Cache Magazine

The herald Journal aPrIl 13-19, 2012

Unicorn Theater turns 50

If you’re bored this week, it’s because you choose to be. Putting Cache Magazine together the last few days

has been a bit of a struggle as there are too many events to fit in 16 pages. I’m hop-ing everything is listed on the calendar on page 14, or that you’ll watch the Happenings in the features section on Sunday, Tuesday or Thursday for additional events. For those interested in the arts, there’s prob-ably something for everyone.

Since it’s the end of USU’s spring semester, the Performance Hall, Kent

Concert Hall and Morgan Theatre have been hosting various recitals and pro-ductions the last couple weeks. On page 5, you can read about more upcoming events including Kiger Hour, a percus-sion ensembles concert, a theater arts department play and the Logan Canyon Winds performance which celebrates the group’s 20th year together.

For music lovers, check out page 4. Why Sound and Crumb Brothers are both hosting upcoming shows.

And for those interested in magic, the Hatch family returns for their monthly show Saturday (page 6). If you haven’t been to one of these performances, give it a try. The Hatches provide a good mix of classical music with tricks that will

leave you guessing.For movie buffs, critic Aaron Peck

says “The Cabin in the Woods” is a must-see (page 7). Apparently the less you know about it, the better, so if hor-ror movies are your thing, go see the film before someone spoils it for you.

Old Barn Theatre opens a new show tonight featuring a variety of Disney songs in “Remember the Magic.” Shows at the barn are always fun because the space is small and actors perform close to the audience on a round stage.

And, of course, there is also the play featured as the cover story by Unicorn Theater.

I hope you enjoy the arts this week! — Manette Newbold

FROM THE EDITOR

cOnTEnTsMuSIC

TheaTer

MISC.

Calendar

ColuMn

4 Chimney Choir coming to Logan

4 Crumb Brothers to host CD release concert

4 USU Symphonic Band performs Thursday

5 Logan Canyon Windscelebrates 20 years at USU

5 USU percussion concerttakes stage Monday

5 ‘Two-Headed’ tells story of two Mormon women

6 Old Barn highlights classic Disney songs

5 Kiger Hour talk to be held Thursday

6 Music and magic show takes place Saturday

6 USU museum to educate public on disabilities

14 See what’s happening this week

10 Dennis Hinkamp shares history of insta-foods

LionsgateKristen Connolly and Jesse Williams are shown in a scene from “The Cabin in the Woods.” On the cover: From left, Tori Benson, Carson Natter, and Felicia Stehmeier perform a scene from “Wiley and the Hairy Man” during rehearsal at the Ellen Eccles Theatre on Tuesday evening. (Jennifer Meyers/Herald Journal)

April 13-19, 2012

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WEEkEnD QuoTable

PeT oF The WeeK

“My educated peer group can get pretty snobby dismissing the historical sig-nificance of Pop-Tarts and boil-in-bag stuff, because they are not taking into consider-ation the context of the times.”

– Dennis Hinkamp, page 10

Available for adoption

Pet: SophiaFrom: Cache Humane SocietyWhy she’s so lovable: Sophia is a lazy, lap cat. She’s sweet, but independent. For those looking for a starter pet (the first they’ve ever owned) or just a sweet companion, Sophia is a good choice. She’s already spayed, but please keep in mind that she is a long-haired kitty and will need frequent brushing and occasional bathing to keep her looking her best.

Join the Cache Valley Center for the Arts Down-town on Friday, April 13, from 6 to 9 p.m. for the CVCA Gallery Walk. This event provides art lovers a free opportunity to social-ize and tour a full spectrum of galleries, local business-es, and nonprofit art spaces.

Start at any location and pick up a map; just look for the yellow banner. For a complete listing of artists and participating venues or to view the map, visit cachearts.org.

This is one of five oppor-tunities this year for collec-tors and those experiencing this area for the first time to enjoy the arts community.

The April Walk features more than 17 locations; enjoy everything from mixed media by Holly Conger to fine watercolor masterpieces by Ernie Ver-dine. Highlights range from ceramic works by Matthew Conlon, dry point prints by Christy Chambers, and a special bus artwork project organized by the Cache

County School District (CCSD) and the Cache Val-ley Transit District (CVTD) called “Art in Transit: Bringing Communities Together – Art in Transit.”

The project’s focus is to bring art made by children into public places and showcase student-created artwork inside CVTD’s buses throughout the Cache Valley Region. Over the past few weeks, fourth graders at Providence Elementary have created drawings and prints relat-ing to the theme “Bringing Communities Together” with art specialist Robin Evans, and Cache District arts coordinator Aurora Hughes Villa. The students’ original artwork has been arranged and reproduced onto vinyl bus placards and installed inside our first CVTD bus to be on exhibit at the Gallery Walk. The bus will be parked and open for viewing at 100 South (just south of the Thatcher-Young Mansion Gallery) during the event.

The Thatcher-Young Man-sion (35 W. 100 South) will also have an exhibit on display with more art-work made by Providence Elementary fourth graders as well as artwork made by local high school students. For more information about the Art in Transit project or to learn how to sponsor art on the buses, please contact Hughes Villa at 435-752-3925 ext. 2067.

The CVCA welcomes a few new locations to the Gallery Walk including The Image Foundry, Jack’s Wood-Fired Oven, and Joy Ride Bikes.

Gallery Walk location Joy Ride Bikes is hosting a “We Love Bicycles” art contest. Contestants in sec-ond through fifth grade will be entered into a drawing for a free bike by drawing/creating a piece describing why they love riding their bikes.

All the galleries and busi-nesses included in the walk will stay open late to show-case artists.

Get out for Logan’s Gallery WalkGallery Walk

artists:• Don Linton• Susan Bayne• Christy Chambers• Matthew Conlon• Dancingwolf Photography• Colleen Howe Bleinberger• Cache Valley Photographers• Russ Fjeldsted• Jeremy and Larry Winborg• Ernie Verdine• Trent Gudmundsen• Holly Conger• The Utah Watercolor Society

• Andrew Klc• Nevaloni Pulotu• Meg Erekson• ArtsBridge students from Fast Forward Charter High School

• Many more ...

Gallery Walklocations:

• Cache Valley Visitors Bureau

• Caffe Ibis Gallery Deli• The Crepery and Citrus and Sage

• The Diamond Gallery/Sego Floral

• Fuhriman’s Framing & Fine Art

• Gia’s Italian Restaurant• Global Village Gifts• Jack’s Wood-Fired Oven• Joy Ride Bikes• Logan Downtown Alliance at The Image Foundry

• Logan Fine Art• Mountain Place Gallery• SDesigns at the Thatcher- Young Mansion

• S.E. Needham Jewelers• The Sportsman• St. John’s Episcopal Church• Utah Public Radio• Winborg Masterpieces Art Gallery

The artwork above will be on display in one of the Cache Valley Transit District’s buses during the Gallery Walk on Friday.

The Bridger Folk Music Society presents a dual CD release concert with Austin Weyand and Jamie Bartschi on Saturday, April 21, at 7:30 p.m. at Crumb Broth-ers Bakery, 291 S. 300 West in Logan. The duo will play a mix of Celtic, swing and bluegrass music. Tickets are $13 and are available by call-ing 435-757-3468. Or, take your chances at the door. Seating is very limited, so advance purchase of tickets is recommended. The concert is co-sponsored by Utah Public Radio and Import Auto.

Drawing from the refine-ment of classical music, the visceral experience of blues, classic rock, flamenco and the swinging dance feel of American jazz, Weyand cre-ates a truly diverse and awe-inspiring experience with the acoustic guitar. Weyand entertains with his pianistic approach to the guitar dis-playing melody, harmony, bass lines, even percussion in stellar arrangements and com-positions that fascinate audi-ences wherever he performs. As the 2008 champion of the State of Wyoming Fingerstyle Guitar Competition, Weyand has drawn attention to his music. Weyand holds a mas-ter’s degree in guitar perfor-mance from Northern Illinois University where he studied intensively with eclectic clas-sical, jazz and world music recording artist Fareed Haque.

Bartschi is a master’s-level music therapist with a life-time of performing, record-ing and teaching experience. An accomplished violinist, fiddle player and guitarist, she is noted for her ability to improvise and create beauti-ful arrangements and solos on

the fly. Both Bartschi and Weyand

have produced new albums this past year. Barhsci’s new album is titled “Unpaved.”

“The title ‘Unpaved’ feels perfect in more than one way. The CD is full of music that I love to play – improvised, playful and off the beaten path,” Bartschi said. “It is also an unpaved road for me in the sense that it is my first full-length album recorded in a real studio.”

Weyand’s new CD entitled

“Too Much Information” showcases 11 powerful solo guitar instrumentals, nine of which are Weyand’s own compositions and arrange-ments. They include groove-based intricate compositions that will keep feet tapping; melodic ballads that were written for his wife and daughter; and thoughtful, inspiring arrangements of both popular and traditional music.

For more information, go to www.bridgerfolk.org.

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RHyTHMsCrumb Brothers to host a dual CD release concert this month

Austin Weyand will be one of two performers at Crumb Brothers on April 21. An acoustic guitar player, he recently produced a new album entitled “Too Much Information.”

Chimney Choir will per-form at Why Sound at 8 p.m. Thursday, April 19. Cost is $5. The band skillfully inter-weaves genres resulting in a folk-meets-world music sound, steeped in psyche-delia. All multi-instrumen-talists, writers and singers, Kevin Larkin, David Rynhart and Kris Drickey change instruments (sometimes within a song) and sing in three part-harmony, all while balancing field recordings

and computer synths with traditional acoustic instru-mentation. Percussionist Carl Sorensen plays a junk yard kit comprised of glass bottles, a PBR can, a bike wheel, nails and a trash can lid. The trio is currently touring behind their new album, “Ladder,” recorded live in one take in a pipe organ chapel in front of an audience.

For more information, visit www.chimneychoir.com.

Chimney Choir making a stop in Logan Thursday

USU’s Symphonic Band presents ‘Kaleidoscope’Various types of music will

be showcased in Utah State University’s Symphonic Band concert “Kaleidoscope” on Thursday, April 19, at 7:30 p.m., in the Kent Concert Hall, on the university campus.

Accompanying the Sym-phonic Band is the USU Brass Ensemble, student directed by Sarah Keene.

Music to be performed includes a Billy Joel arrange-ment of “Air Dublinesque” and the “Iberian Escapades” by Robert Sheldon. Another piece is “Saturn: The Ringed

Planet” by Rob Romeyn that depicts a space-age voyage to Saturn. The USU Brass Ensemble will perform an arrangement of the Beatles’

“Blackbird,” Queen’s “Bohe-mian Rhapsody” and a move-ment from “Divertissement.”

Nicholas Morrison, associ-ate dean of the Caine Col-lege of the Arts, and Thomas Rohrer, director of bands, will be two guest conductors for the evening.

Tickets range from free to $10 and can be purchased at arts.usu.edu.

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What to do at USU

As semester ends, there’s plenty going on

Austin Weyand will be one of two performers at Crumb Brothers on April 21. An acoustic guitar player, he recently produced a new album entitled “Too Much Information.”

The Utah State University Percussion Ensemble and the Caine Percussion Ensemble present a concert Monday, April 16, at 7:30 p.m., in the Kent Concert Hall.

“This concert is exciting due to the incredibly diverse array of music,” said Jason Nicholson, assistant professor of percussion in the Caine College of the Arts.

The pieces to be performed range from large percussion ensembles to a group of non-pitched percussion instruments accompanied by djembe drumming from West Africa. A variety of musical tastes will be presented in this concert, including

numbers that feature marimba quartets and ensembles.

“The audience will see an animated perfor-mance overflowing with energy and entertain-

ment,” said Nicholson.The students that compose the USU

Percussion Ensemble are both percussion majors and non-majors. The Caine Percus-

sion Ensemble is made up of five percussion majors who auditioned for the group.


Kenneth Risch, head of the Depart-ment of Theatre Arts at Utah State Uni-versity, will deliver the next Kiger Hour talk Thursday, April 19, from 5:15 to 7 p.m. at Hamiltons, 2427 N. Main St., Logan. His lecture “Playing ‘Chess’: The challenges of directing an imperfect cult classic of the musical theatre,” will reveal how he addressed those issues while teaching undergraduate theater students in the conservative midwest.

Risch joined the faculty at Utah State University in 2011 after serving for five years as dean of the School of Fine Arts at Viterbo University. He has held faculty positions at the University of

Northern Iowa, the University of Alaska, the University of Wisconsin and Tulane University, and acted with the Guthrie Theatre in Minneapolis. Risch has been a member of the stage actor’s union for 20 years and has directed and performed in more than 80 musicals. When he was asked to direct the musical “Chess” two years ago, Risch felt it was a career hallmark he had yet to achieve.

The musical was the brainchild of composers Benny Andersson and Björn Ulvaeus — the two “Bs” in the musical group ABBA — and lyricist Tim Rice, who wrote musicals including “Evita” and “Jesus Christ Superstar.”

While “Chess” has become a cult classic since its debut in the mid-1980s, particularly overseas, it has nearly as many harsh critics. It remains in a con-stant state of metamorphosis as creators, directors and producers wrestle with the challenges that come with presenting a rock musical about the Cold War and the game of chess, Risch said.

Those who plan to attend Kiger Hour, should RSVP to Natalie Archibald Smoot in the college office at 435-797-2796, or by email to [email protected]. A buffet with appetizers, drinks and desserts will be available for $6.95 per person.

The Logan Canyon Winds — a faculty woodwind quintet at Utah State University — celebrates its 20th season this year.

Along with the Caine Wood-wind Quintet, Logan Canyon Winds will perform Tuesday, April 17, at 7:30 p.m. in the USU Performance Hall in a concert that marks that 20th season.

“This is an exciting season for Logan Canyon Winds,” said Nicholas Morrison, Logan Canyon Winds clarinet-ist and senior associate dean of the Caine College of the Arts.

“The 20th season is a hallmark event and we are honored to share it with the Caine Wood-wind Quintet.”

The Caine Quintet, sup-ported by scholarships from the Marie Eccles Caine Foun-dation — Russell Family, is made up of the finest wind

students on campus, Morrison said. In addition to their work in chamber music, the quintet members also perform with the USU Symphony Orchestra and Wind Orchestra.

Student members of the Caine Woodwind Quintet include Sarrong McIff on flute, Alysse Barfuss on oboe, Shem Hale on clarinet, Marianna Cardon on horn and Rachel Hansen on bassoon.

Logan Canyon Winds was founded in 1991 as Utah State University’s faculty woodwind quintet and gave its debut performance in May 1992. Members of the ensem-ble include Leslie Timmons on flute, Bonnie Schroeder on oboe, Morrison on clarinet, Carolyn Bodily on bassoon and Steven Park on horn.


The Utah State University Theatre Arts Department will present the play “Two-Headed,” a 70-minute, two-character play depicting 40 years in the lives of two 19th cen-tury Mormon women in Utah. Production dates are April 16 to 21 with a 7:30 p.m. curtain time in the Morgan Theatre located in the Chase Fine Arts Center at the Logan campus.

“Two-Headed” is written by contemporary playwright Julie Jensen, who has incorporated her dramatic interpretation of historical events.

Throughout the production, the main characters, Lavinia and Hettie, are both torn apart by polygamy, frontier living and the acts that occurred in the Mountain Meadow Massacre; however, these same elements bond the women for life. While the massacre and polygamy are playwright Jensen’s dramatic building blocks, the driving aspect of the play is the rela-tionship of these two women who are at times enemies, but always friends.

“I think ‘Two-Headed’ is about the struggle to survive your genealogy, be it good or bad,” said Lynda Linford, director of “Two-Headed.”

“The public should come see this play because it is intense, inspirational and revealing. It’s a play that will truly make you think.”

Tickets for “Two-Headed” are $13 for adults, $10 for seniors and youth, $8 for USU faculty and staff and free for USU students with ID.

“Two-Headed” is rated I for Intermediate and recommended for ages 13 and older.

Kent Concert Hall to host percussion concert Monday

Logan Canyon Winds tocelebrate 20 years at USU

‘Chess’ to be discussed at next Kiger HourTheatre Arts Department to present‘Two-Headed’

Julie Jensen

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Spring Gallery Walkfeaturing

Utah Watercolor SocietyCache Valley Chapter

Starting Friday, April 13 through April

Logan Fine Art Gallery60 West 100 North

Logan • 435-753-0333Mon-Sat: 10am - 6pm Closed Sunday

Christi Heal

Kristi Grussendorf

‘Cabin in the Woods’ is frightfully cleverThe capacity audience at last month’s performance of magic and music at the Thatcher-Young Mansion included a birthday party celebration and a family who drove from Victor, Idaho (nearly four hours away). Due to the sold out status of that performance, several potential patrons, including one en route from Tremonton, were unable to obtain tickets. The good news is that an “encore” performance has been scheduled for Saturday, April 14, at 2 p.m.

Featured at this performance will be German magician/storyteller Punx’s classic fairy tale, “The Heart of Glass,” accompanied by Saint-Saëns “The Swan,” and “The Music Box of Anna Eva Fay” which was inspired by the famous vaudeville psychic who maintained a friend-ship with the arch debunker of mediumistic frauds, Harry Houdini.

In honor of the pending tax

deadline, two effects featuring money will be performed: Dutch magician Fred Kaps’ famous trick with 11 one dollar bills and Robert-Houdin’s “Aerial Treasury.” Dai Vernon’s “Symphony of the Rings” accompanied by Fritz Kreisler’s

“Tambourin Chinois,” and the tale of “Taro-san the Fisherman and the Weeping Willow Tree,” accompa-nied by Miyagi’s “Sea of Spring,” are also on the program. Musi-cal selections by Bach, Bartok, Beethoven and others will be per-formed as solos and simultaneously with the magic.

Tickets are $10 for adults and $8 for children younger than 12. As only 56 seats are available, advance purchase is strongly advised to avoid disappointment. Tickets may be purchased online at the Hatch Academy website www.HatchAcad-emy.com or by calling 435-932-0017.

The Hatch family presents music and magic Saturday

USU museum aims to educate public on various disabilities

The Utah State University Muse-um of Anthropology will host a discussion panel on the importance of understanding and respecting people with disabilities. The panel will be Saturday, April 14, at 1 p.m., in Old Main, Room 225.

The goal of the panel is threefold: first, to educate the public on vary-ing types of disabilities, second, to give individuals a glimpse into what it is like to live with a disability, and third, to present general guide-lines on when and how to assist an individual with a disability should they need it.

Prior to the panel, patrons will have the opportunity to read a Braille book after being introduced to the Braille alphabet. Throughout the day, the museum will show a video montage of several documen-taries that illustrate the trials and triumphs of people with disabilities.

“Every day we deal with people who have disabilities in some way or another,” said Jessica Swift, Sat-urdays Program coordinator. “The

difficult part is knowing how to overcome any perceived social awk-wardness. For example, if you get to a door at the same time as a person who is visually impaired, do you hold it open for them? Or what is the most respectful way to talk to an individual with dwarfism? That is the goal for this Saturday, to spread awareness and answer questions.”

USU students and members of the public are always invited to the museum any time during open hours: Monday through Friday from 8 a.m. to 5 p.m. and Saturdays from 10 a.m. to 4 p.m. Funding for Sat-urday events is provided by a grant from the U.S. Institute of Museum and Library Services.

The USU Museum of Anthropol-ogy is located on the USU campus in the south turret of the historic Old Main building, Room 252. Free parking is available in the adjacent lot, south of the building. For more information on this event, call museum staff at 435-797-7545 or visit anthromuseum.usu.edu.

‘Remember the Magic’The Old Barn Community Theatre presents “Remember the Magic: A Musical Trib-

ute to Disney” every Monday, Friday and Saturday from April 13 to 28. Shows start at 7:30 p.m. with matinee performances April 14, 21 and 28 at 2:30 p.m. Tickets are $8 for adults and $7 for children and seniors. A Royal Princess Tea Party will be held Saturday, April 21, at 1 p.m. Tickets are $15 and include admission to the matinee that follows. Tickets can be purchased at www.oldbarn.org.

“The Cabin in the Woods” is such a dif-ficult movie to review because it relies so much on the secret, or secrets, that are pos-sessed within its story. You might think that this is simply another movie where a group of unsuspecting col-lege kids travel out to a secluded cabin in the woods and then come face to face with evil killers. If that’s what the trailers have led you to believe, then you’d be half right. There’s something com-pletely different going on here which makes

“Cabin” one of this year’s most enjoyable films.

I dare only reveal what can be seen in the movie’s trailer. Five college kids head out on a weekend getaway to an isolated cabin far from the prying eyes of civilization. The kids seem to per-fectly inhabit the horror movie clichés, almost like it was planned that way or something. You have the promiscuous hottie, Jules (Anna

Hutchinson), who is more than willing to take off her top. If we’ve learned anything from horror movies, that character usually always dies first. Then we have the strong, strapping jock, Curt (Chris Hemsworth)

who may have muscles, but has very little in the brain department. Next is the brainy kid, Hold-en (Jesse Williams), who loves poetry and all kinds of scholarly pursuits. Then there’s the drug-induced wastoid of the group,

Marty (Fran Kranz) who is always high and constantly rambling about all sorts of gib-berish. Finally, we have Dana (Kristen Connol-ly) the sweet, coy girl of the bunch. The exact same character who usually survives any

horror movie she’s in.Fans of Joss Whedon

already know that he’s one of the brains behind this movie. From the outset, you can tell Whedon is in charge here. The way he sets up his story mixing hor-ror and humor is bril-liant. This is one of the

funniest horror spoofs since “Shaun of the Dead” reinvented the genre. Here, Whedon rags on just about every horror movie cliché there is, but the true genius of the film lies with its intricate story.

See CABIN on p. 11

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‘Cabin in the Woods’ is frightfully clever

LionsgateFrom left, Fran Kranz, Chris Hemsworth and Anna Hutchison are shown in a scene from “The Cabin in the Woods.”

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The Unicorn Theater is getting old, but it’s also just getting started. This year the local organization is turning 50. Although it has grown a lot in the pre-ceding decades, there are some new

places the leaders of the organization still hope to take it.

“It started with one person and no money,” says Matt Omasta, a director at the Unicorn Theater and USU professor. “(It) has grown to a season of four to six shows ... plus multiple classes each semester. It’s involved people from the university, people from the community, kids from schools all over the valley ... It’s definitely been exciting.”

That one person was Ruth Call, who founded the Unicorn Children’s Theater in 1962. Call felt that the valley needed a place where young chil-dren could get involved with theater and drama, so she committed herself to creating that place. It started out with just her teaching classes to children.

Although Call passed away in 2004, her dream continues to go strong under the tutelage of her husband, W. Vosco Call. Over the years, the Unicorn Theater has expanded, at times part-nering with other organizations such as USU, The Bullen Center or the Ellen Eccles Theatre for learning space, stages and other resources.

Currently the Unicorn Theater employs 10 people, who take turns teaching, acting and directing plays on a semi-permenant basis; and while teaching children is still at the core of the Unicorn Theater, the organization has expand-

ed a bit beyond its roots.“(The Unicorn Theater) sprang into three dif-

ferent types of production,” explains Omasta. “The pillow classes (which are for younger kids), the bigger shows and then also a series of courses (such as) theater drama and exploration classes.”

For its 50th anniversary, the Unicorn Theater has a couple projects under its belt. “We’re doing ‘Wiley and the Hairy Man’ right now and we’ll be doing a production in the fall, prob-ably along the lines of ‘The Wizard of Oz;’ a larger piece ... to showcase the development that’s happened over the last 50 years,” Omasta says.

As for the future of the organization, there has been talk of expanding beyond just acting and perhaps even acquiring a place for the Uni-corn Theater productions.

“We’re certainly seeking (our own space) ... We’d like to see our main stage productions become something that everyone in the val-ley and beyond wants to come see. We’re able to pay our actors better stipends now. We’re bringing in people who are professionals in the field,” Omasta states. “I’m also interested in working with kids to write plays in the future and seeing if we might get that on the ball, ’cause right now it’s been mostly focused on acting with the kids.”

But right now, they just hope you enjoy the show.

“We really hope people come out this week-end,” says Omasta. “It’s going to be a great time.”

“Wiley and the Hairy Man” opens at 7 p.m. tonight at the Ellen Eccles Theatre and is sug-gested for ages 8 and older. Additional show-ings will be held at 2 and 7 p.m. Saturday, April 14. Cost is $10 for adults, $8 for 13- to 18-year olds and $5 for children 12 and younger.

Unicorn Theaterturns 50

Story by Casey Rock • Photos by Jennifer MeyersBottom right photo: From left, chorus members Michaela Dettore, Danali Skye Weibel, Max Cunningham and Diana Anderson perform a scene from “Wiley and the Hairy Man” on Tuesday.

Michaela Dettore and Sarah Bailey rehearse for the Unicorn Theater production of “Wiley and the Hairy Man” on Tuesday.

Top photo: From left, Unicorn Theater actors Richie Call, Carson Natter, Dallin Robinson, Max Cunningham and Sarah Bailey rehearse a scene from “Wiley and the Hairy Man” at the Ellen Eccles Theatre on Tuesday. Call plays the Hairy Man and Natter plays Wiley.

Bottom left photo: Cast members from “Wiley and the Hairy Man” perform a scene where the chorus haunts Wiley’s dreams. Cast from left to right: Michaela Dettore, Max Cunningham, Dallin Robinson, Danali Skye Weibel, Diana Anderson, Sarah Bailey and Nick Romanick.

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Tired of wearing glasses?

Matthew D. Hammond, MD, FACS

Call to schedule your FREE LASIK Exam 435.787.7200We do LASIK right here in Logan!

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Though I support the slow food movement and foodie groups, I sometimes find myself longing for the faster, highly processed, less complicated days of TV dinners and instant ice tea.

Given my food back-ground, it is amazing that I can fit through most doors and into most restaurant booths. I grew up in a home that was drunk on conve-nience.

My educated peer group can get pretty snobby dismissing the historical significance of Pop-Tarts and boil-in-bag stuff, because they are not taking into consideration the context of the times. Besides all the 1960’s hippie Woodstock stuff

people like to reminisce about, there was also a fast food and conve-nience food orgy going on. People now like to mock the global reach of McDonald’s, but back then it had just begun to dominate the U.S. with something called the All American Meal. It was a milk-shake, fries and a ham-burger which I think you could get for a dol-lar (remember gasoline was 25 cents a gallon then). This became the standard for what people wanted to eat in the new drive-in, drive-through lifestyle.

There was also a space race and eat-ing like the astro-nauts didn’t involve home-baked bread and steamed, fresh vegeta-

bles. There were space food sticks and pow-dered orange juice-like beverages. The magic word “instant” was attached to food and beverages. Of course it was not exactly instant, but it was faster than brewing, boiling, peel-ing and soaking, etc., which we were previ-ously chained to. The grocery isles were filled with instant mashed potatoes, coffee, ice tea, lemonade, chocolate milk, ready-to-bake cookie dough, whipped cream in a can, aerosol cheese and freeze-dried soup.

Television was rela-tively new and it shaped how people ate as well. There were only three channels on about 12 hours a day with none

of the recorders, stream-ing or digital excess we have now. You kinda sorta had to watch the program when it was on or miss it forever. This sometimes meant watching during din-ner; hence the invention of the TV dinner and TV tray to put your TV dinner on while you

huddled around your 16-inch black and white RCA. The appeal of the TV dinner was that you could have your meat, vegetable, potato and dessert all in one easy-to-throw-away tray.

To add further temp-tation, there were few non-human dishwashers, so being able to boil stuff in a bag, defrost it or just scoop it out of can saved a lot prepara-tion and clean-up time. This era was also right on the cusp of readily-available microwaves ovens, so the speedy alternative was stuff-ing all manner of foods into a toaster or some aluminum-wrapped thing into a regular oven to have it magi-cally appear as a whole meal in 30 minutes.

I don’t regret my past even though meals were more like chemistry experiments than Nor-man Rockwell feasts. I still wonder how they were able to keep the Pop-Tarts icing from melting in the toaster, but I probably don’t really want to know.

Dennis Hinkamp has

tried to atone for his unhealthy past with an active lifestyle, but he still yearns for the occasional Hungry Man dinner. He is among a number of freelance writers whose columns appear in The Herald Journal as part of an effort to expose read-ers to a variety of com-munity voices. He is not an employee of the news-paper. Feedback can be sent to [email protected].

Slightly off Center

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Before criticizing, consider Pop-Tarts’ history

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yOuR sTuFF“Along the Way”

By Glenda Grindeland“Jackals”

By William HumphreyJackals circle round about,Screeching for fresh blood.A rifle cracks the shot is fired,Truth falls with a thud.

And so down the halls of time,The story is the same.The Jackals firing at the truth,Sometimes the bullets maim.

Practice what you preach,Was said so long ago,Jackals pretend righteous love,But they are from below.

They preach hate, I understandWith a thin disguise.Working on their plan of hate,They think that they are wise.

Jackals work for Satan,It is stamped upon their heart.Spreading terror is their thing,From this they won’t depart.

Why don’t they change their way of life,Repent and become clean.If they loved the Great Redeemer,They never could be mean.

I looked back on my childhood years.I was seeing all my regrets and fears.I used to know someone I considered mean

and unkind.It was someone who had a set of rules to

adhere to.Along the way I found you.I found someone who was both gentle and

kind.It was someone who loved everyone for no

reason.I didn’t get what I thought as my right to life.I thought my life was supposed to be better.Along the way I found you.I grew up with someone whom I thought

was mean.It was someone who had impossible rules

to live up to.The things I was taught, not clearly seen.The way I thought about God at all was

wrong.Along the way I found you.Someone I could tell my secrets to.Someone who listened to what I had to say.It was someone who didn’t try to clip my

wings.This was someone who would be there if I

tried to fly.Along the way I found you.I just wanted to say thank you for what you

gave to me.

CabinContinued from p. 7

See, even though this is a spoof, Whedon and director Drew Goddard, are careful to still keep the movie captivating. They keep us interested in the movie’s plot while we’re laughing along with it. It’s not one of those spoof movies where you sit around waiting for the next joke. You’ll find yourself immersed in the twisting, turning plot from the very beginning.

Character actors Rich-ard Jenkins and Bradley Whitford show up in

roles I dare not disclose at this time. Needless to say, they are integral to the movie’s plot and its subversive humor. These guys do not disappoint. You’ll soon find yourself wondering more about what they are doing than what the kids in the cabin are doing.

Even with all the funny, the movie still manages to have more than enough scary moments to keep horror fans entertained.

“Cabin” walks a tight rope of horror and humor that can really only be achieved by Whedon himself, who pulled off the same type of acro-batic act when he was producing “Buffy the

Vampire Slayer” for tele-vision.

“The Cabin in the Woods” has got to be seen to be believed. That’s all there is to it. I can’t divulge anything without giving away the movie’s secrets. I wouldn’t want to do that to you. I want you to go see and enjoy it for the clever, ridiculous and hilarious ride that it is. Why this movie sat on the studio’s shelf for so long before being released is a mystery. This is a horror film for everyone, even people who hate horror films. You simply have to see it.

Feedback can be sent to [email protected].

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By M.L. JohnsonAssociated Press

Liz Reid’s 12-year-old sister delivers the bad news: “Terrence is getting out next month.”

The sex offender their mother has married is being released from prison and mov-ing in with them. Liz’s sister, Jaime, immediately flees to live with their alcoholic father and conniving stepmother. But Liz, having seen their father beat their mother innumerable times and survived a drunken driving crash with him at the wheel, balks. She’ll try to make it work.

And so she ignores it when Terrence touches her, obeys his petty demands regarding pizza

toppings and TV show selec-tions, and tries to block out the sounds of sex coming from her mother’s bedroom. She doesn’t

complain when her mother buys Terrence a new set of weights instead of getting her children shoes.

And when her mother tells her she must move out, Liz cries. A lousy home is better than no home, and Liz’s sense of security is tied to her mother. For years, her mother took the blows from her father to pro-tect the girls. But now she has a new life, and she has chosen: Terrence will stay, Liz will go.

Liz and her sister soon find themselves shuttled among relatives: Terrence’s brother, their father, one aunt and then another. Yet no matter where they go, Liz cannot escape Ter-rence. He visits, he calls, he writes.

Melanie Thorne’s debut

novel is raw with emotion as she describes Liz’s often futile efforts to protect her sister and herself from the predator their mother has invited into their lives. It is often hard to remem-ber that this is, in fact, a novel and not a memoir. In a letter tucked in the front of the book, Thorne outlines the similarities between her life and her char-acter’s.

“My mom ... married a convicted sex offender,” she writes. “Like Liz, I was ‘asked’ to leave my home. And, like Liz, I was separated from my little sister at a time when we needed one another the most. Fifteen years later I still won-der what would have been dif-

ferent if my mom had forced her husband to leave instead of her daughters.”

It’s a good question.Thorne’s novel is an eye-

opener. It’s unlikely that anyone would disagree with a policy preventing sex offend-ers from living with young girls, but there’s almost no public discussion of what that means in practical terms. I suspect most of us believe that any good mother, any rational woman would choose her daughters over someone who has been convicted of sexual assault. But every year, hundreds, if not thousands, of women prove that’s not the case.

Keep your reading list updated at www.nytimes.com/pages/books/

COMBINED PRINT & E-BOOK FICTION1. “Fifty Shades of Grey,” by E. L. James2. “Fifty Shades Darker,” by E. L. James3. “Guilty Wives,” by James Patterson and David Ellis4. “Lover Reborn,” by J. R. Ward5. “Fifty Shades Freed,” by E. L. James

COMBINED PRINT & E-BOOK NONFICTION1. “The Big Miss,” by Hank Haney2. “Drift,” by Rachel Maddow3. “Heaven is for Real,” by Todd Burpo with Lynn Vincent4. “The Power of Habit,” by Charles Duhigg5. “Wild,” by Cheryl Strayed

HARDCOVER FICTION1. “Lover Reborn,” by J. R. Ward2. “Guilty Wives,” by James Patterson and David Ellis3. “Betrayal,” by Danielle Steel4. “Stay Close,” by Harlan Coben5. “Elegy for Eddie,” by Jacqueline Winspear

HARDCOVER NONFICTION1. “Drift,” by Rachel Maddow2. “The Big Miss,” by Hank Haney3. “Imagine,” by Jonah Lehrer4. “The Power of Habit,” by Charles Duhigg5. “American Sniper,” by Chris Kyle with Scott McEwen and Jim DeFelice

BOOks

nEW yORk TIMEs BEsT-sEllERsBy Jeff AyersAssociated Press

Brad Meltzer’s follow-up to his amazing “Heroes for My Son” features more talented individuals who prove one person truly can change the world.

From the introduction of “Heroes for My Daughter,” where Meltzer delivers a per-sonal message to his young daughter, the reader immedi-ately understands how deeply personal this book is for the author.

He wants his daughter to understand that anything is possible. What better way to demonstrate that belief than by using stories of people who have defied the odds or spoken up when they were told to be quiet? The sub-jects are diverse, from Helen Keller and Rosa Parks to Carol Burnett and Bart Simp-son’s sister, Lisa. After read-ing the text accompanying the

hero, it makes perfect sense.One of the best stories tells

of Mallory Holtman and Liz Wallace, players on the wom-an’s softball team of Central Washington University. Dur-ing an important game, West-ern Oregon University senior Sara Tucholsky hit her very first home run.

While running around the bases, she missed first base. She turned back to touch the base and tore a ligament in her leg. She crawled back to first and couldn’t move.

A pinch runner would negate the run, and if her teammates helped her, she would be called out. Holtman and Wallace checked with the referees to make sure it was OK if they carried Tucholsky around the bases so she could have her home run. That run cost Central Washington Uni-versity the game and a play-off spot. But the team gained something more valuable, and provided a lesson for us all.

“Heroes for My Daughter” is the perfect book to read aloud to your children. The discussions generated from talking about these individu-als will spark creativity and provide concrete examples that prove a hero doesn’t have to be wealthy or pretty. It’s all about standing up for what’s right against all odds.

Meltzer sums it up best to his daughter: “Always remember: The truth is what people say behind your back.”

‘Heroes for My Daughter’ is deeply personal

Mom picks sex offender over daughter in novel

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www.ThemeCrosswords.com

By Myles Mellor and Sally York

cROssWORD

ansWERs FROM lasT WEEk

DEaDlInEs Cache Magazine calendar items are due Wednesday by 5 p.m. They will also run for free in The Herald Journal one to two days prior to the event. Calendar items can be submitted by email at [email protected]. Any press releases or photos for events listed in the first half of Cache Magazine can be sent to [email protected]. Poems and photos can also be sent to [email protected] and run on a space-available basis if selected.

From All directionsAcross

1. Follower of John?5. Wiggle room11. Jewish month15. Make no bones

about19. Symptom of malaria20. Slight, in a way21. Phoenix neighbor22. “___ in the Fast

Lane”23. Dealing an unfair

blow, directionally speak-ing

27. “Empedocles on ___” (Matthew Arnold poem)

28. It talked to Snow White

29. India governor of old30. Collimator ___35. Makes clams37. Capt.’s guess38. Set off39. Safe starter42. Convert illegal funds44. One with a support-

ing role?45. Gives an account49. Big one50. Remains in favor,

directionally speaking56. Lord’s Prayer starter57. It often appears to

the right of you58. Ptyalize59. Carnegie61. Like some gasses65. Flight routes68. Lady’s man69. Citrus cooler70. Lettuce71. ___ of the minds73. Bachelorette

Fedotowsky74. Chests for storing

valuables77. Beekeepers79. May, Lennon’s one-

time girlfriend81. Cantina cooker82. Bass, e.g.

83. Take a load off84. Appearing from an

unexpected source, direc-tionally speaking

92. ___ of Aquarius93. ___ the cobwebs94. New beginning?95. Plans of attack99. Antechamber100. Boggs and name-

sakes102. PC linkup103. ___ Dodger107. Jack-tars109. Sock fabric111. Blackbirds114. Opera highlight115. Far superior, direc-

tionally speaking122. Reproductive struc-

tures123. ___ clock124. Illuminated, in a

way125. Appear to exist126. Witnessed127. Textile worker128. “Gypsies, ___ and

Thieves”129. Wax-coated

cheese

Down1. Express admiration2. Special effects type:

(abbr.)3. Guardianship4. Word with English or

Irish5. Atom smasher6. Baby carrier?7. One-striper: Abbr.8. “___ Hoo,” 1959

rockabilly song9. Jack-in-the-pulpit,

e.g.10. “___ Do Marvel,”

Countee Cullen poem11. Lifeless, old-style12. “Roxana” author13. Stellar14. Root word?15. Skin products maker

16. Took in17. Recently18. Place to mix a drink24. In the present month25. Store posting: Abbr.26. Followed30. ___ radio31. Foil-like blade32. Baker33. Bad way to go?34. Trick-taking card

game36. Star followers40. Tribe in Manitoba41. Shake a leg43. Distress45. Constellation46. Soaks up47. Make out48. Hasenpfeffer, e.g.51. Fleshy fruit52. Poison plant53. Mystic54. Spring locale55. City north of Detroit60. Energy units61. Hoo-ha62. Whitman’s dooryard

bloomer63. Radical -NH264. Obscure65. Kind of pad66. Frothy67. Printing flourish70. Orange container72. South American

monkey75. Small tuft of material76. Jewish month77. Irving Berlin classic78. Little fellow80. F.B.I. operative82. Alternative to a fade85. Large lizard86. Literary adverb87. Gawk88. Poet Teasdale89. Won over90. Suggestive look91. Crash95. Hellos and good-

byes96. Italian province in

the Lombardy region97. Intertwine98. Stick-in-the-mud100. Admonish101. Melodious104. Friction match105. Five-time Grammy

winner106. Denebola’s con-

stellation108. Religious diets?110. Sleipnir’s rider112. A deadly sin113. Smear116. O.K.117. Kind of test118. American ___119. Light into120. Contents of some

bags121. “Interesting!”

The Hyrum Utah Stake pres-ents “Headed for Broadway” on April 13 and 14 at 7 p.m. at 600 S. 200 East. This is a musi-cal tribute to the best of Broad-way. Everyone is invited. This is a family-friendly production.

The Cache Valley Stargaz-ers will hold their monthly meet-ing at 7:30 p.m. Friday, April 13, in Room 244 of the Science-Engineering-Research (SER) Building on the USU campus (free parking is available in the lot adjacent to SER, behind the Performance Hall). The meeting will feature a talk by Dr. Dan Schroeder from Weber State University entitled “Night Sky Photography.” Everyone is welcome. For more information, visit www.cachestargazers.org or email [email protected].

The Child and Family Support Center is pleased to celebrate its 30-year anniversary Friday, April 13, at 6 p.m. at the Copper Mill restaurant for the organiza-tion’s seventh annual Blue Rib-bon Benefit Dinner and Auction. The theme is a black and white birthday celebration. Cost is $45 or $400 per table of 10. To make a reservation, call 435-752-8880 or email [email protected].

RacecaR RacecaR will per-form from 6 to 8 p.m. Friday, April 13, at Pier 49 San Francis-co Style Sourdough Pizza, 99 E. 1200 South. There is no cover charge; everyone is welcome.

Tr3ason will perform metal music with Swamp Donkey and Fried Arm on Saturday, April 14, at 8 p.m. at Why Sound. Cost is $5.

Those who enjoy using First, Second or Third Dam, are invited to help clean each area at The Big Dam Cleanup on Saturday, April 14, at 9:45 a.m. Meet at First Dam on East Hwy

89 in Logan. The project was organized and will be run by USU students. For more infor-mation, call Stokes Nature Cen-ter at 435-755-3239 or email [email protected].

A parent information meet-ing about the Girl Scout pro-gram will be held Saturday, April 14, from 4 to 5 p.m. at the Logan Library, Bonneville Room (255 N. Main St.). Girl Scouts is open to all girls from kindergarten to 12th grade.

The Utah Fibromyalgia Association will hold its monthly education/support meeting from 11 a.m. to noon Saturday in Room 5/6 at the Logan Regional Hospital. This month’s topic is “A Healthy Diet for Living with IBS.” Irritable Bowel Syndrome is a common co-existing condition with those who have fibromyalgia. The pre-senter will be Mindy Anhder, a registered dietitian for 15 years at Logan Regional Hospital. She also does consultation for weight loss through the Univer-sity of Vermont. The meeting is free and open to anyone with fibromyalgia and/or chronic pain.

One-woman band Hilary Murray will team up with drum-mer/vocalist Suzy Rashid at Mulligans (a private club for members) at 11 p.m. Saturday, April 14. Cost is $5.

Nature in the Valley, a free monthly club for families in Cache Valley, meets every sec-ond Saturday of the month in various outdoor locations. Kids, grandkids, nieces, nephews, friends, etc., are all welcome for free range play. The next outing will be held Saturday, April 14, from 10 to 11 a.m. at Mack Park, 50 N. 300 East in Smithfield.

A comedy hypnosis show by Abracadan will be held Sat-urday, April 14, at 7 p.m. at the Logan Arthouse, 795 N. Main St. Cost is $6. The show will be fun and family friendly.

The Tumbleweeds will per-

form at Pier 49 San Francisco Style Sourdough Pizza from 6 to 8 p.m. Saturday, April 14. There is no cover charge; everyone is welcome.

Register by Monday, April 16, at noon in order to attend a monthly SHRM networking event to be held from 7:30 to 8:30 a.m. April 19 at Herm’s Inn, 1435 Canyon Road, Logan. Senator Lyle Hillyard will pres-ent a legislative update on cur-rent and recent issues relating to the workplace and business. He will share ways in which HR professionals can prepare for upcoming changes. Cost is $12 for SHRM members and $14 for non-members. RSVP to [email protected] or http://www.bridgerlandshrm.org.

The William Hyde Camp DUP will meet Monday, April 16, in the Hyde Park Civic Center at 12:30 p.m. Visitors are welcome.

Melody and Tyler, an acous-tic duo, will perform at Caffe Ibis from noon to 2 p.m. Monday, April 16.

The Wm B. Preston Camp DUP will meet Monday, April 16, at 2 p.m. at the home of Blanch Astle. A history will be given by MaryLou Reynolds. The lesson will be given by Sandra Tollley. Hostesses are Sherill Joy and Karen Johnson.

Don Sproul, IFA’s garden department manager, will teach a free class on getting yards, trees, shrubs and gardens ready for the year. Giveaways and refreshments will be provid-ed. The class will be held Tues-day, April 17, from 7 to 8 p.m. at Macey’s Little Theater.

Chili’s is having a benefit night for Common Ground Outdoor Adventures on Tues-day, April 17. The restaurant will give a portion of their proceeds to the organization when cus-

tomers mention they are there for Common Ground. For more information about our program, call 435-713-0288.

The Caine College of the Arts Undergraduate of the Year, Machaela Burt, will present

“Arts in Context” on Tuesday, April 17, at 6:45 p.m. prior to the showing of “Two-Headed.” Tick-ets are $13 for general admis-sion, $10 for seniors and youth, $8 for USU faculty and staff and free for USU students with ID. Prices include admittance to

“Two-Headed” as well.

The USU Extension Office holds free nutrition classes for USU students every first and third Tuesday of the month at Aggie Village. This month stu-dents can learn about meeting their calorie needs by planning their plate wisely. The next class is Tuesday, April 17, from 11 a.m. to 12:30 p.m. Food samples will be served and kids are welcome. All classes are held in the community kitchen at the MASA office (next to the laundromat).

Trina Thomas will share des-sert recipes at a free cooking and community class at Mac-ey’s Little Theater on Wednes-day, April 18, from 7 to 8 p.m.

An Alzheimer’s and Demen-tia class for family and friends of those with the disease is held every Wednesday from 6 to 7 p.m. at the Bear River Associa-tion of Governments Office, 170 N. Main St., Logan. The class is sponsored by The Alzheimer’s Association and The Bear River Area Agency on Aging. For more information, call Deborah Crowther at 435 -713-1462.

Common Ground Outdoor Adventures will host a rock climbing activity at the Rock Haus on Wednesday, April 18, at 1 p.m. Cost is $5 and includes transportation and entrance fee. To sign up for this activity as a participant or vol-

unteer, or to learn about other activities, call 435-713-0288.

Brass Happenings, a USU concert, will be held April 18 at 7:30 p.m. at the USU Perfor-mance Hall. Tickets range from free to $10 and can be pur-chased at http://arts.usu.edu.

Scott Bradley will teach a free Constitution class, “To Pre-serve the Nation,” on Wednes-day, April 16, at 7 p.m. at The Book Table (upstairs). For ques-tions, call 753-8844.

The DUP Ralph Smith Camp will meet April 19 at 1:30 p.m. at the North Logan church building located at 1550 E. 1900 North.

Chimney Choir will perform indie/acoustic music with Race-caR RacecaR and Corey Walton on Thursday, April 19, at 8 p.m. at Why Sound.

The Sunshine Terrace Foundation annual meeting will be Thursday, April 19, from 3 to 4 p.m. at the Bluebird Res-taurant, 19 N. Main St., Logan. Ice cream will be served from 3 to 3:30 p.m. with the business meeting following.

The North Logan Library will host a teen book club Thurs-day, April 19, from 5:30 to 6:30 p.m. Come discuss and share your insights about Tyler White-side’s “Janitors.”

Kappa Delta is hosting a Girl Scout centennial event Thurs-day, April 19, at 6 p.m. Anyone who has ever been involved in Girl Scouts, or who is interested in being involved, is invited to attend. The event will take place at the USU Lundstrom Center. Preregistration is due Monday, April 16, by going to http://kap-padeltabd.blogspot.com/ and clicking on the “Get Involved” tab at the top. Enjoy dinner, des-sert, guest speakers and shar-ing memories. Cost is $5 per person.

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Time: 8:30 am (Registration at 7:30 am)Logan Aquatic Center Parking Lot (400 South 500 West, Logan)

Get registered now at www.capsa.org

or call 435-753-2500. You can also pick up a registration form at

Al’s Sporting Goods.

April is Sexual Assault Awareness MonthHelp us spread the word by participating

in CAPSA’s 4th Annual 5K Run From Violence and 1 Mile Family Walk

“Where Abuse Ends...And Hope Begins”

Saturday, April 21st, 2012

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