CASTLEFORD CAMERA CLUB WHITE BALANCE. White Balance – A definition White balance is the...
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Transcript of CASTLEFORD CAMERA CLUB WHITE BALANCE. White Balance – A definition White balance is the...
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CASTLEFORD CAMERA CLUB
WHITE BALANCE
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White Balance – A definition
White balance is the measurement of light
in relation to its varying temperatures
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WHITE BALANCEThe reason we adjust white balance is to get the colors
in our images as accurate as possible.
Fluorescent lighting adds a bluish cast to photos whereas tungsten (incandescent/bulbs) lights add a
yellowish tinge to photos
Cooler Temperature Warmer Temperature
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THE VISUAL SPECTRUM
This scale gives an idea of how colours relate to one another.
Midday sun will shine roughly equally across this
whole range.
Other light sources will only emit some of these frequencies, or will be biased towards one end of
the spectrum or the other.
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Our eyes are very good at adjusting automatically
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THE WAY WHITE BALANCE WORKS
Cameras measure the amount of red, green and blue light that are reflected onto the sensor.
If the light source isn’t producing much at the blue end of the spectrum, then forcing a specific white
balance to account for this tells the camera to expect disproportionately low levels of blue light and then
bears this in mind when deciding what colours things should be.
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WHITE BALANCE OPTIONS
AUTO WBWB PRE-SETSGREY CARDSMANUAL WBPOST PROCESSING
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Most of the time you will want the colours of your scene to reflect as accurately as
possible.
So “why not use AUTO” you say?
Sometimes you will get a more impressive image by artificially warming up or cooling
down your scene.
AUTO WHITE BALANCE
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Sunrise is a prime example – your camera’s auto white balance will often correct the rich, warm colours of
the scene, leaving you with a photo which doesn’t
reflect the colours you are trying to capture.
To warm up the look of a sunrise, increase the white
balance to achieve the effect you are after, This will
enhance the warm reds and oranges and subdue the cold
blues and greens
Auto white balance 2850
Manual white balance 5350
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PRE-SETS
Although this scale is only approximate, it gives an idea of how the presets relate to
one another.
The ‘tungsten’ lightbulb correcting for very orange light (at the left) and the ’shade’
setting compensating for very blue light.
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SOMETHING TO BEAR IN MIND
White Balance pre-sets are an average and still may not be truly accurate.
For example many cameras use 5500K as their daylight setting because the sun in the morning and afternoon is
cooler than 6500K
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Manual – grey cards
Ascertaining the true colours can involve shooting a picture of a white (or, better still, neutral grey), object under the lighting you’re working under.
This teaches the camera how to balance the levels
of the red, green and blue information that it’s recording.
But Remember – you will need to do this every time the lighting conditions change.
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Take a look at the following images:
This shot was taken in Auto White Balance. The light in the
room is from three standard light bulbs and as a result the image is quite warm or yellow
A piece of white paper was then held up to the
camera to tell it what color white is. Then a second shot was taken
using this setting
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MANUALWHY TAKE TOTAL CONTROL?
There may be times when you want to be creative with light in
photography.
Setting the white balance manually will provide you with creative
freedom to produce images with impact.
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MANUAL – TAKING CONTROL
White balance is often described in terms of colour temperatures, using a scale marked K – Kelvin
Colour Temperature Light Source
1000-2000K Candlelight
2500-3500K Tungsten Bulb
3000-4000K Sunrise/Sunset (clear sky)
4000-5000K Fluorescent Lamps
5000-5500K Electronic Flash
5000-6500K Daylight with Clear Sky (sun overhead)
6500-8000K Moderately overcast sky
9000-10000K Shade or Heavily Overcast Sky
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POST PROCESSINGWhite balance can be altered later in computer
software such as Photoshop, Lightroom, Elements etc.
To get the best results using post processing use RAW format.
A JPEG image isn't as effective because the data the software needs is usually the data that has been removed in order to decrease the file size
in the first place
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The centre image is incorrectly exposed and has been corrected both with JPEG and RAW.
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The best thing you can do is get the shot as perfect as possible when you
press the shutter.