C HILDHOOD A PRAXIA OF S PEECH Information from the Conference by: Margaret Fish MS,CCC-SLP.

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CHILDHOOD APRAXIA OF SPEECH Information from the Conference by: Margaret Fish MS,CCC-SLP

Transcript of C HILDHOOD A PRAXIA OF S PEECH Information from the Conference by: Margaret Fish MS,CCC-SLP.

Page 1: C HILDHOOD A PRAXIA OF S PEECH Information from the Conference by: Margaret Fish MS,CCC-SLP.

CHILDHOOD APRAXIA OF SPEECHInformation from the Conference by:

Margaret Fish MS,CCC-SLP

Page 2: C HILDHOOD A PRAXIA OF S PEECH Information from the Conference by: Margaret Fish MS,CCC-SLP.

DEFINITION OF CHILDHOOD APRAXIA OF SPEECH

“A neurological childhood speech sound disorder in which the precision and consistency of movements underlying speech are impaired in the absence of a neuromuscular deficit (e.g., abnormal reflexes, abnormal tone).”

In simple terms it is a disorder of motor planning.

Page 3: C HILDHOOD A PRAXIA OF S PEECH Information from the Conference by: Margaret Fish MS,CCC-SLP.

CHARACTERISTICS

Inconsistent errors in production of consonants and vowels with repeated productions of syllables and words.

Lengthened and disrupted co-articulatory transitions between sounds and syllables

Inappropriate prosody (not always, sometimes their prosody is the best thing they have going for them)

Connected speech more unintelligible than expected given phoneme repertoire of results of single-word articulation test.

Page 4: C HILDHOOD A PRAXIA OF S PEECH Information from the Conference by: Margaret Fish MS,CCC-SLP.

CHARACTERISTICS (CONTINUED)

Limited vocalizations/babbling during infancy. (“very easy baby, was so quite”)

Automatic speech (counting, singing, etc) better than volitional productions.

Groping or silent posturing Regression (loss of sounds and words) Poor diadochokinetic rates (pa-ta-ka),

accuracy, and rhythm. Difficulty producing volitional oral

movements Possible feeding difficulties during infancy

(unrelated to significant muscle tone weakness)

Page 5: C HILDHOOD A PRAXIA OF S PEECH Information from the Conference by: Margaret Fish MS,CCC-SLP.

CHARACTERISTICS (CONTINUED)

Receptive language (typically) exceeds expressive language

Late in attaining first words At risk for literacy difficulty

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ESSENTIAL ELEMENTS OF MOTOR SPEECH EXAM

Provide opportunities for child to: Produce words imitatively and spontaneously Produce words with increasingly complex syllable

shapes Repeat test items 3-4 times (not necessarily

sequentially) Execute non-vocal oral movements Produce phrases and sentences Produce challenging words with the benefit of

cueing (visual/tactile/proprioceptive)

Page 7: C HILDHOOD A PRAXIA OF S PEECH Information from the Conference by: Margaret Fish MS,CCC-SLP.

FORMAL ASSESMENT INSTRUMENTS

KSPT- Kaufman Speech Praxis Test for Children (Kaufman)

VMPAC- Verbal Motor Production Assessment for Children (Hayden and Square)

The Apraxia Profile (Hickman)

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TREATMENT CONSIDERATIONS

Focus on Phoneme Sequencing Provide Opportunities for repetitive practice Provide the appropriate intensity of service Select vocabulary thoughtfully (functional

vocabulary) Incorporate multisensory cues and feedback Focus on vowels Address prosody early on in treatment Incorporate phonetic modifications as

necessary Move quickly to phrases and sentences Facilitate carryover

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MOTOR LEARNING THEORY

When teaching new movement patterns mass practice is recommended. (Hi mom, hi mom, hi mom)

When trying to habituate skills, distributed practice is recommended. (I got ball, give me, roll down, got it)

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INCREASING PRACTICE OPPORTUNITES

Divide activities into three phases Set-up the activity Complete the activity Review the activity

(mailman activity example)

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MATERIALS AND ACTIVITIES TO PROMOTE REPEATED PRACTICE

Echo microphone Puzzles Sound Puzzles String beads or pop beads Fisher Price Farm Fisher Price cash register Cars, trucks and ramps Train track and trains Mr. Potato Head Marble works Books and songs

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MATERIALS AND ACTIVITIES TO PROMOTE REPEATED PRACTICE

Books and songs (The big book of exclamations)

Bubbles Zoo animals Playdough and accessories Wind up toys Games (my turn, your turn, #’s, colors, teach

vocabulary so they can play with friends) Familiar characters with accessories Dollhouse with family characters

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QUICK GAMES FOR REPETITIVE PRACTICE

Pop-up pirate Cariboo Crocodile dentist Don’t spill the beans Silly six pins Lego creator Mousetrap Animal buddies Barnyard bingo Lucky ducks

Milk and cookies Silly faces Colorforms Memory games Lotto games Holiday and seasonal

game boards (super duper)

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ACTIVITIES FOR CHILDREN WHO ENJOY MOVEMENTS

Bowling Basketball Long jump: put pictures of words on floor and

jump over them. Add a new word each time. (“ I jumped over a ____”, “ I jumped over a ___and ___and ____)

Picture hop Treasure hunt Mailman

Page 15: C HILDHOOD A PRAXIA OF S PEECH Information from the Conference by: Margaret Fish MS,CCC-SLP.

ACTIVITIES FOR CREATIVE CHILDREN

Block designs Tall tower Dominoes Stickers Progressive drawing (guess what I’m

drawing) Earn it now-make it later crafts

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MISCELLANEOUS ACTIVITIES

Go fish Memory Simon says Louder/softer (say word louder or softer) Hidden puzzle pieces (hide under target

words)

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INTENSITY OF SERVICE

Motor learning research suggests that motor skills are: Acquired more quickly Attained more accurately And are better retained

With shorter, more frequent sessions

***She said in a perfect world a minimum of 3-5, 20-30 minute sessions a week is ideal.***

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MULTISENSORY CUEING

Specific cueing techniques Rate variations Choral speaking (simultaneous production) Direct or delayed imitation Mirror Mime (take away your voice) Hand motions/positions (Pam’s place on youtube) Written letters and words Tapping/clapping out syllables Syllable manipulatives Sound names Phoneme placement cues Mouth pictures

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PAM’S PLACE- VOWELS (FIND ON YOUTUBE)

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VISUAL SYLLABLE WORDS

Toe May Toe

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moo Vee

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GIVE A LOT OF FEEDBACK

When teaching a NEW motor skill: Provide frequent feedback Provide immediate feedback Provide knowledge of performance

Tell what was not correct about the movement Tell what should be done differently next time

*Limit the amount of information provided- don’t overload*

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FEEDBACK CONTINUED

Progressively fade extrinsic feedback Provide intermittent reinforcement and

feedback Begin to provide extrinsic feedback in form of

knowledge of results (was the target correct or incorrect)

Begin to delay feedback as skill level increases

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PHONETIC MODIFICATIONS

Four ways to modify targets: 1. Choose simpler words

“Nana” for grandma “Uh huh” for yes2. Teach alternate articulatory placement (e.g. dental

placement for alveolors)3. Consider normal phonological patterns (Kaufman) Syllable reduction, reduplication, cluster

reduction, final consonant deletion, liquid gliding, or vowelization

4. Vowel simplification (e.g. pure vowels for dipthongs)• This gives children power and a function vocabulary• Honoring the modifications increases vocabulary

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KAUFMAN’S SUCCESSIVE APPROXIMATIONS

“Day no” “di no” “di no so” “di no saur”

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FACILITATION GENERALIZATION

Increase practice opportunities Increase flexibility by using many phoneme

contexts Reduce cueing Increase rate Reduce pausing between syllables/words Change feedback from descriptive

(knowledge of performance) to correct/incorrect (knowledge of result)

Choose functional vocabulary Enlist help of family/teachers

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EXTRA INFO THAT I THOUGHT WAS COOL BUT DIDN’T REALLY PERTAIN TO APRAXIA MUCH…

Teach children to ask appropriate follow-up questions discretely:

Use question cue cards Limited choices of cue cards

“I’m feeling kind of sad today”

Where? Why?

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CONVERSATIONS

Integrating the three basic conversation extenders through discrete practice:

What type of conversation extender is the student predominantly using?

Who is doing the most talking? Use chipper chat tokens, each person has their

own color. Put token on card when they do it.

Ask a question

Make a comment

Tell something about you

or someone you know

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THE CONVERSATION TRAIN

Colored strips or small trains, one color for each person in the conversation

Lay strips side by side for each conversational turn

Include “talk over” or interruption strip Include “off topic” card

Talk over card

Off topic card