Catalogue produced on 11/04/2011 o DVD€¦Catalogue produced on 11/04/2011 Si buscas música...

Catalogue produced on 11/04/2011

Si buscas música flamenca, video o DVD, por favor visita: flamencoSound.com

Phone Number: (0034) 91 5427251 - We export Flamenco worldwide.

Didactic DVD & Video ......................................................................................................................................................... 2

Phone Number: (0034) 91 5427251 - We export Flamenco worldwide. 2

Palmas Por Palos 1. Jerónimo Utrilla.(Bulerías, Fandangos de Huelva, Rumba, Seguiriya, Tanguillos)

24.90 €35.86 USD

The ''Palmas por Palos'' series is a continuation and a complement of the ''Learn and practice the palmas'' though this oneincludes some new ideas and elements to study the Flamenco rhythm.

The main features are:

- Practice of complete Palos:

Bulerías

Fandangos de Huelva

Rumba

Seguiriya

Tanguillos

- It includes baile in some palos

Palmas of baile have a little difference with palmas of cante. The baile has in its structure some parts like escobillas, wherethe palmas must beat clearly the compás (flamenco metre) base. Thereby palmas are played consecutively in the base andin the 2nd voice.

- The palmas are played in all the palos since the beginning to the end and in two voices (palmas base and second voice).That is, as playing live with two palmeros (people who clap).

- This is the first time we perform muffled palmas.

-80 new palmas patterns which include base patterns, second voices and remates. The difficult level of these new patterns isharder than the “Learn and practice the palmas” DVD one so it is advisable to study the most basic and essential patterns ofthe first volume before.

- The palmas scores of all the palo’s are included. Every score points out, bar by bar, the palmas pattern used in the basesand in the second voice. There is no need of musical knowledge to read the palmas graphics as they are very visuals and


have an easy comprehension. 6 Languages

Spanish, English, French, German, Italian and Japanes

Palos:Bulerias - Fandangos de Huelva - Rumbas

ArtistsJerónimo Utrilla


Palmas Por Palos 2. Jerónimo Utrilla.(Soleá,Jaleos,Tientos/Tangos,Sevillanas,Alegrías)

24.90 €35.86 USD

The ''Palmas por Palos'' series is a continuation and a complement of the ''Learn and practice the palmas'' though this oneincludes some new ideas and elements to study the Flamenco rhythm.

The main features are:

- Practice of complete Palos:

Soleá

Jaleos

Tientos / Tangos

Sevillanas

Alegrías

- It includes baile in some palos

Palmas of baile have a little difference with palmas of cante. The baile has in its structure some parts like escobillas, wherethe palmas must beat clearly the compás (flamenco metre) base. Thereby palmas are played consecutively in the base andin the 2nd voice.

- The palmas are played in all the palos since the beginning to the end and in two voices (palmas base and second voice).That is, as playing live with two palmeros (people who clap).

- This is the first time we perform muffled palmas.

- 80 new palmas patterns which include base patterns, second voices and remates. The difficult level of these new patternsis harder than the ''Learn and practice the palmas'' DVD one so it is advisable to study the most basic and essential patternsof the first volume before.

- The palmas scores of all the palo’s are included. Every score points out, bar by bar, the palmas pattern used in the basesand in the second voice. There is no need of musical knowledge to read the palmas graphics as they are very visuals and


have an easy comprehension.

6 Languages

Spanish, English, French, German, Italian and Japanes.

Palos:Alegrias - Jaleos - Sevillanas - Solea - Tientos - Tangos

ArtistsJerónimo Utrilla


Flamenco Bass Clinic by Mariano Martos

29.00 €41.77 USD

In this Book/DVD, Mariano Martos, explains Flamenco Bass Technique, examples of Rumba, Tangos, Tanguillos and Bulerías.Emulation techniques to other instruments and play with harmonics. Author's original compositions that show how to workon the studied rhythms.

Book/DVD contents:

- PRESENTATION

- A BIT OF HISTORY

- COMMENTS AND RECOMMENDATIONS

- CLAVE CONCEPT

- FOOT AND REGULAR BEAT

- TEMPO

- SCALES

TECHNIQUE

Finger combination: right hand’s thumb,

ring finger and middle finger (no recorded)

Left hand (1st and 4th fingers)

Mute Notes

The Flamenco Quaver

The “Rasgueo” (Strum)

The chromatic “Rasgueo” (strum over the pattern)


The mute strum (porTangos)

RUMBA CLINIC

Rhythmical part

Basic Pattern of Rumba

Development of the basic pattern

Pattern with 5th and 8th

Pattern with triads

Pattern with pentathonic

Pattern with Phrygian flamenco

Closure pattern, (The “cierre”)

Rumbas song

TANGOS CLINIC

Rhythmical part

Basic Pattern of Tangos


Traditional cadence with “cierre” (closure).

Pattern with rest

Pattern with crotchet triplets

TANGOS song

TANGUILLOS CLINIC

Rhythmical part

Basic Pattern of Tangillos


Pattern in combination with acute and grave 5th degree.

Pattern in combination with 5 acute in a same bar

Pattern with phrasing

Tanguillos song

BULERÍAS CLINIC

Rhythmical part

RYTHM


CLAPPING

Basic pattern of Bulerias

Basic pattern Development

Pattern on two chords

Pattern in traditional cadence

Pattern with rests

Pattern closure (cierre) in the 10th

Pattern with Phrygian flamenco scale

Bulerias song

EFFECTS

Emulating Brazilian percussions

The Surdo

The Berimbau

The Cuica

Playing with the harmonics

Harmonic Bending

Strum along the harmonics

False Harmonics

Legato of false harmonics

ORIGINAL SONGS

ROMERO

SEDRÁN

JULEPE

2 Languages: English, Spanish

DVD full compatible with all countries

(PAL and NTSC).


Alegrías. Progressive studies for Flamenca Guitar by Mehdi Mohagheghi

22.00 €31.69 USD

This book/DVD made by Mehdi Mohagheghi, contains a group of studies of Alegrias for flamenco guitar suitable for all levels.In a gradual way we study compass, llamadas and falsetas managing interpreting falsetas of a high level of famous guitarists. Once you will manage all the studies, the guitarist/student will be able of playing his own themes mixing differents falsetasand llamadas. 2 languages: Spanish, English. Contents of the DVD Alegrias in LA The first 6 times Times 7-12 Times 1-12 (complete compas) Times 1-12 (complete compas with Rasgueos) Three complete compasesTimes 10-12 called Remate Other variation of Remate Other variation of Remate Other variation of Remate Compas complete con Remate en los tiempos 10-12Other variation of complete compas with Remate in the times 10-12 Complete Compás with arpeggios and Rasgueos Complete Compas with Alzapúa Complete Compas with syncopation Three compases with Picados called “Cierre”Compas with syncopation and Alzapúa Traditional Falseta of SabicasFalseta with Arpeggios , Picados and Ligados Falseta with syncopation


Compas which can be used to ends up AlegríasAlegrías in DOTimes 1-6 Complete CompasComplete Compas with Arpeggios Times 10 -12 called Remate Other variation of Remate Other variation of Remate Other variation of Remate Compas with Arpeggios and Remate Compas completo Otro ejemplo de compas completo Example with three compasComplete Compas Falseta for Alegrías in DOFamous Falseta of Alegría in DO Complete Compas of ending Alegrías in MI: Times 1-6 Times 7-12 Complete CompasComplete Compas Example with three complete compas Remate: times 10-12Other example of Remate Other example of Remate RemateRemateOther example of RemateComplete Compas of Rasgueos cinquillo Example of syncopation Complete Compás with Arpeggios and Ligados Complete Compás with Arpeggios Falseta using tremolo of Paco PeñaFalseta with a difficult syncopation of Mehdi Mohagheghi Modern Falseta starting befote the time 1 Complete Compas to use in the “cierre” Alegrías en MI menor: Remate:times 10-12 Other variation of Remate RemateComplete Compas with Arpeggios and Picados Complete Compas with “Rasgueo cinquillo” Example with Arpeggios more complicated Traditional Falseta Falseta with tremolo of Paco Peña Falseta , useful to practice the both hands with Arpeggios-Picados of Paco Peña

ArtistsMehdi Mohagheghi


Tangos. Progressive studies for Flamenco Guitar by Mehdi Mohagheghi.

22.00 €31.69 USD

This serie Book/DVD made by Mehdi Mohagheghi, shows a collection of studies of Solea, Bulerias, Solea for Bulerias, Alegriasand Tangos for the flamenco guitar suitable for all levels. In a gradual way, we study Compas, “llamadas”, and “fasletas”, in order to interpret falsetas of great level of acclaimedguitarists. Once you’ll withtrol all the studies, the guitarist/ student will be able to play his own themes mixed with differentfalsetas and llamadas.

2 languages: Spanish, English

Contents of the DVD A complete Compás. Other example. Fraseo using Rasgueos. Other example. Other example. Other example. Example with “Ligados”.


Other example with “Ligados” differents from the one of the exercise 7. Example with differents types of “Rasgueo”. Other variation. Other variation more complicated. Variation. Two complete compasesOther example with two complete compases Other variation. Variation with Syncopation. Example of “rasgueo” semiquaver . Example with Rasgueos and Ligados. Example with Arpegios. Variation with Alzapúa. Variation to Start and finish Tangos. Other variation to Start and finish Tangos.Simple Falseta , (pay attention to the first time). Traditional Falseta, useful for Arpeggios and Alzapúa.Falseta of Paco Peaña. Frase of Alzapúa which can be used as falseta.Modern Falseta of Chicuelo, useful for the technic of Picados. Falseta with Picados of Moraito.Falseta of Paco Peña with Picados and Pulgar. Famous Falseta of Paco de Lucia with Alzapúa.Traditional Falseta with Alzapúa. Frase with arpeggios of Paco Cepero which can be used as Falseta. Falseta of Paco Peña with picados, which can be used as introduction for Tangos.Falseta with Picados and Alzapúa. Falseta more complicada with Alzapúa of Gerardo Nuñez. Falseta with Arpegios of Moraito, useful to improve the technic of the right hand.Famous modern Falseta. Falseta with Picados.



Bulerías. Progressive studies for Flamenco Guitar by Mehdi Mohagheghi

24.00 €34.57 USD

Bulerías pregressive studies.

Series of 51 Bulerías studies for flamenco guitar, suitable for all levels. Measures and falsetas (variations) are graduallystudied, reaching the right level to play falsetas of the artist like Paco de Lucía, Moraito, Manuel Granados... Once youdominate all the studies, you will be able to play your own pieces mixing different falsetas studied in this Dvd.

Book/DVD CONTENTS:

Bulerías.

Phrygian Mode

Study 1: The first 6 beats

Study 2: Another variation of the first 6 beats

Study 3: Another variation of the first 6 beats

Study 4: A complete “compás”

Study 5: An example with two complete “compás”

Study 6: An example of beats 10-11-12 used for joining one “compás” to the next

Study 7: Another example of beats 10-11-12 used for joining one “compás” to the next

Study 8: An example of one complete “compás”

Study 9: An example of one complete “compás”

Study 10: Another example, ending with Rasgueo

Study 11: Another example



Study 13: A complete “compás” using a phrase leading to the note "A" on the beat 10. ( Leading Phrase)

Study 14: Another example of the " leading phrase"







Study 21: An example beginning with beat 1

Study 22: Llamada ending on the beat 10.(suitable for playing before falsetas beginning on beats 11 or 12 or 1)

Study 23: Another example of a llamada ending on the beat 10

Study 24: Llamada ending on the beat 6.(suitable for playing before falsetas beginning on the beats 9 or 10 or in between)

Study 25: An example of a rhythmic sentence to change the mode from "A phrygian" to "A minor"

Minor Mode

Study 26: A complete “compás” in "A" minor



Study 29: An example of two complete “compás”

Study 30: A complete “compás” using a phrase leading to the note "A" on the beat 10. ( Leading Phrase)


Study 32: An example of beats 10-11-12 used for joining one “compás” to the next

Study 33: Another example of beats 10-11-12 used for joining one “compás” to the next

Ending

Study 34: An ending for Buleria in "A Phrygian"

Study 35: An ending for Buleria in "A minor"

Falsetas in Phrygian Mode:

Falseta 1: A falseta that can be used as an introduction, Gerardo Núñez

Falseta 2: Another falseta that can be used as an introduction, Paco Cepero


Falseta 3: A traditional falseta using the thumb, Manuel Granados

Falseta 4: Paco Peña falseta

Falseta 5: Paco de Lucía falseta

Falseta 6: Paco de Lucía falseta

Falseta 7: A falseta that starts between beats 9 and 10(with the 6-beat llamada), Moraito

Falseta 8: A traditional falseta using Picados , Alzapuas and Rasgueos. Paco Peña

Falseta 9: A falseta originally used in cante accompaniment, Paco de Lucía

Falseta 10: A falseta that starts on the beat 1, Paco de Lucía

Falseta 11: A very popular falseta, Paco de Lucía

Falseta 12: A modern falseta using arpegios, Paco de Lucía

Falsetas in A Minor:

Falseta 13: A falseta using the thumb, Mehdi Mohagheghi

Falseta 14: A traditional falseta using Picados, Paco Peña

Falseta 15: A modern falseta using the thumb, Rafael Cortés

Falseta 16: A very popular falseta using picados, Paco de Lucia


Soleá. Progressive studies for Flamenco Guitar by Mehdi Mohagheghi

24.00 €34.57 USD

Soleá Progressive studies.

Series of 44 Soleá studies for flamenco guitar, suitable for all levels. Measures and falsetas (variations) are gradually studied,reaching the right level to play falsetas of the artists like Vicente Amigo, Tomatito, Moraito,... Once you dominate all thestudies, you will be able to play your own pieces mixing different falsetas studied in this DVD.

Book/DVD CONTENTS:

Soleá.

Basic “LLamadas”


Study 2: Beats 6-12

Study 3: Beats 1-12 ( one complete “compás”)

Study 4: A complete “compás” using triplet rasgueos

Study 5: A complete “compás” using 4-stroke rasgueos

Study 6: A complete “compás” using 5-stroke rasgueos

Study 7: A complete “compás” using Arpegios

Remates

Study 8: Beats 10-12 ( called Remate) is the ending phrase of each “compás” of solea

Study 9: Another variation of Remate

Study 10: Another variation of Remate using Ligados




Study 13: Another variation of Remate

Advanced “Llamadas”

Study 14: A complete “compás” using a remate for beats 10-12

Study 15: Another complete “compás” using a remate for beats 10-12

Study 16: A complete “compás” using Arpegios and Ligados


Study 18: Another example with a new remate



Study 21: Another example with a more complicated pattern for beats 7-9




Study 25: A complete “compás” using Picado

Study 26: Another example using p/i

Study 27: An example using Rasgueos, with some syncopation

Study 28: A complete “compás” using Alzapua

Study 29: Another example using more complicated Alzapua

Falsetas

Falseta 1: This falseta can be used as an introduction, Paco Serrano

Falseta 2: A traditional flaseta, also useful for improving the left hand technique

Falseta 3: A modern falseta useful for practicing Arpegios, Vicente Amigo

Falseta 4: A traditional falseta using Arpegio/ Picado

Falseta 5: A traditional falseta

Falseta 6: A falseta which can be used as an Introduction, Paco Peña

Falseta 7: A tremolo falseta, Paco Peña

Falseta 8: A modern Falseta, Tomatito

Falseta 9: A modern Falseta, Paco de Lucia


Falseta 10: A modern falseta, Mehdi Mohagheghi

Flaseta 11: An arpegio falseta, Moraito

Falseta 12: A modern falseta, Mehdi Mohagheghi

Falseta 13: This falseta can be used to end Solea, Tomatito

Falseta 14: Ending, Mehdi Mohagheghi



Soleá por Bulerías. Progressive studies for Flamenco Guitar by Mehdi Mohagheghi

24.00 €34.57 USD

Soleá por Bulerías progressive studies.

Series of 40 Soleá por Bulerías studies for flamenco guitar, suitable for all levels. Measures and falsetas (variations) aregradually studied, reaching the right level to play falsetas of the artists like Enrique de Melchor, Tomatito, Gerardo Nuñez...Once you dominate all the studies, you will be able to play your own pieces mixing different falsetas studied in this DVD.

Book/DVD CONTENTS:

Soleá por Bulerías


Study 2: Beats 6-12

Study 3: Beats 6-12 using arpegios

Study 4: One complete “compás”

Study 5: Another complete “compás”

Study 6: Another complete “compás”

Study 7: A complete “compás” using arpegios

Study 8: Another complete “compás” using arpegios

Study 9: A complete “compás” using double arpegios

Study 10: Another example using double arpegios

Study 11: A complete “compás” using Rasgueos

Study 12: An example with two complete “compás” using arpegios

Study 13: An example of starting with beat 12


Study 14: Another example of starting beat 12


Study 16: Another example with two complete “compás”

Study 17: An example using double arpegios and ligados



Study 20: An example with two complete “compás” , the second “compás” being the answer to the first “compás”(question)

Study 21: An example that ends with Alzapua

Study 22: A complete “compás”


Study 24: An example with two complete “compás” using arpegios

Study 25: A complete “compás” with syncopation

Study 26: Another example with syncopation

Study 27: An example with extensive ligados

Study 28: An example with extensive ligados

Study 29: An example with two complete “compás” using extensive ligados and double arpegios

Study 30: An example with two complete “compás” using p/i and double arpegios

Study 31: An example using Alzapua

Study 32: A more complicated example

Falsetas:

Falseta 1: A traditional falseta using ligados

Falseta 2: A modern falseta which can be used as an introduction , Gerardo Núñez

Falseta 3: A falseta with syncopation by Mehdi Mohagheghi

Falseta 4: A modern falseta using Alzapua . Enrique de Melchor

Falseta 5: A modern falseta , Tomatito

Falseta 6: A falseta using Alzapua , Oscar Herrero

Falseta 7: A falseta with a complicated rhythm , Mehdi Mohagheghi

Ending :


Ending 1: A rhythmic “compás” to end Solea por Buleria

Full compatibles with all countries (PAL and NTSC)



Progressive studies for Flamenco Guitar by Mehdi Mohagheghi. Pack 3(Book/DVD) - Mehdi Mohagheghi

60.00 €86.41 USD

This serie Book/DCD made by Mehdi Mohagheghi, shows a collection of studies of Solea, Bulerias, Solea for Bulerias, Alegriasand Tangos for the flamenco guitar suitable for all levels . In a gradual way, we study Compas, “llamadas”, and “fasletas”, inorder to interpret falsetas of great level of acclaimed guitarists. Once you’ll control all the studies, the guitarist/ student willbe able to play his own themes mixed with different falsetas and llamadas. 2 languages: Spanish, English DVD compatiblesfor all countries in the world (PAL and NTSC) Contents by book/DVD Solea basis of Llamadas: Study 1: The first 6 times Study2: Times 6-12 Study 3: Times 1-12 (complete compás) Study 4: complete Compás of “rasgueo tresillo” Study 5: completeCompás of “rasgueo” semiquaver Study 6: complete Compás of “rasgueo cinquillo” Study 7: Complete Compás usingarpeggio “Remates” Study 8: Times 10-12, called “Remate”, is the final part of each compas of Solea Study 9: RemateVariant Study 10: Remate Variant using legatos Study 11: Remate Variant using legatos Study 12: Remate Variant usinglegatos Study 13: Remate variant using “Llamadas” advanced Study 14: Complete Compás with “remate” in the times 10-12Study 15: Complete Compás with “remate” in the times 10-12 Study 16: Complete Compás using arpeggio and ligato Study17: Other example Study 18: Other example with new remate Study 19: Other example Study 20: Other example Study 21:Other example with con a pattern more complicated for the times 7-9 Study 22: Other example Study 23: Other exampleStudy 24: Example with two complete compas Study 25: Complete Compás using “Picado” Study 26: Example using p / iStudy 27: Example of “rasgueos”, with syncopation Study 28: Complete Compás using Alzapúa Study 29: Example usingAlzapúa more complicated Study: Falseta 1: Falseta which can be used as an introduction, Paco Serrano Study 2: TradicionalFalseta, it is useful as well to improve the tecnic of the left hand Study 3: Modern Falseta useful for the practice of arpegios,Vicente Amigo Falseta 4: Tradicional Falseta with arpeggios / Picado Falseta 5: Tradicional Falseta Falseta 6: Falseta whichcan be used as introduction, Paco Peña Falseta 7: Trémolo falseta, Paco Peña Falseta 8: Falseta moderna, Tomatito Falseta 9:Modern Falseta, Paco de Lucia Falseta 10: Modern Falseta, Mehdi Mohagheghi Flaseta 11: arpegio Falseta, Moraito Falseta12: Modern Falseta, Mehdi Mohagheghi Falseta 13: Falseta which can be used for end of Solea, Tomatito Falseta 14: Closure,Mehdi Mohagheghi Bulerías “Frigio” mode Study 1: The first 6 times Study 2: Other variant of the first 6 times Study 3: Othervariant of the first 6 times Study 4: Complete Compás Study 5: Example with two complete Study 6: Example of the times10-11-12 using to join to the next compas Study 7: Example of times 10-11-12 used to join to the next compas Study 8:Example of one complete compass Study 9: Another example Study 10: Another example, which ende up with RasgueoStudy 11: Another example Study 12: Another example Study 13: Complete Compás using "LA" in the time 10 Study 14:Example “fraseo” Study 15: Example fraseo Study 16: Example fraseo Study 17: Example fraseo Study 18: Example fraseoStudy 19: Example fraseo Study 20: Example fraseo Study 21: Example comenzando en el tiempo 1 Study 22: Llamadawhich ends in the time 10 (suitable for before falsetas which starts in the time 11 or 12 or 1) Study 23: Example of one of the“llamada” which ends in the time 10 Study 24: Llamada which ends up in the time 6. (A suitable for before falsetas whichstarts in the time 9 or 10 o between the 9 and 10) Study 25: Example to change the mode from the "LA frigio" to the "LAmenor" Minor mode Study 26: Complete Compás in "LA" minor Study 27: Another example Study 28: Another example Study29: Example of two complete compas Study 30: Complete Compás using “fraseo in LA" in the time 10 Study 31: Example ofthe “fraseo” Study 32: Example of the times 10-11-12 using to join the next compás Study 33: Example of the times10-11-12 using to join the next compas Closing Study 34: Closing for Bulería in "LA frigio" Study 35: Closing for Bulería in "LAmenor" Falsetas in “frigio” mode: Falseta 1: Falseta which can be used as introduction, Gerardo Núñez Falseta 2: Falsetawhich can be used as introduction, Paco Cepero Falseta 3: Traditional Falseta with the thumb, Manuel Granados Falseta 4:Falseta Paco Peña Falseta 5: Falseta de Paco de Lucía Falseta 6: Falseta de Paco de Lucía Falseta 7: Falseta which startsbetween the times 9 and 10 (with “llamada” in the time 6), Moraito Falseta 8: Falseta with “Picados”, alzapúas and rasgueos,Paco Peña Falseta 9: Falseta used in the accompaniment of the sing, Paco de Lucía Falseta 10: Falseta which starts in the


time 1 , Paco de Lucía Falseta 11: very famous Falseta of Paco de Lucía Falseta 12: Falseta utilizando arpegios, Paco deLucía Falsetas in LA minor: Falseta 13: Falseta with thumb, Mehdi Mohagheghi Falseta 14: Falseta with Picados, Paco PeñaFalseta 15: Modern Falseta with thumb , Rafael Cortés Falseta 16: Falseta using picados, Paco de Lucía Study 1: The first 6times Study 2: Times 6-12 Study 3: Times 6-12 using arpeggios Study 4: Complete Compás Study 5: Complete CompásStudy 6: Complete Compás Study 7: Complete Compás using arpeggios Study 8: Complete Compás using arpeggios Study 9:Complete Compás using doble arpeggios Study 10: Example of use of doble arpeggios Study 11: Complete Compás using“rasgueos” Study 12: Example with two complete compas using arpeggios Study 13: Example of beginning in the time 12Study 14: Example of beginning in the time 12 Study 15: Example with two complete compas Study 16: Example with twocomplete compas Study 17: Example of “arpeggios ligados” Study 18: Other example Study 19: Other example Study 20:Example of two complete compases, the second one is the answer to the first compas (question) Study 21: Example whichende up with Alzapúa Study 22: Complete Compás Study 23: Other example Study 24: Example with two complete compasusing arpeggios Study 25: Complete Compás with syncopation Study 26: Other example, with syncopation Study 27:Example with legato Study 28 : Example with legato Study 29: Example with two complete compas using legato and doblearpeggios Study 30: Example with two complete compas using p /i y doble arpegios Study 31: Example of use of AlzapúaStudy 32: Example more complicated Falsetas: Falseta 1: Tradicional Falseta with legatos Falseta 2: Modern Falseta whichcan be used as an introduction, Gerardo Núñez Falseta 3: Falseta with syncopation, Mehdi Mohagheghi Falseta 4: ModernFalseta, using Alzapúa. Enrique de Melchor Falseta 5: Modern Falseta, Tomatito Falseta 6: Falseta using Alzapúa, OscarHerrero Falseta 7: Falseta with a rythm more complicated, Mehdi Mohagheghi Closing : Closing 1: A compas to finalize"Soleá for Bulerías" Study 1: The first 6 times Study 2: Times 6-12 Study 3: Times 6-12 using arpeggios Study 4: CompleteCompás Study 5: Complete Compás Study 6: Complete Compás Study 7: Complete Compás using arpeggios Study 8:Complete Compás using arpeggios Study 9: Complete Compás using doble arpeggios Study 10: Example of use of doblearpeggios Study 11: Complete Compás using “rasgueos” Study 12: Example with two complete compas using arpeggiosStudy 13: Example of beginning in the time 12 Study 14: Example of beginning in the time 12 Study 15: Example with twocomplete compas Study 16: Example with two complete compas Study 17: Example of arpeggios legatos Study 18: Otherexample Study 19: Other example Study 20: Example with two complete compas, the second compas is an answer to thefirst compas (question) Study 21: Example which ende up with Alzapúa Study 22: Complete Compás Study 23: Otherexample Study 24: Example with two complete compas using arpeggios Study 25: Complete Compás with syncopation Study26: Other example with syncopation Study 27: Example with legatos Study 28 : Example with legatos Study 29: Examplewith two complete compas using legatos and doble arpeggios Study 30: Example with two complete compas using p /i anddoble arpeggios Study 31: Example of use of Alzapúa Study 32: Example more complicated Falsetas: Falseta 1: TraditionalFalseta with legatos Falseta 2: Modern Falseta which can be used as an introduction, Gerardo Núñez Falseta 3: Falseta withsyncopation, Mehdi Mohagheghi Falseta 4: Modern Falseta, using Alzapúa. Enrique de Melchor Falseta 5: Modern Falseta,Tomatito Falseta 6: Falseta using Alzapúa, Oscar Herrero Falseta 7: Falseta with a rythm more complicated, MehdiMohagheghi Closing : Closinge 1: A compas to finís "Soleá for Bulerías. Alegrias Alegrías in LA The 6 first times Times 7-12Times 1-12 (complete compas) Times 1-12 (complete compas with Rasgueos) Three complete compas Times 10-12 calledRemate Other variation of Remate Other variation of Remate Other variation of Remate Complete Compas with Remate inthe times 10-12 Other variation of complete compas with Remate in the times 10-12 Complete Compás with Arpeggios andRasgueos Complete Compas with Alzapúa Complete Compas with syncopation Three compas with Picados called ClosingCompas with Syncopation and Alzapúa Traditional Falseta of Sabicas Falseta with Arpegios , Picados and legatos Falseta withsyncopation Compas which can be used to finís Alegrías Alegrías en DO Tiempos 1-6 Complete Compas Complete Compaswith Arpeggios Times 10 -12 called Remate Other variation of Remate Other variation of Remate Other variation of RemateCompas with Arpeggios and Remate Complete Compas Other example of complete compas Example with three compasesCompas with fraseo Falseta for Alegrías in DO Famous Falseta of Alegría in DO Complete compas of ending Alegrías in MI:Times 1-6 Times 7-12 Complete Compas Complete Compas Example with three complete compas Remate: times 10-12Other example of Remate Other example of Remate Remate Remate Other example of Remate Complete compas of“Rasgueos cinquillo” Example with syncopation Complete Compás with Arpegigos and legatos Complete Compás withArpegigos Falseta using tremolo de Paco Peña Falseta with syncopation of Mehdi Mohagheghi Modern Falseta starting beforethe time 1 Complete compass to use in the closing Alegrías in MI minor: Remate: times 10-12 Other variation of RemateRemate Complete compas with Arpeggios and Picados Complete compas with Rasgueo cinquillo Example with Arpeggiosmore complicated Tradictional Falseta Falseta with Trémolo of Paco Peña Falseta , useful to exercise both hands withArpeggios-Picados of Paco Peña. Tangos Complete Compás Other example. ”Fraseo” using Rasgueos. Other example. Otherexample.. Other example.. Example with legatos. Other example with different legatos from the ones of the exercise 7.Example with different kind of Rasgueo. Other variation. Other variation more complicated. Variation. Two completecompases. Other example with two complete compas. Other variation. Variation with syncopation. Example of rasgueo


semiquaver. Ejxample of Rasgueos and legatos. Example with Arpeggios. Variation with Alzapúa. Variation to start and finishTangos. Variation to start and finish Tangos.. Simple Falseta , (pay attention to the first time). Traditional Falseta, useful forArpeggios and Alzapúa. Falseta of Paco Peaña. Frase of Alzapúa which can be used as falseta. Modern Falseta of Chicuelo ,useful for the Picados technic. Falseta with Picados of Moraito. Falseta of Paco Peña with Picados and thumb. Famous Falsetaof Paco de Lucia with Alzapúa. Traditional Falseta with Alzapúa. Frase with arpeggios of Paco Cepero which can be used asFalseta. Falseta of Paco Peña with picados, can be used as introduction for Tangos. Falseta with Picados and Alzapúa. Falsetamore complicated with Alzapúa of Gerardo Nuñez. Falseta with Arpeggios of Moraito, useful to improve the technic of theright hand. Modern famous Famosa. Falseta with Picados.


Progressive studies for Flamenco Guitar by Mehdi Mohagheghi. Pack 5(Book/DVD) - Mehdi Mohagheghi.Soleá, Bulerías, Soleá por Bulerías , Alegrías y Tangos.

90.00 €129.61 USD

This serie Book/DCD made by Mehdi Mohagheghi, shows a collection of studies of Solea, Bulerias, Solea for Bulerias, Alegriasand Tangos for the flamenco guitar suitable for all levels . In a gradual way, we study Compas, “llamadas”, and “fasletas”, inorder to interpret falsetas of great level of acclaimed guitarists. Once you’ll control all the studies, the guitarist/ student willbe able to play his own themes mixed with different falsetas and llamadas. 2 languages: Spanish, English DVD compatiblesfor all countries in the world (PAL and NTSC) Contents by book/DVD Solea basis of Llamadas: Study 1: The first 6 timesStudy 2: Times 6-12 Study 3: Times 1-12 (complete compás) Study 4: complete Compás of “rasgueo tresillo” Study 5:complete Compás of “rasgueo” semiquaver Study 6: complete Compás of “rasgueo cinquillo” Study 7: Complete Compásusing arpeggio “Remates” Study 8: Times 10-12, called “Remate”, is the final part of each compas of Solea Study 9: RemateVariant Study 10: Remate Variant using legatos Study 11: Remate Variant using legatos Study 12: Remate Variant usinglegatos Study 13: Remate variant using “Llamadas” advanced Study 14: Complete Compás with “remate” in the times 10-12Study 15: Complete Compás with “remate” in the times 10-12 Study 16: Complete Compás using arpeggio and ligato Study17: Other example Study 18: Other example with new remate Study 19: Other example Study 20: Other example Study 21:Other example with con a pattern more complicated for the times 7-9 Study 22: Other example Study 23: Other exampleStudy 24: Example with two complete compas Study 25: Complete Compás using “Picado” Study 26: Example using p / iStudy 27: Example of “rasgueos”, with syncopation Study 28: Complete Compás using Alzapúa Study 29: Example usingAlzapúa more complicated Study: Falseta 1: Falseta which can be used as an introduction, Paco Serrano Study 2: TradicionalFalseta, it is useful as well to improve the tecnic of the left hand Study 3: Modern Falseta useful for the practice of arpegios,Vicente Amigo Falseta 4: Tradicional Falseta with arpeggios / Picado Falseta 5: Tradicional Falseta Falseta 6: Falseta whichcan be used as introduction, Paco Peña Falseta 7: Trémolo falseta, Paco Peña Falseta 8: Falseta moderna, Tomatito Falseta 9:Modern Falseta, Paco de Lucia Falseta 10: Modern Falseta, Mehdi Mohagheghi Flaseta 11: arpegio Falseta, Moraito Falseta12: Modern Falseta, Mehdi Mohagheghi Falseta 13: Falseta which can be used for end of Solea, Tomatito Falseta 14: Closure,Mehdi Mohagheghi Bulerías “Frigio” mode Study 1: The first 6 times Study 2: Other variant of the first 6 times Study 3:Other variant of the first 6 times Study 4: Complete Compás Study 5: Example with two complete Study 6: Example of thetimes 10-11-12 using to join to the next compas Study 7: Example of times 10-11-12 used to join to the next compas Study 8:Example of one complete compass Study 9: Another example Study 10: Another example, which ende up with RasgueoStudy 11: Another example Study 12: Another example Study 13: Complete Compás using "LA" in the time 10 Study 14:Example “fraseo” Study 15: Example fraseo Study 16: Example fraseo Study 17: Example fraseo Study 18: Example fraseoStudy 19: Example fraseo Study 20: Example fraseo Study 21: Example comenzando en el tiempo 1 Study 22: Llamadawhich ends in the time 10 (suitable for before falsetas which starts in the time 11 or 12 or 1) Study 23: Example of one of the“llamada” which ends in the time 10 Study 24: Llamada which ends up in the time 6. (A suitable for before falsetas whichstarts in the time 9 or 10 o between the 9 and 10) Study 25: Example to change the mode from the "LA frigio" to the "LAmenor" Minor mode Study 26: Complete Compás in "LA" minor Study 27: Another example Study 28: Another example Study29: Example of two complete compas Study 30: Complete Compás using “fraseo in LA" in the time 10 Study 31: Example ofthe “fraseo” Study 32: Example of the times 10-11-12 using to join the next compás Study 33: Example of the times10-11-12 using to join the next compas Closing Study 34: Closing for Bulería in "LA frigio" Study 35: Closing for Bulería in "LAmenor" Falsetas in “frigio” mode: Falseta 1: Falseta which can be used as introduction, Gerardo Núñez Falseta 2: Falsetawhich can be used as introduction, Paco Cepero Falseta 3: Traditional Falseta with the thumb, Manuel Granados Falseta 4:Falseta Paco Peña Falseta 5: Falseta de Paco de Lucía Falseta 6: Falseta de Paco de Lucía Falseta 7: Falseta which startsbetween the times 9 and 10 (with “llamada” in the time 6), Moraito Falseta 8: Falseta with “Picados”, alzapúas and rasgueos,Paco Peña Falseta 9: Falseta used in the accompaniment of the sing, Paco de Lucía Falseta 10: Falseta which starts in thetime 1 , Paco de Lucía Falseta 11: very famous Falseta of Paco de Lucía Falseta 12: Falseta utilizando arpegios, Paco deLucía Falsetas in LA minor: Falseta 13: Falseta with thumb, Mehdi Mohagheghi Falseta 14: Falseta with Picados, Paco PeñaFalseta 15: Modern Falseta with thumb , Rafael Cortés Falseta 16: Falseta using picados, Paco de Lucía Study 1: The first 6


times Study 2: Times 6-12 Study 3: Times 6-12 using arpeggios Study 4: Complete Compás Study 5: Complete Compás Study 6: Complete Compás Study 7: Complete Compás using arpeggios Study 8: Complete Compás using arpeggios Study 9:Complete Compás using doble arpeggios Study 10: Example of use of doble arpeggios Study 11: Complete Compás using“rasgueos” Study 12: Example with two complete compas using arpeggios Study 13: Example of beginning in the time 12Study 14: Example of beginning in the time 12 Study 15: Example with two complete compas Study 16: Example with twocomplete compas Study 17: Example of “arpeggios ligados” Study 18: Other example Study 19: Other example Study 20:Example of two complete compases, the second one is the answer to the first compas (question) Study 21: Example whichende up with Alzapúa Study 22: Complete Compás Study 23: Other example Study 24: Example with two complete compasusing arpeggios Study 25: Complete Compás with syncopation Study 26: Other example, with syncopation Study 27:Example with legato Study 28 : Example with legato Study 29: Example with two complete compas using legato and doblearpeggios Study 30: Example with two complete compas using p /i y doble arpegios Study 31: Example of use of AlzapúaStudy 32: Example more complicated Falsetas: Falseta 1: Tradicional Falseta with legatos Falseta 2: Modern Falseta whichcan be used as an introduction, Gerardo Núñez Falseta 3: Falseta with syncopation, Mehdi Mohagheghi Falseta 4: ModernFalseta, using Alzapúa. Enrique de Melchor Falseta 5: Modern Falseta, Tomatito Falseta 6: Falseta using Alzapúa, OscarHerrero Falseta 7: Falseta with a rythm more complicated, Mehdi Mohagheghi Closing : Closing 1: A compas to finalize"Soleá for Bulerías" Study 1: The first 6 times Study 2: Times 6-12 Study 3: Times 6-12 using arpeggios Study 4: CompleteCompás Study 5: Complete Compás Study 6: Complete Compás Study 7: Complete Compás using arpeggios Study 8:Complete Compás using arpeggios Study 9: Complete Compás using doble arpeggios Study 10: Example of use of doblearpeggios Study 11: Complete Compás using “rasgueos” Study 12: Example with two complete compas using arpeggiosStudy 13: Example of beginning in the time 12 Study 14: Example of beginning in the time 12 Study 15: Example with twocomplete compas Study 16: Example with two complete compas Study 17: Example of arpeggios legatos Study 18: Otherexample Study 19: Other example Study 20: Example with two complete compas, the second compas is an answer to thefirst compas (question) Study 21: Example which ende up with Alzapúa Study 22: Complete Compás Study 23: Otherexample Study 24: Example with two complete compas using arpeggios Study 25: Complete Compás with syncopation Study26: Other example with syncopation Study 27: Example with legatos Study 28 : Example with legatos Study 29: Examplewith two complete compas using legatos and doble arpeggios Study 30: Example with two complete compas using p /i anddoble arpeggios Study 31: Example of use of Alzapúa Study 32: Example more complicated Falsetas: Falseta 1: TraditionalFalseta with legatos Falseta 2: Modern Falseta which can be used as an introduction, Gerardo Núñez Falseta 3: Falseta withsyncopation, Mehdi Mohagheghi Falseta 4: Modern Falseta, using Alzapúa. Enrique de Melchor Falseta 5: Modern Falseta,Tomatito Falseta 6: Falseta using Alzapúa, Oscar Herrero Falseta 7: Falseta with a rythm more complicated, MehdiMohagheghi Closing : Closinge 1: A compas to finís "Soleá for Bulerías.Alegrias Alegrías in LA The 6 first timesTimes 7-12Times 1-12 (complete compas) Times 1-12 (complete compas with Rasgueos) Three complete compas Times 10-12 called Remate Other variation of Remate Other variation of Remate Other variation of Remate Complete Compas with Remate in the times 10-12 Other variation of complete compas with Remate in the times 10-12 Complete Compás with Arpeggios and Rasgueos Complete Compas with AlzapúaComplete Compas with syncopationThree compas with Picados called Closing Compas with Syncopation and Alzapúa Traditional Falseta of Sabicas Falseta with Arpegios , Picados and legatos Falseta with syncopation Compas which can be used to finís Alegrías

Alegrías en DO


Tiempos 1-6 Complete Compas Complete Compas with Arpeggios Times 10 -12 called Remate Other variation of RemateOther variation of RemateOther variation of RemateCompas with Arpeggios and Remate Complete Compas Other example of complete compas Example with three compasesCompas with fraseo Falseta for Alegrías in DO Famous Falseta of Alegría in DO Complete compas of ending

Alegrías in MI: Times 1-6 Times 7-12 Complete Compas Complete Compas Example with three complete compasRemate: times 10-12 Other example of Remate Other example of Remate RemateRemate Other example of Remate Complete compas of “Rasgueos cinquillo”Example with syncopation Complete Compás with Arpegigos and legatosComplete Compás with ArpegigosFalseta using tremolo de Paco Peña Falseta with syncopation of Mehdi Mohagheghi Modern Falseta starting before the time 1 Complete compass to use in the closing

Alegrías in MI minor: Remate: times 10-12 Other variation of Remate Remate Complete compas with Arpeggios and PicadosComplete compas with Rasgueo cinquillo Example with Arpeggios more complicatedTradictional Falseta Falseta with Trémolo of Paco PeñaFalseta , useful to exercise both hands with Arpeggios-Picados of Paco Peña.TangosComplete Compás Other example.”Fraseo” using Rasgueos.Other example.Other example..Other example..Example with legatos.


Other example with different legatos from the ones of the exercise 7.Example with different kind of Rasgueo.Other variation.Other variation more complicated.Variation.Two complete compases.Other example with two complete compas.Other variation.Variation with syncopation.Example of rasgueo semiquaver.Ejxample of Rasgueos and legatos.Example with Arpeggios.Variation with Alzapúa.Variation to start and finish Tangos.Variation to start and finish Tangos.. Simple Falseta , (pay attention to the first time).Traditional Falseta, useful for Arpeggios and Alzapúa.Falseta of Paco Peaña.Frase of Alzapúa which can be used as falseta.Modern Falseta of Chicuelo , useful for the Picados technic.Falseta with Picados of Moraito.Falseta of Paco Peña with Picados and thumb.Famous Falseta of Paco de Lucia with Alzapúa.Traditional Falseta with Alzapúa.Frase with arpeggios of Paco Cepero which can be used as Falseta.Falseta of Paco Peña with picados, can be used as introduction for Tangos.Falseta with Picados and Alzapúa.Falseta more complicated with Alzapúa of Gerardo Nuñez.Falseta with Arpeggios of Moraito, useful to improve the technic of the right hand.Modern famous Famosa.Falseta with Picados.


The flamenco cajón by Paquito González. 2Dvds

27.90 €40.18 USD

In The flamenco cajón by Paquito González are two DVDs with high-level teaching material. The most popular "palos"(Flamenco styles), clear explanations and synthesized, manual with more than 120 scores.

Theory, technique, accompaniment, solos. General view and detail of the hands on screen, multples cameras.

SoleáSoleá por BuleríasBuleríasAlegríasSeguiriyaMartineteFandangosSevillanasTangosRumba


Tanguillo

Guitar: José Quevedo "Bolita"Singing: Carmen GrilloDance: Joaquín GrilloPalmas: Carlos Grillo, Luis Cantarote "Lua"

With the participation of renowned artists:

Giovanni HidalgoVicente Amigo (interprets a theme of his latest work "Paseo de Gracia") Miguel PovedaMarina HerediaLuis MarianoJesús MéndezUHF

The DVD includes a little book with scores of all the exercises

143 minutes.

Includes Spanish, English, French, German, Italian and Japanese.

The DVD is compatible for all countries of the world (PAL and NTSC).

Product details:


Las Bases de la Guitarra Flamenca. Javier Fernandez. Dvd

29.50 €42.49 USD

A partir del análisis de los principales estilos por medio del repertorio flamenco (siguiriya, tientos y tangos), ustedencontrará en este DVD un estudio detallado de las principales técnicas de la mano derecha características de la guitarraflamenca (rasgueados, pulgar y alzapúa), del modo flamenco y de las principales secuencias armónicas y posiciones deacordes derivados, también del compás métrico y los tipos de frases propiosa los tres estilos. Finalmente, usted descubrirálos elementos constitutivos del lenguaje de la guitarra flamenca (compás en rasgueados, llamadas, falsetas y remates). Unlugar importante está también reservado al estudio del acompañamiento del cante con la participación amistosa de MaguyNaïmi y Rouben (cantaores). DVD en Español,Francés e Italiano. Duración: 90 minutos.


Tecnicas avanzadas de la guitarra flamenca. Javier Fernandez

29.50 €42.49 USD

A partir del análisis de la soleá y de la bulería, dos estilos esenciales del repertorio flamenco, va a encontrar en este DVD unestudio detallado de los siguientes elementos: La armonía flamenca: el modo flamenco en MI o (''por arriba''), los acordes de base y los acordes de paso.El trabajo de la mano derecha rasgueados complejos, arpegios, técnicas pulgar/ índice.El trabajo de la mano izquierda: ligados, deslizamientos, salto de cuerdas, extensión a partir de las cejillas.El ritmo:frases complejas, sincopadas, contratiempos...También está reservado un lugar importante al estudio del acompañamiento del ''cante'', con la amable participación de lacantaora Maguy Naïmi.


Cajon Method and other percussions. Latino

24.00 €34.57 USD

Study of the cajon as an alternative and complement of drums because of the similarity of its sound with the bass drum andthe drum.All the technique, basic patterns and variants accompanied by music and other percussions. Themes will becompleted applying all the subjects studied. There are many video and audio options available.

Dany Moreno propouse the cajon as an alternative and complement of a drum kit, dose not want the cajon to be a substitutebut an alternative for the performances in small venues where using the drums becomes a problem of room. Besides we cantake advantage of the similar low-high sound that shares the cajon's with the drum and the bass drum.

The method consists in a DVD + a book and it´s structured in three parts:


1 .- Cajon Technique and exercises

2 .- Study of the patterns and variations of styles from Bolero, Cha Cha Cha, Songo, Afro, Guaguanco, Merengue, Reggae,Samba, Reggaeton.

3 .- Musical themes mixing all patterns studied

In each part there are multiple video and audio options, showing in detail all percussion instruments used and the choice ofaudio depending on the instrument you want to follow, or the combination of them all.

DVD/Book Contents:

TECHNICAL EXERCISES

This series of technical exercises will allow the pupil making his hands independent of each other. Besides, in themovements we will begin using the HIT-HAT with the left foot.

KINDS OF STROKES

Grave strokes with the right hand

Grave strokes with the left hand

Acute strokes with the right hand

Acute strokes with the left hand

PROGRESSIONS





Grave strokes with alternate hands

Acute strokes with alternate hands


SIMULTANEOUS STROKES

TRILLS OF A NOTE

Trills of a right note

Trills of a left note

TRILLS OF TWO NOTES

Trills of two notes. Legatos right hand

Trills of two notes . Legatos left hand

Trills of two notes . Staccatos right hand

Trills of two notes . Staccatos left hand

MOVEMENTS

Grave strokes with the right. Hit-hat playing crotchets

Grave strokes with the right. Hit-hat playing backbeat quavers

Grave strokes with the right. Hit-hat playing quavers

Grave strokes with the left. Hit-hat playing crotchets

Grave strokes with the left. Hit-hat playing quavers backbeat

Grave strokes with the left. Hit-hat playing quavers

Acute strokes with the right. Hit-hat playing crotchets

Acute strokes with the right. Hit-hat playing backbeat quavers

Acute strokes with the right. Hit-hat playing quavers

Acute strokes with the left. Hit-hat playing crotchets

Acute strokes with the left. Hit-hat playing backbeat quavers

Acute strokes with the left. Hit-hat playing quavers

CONSTANT DEVELOPMENT IN SEMIQUAVERS


Continued development in semiquavers, starting with the right hand

Continued development in semiquavers, starting with the left hand

Bolero, Cha Cha Cha, Songo, Afro, Guaguanco, Merengue, Reggae, Samba, Reggaeton for each of these styles is studied indetail:

- Basic pattern, only cajon, and adding the hit-hat with the left foot.

- Basic patter + HIT-HAT, and adding the tambourine

- Pattern variant with all precussion elements

THEMES

Hasta San Cristóbal (6/8 Afrocubano / Samba / Guaguancó)

1ª part based on 6/8 Afrocubano style

2ª part based on Samba style

3ª part based on Guaguancó style

Pá Violeta (Cha-cha-cha / Bolero / Songo)

1ª part based on Cha-cha-cha style

2ª part based on Bolero style, simulating the maracas sound on the lateral wood of the cajon.

3ª part based on Songo style

Languages:Español, English, Français, German, Japanese. Italiano

Systems: PAL and NTSC.


Cajon Method and other percussions. Fusion

24.00 €34.57 USD

Dany Moreno propouse the cajon as an alternative and complement of a drum kit, dose not want the cajon to be asubstitute but an alternative for the performances in small venues where using the drums becomes a problem of room.Besides we can take advantage of the similar low-high sound that shares the cajon's with the drum and the bass drum.



2 .- Study of the patterns and variations of styles from Funk , Hip Hop, Fusion, Bossa Nova, Shuffle, Shuffle (Be Bop), Swing,Swing (Be-Bop)




DVD/Book Contents:

TECHNICAL EXERCISES


KINDS OF STROKES





PROGRESSIONS








TRILLS OF A NOTE



TRILLS OF TWO NOTES






MOVEMENTS
















Funk , Hip Hop, Fusion, Bossa Nova, Shuffle, Shuffle (Be Bop), Swing, Swing (Be-Bop) for each of these styles is studied indetail:


- Basic patter + HIT-HAT, and adding more percussion elements


THEMES

Taketos Funk (Funk / Fussion / Hip-Hop / Shuffle)

1ª part based on Funk style


2ª part based on Fussion style

3ª part based on Hip-Hop style

4ª part based on Shuffle style

...Cómputo o cúmulo (Swing / Shuffle-Porcaro / Swing Be-Bop)

1ª part based on Swing style

2ª part based on Shuffle-Porcaro style

3ª part based on Swing Be-Bop style

Languajes: Español, English, Français, German, Japanese. Italiano



Cajon Method and other percussions. Rock

24.00 €34.57 USD

Dany Moreno propouse the cajon as an alternative and complement of a drum kit, dose not want the cajon to be asubstitute but an alternative for the performances in small venues where using the drums becomes a problem of room.Besides we can take advantage of the similar low-high sound that shares the cajon's with the drum and the bass drum.



2 .- Study of the patterns and variations of styles from Rock, Blues, Pop, Country, Ballad and Metal.




DVD/Book Contents:

TECHNICAL EXERCISES


KINDS OF STROKES





PROGRESSIONS








TRILLS OF A NOTE




TRILLS OF TWO NOTES





MOVEMENTS

















ROCK, BLUES, POP, COUNTRY, METAL, BALADA, for each of these styles is studied in detail:


- Basic patter + HIT-HAT, and adding the tambourine


THEMES

...Y Punto...!!! (Country / Rock / Metal)

1ª part based on Country style

2ª part based on Rock style

3ª part based on Metal style

Benacazón Dreams (Balada / Pop / Blues)

1ª part based on Balada style

2ª part based on Pop style

3ª part based on Blues style

Languajes: Español, English, Français, German, Japanese. Italiano



Flamenco Guitar in 48 lessons. Vol. 1 (DVD + Booklet)José Manuel Montoya

24.95 €35.94 USD

4 DVDs progressive Flamenco Guitar course in 48 lessons for all levels including those who have no notion of the guitaror musical theory yet. The methodology that is being used is the same as used by Jose Manuel Montoya teacher in hisprivate classes. The basic techniques that are being studied are applied from the begining to the most attractive flamencoforms "palos": Tangos, Soleá, Bulerías and Fandango de Huelva, making the study more enjoyable.

The learning methodology is designed to study one lesson per week, and practicing half an hour daily at the begining of thecourse and from the third month, one hour a day. Jose Manuel Montoya, leads to apply this same course for years, and it isGUARANTEED that by the end of this course, students will reach the level of Flamenco Guitar as shown in the followingaudios, plus a full mastery of the technique.

Along the course, both hands, shot from different angles so not a single detail is lost, are shown on the screen. The chorddiagrams and rhythm are graphically displayed as well.

It Includes Score booklet (standar notation and tablature. The DVD4 booklet also includes the complete "performances"


scores: Bulería, Soleá, Fandangos de Huelva y Tangos.

4 languages: Spanish, English, Italian and Japanesse

DVD CONTENTS

DVD -1 (120 minutes) - Guitar parts, tuning, string change, body positioningLessons 1-12 - Explanations as well as exercises for thumb, thumb and index, alzapua and left hand techniques/ rasgueados and tangosrhythm (palmas)- Melodic patterns for Tangos that include thumb and index, alzapua and rasgueados.

Full compatibles with all countries (PAL and NTSC).

ArtistsJose Manuel Montoya



24.95 €35.94 USD




It Includes Score booklet (standar notation and tablature. The DVD4 booklet also includes the complete "performances"scores: Bulería, Soleá, Fandangos de Huelva y Tangos.



DVD CONTENTS

DVD - 2 (120 minutes) Lessons 13 - 25- Explanation of picao technique/ explanations and palmas exercices for the Soleá, F. de Huelva, Bulería- Rasgueados for Soleá, Bulerías, F. de Huelva /melodic patterns of Tangos, Soleá y F. de Huelva (thumb)





24.95 €35.94 USD








DVD CONTENTS

DVD - 3 (120 minutes) Lessons 26 – 37 - Explanations and exercices for arpeggio technique/ major scales (picao)- Melodic patterns for buleria (thumb)- Bulerias (alzapua)- Tangos (picao and left hand stretches)- Soleá (picado) and F. de Huelva (picado)




24.95 €35.94 USD








DVD CONTENTS

DVD - 4 (120 minutes) Lessons 38 – 48- Explanations and exercices of tremolo technique- Melodic patterns for buleria (picado)- Bulerías (arpeggios and alzapúa), Soleá (arpeggio and picado), Tangos (arpeggio and picado), F. de Huelva (arpeggio) andSoleá (tremolo) - 4 complete "palos": Bulerías, Soleá, Tangos and F. de Huelva.




Flamenco Guitar in 48 lessons by Jose Manuel Montoya

89.95 €129.54 USD

Pack de 4 Dvds de Guitarra Flamenca en 48 clases por Jose Manuel Montoya.

4 DVDs progressive Flamenco Guitar course in 48 lessons for all levels including those who have no notion of the guitar ormusical theory yet. The methodology that is being used is the same as used by Jose Manuel Montoya teacher in his privateclasses. The basic techniques that are being studied are applied from the begining to the most attractive flamenco forms"palos": Tangos, Soleá, Bulerías and Fandango de Huelva, making the study more enjoyable.


Toward the end of the course, the DVD-4 includes videos of these 4 "palos" complete with two different audios: Full (Guitar &Percussion) and without guitar so that students can practice with Percussion (palms and cajón). It also has two video optionswith different points of view.


It Includes Score booklet (standar notation and tablature. The DVD4 booklet also includes the complete "performances"scores: Bulería, Soleá, Fandangos de Huelva y Tangos.


DVD CONTENTS

DVD -1 (120 minutes) - Guitar parts, tuning, string change, body positioningLessons 1-12 - Explanations as well as exercises for thumb, thumb and index, alzapua and left hand techniques/ rasgueados and tangosrhythm (palmas)- Melodic patterns for Tangos that include thumb and index, alzapua and rasgueados.

DVD - 2 (120 minutes) Lessons 13 - 25- Explanation of picao technique/ explanations and palmas exercices for the Soleá, F. de Huelva, Bulería- Rasgueados for Soleá, Bulerías, F. de Huelva /melodic patterns of Tangos, Soleá y F. de Huelva (thumb)


DVD - 3 (120 minutes) Lessons 26 – 37 - Explanations and exercices for arpeggio technique/ major scales (picao)- Melodic patterns for buleria (thumb)- Bulerias (alzapua)- Tangos (picao and left hand stretches)- Soleá (picado) and F. de Huelva (picado)

DVD - 4 (120 minutes) Lessons 38 – 48- Explanations and exercices of tremolo technique- Melodic patterns for buleria (picado)- Bulerías (arpeggios and alzapúa), Soleá (arpeggio and picado), Tangos (arpeggio and picado), F. de Huelva (arpeggio) andSoleá (tremolo) - 4 complete "palos": Bulerías, Soleá, Tangos and F. de Huelva.




Technique - Flamenco to tap one´s feet

28.95 €41.7 USD

The first DVD and CD titled ''TÉCNICA' contains technical exercises on how to hit with feet. (giving name to each of theways), to exercises of finishing touching and close down for the binary and ternary rhythms.

The technique consists of exercises of Force, Balance, Feet combination, simple exercises of finishing touching and simpleclose down, binaries and ternaries, each of them has three speeds, with right and left feet.

DVD full compatible with all countries (PAL and NTSC).

Palos:Zapateado


Binary rhythm – Flamenco to tap one’s feet

28.95 €41.7 USD

The second volume titled: Ritmos Binarios consisits of 6 exercises of double finishing touching and 6 double close down and4 brushes. All these exercises are carrying out in three speeds with the right and left feet, at the end of each exercise, wewill carry it out with the guitar a real speed.

All the finishing touching, close down and brushes that are studied in this volume, are applicables to Tangos, Tientos,Tarantos, Rumbas, Garrotín, Colombianas, etc…


Palos:Zapateado


Ternary rhythm - Flamenco to tap one’s feet

28.95 €41.7 USD

The third volume titled Ritmos Ternarios consists of 6 exercises of double finishing touching, 6 exercises of double closedown and 4 brushes. All these exercises are carrying out a three speeds with right and left feet, at the end of each exercisewe will carry it out with the guitar a real speed.

All the finishing touching, close down and brushes that are studied in this volume are applicables to the Bulerías, Soleá,Alegrías, Guajiras, Soleá by Bulerías, Seguiriyas, Caracoles, etc…


Palos:Zapateado


Didactic collection of Flamenco to tap one’s feet.

78.95 €113.7 USD

The didactic collection of FLAMENCO TO TAP ONE’S FEET, is made up of 3 volumes, each of them is made up of 1 DVD of 115minutes approximately and one CD of 60 minutes approximately.

The first DVD and CD titled ''TÉCNICA' contains technical exercises on how to hit with feet. (giving name to each of theways), to exercises of finishing touching and close down for the binary and ternary rhythms.

The technique consists of exercises of Force, Balance, Feet combination, simple exercises of finishing touching and simpleclose down, binaries and ternaries, each of them has three speeds, with right and left feet.

The second volume titled: Ritmos Binarios consisits of 6 exercises of double finishing touching and 6 double close down and4 brushes. All these exercises are carrying out in three speeds with the right and left feet, at the end of each exercise, wewill carry it out with the guitar a real speed.

All the finishing touching, close down and brushes that are studied in this volume, are applicables to Tangos, Tientos,Tarantos, Rumbas, Garrotín, Colombianas, etc…

The third volume titled Ritmos Ternarios consists of 6 exercises of double finishing touching, 6 exercises of double closedown and 4 brushes. All these exercises are carrying out a three speeds with right and left feet, at the end of each exercisewe will carry it out with the guitar a real speed.

All the finishing touching, close down and brushes that are studied in this volume are applicables to the Bulerías, Soleá,Alegrías, Guajiras, Soleá by Bulerías, Seguiriyas, Caracoles, etc…

This collection is available in all the Schools of Music and Official Schools of Flamenco Dance.


Palos:Zapateado


Product details:


Los caminos del cajón por Paolo De Gregorio (The Ways of the Cajon)

26.00 €37.45 USD

The documentary ''The Ways of the Cajón'', is an interesting and rigorous video work, where its director and producer Paolode Gregorio has tracked the origins and development of the ''cajón'', original instrument of Peru , which has already becomeuniversal.

Coming to record and collect unpublished images of their main performers and creators, from Peru , as it passes over Cubaand his arrival in Spain , to move to the Flamenco thanks to Paco de Lucia and then spread to all styles of music imaginable.

There are amazing images as per example from the master Peruvian Cotito, a video of Paco de Lucia with Ruben Dantas andManolito Soler, tablista Indian virtuoso Zakir Hussain, giving his vision with the “cajón” or master classes by the wise Cubancongero Angá.

A musical journey in the company of artists such as: Juan Medrano Cotito, Paco de Lucia, Rubem Dantas, Cepillo, Paquito Gonzalez, Ramon Porrina, Piraña, Angá Díaz, Horacio ElNegro Hernandez, Omar Sosa, Zakir Hussain, Stewart Copeland, Sheila E, Hamid Drake, Richard Galliano, Chano Dominguez,and many others.


It includes a booklet with technique explanations and rhytmic bases for rok, funk, flamenco, Pop, Reggae, hiphop, Samba,Afro, Blues, etc....

Spanish, English, French, German, italian, japanese.65 minutes.

The DVD is full compatible with all countries (PAL and NTSC).


The classic guitar Technique by Jorge Cardoso

29.95 €43.14 USD

This DVD traces the historical path of the guitar, showing the instrument's ancestors and tracing its development to its current form. It includes a visit to theworkshops of Manuel Contreras II and Ars Antiqva, Jose Angel Espejo's workshop, followed by a detailed analysis of the factors that contribute to the properdevelopment of classical guitar technique. The DVD covers everything from the seat, the position of the body, and the devices used to improve it “Aguado'smachine”, Sor's support system, the foot-rest, attachments, and an ingenious, simple and practical system created by the author, to the mechanical workings ofthe hand, its main ways of gripping, and the problems posed by the ring finger. All of these topics are approached through the scientific reasoning of the author,backed up by his knowledge as a doctor.

120 minutes5 Languajes: Spanish, English, French, German and JapaneseScore booklet included (58 pages)

Contents of the DVD Concert themesMisionerita (Lucas Braulio Areco)Performance in the Colegiata Sta. M'. A major as an homage to his teache

Canción (Jorge Cardoso)Piece interpreted with flamenco tremolo


TamboraIncludes a fragment from Preludio y Danza


Visual Method of Flamenca Guitar Vol.2 in Dvd by Manuel Granados

32.95 €47.46 USD

The first multi-camera interactive flamenco guitar teaching method, that allows you to choose the camera angle that youwant, left hand, right hand or score whenever you want.

This second volume reviews the rest of the styles not covered in the first volume and begins with the following: Tangos,Serrana, Solea por Bulerías, Farruca, Guajira and Fandango.

The "Método Visual de la Guitarra Flamenca" is the first interactive multi-camera method on the market. It features anoption for choosing the camera angles. A wide shot of Manuel Granados (angle1), a shot of the left hand (angle 2), a shot ofthe right hand (angle 3) All of which is accompanied by an on screen music score.

Contents1. DYNAMIC TECHNICAL EXERCISES- Arpeggios- Capo- Arpeggios - picking- Simultaneous notes

2. STYLES- Solea- Alegrias- Bulerias- Siguiriyas- Tientos- Tangos- Serrana- Solea por Bulerias


- Farruca- Guajiras- FandangoEach style includes 5 characteristic Tracks or Rhythms and 5 Variations

3. ANALYSIS- Musical structures- Harmony

5 languages: Spanish, English, French, Italian, Catalá



Visual Method for the flamenco Guitar Vol.3 in Dvd by Manuel Granados

32.95 €47.46 USD

The Visual Method for Flamenco Guitar is the first interactive and multicamera method for flamenco guitar. This methodcounts 3 volumes, revising the styles and the specific technique of this instrument.Thanks to the "Vision angle" tool you will be able to choose, at any time, the most interesting shot: the master shot (angle1), left hand shot (angle 2), right hand shot (angle 3), you'll also watch the score during the lessons.On this third volume we end the styles study that we have began in the second volume. We also begin the study of thefollowing styles: Granaina, Malagueña, Taranta, Rondéña and Minera.You will find a password in the inside booklet and will have the possibility to download the scores in PDF format inwww.guitarra-flamenca.net and you will also have the means to contact with the teacher on his blog or by e-mail.

STYLES- Soleá por Bulerias- Farruca- Guajira- Serrana- Granaína- Fandango

http://www.guitarra-flamenca.net


- Malagueña- Taranta- Rondeña- Minera


Learn and Practice "Las Palmas"(Flamenco Clapping)by Jerónimo Utrilla

29.50 €42.49 USD

In this DVD, Jerónimo Utrilla reveals every Flamenco Clapping secrets, all rhythmic patterns of various styles – palos - offlamenco, base palmas, second voices palmas, palmas combinations, finishing off and the foot as well.

The following ''palos'' are explained:

Bulerías Tangos Tanguillos Rumba Sevillanas and Fandangos de Huelva Soleá Cantiñas

It also includes the Manual of Rhythm and Flamenco clapping technique (75 pages booklet) and every patterns described inthe DVD.


60 minutes long

5 languages: Spanish, English, French, German and Japanese. DVD full compatible with all countries (PAL and NTSC). Original idea and clapping: Jerónimo UtrillaFlmenco Guitar: Jose Manuel Montoya Audio combinations and Visualization options available:

Base "Palmas" Pattern Second "Palmas" voices Audio • BASE + FOOT + CLAPPERBOARD• BASE + FOOT + GUITAR• FOOT + CLAPPERBOARD• FOOT + GUITAR• BASE + CLAPPERBOARD• BASE + FOOT • BASE• CLAPPERBOARD Image • BASE + FOOT • BASE Audio • BASE + SECOND + FOOT + GUITAR• BASE + FOOT + CLAPPERBOARD• BASE + FOOT + GUITAR• BASE + SECOND + FOOT• SECOND + CLAPPERBOARD• BASE+ SECOND• SECOND• BASE Image• SECOND + BASE + FOOT • SECOND+ FOOT• SECOND + BASE• SECOND• BASE + FOOT


Product details:


Guide to learn to play castanets - Dvd

28.95 €41.7 USD

The definitive guide to learn to play castanets.This collection of Dvd's introduces the beginner to the exciting world of castanets through a simple methodology of the basictechnique of castanet playing and the accompaniment of the sevillanas dance with castanets. This combination, togetherwith the technologies of image and sound convert this collection into a veritable school of playing the castanets to therhythm of sevillanas.Each volume consists of two Dvd's. The first concentrates exclusively on castanet technique, on playing the castanets to thesevillanas rhythmn and on the different dance steps of the sevillanas, both for the woman and the man.

Bloc 1Castanet Technique Exercises.

Bloc 2Technique of Sevillanas Dance Steps.

Bloc 3Footwork Technique Exercises.

Bloc 4Arm Technique Exercises.


Bloc 5Body Exercises for Sevillanas.

Bloc 6The Four Sevillanas Danced with a Partner.

The second Dvd is divided into four sections: foot exercises, arm exercises, dancing with a partner and the completesevillanas.

First Section:

Foot exercises focus on the foot technique in the sevillanas dance, both for the woman and for the man, dividing eachsevillana into four parts: the beginning of the song or melody, the first part, the second part and the finale or ending.

Second Section:Arm exercises, with castanet accompaniment, for both the woman and man are studied. In these exercises each sevillana isalso studied in four parts: the beginning of the song or melody the first part, the second part and the finales or ending. Eachtiem that we study the foot exercisesk as well as the arm exercises, we will analyze the measures of the sevillanas bycounting them in order to achieve a perfect knowledge of the rhythm and structure of the sevillanas.

Third Section:The technique of the dance, executed with a partner is studied, as well as the castanet accompaniment. Each sevillana isdivided into four parts: the beginning of the song or melody, the first part, the second part and the finales or ending.

Fourth Section: The complete sevillanas done as a couple.Once this method has been studied, we will have a perfect knowledge of the sevillanas dance and the accompaning castanettechnique.

Including 2 DVDs.135 minutes long.Languages; Spanish, English, Japanese.

The DVD is valid and compatible for all countries (NTSC and PAL). Guaranteed.


Flamenco for kids by Silvia Marín

21.50 €30.97 USD

Flamenco for kids by Silvia Marín is an interactive theater-workshop.

An introduction to the world of flamenco aimed at a young audience, for kids to get to know and enjoy flamenco song, danceand music.

With interviews of 16 of today’s great flamenco artists and professionals: José Mercé, Sara Baras, Moraíto, EsperanzaFernández, Enrique de Melchor, Belén Maya, Fernando Terremoto, Rafael Riqueni, Marina Heredia, Juan Parrilla, Pitingo, JoséLuis Montón, José Manuel Gamboa, Juan Verdú, Juan Luis Cano and Faustino Núñez.

5% of the proceeds from this DVD will be donated to the children’s aid projects undertaken by the FUNDACIÓNGOMAESPUMA.

2 Languages: Spanish and English



Product details:


interactive multimedia Bongo course given by Enildo Rasúa - Dvd

24.50 €35.29 USD

An interactive multimedia Bongo course given by Enildo Rasúa, one of the greatest percussionists in the world. The coursefeatures the basic rhythms for practising and teaches you how to play the Cuban clave as well as Afro, Martillo, Bolero,Merengue, Bomba, Samba, Funky, Swing/Blues, Chachachá, Changüi, Sucusucu, and punto Güajiro using a totallyrevolutionary teaching technique wich helps students to learn in a fun and easy way.


Manuel Salado: Flamenco Dance - Fandangos, Sevillanas y Boleras. Vol. 2

20.50 €29.53 USD

Learninglevel: Beginners

System: The DVD is valid and compatible for all countries (NTSC and PAL). Guaranteed.

This collection of DVDs and CDs introduces this wonderful world to beginners and helps to perfect the skills of those who arealready initialised or at an average standard through aneasy method that combines flamenco roots with technical tips.This wise combination, together with th latest image technology, makes this collection a real Flamenco School.

Each volume in this collection includes a DVD and a CD that contain all the information needed to learn several flamencostructures or styles, with concise and detailed explanations as well as useful tips. They were designed by a team ofprofessionals with a broad experience in flamenco teaching and broadcasting.The Dvd's show firts the artist performing the whole dance to be learnt. After this we can see the same dance showing onlythe movements. Finally, the exercise will be replayed once more, but showing only the positions of the feet. All the dancesand exercises are divided into sections and are preceded by a narration - which can be played in any of four languges:English, French, Japanese or Spanih- that gives an overview and introduces the dance. The musical accompaniment iscomposed of song, guitarand hand clapping.The Cd's reproduce the music of the whole dance a number of times so that the student gets used to the tempo and rhythm.Afterwards, the music is played without the heel tapping and the student has the opportunity to even practice singing.

The DVD is valid and compatible for all countries (NTSC and PAL). Guaranteed.Subtitled in Spanish, English, French and Japanese.

ArtistsBaile: Carmen Gamero - Cante: Jeromo Segura y El Trini - Guitarra flamenca: Juan Maria Real - Guitarra flamenca: VictorManuel Rosa - Palmas: Manuel Salado


Manuel Salado: Flamenco Dance - Advanced Level. Sevillanas. Vol. 21

20.50 €29.53 USD

Learninglevel: Advanced Level

System: Multi-system DVD, compatible for all countries (NTSC and PAL). Guaranteed.

This volume is devoted to Sevillanas.Flamenco dancing currently has reached a prestigious peak that makes it specially attractive across all countries in theworld, due to its aesthetic beauty its technical difficulty, but above all due to its feeling and expressive force.In view of the success and demand of the ten volumes comprised in " El Baile Flamenco" ("Flamenco Dance";beginner/medium level), offer now a new delivery, this time consisting of eleven volumes of an advanced level.As in previous products, every pack contains a CD and a DVD with all the information required for the mastering of severalstyles or structures, with concise and detailed explanations designed by a team of professionals with extensive experience inflamenco dance teaching.In the DVD, the artist first carries out the complete dance of the style on which the lesson is focused.After this, the same exercise is shown in different views, including full body, feet, arms and for somes styles, exercises onthe use of the flamenco fans and shawls are also presented. All the dances and exercises are divided into sections andpreceeded by a narration (which can be played in any of four languages: Englisch, French, Japanese or Spanish) thatpresents and introduces them.The musical accompaniment is of song, guitar and hand clapping. The CD includes the music for the whole dance, so thatthe stuent can examine and get used to the tempo and rhythm.Afterwards, th music is played without the hell tapping.Both formats, DVD and CD, complemented an offered in this second delivery of the collection, are the best instrument foreveryone who want to become a player in this unique passion that is flaemnco dancing.Lalo Tejada, a bailaora who has great expertise, is the teacher. She is accompanied by the singing of Ana Real, the guitarplaying of Juan María Real and the palmas (rhythmic hand-clapping) of Manuel Salado.

Multi-system DVD, compatible with PAL and NTSC systems. Suitable for use in any country.Languages: Spanish, English, French and Japanese.

Palos:Sevillanas

ArtistsPalmas: Manuel Salado - Lalo Tejada - Ana Real - Juan Maria Real


Learn and practise accompanying the Sevillanas by Jose Manuel Montoya

32.50 €46.81 USD

This DVD explains the accompanying the SEVILLANAS and also gives the opportunity of practise it.Script and Flamenco Guitar: Jose Manuel Montoya

Musicians:Curro Cueto: Cante y flute Marcos Parra: CajónMarisa Sánchez: Baile and palmasMª Jesús Humanes: Baile and palmasDavid García Llave: Palmas and ZambombaRafael Fernández: Palmas

200 minutes5 languages: Spanish, English, French, German and Japanese.Includes score booklet (56 pages).


Five cameras record the whole process. When the group is playing, it is possible to access to different set ups: one set up forthe group, and other set up for the guitar.

The student allways can have both guitar hands on the screen.

Leran the accompanying the Sevillanas: Explanation of the strumming techniques, the timing and rhythmic cycle of theSevillanas. All at two possible speeds (slow and normal), along with practical exercises. At slow speed the voice is replacedby a flute. A wide repertoire of Sevillanas are performed in the most common keys.

DVD contents: Exercises and strummingPatternsThe Call "Llamadas" Sevillanas Am Sevillanas A Sevillanas Em Sevillanas E Sevillanas E frigioSevillanas A frigio

Every of each four parts of each Sevillana is played with different melodies, then we get the study of 24 different kind ofSevillanas.

Practise the accompanying the Sevillanas: At all stages the sound of the guitar can be muted so that you can practiseaccompanying the group (singing, clapping and percussion).

Includes music notation (cifra and solfa) of all the exercises and sevillanas played.


Palos:Sevillanas


Product details:


Flamenco Step by Step - Sevillanas (01) - DVD

18.90 €27.22 USD

Languages: Spanish - English - Japanese - Spanish

Lenght: 54 minutes

In this volume, which deals with sevillanas, he examines the meter, guitar playing, singing and dancing in this flamenco form.It also includes exercises, and a performance by Adrián Galia and his team. In 1997, the versatile Adrián Galia (a dancer, bailaor and choreographer) produced an ambitious audio-visual encyclopaediaof flamenco dancing. It is made up of 21 volumes, each of which is dedicated to a flamenco form.Adrián Galia convinced of everybody could dance flamenco, intends to teach flamenco dancing with an accesible didacticmethod exploring in all the different technics and movements.Compatible with all countries (NTSC and PAL).Guarantedd

ArtistsAdrian Galia


Jose Manuel Montoya. Flamenco guitar '' Bulerias step by step I''

32.50 €46.81 USD

José Manuel Montoya after playing the theme por ''Bulerías'' called Yaiza, there follows a detailed study of the seven falsetasand the finishing off, demonstrating a wide variety of rasgueos.

Guitar: José Manuel MontoyaCante: Curro CuetoBass: Tomás GueroCajón: Fco. Manuel PrietoClapping: José Merino, Carlos Chamorro, David García Dance : Carlos Chamorro

Each falseta is played:- At a slow pace accompanied by metronome (finger rapping and clapping) and with a choice of audio (group, solo guitar, orjust finger rapping and clapping).

- At the full speed of the Bulería, accompanied by clapping, cajón and bass, and with the possibility of choosing the audio(group, solo guitar, highlighting the bass, without guitar or without bass).

There is also the option of choosing several tracks of video (the whole group, solo guitar or bass solo) so that guitarists andbass players may practice.

Languages:Spanish, English, French, German and Japanese versions.

It includes a booklet with standard notation and tablature. A4 format 65 pages.

55 minutes




José Manuel Montoya. Flamenco guitar. Sing's accompaniment for Bulerias (Book + Dvd)

35.90 €51.7 USD

Frequent tonalities are interpretated with the sing by Bulerias.

There is a version with guitar with a low volume in order for the pupil to practice with the group and moreover, we have theoption of several video tracks (group, solo of guitar, or solo of percussion).

Includes book with chords and compas.

A5 format, 65 pages.

Languages: Spanish, english, french, japanese, german.

Duration: 60 minutes.

The Dvd is compatible with all the systems (Pal and Ntsc).

Accompaniment by: Bulerías de Jerez Bulerías de Cádiz Bulerías con aires de la provincia de Sevilla


Jaleos Extremeños Romance Guitare: José Manuel Montoya

Sing: Curro Cueto

Bass: Tomás Guero

Cajón: Fco. Manuel Prieto

Palmas: José Merino, Carlos Chamorro, David García



rito y geografia del baile - dvd - The rituals and geography of flamenco dancing

240.00 €345.63 USD

Songs: Dvd 1. Baile del candil - Milagros -

Tomás de Madrid Dvd 2. Fiestas públicas - Manuela Carrasco -

Merche Esmeralda - El niño, únicoprotagonista

Dvd 3. Café Cantante (hacia 1900) - ManuelaVargas - Paco Romero

Dvd 4. Primeros pasos en el teatro - Joselito -Isabel Lopez - El baile hoy 1980

Dvd 5. El Café Cantante hasta 1930 - ManuelCorrales "El Mimbre" - Matilde Coral

Dvd 6. Fiestas privadas - Sara Lezana -Manolo Soler - Pepa Montes

Dvd 7. Folklore y Flamenco - Enrique "El Cojo"- Flora Albaicín

Dvd 8. Enseñanza y Técnica - Estudio deDanza de Jerez - Fernando Belmonto /1 y 2)

Dvd 9. Consagración del teatro flamenco -Aire de los Gabrieles - Carmen Mora

Dvd 10. Aportaciones actuales - "Ay, MusicalHondo" - Mario Maya - Cristina Hoyos

Dvd 11. Baile flamenco en la actualidad -Bronce añejo - Eduardo Serrano "El Güito"

Dvd 12. Culturas y razas - El Farruco -Dinastías gitanas - Los Farrucos

Language: Spanish

Rito y Geografía del Baile was performed immediately after Rito y Geografía del Cante, already in colour, using practicallythe same technical equipment. Just as in the case of her -elder sister-, it was endeavoured to collect everything belonging tothe world of flamenco dancing, to draw from its period, and also to evoke history by recreating scenes and dances whichtoday are practically obsolete, but which are the basis of all the present dances. All, or almost all of the figures of that timeare present in this series, accompanied by great cantaores (singers) and tocaores (players) who offer us the best of theirrepertoire.

An 18 hour recording on 12 videos lasting half an hour each. This collection gathers a complete account of what dance wasabout in its original day and also a travel through its history, recreating atmospheres and the bases for all current danceforms. all the great stars of the times appear on this series. with them are the great cantaores and tocaores giving the bestof their repertoire.

Artists: Manuela Carrasco, Indio Gitano, Tía Juana “La del Pipa”, Manuel Morao, María Victoria, Melchor de Marchena, La Negra ,Manuela Vargas, Chano Lobato, Luis 'Habichuela', Paco Romero, Vicente Escudero, Marienma, Paco Cepero, Guadiana , PacoCortés, Merche Esmeralda, Moraito Chico, Matilde Coral, Manuela 'La del Barrio', Parrilla de Jerez, El Funi, El Lebrijano, PedroPeña, Sara Lezana, Talegón de Córdoba, Dieguito Carrasco, Manuel Soler, Antonio Ruiz 'Antonio', Carmen Mora, CarmenLinares, Ramón 'El Portugués', José Mercé, El Güito, 'El Farruco' , Antonio Núñez 'Chocolate', Manuel De Paula and others.



The rituals and geography of guitar playing - Rito y Geografia del Toque - Dvd

108.00 €155.54 USD

Language: Spanish

System: PAL - NTCS (+ 6.61 €)

Rito y Geografía del Toque, 9 hours on 6 Dvd including appearances by Paco de Lucía, Pepe Martínez, Melchor de Mairena,Enrique de Melchor, Paco Cepero, Diego Carrasco (El Tate), Andres Batista, Pepe Habichuela, Serranito, Diego del Gastor,Tomatito, Manuel Morao, Manolo Sanlucar, Felix de Utrera, Sabicas, among many others, etc. Including the best in flamencoplaying.The RTVE (Spain's public broadcasting company) flamenco guitar archives, now on DVD. Niño Ricardo, Ricardo Modrego,Paco de Lucía when he was 16 years old, Tomatito, Serranito, Manolo Sanlúcar, Enrique de Melchor, Pepe Habichuela, DiegoCarrasco, Paco Cepero, Andrés Batista, Pedro Bacán, Paco de Lucía and Camarón in 1972; the classic figures, like Melchor deMarchena, Diego del Gastor, Manuel Morao, Pedro Peña, Félix de Utrera, Manolo El Sevillano... and Sabicas in one of his lastconcerts. Great guitarists from between 1964 and 1979, who laid the foundations for today's guitar playing. It also includesinterviews and observations from the period. Even though the pictures are in black and white, and the sound does not havethe same quality as is customary today, it has the added value of capturing the authenticity of a time when 'play-back' didnot exist.

It includes a book with the transcripts of the interviews in Spanish, English and French.



Flamencos in the RTVE archives - Dvd

230.00 €331.23 USD

Songs: Dvd 1. Camarón de la Isla - El Mundo del

Flamenco Dvd 2. Antonio Fernández "Fosforito" - Los

Tronos del Cante Dvd 3. José Menese - Cantes del Campo Dvd 4. Jerez Gitano (1980) -La fragua Dvd 5. Cádiz Flamenco (1980) - Regreso de

América Dvd 6. El Fuego Originario -El baile Dvd 7. Estilos mediterráneos -Cantes de

Levante Dvd 8. Tradición y renovación -Los caminos

del cante Dvd 9. Del trigo a la marea -Coplas de

Nochebuena Dvd 10. Sevilla - Cantes de la noche Dvd 11. Gabriel Moreno - Lo aflamencado Dvd 12. Dvd 13. Otros rumbos del cante -Fiesta en

los patios

Language: Spanish

Flamencos in the RTVE archives in Dvd.Another gem that proceeds from the RTVE archive. Recordings of the programmes that were made between 1974 and 1980by the writer and flamencologist Fernando Quiñones, with a consistently good didactic judgement, and trying to display thetraditional elements, alongside those that were innovative at the time. Some other recordings are part of 'Rito y Geografíadel Cante' (The Rite and Geography of Flamenco Singing) and the other exclusive series is the programme 'Flamenco,antología de Cante y Baile Andaluces' (Flamenco, an Anthology of Andalusian Singing and Dancing', which was broadcast in1964, and features artists who are now legendary, of whom many few images remain, and other artists who are as famous,when they were beginning their careers.


Product details:


Interactive method for learning to play the spanish flamenco guitar - DVD - PAL

20.95 €30.18 USD

Languages: Spanish - English - Français - Deutsche

This method has been designed to make it easy to learn the Spanish Flamenco guitar, in which we show you the guitartoques by stave, by tablature and by video, at all times following the teacher-student concept of traditional Flamenco guitarby transmitting the information both orally and visually.

Menu:- The maestro- The guitar workshop- Techniques and exercices- Toques (Sevillana, Rumba1, Tango, Fandango1, Soleá, Bulería, Fandango2, Rumba2)

Available only for PAL system DVD player.Dvd or Video PAL system for Europeam countries. Video NTSC system for Americam and Asinan countries.Please make sure you are able to read this kind of video before ordering them.


Método interactivo de guitarra española - Cd-Rom

23.60 €33.99 USD

We are proud to present the first interactive flamenco guitar method on Cd-Rom, unique in its kind, designed to learn easilythe ‘toque’ of the flamenco guitar without having musical knowledge.


Método de cajón del nuevo flamenco (Flamenco box-drum method for new flamenco) - Dvd - Pal

23.95 €34.5 USD

Get a splendid illustrated, interactive course from this multimedia product. It has videos with scores and high fidelity soundto help you learn flamenco box percussion in a fun and easy way. There is a DVD and sheet music for all the pieces includedinside. You´ll be able to watch this dvd in spanish, english, français, deutsche, catalá.

Available only for PAL system DVD player.Dvd or Video PAL system for Europeam countries. Video NTSC system for Americam and Asinan countries.Please make sure you are able to read this kind of video before ordering them.


practice the flamenco cajón - Dvd

31.35 €45.15 USD

Script by Guillermo McGill and Faustino Núñez Here you can accompany with your cajón the following styles of flamenco:BuleríasAlegríasBulerías por soleáSeguiriyasTangosTanguillosRumbaAccess to two different set ups: one with all musicians, the other focussed on the cajón, showing it being played fromdifferent angles. Also here the volume can be reduced, so the student can play on his own over the music.Spanish, English, French, German and Japanese versions. PAL and NTSC systems.Musicians:Jose Luís Ordoñez: Flamenco GuitarAna Salazar: Dance and palmasEva Durán: Singing and palmasAngélica Leiva: Singing and palmas60 minutesDVD 5 languages. The DVD is full compatible with all countries (PAL and NTSC). Five languages included Spanish, English, French,German and Japanese.


Learn how to play the flamenco cajón - Dvd)

31.35 €45.15 USD

Script by Guillermo McGill and Faustino Núñez In this DVD you will find everything related to the cajón, it´s rudiments, basic sounds, technique and it´s application inflamencomusic. Five cameras record the whole process, for the first time there will be shown all the details related to the cajón and it´smusic.The DVD further includes a detailed explanation on the rhythmical structure of the different styles of flamenco, a shorthistory of the cajón and a description of the way it is constructed; further a chapter dealing with other instruments ofpercussion used in flamenco, like the Darbuka or the battery.Spanish, English, French, German and Japanese versions. PAL and NTSC systems.It includes a booklet with exercises and explanations about the contents of the DVD Musicians:Jose Luís Ordoñez: Flamenco GuitarAna Salazar: Dance and palmasEva Durán: Singing and palmasAngélica Leiva: Singing and palmas120 minutesDVD 5 languages. The DVD is full compatible with all countries (PAL and NTSC). Five languages included Spanish, English, French, German and Japanese.


Jóvenes Maestros del Arte Flamenco - Rafael Campallo

29.90 €43.06 USD

Songs: DISCO 1 1. Farruca 2. Soleá por bulerías 3. Taranto 4. Alegrías

The farruca, soleá por bulerías, taranto and alegrías are the tracks of this record in which the young bailaor (flamencodancer) Rafael Campallo is accompanied by some members of his family, who sing and as well as playing the guitar. Thisrecord can help listeners to get to know the Sevillian master from a more metric, more precise perspective, allowing us toget closer to his musical understanding.

Palos:Alegrias - Farruca - Solea por Bulerias - Tarantos

ArtistsJuan Campallo - Juan Jose Amador - Mariano Campallo - Pilar Campallo - Rafael


Jóvenes Maestros del Arte Flamenco. Vol. 1. DVD

28.25 €40.69 USD

This DVD contains four tracks with dance by María del Mar Moreno, and it has been thought up to learn and practice the artof flamenco, which is why it includes themes with dancing and the same themes without dancing. It includes the soleá,alegrías, seguiriyas and bulerías masterfully performed by the Jerez bailaora, María del Mar Moreno. She is accompanied bythe singing of Luis Moneo and, on guitar, Antonio Jero and Santiago Moreno. The percussion and hand clapping are byRubichi and Quina. This DVD is compatible with PAL and NTSC systems. It is internationally compatible.FOR ALL COUNTRIESMultisystem, this Dvd plays:Side A in PAL formatSide B in NTSC format.

Palos:Bulerias - Alegrias - Seguiriyas - Solea

Artists


Maria del Mar Moreno - Antonio Jero - Luis Moneo - Santiago Moreno


Víctor Monje Serranito, en concierto 2002. DVD

31.45 €45.3 USD

Music and direction: Spanish - Inglés - Francés - Japonés

This recital has been recorded by the guitarist from Madrid Víctor Monge SerranitoVictor Monge 'Serranito', a Spanish composer born in Madrid who was self-taught and a professional since an early age, isconsidered one of the most talented guitarists of recent years. The Concierto de Guitarra Flamenca (Flamenco GuitarConcert) of the great master Victor Monge 'Serranito' is accompanied by Miguel Rivera as a second guitar, Julián Vaquero asa second guitar and bass player, and Victor Monge Barrios on percussion. The concert, recorded on stage, includes sixthemes whose sheet music is also available both standard notation and tablature in the form of a book.Compatible with all countries. Compatible NTSC and PAL.


Baile Flamenco vol. 1 - Dvd

19.95 €28.73 USD

The choreographies that are featured in Master José Galván's CD, are now staged so that viewers may be able to perceivethe variations between different types of costumes, arm movements, meters, zapateados (rhythmic combinations of soundsmade by stepping with the toe, sole and heel of the foot), etc. It is very useful for elementary and medium level dancestudents. Artists: Pastora Galván Ana Japón Marina Valiente Paqui del Río José Anillo Rafael Rodríguez Miguel Aragón José Galván Soraya Length: 80 minutes


Palos:Bulerias - Alegrias - Caracoles - Fandangos de Huelva - Guajira - Sevillanas - Solea - Tangos de Malaga - Tanguillos de Cadiz


Baile Flamenco Vol. 2 - DVD

19.95 €28.73 USD

The choreographies of the maestro José Galván now available on DVD. We can now appreciate the costumes variances, theladies movements, etc.Indicated for the introduced people, middle level.

Dance: José Galván, Pastora Galván, Paqui del Río, La Caracola and Ana JapónSinging: Enrique de Morón and TañéGuitare: Rafael Rodríguez and Javier Leal

1 Garrotín 10'33'' 2 Tarantos 11'48'' 3 Bamberas 10'36'' 4 Rondeña 9'02'' 5 Zorongo 10'46'' 6 Caña 11'55''


7 Martinete 4'35'' 8 Tangos 8'13''

CD also available.

PAL and NTSC DVD.

Palos:Bamberas - Caña - Garrotin - Martinete - Rondeñas - Tangos - Tarantos - Zorongo

ArtistsJose Galvan - Pastora Galvan


Baile Flamenco. Vol. 3 - DVD

19.95 €28.73 USD

The choreographies of the maestro José Galván now available on DVD. We can now appreciate the costumes variances, theladies movements, etc.The Farruca is a Rafael Campallo chreography.

Dance: José Galván, Pastora Galván, Paqui del Río, La Caracola and Ana JapónSinging: Enrique de Morón and TañéGuitare: Rafael Rodríguez and Javier Leal

1 Soleá por Bulerías 2 Romera 11'48'' 3 Petenera 10'36'' 4 Tientos 9'02'' 5 Siguiriya 10'46'' 6 Farruca 11'55''


CD also available.

PAL and NTSC DVD.

Palos:Farruca - Petenera - Romera - Siguiriya - Solea y Bulerias - Tientos

ArtistsJose Galvan - Pastora Galvan - Rafael


Sólo Compás - en Vivo desde Utrera (Dvd)

28.35 €40.83 USD

An authentic gypsy feast recorded live in Utrera.Almost two hours with performances from thirty gypsies from Utrera of every age group, in bulería and tango styles. Men,women, children, grandfathers and grandmothers who are descendants of “El Pinini” and “La Serneta”. The meters that theartists mark will stay in the body of anyone who listens to them. It includes two improvised pieces that were not part of theofficial recording session. Singing and dancing: Gypsies from Utrera. Guitar: Paco Fernández, Antonio Moya and “Pitín deUtrera”.



La noche flamenca - Dvd

30.25 €43.57 USD

Songs: Dvd 1

Music and direction: 90 minutes

A live recording from the Sólo Compás Flamenco Tablao (Sevilla). Live dancing in sevillana, jaleo, bulería, tiento, soleá porbulerías, seguiriyas and alegría styles by José Galván, Juan Amaya 'El Pelón', Carmen Reina, Mercedes, Zoraida Ortega, AnaJapón and Pastora Galván. It includes an introduction on the history of tablaos in Spain.

Multi-system DVD, compatible with PAL and NTSC. It works in all countries.FOR ALL COUNTRIESMultisystem, this Dvd plays:Side A in PAL formatSide B in NTSC format.

Palos:Bulerias - Alegrias - Jaleos - Seguiriyas - Sevillanas - Solea por Bulerias - Tientos


ArtistsAna Japon - Carmen Reina - El Bola - Jose Anillo - Jose Galvan - Juan Amaya 'EL Pelon' - Juan Jose Amador - Pastora Galvan -Rafael Rodriguez - Zoraida Ortega


Oscar Herrero en concierto - Dvd

26.15 €37.66 USD

Songs: 1. Ambar de primavera (Tangos) 2. De la alhambra a Eldorado (Granaina, Colombiana) 3. Paisano (Fantasía) 4. Carmen (Sevillanas) 5. De tierras celtas al caribe (Farruca, Nana, Rumba) 6. Torrente (Bulería)

A flamenco guitar concert by the great master Oscar Herrero, who is accompanied by: Pedro Esparza (flute, sax and gaita (awind instrument that is similar to a flute or chirimía, around 40 cm long)) and Jorge Palomo (percussion). Length: 54 minutesMultisystem DVD, compatible with PAL and NTSC systems. Suitable for use in any country.

Palos:Rumba - Buleria - Colombiana - Fantasia - Farruca - Granaina - Nana - Sevillanas - Tangos

ArtistsJorge Palomo - Oscar Herrero - Pedro Esparza


Flamenco guitar Step by Step. Vol 1. Basic technique I. by Oscar Herrero - Dvd

34.10 €49.11 USD

For anyone who wants to become initiated in the flamenco guitar and to learn basic technique, Óscar Herrero explains eachtechnique at length, movement after movement, including every detail. In this volume, he looks closely at the posture inwhich one should sit and how to hold the guitar, the position of the right hand, the thumb and thumb-index techniques,strumming with simple percussions, blows, strumming with blows, strumming without the thumb, flamenco tangos, picado(technique used during the melodic guitar playing section, in which the same string is touched with the index and middlefinger alternately, and produces an acute sound), picado falseta (variation) in a tango style and the meter of the soleá. Itcomes in Spanish, English, French and Japanese versions, and includes a booklet in standard notation and guitar tabs. Length: 68 minutes.

The DVD is full compatible with all countries (PAL and NTSC). Four languages included Spanish, English, French and Japanese.Video PAL system for Europeam countries. Video NTSC system for Americam and Asinan countries.


Flamenco guitar Step by Step. Vol 2 Basic Technique II. by Oscar Herrero - Dvd

34.10 €49.11 USD

After performing a taranta with accompaniment from hand clappers, Óscar Herrero explains advanced techniques forstrumming using the thumb, alzapúa (right hand technique whereby the thumb is brandished repeatedly against the samestring, usually a grave string) and tremolo (accompaniment with the thumb, index, middle and ring fingers on the samestring, to give the impression of a faltering sound). Flamenco harmony. Playing in bulería and alegría styles. It also includespieces for guitar recitals that summarise all the techniques that are explained in the volumes 1 and 2. It comes in Spanish,English, French and Japanese versions, and includes a booklet in standard notation and guitar tabs. Length: 68 minutes.

The DVD is full compatible with all countries (PAL and NTSC). Four languages included Spanish, English, French and Japanese.Video PAL system for Europeam countries. Video NTSC system for Americam and Asinan countries.


Flamenco Guitar Step by Step. Vol 3. Técnica básica III. por Oscar Herrero - Dvd

34.10 €49.11 USD

In this volume, after performing the sevillana 'El rastrillo' with percussion accompaniment, Óscar Herrero develops someways to obtain a good left hand technique with exercises including extensions, ligato, chord changes, using the little finger...As for the right hand, exercises for the ring finger are examined, as well as arpeggios (pressuring a bass chord with thethumb, while several different high chords are pressured using two or three fingers alternately). It ends with an interviewwith the famous guitar builders Hermanos Conde, in which they talk of all the precautions and care that must be taken withflamenco guitars. It comes in Spanish, English, French and Japanese versions, and includes a booklet in standard notationand guitar tabs. Length: 70 minutes The DVD is full compatible with all countries (PAL and NTSC). Four languages included Spanish, English, French and Japanese.Video PAL system for Europeam countries. Video NTSC system for Americam and Asinan countries.


Flamenco Guitar Step by Step. Vol 4. La soleá I. by Oscar Herrero - Dvd

34.10 €49.11 USD

After a performance of the soleá 'Majestad', Oscar Herrero explains the rhythm of the soleá, and several rhythmichand-clapping exercises are included.Subsequently, the structure of the guitar playing styles and some of the elements that make up the soleá are examined, likethe cierre (the closing of a rhythmic phrase), meters, rasgueados (strumming) and 7-8-9 melodies.It includes a booklet in standard notation and guitar tab in A4 format, 26 pages. Length: 60 minutes. The DVD is full compatible with all countries (PAL and NTSC). Four languages included Spanish, English, French and Japanese.Video PAL system for Europeam countries. Video NTSC system for Americam and Asinan countries.


Flamenco Guitar Step by Step.Vol 5. 'La soleá II' by Oscar Herrero - Dvd

34.10 €49.11 USD

Oscar Herrero continues to examine the elements that make up the structure of the soleá, like the falseta (variation, ormelodic phrase interspersed between successions of chords), remate (the emphatic final part of a movement), llamada (call,or signal) and final (end).Blueprints of 'standard' falsetas are explained in detail, including introductions, harmonic sequences and set positions. Tofinish things off, he performs two soleares: 'Sendero' and 'Atril flamenco'. The guitar playing on both these pieces has beenused as the base for the exercises and explanations throughout the two videos, La soleá I and La soleá II. It includes a booklet in standard notation and guitar tab in A4 format, 44 pages. Length: 65 minutes.

The DVD is full compatible with all countries (PAL and NTSC). Four languages included Spanish, English, French and Japanese.Video PAL system for Europeam countries. Video NTSC system for Americam and Asinan countries


Flamenco Guitar Step by Step. Vol 6. Accompaniment for soleá singing by Oscar Herrero - Dvd

46.15 €66.47 USD

After several explanations of how to accompany soleá singing, the cantaor (flamenco singer) Paco del Pozo, with OscarHerrero on guitar, performs two kinds of soleá, the 'Soleá de Alcalá' and the 'Soleá de Cádiz', apart from two other styles, the'caña' and 'polo', that are accompanied using the same rhythm as the soleá. Subsequently, Paco del Pozo sings the samepieces with percussion and palmas (rhytmic hand-clapping) accompaniment, so that students can add their own guitarplaying at home. It includes a booklet in standard notation and guitar tab in A4 format, 48 pages. Length: 75 minutes.

The DVD is full compatible with all countries (PAL and NTSC). Four languages included Spanish, English, French and Japanese.Video PAL system for Europeam countries. Video NTSC system for Americam and Asinan countries


Flamenco Guitar Step by Step Vol 7. ' Alegrías I' by Oscar Herrero - DVD

32.35 €46.59 USD

Alegrías IAfter performing the concert piece called Miragua accompanied by percussion, Oscar Herrero explains in detail the differentelements which comprise the Alegría in the key of E: Closure, Strummed measures, The melodies on 7-8-9, Falsetas,Ffinishing off and 'llamada'.Each one of these elements is studied separately, slowly and at normal speed.The contents are generous, since the given exercises are aimed at every level of guitarist, from a minimum technique toadvanced. It includes a booklet with standard notation and tablatureA4 format 37 pages.45 minutesDVD 4 launguages. The DVD is full compatible with all countries (PAL and NTSC).


Four languages included Spanish, English, French and Japanese.


Flamenco Guitar Step by Step Vol 8. ' Alegrías II' by Oscar Herrero - DVD

32.35 €46.59 USD

Alegrías II

Oscar Herrero explains in detail the different components of the Alegría in the key of C and A, tonalities which are often usedto accompany the cante por Alegrías. Each of the elements is then studied separately both slowly and at normal speed.The contents are generous, since the given exercises are aimed at every level of guitarist, from a minimum technique toadvanced. Spanish, English, French and Japanese versions. PAL and NTSC systems. It includes a booklet with standard notation and tablature. A4 format 65 pages.50 minutesDVD 4 launguages.The DVD is full compatible with all countries (PAL and NTSC). Four languages included Spanish, English, French andJapanese.Video PAL system for Europeam countries. Video NTSC system for Americam and Asinan countries


Flamenco Guitar Step by Step Vol 9. Accompanying the singing 'Por Alegrías' by Oscar Herrero - DVD

44.10 €63.51 USD

Accompanying the singing 'por Alegrías'In-depth study of the accompaniment to the cante por Alegrías. Concert themes are developed. Oscar Herrero begins bydemonstrating various rasgueo patterns por Alegrías which are used as the basis for the accompaniment to el cante porAlegrías. In addition three cantes which use the alegrías rhythm in accompaniment are included, these are the Mirabrás,Romera and Caracoles.First, the songs are interpreted by the cantaora María de Toledo accompanied on the guitar by Oscar Herrero. Then thecantaor sings the same songs, this time accompanied only by percussion and palmeros, so that the student can add theguitar part himself at home. Spanish, English, French and Japanese versions. PAL and NTSC systems. It includes a booklet with standard notation and tablature.A4 format, 40 pages.45 minutesThe DVD is full compatible with all countries (PAL and NTSC).


Four languages included Spanish, English, French and Japanese.Video PAL system for Europeam countries. Video NTSC system for Americam and Asinan countries.


Sevillanas course - Dvd

17.95 €25.85 USD


In the first part we will study all the steps in detail.We also teach you some simple techniques of Flamenco Dancing to learn how to control your hands, arms and feet. The second part (advanced) is dedicated to personality and style both for males and females dancers.

Languages: Spanish, English, German, Japanese.


Palos:Sevillanas


Rumba's course (DVD)

17.95 €25.85 USD


In this course we introduce the basics steps of the Flamenco-Rumba Dance and the technique required to link themovements together for your personal interpretation of this dance. We study all movements: hands, arms, legs, feet, the twists and turns, and of course...the hips!




Castanets course - Dvd

17.95 €25.85 USD


We start from the begining, theaching you the correct positions for hands and fingers. We carry on with a series of exercises that will help to keep your fingers agile. We also show you in more detail how to play the castañets in each of the four Sevillanas sequences.

Languages: Spanish, English, German, Japanese



The Spanish Guitar - DVD

17.95 €25.85 USD


This DVD is devoted to guitar lovers in general, and also to anyone wishing to know more about the Spanish Guitar and itsvital part of Flamenco. The DVD starts with magnificent solos performed by the guitarrits José Cortés, Pedro Sierra and JoseLuis Montón. Learning how to "follow" the singers is demostrated with Rafael Fajardo singing. The DVD ends with detailedexpalantion of the main techniques of Spanish guitar playing. Duration: 45 mn. approx.


The DVD is valid and compatible for all countries (NTSC and PAL). Guaranteed.of learning.


The aragonese jota - Dvd

17.95 €25.85 USD


Length: 55 min.



Flamenco gym - Dvd

17.95 €25.85 USD


Smart and fun gymnastics to Sevillana and Rumba rhythms that improves your body and mind. The gym teacher beside theSpanish dancer will show us the Flamenco touch given to the exercises. This muscle toning gym and stretching exercises areperfect for any age, even for people with back problems. The video contains: Warm - up to Rumbas. Abdominal exercises toSevillanas. Stretching to Soleá, etc... and ends with step by step excercise explanations. Duration: 64 mn. approx. Languages: Spanish, English, German, Japanese.



Salsa gym - Dvd

17.95 €25.85 USD


Gym, with the Caribbean rythm with: Merengue, Salsa, Cha Cha Cha, Cumbia, Bolero Brasileño.In case you don't like doing your exercise routine to Flamenco music here is a similar session of stretching, calesthenics, andaerobics accompanied by Salsa music. The video contains a 60-minute session and a shorter 28-minute aerobic workout,both led by the energetic Alicia Castro, who works the body muscle by muscle, while slipping in some basic steps for dancingSalsa, Merengue, Cha Cha, Bolero and Cumbia. Languages: Spanish, English, German, Japanese.



Show flamenco - Dvd

17.95 €25.85 USD


In this video we will show you nine different dances, just as they are performed on stage: Fandangos, Alegrías, Soleá, Sevillanas, Bulerías, Tientos, Rumba, Tangos, Farruca. 'TABLAO' performance to Live Music.Length: 35 minutes.Languages: Spanish, English, German, Japanese.



Flamenco dance Today - Dvd

17.95 €25.85 USD


Performing in a Spanish theatre, this group of artists has already earned a reputation as one of the best of the younggeneration. Here they interpret Seguiriya, Soleá, Bulería, Tientos, Alegrías, and other dances showing contemporaryflamenco style at its purest. Theatre performance to live music. Duration: 61 min approx 'Theatre' performance to LIVE MUSIC.Languages: Spanish, English, German, Japanese.



Gipsy Party - Dvd

17.95 €25.85 USD


Gypsy party' is a great flamenco show where famous artists such as Rafael Fajardo and Angelita Vargas are accompanied byother gipsy dancers and singers in an extraordinary performance of Flamenco Tangos and Bulerías. Gipsy art is expressed inFlamenco with that particular strength, sentiment and dazzling light that only the gypsies can portray.Theatre performance to live music. Duration: 35 mn. approx.Languages: Spanish, English, German, Japanese.



Spanish classical dance - DVD

17.95 €25.85 USD

In this DVD we can see the footsteps of what could have been the first "blending" of flamenco: Combining steps of classical ballet and gypsysongs with orchestra music of Albéniz or Granados , as well as castañuelas and zapateados.. the topics we will see in this video are 'Luis Alonso's wedding', 'Goyescas', 'Patinillo', '<?xml:namespace prefix = st1 ns =""urn:schemas-microsoft-com:office:smarttags"" />Spain' and 'Triana'.


Flamenco guitar basics - Dvd

17.95 €25.85 USD

Learninglevel:

In the end we will listen to a Solea with the singing of Jesus Fajardo.

46 min.




Learning to dance flamenco for Tangos - DVD

9.95 €14.33 USD

Songs: 1.- Entrevista: el bailaor Pedro Córdoba se

presenta, habla de sus inicios, su carrera y aportasu personal visión del baile flamenco.

2.- Clase de baile: introducción al palo y diferentesejercicios.

3.- Soniquete. 4.- Compás de palmas. 5.- Baile: con cante, baile, percusión y Tangos. 6.- Galería fotográfica.

“Learning to dance flamenco for…” with the teacher and dancer Pedro Cordoba. It is a didactic DVD collection with which we start to study flamenco dance. This DVD is about Tangos.

Languages: Spanish, English, Japonese and French.DVD PAL Multizone

Palos:Tangos


Learning to dance flamenco for Solea - DVD

9.95 €14.33 USD

Songs: 1.- Entrevista: el bailaor Pedro Córdoba se presenta, habla de sus

inicios, su carrera y aporta su personal visión del baile flamenco. 2.- Clase de baile: introducción al palo y diferentes ejercicios. 3.- Soniquete. 4.- Compás de palmas. 5.- Baile: con cante, baile, percusión y Solea. 6.- Galería fotográfica.

“Learning to dance flamenco for…” with the teacher and dancer Pedro Cordoba.It is a didactic DVD collection with which we start to study flamenco dance. This DVD is about Solea.

Languages: Spanish, English, Japonese and French. DVD PAL Multizone

Palos:Solea


Learning to dance flamenco for Seguidilla - DVD

9.95 €14.33 USD




3.- Soniquete. 4.- Compás de palmas. 5.- Baile: con cante, baile, percusión y Seguirilla. 6.- Galería fotográfica.

“Learning to dance flamenco for…” with the teacher and dancer Pedro Cordoba. It is a didactic DVD collection with which we start to study flamenco dance. This DVD is about Seguidilla.


Palos:Seguirillas


Learning to dance flamenco for Rondeña - DVD

9.95 €14.33 USD




3.- Soniquete. 4.- Compás de palmas. 5.- Baile: con cante, baile, percusión y Bulerias por

Rondeña 6.- Galería fotográfica.

“Learning to dance flamenco for…” with the teacher and dancer Pedro Cordoba. It is a didactic DVD collection with which we start to study flamenco dance.This DVD is about Rondeña.


Palos:Rondeñas


Learning to dance flamenco for Martinete - DVD

9.95 €14.33 USD




3.- Soniquete. 4.- Compás de palmas. 5.- Baile: con cante, baile, percusión y Bulerias por

Martinete 6.- Galería fotográfica.

“Learning to dance flamenco for…” with the teacher and dancer Pedro Cordoba. It is a didactic DVD collection with which we start to study flamenco dance. This DVD is about Martinete.


Palos:Martinete


Learning to dance flamenco for Jaleos - DVD

9.95 €14.33 USD




3.- Soniquete. 4.- Soniquete palmas. 5.- Baile: con cante, baile, percusión y jaleos. 6.- Galería fotográfica.

“Learning to dance flamenco for…” with the teacher and dancer Pedro Cordoba.It is a didactic DVD collection with which we start to study flamenco dance. This DVD is about Jaleos.


Palos:Jaleos


Learning to dance flamenco for Bulerias - DVD

9.95 €14.33 USD




3.- Soniquete. 4.- Compás de palmas. 5.- Baile: con cante, baile, percusión y Bulerias. 6.- Galería fotográfica.

“Learning to dance flamenco for…” with the teacher and dancer Pedro Cordoba.It is a didactic DVD collection with which we start to study flamenco dance. This DVD is about Bulerias.


Palos:Bulerias


Learning to dance flamenco for Bulerias for Soleá - DVD

9.95 €14.33 USD




3.- Soniquete. 4.- Compás de palmas. 5.- Baile: con cante, baile, percusión y Bulerias por Soleá 6.- Galería fotográfica.

“Learning to dance flamenco for…” with the teacher and dancer Pedro Cordoba. It is a didactic DVD collection with which we start to study flamenco dance.This DVD is about Bulerias for Soleá.


Palos:Bulerias por Solea


Learning to dance flamenco for Alegrias - DVD

9.95 €14.33 USD




3.- Soniquete. 4.- Compás de palmas. 5.- Baile: con cante, baile, percusión y Alegrias. 6.- Galería fotográfica.

“Learning to dance flamenco for…” with the teacher and dancer Pedro Cordoba.It is a didactic DVD collection with which we start to study flamenco dance. This DVD is about Alegrias. Languages: Spanish, English, Japonese and French. DVD PAL Multizone

Palos:Alegrias


Learning to dance flamenco for Technique - DVD

9.95 €14.33 USD




3.- Soniquete. 4.- Compás de palmas. 5.- Baile: 6.- Galería fotográfica.

“Learning to dance flamenco for…” with the teacher and dancer Pedro Cordoba. It is a didactic DVD collection with which we start to study flamenco dance. This DVD is about Technique.



Flamenco Guitar visual method by Manuel Granados - Dvd - Pal

32.95 €47.46 USD

The Flamenco Guitar Visual Method is the first interactive multi-camera method on the market. With the Vision Angle optionyou can choose the camera angle you want. Long shot of Manuel Granados (angle 1), close up shot of the left hand (angle2), close up shot of right hand (angle 3) All of which accompanied with the score on screen.

1. PLAYING POSITIONthree styles: ancient, classic and current, with photographical examples of the different periods.

2. INSTRUMENT'S DESCRIPTIONPresentation of each of the components of the Flamenco guitar and the type of wood or woods usually used. Presentation ofthe different styles of Flamenco guitars that exist and their different purposes. Short history of the composition of the guitar.

3. TUNINGTuning by equal temperament and tuning based on the harmonic series

4. PRELIMINARY TECHNIQUEa). Each of the techniques detailedb). Preliminary study of each one of the techniques

5. PRIMARY STYLES:Introduction to the following styles:

SoleáSiguiriyasTientosAlegríasBulerías

For each style 5 characteristic themes or “compases” and 5 variations

6. REPERTOIRE PIECES of basic level, according to the styles described before, duration of 1 to 2 minutes

7. MUSICAL ANALYSIS a). melodico-harmonic study of the Flamenco style.The Flamenco ModeThe functions of the ModeThe Cadencia (rhythm) or characteristic progression

b). study of the metrical structures of the styles of Soleá, Siguiriyas, Tientos, Alegrías and Bulerías


8. HISTORY OF THE FLAMENCO GUITAR by María Jesús Castro

5 languages : Castellano, English, Français, Italiano, Catalá



el guitarmute

39.90 €57.46 USD

DVD's content: NTSC

The Guitarmute is an exciting new product designed especially for flamenco and classical guitarists who want to practicetheir right hand techniques when they don't have access to a guitar. It is small and very portable, enabling guitarists topractice virtually anywhere and anytime, without disturbing those around them. It is the perfect guitar tool for beginners andadvanced players alike. Practice your picados, rasgueados, arpeggios, tremolos, and alzapuas, etc. Includes instructionalDVD.


didactic dvd & video

Catalogue produced on 11/04/2011 o DVD€¦Catalogue produced on 11/04/2011 Si buscas música...

Documents

Transcript of Catalogue produced on 11/04/2011 o DVD€¦Catalogue produced on 11/04/2011 Si buscas música...