Camera Support Systems Tripod Pedestal Dolly Jib Track Skycam Steadicam Handheld.

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Camera Support Systems • Tripod • Pedestal • Dolly • Jib • Track • Skycam • Steadicam • Handheld

Transcript of Camera Support Systems Tripod Pedestal Dolly Jib Track Skycam Steadicam Handheld.

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Camera Support Systems

• Tripod• Pedestal• Dolly• Jib• Track• Skycam• Steadicam• Handheld

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Pedestal

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Dolly

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Jib

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Track

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Skycam

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Steadicam

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HandheldUse only if there is a reason to do so!

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Axis Movement

• Pan – Left/Right movement on a stationary axis

• Tilt – Up/Down movement on a stationary axis

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Panning

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Tilting

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Support Movement

• Pedestal or Boom – Up/Down movement of the camera support

• Dolly – In/Out movement of the camera support

• Truck – Left/Right movement of the camera support

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Lens Movement

• Zoom – In/Out movement through the use of a zoom lens.

• Focus – Adjusting the camera lens to make the image sharp

• Aperture or Iris – Adjusting the amount of light that goes through the lens

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Focal Length

Focus is affected by distance.

Check focus any time the distance between camera and subject changes.

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Standard Shots

Wide Shot

Medium Shot

Closeup

Extreme Closeup

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Standard Shots

Two Shot

Over the Shoulder Shot

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Composition Rules

The Rule of Thirds

Points of interest should occur at 1/3 or 2/3 of the way up (or across) the frame, rather than in the center of the image.

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Headroom

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Leading Room or Looking Room

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Composition Rules

Avoid Frontal Angles

Angling the shot produces a better sense of depth

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Composition Rules

Safe Areas –

Portions of an image near the edges may be lost

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Composition Rules

The 180 Degree Rule

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Today’s ExerciseUse a tripod to support your camera except for one handheld shot.

White balance your camera. Shoot 4 shots of a person walking and do not cross the axis of action. Shots should include:

• (1) a profile WS following the movement of the subject allowing leading room

• (2) a three quarters profile MS which the subject enters and exits. You will need to rehearse the shot so you can properly frame the camera.

• (3) a handheld POV shot in which the camera operator walks in the path of the subject.

• (4) a shot in which the subject walks into a three-quarters frontal CU and stops. Again you will need to rehearse and establish a mark on which the subject stops.