BYRD Charlie - Jazz 'n' Samba for Guitar_The Music of Jobim Chitarra
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Transcript of BYRD Charlie - Jazz 'n' Samba for Guitar_The Music of Jobim Chitarra
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~'''''''''''_~'''''~''''''''_'O'=,,",,''''----__'''''''<~Kt'''''"''''''''''''d
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< vFOI A NOlTE (It Was Night) 10
j YIT WAS NIGHT (Foi A Noitet 10' i JAZZ 'N' SAMBA(So Danco Samba) 8
,~ t/NO MORE BLUES (Cllega D e S au da de ) 26.j ,
'j /0QUE E QUE VAl SE~ DE MIM 16
iJ/POR CAUSA DE VOCE (Don't Ever Go Away) 12
;,·,~·;.c·,c·~ vSE TODOS FOSSEM IGUAIS A VOCE (Someone To Light Up My Life) .. 21
. : · ' 1 yS~IGHTLY OUT OF TUN:,U::esafinado) 5
1 vSO DANc;O SAMBA ilaz: N Samba) : 8
.. } v-SOMEONE TO LIGHT UP MY LIFE (Se Todos Fossem lguais A Voce) 21
: 4 v'THA T LOOK YOU WEAR (Este Seu Olhar) 18
' . ' l vVEM VIVER A MEU LADO 14
~ i ; J i ; ' : { i ; ; ' 1f;~~~:l~~o~/~,•• ;;;:;:::;;::;;;;;;;;;;:::~~" ~ r l ~,v"'THOSE WERE THE DAYS 32 ,;.: (c.;<t v H~.
r~:<~.>!.'i!i·~J.'I>i:~'i--~'"'~·~':¢"i:~ , . . ! : ; . ' T - - : : : - ' · : " · ~ · r m ·'.;~;,..~;,:;..:.~>:..~:~.:;:. : i ; ; , : ' : . : - ; . ~ : ; . " ' : . : - . ; . . , > . T~O HOLLISMUSIC INC. . . . . .. . . . : : : ! ! : .,·",,:;:~·r,",-,,!I{~"M""f"'(M' , •
:;~;~:~~~~:::t~~:~.;~~~\;;~ . : . : : ~ i ; : : i ~ : ? c The RICHMOND ORGANIZATION
Interpretation of the Bossa Nova.
Playing R/lythm Guitar in the Bossa Nova 2
Some Typical Bossa Nova Rilythm Patterns '. . . 4
t/CHEGA DE SAUDADE (N o More B luest " 26
vDESAFINADO (Slightly Out Of Tune) 5
t-: DON'T EVER GO AWAY tPor Causa D e Voce) '.' 12
~SPERANSA PERDIDA 24
vESTE SEU OLHAR (That Look You Wear) 18
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INTERPRETATION OF THE BOSSA NOVA
The bossa nova should almost play itself. There is no feeling of "push" as
in a jazz piece. Just ride along easily with everythingratherunderstated--much
more subtle than, say ,the mambo or cha-cha-cha.
The melody must be given prime consideration. Not only must the melody
be played louder than its surrounding notes, but it must also be phrased with a
certain amount of freedom. Much of the beauty and excitement of the bossa nova
lies in the contrast between the melody, phrased rather freely, and the rhythm
section which is rather tight sounding and very even. This is well illustrated by
the music of Villa-Lobos. This greatest of Brazilian composers wrote many
highly rhythmic pieces for the guitar, but did not hesitate to employ ritards, ral-
lentandos, accelerandos and other breaks in tempo in order to enhance the mel-
ody,.
HOW TO PRACTICE THESE ARRANGEMENTS
Some of the arrangements in this folio will be a challenge f?r the average
player. I would like to suggest a method of practice that may be helpful. Use a
metronome or other method of keeping a slow, steady tempo. Keep the eighth note
in mind as the basic rhythmic unit, not the quarter note. Practice very slowly un-
til you have the co-ordination of the various parts under the hand as well as in
your bar. Only then should you attempt to bring the piece up to proper tempo.
PLAYING RHYTHM GUITAR IN THE BOSSA NOVA
I think a few words might be appropriate here on the subject of playing
J
rhythm guitar in the bossa nova. For example, when backing up a vocalist or so-
loist:'/
Just adding even eighth notes to the rhythm section is a help:
etc.
@ f ~ . ~ ~ ~ ~ ~ ~ ~ I ~ j j j ~~j~j~
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Editor's note: In the bossa nova,and other Latin American music as well,
the eighth note is interpreted as it is in classical music,that is, exactly evenly,
Note the difference between this and the jazz interpretation which makes eighth
.-J-, rJ---,
notes sound more like J . ~ J , j or ~ . P ~ . PTo the basic eighth note pattern may be added bass notes. These may be
or dotted quarters followed by eighth notes:
The underlying accentuation of the bossa nova is derived from the old Spanish
rhythm: ~ (' ~? ( In the most typical bossa nova beat, this rhythm
is combined with its mirror image: (' ~ ( ( I ( ( - c ( .Editor's note: Except for the 1st quarter note of the 2nd bar, this cor-
responds exactly to the clave beat as used in the bossa nova. Anyone interested
in the construction of Latin music should realize that the clave beat is its whole
foundation: rhythmic, melodic and harmonic.
Compare the traditional clave beat (used in the cha-cha-cha,bolero,be-
guine, etc ..)with the bossa nova clave.
Traditional clave Bossa nova clave
(.~?( I ~ ( ( I I I ( . 4 ? ( I ~ ( ~ . ( . I I
Notice especially the subtle shift in accent in the second bar.
Although it is impossible to give exact rules for rhythm playing, a hint may
be in order here. If the drummer is playing even eighth notes, the guitarist
should play with a great deal of freedom. But if the drummer is accenting, the
guitarist should try to avoid conflicting too much with these accents. That is, he
must play "in clave," 'A comparison between the rhythmic figures on page' 4
and the bossa nova clave beat will show you what this means.
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SOME TYPICAL BOSSA NOVA RHYTHM PATTERNS
:> : : : > - : : : > -
r c:::>. : : : > -
1)
C ( ( r ' C ( L r C C r c ( ( r
2) u
3) r r I I ' r
. . . . - - - - . . .
r ' C ( c r
4) o ( V . r v r
IMPORTANT
The chord diagrams which are found with each arrangement are meant as
an aid to players whose sight reading is not all it should be. They should not be
used for the rhythm guitar part.
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DESAFINADOEnglish Lyric by
JON HENDRICKS and
JESSIE CAVANAUGH
(Slightly Out Of Tune)Original text by
NEWTON MENDONCAMusic by
ANTONIO CARLOS JOBIM
l l l ( t t f - - - - - - - - - - - - - - - - ,
I
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i
pp
e Copyright 1959and 1962EJi tora Musical Arapua. Sao Paulo. Brazil' tRO HOLLIS MUSIC. INC.. New York. controls all publication r ights for tn~ U.S.A. and CanadaInternational Copyright Secured Made in U.S.A.All Rights Reserved Including Public Performance For Profit
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- m . / 'Gmll
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' ~ t F B r O r t f i r - I · c f - n f c [ r I & ~ F r j J U j U II
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English Lyric by
NORMAN GIMBEL
. JAZZ 'N ' SAMBA(So Dance Samba)
frum the f'lm "Cor~CARANA PALACE"
Turie lowest string to D.
Em7
~
" ~ " l l 1 1 ! 1 k I " 1 ,
·A13b9i+ F i" P - zfr .F - f t + R
Original Text and Music by
ANTONIO CARLOS JOBIM and
VINIGIUS DE MORAES
A13b9
t l i j 1 1 1 1 §' ~ , 1 'm7
\ -l" 1 it;j
Em7(Abass)
~ ~ ~ * £ 1 ¥ I . e n j I t~
d t'itO
r
1 -
G7
4fr.-~
t ¥ b~ I-eo
E9
r--3T ~3--'
I t F E r r $~z:t jEm7(Abass)
i J : I ; i i1,':)
D6
t !D~"'
~I
r-3~ .----3---'
I ! E i F F r # ! $ 9- - - -
Em7(Abass):>
D I D I$ t = ~ :
, I
_ _ .
J\
J J1 j Jl
'I ;1 I § ~ J i, J I I ~ I ~ 'f J l I I.6
--Copyril<ht lOb3 and 1965 Edizioni Suvini Zerboni S.p,A" Milan. Italy -
iRO LUDLOW MUSIC. INC" New York. controls all publication rights for the U.S.A. and CanadaInternational Copyright Secured Made in U.S.A.All Rights Reserved Including Public Performance For Profit
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-~~.
i . ~ I I I ~ isfji
- - - -
Em7 (Abass) .
: i t ~ . .~'I~A '! ~ J 1 1 ~ n f
,
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IT WAS NIGHT(Foi A Noite)
Sarnba-Cancao
English Lyric by
GENE LEES Original Text and Music by
ANTONIO CA RLOS JOBlM andNEWTON MENDONCA
[31
r
v -j
G7 E7b9
I f -~ 'pI2... •
Iv -r
Dm(bS)
~ & P - i J
r
c
n·, f ·r-3--, .
fr ~ I IClCopyright 1964and 1965 Edicoes Euterpe l tda . . Rio de Janeiro. BrazilTRO~HOLLIS MUSIC. INC. New York, controls all publicat ion rights for the U.S.A. and CanadaInternational Copyright Secured Made in U.S.A.All Rights Reserved Including Public Performance For Profit
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G7 ,--3---,
l i & ' , . J l a : ; r r
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DON /T EVER GO AWAY~
(Por Causa De Voce)
Samba-Cancao
English lyric by RAY GILBERT Original text by DOLORES DURAN
Music by ANTONIO CARLOS ]OBIM
"0 CF Fit F k : r n - 15 fr.
ht0-~r. R+m ~-,q fr.',r-J----, r--J----, r-- J----. _ r-- 3--' r=r:3----'
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F f R = R (B) (Bb)
e Cnpvri);ht 1957. 1065and 1967Edicoes Euterpe Ltda .. Rio de Janeiro. Brazil
TaO DEVON :>.lUSIC.1:"olC..New York. controls all publication riKhts for the U.S.A. and CanadaInternauonal Copyright Secured Made in U.S.A.All RiKhts Reserved lncluding Public Performance For Profit
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. .iI'\ ~ • •4.-.. • I • -1.L'! • I . . . . . I. . .
I!:.I . .~ 2~- ~ J ·--r I ~ r 2~
~. . . . . . . . : . -
Am7 Dm7(bS) G7G7
Fcern. FtfH:i-afr.
Barre V Fro
Barre T
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14VEM VIVER A MEU LADO
Samba -cancaoOriginal Text and Music by
ANTONIO CARLOS JOBIM andALCIDES FERNANDES
C.--3---,
r---3---,
J J J • J1
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I I ! . ) 2 0 02 f ·
l~ 2 T ~ r · ~ 2 - . -If Fmmaj 70
mi G7r--3----, r--3----,
C B7 .~'
C) Copyright 1956and 1965 Edicoes Euterpe ltda .. Rio de Janeiro. Brazil"fRO HOLLIS MUSIC, INC.. New York. controls al l publication rights for the U.S.A ... .. d C... .adaIn"'rnatiolWll Copyright Secured Made in U.S.A.'All Rights Reserved Including Public Performance For Profit
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oe r r
Ab7' G7 1m - a~-4fr. 1m ' Fm6 C6(add 9)
Fm9 .--3--. +-sfr.Cm7
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o QUE E QUE VAl SER DE MIMSamba
• -. • -, -,': •,~1 .
" .'_ '.,
_, . :~ .:t . .',•• e , . ~ ~
" '.~.~ " :
Or igina 1Text and Music by JANTONIO CARLOS JOBlM .:
Dm7
I
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2..., 2-.7_ ' 2 r 2 - Z : ; ----I
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@ Copyright 1954and 1965 EdicoesEurerpe Lrda., Rio de Janeiro, Brazil ' .' ., . :.'. ,:.' . _.":'.. .1 'RO HOlLlSMUSIC.lNC . . New York, controls all publication rights tor the U.S,A,and Canada'. , , ', .: :,Intrrnational Copyright Secured Made InU,S,A,All Rights Reserved Including Public Performance For Profit ",
." ~ .
0 • '._ ,". . '.
,- .... " .,'
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F6
~. ,~ !~ J J:eII ----
Gbaugll Dm7 G7+ .rrrr+~-8fr. ~-7fr.frT.-t-8fr•
Fm6 G7 C n1 J . 3 1 1 1 : J; .; 1 1 J J
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THAT LOOK YOU WEAR/I
(Este Seu Olhar)
English Lyric byGENE LEES
Cm7
~.
~1 ' ~V i r i
Original Text and Music byANTONIO CARLOS JOBIM
C13b9
, ,ld f§1I I
Am7 A7 Bb6 Bbm6~--{;fr. c=::::J
.---3---,~-~fr.
~
.---3---, ~ -sfr • .---3---' I-Hifl_.ll fr..--3---,
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1
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J
C7
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l a r
C7
H t t f i -I t O F ~ ; ] I
J r©Copyri~hl 1959. 1964and 1965 Editora Musical Arapua. Sao Paulo. Brazi l
TOO HOLLIS MUSIC. INC .. New York. controls a ll publication rights for the U.S.A. and CanadaInternational Copyri)<lht Secured Made in U.S.A.All Rights Reserved Including Public Performance For Profit
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I I I L-3-'-1 '---3----1 ....__3-J ~3-----'. L--3----1 '--- 3----1
Am7 G~3----'
I tr F r r r I I
G~dim
~
I;~ _ j = = J J ~Bbmf F
. ' . B b 6 Fffffi FHffi -;Am7 A7 ~3~ Fm l1 ~ Fm l1 .
- & ~ J J J g r F r rn 4 j J ~ I r r r . C l u I ¥ J P J t1.._.
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-r . ~ . . . . ,
5 7 t ;L-J~ . r 1r r r r - .
'-- 3---J '---3-----J
••
I II'---- 3-----'
I I
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SOMEONE TO LIGHT UP MY LIFE(Se Todos Fossem Igua is A Voce)
Samba-Cancao
Original Text by VINICIUS DE MORAES
"'I Music by ANTONIO CARLOS JOBIM
English Lyric by
GENE LEES
G7 Barre ill~-3fr.
r+r+r-
I ~~®fi ? ~ f ~ ~
A7+ A7 07 Gm7Bbm7A13 ~-Sfr. ~-~fr.
~-f'fr. f f f f f l - A fr. f f l f f i - e .$_Sfr. ~ t : 1
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Gmi:-; H!:-3 fr.
:;u: 1
F 1 M 'r r I
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emct:rr:£l_ Jfr.
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© Copyright 1958. 19M and 1965 Edicoes Euterpe ltda .. Rio de Janeiro. Brazil' fRO HOlLlS;"\USIC. INC.. New York. controls al l publication rights lor the U.S.A. and CanadaInternational Copyright Secured Made in U.S.A.All Rights Reserved Including Public Performance For Profit
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ESPERAN <;A PERD IDA
_. Qriginal Text and Music by
ANTONIO CARLOS JOBIM and BILLY BLANCO
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A ll Ri~ts Reserved Including Public Performance For Profit
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26 NO MORE BLUES(Chega De Saudade)
English Lyric byON HENDRICKS and'
ESSIE, CAVANAUGH
Original Text and Music by.ANTONIO CARLOS ]OBIM and
VINIC IUS DE MORAES
Bossa nova tempo_..- . . . . . . . . . ,
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e Copyright 1958. 1962~nd1967Editora Musical Arapua, Sao Paulo, Brazilrno HOLLIS MUSIC, INC.. N~w York. controls all publication rights for the U.S.A. and Canada • ".Inll'r ..~tional Copyright Secured Made in U.S.A.
All Rights Reserved Including Public Performance For Profit
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FLYME TO THE MOON(In Other Words)
Slowly
Am7Fly
4 i4·
Words and Music by
BART HOWARD
me to the
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Fill my heart with song, and let me Sing Ior--ev - er- more; You are allI
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long for all [ war' - ship and a - dare. In oth - cr words: please be
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"fRO e Copyright 1954 AL"IANAC MUSIC. INC.. New York. N.Y.International Copyright Secured Made in U.S.A.All Rights Reserved Including Public Performance For Profit
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30
English lyric by
JON HENDRICKS
o PATO
(The Duck)
Original text and music byJAYME SILVA and
NEUZA TEIXEIRA
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~ Copyright 1960and 1962 Edicoes Musicals Samba Ltda .. Rio de Janeiro . Brazil"IRO CROMWElL MUSIC. INC., New York. controls a ll publication rights for the U.S.A. and CanadaInternational Copyright Secured Made in U.S.A.All Rights Reserved Including Public Performance For Profi t
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$ ~ u . ~ r ~ F -
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THOSE WERE THE DAYSWords and Music by
GENE RASKIN
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THo © Copyri~ht 1962and 1968 ESSEXMUSIC. INC .. New York. N.Y.International Copyright Secured Made in U.S.A.
Ail Rights Reserved Including Public Performance For Profit