C Magazine — Photo Synthesis · & 0 DJD]LQH ³ 3 KRWR 6 \QWKHVLV KWWS P DJD]LQHF FRP FXOWXUH...

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Subscribe Now Photo Synthesis The new curator at the Wattis Institute for Contemporary WATTIS CURATOR JAMIE STEVENS. ALL FASHION BEAUTY DINING DECOR CULTURE TRAVEL FAVORITE SEARCH

Transcript of C Magazine — Photo Synthesis · & 0 DJD]LQH ³ 3 KRWR 6 \QWKHVLV KWWS P DJD]LQHF FRP FXOWXUH...

Page 1: C Magazine — Photo Synthesis · & 0 DJD]LQH ³ 3 KRWR 6 \QWKHVLV KWWS P DJD]LQHF FRP FXOWXUH SKRWR V\QWKHVLV Like Tweet 1 The Pryde show is indicative of the latest wave at the

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Photo SynthesisThe new curator at the WattisInstitute for Contemporary

WATTIS CURATOR JAMIE STEVENS.

ALL FASHION BEAUTY DINING DECOR

CULTURE TRAVEL FAVORITE � SEARCH

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6/3/2015 C Magazine — Photo Synthesis

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Arts lets the image do the

talking.

British curator Jamie Stevens strolls the

CCA Wattis Institute for Contemporary Arts

and surveys his new kingdom. He’s about to

launch his first show here, smack in the

middle of the design district in Potrero Hill

in San Francisco. “We’re interested in the

status of the photograph,” says Stevens,

formerly of the artist-run Cubitt Gallery in

London. For his debut exhibition, the

internationally renowned institute

commissioned a series of photographs and

sculpture by British artist Josephine Pryde

for the front gallery and curated work by

New York performance artist Julia Heyward

for the second gallery. “I’m interested in

how the repercussions of photography are

used as a tool to ask urgent questions about

society,” says Stevens.

Pryde’s 20 to 25 new works focus on hands:

how they interact with knowledge and

technology. Some are juxtaposed against

fabric; others against iPads. Together with a

child-size moving model train sculpture for

visitors to ride while viewing—“an absurdly

modest experience,” Stevens notes—

attendees can ponder how “these sensations

are defining how we experience things.”

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The Pryde show is indicative of the latest

wave at the Wattis. Since new director

Anthony Huberman (founding director of

The Artist’s Institute in New York) joined in

2013, followed by Stevens in 2014, the

nonprofit affiliate of California College of

the Arts has taken on a fresh identity.

Previously rather group-focused, shows are

now mostly single artist-focused, and

commissions are a major priority. Personal

touches in the new space on Kansas Street—

now separate from the college—such as an

Oscar Tuazon-designed bar for meetings,

further shine a spotlight on creators. “We

want the institution to have as much

personality as possible,” says Stevens.

“Standard practices are not the default.” May

5-Aug. 1; 360 Kansas St., S.F., 415-355-9670;

wattis.org. 

Written and edited by Elizabeth Khuri

Chandler.