Capital Collections

WesChler’sSince 1890

Capital ColleCtions

estate auCtion

Friday, February 3, 2012

10 AM

WesChler’sauctioneers & appraisers since 1890

adam a. Weschler and son, inc. has served the nation’sCapital as fine art auctioneers and appraisers since 1890. thegallery is now owned and managed by fourth and fifth genera-tion members of the Weschler family and is supported by ahighly experienced administrative staff.

in our second century, Weschler’s renews its commitment tothe highest level of professionalism in auction and appraisalservices. since its founding, Weschler’s has strictly adhered tothe principle that the company own none of the items it auctions, acting solely as an agent for consignors.

adam a. Weschler (1874-1951)ralph a. Weschler, sr. (1897-1966)ralph a. Weschler, Jr. (1921-1982)Benjamin e. Weschler (1922-1993)

William p. Weschler, sr. (1926-2006)John s. Weschler, sr. (1956-2011)

ChairMan of the Board

William p. Weschler, Jr.accredited senior appraiser

american society of appraisers

offiCers

thomas M. WeschlerPresident

accredited senior appraiseramerican society of appraisers

leonard J. WeschlerTreasurer / Secretary

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CAPITAL COLLECTIONSESTATE AUCTION

WESCHLER’SAuctioneers and Appraisers Since 1890

909 E Street N.W. Washington, DC 20004202/628-1281 FAX 202/628-2366

www.weschlers.com

AUCTION

Friday, February 3, 2012 at 10 a.m.

PREVIEWSaturday, January 28 – 9 a.m. to NoonSunday, January 29 – 11 a.m. to 4 p.m.Monday, January 30 – 10 a.m. to 5 p.m.Tuesday, January 31 – 10 a.m. to 5 p.m.

Wednesday, February 1 – 10 a.m. to 5 p.m.Thursday, February 2 – 10 a.m. to 2 p.m.

CATALOGUES$20 at the Gallery

$25 by First Class Mail, $35 Overseas

In absentee bids this sale may be referred to as 1400Front Cover Illustration: Lot 153Back Cover Illustration: Lot 286

All lots subject to 17-1/2% buyer’s premium as part of purchase price.(See clause 6 of the Conditions Sale)

PROPERTY FROM THE ESTATES OF:Dorothea E. BlocherLillie Mae Embrey

Dr. William Delaney Barbara KellySally Kraus

A Maryland Estate Varue W. Oishei

Josephine B. Pierce A Prominent Washington, D.C. Estate

OTHER CONSIGNORS INCLUDE:An Alexandria Collection

The Family of Noted Physician and SurgeonJohn Benjamin Murphy (1857-1916)

A Local Collection A Maryland Collector

A Private Collector A Prominent Local Firm

A Prominent Washington Collection A Virginia Collection

A Washington Collector

SPECIALISTS IN CHARGE(202) 628-1281

MANAGER OF CAPITAL COLLECTIONS

Leigh Snitiker

RUGS AND CARPETS

Thomas M. Weschler

EUROPEAN & AMERICAN FURNITURE AND DECORATIONS

Leigh Snitiker

John Middlebrook

ASIAN WORKS OF ART

William P. Weschler, Jr.

FINE ART

Caroline Simms

Colette Chipman, Consultant

JEWELRY & WATCHES

Mark P. Weschler

20TH CENTURY DECORATIVE ARTS

John Middlebrook

CUSTOMER SERVICE DEPARTMENTS

(202) 628-1281

Fax (202) 628-2366

ABSENTEE BIDS, PURCHASER & CONSIGNOR PAYMENTS

Linda Amigh

FREE VERBAL ESTIMATES:Weschler’s experts will provide a freeauc tion-value estimate by ap point ment inour gal lery. Al ter na tively, pho to graphswhich clear ly de pict the items may besub mit ted in person, by mail or via emailat [email protected], if ac com pa nied

by de scrip tive in for ma tion such as di men -sions, con di tion, sig na tures, prove nance,and oth er rel e vant data. We schler’s ex -perts will be happy to visit your locationto view large col lec tions for a nominal fee,re fund able if the col lec tion is consignedwithin one year.

WRITTEN APPRAISALS:Weschler’s experts provide written ap -prais als for insurance, tax, estate or salepur pos es. The cost is based on the timeinvolved and the scope of the appraisal.Please contact Wil li am P. Weschler, Jr. orTho mas M. Wes ch ler at (202) 628-1281for further in for ma tion.

SPECIALIST DEPARTMENTS

SPECIALIST DEPARTMENTS

Manager of Capital CollectionsLeigh Snitiker202-628-12811-800-331-1430

FINE ARTS

American and EuropeanPaintings, Drawings, Sculpture,Prints and [email protected] SimmsColette Chipman, Consultant

FURNITURE AND DEC O RA TIONS

American Furniture and [email protected] Middlebrook

European Fur ni ture and [email protected] Snitiker

20th Century Decorative [email protected] Middlebrook

Rugs, Carpets and [email protected] M. Weschler

Asian Works of [email protected] P. Weschler, Jr.

Jewelry, Coins & [email protected] P. Weschler

CUSTOMER SERVICE &

ADMINISTRATIVE MANAGER

Virginia Weschler202-628-12811-800-331-1430 Fax 202-628-2366

APPRAISALS

Furniture and DecorationsWilliam P. Weschler, Jr.Thomas M. Weschler

Fine ArtsWilliam P. Weschler, Jr.

Jewelry and U.S. CoinsWilliam P. Weschler, Jr.Thomas M. WeschlerMark P. Weschler

BIDS DEPARTMENT

Linda Amigh

SUBSCRIPTIONS

Linda Amigh

PAYMENTS

Linda Amigh

CORPORATE

AND MUSEUM SERVICES

William P. Weschler, Jr.Thomas M. Weschler

AUCTIONEERS

Thomas M. WeschlerMichael J. WeschlerLeonard J. WeschlerMark P. Weschler

GALLERY ASSISTANTS

G. Otis DavisRonnie LyonGregory JanrhettCharles Johnson

ASIAN TRANSLATION

Chen WenKinu Matsuyama

ADMINISTRATIVE OFFICE

Linda AmighAllison MulhollandKaren WeschlerDeborah KnottKeira Hart-Mendoza

SHIPPING

Karen WeschlerKeira Hart-Mendoza

MARKETING AND SALES MANAGER

Jenny Lytle

PHOTOGRAPHY

Terence D. McArdle

CATALOGUE PRODUCTION

Karen Weschler

PRINTING

Todd Allan Printing Co.

CUSTOMER SERVICE DEPARTMENTS

PREVIEW:The preview will be held the Saturday pre -ced ing the sale from 9 a.m. to Noon,Sunday, from 11 a.m. to 4 p.m., Mondayand Tuesday, from 10 a.m. to 5 p.m.,Wednes day, from 10 a.m. to 6 p.m., andThurs day, from 10 a.m. to 2 p.m. You areen cour aged to attend the preview and toclose ly ex am ine all lots of in ter est to you.We schler’s staff will gladly assist you if re -quest ed.

CATALOGUES:The catalogue for this auction is avail ableat We schler’s Gallery during the ex hi bi tionand auc tion for $20. A catalogue admitstwo people to the auction. Cat a logues canbe mailed for a cost of $25 and mailed over-seas at a cost of $35. Annual catalogue sub -scrip tions are available by cate gory.Additional in for ma tion may be ob tained bycon tact ing Linda Amigh at (202) 628-1281.

PRICE LISTS AND POSTCARDS:Post sale price lists are available free ofcharge, approximately three weeks afterthe sale or online. Price lists are auto mati -cally sent to cat a logue sub scrib ers, as areWeschler’s postcards, pub lished prior toeach sale.

PRE-SALE ESTIMATES:As a convenience to bidders, We schler’spub lish es pre-sale es ti mates of the value ofeach lot in the auction. Estimates are in -tend ed as a guide and should not be con -sid ered a pre dic tion of the sell ing price.

RESERVES:The “reserve” is a confidential mini mumprice agreed between the con signor andWe schler’s be low which a lot will not besold. Lots that have a reserve will not bemarked as such, but the reserves will notbe in excess of the low pre-sale estimates.We schler’s will execute all reserves on be -half of the con signor by bidding throughthe auc tion eer and plac ing suc ces sive orcon sec u tive bids for a lot. The auc tion eermay open the bid ding on any lot on behalfof the consignor up to the reserve amount.In the event the bidding does not reach there serve, the auc tion eer will an nounce“Passed.”

BIDDER REGISTRATION:Each bidder must be assigned a biddingnum ber before bids can be rec og nized.Bidding number reg is tra tion will be avail -able during ex hi bi tion hours and duringthe auc tion. Bid ders already reg is teredwith an annual We schler’s bid ding num berneed not re-reg is ter for each sale.

ABSENTEE BIDS:Bidders who cannot attend the auctionmay submit absentee bids using the Ab sen -tee Bid form at the back of this catalogue oravailable online. Ab sen tee bids may also beplaced through We schler’s FAX number,(202) 628-2366, by tele phone, (202)628.1281. Bids placed by telephone mustbe confirmed by FAX, letter or email. Ourfacilities for telephone bidding are some-what limited so it is strongly rec om mend edthat you make arrangements at least 24hours in ad vance. Please con tact LindaAmigh at (202) 628-1281 for spe cif ic in for -ma tion on ab sen tee bids. Ab sen tee bid dersare urged to read the In for ma tion for Ab -sen tee Bidders at the back of this cata-logue.

CONDITION REPORTS:All property is sold “As Is” in accordancewith Con di tions of Sale clause 3 and nei -ther We schler’s nor the consignor makeany ex press or implied war ran ty or rep re -sen ta tion as to the con di tion of any lotoffered for sale and no statement made atany time, wheth er oral or written, shall con-stitute such a war ran ty or rep re sen ta tion.

Weschler’s staff is available to answer anyquestions or to pro vide any additional in -for ma tion re gard ing prop er ty of fered;how ev er, such condition re ports do notcon sti tute warranty and are not in tend edto re place first hand inspection by a pro -spec tive buy er.

BIDDING INCREMENTS:The auctioneer generally ad vanc es the bid -ding in the following incremental amounts:$100-499 $25 increments$500-999 $50 in cre ments$1,000-1,999 $100 increments$2,000-4,999 $200 increments$5,000-9,999 $500 increments$10,000+ auctioneer's dis cre tion

PURCHASER PAYMENTS:Successful bidders are requested to maketotal pay ment for purchases by cash, Visaor MasterCard or pre-approved check onthe day of sale.

Buyers not known to Weschler’s and plan -ning to pay with a personal or busi nesscheck are re quired to supply us a bank let-ter of credit prior to the auction. If such ar -range ments are not made prior to the auc -tion, purchases will be held by We schler'suntil the check has cleared our bank.

The stan dard 17-1/2 percent Buyer’s Pre -mi um is added to the purchase price of allitems sold. Dis trict of Co lum bia 6 per centSales Tax is added to that total, except forbidders who hold a valid District of Co -lum bia re-sale tax num ber.

Please Note: The District of Columbiadoes not reciprocate with other ju ris dic -tions and We schler’s cannot accept taxnumbers from other ju ris dic tions. Taxnumbers must be reg is tered at the time abidding number is issued. For further in -for ma tion please con tact Vir gin iaWeschler at (202) 628-1281 or [email protected].

REMOVAL OF PROPERTY:All purchases should be paid for and re -moved the day of sale, but in no event laterthan three days post sale. We schler’s willadvise you on the best way to trans portlarge items, and will help ar range for pack -ing, in sur ance and shipping. We schler’s as -sumes no responsibility for the acts oromis sions of carriers or packers wheth er ornot they are rec om mended by us. For fur -ther in for ma tion please con tact us at (202)628-1281.

EXPORTATION PERMITS:Certain lots may be subject to the pro vi sionsof the Endangered Species Act of 1973, theMa rine Mam mal Protection Act of 1972,and the Mi gra to ry Bird Act of 1982. Inorder to export these items, the buyer mustobtain spe cial li cens es from the De part mentof the In te ri or, Unit ed States Fish andWildlife Service. Some items may not beexported, and others may not be resold oncepur chased. Prospective bid ders who intendto export or resell such items are solely re -spon si ble for ob tain ing such licenses andWe schler’s can not, and will not, assure thatsuch licenses can be obtained.

COMMISSIONS:Weschler’s receives the standard 10 per -cent consignor’s commission on the ham -mer price of each lot that sells for morethan $5,001; 15 percent for lots sell ing be -tween $2,001 and $5,000; 20 per cent forlots sell ing be tween $1,001 and $2,000;25 percent or lots sell ing be tween $51 and$1,000; and 40 percent for lots sellingunder $50. For items of ex cep tion al val ue,the consignor’s com mis sion is ne go tia ble atthe time of con sign ment. If prop er ty car-ries a reserve and does not sell, a “buy backfee” of 5 percent or $50, which ev er isgreater, is charged. A sample stan dard con -tract may be ob tained by con tact ingWeschler’s office at (202) 628-1281.

CONSIGNMENTS:If you have property to consign, pleasecon tact us at (202) 628-1281 or [email protected]. Generally, items mustbe con signed at least six weeks prior to thesched uled auction date, but con sign ors areurged to con sign as early as possible. Visit our website, www.weschlers.com, toview upcoming auction and deadlines.

INFORMATION FOR BUYERS AND SELLERS

www.weschlers.com

CONDITIONS OF SALEThe property listed in this catalogue will be offered and sold by Adam A. Weschler & Son, Inc. (“Auctioneer”) as agent for the “Con signor” on the followingterms and conditions. No employee is authorized to alter these con di tions. All bidders and consignors acknowledge knowing and agreeing to these conditions.

1. REGISTRATIONPrior to sale, all bidders must register witha Weschler’s rep re sen ta tive and re ceive abid ding number. A bidding number will bere quired of the successful bidder at the fallof the Auc tion eer’s hammer for each lot.2. “AS IS” CONDITIONThe Auctioneer and the Consignor as sumeno risk, lia bil ity or re spon si bil ity for the au -then tic ity or the au thor ship of any prop er -ty iden ti fied in the catalogue (that is, theidentity of the creator or the period, cul-ture, source or origin as the case may be,with which the creation of any property isiden ti fied herein). All property is sold “AsIs” and nei ther the Auctioneer nor theCon sign or makes any warranties or rep re -sen ta tions of any kind or nature with re -spect to the property, and in no event shallbe responsible for the cor rect ness or anyim plied warranty or mer chant abil i ty orany im plied warranty of fitness for a par tic -u lar purpose as it relates to de scrip tion,genu ine ness, attribution, provenance, safe-ty, re lia bil ity or condition of the property.If any implied warranties of mer chanta bil -ity or fit ness for a particular purpose canbe construed from the cata logue, auc tion,or bill of sale, such war ran ties are dis -claimed by the Auc tion eer and the Con -sign or. No state ment in the catalogue ormade at the sale or in the Bill of Sale orinvoice or elsewhere shall be deemed sucha war ran ty or rep re sen ta tion or an ad mis -sion of li a bil i ty.3. GUARANTEENotwithstanding the preceding con di tion,if within 14 days of the date of the sale, onany lot, the pur chaser must give notice inwriting to the Auc tion eer that the lot sold isa coun ter feit and, if within 7 days aftersuch notice the purchaser returns to theAuc tion eer in the same condition as whensold, and gives writ ten proof from a recog-nized im par tial expert which es tab lishesbeyond rea son able doubt that the returnedlot is in fact a coun ter feit and that this wasnot in di cated by a fair reading of the cata -logue or the Auctioneer’s com ments at thetime of sale, the Auc tion eer as agent for theCon sign or will rescind the sale and refundthe purchase price paid defined as theamount of the successful bid price, plusbuyer’s premium. The guarantee is madeonly to the original purchaser of record(i.e., the registered bidder) and not anysubsequent owners. The original buyermust have remained the owner of the lotwithout disposing of any interest in it toany third party.The term counterfeit is defined as a mod-ern fake or forgery, and made with theintent to deceive.

4. WITHDRAWALThe Auctioneer reserves the right to with -drawal any property at any time beforeactual sale.5. BIDDINGUnless otherwise announced by the Auc -tion eer at the time of sale, all bids are perlot as num bered in the cat a logue. The Auc -tion eer re serves the right to reject a bidfrom any bidder. The high est bid ac knowl -edged by the Auc tion eer shall be the pur -chas er. In the event of any dispute be tweenbidders, the Auctioneer shall have the soleand final dis cre tion ei ther to de ter mine thesuc cess ful bid der, or to re-of fer and re-sellthe ar ti cle in dis pute. If the Auc tion eer de -ter mines that any opening bid is not com -men su rate with the value of the articleoffered, he may reject the bid; and if, hav-ing ac knowl edged an open ing bid he de -cides that any ad vance is not suf fi cient, hemay re ject the ad vance.6. PURCHASER’SRESPONSIBILITYOn the fall of the Auctioneer’s hammer,title to the offered lot passes to the highestbidder who, thereupon will pay the fullpur chase price there fore or such part asthe Auc tion eer may require. All depositsmay be ap plied to any or all purchasesmade by the pur chaser at this or any previ-ous sale. All prop er ty shall be re moved bythe pur chaser at his expense on the day ofsale and, if not so re moved, may be sent bythe Auc tion eer to a public ware house forthe ac count, risk and ex pense of the pur -chaser. Any damage to or loss of any itempur chased which is left with the Auc tion -eer after the day of purchase is the pur -chas er’s sole re spon si bil ity. If the fore go ingcon di tions or any other ap pli cable con di -tions herein are not complied with, in ad di -tion to oth er remedies available to the Auc -tion eer and the Con signor by law, includ-ing with out limi ta tion the right to hold thepur chas er liable for the bid price, theAuctioneer at its op tion, may either (a)cancel the sale, re tain ing as liqui dateddam ag es all pay ments made by the pur -chaser, or (b) re-sell the property on 3 daysnotice to the pur chaser and for the accountand risk of the pur chas er, either pub lic ly orpri vate ly, and in such event the pur chas ershall be liable for the pay ment of any de fi -ciency plus all costs, including ware hous -ing, the expenses of both sales, and theAuc tion eer’s com mis sion at its regularrates and all other charges due here un der,and in ci den tal charg es. No claims shall beal lowed af ter removal of goods and no arti-cle shall be re-sold for pur chas er at the salewhere pur chased.

A premium equal to 17-1/2 percent of thesuccessful bid price up to and including$50,000, and 10 percent of the suc cess fulbid price over $50,000 will be added there -to and is payable by the purchaser as partof the total pur chase price.The District of Co lum bia Sales Tax is com -puted on this total purchase price. Thepur chaser will be re quired to pay the SalesTax unless ex empt ed through pos ses sion ofa val id District of Co lum bia Sales Taxnum ber. After five (5) business days and the fail-ure to pay in full, the Auctioneer reservesthe right to charge the Purchaser’s creditcard on file ten percent (10%) of theentire amount due (including the ham-mer price, buyer’s premium, all applica-ble taxes and other charges). After four-teen (14) days, the Auctioneer has theright to charge the entire amount due(including the hammer price, buyer’spremium, all applicable taxes and othercharges) to the Purchaser’s credit card onfile.Please Note: The District of Co lum bia has no ar -range ment of reciprocity with any oth erju ris dic tion and the Auctioneer cannothonor a Sales Tax num ber from anyother ju ris dic tion.Buyers not known to the Auctioneer andplanning to pay with a personal or busi nesscheck are required to supply the Auc tion -eer with a bank letter of credit prior to theauction. If such ar range ments are notmade prior to the auc tion, pur chas es willbe held by the Auc tion eer until the checkhas cleared the bank.7. RESERVESUnless the sale is advertised and an -nounced as an unrestricted sale or salewithout reserve, Con sign ors reserve theright to bid through the Auc tion eer asagent on their own con sign ments.8. ADDITIONAL CONDITIONSThe Auctioneer reserves the right to can celthe sale or any portion thereof withoutprior or further notice, and to announce atany time ad di tion al conditions of sale.

www.weschlers.com

The terms used in this catalogue as to authorship, period, culture, source and origin are made subject to the provisions in theConditions of Sale printed in this catalogue.

George III Satinwood Inlaid Mahogany SideboardCirca 1800This heading, with the date, indicates a piece that in our opinion is essentially of the period with no major alter-ations or restorations.

George III Satinwood Inlaid Mahogany SideboardThis heading, without the date, indicates a piece that in our opinion is essentially of the period but has been sig-nificantly altered or restored.

George III Style Satinwood Inlaid Mahogany SideboardThis heading, with the word style, indicates a piece that in our opinion was made as an intentional copy of an ear-lier work.

While some defects and damages are mentioned in this catalogue, it is the responsibility of the purchaser to note the condition of each piece.

GLOSSARY FOR FURNITURE & DECORATIONS

GLOSSARY FOR PAINTINGS AND DRAWINGS

The terms used in this catalogue have the meanings ascribed to them here. Please note that all statements in this catalogue as to author-ship are made subject to the provisions in the Conditions of Sale printed in this catalogue.

Ivon Hitchens (British 1893-1979)

In our opinion, a work by the artist.

Attributed to Ivon Hitchens (British 1893-1979)In our opinion, a work of the period of the artist, probably in whole, or in part a work by the artist.

Studio of Ivon Hitchens (British 1893-1979)In our opinion, a work by an unknown hand in the studio of the artist, possibly executed under the super-vision of the artist.Circle of Ivon Hitchens (British 1893-1979)In our opinion, a work of the period of the artist, closely related to his style.

Manner of Ivon Hitchens (British 1893-1979)In our opinion, a work in the style of the artist, and of a later date.

After Ivon Hitchens (British 1893-1979)In our opinion, a copy of a known work of the artist.

The terms signed, dated or inscribed mean that in our opinion, the signature date or inscription are by the hand of the artist.We also give the placement of signature on the canvas as follows:

l.l. – lower left u.l. – upper leftl.r. – lower right u.r. – upper rightl.c. – lower center u.c. – upper center

The terms bears a signature, bears a date or bears an inscription mean that the work has a signature, date or inscription whichmay have been added by another hand. Dimensions are given height before width, unless otherwise stated, and to thenearest 1/4-inch. Pictures are framed unless otherwise noted. An asterisk (*) at the end of the description indicatesthat the print(s) in the lot has not been examined out of its mat and/or frame.

While we do our best to protect the frames, we will not be responsible for damage, regardless of cause.

ARTIST INDEX

Paintings, Drawings, Prints, Photographs & SculptureAddicott, Arnold R. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213American School, Early 20th Century . . . . . . . . . . . . . . . 165Avery, Milton . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170Avery, Sally Michel . . . . . . . . . . . . . . . . . . . . . . . . . . . 168, 169

Bauër, Gérard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137Bearden, Romare . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174Berkowitz, Leon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172Bonaffé, A. A. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175Boudin, Eugene Louis (Circle of) . . . . . . . . . . . . . . . . . . . 135Briggs, Lamar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172A, 172B

Calder, Alexander Milne. . . . . . . . . . . . . . . . . . . . . . . . . . . 211Chagall, Marc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176Chéret, Jules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177Comte de Ferrieres, Louis-Francois . . . . . . . . . . . . . . . . . 214Copley, John Singleton (Manner of) . . . . . . . . . . . . . . . . 126

Dalí, Salvador. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178

Ducker, Jack M. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156Dudley, Frank Virgil . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

European School, 18th-19th Century . . . . . . . . . . . . . . . . 123Northern European School, 18th-19th Century . . . . . . . 122

Fairchild, Mary Louise (MacMonnies Low) . . . . . . . . . . 162Fontana, Laurent-Dominique . . . . . . . . . . . . . . . . . . . . . . 217French School, 18th-19th Century . . . . . . . . . . . . . . . . . . 120

Gaudez, Adrien Etienne . . . . . . . . . . . . . . . . . . . . . . . . . . . 215Giacometti, Alberto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179Grassin-Taffin, Françoise . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Hartung, Hans . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180Havell, Jr., Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181Heimbach, Wolfgang (Circle of) . . . . . . . . . . . . . . . . . . . . 121Herring, Sr., John Frederick (After) . . . . . . . . . . . . . . . . 182Hessing, Gustav . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134Hitchens, Ivon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153Hogarth, William (After) . . . . . . . . . . . . . . . . . . . . . . . . . . 183Holder, Ferdinand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140

Icart, Louis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

John, Augustus Edwin . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185Jones, Jr., Frederick D. . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Kahn, Wolf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173Kalicki, Witold . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133Kandinsky, Wassily . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186Katz, Alex . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187, 188Kent, Rockwell. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189Kogelnik, Kiki . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190Krijono . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Ladell, Ellen (Attributed to) . . . . . . . . . . . . . . . . . . . . . . . 155Lansil, Walter Franklin. . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

Leroux, Claude. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

MacMonnies Low (Fairchild), Mary Louise . . . . . . . . . . 162Mané-Katz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218, 219Mann, Sally. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191Marshall, Clark Summers. . . . . . . . . . . . . . . . . . . . . . . . . . 164Martini, Joseph de (Attributed to) . . . . . . . . . . . . . . . . . . 165Matisse, Henri . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192Maze, Paul Lucien . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139Miró, Joan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193Moore, Henry. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154Morland, George . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

Nebel, Otto Wilhelm Ernst . . . . . . . . . . . . . . . . . . . . . . . . 142

Oesterley, Carl August Heinrich Ferdinand . . . . . . . . . . 131

Picasso, Pablo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194Prax, Valentine Henriette. . . . . . . . . . . . . . . . . . . . . . . . . . 136Prina, André Julien. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141Pudlat, Pudlo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195

Remington, Frederic Sackrider (After) . . . . . . . . . . . . . . 212Reni, Guido (After). . . . . . . . . . . . . . . . . . . . . . . . . . . 124, 125Renior, Pierre-Auguste . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197Riggs, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196Rosenquist, James . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198

Saito, Kiyoshi . . . . . . . . . . . . . . . . . . . . . . . . . . . 199, 200, 201Sama . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144, 145, 146Sandoz, Auguste. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151Sarthou, Maurice Elie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152Spanish Colonial School, 18th-19th Century . 127, 128, 129

Tayler, D. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158Teague, Donald . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160, 161Toriumi, Akiko . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Van Hasselt, Willem . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132Van Houten, Barbara . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130Vertès, Marcel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137Verves . . . . . . . . . 202, 203, 204, 205, 206, 207, 208, 209, 210

Wahyuni, Erica Hestu. . . . . . . . . . . . . . . . . . . . . . . . . 148, 149Weyl, Max. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163Wolff, Robert Jay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

LOT INDEX

Rugs

Jewelry & Watches

Silver & Silver Plate

American & European Fine Art

Sculpture

20th Century Decorative Arts

American Furniture & Decorations

Chinese Export & Asian Works of Art

European Furniture & Decorations

1-29

30-70

71-119

120-210

211-219

220-255

256-295

296-310

311-432

CAPITAL COLLECTIONS

ESTATE AUCTION

Friday, February 3, 2012

10 a.m.

Lots 1 - 432

View items in the sale and leave bids online at www.weschlers.comRegister to bid live online at www.artfact.com

RUGS

PROPERTY OF VARIOUS OWNERS

1Pakistan SerapiContemporaryBeige ground with floral and rosette field within a complementary guard border on beige ground.11 ft 6 in x 8 ft 9 in (351 x 267 cm)$2,000-$3,000

2Pakistan Tabriz RugContemporaryBeige ground with palmette and trellising vine field with-in a complementary guard border on beige ground.6 ft 9 in x 5 ft (205.9 x 152.5 cm)$300-$500Not Illustrated

3Pakistan Tabriz RugPost 1950Beige ground with palmette and floral spray field center-ing a roundel medallion on blue-red ground, blue-greyspandrels within a palmette and floral spray guard bor-der on rust ground.18 ft 7 in x 12 ft x 1 in (564 x 368 cm)$1,500-$2,500Not Illustrated

4Turkoman RugCirca 1950Red ground with five rows of thirteen guls within alatchook guard border on red ground.10 ft 3 in x 7 ft 4 in (312 x 223 cm)$2,000-$3,000

5Heriz RugPost 1950Red ground with three rows of vertical palmettes withina rosette and trellising vine guard border on blue ground.7 ft x 6 ft 8 in (213 x 203 cm)$2,000-$3,000Not Illustrated

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6Oushak RugContemporaryBeige ground with palmette and trellising vineguard border on red ground.10 ft x 3 ft (300 x 91.5cm)$300-$500

7Savonnerie RugSecond Quarter 20th CenturyGold ground with garland and ribbon field cen-tering an oval medallion enclosing a floral bou-quet, floral spray spandrels within a lattice andgarland guard border on shaded blue ground.11 ft 10 in x 8 ft 9 in (361 x 267 cm)$1,000-$1,500Not Illustrated

8Serapi RugCirca 1900Beige ground with herati field centering a starmedallion on blue-red ground, red-blue-beigespandrels within a serrated leaf and trellisingvine guard border on red ground.15 ft x 9 ft 2 in (457 x 279 cm)$7,000-$9,000

9Karaje Heriz RugPost 1950Ivory ground with herati field centering a starmedallion on blue-rust ground, complementaryspandrels within a rosette and trellising vineguard border on rust ground.8 ft 8 in x 7 ft 8 in (264 x 234 cm)$2,000-$3,000Not Illustrated

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10Keshan RugSecond Quarter 20th CenturyBeige ground with palmette and floral sprayfield centering a lobed medallion on red-blueground, complementary spandrels within a pal-mette and floral spray guard border on blueground.13 ft 8 in x 10ft 2in (416.8 x 310.1 cm)$4,000-$6,000

11Oushak RugContemporaryBeige ground with rosette and floral spray fieldwithin a rosette and trellising vine guard borderon red ground.6 ft x 4 ft 1 in (183 x 124.5 cm)$300-$400Not Illustrated

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13 12Pakistan SerapiContemporaryGold ground with rosette and stylized medal-lions within a rosette guard border on brownground.11 ft 9 in x 8 ft 8 in (358 x 264 cm)$2,000-$3,000Not Illustrated

13Heriz RugSecond Quarter 20th CenturyRed ground with herati field centering a starmedallion on blue-gold ground, ivory-green-gold spandrels within a rosette and trellisingvine guard border on blue ground.11 ft x 7 ft 10 in (335 x 239 cm)$3,000-$4,000

14Serapi RugLate 19th CenturyRed ground with herati field centering a star medallion onblue ground enclosing a pulled medallion on blue-brownground within a rosette guard border on blue ground.21 ft 5 in x 14 ft 8 in (653 x 447 cm)$30,000-$50,000

15Turkish Tabriz RugContemporaryBeige ground with palmette and trellising vine field cen-tering two shaped medallions on blue-red ground withina palmette and trellising vine guard border on redground.8 ft 3 in x 5 ft 5 in (251.6 x 165.2 cm)$400-$600Not Illustrated

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16Heriz RugThirrd Quarter 20th CenturyRed ground with herati field centering a star medallionon blue-red ground, ivory-red-blue spandrels within arosette and trellising vine guard border on blue ground.21 ft x 10 ft 4 in (640 x 315 cm)$2,000-$3,000Not Illustrated

17Mahal RugSecond Half 20th CenturyRed ground with floral spray field within a rosette andtrellising vine guard border on beige ground.14 ft x 11 ft (426 x 335 cm)$2,000-$3,000Not Illustrated

18Baktiari RugPost 1950Window pane field enclosing rosettes and floralsprays within a rosette and trellising vine guard bor-der on red ground.13 ft 3 in x 10 ft (404 x 305 cm)$2,000-$3,000

PROPERTY FROM THE ESTATE OFVARUE W. OISHEI

19Indo Keshan RugLast Quarter 19th CenturyRed ground with palmette and trellising vine fieldwith Arabic inscribed shaped reserves, complemen-tary guard border on gold ground. Approximately 15 ft 5 in x 13 ft 10 in (470.2 x 421.9 cm)$8,000-$12,000


20Kazak RugContemporaryBeige ground with three joined latchhook medallionson variegated grounds within a rosette and trellisingvine guard border on beige ground.7 ft x 4 ft 5 in (213.5 x 134.7 cm)$300-$500Not Illustrated

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21Mahal RugSecond Quarter 20th CenturyRed ground with floral spray field with-in a rosette and trellising vine guard bor-der on blue ground.13 ft 5 in x 10 ft 6 in (409 x 320 cm)$5,000-$7,000

22Tabriz RugSecond Half 20th CenturyBrown ground with floral spray fieldcentering a star medallion on beigeground, beige spandrels within a pal-mette and trellising vine guard borderon blue ground.11 ft 8 in x 8 ft 8 in (356 x 264 cm)$3,000-$4,000Not Illustrated

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23Agra RugContemporaryGreen ground with millefleur field with-in a palmette and trellising vine guardborder on brown ground.8 ft x 5 ft 2 in (244 x 157.6 cm)$400-$600Not Illustrated

24Sivas RugSecond Quarter 20th CenturyBeige ground with diagonal rose botehswithin a palmette and trellising vineguard border on red ground.12 ft x 8 ft 8 in (366 x 264 cm)$5,000-$6,000

25Shiraz RugFirst Quarter 20th CenturyBeige ground with boteh and rosettefield within a rosette and trellising vineguard border on red ground.6 ft 2 in x 4 ft 10 in (188 x 147 cm)$800-$1,200Not Illustrated

26Pair of Nain Silk RugsPost 1950Beige ground with palmette and trellising vine field centeringan oval medallion on blue ground within a palmette and trel-lising vine guard border on beige ground.Size of largest: 6 ft 1 in x 3 ft 9 in (185 x 114 cm)$1,000-$1,500


27Tibetan Wool RugMid-20th CenturyWoven in shades of blue, red, yellow and white with a centralrectangular reserve within a band of squares and enclosed bya stylized minaret border.67 in x 37 in (170.2 x 94 cm)$400-$600

PROPERTY OF A LOCAL COLLECTION

28Aubusson Rug FragmentLate 19th CenturyHaving a central roundel medallion with beige ground andfloral spray field within a floral trellising vine field on beigeground.18 ft 4 in x 11 ft 10 in (558 x 360 cm)$2,000-$3,000Not Illustrated

261 of apair

29 29Aubusson RugLate 19th CenturyFloral and lattice field centering anoval medallion with a floral festoonbouquet within a trellising vineguard border on beige ground.15 ft 6 in x 12 ft 3 in (472 x 373 cm)$3,000-$5,000

JEWELRY AND WATCHES


30Two 14-Karat Yellow-Gold Writing InstrumentsThe first, a Waterman’s Ideal 14-karat yellow-gold fountainpen, the nib marked Pink/Waterman’s/Ideal; the barrel set withlever and inscribed WM. W. TRIMPI 1936 and numbered 594.The second, a 14-karat yellow-gold retractable pencil inscribedW.W.T., the pencil can convert into a three-part 12-inch ruler-pointer.Gross weight: 39.5 dwt.Length of pen: 5-1/4 in (13.3 cm) Length of pencil when closed: 5-1/4 in (13.3 cm)Length when opened: 12-1/2 in (31.8 cm)$600-$800

31Pair of 14-Karat Yellow-Gold Chain Link Cuff Links,CartierEach marked and numbered 10389.Weight: 13.3 dwt.Length: 3/4 in (1.87 cm)Width: 1/2 in (1.25 cm)$800-$1,200

3214-Karat Yellow-Gold, Diamond and Enamel Hunting CasePocket Watch, Elgin, AmericanCase numbered 161679Movement numbered 4637827Having a white enamel dial with black enamel Roman numeralhour chapters and subsidiary dial. The back of the case depict-ing a bird in floral scene, the stamen and two eggs set with oneround single-cut melee diamond. Dial, case and movementsigned.Gross weight: 40.6 dwt.Diameter: 38 mm$600-$800

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33Lady’s 18-Karat Yellow-Gold 17-JewelManual-Wind Wristwatch, Prezisa, Incabloc,SwissHaving a square gold dial with black enamelline hour chapters; attached by an associated 18-karat yellow-gold flat mesh band. Dial, case andclasp signed. Note: The band has been resoldered nearthe bezel.Gross weight without movement: 16.9 dwt.Diameter: 3/4 in2

Length of band: 6-1/2 in (16.5 cm)$700-$1,000

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34Lady’s 14-Karat Yellow-Gold 17-Jewel Manual-WindConcealed Face Wristwatch, Alexora Watch Co.,SwissHaving a rectangular white enamel dial with raised gold-tone Arabic and line hour chapters, concealed by a flo-rentine finish and floral-decorated hinged lid; attachedby a 14-karat florentine and polished finished band. Dialsigned Altair. Movement signed.Gross weight without movement: 12.9 dwt.Length of visible dial: 1/2 in (1.25 cm)Width: 1/4 in (.63 cm)$600-$800

35Lady’s 14-Karat Yellow-Gold Automatic Wristwatch,Bulova, Accutron, SwissHaving a circular silvered matte finish dial with raisedgold-tone line hour chapters; joined by the original flatmesh band. Dial, case and band signed.Gross weight: 25.1 dwt.Diameter of case: 23.8 mmLength: 5-3/4 in (14.6 cm)$600-$800

36Lady’s 14-Karat Yellow-Gold and Diamond QuartzWristwatch, Tiffany & Co., SwissHaving an oval white enamel dial with black enamel Romanhour chapters, the bezel set with a pavé of round brilliant-cut diamonds. Dial, case and clasp signed.Gross weight: 18.1 dwt.Length of case: 18 mmWidth: 13 mmLength of band: 6-1/2 in (16.5 cm)$1,000-$1,500

37Two Yellow-Gold and Ruby BroochesConsisting of: a 14-karat yellow-gold ‘sword and wreath’brooch, the hilt set with nine round faceted melee rubies;and a tested 18-karat yellow-gold ‘leaf’ pendant-brooch, setwith four round faceted rubies weighing approximately .20carats.Gross weight: 12.5 dwt.Length of first: 1-3/4 in (4.5 cm)Width: 1-1/2 in (3.8 cm)Length of second: 1-1/4 in (3.2 cm)Width: 1 in (2.5 cm)$600-$800

38Hungarian 14-Karat Yellow-Gold, Diamond and EmeraldPendant-LocketPost 1937The oval mount set with one emerald-cut emerald weighingapproximately .95 carats, surrounded by a floral spray motifset with a pavé of ninety-three rose-cut diamonds; suspend-ed by a pendant set with one emerald-cut emerald weighingapproximately .25 carats and three rose-cut melee dia-monds. The locket opening to view a double-sided compart-ment with one compartment set with a locket of hair andthree seed pearls. Stamped with gold standard and makersmark FD.Gross weight without insert: 17.4 dwt.Total weight of emeralds: 1.20 caratsLength of locket: 2 in (5.1 cm)Width: 1-1/2 in (3.8 cm)Length of pendant: 1/2 in (1.25 cm)$700-$1,000

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3914-Karat Rose-Gold and Smoky Quartz PendantThe floral wire work mount set with one large oval faceted brown-to-yellow quartz weighing approximately 185 carats.Length: 2-1/2 in (6.4 cm)Width: 1-3/4 in (4.5 cm)$1,000-$2,000

40Gentleman’s 14-Karat Yellow-Gold and Peridot RingThe bezel mount set with one cushion-cut peridot weighing approxi-mately 2.50 carats.Gross weight: 10.3 dwt.Shank size: 7-1/2$700-$900

41Gentleman’s 18-Karat Yellow-Gold and Diamond ‘Lion’s Head’RingThe eyes set with one round single-cut melee diamond and the mouthset with one round full-cut diamond weighing approximately .05carats, the sides of the ring with shield motifs.Gross weight: 16.3 dwt.Shank size: 7$700-$1,000

4214-Karat Yellow-Gold, Blue Sapphire and Diamond Three-PieceEnsembleConsisting of: a choker-length necklace set with five graduated ovalfaceted blue sapphires weighing approximately 3.10 carats and eightround single-cut melee diamonds; and a pair of pierced earrings, eachset with one round single-cut melee diamond surrounded by sixround faceted blue sapphires weighing approximately .25 carats.Gross weight: 7.8 dwt.Total weight of sapphires: 3.60 caratsLength: 16 in (40.6 cm)$600-$800

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43Tested 14-Karat White-Gold, Diamond and Ruby CocktailRingSet with one round brilliant-cut diamond weighing approximate-ly .70 carats, surrounded by thirty-six round brilliant-cut dia-monds weighing approximately 1.50 carats and eight pear-shapedfaceted rubies weighing approximately 2.80 carats.Total weight of diamonds: 2.20 caratsShank size: 8-1/2$1,000-$1,500

4418-Karat White-Gold, Ruby and Diamond Line BraceletSet with sixty princess-cut rubies weighing approximately 3carats, alternating with five round brilliant-cut diamonds weigh-ing approximately .25 carats.Length: 7 in (17.8 cm)$600-$800

45Contemporary Tested 18-Karat White-Gold, Blue Sapphire,Emerald and Diamond Bypass RingThe florentine finish bypass mount set with two round cabochonsapphires weighing approximately 1.10 carats and two roundcabochon emeralds weighing approximately .85 carats. Theshank set with fifty-four round brilliant-cut diamonds weighingapproximately .75 carats.Shank size: 7-1/2$800-$1,200

4614-Karat Yellow-Gold, White-Gold and Diamond RingThe Victorian-style mount set with two round old European-cutdiamonds weighing approximately .50 carats, surrounded by tenround single-cut melee diamonds. The shank can be expanded.$600-$800

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47Choker Length 14-Karat Yellow-Gold Tassel NecklaceWeight: 16.7 dwt.Length: 15-1/2 in (39.3 cm)$700-$900

4814-Karat White-Gold and Diamond Cocktail BraceletThe flexible mount having seven demilune segments setwith a pavé of sixty-six round full-cut diamonds, alter-nating with rope panels.Length: 6-1/2 in (16.5 cm)$800-$1,200

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4914-Karat Yellow-Gold Florentine and Polished FinishBangle BraceletWeight: 12.8 dwt.Length approximately: 6-3/4 in (17.1 cm)$600-$800

5014-Karat Yellow-Gold, Emerald and Diamond Three-Piece EnsembleConsisting of: a choker-length necklace set with five ovalfaceted emeralds weighing approximately 2.20 carats andeight round single-cut melee diamonds; and a pair of floralpierced earrings, each set with one round faceted single-cut melee diamond surrounded by six marquise-cut emer-alds weighing approximately .15 carats.Total weight of emeralds: 2.50 caratsGross weight: 6.4 dwt.Length of necklace: 15-1/2 in (39.3 cm)$600-$800

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5114-Karat Yellow-Gold, White-Gold, Blue Sapphire andDiamond ‘Tiger’s Head’ BraceletThe braided chain bracelet having two conjoining tiger’s headssharing a link, the eyes set with two round faceted melee sap-phires and the link set with six round single-cut melee diamonds.Gross weight: 12.6 dwt.Length: 7-1/2 in (19.1 cm)$700-$900

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5214-Karat Yellow-Gold Wide Flexible BraceletWeight: 46.1 dwt.Length: 7-1/2 in (19.1 cm)$1,500-$2,500

5318-Karat Yellow-Gold, Diamond and Ruby Line BraceletThe ‘X’ motif bracelet set with sixty-four calibre-cut meleerubies weighing approximately 1.50 carats and forty-eightround single-cut melee diamonds weighing approximately .50carats.Length: 6-3/4 in (17.1 cm)$1,200-$1,800

5414-Karat White-Gold, Blue Sapphire andDiamond Cocktail RingThe dome shape tiered mount set with oneround faceted sapphire weighing approxi-mately .50 carats, surrounded by twenty-fourround brilliant-cut diamonds weighingapproximately 1 carat and twelve roundfaceted sapphires weighing approximately.50 carats.Total weight of sapphires: 1 caratShank size: 8$1,000-$2,000

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55Italian Choker Length 18-Karat Yellow-Gold andDiamond NecklaceThe bottom portion of the necklace set with twenty-fourround brilliant-cut diamonds weighing approximately .75carats.Gross weight: 45 dwt.Length approximately: 15-1/2 in (39.3 cm)$2,000-$3,000

5614-Karat White-Gold and Diamond Four-Piece Ensemble,TailoiConsisting of: a floral-form brooch, an openwork dinner ringand a pair of clip-back earrings. Each set with round brilliantand baguette-cut diamonds.Total weight of diamonds: 6.45 caratsLength of brooch: 2 in (5.1 cm)Shank size: 5Length of earrings: 1 in (2.5 cm)$3,000-$4,000

5718-Karat White-Gold and Diamond ‘Bowknot’ BroochThe filigree white-gold mount set with round brilliant and cal-ibre-cut baguette diamonds weighing approximately 3.25carats.Width: 2-3/4 in (7 cm)$1,500-$2,000

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58Pair of 18-Karat Yellow-Gold and Diamond Hoop EarClips, Retailed by Black, Starr & FrostEach set with twenty round brilliant-cut diamonds weighingapproximately 1 carat.Total weight of diamonds: 2 carats$1,200-$1,500

5914-Karat Yellow-Gold and Diamond Line BraceletThe flexible straight-line mount set with fifty round brilliant-cut diamonds weighing approximately 2.50 carats.Length: 7-1/2 in (19.1 cm)$1,000-$1,500

60Choker Length 18-Karat Yellow-Gold and DiamondNecklaceThe single-strand mount set with one hundred and onegraduated round brilliant-cut diamonds weighingapproximately 10 carats.Length: 16-1/4 inches (41.3 cm)$3,000-$4,000

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6118-Karat Yellow-Gold, White-Gold, Yellow Sapphireand Diamond Dinner RingThe double four-prong mount set with one emerald-cutyellow sapphire weighing approximately 5.15 caratsflanked by two trillion-cut diamonds weighing approxi-mately .50 caratsShank size: 6-1/2$2,000-$3,000

62Pair of 18-Karat White-Gold and Diamond Floral-Form Pendant EarringsEach mount set with a pavé of round brilliant-cut andpear-shaped diamonds. Note: Pendants are detachable.Total weight of diamonds: 7.80 caratsLength: 1-3/4 inches (4.5 cm)$5,000-$7,000

6318-Karat White-Gold, Blue Sapphire and Diamond DinnerRingThe princess-type mount set with one oval faceted sapphireweighing approximately 6 carats, surrounded by two tiers ofsixteen round brilliant-cut diamonds weighing approximately.25 carats and thirty tapered baguette-cut diamonds weighingapproximately 1.50 carats.Total weight of diamonds: 1.75 caratsShank size: 5-3/4$2,000-$3,000

6418-Karat Yellow and Rose-Gold Wide Flexible BraceletWeight: 31.1 dwt.Length: 7-1/2 in (19.1 cm)$1,800-$2,200

6514-Karat Yellow-Gold BraceletWeight: 15 dwt.Length: 7-3/4 in (19.7 cm)Width: 1/2 in (1.25 cm)$600-$800

66Gentleman’s 14-Karat Yellow-Gold Solitaire DiamondRingThe bezel mount set with one round transition brilliant-cutdiamond weighing approximately 1.20 carats.Gross weight: 6.3 dwt.Shank size: 10-1/2$2,000-$3,000

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6714-Karat White-Gold, South Sea Pearl andDiamond Floral Spray BroochThe floral-form mount set with five graduatedSouth Sea pearls measuring from 10 to 12 mm,surrounded by a pavé of brilliant and baguette-cut diamonds weighing approximately 2.75carats.Length: 2 inches (5.1 cm)Width: 2 inches (5.1 cm)$1,500-$2,000

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68Platinum, Blue-Irradiated Diamond and DiamondDinner RingThe princess-type mount set with one round brilliant-cutblue-irradiated diamond weighing approximately 1.30carats, surrounded by tapered baguette-cut diamondsweighing approximately 2.50 carats.Shank size: 6$3,000-$4,000

69Choker Length Platinum and Diamond NecklaceThe single-strand having ninety-nine graduated roundbrilliant-cut diamonds weighing approximately 13.50carats; joined by a floral tongue-and-groove clasp set withfour marquise-cut diamonds weighing approximately .50carats and four tapered baguette-cut diamonds weighingapproximately .05 carats.Total weight of diamonds: 14.05 caratsLength: 16-1/4 in (41.3 cm)$12,000-$15,000

SILVER AND SILVER PLATE

PROPERTY OF A PRIVATE COLLECTOR

71Set of Twelve Sterling TumblersProbably Japanese, Mid-20th CenturyEach of typical form raised on an applied, pierced floralbase. Each impressed Sterling/ 950. Foliate bases loose fromseven tumblers.Height: 5 in (12.7 cm)Total weight: 47.2 oz$800-$1,200

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72PROPERTY FROM THE ESTATE OFDR. WILLIAM DELANEY

72Two Chinese Export Silver Cocktail ShakersFirst Quarter 20th CenturyThe first, probably Hung Chong, chased and embossedwith dragons chasing a flaming pearl within a field ofstylized clouds; the second, chased and embossed withdragons on a stippled ground. The first, impressedHUNGCNONG & CO and with a two-character Chinesemark; the second, impressed with the letter M within afive-petal flower and with a two-character Chinese mark(pure silver).Height of tallest: 9 in (22.9 cm)Total weight: 22.7 oz$1,000-$1,500

7018-Karat White-Gold and Diamond RingThe modern four-prong mount set with one oval brilliant-cutdiamond weighing approximately 3.30 carats. The bezel andshank set with a pavé of round single-cut diamonds weighingapproximately 1 carat.Total weight of diamonds: 4.30 caratsShank size: 5-1/2 $40,000-$60,000

Accompanied by an AGI appraisal report numbered 2AR11051008stating F color, VVS1 clarity, polish and symmetry very good and nofluorescence and a UGL appraisal report numbered 3091296 stating Fcolor, VVS1 clarity, polish and symmetry very good and no fluorescence.

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73Pair of Tested Silver Figures of CockerelsProbably South American, 20th CenturyEach of typical form. Each apparently unmarked. Eachwith some dents to feathers; one with repairs to feathers.Height of tallest: 7 in (18.4 cm)Total weight: 64.2 oz$1,500-$2,500

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74Mexican Parcel Gilt Sterling Ice BucketTane, Mexico City, Circa 1980Having a tapering octagonal form chased with stylizedfoliage enclosing oval cabochons beneath a removableswing handle. Impressed with ‘eagle’ assay mark, Tane,Sterling, 925, Lunt, AOM, and 6186.Height with handle: 11-7/8 in (30.2 cm)Weight: 32.5 oz$1,200-$1,800

75American Sterling Loving CupCirca 1900Mounted with three antler handles, the body engravedwith the inscription Presented to/ Peter V. Stocky/ in kindlyremembrance of/ pleasant business association/ by his Colleaguesof the/ H. Clausen & Son Brewing Co./ March 31st 1900.Impressed Sterling, Patented, 5 Pints and 50. Chip to the topof one antler handle.Height: 7-1/4 in (18.4 cm)Total gross weight: 37.3 oz$600-$800

PROPERTY FROM THE ESTATE OFDR. WILLIAM DELANEY

76Two American Sterling Trophy CupsFirst Quarter 20th CenturyThe first, Gorham, Providence, having three handles, thebody inscribed with a list of nine names and October 27th,1909; the second, J.E. Caldwell & Co., Philadelphia, hav-ing two ribbed handles, the base with bead decoration.Each impressed with maker’s mark: the first impressedA3758 and 3-3/4 Pint; the second 165.Height of tallest: 11 in (27.9 cm)Total weight: 32.5 oz$800-$1,200

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77Dominick & Haff Sterling Water PitcherNew York, Late 19th CenturyThe bulbous body engraved with a conjoined script mono-gram opposite a handle with an impressed fan motif.Impressed with factory mark, retailer’s mark M.W. Galt Bro.& Co. and 80. Several small dents to body of pitcher.Height: 8-1/8 in (20.6 cm)Weight: 29.8 oz$800-$1,200


78Group of Three Reed & Barton SterlingFlat Serving ArticlesTaunton, MA, Love Disarmed Pattern, Introduced1899Consisting of a two-piece salad set and a fishserver. Each impressed with factory marks.Possibly recast.Length of fish server: 13 in (33 cm) Total weight: 22.7 oz$700-$900

79Two American Repoussé SterlingTable ArticlesBaltimore, 20th CenturyThe first, a round footed plate, S. Kirk& Son Co., 1903-1907, having a floraldecorated border enclosing an engravedconjoined script monogram; the second,a footed bowl, Stieff Co., mid-20th cen-tury, having a lobed floral decoratedborder enclosing an engraved conjoinedscript monogram. Each impressed withfactory mark; the first, impressed 192;the second, 89.Diameter of plate: 10 in (25.4 cm); Width of bowl: 13 in (33 cm)Total weight: 40.9 oz$1,000-$1,500

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PROPERTY FROM THE ESTATE OFLILLIE MAE EMBREY

80Group of Eight Stieff Repoussé Sterling-Handled FlatServing ArticlesBaltimore, Late 19th-Early 20th CenturyConsisting of 2 two-piece steak sets and 2 two-piececarving sets. Together with a pair of poultry shears, S.Kirk & Son, Baltimore, Repoussé pattern, introduced1828.Length of longest knife: 14-1/4 in (36.2 cm)$800-$1,200

81Group of Eight Stieff Repoussé Sterling Flat ServingArticlesBaltimore, Late 19th-Early 20th CenturyConsisting of a flat server, tea strainer, cold meat fork,two-piece salad set, large serving fork and two sardineservers; four articles engraved with initials.Total weight: 22.4 oz$800-$1,200


82Watson Co. Sterling Five-Piece Coffee and Tea Service withAssociated Sterling TrayAttleboro, MA, First Half 20th CenturyIn the Priscilla Alden pattern: consisting of a coffeepot, teapot,covered sugar bowl, cream jug and waste bowl. The two-handletray, Concord Silversmiths, Ltd., Concord, NH. The serviceengraved with the initial R; the tray engraved with the initialsARF. Each with impressed factory marks: the service impressedwith pattern name and A 412; the tray 70-6.Height of coffeepot: 10 in (25.4 cm); Width of tray: 24-1/4 in (61.6 cm)Total gross weight: 153.8 oz$3,000-$5,000

83S. Kirk & Son Sterling Flat Table ServiceBaltimore, Winslow Pattern, Introduced 1850Consisting of:8 Place knives8 Place forks8 Salad forks8 Teaspoons8 Soupspoons3 Tablespoons8 Two-piece butter spreaders1 Two-piece steak set1 Serving fork1 Pierced serving spoon1 Sugar spoon1 Gravy ladleTotal number of pieces: 57Total weight of weighable silver: 53.3 oz$1,200-$1,800

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83 sample

84Reed & Barton Sterling Flat Table ServiceTaunton, MA, Savannah Pattern, Introduced 1962Consisting of:12 Place knives12 Place forks20 Salad forks20 Teaspoons12 Dessert spoons2 Tablespoons

13 Two-piece butter spreaders2 Pierced serving spoons1 Gravy ladle1 Two-piece carving set1 Cake breaker1 Master butter knife2 Jelly servers1 Sugar spoon1 Pair sugar nips

Total number of pieces: 102Total weight of weighable silver: 103.4 oz$2,000-$3,000

85Whiting Mfg. Co. Sterling Flat Table ServiceNew York, Madame Morris Pattern, Introduced 1909With engraved initialConsisting of:12 Place knives12 Place forks12 Salad forks12 Teaspoons12 Soupspoons12 One-piece butter spreaders1 Pair sugar nips


86Gorham Sterling Flat Table ServiceProvidence, Chantilly Pattern, Introduced 1895Consisting of:12 Place knives12 Place forks12 Salad forks23 Teaspoons12 Soupspoons2 Tablespoons

12 One-piece butter spreaders1 Cake server1 Master butter knife1 Sugar spoon

Eleven teaspoons with engraved initial.Total number of pieces: 88Total weight of weighable silver: 81.3 oz$2,000-$3,000

84sample

85sample

86sample

87Gorham Sterling Flat Table ServiceProvidence, Buckingham Pattern, Introduced 1910With engraved initialConsisting of:11 Dinner knives12 Dinner forks12 Luncheon forks12 Parcel gilt salad forks12 Parcel gilt ice cream forks12 Seafood forks12 Teaspoons12 Citrus spoons12 Soupspoons

87 sample

88 sample

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12 Iced tea spoons11 Bouillon spoons

2 Tablespoons10 One-piece butter

spreaders1 Sauce ladle1 Gravy ladle1 Sugar spoon


88Gorham Sterling Flat Table ServiceProvidence, Etruscan Pattern, Introduced 1913With engraved initialConsisting of:12 Place knives12 Place forks12 Salad forks8 Teaspoons7 Coffee spoons2 Tablespoons8 Two-piece butter spreaders1 Gravy ladle1 Serving fork1 Two-piece salad set1 Master butter knife1 Sugar spoon

Total number of pieces: 67Total weight of weighable silver: 56.5 oz$800-$1,200


89Tiffany & Co. Sterling Pierced Oval DishNew York, 1891-1902Having a pierced cavetto enclosed within anapplied floral and foliate-molded rim. Impressedwith factory mark, 14522, 3526 and A.Width: 11-1/8 in (28.2 cm)Weight: 10.7 oz$600-$800


90Tiffany & Co. Sterling Footed SalverNew York, 1850-1870Having a central engraved monogram enclosed within anengraved scrolling foliate field and a Greek key border,raised on four scroll and acanthus-molded feet.Impressed with factory mark, 622 and 1056.Diameter: 12 in (30.5 cm)Weight: 26 oz$1,200-$1,800

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91Wood & Hughes Silver Water PitcherNew York, 1840-1850; Retailed by John A. & William T.L’Hommedieu, Mobile, ALHaving a bulbous octagonal body with an applied C-scroll handle. Impressed L’H. Brothers within a recessedrectangular reserve and with Wood & Hughes mark(W&H within a recessed oval reserve).Height: 9-1/2 in (24.1 cm)Weight: 24.8 oz$1,000-$1,500


92Group of Three American Silver Table ArticlesFirst Half 19th CenturyThe first, a cream jug, Robert & William Wilson,Philadelphia, 1825-1846, having stylized foliatebands and an applied foliate-capped C-scroll han-dle; the second, a cream jug, Robert & WilliamWilson, having Greek key and beaded bands andan applied C-scroll handle; the third, an open sugarbowl, Samuel Kirk, Baltimore, 1821-1846, of typi-cal form with two rams’ head and foliate-moldedhandles. The first, impressed twice R&W W. withina recessed rectangular reserve; the second, R&WWilson/ Philada; the third, S.K, 11. OZ, SAML. KIRKand 11. OZ all within individual recessed rectangu-lar reserves.Height of tallest: 8 in (20.3 cm)Total weight: 52.9 oz$1,500-$2,500


93American Silver Four-Piece Coffee and Tea ServiceJohn Gaither (1786-1819), Alexandria, VA and Washington, DCConsisting of a coffeepot, teapot, cream jug and covered sugar bowl; each having a bulbous body with a lobed lowersection enclosed within a grape and vine-molded shoulder and foot rim. The coffeepot impressed I. GAITHER within arecessed rectangular reserve; the teapot, cream jug and sugar bowl unmarked.Height of coffeepot: 11-1/4 in (28.6 cm)Total gross weight: 97.3 oz$3,000-$5,000

Note:For a similar example see In the Neatest, Most Fashionable Manner: Three Centuries of Alexandria Silver, Catalogue andExhibition by Catherine B. Hollan, The Lyceum Company, Alexandria, VA, pg. 133, fig. 110.

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94Group of Six English Silver PlateTable ArticlesFirst Quarter 20th CenturyConsisting of a circular covered tureen;a pair of candlesticks; an oval silverplate mounted frosted glass biscuit jar,John Sherwood & Sons; a footed bowl,Ellis-Barker Silver Co. and a cake bas-ket, James Dixon & Sons. The first twounmarked. Most with wear to silver plate;the tureen with one compressed foot.Heights from: 5 to 11 in (12.7 to 27.9 cm)$1,000-$1,500

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95Victorian Silver TeapotCharles Stuart Harris, London, 1895Having a bulbous upper body embossed with a foliatecartouche and having a gadroon rim and foot rim.Marked on underside of base and interior of rim. Handleand finial possibly replaced.Height: 7-1/4 in (18.4 cm)Gross weight: 24.3 oz$500-$700

96Matched Set of Four Victorian Weighted SilverCandlesticksHawksworth, Eyre & Co, Ltd.Three, Sheffield, 1897-1898; the fourth, London, 1898;each having a baluster standard ending in a shaped cir-cular base. Each marked on rim of base and nozzle ofbobèche. One with dent to base and with open seam.Height: 7 in (17.8 cm)$700-$900

97Victorian Silver CoffeepotWilliam Mann, London, 1840Having a lobed body embossed and engraved withrocaille decoration continuing to a leaf-capped scroll han-dle. Marked on underside of base and interior of lid.Height: 10 in (25.4 cm)Weight: 26.1 oz$500-$700

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98William IV Silver Footed TrayMary and Richard Sibley, London, 1836The shaped circular tray having an openwork border with chinoiserie figures and birds within foliage raised on fourlion-head feet. Marked on underside of base.Diameter: 25-1/4 in (64.1 cm)Weight: 200.4 oz$10,000-$15,000


99Early George III Silver MugThomas Whipham & Charles Wright, London, 1762Of typical form with leaf-capped handle. Marked on under-side of base. Some minor dents to body.Height: 5 in (12.7 cm)Weight: 14.2 oz$600-$800

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100Six George III Silver Cream JugsVarious Makers, London, Late 18th-Early19th CenturyTogether with a William IV cream jug.Each marked. Some marks rubbed.Heights from: 3 to 6-3/4 in (7.6 to 17.1 cm)Total weight: 24.8 oz$1,000-$1,500

101George II-III Irish Silver Mug and SauceboatDublin, Mid to Late 18th CenturyThe mug, possibly Andrew Goodwin, of typicalform having an engraved monogram with leaf-capped scroll handle; the sauceboat of typical formwith shell-capped legs ending in raised pad feet.Each lacking date letter; the sauceboat lacking maker’smark; foot of mug compressed and with dents to body. Height of mug: 4 in (10.2 cm); Length of sauceboat: 6-3/4 in (17.1 cm)Weight of mug: 8.4 oz; Weight of sauceboat: 5.6 oz$800-$1,200

102Four George III Silver Cream JugsLondonThe first, Peter & Ann Bateman, 1794, helmetform engraved with a monogrammed reservewithin floral swags with beaded rim and reededhandle; the second, Peter, Ann & WilliamBateman, 1800, engraved with a monogrammedoval reserve within a foliate and scroll border;the third and fourth, Alexander Field, 1789 and1792 respectively, each helmet form engravedwith blank reserves and floral garlands. Eachmarked.Heights from: 4 to 5-1/2 in (10.2 to 14 cm)Total weight: 13.1 oz$800-$1,200

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103Victorian-Edward VII Silver Mug, CardHolder and a Two-Handle CupThe mug, William Hutton & Sons, London,1900, having a swirl-molded lower body; thecard holder, George Henry James, London,1877, with engraved monogram to lid, slidingoff to reveal a hinged lower body with two sil-ver-gilt filigree compartments; the cup, GeorgeNathan & Ridley Hayes, Chester, 1907, in theArts and Crafts style, having two openworkhandles with applied birds. Each marked. Cuppossibly weighted; residue to interior rim of cup.Height of cup: 5-3/4 in (14.6 cm); Length of card case: 3-1/2 in (8.9 cm)Total weight of mug and card case: 13.1 oz$800-$1,200


104Matched Pair of George II Silver CandlesticksJames Gould, London, 1735 and 1742Each of baluster form, the shaped square base engravedwith an armorial crest. Each marked on base, the firstalso with two partial marks on socket; each engraved 5615; the second also engraved with scratch weight 12 =2 =1/2. Each with slightly bent bases.Height: 6-3/4 in (22.2 cm)Total weight: 23.4 oz$3,000-$5,000

105George III Silver EpergneOrlando Jackson, London, 1772The foliate-form base with six arms supporting six reticulated sweetmeat baskets surmounted by a larger complementa-ry basket; each basket engraved with an armorial below the motto Non sibi sed patriae natus. Marked on foot rim of cen-ter bowl, upper collar of base, base of all but one arm and underside of each sweetmeat dish. Repairs to base; two armsrepaired and a third possibly replaced.Height: 19 in (22.9 cm)Weight: 105.4 oz$12,000-$18,000

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106Christofle Silver Plate ‘Marly’ Part Flat Table Serviceand a Tray20th CenturyConsisting of:10 Dinner forks12 Luncheon forks4 Dessert forks

11 Tablespoons12 Dessert spoons11 TeaspoonsEach impressed with factory mark and Christofle.Together with a rectangular tray with impressed factorymark, Christofle, 60 and form number 1071820.Total number of pieces: 50Tray: 12-3/8 x 15 in (31.4 x 38.1 cm)$500-$700

106sample

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107French Louis XVI Style Silver-MountedThirteen-Piece Dresser SetEmile Langlois, Circa 1900Consisting of two hairbrushes, two clothesbrushes, a hand mirror, a shoe horn, fouretched glass bottles, two circular glass jars anda rectangular etched glass jar. Each impressedwith French 950 standard and maker’s mark ina lozenge. Glass of one circular jar replaced; largecircular jar with dents to lid.Height of tallest bottle: 6-1/4 in (15.9 cm)$600-$800

108French Louis XVI Style SilverCovered Sugar Bowl and an Ivory-Handled Cream JugPuiforcat, Post 1973Each with impressed French 925 stan-dard and engraved on undersidePuiforcat Paris. Each with original bags.Height of cream jug: 5 in (12.7 cm)Total gross weight: 34.3 oz$1,200-$1,800

109German Silver Seven-Piece Cocktail Set with TrayWilhelm Binder, Schwäbisch Gmünd, Second Quarter 20thCenturyConsisting of six conical glasses, a cocktail shaker and ashaped-edge circular tray; each with engraved mono-gram. Each impressed with crown and crescent mark,835 and maker’s mark; the shaker and tray also impressedwith form number.Height of cocktail shaker: 8-1/4 in (21 cm); Diameter of tray: 12-1/2 in (31.8 cm)Total weight: 41.4 oz$700-$900

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110German Silver Five-Light Candelabrum and a TrayFirst Half 20th CenturyThe candelabrum, possibly Bruckmann & Söhne, thebase impressed with crown and crescent mark, 835 andeagle maker’s mark; the shaped-edge oval tray impressedon underside 835 and 12.Height of candelabrum: 9-5/8 in (24.4 cm); Length of tray: 18 in (45.7 cm)Total weight: 53.9 oz$700-$900

111Two German Rococo Style Silver TraysWilhelm Binder, Schwäbisch Gmünd, Second Quarter 20th CenturyThe first circular, the second oval; each withmolded-edge shaped rims; each impressed withcrown and crescent mark, 835 and maker’smark; the first also with impressed form num-ber.Length of oval tray: 21-3/4 in (55.2 cm)$1,200-$1,800

112Three German Rococo Style Silver Vegetable DishesWilhelm Binder, Schwäbisch Gmünd, Second Quarter 20thCenturyConsisting of a circular open vegetable dish with centralengraved monogram; a shallow oval open vegetable dishand a circular covered vegetable dish. Covered dish lackingremovable handle and with dent to body.Diameter and length of two open dishes: 11-3/4 in (29.9 cm)Total weight: 56.2 oz$700-$900

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113German Rococo Style Silver Three-Piece Tea Set withTrayFirst Quarter 20th CenturyConsisting of a teapot, covered sugar bowl, cream jugand an oval tray; each embossed with roses and rocaillescrolls. Each impressed with crown and crescent markand 800.Height of teapot: 6-1/2 in (16.5 cm); Length of tray: 12-1/2 in (31.8 cm)Total weight: 37.9 oz$600-$800

PROPERTY FROM THE ESTATE OFBARBARA KELLY

114Continental Rococo Style Silver ReticulatedCenter BowlProbably German, Circa 1900Having an embossed cavetto depicting fourputti with baskets of fruit and flowers contin-uing to a wide reticulated border with twoblank cartouches with floral garlands, the footrim engraved with Swedish inscription.Impressed in cavetto 800 and with Swedishimport marks.Length: 17 in (43.2 cm)Weight: 30.2 oz$700-$900


115German Silver Assembled ‘Perl’ Flat TableServicePredominantly Koch & Bergfeld, Circa 1900MonogrammedConsisting of:15 Dinner forks14 Luncheon forks18 Tablespoons15 Dessert spoons12 Bouillon spoons14 Teaspoons11 Fish knives

115sample

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12 Fish forks11 Fruit forks12 Fruit knives6 Lobster forks2 Small two-prong forks1 Large serving spoon1 Large serving fork

Each impressed 800 with crown and crescent markand maker’s mark.Total number of pieces: 176Total weight of weighable silver: 168.5 oz$3,000-$5,000

116Austrian Art Nouveau Silver DishFirst Quarter 20th CenturyThe parcel reticulated shaped dish embossed with flow-ers and C-scrolls surmounted by a merchild holding ashell. Impressed on dish and merchild with 800 stan-dard, dish also with maker’s mark CK.Length: 13-1/2 in (34.3 cm)Weight: 22.3 oz$1,000-$1,500

117Russian Gilt Silver and Cloisonné Enamel MiniatureKovshAssaymaster A. Sev’yer, Moscow, 1895Of typical form, decorated in shades of blue, red and white;inscribed St. Petersburg in Cyrillic in center. Marked onunderside of base with assaymaster’s mark, partly effacedmaker’s mark, 84 standard and town mark. Maker’s markeffaced.Height: 1 in (2.54 cm); Length: 3-1/8 in (7.9 cm)Gross weight: 1.3 oz$800-$1,200

118Three Assembled Russian Silver Gilt Vodka CupsMoscowThe first and second with assaymaster’s mark for V.Savinkov dated 1869 and 1887 respectively, the firstwith maker’s mark in Cyrillic P.L.*; the secondmaker’s mark in Cyrillic NO; the third with assaymas-ter’s mark for A. Svechin, dated 1867 and maker’smark in Cyrillic P.O, probably Pavel Ovechinikov.Underside of each impressed with assaymaster’smark, maker’s mark, 84 standard and town mark.Heights from: 2 to 2-5/8 in (5.1 to 6.7 cm)Total weight: 4.3 oz$400-$600

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119Russian Silver and Cloisonné Enamel MiniatureKovshMaker’s mark in Cyrillic P.F., Moscow, 1896-1908Of typical form decorated in shades of pink, purple,blue, green and orange on a light blue ground.Underside with impressed maker’s mark, kokoshnik andassaymaster’s mark. Some losses and damage to enamel.Height: 1-1/2 in (3.8 cm); Length: 3-5/8 in (9.1 cm)Gross weight: 1.7 oz$800-$1,200

FINE ART

PROPERTY FROM THE ESTATE OF VARUE W. OISHEI

120French School, 18th-19th CenturyChinoiserie Architectural Still Life of Flowers and Figures:Group of Six WorksEach unsignedEach watercolor and gouache on paper; some with stainingand water staining. Each framed.*Sight size of each: 11-1/4 x 7-3/4 in (28.6 x 19.7 cm)$600-$800


121Circle of Wolfgang Heimbach (German 17th Century)Portrait of a Young Man with a DogUnsignedOil on copper8 x 4-5/8 in (20.3 x 11.8 cm)$3,000-$5,000

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122 122Northern European School, 18th-19th CenturyTent of Alexander the GreatUnsignedOil on canvas. Unframed.35 x 49-1/4 in (88.9 x 125.1 cm)$1,000-$2,000

123European School, 18th-19th CenturyTravelers in a Forest ClearingUnsignedOil on canvas37 x 47 in (94 x 119.4 cm)$1,000-$1,500

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124After Guido Reni (Italian 17th-18th Century)Saint Mary MagdaleneUnsignedOil on canvas24 x 19 in (61 x 48.3 cm)$1,000-$1,500

Note:This painting is after the 1633 oil on canvas byGuido Reni (1575-1642), now located in theGalleria Nazionale d’Arte Antica, Rome.

125After Guido Reni (Italian 20th Century)The Triumph of AuroraSigned indistinctly F. * Estabrook in pencil and inscribed Aurora delGuido Reni/ Romeo Renzi Copio/ Roma on versoOil on canvas23-3/4 x 59-3/4 in (60.3 x 151.8 cm)$1,000-$2,000

Provenance:Sloan’s Auctioneers and Appraisers, Bethesda, MD, Estate Auction,October 19, 1997, lot 1073

Note:This painting is after the 1614 fresco by Guido Reni (1575-1642)in the Casino Rospiglioso, Palazzo Pallavicini, Rome.

126Manner of John Singleton Copley (American Late 18th Century)Portrait of a Woman in a White Satin DressUnsignedOil on canvas. Unframed.33-3/4 x 26-1/2 in (85.7 x 67.3 cm)$1,000-$2,000

PROPERTY FROM AN ALEXANDRIA COLLECTION

127Spanish Colonial School, 18th-19th CenturyThe Adoration and Christ in the Garden of Gethsemane:Two WorksEach unsignedEach oil on canvas. Each unframed and unstretched.Size of first: 21 x 16 in (53.3 x 40.6 cm)Size of second: 31 x 23 in (78.7 x 58.4 cm)$1,000-$1,500

Provenance:Purchased in Bolivia, circa 1968-1972By descent to the current owner

128Spanish Colonial School, 18th-19th CenturyThe EntombmentUnsignedOil on canvas. Unframed.40-1/2 x 47-1/2 in (102.9 x 120.7 cm)$700-$900


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129Spanish Colonial School, 18th-19th CenturySaint Joseph of Arimethea: A TriptychUnsignedOil on canvas. Unframed andunstretched.40-1/2 x 67-1/2 in (102.9 x 171.5 cm)$1,000-$2,000


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130Barbara Van Houten (Dutch 1862-1950)Young Girl Writing and Reading: A Pair of WorksThe first, signed with artist’s monogram signature BEvH l.l. and inscribed Mayan l.r., also inscribed in Dutch on twopaper labels affixed to verso and the second, signed BE v Houten l.r.Each watercolor, gouache and graphite; each apparently in good condition. Each framed.*Sight size of each: 17-1/4 x 12 in (43.8 x 30.5 cm)$2,000-$4,000

131Carl August Heinrich Ferdinand Oesterley(German 1839-1930)Norwegian FjordSigned C Oesterley jr and dated 1910 l.l.Oil on board20 x 26-1/2 in (50.8 x 67.3 cm)$800-$1,200

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132Willem van Hasselt (Dutch 1882-1963)La Garonne à BordeauxSigned van Hasselt l.l.; also located on two paperlabels affixed to versoOil on canvas18 x 25-3/4 in (45.7 x 65.4 cm)$1,500-$2,500

Provenance:Mr. and Mrs. Paul Mellon, until May 1965

Exhibited:Salon D’Asnières, Asnières-sur-Seine, France

133Witold Kalicki (Polish 20th Century)Rainy Street Scene in WarsawSigned Witold Kalicki and dated 81 l.r.Oil on canvas50-3/4 x 35-1/4 in (128.9 x 89.5 cm)$600-$800

134Gustav Hessing (Austrian 1909-1981)Landscape with Flowers and FoliageSigned G Hessing and dated 59 l.r.; located indis-tinctly W*** M*** bei Wien, signed and datedSept 57 on versoWatercolor on paper; light mat toning, apparent-ly in good condition. Framed.Sheet size: 20 x 27 in (50.8 x 68.6 cm)$1,000-$2,000

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135Circle of Eugene Louis Boudin (French 19th Century)Afternoon at the BeachSigned indistinctly with artist’s monogram signature *B l.l.Oil on panel6-3/4 x 11 in (17.1 x 27.9 cm)$500-$700

136Valentine Henriette Prax (French 1899-1981)Les Oiseaux dans les Arbres and Les Oiseaux dansles Fruits: Two WorksEach signed V. Prax l.l.Each gouache on paper; each apparently in goodcondition. Each framed.*Sight size of first: 18-1/2 x 21-1/2 in (47 x 54.6 cm)Sight size of second: 17-3/4 x 22-1/2 in (45.1 x 57.2 cm)$2,000-$3,000

137Marcel Vertès (French 1895-1961) andGérard Bauër (French b. 1947)Three WorksA. Marcel Vertès (French 1895-1961)Gentleman Walking His Dog Signed Vertès l.r.Graphite on paper; with fold creases andhandling wear. Unframed.Sheet size: 17 x 14 in (43.2 x 35.6 cm)B. Marcel Vertès (French 1895-1961)DedicationInk and watercolor on paper, inscribed à G.Lemaredial (?)/son vieil ami/Vertès; with foldcrease and mild toning at lower edge.Unframed.Sheet size: 15 x 23 in (38.1 x 58.4 cm)C. Marcel Vertès (French 1895-1961) andGérard Bauër (French b. 1947)Instants et Visages de ParisAlbum of loose lithographs and text, 1951,signed Vertés in pencil and Gérard Bauër inink on cover page, numbered 69 from an edi-tion of 225, printed by Imprimerie Nationaleand published by André Sauret, Paris; withvarying degrees of scattered staining onsome pages, overall apparently in good con-dition. Unframed.Sheet size: 387 x 299 mm (15-1/4 x 11-3/4 in)$800-$1,200

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138 138Claude Leroux (French 1930-2006)Hommage to LibertySigned Leroux l.r.; also with inventorynumber 906206 on versoOil on panel13 x 16 in (33 x 40.6 cm)$600-$800

Provenance:Galerie Michael, Beverly Hills, CA,together with certificate of authenticity

139Paul Lucien Maze (French 1887-1979)The TuileriesSigned Paul Maze l.l.; also titled on a paper label affixed to versoOil on Masonite19-1/2 x 28-1/2 in (49.6 x 72.4 cm)$4,000-$6,000

Provenance:Mrs. Jane Fowler Bassatt, from paper label affixed to versoEstate of Victor D. SparkPurchased in these rooms, American & European Fine Art, September 15, 2007, lot 521

Exhibited:Smithsonian Institution, Washington, D.C., National Collection of Fine Arts, December 16, 1964-December 16, 1966

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140Ferdinand Hodler (Swiss 1853-1918)Portrait of Berthe HodlerUnsigned; titled and inscribed in German on verso of matGraphite on gray paper; with vertical crease parallel to rightedge, overall apparently in good condition. Framed.*Sight size: 9-1/2 x 7-3/4 in (24.1 x 19.7 cm)$1,500-$2,500

141André Julien Prina (French 1886-1941)Paysage aux Arbres RougesSigned Julien Prina l.r.; also titled and numbered PN 729on stretcher bar and on paper label affixed to verso anddated 1937 on paper label affixed to versoPastel on paper mounted on canvas; apparently in goodcondition. Framed.*Sight size: 13 x 19 in (33 x 48.3 cm)$700-$900

Provenance:La Galerie Cour Saint-Pierre S.A., Genève

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142Otto Wilhelm Ernst Nebel (Swiss 1892-1973)WandelbaresSigned Nebel and dated 1966 l.l.Gouache en grisaille on paper board; appar-ently in good condition. Framed.*Sight size: 7-3/4 x 11-1/2 in (19.7 x 29.2 cm)$800-$1,200

Provenance:La Galerie Cour Saint-Pierre S.A., Genève

143Françoise Grassin-Taffin (French b. 1927)Untitled (Abstract): Group of Four WorksThe first two, signed and dated Françoise Grassin Taffin 78 inpencil and ink l.r., the third, signed and dated FrançoiseGrassin Taffin 78 in ink l.r. and the fourth, signed and datedFrançoise Grassin Taffin 77 in pencil l.r. and inscribed monotypein pencil l.l.The first two, each mixed media on paper; the third, mixedmedia print, and the fourth, monotype; each apparently ingood condition. Each framed.*Sight size of largest: 13 x 16-1/4 in (33 x 41.3 cm)$500-$700

144Sama (French/Cambodian Late 20th Century)Untitled (Abstract)Signed Sama, with the artist’s seal and dated 96 l.l.Mixed media on panel39-1/4 x 39-1/4 in (99.7 x 99.7 cm)$800-$1,200

145Sama (French/Cambodian Late 20th Century)No. 3 from Terre de Feu and Untitled: Two WorksThe first, signed Sama, with the artist’s seal and dated 92l.r., also titled on paper label affixed to verso and the sec-ond, signed Sama, with the artist’s seal and dated 95 l.l.Each mixed media on paper; each apparently in goodcondition. Each framed.*Sight size of first: 17-1/4 x 13-1/4 in (43.8 x 33.7 cm)Sight size of second: 13-3/4 x 10 in (35 x 25.4 cm)$500-$700

Provenance:No. 3 from Terre de Feu: Fondation Vasarely, Provence

146Sama (French/Cambodian Late 20th Century)Untitled (Abstract)Signed Sama, with the artist’s seal and dated 89 l.l.Mixed media on canvas39-1/4 x 39-1/4 in (99.7 x 99.7 cm)$800-$1,200

145 144

146

147Akiko Toriumi (Japanese Late 20th Century)Untitled (Abstract)Signed A. Toriumi and dated 99 l.r.Mixed media on paper; apparently in goodcondition. Framed.*Sight size: 23-1/2 x 19-3/4 in (59.7 x 50.2 cm)$500-$700

Provenance:By repute, La Galerie Akié Arichi, Paris,based on inscription on verso

147 148 1 of 2

1491 of 2


148Erica Hestu Wahyuni (Indonesian b. 1971)The Elephant on the Yellow City and The Elephant and ShadowCity: Two WorksEach signed Erica and dated 95 l.r.; each titled, dated and withinventory numbers #1420 and #1435 respectively on paper labelsaffixed to versoEach oil on canvasSize of first: 27-1/2 x 27-1/2 in (69.9 x 69.9 cm)Size of second: 19-1/2 x 23-1/2 in (49.6 x 59.7 cm)$1,000-$2,000

149Erica Hestu Wahyuni (Indonesian b. 1971)Traveling with the Brown VW and To Ride WhiteElephant: Two WorksEach signed Erica and dated 95 l.c.; each titled, datedand with inventory numbers #1429 and #1426 respective-ly on paper labels affixed to versoEach oil on canvasEach: 17-1/4 x 17-1/2 in (43.8 x 44.5 cm)$800-$1,200

150Krijono (Indonesian b. 1951)Ketut Bingung Zaman Subé EdanSigned Krijono, titled, located Bali and dated 1993 l.r.Oil on canvas48 x 38 in (121.9 x 96.5 cm)$800-$1,200

151 150

152


151Auguste Sandoz (Swiss 1901-1964)Spirale et Carré BleuSigned A. Sandoz and dated 29 l.r.Graphite and gouache on paper; apparently in goodcondition. Framed.*Sight size: 24-1/2 x 19 in (62.2 x 48.3 cm)$1,000-$1,500

Provenance:La Galerie Cour Saint-Pierre, Genève

PROPERTY OFVARIOUS OWNERS

152Maurice Elie Sarthou (French 1911-1999)Port PetrolierSigned M E Sarthou l.l.; alsoinscribed Sarthou/ 14 rue Larrey/Paris V on verso and on stretcherbar, titled on stretcher bar and onpaper label affixed to verso andwith an old paper label affixed toversoOil on canvas32 x 39-1/2 in (81.3 x 100.3 cm)$2,000-$4,000

153Ivon Hitchens (British 1893-1979)Shore FigureSigned with artist’s signature l.r.; also titled, dated and inscribed “Shore Figure” 1965/ by Ivon Hitchens/ Greenleaves PetworthSussex and inscribed you are requested NOT to removed glass without first consulting the artist or the Waddington Galleries onpaper labels affixed to verso and inscribed A116 on stretcher barOil on canvas30 x 20 in (76.2 x 50.8 cm)$40,000-$60,000

Provenance:Private Collection

Exhibited:The Waddington Galleries, London, 1966

153

154Henry Moore (British 1898-1986)Woman Lying on Her StomachSigned Moore l.l.; also titled, dated 1981 and with HenryMoore Foundation No. 81 (6) on paper label affixed to versoCrayon on paper; apparently in good condition.Framed.*Sight size: 7-3/4 x 11-1/2 in (19.7 x 29.2 cm)$6,000-$8,000

Provenance:Acquired from the artist, Much Hadham, UK, April,1983Berman Collection, Allentown, Pennsylvania, 1983Christie’s, London King Street, 20th Century British Art,November 18, 2005, lot 113

Literature:Ann Garrould, Henry Moore Complete Drawings 1950-1976,Vol. 4, Much Hadham, UK, 2003, no. AG 75-81.21, HMF81 (6), p. 342, illustrated p. 343.

Exhibited:Philip and Muriel Berman Museum of Art at UrsinusCollege, A Passion for Art Selections from the BermanCollection, October 22-December 22, 1989

155Attributed to Ellen Ladell (British b. circa 1853)Still Life with Urn, Vase and FlowersSigned with monogram signature ELadell l.l.Oil on canvas24 x 20 in (61 x 50.8 cm)$1,000-$2,000

154

155

156Jack M. Ducker (British fl. 1910-1930)Sunset Landscape with Country Road, Figuresand SheepSigned J M Ducker l.l.; also stamped Property ofMetropolitan Art Ltd on stretcher barOil on canvas20 x 30 in (50.8 x 76.2 cm)$700-$900

156

157

158

157George Morland (British 1763-1804)Gentleman and Child Feeding PigsSigned G Morland c.l.Oil on canvas24-3/4 x 30 in (62.9 x 76.2 cm)$2,000-$4,000

158D. Tayler (American 20th Century)American Clipper at SeaSigned D. Tayler l.r.Oil on canvas20 x 24 in (50.8 x 61 cm)$800-$1,200

159Walter Franklin Lansil (American 1846-1925)Venice at SunsetAppears to be signed with artist’s monogramsignature W* l.r.Oil on canvas20 x 24 in (50.8 x 61 cm)$1,500-$2,500

159

160

160Donald Teague (American 1897-1991)The City Gate-Chioggia, ItalySigned Donald Teague N.A. l.r.; also titled The City Gate-Chioggia, inscribed Donald Teague N.A./ Box 745 Carmel, Calif. onversoWatercolor, gouache and graphite on paper; apparently in good condition. Framed.*Sight size: 6 x 9 in (15.2 x 22.9 cm)$3,000-$5,000

161Donald Teague (American 1897-1991)Morning Sunlight, VeniceSigned Donald Teague N.A. l.r.; also titled Morning Sunlight, inscribed Donald Teague N.A./ Box 745 Carmel, Calif. on versoWatercolor, gouache and graphite on paper; apparently in good condition. Framed.*Sight size: 6 x 9 in (15.2 x 22.9 cm)$3,000-$5,000

Provenance:The Perry House Gallery of Fine Arts, Monterey, CA, from a paper label affixed to verso

161

162 162Mary Louise Fairchild (MacMonnies Low) (American 1866-1946)Woman Serving TeaUnsigned; inscribed Betty Mac Monnies, indistinctly inFrench and de Mary Mac Monnies on stretcher barOil and sepia crayon on canvas18 x 15 in (45.7 x 38.1 cm)$1,000-$2,000

Note:Additional provenance can be supplied to the successfulbidder.

163Max Weyl (American 1837-1914)Sketch of MarshlandsSigned Max Weyl l.r.; also titled Sketch on paperlabel affixed to versoOil on canvas9 x 14 in (22.9 x 35.6 cm)$1,000-$1,500

163

164

165

164Clark Summers Marshall (American 1860-1944)A Boat on an Inlet with a Farmhouseand Rolling Hills BeyondSigned Clark S Marshall l.r.Oil on canvas25 x 30 in (63.5 x 76.2 cm)$3,000-$5,000

Provenance:Private Collection, Orlando, FloridaBonhams, Butterfields & Dunning, SanFrancisco, California and AmericanPaintings & Sculpture, November 19,2002, lot 8025

Note:Inscribed on verso: In case of our death/this goes to/ Les/ Or my sister/ VernaComney —> Carol Ann Comney Munson/Or/ My mother/ Pearia Carson/ Not for Sale/If Sold/ Money to be/ divided between/ Les &Chris.

165Attributed to Joseph de Martini (American 1896-1984)Bolton Landing Evening, Lake George, NYSigned indistinctly De Martini l.r.; also located Lake GeorgeNY Boltons Landing Evening, inscribed indistinctly Joseph*** Martin, dated 1927 and located N.Y.C. on verso offrameOil on canvas16 x 20 in (40.6 x 50.8 cm)$600-$800

166Frank Virgil Dudley (American 1868-1957)Indiana Dune VistaSigned Frank V. Dudley l.l.Oil on canvas27 x 30 in (68.6 x 76.2 cm)$8,000-$12,000

Provenance:Purchased in these rooms, American& European Fine Art and 20th CenturyDecorative Arts, September 16, 2006,lot 709

166

167 167Frederick D. Jones Jr. (American 1914-2004)Fishermen on the CoastSigned Fred Jones l.r.Watercolor, ink and graphite on paper; apparently in goodcondition. Framed.*Sight size: 20 x 12-3/4 in (50.8 x 32.4 cm)$2,000-$4,000

168Sally Michel Avery (American 1902-2003)Windy Day (Florida)Signed Sally Michel and dated 1984 l.r.; alsoinscribed Sally Michel, titled, dated and num-bered 86.70.272 on verso and titled Windy Day(Florida) on paper label affixed to versoOil on canvas board9 x 12 in (22.9 x 30.5 cm)$2,000-$3,000

Provenance:Childs Gallery, Boston, from a paper labelaffixed to verso

168

169

170

169Sally Michel Avery (American 1902-2003)Circus PerformersUnsigned; also inscribed Sally Michel, titled andwith inventory number 86.70.297 on verso andtitled on paper label affixed to versoOil on canvas board11 x 14 in (27.9 x 35.6 cm)$2,000-$3,000

Provenance:Childs Gallery, Boston, from a paper labelaffixed to verso

170Milton Avery (1885-1965)Nude Figures at a Drawing TableSigned Milton Avery l.l.Graphite on paper; apparently in good condition. Framed.*Sight size: 10 x 8 in (25.4 x 20.3 cm)$1,500-$2,500

171Robert Jay Wolff (American 1905-1978)Untitled (Abstract) from Chicago Series No. 18Signed RJ Wolff and dated 1937 l.r.; also titled ChicagoSeries No. 18, dated and inscribed Robert Jay Wolff/ NewPreston Conn on versoInk and watercolor on paper; apparently in good condi-tion. Framed.*Sight size: 13-3/4 x 14-1/4 in (35 x 36.2 cm)$600-$800

172Leon Berkowitz (American 1919-1987)A.M. No. 4Signed Leon Berkowitz and dated 78 on verso; alsoinscribed Berkowitz, titled A.M. No. 4, dated 1978 onstretcher barOil on canvas. Unframed.45 x 54 in (114.3 x 137.2 cm)$2,000-$4,000

171

172


172ALamar Briggs (American b. 1935)Untitled (Abstract): Two WorksThe first, signed with artist’s signature l.c. and the sec-ond, signed with artist’s monogram signature LB l.r.Each mixed media on paper; each apparently in goodcondition. Each framed.*Sight size: 23-1/2 x 35 in (59.7 x 88.9 cm)$500-$700

172A1 of 2

172B1 of 4

172B1 of 4

172BLamar Briggs (American b. 1935)Two Monkeys and Blue Dog, Portrait from MadisonAvenue, Atoja (Peruvian Goddess of Rain) and Face withGold Rain: Group of Four WorksEach signed with artist’s signature l.c., l.r., l.l. and l.l.respectively; also each titled on paper label affixed toversoEach mixed media on paper; each apparently in goodcondition. Each framed.*Sight size of first: 9-1/2 x 59 in (24.1 x 149.9 cm)Sight size of next three: 10-3/4 x 7-3/4 in (27.3 x 19.7 cm)$500-$700


173Wolf Kahn (American b. 1927)Orange and GreenSigned W Kahn l.r.; also titled Orange and Greenon stretcher bar and dated 2003 and numbered204 on stretcher bar and on versoOil on canvas22 x 24 in (55.9 x 61 cm)$6,000-$8,000

Provenance:Addison/Ripley Fine Art, Washington, D.C.

173

174 174Romare Bearden (American 1911-1988)Martin Luther King, Jr. - Mountain TopSerigraph in color, 1968, signed Romare Bearden in pencill.c., with text Romare Bearden List Art Poster © 1968 HKLLtd. printed l.l.; inscribed $30/ Bearden/ Martin Luther/King/ 2 Pt/ 390-68h in pencil on verso, printed by HKLLtd. and published by List Art Posters, New York;apparently in good condition. Framed.*Sight size: 750 x 499 mm (29-1/2 x 19-5/8 in)$4,000-$6,000

175A. A. Bonaffé (Peruvian c. 1845-1857)Recuerdos de Lima, Album Tipos, Trajes y Costumbres: Album ofTwelve WorksTwelve lithographs in color bound as a book, 1855-1856, titled LaZamacueca, La Lechera, El Capeador, La Plazera, El Velero, La Chichera, ElArriero, La Zamba (a la procesion), El Panadero, Chorrillos (Traje deBaño), El Aguador and La Caleza, each printed by Lemercier, Paris;each with varying degrees of foxing, toning and staining, cover ofbook is unattached. Unframed.Sheet size of each: 496 x 356 mm (19-1/2 x 14 in)$800-$1,200

175

176

176Marc Chagall (French/Russian 1887-1985)Chagall Lithographe: Six Volume SetComplete set of six volumes of the complete lithographsof Chagall, including original lithographs in color, 1960-1986, catalogue complied by Fernand Mourlot andCharles Sorlier, printed by Draeger, Mourlot andL’Imprimerie Nationale de France, Paris and publishedby André Sauret, Monte Carlo, Boston Book and ArtShip, Inc, Boston and Crown Publishers, New York;each with minor wear, mainly to glassine covers. Sheet size: 318 x 241 mm (12-1/2 x 9-1/2 in)$2,000-$3,000

Provenance:Sloans & Kenyon, Bethesda, MD, Three Day EstateCatalogue Auction, September 14, 2008, lot 1491

177Jules Chéret (French 1836-1932)Souvenir de L’Exposition (Broido 466)Lithographic poster in color mounted on linen, 1890, printed by Chaixand published by Musée Grévin, Paris; with overall wear and scatteredwater stains along right edge. Unframed, mounted with wood bars forhanging.2362 x 838 mm (93 x 33 in)$800-$1,200

177

178

178Salvador Dalí (Spanish 1904-1989)The Glory that was Spain’s from An American Portrait, 1776-1976 (Field 75-10)Etching in color on Arches, 1975-1976, signed Dali in pencill.r., numbered 52/175 in pencil l.r., with Transworld Art blindstamp l.l. corner in margin, published by Transworld Art,New York; light toning, overall apparently in good condition.Framed.Plate size: 660 x 496 mm (26 x 19-1/2 in)$800-$1,200

179Alberto Giacometti (Swiss 1901-1966)Personnage dans l’atelier (Lust 8)Lithograph on Arches, 1954, signed A Giacometti inpencil l.r. and numbered 4/30 in pencil l.l., publishedby Maeght, Paris; apparently in good condition.Framed.*Sheet size: 597 x 445 mm (23-1/2 x 17-1/2 in)$6,000-$8,000

Provenance:Hubert Gallery, New York, from paper labels affixedto verso

179

180 PROPERTY FROM THE ESTATE OFVARUE W. OISHEI

180Hans Hartung (German 1904-1989)No. 15Lithograph on BFK, 1973, signed Hartungin pencil l.r. and numbered 62/75 in pencill.l.; apparently in good condition. Framed.*Sight size: 546 x 750 mm (21-1/2 x 29-1/2 in)$1,000-$1,500

Provenance:Galerie Cour St. Pierre S.A., Genève

181Robert Havell Jr. (American/British 1793-1878)Game Bird Shooting: Group of Four WorksEach an etching and aquatint with hand-coloring, 19thcentury, titled Wild Duck Shooting near Cowley, SnipeShooting near Uxbridge, Partridge Shooting near Windsor andPheasant Shooting Black Park, near Uxbridge; each with ton-ing and staining. Each framed.*Sight size of each: 241 x 318 mm (9-1/2 x 12-1/2 in)$700-$1,000

1811 of 4

1821 of 4

1831 of 6


182After John Frederick Herring, Sr.(British 1795-1865)Hunting Scenes: Group of Four WorksEach an aquatint with hand-coloring,19th century, each engraved by JohnHarris, titled The Meet, Breaking Cover, FullCry and The Death; each with varyingdegrees of toning. Framed.*Sight size of each: 489 x 800 mm (19-1/4 x 31-1/2 in)$1,000-$2,000

183After William Hogarth (British 1697-1764)Marriage à la Mode (Pls. I-VI): Group of Six WorksEach an engraving, 1796, each engraved byThomas Cook, each published by G.G. & J.Robinson, London; each with varying degreesof scattered staining and foxing. Each framed.*Sight size of each: 381 x 470 mm (15 x 18-1/2 in)$600-$800


184Louis Icart (French 1888-1950)Hydrangeas, Les Hortensias (Schnessel and Karmel 205)Etching and aquatint in color, 1929, signed Louis Icart inpencil l.r. and numbered A/447 in pencil and with artist’sblind stamp l.l.; with light toning, overall apparently ingood condition. Framed.*Plate size: 432 x 533 mm (17 x 21 in)$400-$600

184

185 186


185Augustus Edwin John (British 1878-1961)A Girl’s Head- G (Campbell Dodgson 67)Etching, 1919, from an edition of 50, signed John in pen-cil l.r., inscribed Plate No 131 in ink l.l., titled Girl’s Headin ink l.c. and numbered Imp No/46/50 in ink l.r. and withvarious inscriptions in pencil along lower edge; withlight toning and mat toning and scattered minor stainingin upper margins, overall apparently in good condition.Framed.Plate size: 174 x 138 mm (6-7/8 x 15-1/16 in)$800-$1,200

Provenance:Thomas Agnew & Sons, Ltd., London, inventory num-ber 37816, from a paper label affixed to verso

186Wassily Kandinsky (Russian 1866-1944)La tache noireLithograph in color, 1924, unsigned, numbered 265/300in pencil l.r.; apparently in good condition. Framed.*Image size: 292 x 279 mm (11-1/2 x 11 in)$800-$1,200

187Alex Katz (American b. 1927)Bella (Maravell 41)Lithograph in color on Arches, 1972, signed withartist’s signature and numbered 80/200 in pencill.r., printed by Bank Street Atelier, New York andpublished by Charles Marlin, The Print Room,Clarion, PA; apparently in good condition.Framed.*Image size: 863 x 609 mm (34 x 24 in)$1,000-$2,000

Note:Bella Abzug (1920-1998) was an AmericanCongresswoman, social activist and leader of theWoman’s Movement.

187 188

189

188Alex Katz (American b. 1927)Superb Lillies (Maravell 62)Lithograph in color on Arches, 1972, signed with artist’s sig-nature and numbered AP in pencil l.r., printed by PaulNarkiewicz and published by Marlborough Graphics, Inc.,New York; apparently in good condition.Image size: 482 x 511 mm (19 x 20-1/8 in)$800-$1,200

Provenance:Corcoran School of Art, The Third Annual Affordable ArtAuction, June 22, 1983, number 108

189Rockwell Kent (American 1882-1971)Starry Night (Burne-Jones 103)Wood engraving, 1933, from an edition of 1750,signed Rockwell Kent in pencil l.r., published by theLiterary Guild of America and printed by ElmerAlder, Pynson Printers, New York; apparently ingood condition. Framed.*Image size: 178 x 127 mm (7 x 5 in)$800-$1,200

190Kiki Kogelnik (Austrian 1935-1997)FlightSerigraph in color, 1968, signed withartist’s signature, titled and dated inpencil l.r. and numbered 4/25 l.l.; withlight stain u.r. corner, overall apparent-ly in good condition. Framed.*Sight size: 641 x 762 mm (25-1/4 x 30 in)$1,500-$2,500

190

191

191Sally Mann (American b. 1951)The Modest ChildGelatin silver print, circa 1988, inscribed Merry Christmas,/ etal./ opposite: (not Art:)/The Modest Child on reverse; with scat-tered toning and discoloring throughout. Unframed.254 x 203 mm (10 x 8 in)$500-$1,000

192Henri Matisse (French 1869-1954)Marie-José en Robe jaune (Duthuit-Matisse 817)Aquatint on wove paper, 1950, unsigned, artist's proof,aside from edition of 100; apparently in good condition.Framed.*Plate size: 527 x 406 mm (20-3/4 x 16 in)$4,000-$6,000

Provenance:Galerie Michael, Beverly Hills, CA, inventory number905624, together with certificate of authenticity

192

193 193Joan Miró (Spanish 1893-1983)Miró 1959-1960: Pierre Matisse Gallery CatalogueCatalogue with lithographs in color, October 15, 1961,printed by Maeght and Daniel Jacomet, Paris and pub-lished by Pierre Matisse Gallery, New York; with somewear to title page, overall apparently in good condition. Sheet size: 305 x 235 mm (12 x 9-1/4 in)$700-$900

194Pablo Picasso (Spanish 1881-1973)Femme au fauteuil (Mourlot 69)Lithograph in color on Arches, 1947, signed Picasso in faded red crayon and numbered 31/50 in pencil l.r.; scatteredlight toning, minor pinpoint hole l.c., minor handling tear less than 1/4-inch u.l. edge, overall apparently in good condi-tion. Framed.*Sight size: 496 x 318 mm (19-1/2 x 12-1/2 in)$15,000-$25,000

Provenance:Galerie Michael, Beverly Hills, CA, inventory number 401536, together with certificate of authenticity

194

195Pudlo Pudlat (Inuit 1916-1992)Summer Loon and The Fish Takes Flight: Two WorksEach stonecut and stencil, 1980 and 1983, each signedPudlo and with symbol in pencil l.r., each titled in pencill.l., each inscribed stonecut and stencil, numbered 25/50 and28/50 respectively, each inscribed Dorset and dated in pen-cil l.c., each with blind stamp l.r.; the first, with loss ofpaper u.l. corner, with rippling of paper u.r. corner anddiagonal crease c.r.; the second, apparently in good con-dition. Each framed.*Sight size of first: 597 x 762 mm (23-1/2 x 30 in)Sight size of second: 597 x 864 mm (23-1/2 x 34 in)$800-$1,200

1951 of 2

196

197

196Robert Riggs (American 1896-1970)Pool (Bassham 33)Lithograph on BFK Rives, circa 1933, signed RobertRiggs in pencil l.r., numbered 50 and titled in pencil l.r.;with tape residue along upper edge on verso, with lightscattered staining in margins, scattered minor foxing onverso, overall apparently in good condition. Unframed.Plate size: 372 x 495 mm (13-5/8 x 19-1/2 in)Sheet size: 502 x 578 mm (19-13/4 x 22-3/4 in)$1,500-$2,500

197Pierre-Auguste Renoir (French 1841-1919)Sur la plage, à Berneval and Claude Renoir, tourné à gauchefrom Douze lithographies originales de Pierre-Auguste Renoir:Two Works (Stella 5 and 40)The first, etching, circa 1892, printed 1923, third state,unsigned, published by Loyes Delteil, Paris, and the second,lithograph, circa 1904, second state, from an edition of 950,unsigned, printed by Auguste Cot and published byAmbroise Vollard, Paris; the first, with scattered minor spotsof foxing, overall apparently in good condition, and the sec-ond, with toning, overall apparently in good condition. Eachframed.*Plate size of first: 140 x 95 mm (5-1/2 x 3-3/4 in)Sight size of second: 210 x 165 mm (8-1/4 x 6-1/2 in)$1,200-$1,800

Provenance:Sur la plage, à Berneval: Galerie Moderne at Brentano’s, NewYork, from a paper label affixed to verso

198James Rosenquist (American b. 1933)The Light Bulb Shining (Glenn 228)Lithograph in color on BFK Rives, 1992, signedJames Rosenquist and dated 1992 in pencil l.r. andnumbered AP 16/16 and titled The Light BulbShining in pencil l.l., with Tyler Graphics Ltd.blind stamp l.r., printed by Kenneth Tyler, JohnHutcheson and assistant Scott Lewis and pub-lished by Tyler Graphics Ltd., Mount Kisco,NY; apparently in good condition. Framed.*Plate size: 1334 x 1061 mm (52-1/2 x 41-5/8 in)$2,000-$4,000

198

1991 of 2

199Kiyoshi Saito (Japanese 1907-1992)Miyoshin-Ji Kyoto (A) and Shisen-do Kyoto (D): Two WorksEach a woodcut in color, 1961 and 1963, each signedKiyoshi Saito in black ink and white ink respectively andwith red seal within the image, the second with publish-er's seal l.r.; each also titled, dated 1961 and 1963 andnumbered 133/200 and 87/100 respectively, in pencil alongthe lower margin; each apparently in good condition.Each framed.*Image size of first: 521 x 381 mm (20-1/2 x 15 in)Image size of second: 406 x 552 mm (16 x 21-3/4 in)$800-$1,200

200Kiyoshi Saito (Japanese 1907-1992)House in Aizu (H)Woodcut in color with mica, 1974, signed Kiyoshi Saito inwhite ink and with red seal within the image l.r., alsotitled in Kanji Aizu no le, dated 1974 and numbered 3/50 inpencil along the lower margin; apparently in good condi-tion. Framed.*Image size: 451 x 603 mm (17-3/4 x 23-3/4 in)$800-$1,200

200 201

202

201Kiyoshi Saito (Japanese 1907-1992)Rain Paris (A)Woodcut in color, 1960, signed Kiyoshi Saito in white inkand with red seal within the image, also titled, dated 1960and numbered 110/120 in pencil along lower margin, withattached tag verso self carved self printed/Kiyoshi Saito;apparently in good condition. Framed.*Image size: 508 x 375 mm (20 x 14-3/4 in)$800-$1,200

202Group of Three VervesVol. 1, No.1, Vol. VI, No. 21-22, Vol. IX, No.35-36Three artistic and literary reviews with litho-graphs, 1937-1958, the first, vol.1, no. 1, 1937,cover composed by Henri Matisse, the second,vol. VI, no. 21-22, 1948, Vence 1944-1948, andthe third, vol. XI, no. 35-36, 1958, The LastWorks of Matisse 1950-1954; each printed byMourlot and Draeger and each published byVerve, Paris and Harcourt, Brace andCompany, New York; each with wear to bind-ing and varying light toning, overall apparentlyin good condition. Sheet size: 356 x 267 mm (14 x 10-1/2 in)$2,000-$3,000

203Verve, Vol. 1, No. 2-4Three artistic and literary reviews with lithographsbound together as a book, 1938-1939, the first, vol. 1, no.2, March-June 1938, cover composed by GeorgesBraque, the second, vol. 1, no. 3, October-December1938, cover composed by Pierre Bonnard, and the third,vol. 1, no. 4, January-March 1939, cover composed byGeorges Rouault, each printed by Mourlot and DraegerFrères and published by Verve, Paris; with light wearand toning, overall apparently in good condition.Unframed.Sheet size: 356 x 254 mm (14 x 10 in)$500-$1,000

203

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204Group of Four VervesVol. II, No. 5-6, Vol. II, No. 7, Vol. VI, No. 23,Vol. VI, No. 24Four artistic and literary reviews, some with litho-graphs, 1939-1950, the first, vol. II, no. 5-6, July-October 1939, cover composed by Aristide Maillol,the second, vol. II, no. 7, April-July 1940, Les TrèsRiches Heures du Duc de Berry, and the third, vol. VI,no. 23, 1949, Le Livre du Coeur D’Amour ÉPris Du RoiRené, and the fourth, vol. VI, no. 24, Contes de Coccace;each printed by Mourlot and Draeger and each pub-lished by Verve, Paris; each with varying degrees ofwear, overall apparently in good condition. Eachunframed.Sheet size: 356 x 267 mm (14 x 10-1/2 in)$500-$1,000

205Group of Three VervesVol. V, No. 19-20, Vol. VII, No. 25-26, Vol.VII, No. 29-30Three artistic and literary reviews, some withlithographs, 1948-1954, the first, vol. V, no. 19-20, 1948, Couleur de Picasso, the second, vol. VII,no. 25-26, 1949-1951, Picasso a Vallauris, and thethird, vol. VIII, no. 29-30, 1954, Suite de 180Dessins de Picasso; each printed by Mourlot andDraeger and each published by Verve, Paris andA. Zwemmer, Ltd., London; each with wear tobinding, overall apparently in good condition. Sheet size: 356 x 267 mm (14 x 10-1/2 in)$1,000-$2,000

206Verve, Sommaire, Vol. VIII, No. 27/28Artistic and literary review with lithographs,December 1952, printed January 15, 1953, covercomposed by Georges Braques, printed by Mourlotand Draeger and published by Verve, Paris; withsome wear to binding, with scattered light stainingand some very minor foxing to paper, apparently ingood condition.Sheet size: 356 x 267 mm (14 x 10-1/2 in)$1,000-$1,500

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207Verve, Sommaire, Vol. VIII, No. 27/28Artistic and literary review with litho-graphs, December 1952, printed January15, 1953, cover composed by GeorgesBraques, printed by Mourlot andDraeger and published by Verve, Paris;with some wear to binding, with smalltear and abrasion to title page u.l. corner,with scattered light toning and stainingto paper, apparently in good condition.Sheet size: 356 x 267 mm (14 x 10-1/2 in)$1,000-$1,500

208Verve, Carnets Intimes de G. Braque,Vol. VIII, No. 31-32: Two VolumesEach an artistic and literary review withlithographs in color and black andwhite, 1955, French and English edi-tions, cover composed by GeorgesBraques, printed by Mourlot andDraeger and published by Verve, Parisand Harcourt, Brace and Company,New York; with some wear to binding,with scattered light toning and stainingto paper, apparently in good condition.Sheet size: 356 x 267 mm (14 x 10-1/2 in)$1,000-$1,500

209Verve, Illustrations for the Bible by Marc Chagall, No.33/34Artistic and literary review with lithographs in color andblack and white, 1956, text by Jean Wahl, printed byMourlot and Draeger, Paris and published by Verve,Paris and Harcourt, Brace and Company, New York;with some wear to binding, apparently in good condition.Sheet size: 356 x 267 mm (14 x 10-1/2 in)$3,000-$5,000

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210 210Verve, Marc Chagall Dessins Pour la Bible, Vol. X, No. 37-38Artistic and literary review with lithographs in color in a linenbox, 1960, French edition, printed by Mourlot and Draeger andpublished by Verve, Paris; with minor wear to binding, apparentlyin good condition.Sheet size: 356 x 267 mm (14 x 10-1/2 in)$3,000-$5,000

211Alexander Milne Calder (American 1846-1923)William PennSigned Calder and dated 88 on baseBronze sculpture with brown patinaHeight: 28 in (71.1 cm)$5,000-$7,000

Note:This sculpture is a version of Calder’s large-scale 37 footbronze statue of William Penn, Philadelphia’s founder,and crowns Philadelphia’s City Hall.

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212After Frederic Sackrider Remington(American 1861-1909)CheyenneInscribed Copyright/Frederic Remington andwith Roman Bronze Works N.Y. foundry markon base, also numbered 115 on bottom of baseBronze sculpture with black patinaHeight: 21 inches (53.3 cm)$1,000-$2,000

PROPERTY OF A PROMINENT LOCAL FIRM

213Arnold R. Addicott (American 20th Century)Arena of DiscoveryInscribed Arnold R. Addicott on base and casted with titleArena of Discovery and BIRDWOMAN/ "SAKAKAWEA", LEWISand CLARK near base; also with applied founders plaque andinscribed High Prairie/Bronze Studio/A. R. Addicott/Stanley,N.D.58764/ and telephone number, inscribed CREATED BY: A.R. ADDICOTT OF/ HIGH PRAIRIE BRONZE/ STUDIO INRECOGNITION/ OF THE BICENTENNIAL OF/ THE LEWIS& CLARK/ EXPEDITION 1804-1806, numbered Limited Editionof 11-1000 and dated © 1999 on verso near baseBronze sculpture with partial verdigris two-toned light-brownon a shaped walnut baseHeight: 20 in (50.8 cm)$1,000-$1,500


214Louis-François Comte de Ferrieres (French 1837-1907)Jumping the FenceSigned Cte de Ferrieres and numbered 8275 on baseOrmolu sculptureHeight: 14-5/8 in (37.1 cm)$600-$800

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215Adrien Etienne Gaudez (French 1845-1902)Lulli EnfantSigned A. Gaudez on basePolychrome bronze sculpture raised on a two color marblecircular plinthHeight of bronze: 19-1/2 in (49.6 cm)$600-$800

216Continental School, Circa 1900Bust of a Crying GirlUnsignedAlabaster sculpture with pedestal; with losses to pedestal ofbust, and chips and losses to pedestal.Height of bust: 18-1/4 in (46.4 cm)Height of pedestal: 39-5/8 in (100.6 cm)$800-$1,200


217Laurent-Dominique Fontana (Swiss b. 1938)Male TorsoApparently unsignedStone sculpture mounted on a red-wood ‘trunk’ plinth Height of sculpture: 19-1/2 in (49.6 cm)Height of plinth: 27-1/2 in (69.9 cm)$800-$1,200

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218Mané-Katz (French/Ukrainian 1894-1962)The FlutistSigned Mane Katz and numbered 1/8 near baseBronze sculpture with a dark-brown patinaHeight: 14-1/2 in (36.8 cm)$1,000-$1,500

219Mané-Katz (French/Ukrainian 1894-1962)The DrumSigned Mane Katz and numbered 2/8 near baseBronze sculpture with a dark-brown patinaHeight: 10-1/4 in (26 cm)$1,000-$1,500

20TH CENTURY DECORATIVE ARTS

220Bruno Zach (Austrian 1891-1935)ClownSigned on base Zach and impressed AustriaBronze sculpture with ivory head and hands and raisedon a white-veined black marble base. The ivory head withrepair to cap; cap lacking bronze feather.Overall height: 11-1/2 in (29.2 cm)$1,500-$2,500

219 218

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221Kate Lizard (American 19th Century)Young ShepherdSigned on base K. Lizard, impressed France and 1845 andwith Syndicate des Fabricateurs de Bronzes UNISfoundry sealBronze sculpture with greenish brown patinaHeight: 12-1/2 in (31.8 cm); Width: 20 in (50.8 cm)$800-$1,200

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222Pair of Polished Steel ‘Bird and Serpent’ Pricket-TypeCandlesticksDated 1989Each impressed at beveled-edge of base C.C. and 1989.Greatest height: 20-3/4 in (52.7 cm)$400-$600


223Pair of Jarvie ‘Beta’ Bronze CandlesticksChicago, Early 20th CenturyEach having a dark brown patina. Each impressed Jarvie/ B.Lacking bobèches.Height: 12-1/4 in (31.1 cm)$1,000-$1,500

224

224Tiffany Favrile Glass and Bronze Counter-BalanceFloor LampFirst Quarter 20th CenturyHaving a domed iridescent gold shade with white interi-or supported by an acid-etched base with brownish-goldpatina raised on five arched legs ending in spade feet.The fitter rim of shade inscribed L.C.T. Favrile; the baseimpressed Tiffany Studios/ New York/ 468.Greatest height: 55 in (139.7 cm); Diameter of shade: 10 in (25.4 cm)$8,000-$12,000

PROPERTY FROM THE ESTATE OFDOROTHEA E. BLOCHER

225Pairpoint Puffy ‘Butterfly and Roses’ Molded GlassLamp ShadeFirst Quarter 20th CenturyHaving a square, box-form shade molded and reverse-painted with butterflies and roses in shades of red, pink,yellow, green, orange and blue on a striated whiteground, supported by a Bradley & Hubbard paintedmetal base molded with floral and foliate decoration. Theshade inscribed on edge of rim Patented July 9, 1907; thebase molded with factory mark and 184. Lamp base withlosses to painted surface.Diameter of shade: 13 in (33 cm)$1,200-$1,800

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226Group of Nine Art Glass Scent Bottles20th CenturyThe first, Baccarat, having a ribbed clear glassbody; the second, Swarovski, made for Trésor,Lancôme; the third, Jackie Ballard, having adomed blue and clear glass body with pinchedcorners; the fourth, Robert Held, having atapering cylindrical iridescent glass body withiridescent blue stringing; the fifth; having abulbous cased clear glass body with internalpolychrome abstract design and gilt inclu-sions; the sixth, having a bulbous frosted clearglass body acid-cut with green frogs; the sev-enth, having a faceted blue, green and pinkglass body; the eighth, having an iridescentpink glass body below a wide rim and deco-rated with iridescent silver pulled-feather dec-oration and the ninth, having a rib-molded,triangular blue glass body. Together with aGuerlain vaporizer, Les Meteorites, having apatinated metal body with orange and whitecloisonné decoration. The fifth through ninthbottle inscribed indistinctly.Height of tallest: 5-1/2 in (14 cm)$500-$1,000


227Group of Four American Iridescent Glass ‘PulledFeather’ ShadesProbably Steuben, First Quarter 20th CenturyEach with green and gilt pulled feather decoration; twowith white, and two with cream ground. Together withan Art Deco style patinated metal four-light ceiling fix-ture, mid-20th century. Shades unmarked.Height of shades: 5 in (12.7 cm)$600-$800

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228Tiffany Favrile Glass Bud VaseCirca 1912Having an iridescent blue, inverted tear drop-form bodywith green heart and vine decoration beneath an irides-cent gold rim and raised on a domed foot. Inscribed1965G L.C. Tiffany - Favrile.Height: 6-3/8 in (16.2 cm)$1,500-$2,500

229Lalique Frosted and Molded Glass ‘Igor’ Caviar BowlPost 1950Having a removable domed lid with dolphin finial andraised on a complementary tripartite foot. InscribedLalique France.Overall height: 10 in (25.4 cm); Diameter of bowl: 7-3/4 in (19.7 cm)$800-$1,200

230Lalique Frosted and Molded Glass ‘Ganymede’Champagne CoolerDesign No. 11951, Post 1950The frieze molded with female nudes against a leafybackground and flanked by protruding square handles.Inscribed on underside of base Lalique France.Height: 8-3/4 in (22.2 cm)$1,000-$1,500

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231René Lalique Frosted and Molded Glass ‘Actinia’ VaseModel Introduced December 12, 1934 (Marcilhac 10-889)Acid stamped R. Lalique France.Height: 8-1/2 in (21.6 cm)$800-$1,200


232René Lalique Black Enamel Decorated Molded Glass‘Lotus’ CarafeModel Introduced 1924 (Marcilhac 5031)The flared rim molded with stylized leafage below an enameldecorated stopper. The decanter inscribed in script R. Lalique/France; the decanter and stopper etched 20.Height: 6-1/2 in (16.5 cm)$400-$600

233Pair of Lalique Frosted and MoldedGlass ‘Chamois’ VasesModel Introduced July 27, 1931 (Marcilhac 1075)Each molded with stylized gazelles. Thefirst, acid stamped R. Lalique France; thesecond, Lalique/ France. The second vasewith small flake to rim.Height: 4-7/8 in (12.4 cm)$1,000-$1,500

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234 PROPERTY OF VARIOUS OWNERS

234René Lalique Frosted and Molded Glass ‘Fougères’VaseModel Introduced 1912 (Marcilhac 923)Having an added gray patina. Inscribed in script onunderside at foot rim Lalique.Height: 6 in (15.2 cm)$800-$1,200

235Russel Wright Assembled Dinner ServiceCirca 1939-1959Consisting of the following Iroquois ‘Casual’ articlesin assorted colors:11 Dinner plates12 Luncheon plates15 Bread & butter plates1 Large oval platter2 Small oval platters6 Small bowls2 Small bowls (redesigned)3 Covered divided vegetable dishes3 Covered casseroles (one without lid)1 Serving bowl6 Coffee mugs (redesigned)1 Covered sugar bowl1 Creamer3 Stacked creamer and sugar bowls1 Small teapot1 Carafe1 Covered butter dish

235sample

Consisting of the following Steubenville ‘American Modern’articles in assorted colors:9 Dinner plates7 Bread & butter plates11 Lug soup bowls (2 sizes)2 Pitchers1 Covered casserole1 Three-piece stack set1 Teapot2 Celery dishes2 Pairs of salt & pepper shakers2 Gravy boats3 Pickle dishes2 Creamers1 Double-lug soup bowl3 Vegetable dishes1 Salad bowl1 Platter10 Cups with 10 matching saucers11 Demitasse cups with 10 saucers

Together with a Sterling China covered creamer.Total number of pieces: 166 $500-$1,000



236Ott & Brewer Belleek Two-Handled VaseLate 19th CenturyHaving an ovoid form parcel gilt decorated with blossoming flowersand foliage flanked by two scrolling handles with dolphin termina-tions. With red crown factory mark and black-stamped O&B.Height: 18 in (45.7 cm)$700-$900

237Rookwood Iris Glaze VaseDecorated by Lenore Asbury, Dated 1906Having a shaded pink to cream to gray glazed ovoid form decoratedwith blossoming water lilies in shades of green, white, yellow andbrown. Impressed on underside with factory mark, artist’s mono-gram, date cipher, 900B and W.Height: 8-5/8 in (21.9 cm)$1,500-$2,500

PROPERTY FROM THE ESTATE OFLILLIE MAE EMBREY

238Rookwood Vellum Glaze VaseDecorated by Kataro Shirayamadani, Dated 1940Having a shaded pink to blue glazed ovoid form decorated withflowering branches in shades of green, pink, blue and yellow.Impressed on underside with factory mark, artist’s signature, datecipher and S.Height: 6 in (15.2 cm)$500-$700

237 236

238


239Set of Six Chrome-Plated Steel andLeather ‘Brno’ Style ArmchairsManufactured by Gordon International,After a Design by Mies van der Rohe, Design Introduced 1930Each with blue leather upholstery. Eachwith manufacturer’s label.Height: 32 in (81.3 cm)$1,500-$2,500

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240 240Pair of Cedric Hartman Chrome-Plated MetalAdjustable Floor LampsCedric Hartman Inc., 20th CenturyEach impressed with facsimile signature, Cedric Hartman,and Made In USA: the first, impressed 910042; the second,970389.Heights from: 36 to 42-1/4 in (91.4 to 107.3 cm)$1,000-$1,500

241Pair of Mies van der RoheChrome-Plated Steel and Leather‘Barcelona’ ChairsManufactured by Knoll, DesignIntroduced 1929Each having an X-form frame sup-porting two black leather uphol-stered cushions. The underside ofeach frame impressed Knoll Studioand with Mies van der Rohe facsim-ile signature; each seat cushion witha Knoll Inc. label.Height of chair: 30-1/2 in (77.5 cm)$1,500-$2,500

241

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242Pair of Mies van der Rohe Chrome-Plated Steel and Leather ‘Barcelona’ Chairs and an OttomanManufactured by Knoll, Design Introduced 1929Each chair having an X-form frame supporting two brown leather upholstered cushions; the complementary ottomanwith similar upholstery. Each seat cushion with a Knoll International label.Height of chair: 30-1/2 in (77.5 cm); Height of ottoman: 16 in (40.6 cm)$2,500-$3,500

243Mies van der Rohe Chrome-Plated Steel andGlass ‘Barcelona’ Coffee TableManufactured by Knoll, Design Introduced 1929Having a one-half inch, beveled-edge plate glasstop resting on a chrome-plated steel X-form base.Unmarked.Height: 17 in (43.2 cm); Diameter: 40 in (101.6 cm)$400-$600

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244Mies van der Rohe Chrome-Plated Steel and Leather ‘Barcelona’ DaybedManufactured by Knoll, Design Introduced 1930Having a hardwood frame supporting a brown leather upholstered seat with bolster pillow and raisedon tubular chrome-plated steel legs. The frame with Knoll Studio label and numbered E97M 3819.Height: 16-1/2 in (41.9 cm); Length: 76-3/4 in (194.9 cm); Width: 37-3/4 in (95.9 cm)$3,000-$5,000

245Paul Evans Style Chrome-Plated Metal and BrassHanging CabinetCirca 1970sIn the manner of Paul Evans’ ‘Cityscape’ line; having twohinged doors opening to view a single adjustable shelfabove a fold-down panel enclosing a single shaped shelf.Unmarked. Some lifting to the metal panels; one hinge broken.Height: 41-3/4 in (106 cm); Width: 32 in (81.3 cm); Depth: 16 in (40.6 cm)$800-$1,200

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246Paul Evans Style Chrome-Plated Metal and Brass BuffetCirca 1970sIn the manner of Paul Evans’ ‘Cityscape’ line; having a textured, white laminate top above two pairs of hinged doors,each pair opening to view a single adjustable shelf. Unmarked. Some lifting to the metal panels.Height: 29-3/4 in (75.6 cm); Width: 72 in (182.9 cm); Depth: 18-1/2 in (47 cm)$1,500-$2,500

247Harvey Guzzini Chrome-Plated Metal and MarbleFloor LampCirca 1970sHaving a gray-veined white marble base supporting anarcing chromed-metal arm with domed white plasticshade.Height: 79-1/2 in (201.9 cm)$600-$800


248Modern Chrome-Plated Metal Bench, Lounge Chairand OttomanCirca 1970sThe first, a rectangular bench with blue, green, red,orange and cream butterfly motif upholstery; the secondand third, a tubular metal lounge chair and matchingottoman with gray nylon macramé upholstery. Eachunmarked.Height of bench: 20-1/2 in (52.1 cm); Width of bench: 63-3/4 in (161.9 cm); Height of chair: 30-1/4 in (76.8 cm)$800-$1,200

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248

PROPERTY OF A PROMINENT LOCAL FIRM

249Set of Five Harry Bertoia Wirework SideChairsManufactured by Knoll, Design Introduced 1951Consisting of two red, two green and one yellowpowder-coated steel wire side chairs; each witha complementary upholstered seat pad. Eachwith Knoll Inc. label.Height: 28-1/4 in (71.8 cm)$800-$1,200

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250Harry Bertoia Wirework High Back Lounge ChairManufactured by Knoll, Design Introduced 1952Having red wool upholstery. With Knoll International label.Deterioration to foam interior; sunfading to upholstery.Height: 37-1/4 in (94.6 cm)$500-$700

251Arnold Merckx Cherry andAluminum ‘Graphic’ Dining TableManufactured by Arco, Holland, DesignIntroduced 1996Table top slides to uncover one leaf.With manufacturer’s paper labelinscribed ARCO/ 4403/ RU.Height: 29 in (73.7 cm); Width: 61 in (154.9 cm); Width when extended: 84-3/4 in (215.3 cm);Depth: 35-1/2 in (90.2 cm)$500-$700

252Robert Whitley Windsor-Style Walnut Arm RockerBucks County, Pennsylvania, Second Half 20th CenturyIncised in script on underside of seat An original furnituredesign by/ Robert Whitley/ Solebury, Bucks County, Pa.Height: 40 in (101.6 cm)$1,500-$2,500

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253George Nakashima Walnut ‘Sundra’ Coffee TableManufactured by Widdicomb, ‘Origins’ Line, Circa 1959Having an incised free-form top raised on three tapering ovoid legs. With manufacturer’s silver label and black sten-ciled SUNDRA, 9/ 59 and 200. Some distress to finish.Height: 13 in (33 cm); Length: 84 in (213.4 cm)$800-$1,200


254Pair of Wharton Esherick Walnut Tall Three-LeggedStoolsPennsylvania, Dated 1958Each incised on underside of seat .W.E./ 1958.Approximate height: 25-1/4 in (64.1 cm)$8,000-$12,000

254


255Art Deco Parcel Gilt and Black Lacquer Wood Five-Piece Salon SuiteCirca 1930sConsisting of a settee, a pair of club chairs and a pair of side chairs. Each with stylized tulip brocade champagne silkupholstery.Height of settee: 35-1/2 in (90.2 cm); Width: 48-1/2 in (123.2 cm)$1,500-$2,500

255

AMERICAN FURNITURE AND

DECORATIONS

256Renaissance Revival Carved Walnut CourtCupboardAmerican or Continental, Circa 1900In two parts: the upper section having two balus-ter-turned plate shelves below a feather-carvedinterior, the cornice supported by four figuralcolumns; the lower section having four drawersover four panel doors, each enclosing a shelf.Height: 99 in (251.5 cm); Width: 72 in (182.9 cm);Depth: 22 in (55.9 cm)$1,000-$2,000

256

257

257Chippendale Walnut Tall Chest of DrawersPennsylvania, Circa 1790Brasses replaced; some repairs to drawer thumbmolding and cornice.Height: 71 in (180.3 cm); Width: 44-1/2 in (113 cm);Depth: 23-1/2 in (59.7 cm)$1,000-$1,500

258Federal Style Satinwood Inlaid Mahogany CornerCupboard19th CenturyIn one piece: having a pair of mullion-glazed doors open-ing to view three shelves above two panel doors enclos-ing a single shelf, the tympanum with a central eagle-inlaid oval reserve. Lacking central finial and escutcheons.Height: 87-1/2 in (222.3 cm); Width: 45-1/2 in (115.6 cm);Depth: 20-1/4 in (51.4 cm)$1,000-$1,500

258

259

PROPERTY FROM A VIRGINIA COLLECTION

259Federal Style Satinwood Inlaid MahoganySerpentine-Back SofaIn the Baltimore Style, Early 20th CenturyWith champagne and light brown floral silk damaskupholstery and down-filled loose cushions.Height: 35-1/2 in (90.2 cm); Length: 80 in (203.2 cm)$800-$1,200

260American Decorated and Black-Painted Pine Chest-on-StandProbably New England, Second Quarter 19th CenturyThe hinged top opening to view a well on a separatestand fitted with a drawer. Some wear and strengthening todecoration.Height: 33-1/4 in (84.5 cm); Width: 38 in (96.5 cm); Depth: 21 in (53.3 cm)$800-$1,200

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2621 of 2

261American Stencil Decorated and Black-Painted PineBlanket Chest of DrawersNew England, First Quarter 19th CenturyThe hinged top opening to view a well over two falsedrawers and two long drawers. Top with some cracks; somewear to decoration.Height: 41-3/4 in (106 cm); Width: 37-1/2 in (94 cm); Depth: 17-1/2 in (44.5 cm)$1,000-$1,500

Provenance:Sold in these rooms, European & American Furniture andDecorations, June 7 & 8, 2002, lot 558.

262Two American Pictorial Hooked Wool RugsLate 19th-Early 20th CenturyThe first, worked in brown, blue, white,green, yellow and orange wool threads withtwo swans and a flower on a striated pondwith floral sprays and two butterflies within aC-scroll border; the second, worked inorange, pink, purple, yellow, red, blue, green,tan, brown and cream wool threads with a‘Shimmering Butterfly’ field. The first mount-ed on a wood stretcher for hanging.The first: 27-1/2 x 44-1/2 in (69.9 x 113 cm); The second: 7 ft 6 in x 6 ft 9 in (228.6 x 205.7 cm)$700-$900

263William & Mary Turned Walnut Drop-Leaf Gate-LegTableMassachusetts, 1740-1760Top reset; some restorations to drop leaves at the hinge area.Height: 27 in (68.6 cm); Width: 15 in (38.1 cm); Width whenopen: 46-1/2 in (118.1 cm); Depth: 41-1/2 in (105.4 cm)$800-$1,200

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265

264American Tiger Maple and Rosewood Grain-PaintedPine Chest of DrawersNorthern New England, Probably New Hampshire, 1830-1840The drawer fronts and backsplash with dark browncombed graining over a mustard-yellow ground, the topboard and case sides with red and black rosewood grain-ing. Wood knop pulls replaced.Height: 45 in (114.3 cm); Width: 40 in (101.6 cm); Depth: 18-1/2 in (47 cm)$1,000-$1,500

265Queen Anne Turned Maple Tavern TableNew England, Late 18th CenturyHaving a three-board top with breadboard endsabove a frieze drawer with wood knop pull. Topsecured to base with later brass bail handle clips.Height: 27-1/2 in (69.9 cm); Width: 48 in (121.9 cm);Depth: 32 in (81.3 cm)$500-$700

266Federal Birch, Parcel Ebonized Maple and Bird’s-EyeMaple Gentleman’s BureauAttributed to Otis Warren (1807-1857), Pomfret, VT, Circa 1820Having a protruding top drawer above three recessedstacked drawers flanked by pineapple and swirl-carvedfull columns below acanthus-carved stiles. Repairs to back-splash.Height: 48-1/2 in (123.2 cm); Width: 44-1/4 in (112.4 cm);Depth: 20-1/2 in (52.1 cm)$1,000-$1,500

Provenance:Northeast Auctions, Portsmouth, New Hampshire Auction,March 4 & 5, 2000, lot 645.

Literature:For a related sideboard see, Kenneth Joel Zogry, TheBest the Country Affords, Bennington Museum, 1995, no.74.

266


267American Waxed Yellow Pine CornerCupboardAttributed to Thomas Ralph or Family, Sussex County,Delaware, Circa 1810In one piece: the upper section having two win-dow-glazed panel doors opening to view fiveplate grooved shelves; the lower section havingtwo inset panel doors opening to view one shelf.Possibly originally painted; various restorations.Height: 90-1/2 in (229.9 cm); Width: 51 in (129.5 cm);Depth: 25 in (63.5 cm)$2,000-$3,000

Note:For similar corner cupboards see Delaware History:Delaware Cabinetmakers and Allied Artisans, 1655-1855, Charles Dorman, October 1960, Vol. IX.

Lots 268-271No Lot

272Federal Curly Maple InlaidMahogany SofaNorth Shore Massachusetts,Possibly Salem, Circa 1805With rose and champagne silkstriped upholstery. One front legreplaced; the two rear central legswith iron strap bracing.Height: 36 in (91.4 cm); Width: 77-3/4 in (197.5 cm)$1,200-$1,800

Provenance:Sold in these rooms, European& American Furniture andDecorations, October 11, 2008,lot 668.

272

273 PROPERTY FROM THE ESTATE OFSALLY KRAUS

273American Painted Pine Corner CupboardPossibly Lehigh County, Pennsylvania, Circa 1810In two parts, painted pale olive-gray and pumpkinwith black trim: the upper section having a windowglazed panel door enclosing a salmon-painted interi-or with four plate shelves; the lower section having ashort drawer over two inset panel doors enclosing anivory-painted interior with one shelf. Restorations topainted surface; iron locks replaced.Height: 88-1/2 in (224.8 cm); Width: 51-1/2 in (130.8 cm);Depth: 26 in (66 cm)$1,200-$1,800

Provenance:Country Treasures, Preston, MD

Note:Found in Mount Airy, NC


274Classical Parcel Gilt andEbonized Mahogany SofaNew York, Circa 1815With rose velvet upholsteryand two loose bolsters; thefeet fitted with casters. Somecracks and blistering to veneer.Height: 34 in (86.4 cm); Length:87 in (221 cm)$1,500-$2,500

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275

275Seth Thomas No. 3 Oak RegulatorThomaston, CT, Circa 1890Manufactured for the Ball Watch Co., Cleveland, OHHaving a 14-1/2 inch cream-painted metal dial with black-pained Arabic numerals and a secondary dial above theinscription Ball Watch Co.,/ Cleveland, enclosing an 8-daymovement. Some wear to painted dial.Height: 42 in (106.7 cm)$1,500-$2,500

274AWilliam & Mary Crossbanded Walnut LowboyMassachusetts, Circa 1720Restorations; some buckling to veneer.Height: 29 in (73.7 cm); Width: 31 in (78.7 cm); Depth: 20-1/2 in (52.1 cm)$3,000-$5,000

274A

276American Brass Mounted Curly Maple KentuckyPercussion Long RifleProbably Pennsylvania, Early 19th CenturyHaving a full curly maple stock carved with stylizedleafage, mounted with a shaped brass trigger guardand butt plate and with applied scrolling piercedbrass decoration, supporting a 55-1/8 inch cast ironsighted barrel, the butt stock carved with the initialsTSL.Length: 70-1/2 in (179.1 cm); Diameter of barrel: 3/4 in (1.9 cm)$800-$1,200

276

277 277American Silk, Chenille andWatercolor Picture of ‘Celadon andAmelia’First Half 19th CenturyWorked in blue, brown, tan, gray andgold threads depicting two figures in awindswept Classical landscape, the fig-ures and background with watercolorhighlights, above the inscription Celadonand Amelia/ The tempest caught them on thetender walk/ from his void embrace,/Mysterious Heaven! that moment to theground,/ A blacken’d corse, was struck thebeauteous maid,/ But who can paint the loveras he stood,/ pierc’d by severe Amazement,hating life,/ speechlefs, and fix’d in all thedeath of woe!. Framed.* Some losses andtoning to silk ground.Sight size: 17-1/2 x 21-1/4 in (44.5 x 54 cm)$800-$1,200

reverse view

278Clemens, Samuel L. (Mark Twain), Signed CorrespondenceCirca 1900The black-printed 30, Wellington Court, Albert Gate stationeryinscribed in black ink Monday/ Dear P.B./ Yes, sir. Wednesday/ it is, &ever shall be./ We shall come with very/ great pleasure./ Up Ever andsigned Mark; together with a photograph of Mark Twain and hisboyhood home with the inscription “Mark Twain” And His/Boyhood Home/ Hannibal, MO./ © and Copyright by/ H. Tomlinson.Framed. Toning to stationery; creases to photograph.Stationery: 5-3/4 x 3-7/8 in (14.6 x 9.8 cm)$800-$1,200

278

279 sample

279Group of Presidential MemorabiliaSecond Half 20th CenturyConsisting of two signed portrait photographs of Dwight D.Eisenhower; a group of six signed portrait photographs ofLyndon B. Johnson, together with a memorandum fromMike Manatos, on White House letterhead dated September1, 1966, requesting the photographs; ‘Paintings in the WhiteHouse, A Close-Up’, one volume, inscribed To Norma Arata,with best wishes/ for a Happy Christmas, signed by Lyndon B.Johnson and Lady Bird Johnson and dated December 1965;‘Mandate For Change’, one volume, inscribed For:/ Mr. andMrs. Lawrence Arata/ with best wishes and signed by Dwight D.Eisenhower; and a color photograph of Bill Clinton and AlGore, Madison Square Garden, July 16, 1992, signed by BillClinton. Creases to one Eisenhower photograph.$700-$900

280Group of Kennedy Family MemorabiliaCirca 1960sThe first, a black and white print of the White House byErnest L. Daly, signed by John F. Kennedy; the second, asigned black and white portrait photograph of EdwardKennedy inscribed To Norma Arata/ my good wishes/ Ted Kennedyand dated July ‘66; the third, a program from the Christeningof The Aircraft Carrier CVA 67 USS John F. Kennedy signedby Robert F. Kennedy. The first with creasing and stains; the thirdwith toning and water damage.The first: 12-3/4 x 17-3/4 in (32.4 x 45.1 cm)$800-$1,200

281Kennedy, John F. (1917-1963), Signed EngravingCirca 1960sThe black and white engraved oval portrait inscribed in inkTo Joe Weeda/ with every good wish and signed John F. Kennedy.Unframed. Some toning to ground.14 x 11 in (35.6 x 27.9 cm)$1,000-$1,500

282Kennedy, John F. (1917-1963), Signed PhotographCirca 1960The black and white, 7-1/2 x 9-1/2 inch photograph portraitinscribed in ink on the mat To Pat Jennings/ with warm regardsand signed John F. Kennedy. Unframed. Some stains to mat.7-1/2 x 9-1/2 in (19.1 x 24.1 cm)$1,000-$1,500

280

281

282

283Kennedy, John F. (1917-1963), Signed PhotographCirca 1960The black and white, 7-1/2 x 9-1/2 inch photograph por-trait inscribed in ink on the mat to Congressman Delaneyand signed John F. Kennedy. Unframed. Some stains to mat.7-1/2 x 9-1/2 in (19.1 x 24.1 cm)$1,000-$1,500

283

284 284Kennedy, John F. (1917-1963), Signed PhotographCirca 1960The black and white, 7-1/2 x 9-1/2 inch photograph por-trait inscribed in ink on the mat to Congressman RobertStevens and signed John F. Kennedy. Unframed. Somestains to mat.7-1/2 x 9-1/2 in (19.1 x 24.1 cm)$1,000-$1,500

285Kennedy, John F. (1917-1963) and Kennedy,Jacqueline (1929-1994)The White House, An Historic Guide, 1962Signed by John F. and Jacqueline Kennedy and num-bered 60a; the limited edition with parcel gilt red leathercover signed and inscribed on the limitation page ForLawrence and Norma Arata/ on their wedding day/ February 20,1963/ with appreciation for all the things/ in this book which/Lawrence Arata has made so beautiful/ Jacqueline Kennedy/John F. Kennedy. Mildew to leather cover.$6,000-$8,000

285

286 PROPERTY FROM THE ESTATE OFLILLIE MAE EMBREY

286Haviland & Co. Parcel Gilt andPolychrome Painted PresidentialGame PlatterDesigned for the Rutherford B. HayesService, Late 19th CenturyHaving a rectangular form withincurved corners, painted in shadesof amber, green, blue, brown, blackand gray depicting a duck amidstfoliage within a gilt rim and signed inred with the initial D; the undersideof the rim decorated with the GreatSeal of the United States. Inscribedon the underside with green printedfactory mark H&Co., printed in redFABRIQUÉ PAR/ HAVILAND & CO./d’ apres les dessins/ DE, printed in blueDESIGN PATENTED/ AUGUST 10th1880/ No. 11932 and with black-print-ed Theodore R. Davis facsimile signature.Width: 18-1/2 in (47 cm)$7,000-$10,000

Note:For more information concerning theRutherford B. Hayes service seeWhite House China, Marian Klamkin,Charles Scribner’s & Sons, pgs. 82-89, and pl. 20.

PROPERTY OF A MARYLAND ESTATE

287George Washington Gold Cased Memorial LocketMid-19th CenturyThe unmarked yellow-gold shield-form locket with an applied 22 starborder enclosing a central cobalt glass shield-form reserve withpierced rose-gold basket of flowers and the initials GW, the reversewith a central glass panel enclosing a locket of hair within theengraved inscription George Washington’s Hair/ given to John K. Mitchell/By/ Aug. Washington beneath a complementary suspender; togetherwith a red silk-lined green leather case.Locket without suspender: 1-7/8 x 1-3/8 in (4.8 x 3.5 cm)$5,000-$7,000

287


288Two Santo Domingo Painted EarthenwareOllasFirst Half 20th CenturyEach earthenware olla of typical form with aconcave base and decorated in shades of red,black and white: the first, decorated with ameandering floral design; the second, decoratedwith a repeating bird and feather design. The firstwith a repair to rim.Height of first: 11-3/4 in (29.9 cm); Height of second: 9-1/4 in (23.5 cm)$1,000-$1,500

Provenance:The first, Cowan’s Auctions, American Indian andWestern Art, March 31, 2007, Lot 194Richard Murray Collection, Trade WindsAuction Gallery

The second, Allard Auctions, The Best of Santa Fe2008, August 16, 2008, lot 36

reverse view

289Native American Polychrome Coiled BasketProbably Washoe, First Half 20th CenturyWoven with two concentric bands of stylized hour glassdesigns. The interior with a metal tag impressed 11.Height: 6-3/4 in (17.1 cm); Diameter: 16 in (40.6 cm)$1,000-$1,500

289 290

291

290Two Native American Polychrome Coiled BasketsFirst Half 20th CenturyThe first, probably Hupa or Yokuts, of spherical form wovenwith a stepped triangular design below a stylized diamond bor-der; the second, Salish, of rectangular form woven with twoconcentric zig-zag bands. The second with loss to woven rim.Height of first: 12 in (30.5 cm); Height of second: 10-1/2 in (26.7 cm);Width of second: 16 in (40.6 cm)$800-$1,200

291Northwest Coast Wool ButtonBlanketMid-20th CenturyHaving a central design of an owlworked in mother-of-pearl and similarbuttons within a linear border on a redand purple wool ground, the upper bor-der with pierced tab and two buttonsfor use as robe. Several small holes toground.52 x 58 in (132.1 x 147.3 cm)$800-$1,200

292Native American Beaded Velvet VestProbably Chippewa, First Half 20th CenturyWorked in green, blue, orange, gold, pink, white, clear,greasy yellow and white-heart red beads in a floral andfoliate pattern on a black velvet ground within a blue cot-ton border enclosing a blue and white striped cotton lining.Some losses to beadwork and border; repairs and losses to lining.21-3/4 x 18-1/2 in (55.2 x 47 cm)$600-$800

292

293

294

293Two Native American Beaded StripsPlains Indians, Late 19th-20th CenturyThe first, a blanket strip, late 19th century, worked inblue, green, white and white-heart red beads on a hideground with alternating medallions and geometricdesigns; the second, a legging strip, first half 20th centu-ry, worked in white, red, blue, green, black and whitestriped and greasy yellow beads on a cloth ground withalternating floral and geometric designs. The second withlosses to beadwork and cloth border.Length of first: 65 in (165.1 cm); Length of second: 32-3/4 in (83.2 cm)$1,000-$1,500

CHINESE EXPORT AND

ASIAN WORKS OF ART


294Group of Five Chinese Export ‘Famille Rose’‘Lotus’ Table ArticlesJiaqing Period (1796-1820)Consisting of a serving dish, two similar liddedtea caddies and a pair of tea bowls. One tea bowlrepaired.Width of dish: 10 in (25.4 cm); Height of tea caddies: 5 in (12.7 cm)$400-$600

295Chinese Export Blue and White Octagonal PlatterXianfeng-Tongzhi Period (1851-1874)Mounted on a Regency style bamboo-turned satinwoodstand.Width of platter: 20-1/2 in (52.1 cm); Height of stand: 23-1/2 in (59.7 cm)$700-$900

295 296

297

296Chinese ‘Famille Rose’ Pierced Hexagonal WeddingLanternGuangxu Period (1875-1908)Mounted on an ebonized composition base. Electrified.Restorations to corona rim; scattered wear to gilding.Height of lantern: 17 in (43.2 cm)$500-$700

297Chinese Tea-Dust Glazed Trefoil Bottle-Form Vaseand a Clair-de-Lune Gu-Form Vase19th CenturyThe second with underglaze blue double encircled‘Precious Object’ leaf of artemisia (ai yeh) mark. Heights from: 9-3/4 to 6-3/8 in (24.8 to 16.2 cm)$800-$1,200

Provenance of first:Felice Fedder Oriental Art, Inc., New York, N.Y.

PROPERTY OF A MARYLAND ESTATE

298Pair of Chinese ‘Famille Rose’ Egg-Shell PorcelainBowlsEach with blue enamel Wanli seal mark, Republic Period (1912-1949)Each polychrome enameled with pheasants perched onflowering rocky outcrops with four vertical rows ofinscription and three red seals. Each interior with some ironspotting.Diameter: 5-1/8 in (13 cm)$800-$1,200

298

299 300


299Chinese Guan-Type Two-Handled Baluster VaseProbably Qianlong Period (1736-1795)The flattened body molded in low relief with confrontingchilongs. Now mounted as a lamp. Base drilled, some glazeimperfections and glaze chips to rim.Height of vase: 11-1/2 in (29.2 cm)$600-$800

300Chinese Blue and White and Iron-Brown BandedGuan- ‘Dragon’ Covered UrnTongzhi-Guangxu Period (1862-1908)The hu-form body enameled in blue with confrontingfour-clawed dragons and a fiery pearl amidst cloudbandsand fiery bolts. Scattered glaze imperfections; cover drilled onside; repairs and losses to blossom finial.Height 18 in (45.7 cm)$500-$700


301Chinese Blue and White ‘Kilin’ JarMing Dynasty, 14th-16th Century ADScattered iron glaze imperfections.Height: 14-1/4 in (36.2 cm)$2,000-$3,000

301

302 303

302Chinese Bronze Covered Censer18th-19th CenturyGreenish-brown patina. Height: 10 in (25.4 cm); Width: 9 in (22.9 cm)$800-$1,200

303Pair of Sino-Tibetan Semi-Precious Stone Studded IvoryFigures of Court HorsesPost 1950sEach full bodied, set with semi-precious stone beads withseparate legs and base with incised seal marks. Each with somecracks to body; one with repairs to hind section; the other with repairto face.Height: 11-1/4 in (28.6 cm); Width: 4 in (10.2 cm); Depth: 14 in (35.6 cm)$800-$1,200

PROPERTY OF A PROMINENTWASHINGTON COLLECTION

304Chinese Apple-Green and Lavender Jadeite Group ofThe ‘Eight Immortals’Post 1950sOn a hardwood stand.Height: 24-1/2 in (62.2 cm); Width: 14-1/2 in (36.8 cm); Depth: 7 in (17.8 cm)$3,000-$5,000

304

305 305Pair of Chinese Pale Apple-Greenand Lavender Jadeite Figures ofTemple LionsPost 1950sHeight: 23-1/2 in (59.7 cm); Width: 5 in (12.7 cm); Depth: 15 in (38.1 cm)$2,000-$3,000

PROPERTY FROM THE FAMILY OF NOTED PHYSICIANAND SURGEON JOHN BENJAMIN MURPHY

(1857-1916)

306Pair of Japanese Earthenware Water-Bucket Form (Teoke)VasesEach signed with an effaced gilt seal mark, Meiji Period (1868-1912)Each decorated with continuous scenes of ladies and childrenoutside a pavilion in a river landscape, within a floral shippoborder. Each with some wear to decoration.Height: 14-1/2 in (36.8 cm); Diameter: 5 in (12.7 cm)$800-$1,200

306

307sample

307Japanese Earthenware Pictorial Dinner ServiceEach signed in a gold seal and with impressed Kinkozan-zo, Showa Period (1926-1989)Consisting of 12 dinner plates, 12 shallow dishes, 12 bread and butter plates, 10 cupsand 12 saucers. Cups and saucers with wear to gilding, two cups lacking handles and some withrim chips.Total number of pieces: 58Diameter of dinner plates: 10 in (25.4 cm)$800-$1,200


308Pair of Japanese Roiro Lacquer andStained Bamboo Low TablesEdo Period, Mid-19th CenturyEach with some moisture staining and edgechips to lacquer top.Height: 13-1/2 in (34.3cm); Width: 34-1/2 in (87.6 cm);Depth: 22-1/4 in (56.5 cm) $800-$1,200

Provenance:Ariane Faye & Cie, Paris

308

310 309

309Pair of Japanese Negoro Lacquered Hibachi on EbonizedWood StandsMeiji Period (1868-1912)Each faux hammered bulbous body with raised scatteredkiku-mons, interior with copper lining.Greatest diameter: 14 in (35.6 cm); Height overall: 21 in (53.3 cm)$500-$700


310Follower of Huang Junbi (Taiwanese 1898-1991)Three Figures Viewing a Waterfall in a Mountain Landscape:A Hanging ScrollBears signature and several red seals; also with four verticalinscription rows of poetry.Ink and color on paper mounted on champagne silk.Framed.*54 x 27 in (137.2 x 68.6 cm)$500-$700

ENGLISH & CONTINENTAL CERAMICS

311Persian Pottery Beehive Cover19th CenturyThe circular plaque depicting two confronting animals inshades of green and blue on a cream ground. Some lossesto glaze.Diameter: 8-1/2 in (21.6 cm)$1,000-$1,500

311

312

313

312Continental Majolica Fruit Stand and LampLate 19th CenturyThe first, Sarreguemines, having a pierced circular bowlsupported by a double mermaid standard ending on acircular base with scroll feet; impressed on the interiorSARREGUEMINES, the underside of base with blackprinted factory mark; the second, urn form, molded withthe head of Medusa flanked by two snake-entwined han-dles raised on a leaf-molded base mounted as a lamp.Height of first: 16 in (40.6 cm); Diameter: 14-1/4 in (36.2 cm);Height of second: 15 in (38.1 cm)$600-$800

313Paris Porcelain Gilt and Floral Decorated Urn onStandLast Half 19th CenturyThe turquoise-ground campana-form urn polychromedecorated with a band of flowers below a gilt decoratedacanthus-molded lower body flanked by handles raisedon a complementary rectangular plinth with moldedberried laurel base. Mounted as a lamp.Height of urn on stand: 24 in (61 cm)$800-$1,200

314Pair of Paris Porcelain Polychrome andGilt Decorated Pictorial VasesMid-19th CenturyEach having an ovoid body flanked bywinged caryatid handles, each depictingnaughty school boys and inscribed Tuzzy/Muzzy; one titled The Village School, the otherin an uproar; verso with gilt flower and fruitbasket on a gilt ground. Unmarked. Somewear to gilt, especially to base of first.Height: 17 in (43.2 cm)$3,000-$5,000

314

315 315Meissen Allegorical Figure of ‘America’After the model by J.J. Kändler, Late 19th CenturyDepicting an Indian maiden with a parrot in one handand a cornucopia of jewels in the other, seated upon oncrocodile raised on a rocky-molded base with palm tree.Underside with underglaze blue crossed swords markand incised 757. Restorations to crocodile head and tail, and totop of palm tree.Height: 7-1/2 in (19.1 cm)$800-$1,200

316Meissen Blue and White Plate from the ‘Kinder a laRaphael’ ServiceDesign after engravings by Jacques Stella, Circa 1760-1770Depicting a putto jumping through a hoop, the borderwith bowknot-tied laurel swags; verso with underglazeblue crossed swords mark with dot and S painter’s markpossibly for Stemmler.Diameter: 9-1/4 in (23.5 cm)$1,200-$1,800

For similar soup plates, see Sotheby’s New York,Important English and European Furniture, Silver, Porcelainand Carpets, November 18, 2011, lot 26.

316

317sample

317Meissen ‘Streublumen’ Dinner Service1860-1924Consisting of:12 Dinner plates12 Salad plates12 Soup bowls12 Bread and butter plates1 Square dish1 Oval dish1 Salad bowl1 Covered sauce tureen with attached undertray2 Large oval platters

Each decorated with floral sprays and insects within awavy gilt border. Each with underglaze blue crossedswords mark and impressed numerals. 54 pieces. Twosoup bowls of a different pattern.Diameter of dinner plates: 9-7/8 in (25.1 cm); Length of largest platter: 20-1/2 in (52.1 cm)$3,000-$5,000


318Berlin Porcelain ‘Ornithological’ Wine Cooler and aMeissen Covered JarLate 19th CenturyEach polychrome decorated with birds, the first withbow-knot handles, the underside with underglaze bluescepter mark and impressed B; the second with under-glaze blue crossed swords mark, the underside of lid withpuce painted N. The second with chip to rim of lid.Height of tallest: 7-3/4 in (19.7cm)$600-$800

319 318

320

PROPERTY OF A WASHINGTON COLLECTOR

319Berlin Porcelain Plaque of ‘Ecce Homo’KPM, Early 20th CenturyAfter Guido Reni, the oval plaque depicting Christ wear-ing the crown of thorns. Verso with impressed scepter,KPM and F/ 5. Set within a giltwood frame. Two scratchesto surface and some minor imperfections to porcelain plaque.10-3/4 x 8-3/4 in (27.3 x 22.2 cm)$800-$1,200

320Berlin Porcelain Plaque of ‘DerFalschspieler’KPM, Late 19th CenturyAfter Caravaggio, depicting twomen playing cards with a third hid-den in the background. Verso withimpressed scepter, KPM and H andwith a partial paper label printed219 Rue St. Honoré, Paris. Set withina modern frame.8-7/8 x 11 in (22.5 x 27.9 cm)$7,000-$9,000


321Berlin Porcelain Plaque of ‘The PenitentMagdalene’KPM, Late 19th CenturyAfter Battoni, depicting the reclining MaryMagdalene reading a book. Verso with impressedscepter, KPM, Z and 7-3/4 x 5-1/4. Set within agiltwood frame.5-1/2 x 7-7/8 in (14 x 20 cm)$1,000-$2,000

321

322 322Berlin Porcelain Plaque of Cupid and PsycheKPM, First Quarter 20th CenturyDepicting the two figures in a forest landscape. Versowith impressed scepter, KPM/ W and 158 237; also withpaper label inscribed in German Lieber gefluches... Setwithin an ormolu frame.9-3/8 x 6-1/2 in (23.8 x 16.5 cm)$2,000-$3,000

PROPERTY FROM THE ESTATE OFJOSEPHINE B. PIERCE

323Set of Six Royal Copenhagen ‘FloraDanica’ Luncheon PlatesDated 1938-1939Each with black specimen identification,green and blue factory mark and number 20 3550.Diameter: 8-3/4 in (22.2 cm)$2,000-$3,000

323

324 PROPERTY FROM A PROMINENTWASHINGTON, D.C. ESTATE

324Pair of Wedgwood Black Basalt‘Sacred to Neptune and Bacchus’Ewers19th CenturyDepicting the classical gods atop anurn-form ewer molded with dolphin andram’s head respectively. Each impressedWEDGWOOD and C on underside ofbase. Each with possible repair to base.Height: 17-3/4 in (45.1 cm)$3,000-$5,000

325Wedgwood Black Basalt PictorialPlaque19th CenturyDepicting the funeral procession of aRoman warrior, molded in low and highrelief. Impressed on verso WEDGWOOD.Unframed. Repaired crack to center ofplaque; chip to upper left corner.10-3/4 x 19-1/2 in (27.3 x 49.6 cm)$1,000-$1,500

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326Set of Twelve Derby Topographical DessertPlates and a Pair of BowlsIn the manner of Zachariah Boreman, Circa 1785-1790Each having a white ground centered by vari-ous landscapes with figures within a gilt-dec-orated cobalt blue border with rose paintedcartouches and white ‘jewels’. Each with pucepainted factory mark, most with puce 1 forgilder Thomas Sore, iron-red 7 for painterWilliam Billingsley and blue 5 for groundlayer Jno. Yates. Staple repairs to each shallowbowl; some wear to gilding on edges of plates. 18pieces.Diameter of plates: 9 in (22.9 cm)$2,000-$3,000


327Pair of Spode ‘Gothic Castle’ ChestnutBaskets and StandsSecond Quarter 19th CenturyEach having a reticulated lower body, theinterior transfer-decorated with a castle in aChinese landscape, with complementarystands. One stand with underglaze x; theremaining unmarked.Width including handles: 9 in (22.9 cm)$500-$700

328 328Group of Nine Worcester Table Articles1755-1790Consisting of a pair of ‘Three Flowers’ butter tubson stand, each with underglaze blue crescentmark; a pair of ‘Pickle Leaf Vine’ pickle dishes,one with underglaze blue open crescent mark, theother with underglaze blue w; a floral-decoratedscalloped-edge small dish, with underglaze blueopen crescent mark; a blue scale and floral-deco-rated scalloped-edge bowl, with underglaze bluefret mark and an ‘Imari’ scalloped-edge bowl,unmarked. One stand with crack and each with losses toapplied flowers.Height of butter tubs: 3-1/2 in (8.9 cm); Diameter of largest bowl: 10 in (25.4 cm)$800-$1,200

PROPERTY FROM THE FAMILY OF NOTEDPHYSICIAN AND SURGEON

JOHN BENJAMIN MURPHY (1857-1916)

329Set of Twelve Royal Worcester Gilt and GreenDecorated Dinner PlatesPattern 865, Dated 1914Each having a white center within a cream colored bor-der highlighted with gilt and green enamel swags. Versoof each with puce printed factory mark, six with greenprinted registry number Rd. 571649/ 164, and red paintedpattern number. One plate broken.Diameter: 10-1/2 in (26.7 cm)$700-$900

330Set of Thirteen Mintons Gilt and RoseDecorated Luncheon PlatesPattern H230, 1902-1911, Retailed by Spaulding & Co.,ChicagoEach having a white center continuing to a giltborder decorated with roses in varying shadesincluding pink, red, orange, peach, yellow andwhite. Each signed L. Rivers for Leonard Rivers,verso of each with puce printed factory and retail-er’s mark; most with impressed factory mark andred painted pattern number. One with fine crazing tointerior.Diameter: 9 in (22.9 cm)$700-$900

329

330

331Set of Nineteen Royal Crown Derby Gilt andSalmon Decorated Dinner PlatesPattern 5763; Twelve Dated 1900, Seven Dated 1942,Retailed by Burley & Co., ChicagoHaving a white ground with pale yellow andsalmon border highlighted in gilt with grape clus-ters and leaves. Verso of each with red printeddate cipher, factory and retailer’s mark, impressedfactory mark and gilt painted pattern number;some with gilt painted decorator’s marks.Diameter: 10 in (25.4 cm)$1,200-$1,800

331

332 ENGLISH FURNITURE

AND DECORATIONS


332Charles II Oak Court CupboardPredominantly Mid-17th CenturyWith carved initials and dateEM*AR 1699 on frieze above tworecessed panel inset doors enclosinga cupboard over two tripartitepanel inset doors enclosing a shelf.Height: 65-1/2 in (166.4 cm); Width: 63-1/2 in (161.3 cm); Depth: 22 in (55.9 cm)$2,000-$3,000

PROPERTY FROM A PROMINENTWASHINGTON, D.C. ESTATE

334William & Mary Figured Walnut Chest-on-StandComposed of Late 17th-Early 18th Century ElementsSome repairs to veneer; brasses replaced.Height: 58-1/4 in (148 cm); Width: 38 in (96.5 cm); Depth: 21-1/2 in (54.6 cm)$800-$1,200

334

333 333Charles II Style Brass Nail Studded, Painted andDecorated Parcel Ebonized Walnut Demilune SideCabinetCirca 1900In two parts, the top and sides decorated with coachscenes, each oil on canvas, the panel door opening toview one shelf. Some losses and abrasions to painted surface.Height: 39-1/2 in (100.3 cm); Width: 43-1/2 in (110.5 cm);Depth: 23-1/2 in (59.7cm)$800-$1,200


337Queen Anne Walnut MirrorEarly 18th CenturyThe mirror plate cut with a sun and stars. Some losses andrepairs to veneer of edge.41-1/4 x 28-1/2 in (104.8 x 72.4 cm)$1,000-$1,500

PROPERTY FROM THE ESTATE OFSALLY KRAUS

335William & Mary Style Walnut and Oak Chest-on-StandPredominantly Early 18th CenturyBrasses probably replaced; restorations to top; lacking legs; feetreplaced.Height: 45-3/4 in (116.2 cm); Width: 37-1/2 in (95.3 cm); Depth: 21-1/2 in (54.6 cm)$700-$900

Provenance:Barter Post, Gainesville, Virginia

336No Lot

335


338George II Walnut Wing ArmchairComposed of Mid-18th Century ElementsWith floral crewelwork wool upholstery.$700-$900

339 338

340


339George II Walnut MirrorMid-18th CenturyHaving a molded-edge border with a shaped frame.40 x 25-1/2 in (101.6 x 64.8 cm)$800-$1,200

340George III Style Oak Two-PedestalPartner’s DeskLast Half 19th CenturyIn three parts, the removable tophaving a gilt-tooled black leatherinset writing surface above onepedestal with three cockbeaded andgraduated drawers on end, the otherpedestal having three cockbeadedand graduated drawers the other endwith an inset panel door enclosingfour folio slots, each pedestal endingon steel caster feet. Brass bail handlesand locks replaced; some losses to cock-beading.Height: 32 in (81.3 cm); Width: 66 in (167.6 cm); Depth: 40-1/2 in (102.9 cm)$1,000-$1,500

341Pair of George III Mahogany Hexagonal Urn StandsLate 19th CenturyOne with repairs to gadrooning of mid-shelf; the other with repairto gallery of top; each top with some warping.Height: 34-3/4 in (88.3 cm); Greatest diameter of top: 16-1/2 in (41.9 cm)$600-$800


342George III Style Mahogany Floral NeedlepointTapestry Upholstered Wing ArmchairComposed of 19th Century ElementsRestorations to front legs; some losses to upholstery.$800-$1,200

343George III Mahogany Pembroke TableCirca 1790Front legs repaired at the stiles and extended; some losses toapplied beading of drawer.Height: 30 in (76.2 cm); Width: 17 in (43.2 cm); Width whenopen: 30-1/4 in (76.8 cm); Depth: 30 in (76.2 cm)$500-$700

341

342

343


344George III Style Mahogany Bookcase-CabinetLast Half 19th CenturyIn two parts, the upper section with two mullion-glazedpanel doors opening to view four shelves; the lower sec-tion with two inset panel doors enclosing one shelf. Somerestorations to backboards and base.Height: 91-1/2 in (232.4 cm); Width: 45-1/2 in (115.6 cm);Depth: 14-1/2 in (36.8 cm)$1,000-$1,500

344

345

345George III Mahogany SofaCirca 1790Having a rose slipcover over floral champagne and greensilk damask upholstery. Some repairs to legs and stretchers.Height: 36 in (91.4 cm); Length: 66 in (167.6 cm)$800-$1,200


346George III Style Mahogany TesterBedsteadLate 19th CenturyRestorations.Height: 87-1/2 in (222.3 cm); Width: 60 in (152.4 cm); Depth: 83 in (210.8 cm)$700-$900

346

3472 of 8


347Set of Eight George III StyleMahogany Stained BeechwoodSide ChairsLate 19th CenturyEach with floral needlepoint tapestryupholstered seats.$2,000-$4,000


348George III CrossbandedMahogany Small SideboardCirca 1800Having a bottle drawer on one sideand a panel door on the other flank-ing two central drawers. Losses andcracks to veneer; abrasions and scratch-ing to legs.Height: 35-1/2 in (90.2 cm); Width: 54-1/8 in (137.5 cm); Depth: 22-1/4 in (56.5 cm)$800-$1,200

348

349 349George III Style MahoganyBreakfront-BookcaseLast Half 19th CenturyIn two parts, the upper sectionhaving four oval mullion-glazedpanel doors enclosing three sec-tions each with three adjustableshelves; the lower section hav-ing three cockbeaded graduateddrawers flanked by three gradu-ated short drawers and a tripar-tite panel door enclosing oneshelf. Central section with one glasspanel cracked.Height: 84 in (213.4 cm); Width: 88-1/2 in (224.8 cm); Depth: 19 in (48.3 cm)$1,000-$2,000


350George IV Oak and Mahogany Tall Case ClockSecond Quarter 19th CenturyThe brass dial plate with applied Roman and Arabicnumeral silvered chapter rim enclosing a minute sub-sidiary dial and date aperture with applied ormolurocaille spandrels and lunette with a boss inscribedThomas Parr/ Liverpool; the two-train movement strikingon a bell. Some losses to veneer; some cracks to base.Height: 92-1/2 in (235 cm)$1,000-$1,500

350

351


351Regency Mahogany BedstepsCirca 1815Each tread insert with gilt-tooled olive-green leather, thetop two hinged and opening to view a well. Some veneercracks; losses to sides; leather replaced.Height: 26 in (66 cm); Width: 18-1/2 in (47 cm); Depth: 27 in (68.6 cm)$600-$800

PROPERTY FROM THE ESTATEOF VARUE W. OISHEI

352Set of Ten Regency SatinwoodInlaid Mahogany Dining ChairsEarly 19th CenturyConsisting of a pair of armchairsand eight side chairs; each variouslyupholstered. Each with some repairs toinlay.$3,000-$5,000

3522 of 10


353William IV Rosewood Pivoting Fold-Top Games TableCirca 1835The pivoting hinged top opening toview a circular green baize-inset playingsurface, raised on casters. Top with somecracks to veneer; repair to one rear foot.Height: 29-1/2 in (75 cm); Width: 36 in (91.4 cm); Depth: 18 in (45.7 cm)$600-$800

Provenance:New Orleans Auction Galleries,September 23, 2000, lot 523

CONTINENTAL FURNITURE

AND DECORATIONS

354French School, 19th CenturyPortrait Miniatures of Ladies: Group ofFour WorksThe first signed Fabry c.r., the secondsigned Roy c.r., the third unsigned, thefourth signed Rellé l.r.Each watercolor on ivory. Each set within aparcel ebonized ivory veneered frame.Some with minor cracks to ivory veneer; the fourthwith loss to ivory veneer.Each approximately: 2-1/4 x 2 in (5.7 x 5.1 cm)$600-$800

354

355

3564 of 18

355Continental Carved Ivory Triptych Figure of a BishopPossibly Dieppe, Late 19th CenturyThe standing figure’s hinged robe opening to view a court scene flanked by aKing and Queen at prayer. Some cracks and staining to ivory; lacking top of staffand object in hand.Height: 11-3/4 in (29.9 cm)$1,500-$2,000

PROPERTY FROM THE FAMILY OF NOTEDPHYSICIAN AND SURGEON

JOHN BENJAMIN MURPHY (1857-1916)

356Set of Eighteen Bohemian Gilt and Enamel DecoratedRuby Glass Champagne SaucersCirca 1900Each having a ruby glass bowl and stem decorated withpolychrome enamel decorated cartouches raised on agilt-decorated clear glass lower stem with floral-decorat-ed foot. Each unsigned.Height: 5-3/4 in (14.6 cm)$800-$1,200


357Continental Renaissance Style Ormolu MountedIntaglio Cut Glass DecanterCirca 1900Having an ormolu eagle-form lid and neck above a flat-tened ovoid body intaglio cut with drapery swags abovean armorial crest verso with a thistle.Height: 17-3/4 in (45.1 cm)$1,500-$2,500

For a similar pair see Christie’s, New York, 500 Years:Decorative Arts Europe, October 20, 2011, lot 317.

358 357

359


358Pair of Continental Gilt Bronze Three-LightCandelabra19th CenturyEach having a tapering standard with three appliedram’s-head monopodia continuing to two scrolling candlearms centering a leafage and berry-cast socket, raised ona beaded-edge circular base. One lacking a monopodium;breaks to three leafage mounts.Height: 15 in (38.1 cm)$1,000-$1,500


359Napoleon III Ebonized Wood Wall ClockA. Portal, Montpellier, Third Quarter 19th CenturyHaving a two-train movement striking on a gong, with amarble face inscribed A. Portal/ Montpellier.Case re-ebonized.Diameter: 15 in (38.1 cm)$500-$700


360Pair of Louis Philippe Style Ormolu Four-LightCandelabraCirca 1900Each having a fluted columnar standard ending in anacanthus and lion paw trifed base continuing to a centralcandle arm centered by three candle arms, each hung withfaceted glass drops.Height: 20-1/2 in (52.1 cm)$400-$600


361Napoleon III Ormolu Figural Mantel ClockThird Quarter 19th CenturyHaving a two-train movement striking on a bell within arectangular case flanked by Bacchus on one side and astaff and ewer on the other, surmounted by a floweringurn and raised on a plinth cast with putti playing instru-ments. Movement unsigned. Lacking bell; some wear to paintednumerals of dial.Height: 18 in (45.7 cm)$1,000-$1,500

362Pair of Continental Gothic Revival Brass AltarCandlesticksLate 19th CenturyEach having a lancet arch and quatrefoil-cast standardcontinuing to a leafage-cast candle socket.Height: 22-3/4 in (57.8 cm)$800-$1,200

360

361

362

363Pair of Continental Rococo Style Brass CandelabraLast Quarter 19th CenturyOne lacking two candle sockets; the other lacking part of onecandle arm and socket; each with some arms bent.Height: 47-1/2 in (120.7 cm)$800-$1,200


364Spanish Colonial Iron Mounted Walnut SmallVargueño and a Pine Casket19th CenturyThe vargueño having a fall-front lid opening to revealfour short drawers over a long drawer; the casket withoverall diaper pattern of lozenges in circles, opening toview a paper-lined interior.Vargueño: 13-1/8 x 18 x 12 in (33.3 x 45.7 x 30.5 cm); Casket: 10-1/2 x 22-3/4 x 11 in (26.7 x 57.8 x 27.9 cm)$700-$900

365Spanish Colonial Wrought Iron and Pierced BrassMounted Walnut Small VargueñoComposed of 17th and 18th Century ElementsThe fall-front lid opening to view a central drawer withan architectural niche enclosing a painted and gilt com-position santos figure of the Madonna Immaculata,flanked by an arrangement of nine gadroon-edgeddrawers, ending on bun feet.Height: 20-1/2 in (52.1 cm); Width: 24 in (61 cm); Depth: 15-1/4 in (38.7 cm)$700-$900

364

364

365

363

366Spanish Colonial Pierced Iron and Embossed SilverMounted Walnut Small Vargueño19th CenturyThe fall-front lid opening to view an arrangement ofeleven drawers mounted with a central embossed silverfigure and pierced silver foliate panels, ending on bunfeet.Height: 22-1/4 in (56.5 cm); Width: 26 in (66 cm); Depth: 14 in (35.6 cm)$800-$1,200

366

367

368

367Spanish Colonial Parcel Gilt and Red Painted Carved WoodCofferEarly 20th CenturyHaving a partially hinged top and fall front opening to view aninterior with two drawers. Some losses to decoration.Height: 16-1/2 in (41.9 cm); Width: 39-1/2 in (100.3 cm); Depth: 16 in (40.6 cm)$600-$800


368Pair of Continental Baroque Style OrmoluAndironsCirca 1900Some wear to gilding.Height: 30-1/2 in (77.5 cm)$800-$1,200


369Continental Baroque Painted andDecorated Iron Strong BoxProbably 17th CenturyThe hinged top and three sides havingpolychrome flowering-vine painted giltriveted straps enclosing villages andseascapes, the sides with wrought ironloop handles. Polychrome decoration of alater period.Height: 16 in (40.6 cm); Width: 32 in (81.3 cm); Depth: 16-3/4 in ( 42.5 cm)$2,000-$3,000

369

370 370Continental Rococo Style Parcel Gilt and Beige TôlePeinte Nine-Light ChandelierCirca 1900Having gilt-decorated tôle leafage-applied arms andhung with foliate swags. Some losses to decoration.Height approximately: 36 in (91.4 cm); Diameter approximately: 23 in (58.4 cm)$1,000-$1,500

371Continental Baroque Iron-Mountedand Inlaid Walnut CofferProbably Italian, Composed of 17th CenturyElementsThe hinged top opening to view an openwell and side till.Height: 21-1/2 in (54.6 cm); Width: 40 in (101.6 cm); Depth: 21 in (54.6 cm)$1,000-$1,500

371

372 373

372Italian Rococo Giltwood MirrorMid-18th CenturyHaving an openwork scrolling foliate frame. Mirror platereplaced; losses to gilding.19-7/8 x 16 in (50.5 x 40.6 cm)$500-$1,000

373Italian Rococo Style Gilt Gesso Wood Mirror19th CenturyRegilded with some losses and wear to gilding.44 x 21 in (111.8 x 53.3 cm)$800-$1,200

374Continental Rococo Gilt Metal and Porcelain Six-Light ChandelierLate 19th CenturyHaving a central porcelain potpourri jar within a giltmetal surround with six candle arms, applied overall withporcelain flowers.Height approximately: 20 in (50.8 cm); Diameter approximately: 18 in (45.7 cm)$600-$800

375Italian Rococo Style Painted and Decorated WoodSide CabinetComposed of 18th-19th Century ElementsIn several parts; the two side cabinets with two paneldoors enclosing an interior fitted for adjustable shelves ora hanging rod, centering three shaped shelves above twopanel doors enclosing two banks of four drawers. Overalldecorated in shades of blue, cream, rust and green. Somewear to decoration.Height: 89 in (226.1 cm); Width: 137 in (348 cm); Depth: 23-1/2 in (59.7 cm)$4,000-$6,000

374

375

376Venetian Rococo Style Etched Glass MirrorEarly 20th Century69-1/4 x 41-1/2 in (175.9 x 105.4 cm)$3,000-$5,000

376

377

377Continental Neoclassical Style Burl Walnutand Walnut Center TableSouth German or Northern Italian, Early 19th CenturyTop with some repaired cracks; restorations to legs.Height: 31-1/4 in (79.4 cm); Width: 40 in (101.6 cm);Depth: 32-3/4 in (83.2 cm)$1,500-$2,500


378Continental Baroque Style Oak ArmchairCirca 1900Having scrolling foliate needlepoint upholstery.$600-$800

379 378

380

379Italian Baroque Walnut Corner CabinetComposed of 18th and 19th Century ElementsIn two parts, the upper section having a floral wallpaper-lined interior above a lower section with two panel doorsenclosing a wallpaper-lined interior with one shelf.Height: 77-1/2 in (196.9 cm); Width: 26 in (66 cm ); Depth: 15-1/2 in (39.3 cm)$600-$800

380Italian Baroque Walnut and WroughtIron Trestle-Base TableComposed of 18th and 19th Century ElementsTop with cracks and some staining.Height: 29-1/2 in (75 cm); Width: 56 in (142.2 cm); Depth: 34-3/4 in (88.3 cm)$1,000-$1,500

381Continental Neoclassical Style Walnut Columnar PedestalFirst Quarter 20th CenturySome cracks and losses.Height: 44-1/2 in (113 cm)$700-$900

381

382 382Biedermeier Parcel EbonizedBirchwood Secrétaire à AbattantCirca 1830The fall-front lid with gilt-tooledblack leather writing surface open-ing to view a central ebonizedpanel door flanked by two convexpanel doors and an arrangement ofnine birch-faced drawers with ivoryknop pulls. Re-ebonized; some cracksto side panels.Height: 46 in (116.8 cm); Width: 43-3/4 in (111.1 cm); Depth: 16-1/2 in (41.9 cm)$1,000-$1,500

383French Provincial Grain-Painted and Decorated Tall CaseClock19th CenturyHaving a two-train movement striking on a bell, the white enamelRoman numeral dial set within a brass repoussé ‘Peacock’ sur-round inlaid with mother-of-pearl and having a grape cluster andwheat sheaf repoussed pendulum. Some breaks to brass face surroundand pendulum; some insect damage to case.Height: 86 in (218.4 cm)$600-$800

383

384


384French Gothic Revival Iron-Mounted Walnut and UpholsteredSingle Bedstead19th CenturyThe headboard upholstered in light blue flame silk. Height: 53 in (134.6 cm); Width: 43 in (109.2 cm)$700-$900

385Set of Four Louis XV Style Walnut Chaises19th CenturyUpholstered in rust velvet. Together with a pairof floral printed cotton pillows.$1,200-$1,800

3852 of 4

386

387

386Chinese Export Gilt and Rouge DecoratedBlack Lacquer Tray on Later Louis XV StyleStandTray, Second Quarter 19th CenturyTray with some distress to lacquer.Height: 26-1/4 in (66.7 cm); Width: 34-1/4 in (87 cm);Depth: 22-3/4 in (57.8 cm)$800-$1,200

387Louis XV Beechwood BanquetteComposed of 18th-19th Century ElementsHaving multi-pastel brocade silk uphol-stery.Length: 57 in (144.8 cm)$800-$1,200

Provenance:Moinat Antiquités et Décoration, S.A.,Rolle, Switzerland

388Louis XV Stripped Pine Oval MirrorMid-18th CenturyRestorations.41-1/2 x 50-1/2 in (105.4 x 128.3 cm)$800-$1,200

388

389

390


389Louis XV Provincial WalnutSerpentine CommodePredominantly Mid-18th CenturyHeight: 31 in (78.7 cm); Width: 50-1/2 in (128.3 cm); Depth: 22 in (55.9 cm)$1,200-$1,800

390Louis XV Style Ormolu-MountedTulipwood Bureau PlatFirst Half 20th CenturyHaving a gilt-tooled tan leatherwriting surface above an arrange-ment of five drawers and an arcad-ed skirt, verso with false drawers.Some abrasions to leather.Height: 29-1/2 in (75 cm); Width: 63 in (160 cm); Depth: 31-1/4 in (79.4 cm)$1,000-$1,500

391Louis XV Giltwood MirrorMid-18th CenturyRegilded and with repairs to pediment.34 x 23-1/4 in (86.4 x 59.1 cm)$800-$1,200

391 392

393


392Louis XV Style Ormolu-Mounted Marquetry TulipwoodBureau PlatFirst Quarter 20th CenturyHaving a shaped brass-bound top above a frieze drawer.Distress and water damage to top.Height: 30-1/4 in (76.8 cm); Width: 39 in (99 cm); Depth: 25 in (63.5 cm)$500-$700

393Louis XV Style Ormolu-Mounted Marquetry andParquetry Tulipwood and Kingwood Petite BombéCommodeFirst Quarter 20th CenturyHaving a Rouge Royal marble top. Some losses and repairs toinlay and veneer.Height 38 in (96.5 cm); Width 35-1/2 in (90.2 cm); Depth 17 in (43.2 cm)$800-$1,200

394Louis XV Style Ormolu-Mounted, BrassInlaid and Ivory Mother-of-PearlMarquetry Ebonized Wood Bureau PlatLast Quarter 19th Century.The serpentine top having a frieze drawer.Some losses to brass inlay and cracks to top.Height: 31 in (78.7 cm); Width: 53-1/4 in (135.3 cm); Depth: 32 in (81.3 cm)$1,500-$2,000

394

395

396detail

395Pair of Louis XVI Style Ormolu Three-Light Bras deLumièreFirst Quarter 20th CenturyEach having a fluted and leafage-cast tapering backplateissuing three candle arms with beaded-edge bobèches;each hung with prisms. One lacking two pendant prisms andone prism replaced.Height: 15 in (38.1 cm)$500-$700

396Louis XVI Style Giltwood Cornice20th CenturyWear and losses to gilding; lacking one foliate drop pendant.Height: 13 in (33 cm); Length: 94 in (238 cm); Depth: 8-1/2 in (21.6 cm)$700-$900

397Louis XVI Style Giltwood Double CorniceEarly 20th CenturyEn suite with preceding lot.Some wear and losses to gilding.Height: 13 in (33 cm); Length: 174-1/2 in (443.23 cm);Depth: 8-1/2 in (21.6 cm)$800-$1,200

397detail

3981 of apair

398Pair of Louis XVI Style Giltwood and GessoOval MirrorsEarly 20th CenturySome repairs and restorations to gesso and gilding.54-1/2 x 35-1/2 in (90.2 cm)$2,000-$4,000

399Pair of Louis XVI Style GiltwoodFauteuilsFirst Quarter 20th CenturyEach having cream colored brocadesilk upholstery. Distress to upholstery;one lacking finials.$1,000-$1,500

399

400

400Louis XVI Style Brass Mounted Marquetry Thuyawood and Pollard Oak Three-Part Jardinière TableEarly 20th CenturyConsisting of a center table with later mottled cream marble top and a pair of corner jardinières with green painted toleremovable liners. Minor losses to inlay and some cracks to stretchers.Height of center table: 33 in (83.8 cm); Width: 39-1/2 in (100.3 cm); Depth: 18-1/2 in (47 cm);Height of jardinières: 30-3/4 in (78.1 cm); Width: 25 in (63.5 cm): Depth: 17-1/2 in (44.5 cm)$800-$1,200

401Louis XVI Style Giltwood and Gesso MirrorEarly 20th CenturyVarious losses to gesso and wear to gilding; mirrored frame withrepairs and losses.65 x 44-1/2 in (165.1 x 113 cm)$1,000-$1,500

401 402

403

402Louis XVI Style Ormolu Curtain Tie-Backs20th CenturyEach having an anthemion-capped backplate issuing ascroll arm with cartouche-form termination enclosing theinitial R.Height: 9-1/2 in (24.1 cm); Depth: 10-1/4 in (26 cm)$400-$600

403Louis XVI Style Ormolu-MountedBrass Inlaid and Marquetry EbonizedWood Center TableLast Quarter 19th Century.Having a blocked frieze drawer. Somelosses and repairs to brass inlay.Height: 28-1/2 in (72.4 cm); Width: 51-1/4 in (130.2 cm); Depth: 29-1/2 in (75 cm)$1,200-$1,800

404Pair of Louis XVI Style Ormolu-MountedMahogany VitrinesEarly 20th CenturyEach having a Rouge Royal marble inset topabove a panel door enclosing a red velvet-linedinterior with two shelves. One panel door inset withPlexiglas; cracks and repairs to each marble top; onewith crack to glass side panel.Height: 55-3/8 in (148.6 cm); Width: 26-3/4 in (68 cm); Depth: 13 in (33 cm)$1,500-$2,500

404

405 405Louis XVI Style Giltwood and Gesso VitrineFirst Quarter 20th CenturyHaving a glazed panel door enclosing a peach silk damaskinterior with three glass shelves. Losses and overpainting to gilding; some losses to gesso decoration; formerly with marble top nowwith replaced board top.Height: 67 in (170.2 cm); Width: 26-1/2 in (67.3 cm); Depth: 15-1/2 in (39.3 cm)$1,500-$2,500

406Louis XVI Style Giltwood Seven-Piece Salon GroupFirst Half 20th CenturyConsisting of a canapé, four fauteuils en cabriolet and a pair of chaises; each covered in machine-made Aubusson-style silk upholstery. Each fauteuil and canapé with some repairs and restorations to arm post at stiles; some with fraying andstaining to fabric.Height of canapé: 41 in (104.1 cm); Width: 59 in (149.9 cm)$4,000-$6,000

406sample


407Louis XVI Style Ormolu ChenetsBouhon Frères, Late 19th CenturyEach having an applied berried laurel friezeflanked by pinecone finials. Each stampedBOUHON FRES.Height: 11-1/4 in (28.6 cm); Length: 13-1/2 in (34.3 cm)$700-$900


408Pair of Louis XVI Painted Beechwood Floral Petit PointFauteuils en CabrioletLate 18th CenturyRepainted.$1,500-$2,000

409 408

410

409Louis XVI Style Light Gray PaintedBeechwood BergèreMid-19th CenturyWith floral brocade champagne upholstery andloose cushion.$1,000-$1,500

410Louis XVI Ormolu-Mounted Mahogany Marble-TopTable à EcrireCirca 1800Having a mottled gray and white marble top above afrieze drawer opening to view two ink wells and a penwell. Bottom shelf with repaired crack; feet replaced.Height: 31-1/4 in (79.4 cm); Width: 21-3/4 in (55.2 cm);Depth: 13-1/2 in (34.3 cm)$1,500-$2,500

411Louis XVI Light Blue and Greenish-Gray PaintedBergèreStamped I* B* Sene, Circa 1780With brownish-green velvet upholstery. Repainted; somelegs repaired at the seat rail.$1,000-$1,500

Note:Jean-Baptiste Claude Sené was appointed mâitre in1769.

412Louis XV-XVI Style Ormolu and Brass MountedParquetry Tulipwood and Chinoiserie DecoratedSecrétaire à AbattantHaving a mottled gray and white marble top above areverse serpentine writing lid with tooled olive greenleather inset surface enclosing two banks of four serpen-tine drawers, above a pull-out writing slide with strutbookstand, over two panel doors enclosing four folioslides. Some repairs and losses to veneer and painted decoration;lacking board inside slide.Height: 43-1/2 in (110.5 cm); Width: 31-1/2 in (80 cm); Depth: 15-3/4 in (40 cm)$1,200-$1,800


413Louis XVI Style Giltwood Oval TabouretLate 19th CenturyUpholstered in floral and polka dot brocade blue silk. $800-$1,200

Provenance:Moinat Antiquité-Décoration S.A., Geneva

411 413

412

414Louis XVI Inlaid Parquetry Tulipwood and KingwoodPoudreuseCirca 1800Height: 30 in (76.2 cm); Width: 29-1/2 in (75 cm); Depth: 16 in (40.6 cm)$1,200-$1,800

415 414

416

415Louis XVI Beechwood Fauteuil en CabrioletLate 18th CenturyHaving champagne and gray silk upholstery. $400-$600

416Louis XVI Style Walnut CanapéComposed of 19th Century ElementsUpholstered in printed bow-knottied floral spray cotton with loosecushions and three pillows. Height: 39 in (99 cm);Length: 69 in (175.3 cm)$1,500-$2,500

Provenance:Moinat Antiquités et DécorationS.A., Rolle, Switzerland

417Louis XVI Style Brass-Mounted Mahogany Secrétaire àAbattantEarly 20th CenturyIn the form of a semainier, the fall front opening to view a shelfabove two aligned drawers below a Rouge Royal marble top.Height: 56 in (142.2 cm); Width: 29 in (73.7 cm); Depth: 15 in (38.1 cm)$800-$1,200

417

418 418Louis XVI Style Brass-Mounted Mahogany Roll-TopBonheur du JourLate 19th CenturyHaving a Griotte Uni marble top above three aligned draw-ers, the mechanical tambour cylinder enclosing a fold-outgreen baize-lined writing surface with bottle and pen hold-ers, over three aligned drawers, raised on fluted taperinglegs. Height: 40 in (101.6 cm); Width: 30 in (76.2 cm); Depth: 18 in (45.7 cm)$2,000-$3,000

419Louis XVI Style Giltwood Mirror19th CenturyHaving an urn and wreath pediment. Some wear andlosses to gilding.46 x 38 in (116.8 x 96.5 cm)$800-$1,200

419

420

420Directoire Walnut Assembled Three-Piece SalonGroupCirca 1800Consisting of a marquise with chinoiserie printedlight rose chintz upholstery and a pair of bergèreswith tan lattice brocade silk upholstery; each withdown-filled loose cushions. Each with restorations.Height of marquise: 36 in (91.4 cm); Width: 39 in (99 cm)$1,000-$1,500

421Directoire Style Inlaid Faux Tortoiseshell Oval Mirror20th Century40 x 34 in (101.6 x 86.4 cm)$800-$1,200

421

422sample

422Set of Eight French Bottle Green Painted Wrought-Iron Folding Café Chairs and a PaintedSheet and Wrought-Iron Dining Table20th CenturyEach chair with white cotton cushions. Some wear to paint of table.Height of table: 29-1/2 in (75 cm); Diameter of table: 57-1/4 in (145.3 cm)$1,000-$1,500

Provenance:Le Cèdre Rouge, Avignon


423Pair of Louis Philippe Tulipwood Fauteuils enCabrioletCirca 1840Each with gold and champagne bumble bee and wreathbrocade red silk upholstery. Each with repairs and losses toarms at the posts; one rear leg repaired.$700-$900

Provenance:New Orleans Auction Galleries, July 28, 2001, lot 336

423

424

425

424Pair of Napoleon III Ormolu-Mounted Kingwood Fauteuils à laReineCirca 1875Each having gold wreath and bumblebee brocade green silk upholstery.Each with repairs to crest rail at the stiles;feet formerly with casters.$1,500-$2,500

Provenance: New Orleans Auction Galleries,September 22, 2001, lot 830

425Louis Philippe Ormolu-Mounted Mahogany MarbleTop GuèridonThird Quarter 19th CenturyHaving an Verde Antico marble top. Top replaced; restora-tions to frame.Height: 29-1/2 in (75 cm); Diameter: 39 in (99 cm)$700-$900

Provenance:Sloan’s, North Bethesda, August 28, 1999, lot 282


426Napoleon III Ormolu-Mounted Brass Marquetry andEbonized Wood Bureau de DameCirca 1880The slanting hinged writing lid opening to view a shelfover three reverse serpentine drawers and a sliding panelopening to view a well. Probably re-ebonized; some losses toormolu inlay; lacking two leafage sabots. Height: 35-3/4 in (90.8 cm); Width: 26 in (66 cm); Depth: 15-1/2 in (39.3 cm)$500-$700

426 427

428

427Napoleon III Ormolu-Mounted ‘Boulle’ MarquetryKingwood Side CabinetCirca 1880Having a gray-mottled white marble top above a paneldoor opening to view two shelves. Some losses and bucklingto brass and tortoiseshell inlayHeight: 42-3/8 in (107.6 cm); Width: 33-1/4 in (84.5 cm);Depth: 17-1/4 in (43.8 cm)$1,000-$1,500

428Napoleon III Style Ormolu-MountedMarquetry Tulipwood and KingwoodSerpentine Side CabinetCirca 1900Having a later gray and rouge-mottled marbletop above a panel door opening to view twoshaped shelves. Crack to center medallion of door; sev-eral cracks to veneer; chip to back corner of marble top.Height: 41 in (104.1 cm); Width: 44-1/2 in (113 cm);Depth: 16-1/4 in (41.3 cm)$1,000-$1,500

429Napoleon III Ormolu-Mounted Brass Inlaid andMother-of-Pearl, Ivory and Brass Marquetry EbonizedWood Side CabinetCirca 1880Having a mottled rouge and gray marble top above apanel door enclosing a bird’s-eye maple interior with twoshelves. Some losses and repairs to marquetry.Height: 44-1/2 in (113 cm); Width: 33-1/2 in (85.1 cm); Depth: 16-3/4 in (42.5 cm)$1,500-$2,500

429

430 430Napoleon III Ormolu-Mounted Brass Inlaid andMother-of-Pearl, Ivory and Brass MarquetryEbonized Wood Side CabinetCirca 1880Having a Rouge Royal marble top above a panel door.Brass molding re-attached.Height: 44 in (111.8 cm); Width: 31 in (78.7 cm); Depth: 14-3/4 in (37.5 cm)$1,500-$2,000

431Napoleon III Ormolu-Mounted, Brass Inlaid and‘Boulle’ Marquetry Ebonized Wood Bookcase-CabinetCirca 1880In two parts, the upper section having two mirroredpanel doors enclosing three shelves, the lower sectionhaving two partial convex doors enclosing two shelves.Some losses to marquetry.Height: 111-1/2 in (281.9 cm); Width: 52 in (132.1 cm); Depth: 16 in (40.6 cm)$3,000-$5,000

432Pair of Napoleon III Ormolu-Mounted Mother-of-Pearl, Ivory and Brass Marquetry Ebonized WoodSide CabinetsCirca 1880Each block-front cabinet having a gray-veined whitemarble top above a panel door enclosing a bird’s-eyemaple interior with two shelves. Breaks and repairs to eachmarble top; some repairs and losses to brass inlay.Height: 45-3/8 in (115.2 cm); Width: 60-1/2 in (153.7 cm);Depth: 17 in (43.2 cm)$4,000-$6,000

431

4321 of apair

END OF SALEThe next

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Address __________________________________________________________________________________________

City______________________________ State______________________________ Zip__________________________

Telephone ___________________________ Mobile ____________________________________________________

Email____________________________________________________________________________________________

Signature ____________________________________________________________ Date ________________________

Name ______________________________________________________________________________________________

Address ____________________________________________________________________________________________

City ____________________________ State ____________________________ Zip __________________________

Telephone ________________________ D.C. Tax Exemption Number________________________________________

Email ______________________________________________________________________________________________

Signature ____________________________________________________________ Date ________________________

I hereby authorize Weschler’s to charge my Visa MasterCard (circle one) for purchases made in accordance withthis Absentee Bid request:

Card # ______________________________________________________________ Expiration Date ________________

Upon registration, a $1.00 processing fee will be charged to your card.

� I have read and agree with the above Terms & Conditions. *Please note: Weschler’s will not execute your bid unless this box has been checked.

WESCHLER’SABSENTEE BIDSee Information on Reverse

Bidder Number __________________________________

Sale Number ____________________________________1400

I authorize Weschler’s to make for methe following bids on items to be auc-tioned on February 3, 2012. Thesebids may be executed up to but not ex -ceed ing the amounts specified below.Each bid is for a specified lot, and willbe executed according to the “Con di -tions of Sale” printed in this catalogue.

We schler’s assumes no re spon si bil i tyif it fails to execute such bid or bids ordoes so negligently.

Please Note:Credit must be es tab lished beforebids will be ex e cut ed. If successful,after five (5) business days and fail-ure to pay in full, the Auctioneerreserves the right to charge thePurchaser’s credit card on file tenpercent (10%) of the entire amountdue (including the hammer price,buyer’s premium, all applicabletaxes and other charges).

After fourteen (14) days, theAuctioneer has the right to chargethe entire amount due (including thehammer price, buyer’s premium, allapplicable taxes and other charges)to the Purchaser’s credit card on file.

Lot Number Description of Item

Telephone # orTop Limit of Bid(Excluding 17-1/2% Premium)

*PLEASE REVIEW THE FOLLOWING PAGE FOR THE INCREMENTAL AMOUNTS IN WHICH THE

AUCTIONEER GENERALLY ADVANCES BIDDING.**PLEASE NOTE THAT THE DISTRICT OF COLUMBIA SALES AND USE TAX IS NOW 6%.

ONCE COMPLETED, PLEASE FAX BACK TO US - (202) 628-2366

Security Code ________________

INFORMATION

FOR ABSENTEE

BIDDERSAs a convenience to clients who cannot attend the auc tion,Weschler’s will execute absenteebids with out charge. Bids will beexecuted to purchase the lotsrequested as in ex pen sive ly as isallowed by other bids and/or re serves upon those lots.

Absentee bids can be acceptedover the tele phone, but all verbalbid requests must be con firmed inwriting prior to the auction, eitherwith the Ab sen tee Bid form in thiscat a logue, a signed letter, fax ortelegram delivered to the Gallery.

Bids should be submitted as earlyas possible, and should be datedwith the date of submission. In theevent of identical bids, Weschler’shas sole and com plete discretionas to which to execute, but thefirst bid received normally will be pre ferred.

Bids submitted for each lot shouldbe in the amount you would bid if you attended the auc tion, ex clu sive of the 17-1/2 percentbuyer’s pre mium. Weschler’s does not ex e cute “buy” bids.

If you are a successful bidder, youwill receive an invoice detailing your purchase and requestingprompt payment and removal. Unsuccessful bids generally are not ac knowl edged.

To avoid delay in removing pur -chases, buyers not known toWeschler’s and planning to paywith a personal or business checkare advised to supply us a bankletter of credit prior to the auction,ad dressed to the attention of

Linda Amigh in our Ad min is tra -tive office. If such arrangementsare not made prior to the auction,pur chas es will be held by We -schler’s until the check has clearedour bank.

Bids are subject to the “Conditionsof Sale” which appear in the frontof this catalogue. While everyeffort is made to properly executeabsentee bids, Weschler’s will notbe re spon si ble for errors or failureto execute such bids.

For additional information onabsentee bids and pur chaserpayment, please con tact LindaAmigh at 202/628-1281 or byfax at 202/628-2366.

BIDDING

IN CRE MENTS

The auctioneer generally advancesthe bidding in the fol low ing incremental amounts:$100-499 $25 increments$500-999 $50 increments$1,000-1,999 $100 increments$2,000-4,999 $200 increments$5,000-9,999 $500 increments$10,000+ auctioneer’s dis cre tion

INFORMATION

FOR SHIPMENT

OF PURCHASESIf your bid is successful, Weschler’scan help ar range ship ment of yourpurchases to you. We will behappy to rec om mend pro fes sion alswith whom we have worked in thepast, but assume no liability fortheir performance.

Please note the Conditions of Salein the front of this catalogue con cerning prompt payment andclear ance. In default of these con -ditions, lots may be transferred toa public warehouse at the risk andcost of the purchaser. As stated inthe Con di tions of Sale, Weschler’sas sumes no responsibility for theacts or omis sions of carriers orpack ers, whether or not rec om -mend ed by us.

All shipments are at the expenseof the purchaser.

For further information concern-ing packing and ship ping of pur-chases, please call us at (202) 628-1281.

A premium equal to seventeen and ahalf percent (17-1/2%) of the success-ful bid price up to and including$50,000, and 10% of the successfulbid price over $50,000 will be addedthere to and is payable by the pur-chaser as part of the total pur chaseprice.

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auCtion sChedule

sale date sale title Consignmentdeadline

Mar. 30, 2012 Capital Collectionsestate auction feb. 10, 2012

May 18, 2012 Capital Collectionsestate auction Mar. 30, 2012

Previews begin the Saturday prior to the auction

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4321 of a pair

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WesChler’sSince 1890

Capital Collections

Documents

Transcript of Capital Collections