

My iPad has taken over from my rarely used

traditional sketch pad now that I have found, what I

think, is the ideal input capacitive stylus, the Adonit

Pro.

Prior to using the Adonit Pro I had been trying to

get to grips with various rubber tipped styli with not

lot of satisfaction. I wanted something that worked

liked the clutch pencil I had been using for years and

the rubber tipped styli where akin to drawing with the

eraser end of a pencil, not much better than drawing

with a nger.

I came across the Adonit Pro on Kickstarter andimmediately made my pledge and then kept my

ngers crossed that it would reach its production

target fund and become a reality. I obviously was not

the only one looking for a better stylus as the project

was over subscribed 6,741% and the developers

raised $168,532 in advanced orders!

The main advantage of the Adonit Jot over other styliis its clever tip, which consists of a nely tapered

point, like a clutch pencil, with a clear plastic disk

xed to a tiny ball allowing a swivel action.

This setup allows the user to produce very detailed

work on the iPad as they can accurately pin point

where they want to start and nish a line. The plastic

disk, thanks to the ball mount, swivels and glides

along the iPad screen much better than rubber

tipped styli.

The feel of the Adonit Pro is also what I had been

looking for. It is 6 long and 3/8 in diameter. The

https://www.youtube.com/user/irishsketchuphttps://www.youtube.com/user/irishsketchuphttps://www.youtube.com/user/irishsketchuphttps://www.youtube.com/user/irishsketchuphttps://www.youtube.com/user/irishsketchuphttps://www.youtube.com/user/irishsketchuphttps://www.youtube.com/user/irishsketchuphttps://www.youtube.com/user/irishsketchuphttp://sketchucation.com/catchup/2012/02/adonit.htmlhttp://www.kickstarter.com/http://www.kickstarter.com/http://sketchucation.com/catchup/2012/02/adonit.htmlhttp://sketchucation.com/catchup/2012/02/adonit.html

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barrel is of a heavy aluminium and available in Black,

Silver and Blue. The rubber grip makes it comfortable

to use, even for long periods. Further features are,

a cap that protects the disk tip and screws on the

opposite end so that you dont loose it when the Jot

is in use and the Jot also is magnetised so it sticks to

the iPad. I also use the Jot on my MacBook Pro pad

to good effect, its easier than drawing with a mouse!

There is quite a selection of compatible devices also

in case you are not an iPad user. Other pads covered

are -

Magic Trackpads

HTC

Samsung

Nokia

Motorla

Blackberry

The Jot is priced at $29.99 and since its launch,

Adonit now have a Jot Classic priced at $19.99 and a

Mini Jot at $21.99.

Adonits newest product is the Writer Plus, an iPadkeyboard but thats for another day.

Click here to check out some of Adonits product range

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c o M M U n i T y

SHOWCASEThe latest gallery submissions on SketchUcation.comE m t we w t t s w w t u mem e s e ev g us g Sket U . if s met g t kes

u f just l k t e m ge t e ug t t t t t .

timBer!Dvergers compelling design andexecution is a real winner.

G-force slide Alvis highly detailed model and render isexquisite.

joHns BullocksJohn Higgins is reliving his Emmerdaledream.

apartments Antonio Castros gallery continues togrow and impress.

altaredPaul Russams church was 7 years in themaking but nally it is nished.

Go sHoppinGChris Shopping Centre in Johannesburgshows how raw output still draws thecrowds.

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Hoek van HollandNeonGoldens use warehouse modelsand bags of talent.

HanniBal 8Steves Professor Fate reimagining isnothing short of breathtaking.

l.i.s.a. Eric Lays concept model L.I.S.A. isoutstanding.

wHite BatHroomPugz bathroom scene using Vray istreemendous!

makinG tracksChristopher Nielsens Tiger II rebuild isepic is scale and highly detailed.

csaBas HutOur favourite Doctor still digging uptreasures from the past.

books .sketch U cation. comlea n with the expe ts at yo pace

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mailto:mikel%40sketchucation.com?subject=Team%20SketchUcation%20Enquiry

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photo to MovieBy mike lucey

Ive been looking for ways to produce effective

slideshow movies from my SketchUp models for

some time. Of course I could just plan a movie and

output the animation but I often dont know what

the outcome will look like until after a long wait.Even after this wait the movie will often require

some further editing work. One low cost alternative

option that looks promising with its easy process for

creating feature rich slideshow videos is Photo to

Movie by LG Graphics.

There are many inexpensive programs for producing

video slide shows but most are limited to sequencing

one image at a time with a simple transition, such as

fade etc. however this can leave the viewer bored

after a while. The more expensive programs while

offering extended effects and exibility can involve

a time consuming process and these programs canbe quite dif cult to learn.

Photo to Movie offers an easy to learn and

inexpensive alternative to the high-end video editing

programs for $49.95 and works on both the Win

and Mac platforms. In this case cheap and easy

does not equate to nasty and basic! The program

is capable of producing results that rival the much

more sophisticated and expensive programs.

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Its easy to produce interesting animated slideshow

movies with great motion effects. In the case of

SketchUp models it is possible to zoom into the

various details that you want to highlight and use

a variety of transitions such as dissolves, wipes or

cubes to transition between photos.

The resulting movie can be viewed at full screen with

added music, recorded voice overs or captions to

enhance the viewing experience.

There is virtually no preprocessing involved, Photo to

Movie takes in and works with all the popular image

formats and even rescales and crops them to suit.

More than just zooming in and panning the program

can easily create many interesting effects, rotations,

move along curved paths and even move from detail

to detail. It can work with hundred of images or justa few.

The process is quite intuitive and easy to grasp,

actually it is much easier to try it out than explain it

but the following is a simple overview.

To start a new slideshow, open PhotoToMovie and

use the Media Browser to drag the images onto the

timeline. If you want to rearrange the images its just

a case of clicking Window -> Photo Organiser. Once

you have the images arranged its time to add music,

titles and transitions. PhotoToMovie comes with 31

transitions and its possible to purchase 23 more for

$19.95.

Once the images are on the Timeline, PhotoToMovie

automatically adds transitions and motions. Until

you get used to the process its a good idea to play

the slideshow to see what you have and would like

to change. The Blue Line in the image below can be

manipulated to adjust the ease and pauses before

and after an image. Also changes can be made via

the Inspector located on the right side of the window.

What packs the punch in PhotoToMovie are the

motion paths within the image. PhotoToMovie uses

frames to control movement within the photo. The

green keyframe is the start point of the motion and

the ending keyframe is within the red keyframe.

The blue arrow shows the direction of the motion.

Its possible to change the size of the keyframes by

either dragging on one of the colored box edges or

using the Zoom scrubber within the Inspector.

v tu ll e ess g

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There is a lot more to the Inspector than I can cover

in this short review. The Inspector is all powerful

when it comes to controlling slideshows.

When you are happy with the slideshow the next step

is to consider what titles and music you would like

to add. Music is chosen from the Media Browser

and dragged / dropped onto the audio timeline in

the same way you handle the images. Its possible

to adjust the slideshow to t the length of the music

track or trim as the case may be.

If you would like to include voice overs, this can

be achieved by recording on an external app and

dragging it onto the timeline or importing it under File

Menu.

Titles are quite easy to create, just click on Add Title

in the menu bar. The word title will appear in the

Inspector and in a green box on the timeline. Type

the name you want in the Inspector and choose the

font, color, timing and effects and then place the

pointer anywhere within the green box and drag it to

a location in the timeline. To nish, grab a black box

on either side of the title to adjust the timing, if this

was not done in the Inspector.

Putting it all together for export is also quite an

day process, just click the Make Movie button, and

choose how to save the slideshow. Its quite possible

to produce very effective presentation slideshows in

the 3-5Mb region, ideal for emailing.

The learning curve for Photo to Movie is quite shallow.

In fact I think it would be much easier to demo the

program than write about the process involved. The

LQ Graphics site is an extremely friendly one with

loads of helpful tutorials and tips that will get you

up and running in no time and the developers are

quite contactable and responsive to requests and

suggestions, always a great incentive to go with an

application.

l k e e

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O V E R H AN G

Traditional roof framing

opens room toa high gable

ceiling

Use Linetool to tracean outline of

template

Rotate guideline to matchthe angle of

the roof

Templateextends tofull bearing on the wall

plate

Use Sketch-Up V5 or

V6 to onion skin hidden

objects Add lines to templateto mark thebirds mouth

Rotate andmove the

template tothe workarea

Explode,

Group, andrename fram-ing compo-

nents

Guidelineshows bot-

tom of rafterat the birds

mouth

Rotate therafter tomatch theguideline

Guidelinemarks thebottom of

the rafters

UseLine tool tocut birdsmouth and

trim overhang

Place aridge block

to match topof rafter and

trim

CONSTRUCTION MODELING - Step 7

U-TUBEVideos from our books

Framing the gable wallSetting the ridge beam

Layout and trim the rafters

Use the massing model again to visualize the roof line and set up a template. Group thetemplate and rotate it into the work area to size and trim the rafters and the ridge beam.

In real world construction a template is snapped onto the oordecking with chalklines according to feld dimensions and the con -

struction documents. Ridge heights, rafter sizes, and trim lines arethen transferred to framing members laid onto the deck before

being cut and placed into the roof framing.

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Rotateand place raf-ter and ridgewith template

Add a verti-cal guideline to mark ex-tent of rake

Add rakes and fascias then Group

and copy

Copy thenRight-click

and Flip Alongthe Red axis

Align theroof fram-ing copy on

the opposite plate

Keep theroof framingorganized

with Outliner

Use thetemplate toframe thegable walls

See the YouTube vid-eos for gable

framing

Gablewall supportsoutlooks along

the rakes

Add blocking,nailers, and

sheathing tocomplete the

framing *

Set rafterbird mouth

on the sill forbearing

Use theScale tool to

resize theridge block

Use theMove tool toarray multi-ple copies ofthe rafter

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Sketch U cation ro nd up

Last Months Books

promotion went down a

storm and weve some

further promotions to

come so keep your eyes

on our blog and forum for

news.

Dont forget you can

preview any book on Issuu

to get a taste of whats on

offer.

We are always looking for

budding authors to share

their techniques so feel to

contact us.

As always, you can send your feedback to richob@sketchucation.com