Cache Magazine

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THE HERALD JOURNAL APRIL 5-11, 2013 Cache Magazine ‘EMMA’ Utah State brings Jane Austen’s classic tale to the Morgan Theatre

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April 5-11, 2013

Transcript of Cache Magazine

Page 1: Cache Magazine

The herald Journal aPrIl 5-11, 2013

Cache Magazine

‘EMMA’ Utah State brings

Jane Austen’s classic tale to the

Morgan Theatre

Page 2: Cache Magazine

I was rather surprised last week by the huge response to a letter to the editor in The Herald Journal.

Normally for a letter or an article to get over 100 comments online, politics or religion need to be involved. But when Gary R. Olsen shared his list of 15 albums that he feels “are absolutely perfect from start to finish,” the reaction was quite impressive.

Other readers either wanted to tear apart Olsen’s list and/or post a list of their own favorite albums.

My first reaction after reading all the comments was one of sadness. Sadness that it probably won’t be long before artists completely stop creating entire albums, since the rise of digital music now makes it possible to pick and choose our favorite songs. That means kids these days are going to grow up being more familiar with the “shuffle” button than digesting an entire album from start to finish.

And my second reaction was, of course, to try and create my list of favorite albums. I thought that would be easy, con-sidering that I first started putting together a mental Top 10 when I was in high school and have, on occasion — usually during long, solitary drives — tried to update the

list in my head. But I found that the older you get, the

tougher it is to come up with your all-time favorites, mostly because you outgrow certain types of music — but you also have to acknowledge their influence dur-ing different periods of your life. And it’s also always going to be pretty hard for a new album to push out a classic from your high school or college days.

Someday I might divulge my all-time favorites, but I’m going to need some more time to think things over — and listen to a couple hundred more albums — before opening myself up to potential ridicule.

— Jeff Hunter

FROM THE EDITOR

COnTEnTsCoVer

arTS

MoVIeS

MuSIC

Calendar

BooKS

ColuMn

8 Department of Theatre Arts at Utah State delivers Jane Austen’s ‘Emma’

4 Spring CVCA Gallery Walk slated for April 12

3 Glee Club set to perform tonight at Logan Tabernacle

3 Aaron Peck takes a long look at this summer’s slate of new movie releases

7 Robert Redford returns in ‘Company You Keep’

5 Young Artist Cup coming up at Mountain Crest High

13 See what’s happening this week

10 Andrew Gross thrills with new ‘No Way Back’

10 Hinkamp shares some definitions for a new version of ‘The Devil’s Dictionary’

April 5-11, 2013

The cast members of “Emma” perform at Utah State University’s Morgan Theatre last week. Cover photo: Kayli Jackson and Jace Mitchell act in the roles of Emma Woodhouse and Frank Churchill, respectively. (Photos by Jennifer Meyers/Herald Journal)

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ALL MIXED UP QuoTaBle

PeT oF The WeeK

“Annoying people with ads, causes, petitions and shame-less self-promotion in what was once a pleasant diversion from mainstream commercial media.”

– Dennis Hinkamp’s amusing definition of

“Leveraging social media” (Page 10)

Available for adoption

Pet: OliverFrom: Cache Humane SocietyWhy he’s so lovable: Cache Valley we need to give a special welcome to Oliver. This sweet boy came from Idaho, where he was found basically left for dead. Oliver is a little skinny at the moment, but he’s quickly getting back to good health. We do not know a ton about Oliver, but what we can tell is really promising. He has a very unique look and is a very easy-going pup. Oliver is in need of some fattening treats and tons of lovin’. If you can provide this for him, come on by. Call the Cache Humane Society at 792-3920 for more information.

Make it a super summerBig sequels headline list of movies coming up

Can you believe the 2013 summer movie season is nearly upon us? It seems like only a few weeks ago we were all lining up for huge blockbusters like

“The Avengers” and “The Dark Knight Rises.” Now we find ourselves standing on the precipice of another blockbuster-filled season of movie-going. What we’ve cobbled together here is a list of notable films coming out in the next few months that are noteworthy one way or another:

GUARANTEED BLOCKBUSTERS

Every year, when sum-mer rolls around, we find ourselves staring at a slate of superhero movies, reboots and sequels. Basi-cally, proven franchises rule the roost during this time of the year; 2013 is no different.

“Iron Man 3” (May 3) – Disney/Marvel’s big fran-chise rounds out its trilogy. Will there be more “Iron Man” movies? It’s likely. But it’s at the start of the summer, so sequel fatigue hasn’t set in yet. We’re excited for the prospects of seeing what new stuff a known commodity can come up with. It’ll make a ton of money, but hope-fully it’s better than the second entry in the series.

“Star Trek Into Darkness” (May 17) – J.J. Abrams was just announced as Disney’s choice to helm the new “Star Wars” movie. Is it weird that he’s now the head of the two most famous sci-fi

AP Photo/Disney/Bruckheimer FilmsDirected by Gore Verbinski and scheduled for a July 3 release, “The Lone Ranger” stars Johnny Depp, left, as Tonto and Armie Hammer as the Lone Ranger.

franchises ever? Either way, I’m looking forward to his second “Star Trek” movie. The first film effectively wiped the slate clean. Now Abrams and company are free to boldly go wherever they dare.

“Fast & Furious 6” (May 24) – After “Fast Five” did so well — and was surpris-ingly fun — a sixth one was a no-brainer. Returning the main cast is nice too. There will be lots of explosions, numerous scenes of Dwayne Johnson and Vin Diesel flex-ing their countless muscles, and Paul Walker doing whatever he actually does on screen (is it acting? I’m still not sure). It’s one of the more predictable entries, but

holds a lot of “Big Dumb Fun” potential.

“Man of Steel” (June 14) – Rebooting something that’s already been rebooted,

“Man of Steel” hopes to establish a new Superman canon for DC Comics in preparation for a “Justice League” movie a few years from now. Zack Snyder directing has many people anxious to see what he’ll produce. Although you can’t really go wrong with a supporting cast that boasts Russell Crowe, Amy Adams, Diane Lane, Kevin Costner and Michael Shannon.

“Monsters University” (June 21) – Mike and Sully

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ALL MIXED UPSpring Gallery Walk coming up April 12

Mark your calendar because Cache Valley Center for the Arts is hosting the April Gal-lery Walk from 6 to 9 p.m. Friday, April 12.

Join CVCA downtown for the bi-monthly, 2nd Friday Gallery Walk. The free April walk features 17 artists and local businesses. Art lovers of every description will have the opportunity to socialize and tour a full spectrum of spaces and mediums – all in one evening. Start at any participating location and pick up a map; just look for the businesses marked with the official yellow banner or download online at www.cachearts.org.

The 2nd Friday Gallery Walks take place on every even month. “This effort is to help our community plan and prepare for a wonderful evening of art and community interaction,” says Amanda Castillo, CVCA program director. “The April Walk comes at a time when we are all ready to get outdoors and enjoy the company of friends. This walk is the perfect oppor-tunity to enjoy Logan City

because this event happens in the heart of downtown and all the stops are within walking distance of some great local restaurants.”

The April walk features the following businesses: Caffe Ibis Gallery Deli, Citrus and Sage Café, Death Ray Comics

(NEW), The Diamond Gal-lery, Fuhriman’s Framing and Fine Art, Global Village Gifts, JoyRide Bikes, Logan Fine Art, Mountain Place Gallery, Oasis Books, The Sportsman, Sego Floral and Event Plan-ning, S.E. Needham Jewelers, St. John’s Episcopal Church,

The Thatcher-Young Mansion, Utah Public Radio and Win-borg Masterpieces.

Artist highlights for the Feb-ruary walk include: Lester Lee, Tom Bunn, Shane Ross, Kay Homan, Genevieve Borrego, Jonathan Ribera, Mitch But-terfield, Laura Wyatt, Whitney

Ferwerda, Alicia Drollinger, Jeremy and Larry Winborg, Russ Fjeldsted, Jonathan Hatch, and Logan City School District students. In addition, the walk will feature Utah Watercolor Society artists at Logan Fine Art, ArtsBridge 2012-13 projects at St. John’s Episcopal Church, “Why I love my Bike” kids art contest at JoyRide Bikes, and special projects by the Mountain Crest Middle School and Logan High School TEAM Club projects at the Thatcher Young Mansion.

The Gallery Walk is the perfect time to see what local artists are creating, enjoy con-versations with the artists and just simply hang out. Many artists will be selling their work. If items are not marked, don’t be afraid to ask. Help support the local art scene by taking a piece of art or a print home with you.

For exhibition details, maps and artist info visit www.cachearts.org., email [email protected] or call the Cache Valley Center for the Arts at 752-0026.

Lester Lee is among the artists who will have their work on display during the next CVCA Gallery Walk in downtown Logan on Friday, April 12.

Cache Valley’s historic men’s chorus, The Imperial Glee Club, will join with Southern Idaho’s Magic Philharmonic Orchestra for a concert at 7 p.m. tonight in the Logan Tabernacle.

The concert is free and every-one is invited to attend.

The concert will feature music from “Les Miserables,” as well as old-time favorite love songs and patriotic anthems.

Directed by Warren Barton, the Imperial Glee Club of Logan is one of the oldest independent and con-tinuously performing male chorus-

es in the Western United States. Founded in 1916 by a small group of male singers in the Logan 6th LDS Ward, the Glee Club has grown and maintained a member-ship of 20-30 men from communi-ties throughout Cache Valley.

The Magic Philharmonic Orches-tra was formed in Burley, Idaho, in the fall of 1982 by six musicians. The orchestra draws it’s “Magic” name because of its location in Magic Valley, and because there is no university or college to provide support for musicians, its exis-tence is rather magical. There are

currently approximately 65 mem-bers in the orchestra.

Steve Floyd will conduct the orchestra for this concert. He recently retired as the Burley High School band director, and he still serves as the executive director of the King Fine Arts Center in Bur-ley. Floyd taught music in public schools for 41 years, 32 of those years at Burley High School.

The Logan Tabernacle Concert and Lecture Series is associated with Cache Community Connec-tions and appreciates the support of the Cache County RAPZ tax.

Glee Club concert slated for tonight Lewis set to perform at Crumb Brothers

The Bridger Folk Music Society presents a concert with singer-song-writer Bernice Lewis at 7:30 p.m. Saturday, April 6, at Crumb Brothers Artisan Bread, 291 S. 300 West.

Tickets are $13 and are available via PayPal at www.bridgerfolk.org, by calling 757-3468, or you take your chances at the door. Seating is limited,

so advance purchase is recommended.

With three decades of performing festivals, concert halls, coffee-houses, colleges, and house concerts, along with a half dozen acclaimed CDs, Bernice Lewis has built a solid national fan base. She is also a published poet, a producer and an educator extraordinaire.

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Mountain Crest High School students will perform in the Young Artist Cup Competition April 11-12.

CoMInG uPCeltic Night in Montpelier Celtic Night featuring folk band Leaping Lulu and select dancers from the Inishfre Irish Dance Company will be performing Friday, April 12, at the Allinger Community Theatre in Montpelier, Idaho, as part ofthe 2013 concert series for the National Oregon/Cali-fornia Trail Center. Dinner is at 6 p.m. followed by the performance at 7:30 p.m. Dinner concert tickets are now on sale for $35. Show-only tickets are avail-able for $15 each. For ticket sales, visit the National Oregon/California Trail Center, call (208) 847-3800 or visit www.oregontrailcenter.org.

USU poetry celebrationThis year marks what would have been May

Swenson’s 100th birthday. To commemorate the occasion, USU scholars organized a centennial cel-ebration in Swenson’s honor, including a series of poetry readings and master classes.

The next activity in the celebration is Tuesday, April 9, and features a poetry reading by three Pocatello, Idaho, poets: Susan Goslee, Jen Hawkins and Bethany Schultz Hurst. Their session will run from noon to 1:30 p.m. in the Merrill-Cazier Library, Room 101.

The reading is free and open to everyone.The culminating event of the May Swenson Centen-

nial Celebration will be at 7 p.m. Thursday, April 25, with a poetry reading event that features Garrison Keillor — the voice and creator of public radio’s “A Prairie Home Companion” — and Utah’s former poet laureate Katharine Coles at the Morgan Theatre of the Chase Fine Arts Center.

Tickets for ‘In the Mood’Each September the ballroom on the USU campus is

transformed into a 1940s-era supper club for “In The Miller Mood,” the premier big band event in the Inter-mountain West. Featuring the Stardust Singers, Star-dust Dancers and the Larry Smith Orchestra, the show has delighted audiences the past 13 years. It’s time to purchase tickets for this year’s show, which will run Sept. 3-7, in the Evan Stevenson Ballroom at Utah State University. Call 752-0026 or visit celebrateam ericashow.com.

Four Seasons Theatre Company proudly presents Michael McLean’s inspir-ing oratory “The Garden” at 7:30 p.m. April 8 to 11, in the Sky View High School Auditorium. From the cre-ator of “The Forgotten Car-ols” comes this Easter musi-cal allegory.

The basic premise of “The Garden” is: What could we learn about life, about our-selves, about the nature of repentance, faith, hope and love if the Garden of Geth-semane were to tell the story? This unique musical allegory is like nothing heard before

— blending the right melodies,

symbols, lyrics and orchestral elements on their palette and spreading them across an outstanding musical canvas including songs: “The Man With Many Names,” “I Can’t Grow” and “The Breath of Spring.”

The production features many talented local perform-

ers such as Josh Jacobs as the Man with Many Names, Whit-ney Wade as the Olive Tree, Nathan Allen as the Landlord, Chloe Hansen as The Seedling, Craig Winder as the Millstone, and Jon and Kody Rash as the Ram and the Gardener.

“The Garden” will do for Easter what “The Forgotten

Carols” has done for Christ-mas — provide celebrants with a comforting, personal experience with the Savior’s love through music and song.

Tickets are $10 in advance, $12 at the door and are avail-able at fourseasonstheatre.org or by calling 770-9763. Group rates are available.

Michael McLean’s ‘Garden’ grows at Sky View

The Young Artist Cup Commit-tee, in association with Mountain Crest High School’s Performing Arts Department, will present the 14th annual Young Artist Cup Competition at 7 p.m. Thursday, April 11, and Friday, April 12, in the school auditorium.

The piano performances will be Thursday evening and the vocal and instrumental performances

will be Friday evening. Admission is free and everyone is invited.

This annual event showcases the musical talents of Mountain Crest students. Students compete for cash prizes and trophies in six areas: graphic arts design, female vocalist, male vocalist, strings, brass/winds/percussion and piano. Awards will be given to first-, sec-ond-, and third-place winners in

each category. As in year’s past, the logo for

this year’s Young Artist Cup was selected from submissions by students in a competition held earlier in the year. The design by Noelle Baer of Providence was chosen to represent the 2013 Young Artist Cup. Baer will receive a trophy and cash prize for her work.

Artist Cup gets underway

Utah State Univer-sity Management 3110 class’s Team 4 will host a performance of magic and music featuring reigning Cache Valley magic champion Rich-ard Cannon, deception-ist Richard Hatch, vio-linist Rosemary Hatch and pianist Jonathan

Hatch to raise funds for the Sunshine Terrace Foundation Scholar-ship Fund. This family friendly performance will begin at 6 p.m. Sat-urday, April 13, at the Taggart Student Center Auditorium.

Immediately following the performance at 7:30

p.m., Hatch will be avail-able to sign copies of his new bilingual (Japanese and English) illustrated children’s book, “Taro-san the Fisherman and the Weeping Willow Tree,” which are also being sold by the stu-dents to help meet their fundraising goals.

Cannon, 81, will open the performance with his award-winning, magical-rope routine. Following this the Hatch Academy of Magic & Music (Rich-ard, Rosemary and Jona-than Hatch) will present an ensemble performance

See MAGIC on Page 6

Magic show to benefit foundation

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Logan gallery hosts watercolor exhibition

MagicContinued from Page 5combining classical theatrical magic with classical music. High-lights of the ensemble program include “The Music Box of Anna Eva Fay,” Punx’s “Heart of Glass,” “The Miracle of the Jadoo-Wallah” and

“Taro-san the Fisherman & the Weeping Willow Tree.”

Cannon and the Hatches are donating their services for this event, as are all the students, so that all the funds raised will go to the Sunshine Terrace Scholarship Fund, which supports Sunshine Terrace staff in meeting educa-tional goals that will enhance their service at Sunshine Terrace. The Sunshine Terrace Foundation is a non-profit organization that has been serv-ing Cache Valley for

65 years, providing a continuum of care to its clients and residents. For more information on the Sunshine Terrace Foundation, visit www.sunshineterrace.com or call 752-0411.

Tickets to the 6 p.m.

Saturday performance are $10 for non-students and $7 for any students from elementary to graduate school.

Tickets may be reserved in advance by calling or texting (435) 554-8209.

The Cache Valley Chap-ter of the Utah Water-color Society is hosting a “What’s New in Water Media” exhibition at the Logan Fine Art Gallery in April.

“Water Media” includes everything from traditional watercolor to egg tempera, casein, gouache and acrylic. The traditional watercolor exhibition requirements such as the standard white mats and glass are waived for this unique and experi-mental show. Artists are encouraged to share their experimental mixed media work.

The juror of awards is Aurora Hughes-Villa,

ceramic artist and dis-trict arts coordinator for Cache County School District. In addition to the standard “Best of Show” and merit awards, cash awards and/or rib-bons will be given for such categories as “Best Watermedia/Nontra-ditional Support” and

“Most Innovative Water-media.” Artists need not be members of the UWS.

The opening reception/awards ceremony will take place the night of the CVCA Gallery Walk, from 6:30 to 8 p.m. Friday, April 12. All are invited to come see “What’s New in Water Media.” “Registration Past Due” by Dianne Adams.

Sky View dinner theater dates set

The Sky View Players’ final productions for the school year will be held April 19 to 30. The group will continue to host four different, audience-inter-active, murder-mystery dinner theaters written by Weber State University professor Jim Christian.

All productions will also be served with a dinner that is designed especially for that show. All menus are catered by Iron Gate Grill. The shows only run two performances each, so be sure not to miss out. Tickets can be purchased at ezticketlive.com or sky viewtix.org. Prices are lowest if the tickets are pur-chased at least 48 hours in advance.

Productions include “Death on the Deck” (April 19 and 20); “Slaughter on the Strip” (April 22 and 23);

“Terrorfest” (April 26 and 27); and “Til Death Do Us Part” (April 29 and 30). All shows will be held in the Little Theater at Sky View High School, so seating is limited. Get your reservations today.

Tickers for dinner and the show purchased in advance are $17 per person if purchased at least 48 hours in advance, or $25 if after that time or at the door.

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‘The Company You Keep’director // Robert RedfordStarring // Robert Redford, Shia LaBeouf, Julie Christie, Susan Sarandon, Nick Nolte, Chris Coo-per, Stanley Tucci, Terrence Howard, Richard Jen-kins, Sam Elliott, Brit Marlingrated // R for language

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Redford makes welcome return to screenLOS ANGELES (AP)

— Robert Redford does his most compelling work in some time as both actor and director in “The Com-pany You Keep,” a tense yet admirably restrained thriller about a fugitive forced out of hiding after 30 years to prove his innocence. Adapted with clarity and intelligence by Lem Dobbs from Neil Gordon’s novel, and lent distinguishing heft by its roster of screen veterans, this gripping drama pro-vides an absorbing reflec-tion on the courage and cost of dissent.

Recalling aspects of Sidney Lumet’s poignant

“Running on Empty” from 1988, but with a more subdued emotional palette, the film opens with vintage-style news footage detailing charges against members of radical antiwar group the Weather Underground in the early 1970s for plot-ting to blow up buildings in multiple U.S. cities. A second report follows, attributing responsibility to the same group for a Michigan bank robbery during which a security guard was killed. While the robbers were identi-fied, only one was ever

AP Photo/Sony Pictures ClassicsRobert Redford, left, and Jackie Evancho star in “The Company You Keep.”

apprehended.Back in the present,

Sharon Solarz (Susan Sarandon), who was involved in the robbery and has been living in hid-ing as a Vermont house-wife in the decades since, is preparing to turn herself in to the FBI when she is arrested entering New York State. Coverage from aggressive young Albany newspaper reporter Ben Shepard (Shia LaBeouf)

links her to local civil rights lawyer Jim Grant (Redford), who declined to take Solarz’s case.

Eager to impress his prickly editor (Stanley Tucci), Ben exploits his access to Diana (Anna Kendrick), a college hook-up now working for the bureau. Despite warnings from her boss Cornelius (Terrence Howard) to back off, Ben persists, digging for insights. His legwork

reveals that while Jim has long been a respected community member, raising his 11-year-old daughter Isabel (Jacque-line Evancho) alone since the death of his wife in an accident a year earlier, no record of him exists before 1979. Putting two and two together, Ben discovers, just ahead of the Feds, that Jim is Nick Sloan, another of the Michigan robbers.

This establishing action is set up with methodi-cal efficiency in Dobbs’ screenplay, gaining momentum when Jim/Nick whisks Isabel out of town and into the care of his brother (Chris Cooper) just as the FBI is clos-ing in. Meanwhile, Ben continues to look for neat answers to messy ques-tions. But a prison inter-view with Sharon gives him some understanding of the commitment and idealism of the ‘70s radi-cals. This affecting scene

— Sharon shows regret for the mistakes that were made but refuses to repu-diate her convictions — is played with perspicacity, toughness and compas-sion by Sarandon.

Propelled by another moody score from

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Cliff Martinez (“Drive,” “Contagion”) that adds a contemporary edge to Redford’s solidly conven-tional style, the remainder of the film plays out in pursuit mode.

Dropping in on former Weather Underground cronies, some more wel-coming than others, Nick hopes to smoke out his ex-lover Mimi Lurie (Julie Christie), the one person able to clear his name. This allows for brief but incisive appearances from Nick Nolte as a lumber-yard owner still wearing his “Liberty or Death” T-shirt; and Richard Jen-kins as a college professor who stayed above ground and fears that Nick’s visit may compromise him.

Still a step ahead of the FBI, Ben has located Henry Osborne (Brendan Gleeson), the investigat-ing officer on the Michi-gan case, who is cagey with him, but his daughter Rebecca (Brit Marling) unexpectedly sheds light. It becomes clear to the

reporter that Nick is not running toward another assumed identity but toward a solution that will give him back his life and his daughter. Ben also discovers old links between Osborne’s family and Mimi’s, lead-ing him to a remote cabin on Michigan’s Upper Peninsula.

While it provides for some passing commen-tary on the journalistic process and the slow death of print media, making the ambitious reporter such a driving figure perhaps mutes the focus a little. LaBeouf acquits himself well in the role. But tracking Ben’s slow-blooming integrity is a somewhat prosaic detour in the concluding scenes, occa-sioning some speechy wisdom from Nick when they finally meet again.

The storytelling is nonetheless robust and thematically rich,

See RETURN on Page 13

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Being ‘Emma’S tudents from Utah State Univer-

sity’s Department of Theatre Arts brought a bit of England’s Regen-cy Period back to life last week

when they slipped on their period costumes to share the story of “Emma.” “Emma” was published in 1815, although

the world did not know at the time that Jane Austen was the author. “Emma” followed “Sense and Sensibility,” “Pride and Prejudice” and “Mansfield Park,” but soon after Austen’s fourth novel was printed, she became ill. Her identity as the author of these widely popular literary pieces was only revealed months after her death in 1817.

In “Emma,” Austen tells a story that could have been set in any time, any place: the story of a young Emma Woodhouse who sees romance where it doesn’t exist and is quite blind to her own affections for her neighbor, Mr. Knightly.

While set in a period where social status was everything, the very kind Mr. Knightly is constantly imploring Emma to treat all people with kindness — a message that could certain-ly be applied today.

Kayli Jackson, who played the title role in USU’s production, described her character as a “clever and witty” person who feels like she can control other people’s lives.

“But it is out of the kindness of her heart,” Jackson said.

Jackson is a junior at USU where she is majoring in theatre performance. Her face lights up like a ray of sunshine when she talks about acting and her recent performance in

“Emma.”“Acting is just in my veins; it is my whole

life and I love it,” Jackson said. “I love being able to tell another person’s story, not through my eyes, but by becoming her.”

Jackson “became” Emma March 26 to 30 at the Morgan Theatre in the Chase Fine Arts Center, from her speech and mannerisms, all the way down to wearing a corset as women did at the time.

She described the costumes as “colorful and lovely and very fun to wear” and said they include many layers: the corset, which makes moving more difficult, and the petticoat and a skirt — and another skirt, and yet another skirt

— along with the sashes, a shawl, a lace collar and a very large bonnet that was popular at the time.

“And the guys look so dapper,” she said. USU senior Gordon Dunn said he loves a

good period piece because it gives him a bit of an opportunity for time travel.

Dunn plays opposite Jackson in the role of Mr. Knightly, who ultimately wins Emma’s

heart. Mr. Knightly is described as a very kind and gentle man who is “the only char-acter who calls Emma out” for her manipula-tive behaviors.

Dunn said his role as the very good-hearted Mr. Knightly is polar opposite to a mean and vicious man he played in another recent pro-duction.

“I don’t think I am on either side of those extremes,” Dunn said. “But, I also don’t believe in any kind of rank or social class — people are people.”

Cast members of “Emma” worked hard to step into their roles, but it was truly a group effort that made it all come together with help from production staff.

Director Linda Linford said this piece was set during a period of “heightened period of manners and social etiquette” — which proved to be a challenge among 21st century youth on the stage.

Maggi Moar Sapp worked tirelessly with the cast on their movement, how they carried themselves, their posture, even their manner of walking.

Speech, articulation and proper English pronounciation was assigned to Mary Beth Evenson Hengge, who also helped cast mem-bers with six musical performances included in the play.

Story by Amy Macavinta • Photos by Jennifer Meyers

USU production brings Jane Austen’s novel to life

Photos clockwise from top: Kayli Jackson, left, and Jackson Simmons perform in a scene from “Emma” at USU’s Morgan Theatre. Katie Marsh acts in the role of Harriet Smith. Gordon Dunn plays Mr. Knightly. Simmons performs in the role of Mr. Elton.

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The Imperial Glee ClubSpring Concert

Featuring

The Magic Philharmonic Orchestra

Logan TabernacleFriday, April 5th 2013 at 7:00 PM

Ambrose Bierce disappeared in Mexico sometime during 1913 after having written

“The Cynic’s Word Book” which was later renamed “The Devil’s Dictionary.” I’ve always admired his writing and am saddened that he didn’t have a chance to take a crack at our 21st century nonsensical language. In his absence, this is my tribute:

iStock photos – Because I want my publication to have a unique look just like all the other publications.

Social media con-sultant – Code for “my barista job didn’t work out.”

Barista – What busk-

ing is to street musician, barista is to coffee shop employee.

Paradigm – Meaning-less big word people used before the Internet.

Leveraging social media – Annoying people with ads, causes, petitions

and shameless self-pro-motion in what was once a pleasant diversion from mainstream commercial media.

Infographic — Deranged, graphic artist barf used in place of explaining something with a simple pie chart or words.

Appendectomy – The arduous process of remov-ing useless apps from phones, pads and other devices.

Customer satisfaction survey – The electronic version of the after break-up letter begging you to come back while promis-ing to do better. Alternate-ly an obsessive need to validate that any purchase ranging from corn dogs to SUVs met or exceeded

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A peek at ‘The Devil’s Dictionary: Volume 2’your expectations.

Crowdfunding – Tak-ing your panhandling, street musicianship or slam poetry to a world audience.

Crowdsourcing – The natural evolution of chain letters and phone trees.

Ninja (anything) – The word you use when

“expert” either isn’t good enough or doesn’t pertain.

Wrap your head around – Words sure to appear on your autopsy report after driving and texting; driving and tweet-ing; or driving and updat-ing your Facebook page.

Epic – A word used to describe everything from your lunch to the cata-clysmic end of the world.

Bandwidth – The

thing that there never is enough of even though nobody really knows what it is; in some circles, the paucity of bandwidth is the updated “the dog ate my homework.”

Cloud computing – A new technology that will make it possible to simultaneously lose mil-lions of people’s files.

Game changer – Used to describe everything other than actual games.

Blogoshere – Virtu-ally free unemployment compensation for failed artists of all genres.

At the end of the day – What most people refer to as “night” or “tomorrow.”

Viral – Something that used to be bad that became desirable but is

reverting to annoying. Think outside of the

box – If you use this cli-ché, you probably don’t.

Sustainable – The new word used to alter-nately justify or criticize any project ranging from cooking dinner to building thermonuclear reactors.

Cave – Short for “cave in” because that last syl-lable is just too much trouble.

Pocketbook – The mys-terious antiquated thing that is always going to take the brunt of increased taxes; now living on the Isle of Anachronisms with the floppy disk.

———Dennis Hinkamp does

not like the word cynic; he prefers observant.

BOOks

By Jeff AyersAssociated Press

“No Way Back” is the latest high-octane thriller from Andrew Gross, the best-selling author of “15 Seconds.” One woman’s life is destroyed and another hides a secret from her past.

Wendy Gould has a fight with her husband. She waits in a bar for a girlfriend who doesn’t show. Wendy flirts with a stranger and soon finds herself in his hotel room. Before things get hot and heavy, she real-izes her mistake and runs into the bathroom.

When she hears another voice in the room, she peeks out to see a man with a gun. Soon, two men are dead — and she’s on the run.

Meanwhile, young

nanny Lauritzia Velez has a secret that could prove deadly. She’s on a shopping trip at a mall with her charges when a gunman tries to shoot them. A security guard kills the shooter before he can harm them, but Velez realizes she has to flee if she wants the fam-ily to survive.

Gross is a master of suspense, and “No Way Back” will put him on the best-seller lists once again. However, one weakness in the story is that both women need men to help them survive. It’s too bad neither character comes across as strong enough to do it without help.

‘No Way Back’ is one very suspenseful tale

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3SuperContinued from Page 3are back, but younger. That’s right, this is a prequel. Before the pair was scaring up canis-ters of screams to power Mon-stropolis, they were attending university. What kind of she-nanigans will they get into this time?

“Pacific Rim” (July 12) – It’s the lone original concept on this list, but I have no doubt that it’s going to do huge busi-ness at the box office. Let’s see, giant robots battling giant aliens. What’s not to love?

BIG-BUDGET HOPEFULS THAT COULD

CRASH AND BURNMany of these films are

based on already well-known source material, yet their film prospects are unproven. Unlike the movies above, they could end up losing money either because they turn out to be terrible, or fail to attract an audience that might be inclined to see a few of the more established franchises.

“Oblivion” (April 19) – It seems that the summer movie season starts earlier and earlier every year. Even though it’s only mid-April, “Oblivion” feels like the first summer-ready, sci-fi actioner of the year. With a $120 million bud-get, it’ll be interesting to see if audiences embrace this Tom Cruise-action flick or leave it by the wayside.

“Pain & Gain” (April 26) – Michael Bay doesn’t just do “Transformer” mov-ies. I know that’s what you all thought, but here he returns to his “Bad Boys” roots. A story about a couple of bodybuilders unknowingly caught up in a criminal enterprise. There are sure to be plenty of exploding cars, blazing guns and rippling pectorals.

“The Great Gatsby” (May 10) – Visual director Baz Luhrmann’s take on “The Great Gatsby” was originally scheduled to be released dur-ing the holiday season of 2012. It got pushed back, which

usually doesn’t mean anything good. I still have hopes for it, though. Everything that I’ve seen about the movie makes it look like a visual feast. Plus the cast is dynamite.

“Now You See Me” (May 31) – It appears to be a poor man’s “Prestige.” I am failing to see how this magician-themed heist film will magical-ly produce box-office success.

“After Earth” (June 7) – Will Smith is a bankable star. M. Night Shyamalan has lost

his luster. Can the two co-exist? Can Smith’s ultra-pop-ularity pull Shyamalan out of the hole he’s dug for himself?

“The Last Airbender” was one of the worst movies I’ve ever seen. I don’t know if Shyama-lan can recover from that.

“White House Down” (June 28) – Another movie about the White House being attacked? This time Channing Tatum is the muscle-bound hero saving America. Directed by the king of big-budget schlock, Roland Emmerich, “White House Down” could be a huge win-ner, or a big loser.

“The Lone Ranger” (July 3) – Hey look, Johnny Depp in weird makeup. We’ve never seen that before …

“The Wolverine” (July 26)

– “X-Men Origins: Wolverine” was a huge disappointment. It was just so ridiculously dumb. Can another installment in the Wolverine storyline bring it back to respectability? I’m skeptical.

“300: Rise of an Empire” (Aug. 2) – No Gerard Butler or Zack Snyder? How is the army even still fighting? This movie seems pointless and redundant.

“Elysium” (Aug. 9) – Neill Blomkamp directed the won-derful sci-fi movie “District

9.” Now he’s been given a lot more money and some stars to work with. Matt Damon shaves his head and hopes to free an oppressed human race. Because in the future humans are usually oppressed. It’s just the way it is.

“Percy Jackson: Sea of Monsters” (Aug. 16) – This one baffles me. The first “Percy Jackson” movie was horren-dously laughable. It kept little to no spirit of the books and ended up feeling like some-thing more suited to be on the Disney Channel. There is a tiny glimmer of hope, however. His name is Nathan Fillion.

SUMMER LAUGHSEvery year we get a slew of

big budget comedies that hit

the screen during the warm months. The who’s who of the comedy world populates these movies. While they aren’t on the same scale, budget-wise, as many of the huge action movies, most of these still cost a pretty penny. Many of them are also R-rated. While the past has shown that raunchy comedies can make money, will the glut of them in 2013 backfire?

“The Big Wedding” (April 26) – One of many R-rated

comedies coming out this summer. The gimmick here is that a divorced couple fakes marriage in order to unite their family during a wedding. Or something like that. It has a huge cast of familiar faces. Robert De Niro obviously hasn’t left his penchant for a

“Meet the Parents”-type movie. This doesn’t excite me in the slightest.

“The Hangover: Part III” (May 24) – How many times can a group of guys get together, pass out from copious amounts of alcohol and drugs, and forget what they did the night before? Seriously, you’d think they’d have learned their lesson by now.

“The Internship” (June 7) – Is anyone as sick of Vince

Vaughn as I am? Expect 90 minutes of Vaughn’s babbling rants.

“This is the End” (June 14) – Seth Rogen has gath-ered together his friends: James Franco, Jonah Hill, Jay Baruchel, Paul Rudd and whoever else wants to join in on the fun. It’s an end-of-the-world movie where all these famous actors are playing themselves during the apoca-lypse. Sounds like an intrigu-ing premise. It’ll most likely be the crassest movie of the summer though.

“The Heat” (June 28) – Do you love Sandra Bullock? Do you find her cute and ador-able? Will you see everything she’s in? Well, you may want to think again with “The Heat.” If you love Bullock’s everyday woman mystique it might catch you off guard when she’s dropping F-bombs left and right while teamed up with Melissa McCarthy. A female buddy-cop movie with an edge, I guess.

FOR THE KIDSWe already mentioned

“Monsters University” in the Guaranteed Blockbusters sec-tion because it’s a given that it’s going to make a truckload of money. There are, however, a few other kid-centric, com-puter-animated flicks hitting screens this summer.

“Epic” (May 24) – It looks like a rehash of “Fern Gully.” Kids will dig it, though.

“Despicable Me 2” (July 5) – I surprisingly had a blast with the first movie. A second movie will no doubt focus much more attention on the minions. That’s just how ani-mated sequels operate. If you liked the little yellow dudes, then this movie will most like-ly be right up your alley.

“Turbo” (July 19) – Ryan Reynolds voices a snail that has dreams of winning it big in the Indy 500. I’ll just let that sink in.

“The Smurfs 2” (Aug. 2) – I’m just going to throw a num-ber out there: 563,749,323. Put a dollar sign in front of that and that’s how much money

See SUPER on Page 12

AP photo

Henry Cavill will be the latest actor to don Superman’s cape in “Man of Steel.”

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Tormenters depress, that is their goal,These inhumane with a demon soul.

They can turn a heaven into a living hell,Never get caught or go to jail.

Tormenting others night and day,The evil spirits who they obey.

Dirty tricks are their stock in trade,Plans for these in hell were made.

These inhuman tormenters with a demon soul,Will never work for a decent goal.

Some day they’ll stand at the judgement bar,Too late for them they went too far.

They’ll be tormented in the deepest pit,A fearful hell for which they’re fit.

Then in that darkness they will know,The path that led them down below.

“Tormenters”By William Humphrey

YOUR sTUFF

The pigeon was stuckBetween the roof and chimney flue It couldn’t get downIt couldn’t fly up

Maybe it had a broken wing.

I named him SteveShould I let Steve starveKnowing his stomach would slowly collapseOr do I smoke Steve out

Maybe it had punctured a lung.

A fire was litIn the grateAs smoke filled the roomA strange wild smell permeated

Maybe it had a twisted ankle.

Steve started screamingA high pitched wail I fled the roomAnd wept

Maybe Steve was a girl.

“Lament”By Heather Malmberg

SuperContinued from Page 11the first “Smurfs” movie made worldwide. Thanks a lot everyone. Now we have a sequel.“Planes” (Aug. 9) – Pixar

from now on is going to be churning out two movies a year. This year we have a pre-quel of “Monsters Inc.” and a spin-off of “Cars.” Does this mean that Pixar will be doing more sequels, prequels and spin-offs than producing original characters and sto-ries? Please say it ain’t so.

UNDER-THE-RADAR MOVIES TO WATCH FORAlong with the huge mov-

ies that will make hundreds of millions of dollars this summer are the smaller, niche flicks that you should keep a look-out for. You could miss them during their theatrical runs if you’re not careful. There is a couple here that I already saw at Sundance, and can vouch for how good they are.

“To the Wonder” (April 12) – Terrance Malick directed the awe-inspiring “Tree of Life.” I’ll see anything he puts out, even though sometimes it ends up being as dreadfully boring as “The New World.” He’s one of the best visual directors

around, and I can’t wait to see this one.“Mud” (April 26) – I saw

this little drama starring Mat-thew McConaughey at Sun-dance and can attest that it’s worth seeing. A couple teen-age boys befriend an escaped fugitive with a spotty past. At its best it feels a lot like “Stand By Me,” which is always a good thing.

“The Kings of Summer” (May 31) – This was origi-nally entitled “Toy’s House” at Sundance. I’m not sure I really get the renaming of it, since “Toy’s House” was a much better, more literal title. Either way this is another movie about the core aspects

of friendship. It felt like a more adult version of “The Sandlot” minus baseball and PF Flyers.

“Much Ado About Nothing” (June 7) – You got so caught up with Joss Whedon direct-ing “The Avengers” you forgot that he likes to shoot smaller movies with his friends, right? Geek superstar Whedon takes on Shakespeare with a modern retelling of his famous comedy.

“The Bling Ring” (June 14) – Emma Watson is setting out to become a more adult actress after a decade of mak-ing “Harry Potter” movies. Teaming up with director Sofia Coppola is a good start. The story is about a group of celeb-

rity-obsessed kids who rob the homes of movie stars. Oh, and it’s based on a true story.

“Byzantium” (June 28) – Honestly, I have no idea what to expect from this movie, but I’m sure it’s going to be visu-ally stunning. Saoirse Ronan desperately needs to distance herself from the stink of “The Host” and Neil Jordan’s

“Byzantium” may provide the opportunity.

Guess what? We didn’t even get to all the movies being released this summer. Suffice it to say, it’s a packed sched-ule as always. But hopefully this gives you a good idea of what will be in theaters while the kids are out of school.

Within the windThere comes a songMidst the swayingOf the trees.

It plays uponThe babbling brooksAnd through the softWarm breeze.

It is found inpelting raindropsOr the sounds ofAn ocean roar.

It is heard in aMountain echoThen is stilledOn an earthen floor.

It is found withinOne’s solemn heartAs it comes thenEbbs away.

It is found inOur midnight hoursas we bend andkneel to pray.

Woke up this morning to dark skies and grayLooks like another sad, dreary day The cold air is heavy with fog and with mistToday I’m not living, I barely exist. Then come thoughts of sunshine, flowers and springIn my mind’s ear I can hear songbirds singThe green grass, the blue skies, the beautiful treesThe fluttering butterflies, the buzz of the bees.What kind of a day is today going to be?My mind is made up; it’s all up to me

“Music”By Norma Niederhausern

“What Kind of a Day”By Tom Rowley

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Erasmus will perform along with Among the Ashes at 8 p.m. Friday, April 5, at Why Sound, 30 Federal Ave. Admission is $5.

The Logan Eagles Cowboy Party Night begins at 8 p.m. Fri-day, April 5, featuring bikini and open bull riding contests. Cash prizes, music by DJsun & DJrise and great food. Come out and support our charity for cancer event at 170 W. 900 North. cover $5; must be 21 or older with valid ID. Eagles is a private club for members and guests.

Acoustic singer and guitarist Irv Nelson will perform from 6 to 8 p.m. Friday, April 5, at Pier 49 San Francisco Style Sourdough Pizza, across the street north of Macey’s in Providence.

A singles dance will be held Friday, April 5, at the Willow Park LDS church building, 350 W. 700 South. Dance lessons are from 8 to 9 p.m. followed by the dance until midnight. Bring your single friends and join us. Refreshments will be served. A $3 donation is requested.

The Cache Valley Folk Danc-ers and Bridger Folk Music Society will be hosting its “first Saturday” contra dance at 7:30 p.m. Saturday, April 6, at the Whittier Community Center, 290 N. 400 East. A $6 donation is suggested; $3 for children under 12. Beginners and families are welcome and all dances are taught. For more information call 753-2480 or visit www.bridgerfolk.org/comntra.html.

September Say Goodbye will perform along with Racecar RacecaR and Sparks Fire at 8 p.m. Saturday, April 6, at Why Sound, 30 Federal Ave. Admis-sion is $5.

Red Light Commandos will perform an acoustic set from noon to 2 p.m. Saturday, April 6, at Caffe Ibis, 52 Federal Ave.

Cache Valley Bible Fellow-ship will be hosting the Ugandan

Thunder at 7 p.m. Saturday, April 6, at 1488 N. 200 West. Ugandan Thunder is a choir of 22 children (ages 10 to 13) from the Royal School and Orphanage in Ugan-da. Their concert is packed with high-energy music, dancing and interaction with the audience. The concert is free and an offering will be taken for Pennies for Posho, a non-profit foundation dedicated to providing food, shelter and clean drinking water to 10 orphanages in Uganda. For more information call 752-9443.

Visitors to Utah State Univer-sity’s Museum of Anthropology are invited to indulge the imagina-tion at the next “Saturdays at the Museum” activity from 10 a.m. to 4 p.m. Saturday, April 6. Every-one is encouraged to explore modern and historical fantasy while learning about the roots of fantasy. Admission is free. Visit anthromuseum.usu.edu for more information.

It’s Girls Night Out at Pier 49 Pizza. From 6 to 8 p.m. Saturday, April 6, while your men are busy, come enjoy the music of Allie Harris. There is no cover charge.

Hoodoo will perform from noon to 2 p.m. Sunday, April 7, at Caffe Ibis, 52 Federal Ave. Hoodoo is a folky, acoustic band with songs inspired by the beauty of Logan and Utah’s outdoors.

Jazz Mass featuring USU’s Jon Gudmundson and friends will be held at 9 a.m. (family service) and 11 a.m. (principal service) on Bright Sunday, April 7, at St. John’s Episcopal Church, 85 E. 100 North.

Music for the Small and Tall—Melodic Reader! will begin at 4 p.m. Monday, April 8, at the Thatcher-Young Mansion, 35 W. 100 South. Learning to read with music, instrument playing and movement is inviting and fun. Initial sounds, letter match-ing and imagination combine to help emergent readers discover the world of books and sound. The class is based on “Reading

in Motion” curriculum. Ages 4-5; twice a week, eight-class ses-sion. Call (801) 602-5753 or visit sites.google.com/site/music4st for more information.

The USU Department of Music presents the annual spring con-cert Percussion Ensembles, featuring the Percussion Ensem-ble and the Caine Percussion Ensemble, at 7:30 p.m. Monday, April 8, at the Morgan Theatre in the Chase Fine Arts Center. This concert is free and open to the public. Visit arts.usu.edu or call 797-8022.

A benefit fundraiser will be held from 11:30 a.m. to 10 p.m. Mon-day, April 8, at Beehive Grill, 255 S. Main St. Brandon is a cancer survivor and is now in need of a kidney transplant. His wife, Terri — the general manager at Beehive Grill — is the compat-ible donor. The Beehive Grill will donate a percent of their total sales to Brandon and Terri. To donate, visit www.gofundme.com/helpsavebrandon or contact Jen-nifer at 760-0353.

The Logan Library will present “Rise of the Guardians” at 6:30 p.m. Monday, April 8, in the Jim Bridger Room. The event is free and open to the public. For more information visit library.loganutah.org/movienight.

Nick Manning’s senior jazz recital will be held at 7:30 p.m. Monday, April 8, at Why Sound, 52 Federal Ave.

Macey’s in Providence will host a free class entitled Salad Greens & Pineapple at 7 p.m. Tuesday, April 9, in the Little Theatre. Tired of the same old lettuce salad? Come learn about the health benefits of salad greens and pine-apple from our Food Sense Girls. Reserve a seat at the service desk or visit Macey’s Little The-atre Classes on Facebook.

The USU College of Agricul-ture presents “United by the Land” at 7:30 p.m. Tuesday, April 9, in the Kent Concert Hall. This unique concert event celebrates the achievements of the oldest col-lege on USU’s campus. Through music, videography and narration, the event will explore the college’s ongoing work in addressing the challenges facing community, state and nation in the 21st cen-tury: food safety and security, land and water resource management, climate change, human and ani-mal health and nutrition and glo-balization and urbanization. Bring family and friends to celebrate and learn more about the College of Agriculture’s rich heritage and its plans for its future. Visit arts.usu.edu or call 797-8022.

The Logan Iris Society invites all to their spring annual meeting at 7 p.m. Tuesday, April 9, at the USU Nutrition and Food Sciences Building, room 211. Those who attend will learn about modern iris and how to grow them, along with a slide presentation of iris from last year’s national convention.

Contact Bryan at 757-5102 for more information.

A Tribute to Chad Floyd fea-turing Alliandria Hansen and oth-ers will begin at 8 p.m. Wednes-day, April 10, at Why Sound, 30 Federal Ave. Admission is $5.

Macey’s in Providence will host a free class entitled Crepes at 7 p.m. Wednesday, April 10, in the Little Theatre. Relda Sandgran will be teaching just how versatile crepes can be. Reserve a seat at the service desk or visit Macey’s Little Theatre Classes on Face-book. For ages 10 and up.

A free community line dance class will be held from 6 to 7 p.m. Wednesday, April 10, at the Logan Library, room 112. Please dress in comfortable clothing and bring a water bottle. For more information call Bev at 755-3206.

The annual spring concert “Brass Happenings” by USU Department of Music students studying brass instruments will begin at 7:30 p.m. Thursday, April 11, at the Performance Hall. Visit arts.usu.edu or call 797-8022.

Come meet the ballerina at a special Logan Library story time presented by the Cache Valley Civic Ballet at 11 a.m. Thursday, April 11, in the Jim Bridger Room. Parents and children of all ages are welcome.

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ReturnContinued from Page 7strengthened by a fine cast. Redford has done this kind of earnest man of conscience count-less times before, but he brings such gravitas and thoughtfulness to play that he keeps us firmly in Nick’s corner.

While Sam Elliott, as Mimi’s current part-ner, Cooper and Tucci are given little to do, Christie, Nolte, Jenkins, Gleeson and Sarandon all use their limited screen time to maximum effect. It’s remarkable how much texture these faces add to the film’s depiction of a genera-

tion with a fire in its belly that has had to adapt to a different world or find other ways to chan-nel their impassioned ideas.

Among the younger cast, the always sparky Kendrick is underused. But Marling makes a lovely impression in her handful of scenes, outlining a young woman whose sharp mind and restless, questioning nature make her a link to the countercultural past.

Editor Mark Day keeps the pace satisfyingly steady, and the film is shot by Adriano Gold-man in a handsome but unshowy style to match the script’s sober approach.

———“The Company You Keep” is rated R for lan-

guage. Running time: 125 minutes.

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www.ThemeCrosswords.com

By Myles Mellor and Sally York

CROsswORD

AnswERs FROM LAsT wEEk

DEADLInEs Cache Magazine calendar items are due Tuesday by 5 p.m. They will also run for free in The Herald Journal one to two days prior to the event. Calendar items can be submitted by email at [email protected]. Any press releases or photos for events listed in the first half of Cache Magazine can be sent to [email protected]. Poems and photos can also be sent to [email protected] and run on a space-available basis if selected.

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gen34. Charades, essen-

tially37. Colossal40. Cutesy44. Turkic tribesman45. Moreover46. English chemist

Frederick ___48. Type of cuisine49. Take a piece from50. Lake, in Geneva52. Level, in London55. Babysitter’s handful56. Took religious

words to heart63. Tackle64. Unspecified number65. Separately66. Cripples67. Have the ___ for69. Unescorted70. Assist71. Exertion73. Standing74. Preserve, in a way75. No. on a business

card78. Advice from the

boss?83. Ingested

84. Lot85. Clever comment86. Area of ancient

Egypt87. Spray89. Graceful woman93. Drops on blades95. Special way of

doing something96. Runner99. Raw metal101. Quip102. Conniption103. Active104. “Thar ___ blows!”106. Girlfriend made

small talk?115. Not without my __116. Doesn’t keep117. Refuge118. Subterfuge119. Knight’s protection120. Loose lady121. Three-time Wim-

bledon winner122. Pita like bread123. Chintzy124. View from Lake

Como125. Advises126. Clinker

Down1. A palm used in bas-

ket making2. Help out with3. Early Brit4. Suffuse5. Let in anew6. Unproductive7. Tractor-trailer8. Bother9. Condition10. Lost the reeling and

drunken feeling11. Lay up12. He and she13. Poor lob, in tennis14. Eager for15. City light16. Snobbish17. Great ending

19. Rack or bum?28. Heat related prefix29. Long stretches30. Randy’s rink part-

ner34. Country estate35. Soccer 2006 Word

Cup winners36. Crumbly soil38. Rancid39. Castle trench40. Paper money of

Burma41. Scold42. Harness part43. Barks44. Cluster47. “Doggone it!”51. Swiss Alp’s abode53. Mum54. Series ender57. Interweave58. Coast Guard offi-

cer: Abbr.59. Geologic time60. Boxing weight61. Before, for Word-

sworth62. Ball game official

(abr.)67. The Platters’ “___

Mine”68. Contract69. Make, in arithmetic70. It may be tipped71. ’60s protest72. Forcibly take away73. Glimpse74. Provide outside

food service75. Brass instruments76. Authoritative proc-

lamation77. Security break78. Notoriety79. Hop dryer80. List for every day

actions81. Type of printer82. Harmonize88. Tests at Macys?90. Brighten

91. Men of the cloth92. Reserve94. Wayne flick97. Military storehouse98. Prefix, recent100. Huey or Dewey103. Lagoon sur-

rounder105. Suggests106. Wrapped garment107. Song of praise108. Bear109. Mt. St Helens

product110. Allege as fact111. Final resting place112. Group of two113. Son in Genesis114. Fire off115. H.S exam

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