By George S. Kaufmanand Moss Hart

Directed by Roger Tompkins

February 13 - March 14Sand Point Magnuson Park

www.greenstage.org

Director’s NotesReflections on GreenStage and this Play

The first four weeks we earnestly rehearseda production of Hamlet. A week ago I finallymade a directorial decision. I decided to doThe Man Who Came to Dinner instead. It will bemost interesting to see how this organizationadapts to change. But why should you care? Imean, how much did you pay for the ticketsanyway? But seriously, The Man Who Came toDinner is an American comedy classic whichreveals what is great and what is silly aboutAmerica. We are free to speak our minds, freeto love whom we choose, and we have thefreedom to manipulate & be manipulated. In atime in which we might be taking ourselves alittle too seriously, I hope that you will exerciseyour inalienable right to laugh and have funduring this performance of The Man Who Cameto Dinner. Best of all, it’s free.

- RWT

Grotowski wrote a book Towards a PoorTheatre; Peter Brooke wrote a book about anEmpty Space; the producers of this play—GreenStage—are directing their energiestowards free theatre. Five of the guilty culpritsof this noble enterprise are Amelia Meckler,Peter Burford, Ken Holmes, David Dodge, &Patricia Bustos. I hope that in the court of publicopinion they will be judged as saints, becausethat is what they are! For fifteen years,GreenStage has brought works of great literaryart to the stage–for free. In an increasinglycapitalistic society, these dedicated people aredoing something extraordinarily worthwhilejust for the truth and love of it. There are somepeople who believe that America is still theland of the free. I would also like to thankthese same people for taking a chance on meto direct this play. Now that they realize whata wacko I am, I am sure they will not repeatthat mistake; after all, nobody is perfect.

SPECIAL THANKSJames Venturini, Tacoma Actor’s Guild, Brad Cook, Theater Under the Influnce, Mark Smith,

Langston Hughes Cultural Arts Center, Katie Kurtz, Julianna Ross, Jason Puccinelli, S.P.A.C.E.,Martin MacKenzie, Washington State University Drama, David Robinson, John Kirschenbaum,

Jim Graham, Book-It, Nathan Rodda, Eric Friedli, Isabel Hamilton, Cynthia Boyce, Dan Iverson,Sand Point Magnuson Park, Lisa Holmes, Ryan Spickard, Matt Lovell, Stephanie Watson, Dmitri

Arbacauskas, Amelia Meckler, Tony Driscoll, the D.O.G., Cheryl Olin, Dan Reinking-Mad Dog Produc-tions, Snoqualmie Falls Forest Theater, Noreen Kirio, Rob D’Arc, Sam Anderson, Defibrillator

Productions, Dennis McCabe, Andrea Stuart, Julie Haehn, Rebecca Scott

The Man Who Came to DinnerBy George S. Kaufman and Moss Hart

Directed by Roger Tompkins

Please turn off all cell phones, pagers,or other devices that might, beep, buzz,or play music during the performance.

CASTMRS. STANLEY .................... Jackie AyzenbergMISS PREEN ................ Kathryn BartholomewRICHARD STANLEY ........ Dmitri ArbacauskasJUNE STANLEY ............................. Eva SikesJOHN ........................................... Joe ShapiroSARAH.................................... Teresa WidnerMRS. DEXTER .............................. Hana LassMRS. MCCUTCHEON ................ Andrea StuartMR. STANLEY ............................ Michael KattMAGGIE CUTLER ....................... Marie RubinDR. BRADLEY........................ Dennis McCabeSHERIDAN WHITESIDE .................. Rick MayHARRIET STANLEY ............... Meredith BinderBERT JEFFERSON......................... Don TaylorPROFESSOR METZ ......... Martin J. MacKenzieLUNCHEON GUESTS ................ Andrea Stuart

Dmitri ArbacauskasLewis Thompson

MR. BAKER ............................ David J. DodgeEXPRESSMAN ......................... Andrea StuartLORRAINE SHELDON ................... Hana LassSANDY ................................... David J. DodgeBEVERLY CARLTON ......... Martin J. MacKenzieWESTCOTT............................... Andrea StuartRADIO TECHNICIANS .............. David J. Dodge

Dmitri ArbacauskasCHOIR ................................. Lewis Thompson

Cassidy DoremusBANJO .................................... David J. DodgeDEPUTIES ....................... Martin J. MacKenzie

Andrea StuartPLAINCLOTHESMAN ............. Meredith BinderPENGUIN ............................. Colin Thompson

SCENEThe home of Mr. and Mrs. Stanley,

in a small town in Ohio.

AAAAACTCTCTCTCT I, S I, S I, S I, S I, SCENECENECENECENECENE I I I I IA December morning.

AAAAACTCTCTCTCT I, S I, S I, S I, S I, SCENECENECENECENECENE II II II II IIAbout a week later.

(Intermission)

AAAAACTCTCTCTCT II II II II IIAnother week has passed. Christmas Eve.

(Intermission)

AAAAACTCTCTCTCT III III III III IIIChristmas Morning.

PRODUCTION TEAMDirector ............................... Roger TompkinsStage Manager ....................Mary E. CannonSet Design ................................ Peter BurfordCostumes ........................... Jackie MacKenzieLighting Design ........................ Steve CooperProperties ................................ Angela ZiskaAsst. Stage Manager ......... Stephanie WatsonProduction Manager .................. Ken Holmes

There will be two ten minute intermissions.

Dmitri Arbacauskas (Richard Stanley, RadioTechnician, Luncheon Guest)A proud Cornish expatriate, Dmitri has spentthe last two years working with GreenStage onsuch shows as The Merry Wives of Windsor andThe Taming of the Shrew. He has also workedwith ExiTheatre for their production of Cry,Goddess, Rage: A History of Human Discord andin Open Circle Theater’s production of The Hor-ror in the Theater: an HP Lovecraft Triptych ofTerror. His plans for the future include variousand sundry items, and he hopes to eventuallytake a day off.

Jackie Ayzenberg (Mrs. Stanley)Jackie Is thrilled to be making her first appear-ance with GreenStage. During the last year shehas appeared on the stages of The Island Play-ers, United Performing Artists and most re-cently, Redwood Theatre in their production ofBlithe Spirit where she played Madame Arcati.Thanks to the awesome cast and crew of TheMan Who Came to Dinner for making this sucha fantastic production. Thanks also to Alex,Mickey, Benny and Rachel for holding down thefort while Mom was out playing at night.

Kathryn Bartholomew (Miss Preen)Originally from Indiana, Kathryn graduatedwith a B.A. in Acting from Purdue University.She moved to the Seattle area less than a yearago and loves it here! Her most recent pastperformance was playing Amy in Little Women.She’s so thankful to have this opportunity tobe a part of such an upbeat comedy and thanksthe cast & crew for all their kindness..

Meredith Binder (Harriet Stanley, Plainclothes-man)Meredith Binder began her acting career fiveyears ago at the Freehold Studio/Theatre Lab.Her interest in sharp objects, however, beganat birth. She has performed in several fringetheater productions and independent filmswielding exuberance, passion and vengeance,as well as knives. A writer as well as an actor,

Cast Biographies

Meredith will be producing her own film thisspring replacing weapons with industrial ma-chinery. Meredith thanks the fabulousGreenStage cast and crew for the life experi-ence —and her husband George for keeping theknife drawer locked.

David J. Dodge (Banjo, Sandy, Mr. Baker, Ra-dio Technician)David is delighted to be involved in his thirdproduction in GreenStage’s American ClassicsSeries. He performed the role of Micky Malloyin the 2002 (ACS) Touch of the Poet and servedas the Assistant Director in last years Night ofthe Iguana.

Michael Katt (Mr. Stanley)Michael Katt has been a working actor sincethe Carter Administration. He’s appeared inmore plays than he can possibly remember,several television commercials (including acouple of national ones) and 8 independentfilms. He also worked as a professionalstuntman for 5 years in the mid 80s. This ishis first time on stage in Seattle, though, andhe’s glad to be making his debut withGreenStage. Most of the work he’s done in thepast has been in Denver, Colorado and in TheDeep South. Mike is also well known in cer-tain circles as one of our nation’s leading au-thorities on The Andy Griffith Show trivia.

Hana Lass (Lorraine Sheldon, Mrs. Dexter)Hana Lass trained at the Neighborhood Play-house School of Theatre in New York & has aB.A. in Drama from the University of Washing-ton. Her recent Seattle credits include numer-ous roles with the experimental theatre groupDefibrillator Productions, the title role(s) in TomSmith’s original work Dahlia/Rose, and the roleof Ophelia in White Raven Production’s Hamlet.

Martin J. Mackenzie (Professor Metz, BeverlyCarlton, Deputy)Martin is a native Washingtonian and has beenseen on many Seattle area stages. Marty’s mostrecent credits include Mesmeron Creep, Bob

Retchid, Brother U.C. Davis, & Judge PuncheonJudy in the Breeders Theatre Production of GrapeExpectations. Playing a variety of roles in ashow has become a thing for me. Im still try-ing to find myself, so maybe one of these roleswill fit!!

Rick May (Sheridan Whiteside)Rick appears for the first time with GreenStagein one of the most wickedly delightful roles inthe American theatre. During his long and re-warding theatrical career, Rick has directed orappeared in over 300 shows, ranging fromShakespeare to musical comedy. Local audi-ences may have seen him onstage in such di-verse roles as Tevye in Fiddler On the Roof, WillyLoman in Death of a Salesman, Ben Franklin in1776, Teddy in Arsenic and Old Lace, Pseudolusin A Funny Thing Happened On the Way To theForum, Oscar in The Odd Couple (onstage withthe inimitable Roger Tompkins), Weller in TheGin Game, Sid in Take Me Along, and his per-sonal favorite, Matthew the Storyteller in Cot-ton Patch Gospel, a role he performed for threeseasons and will be reprising next season forBellevue Civic Theatre. For some time, he has been the televisionspokesman for Great American RV, and his voicehas been heard in countless radio commercialsand on CD-ROM games such as The Age of Em-pires II (as Genghis Khan), and on the Nintendo64 game, Star Fox. He also often appears onJim French’s popular radio series ImaginationTheatre, currently broadcast weekends on KIXI-AM. The long time artistic director of Renton CivicTheatre and Civic Light Opera, Rick is now afreelance actor and director. His most recent ap-pearance was as Leonato in Wooden O’s ac-claimed production of Much Ado About Nothing.

Dennis McCabe (Dr. Bradley)Dennis received his dramatic training at theUniversity of Washington where he is currentlyemployed. After rehearsals he can often be spot-

ted at local dance venues, doing the lindy hopor zydeco in his signature Converse All Starhigh tops, his collection spanning every colorof the rainbow. This is Dennis’ second showwith GreenStage’s American Classics Serieswhere he previously appeared in A Touch of thePoet. He would like to thank his wife Kay forher pioneering work in Act-Anon, a supportgroup for partners of theatrical workers. Spe-cial thanks also to his daughters Mary and Lenafor becoming young women of grace andaplomb.

Marie Rubin (Maggie Cutler)Marie is very happy to be working withGreenStage and Roger Tompkins. The role ofMaggie Cutler in The Man Who Came To Dinnerhas been a fun challenge for her. Miss Rubinholds a B.A. from Colorado College in Drama.She started off her stage career as a dancer atThe Basler Stadt Theater in her native Switzer-land, and later found an interest in acting inmiddle school in Colorado at St. ScholasticaAcademy (yes, she went to an all girls CatholicHigh School...nuns and uniforms!!!!) She hasfound great joy in her profession. Some of hervery favorite projects (among many) includeplaying the part of Mary in The Salt Wound byScottish playwright Steven Greenhorn performedat ArtsWest, Rosie in Winter produced at theHat Factory Studios on Bainbridge Island bywriter/director Garrett Bennett. You will soonsee Miss Rubin in her screen debut portrayingthe part of Gwennie Thomason in A RelativeThing produced by EKE Productions and TheHat Factory Film Studios...keep an eye out forthis one...it is very good and confirms MissRubin’s strong faith in the local acting and film-making scene. Miss Rubin is thrilled to haveher children, Lewis and Colin Thompson par-ticipating in The Man Who Came to Dinner, andwould like to thank Lewis and Colin, and allthe babysitters (you know who you are) thathave made her participation in this show pos-sible.

Joe Shapiro (John)Joe’s theatrical experience began in New Yorkwhere he practiced sound engineering and light-ing design. After moving to Seattle in 1996, hespent three years as a Tenor in the Seattle Sym-phony Chorale. He made his Seattle acting de-but in ACT Theatre’s God of Vengeance. He hasspent the last few years exploring the fascinat-ing world of film-making. The Naked Proof, forwhich he was film editor, recently won the Spe-cial Jury Prize for New American Cinema at theSeattle International Film Festival. Recent act-ing credits include the upcoming feature filmCascadia and SFFT’s Farmer’s Daughter. Joe isdelighted to be working for the first time withGreenStage.

Eva Sikes (June Stanley)Eva moved to Seattle 3 years ago after study-ing physical theatre at L’ecole Jacques Lecoq.For the past year she has kept the play aliveexploring the characters of the CommediaDell’Arte. Before that you may have seen herin C.O.D.E. with ExiTheatre, Medea with NextStep Theatre, or as Hermia in A Midsummer’sNight Dream with the Western WashingtonShakespeare Festival. Originally from Florida,Eva graduated with a B.A. in Theatre fromFlorida State University.

Andrea Stuart (Mrs. McCutcheon, LuncheonGuest, Expressman, Westcott, Deputy)Andrea is happy to be working with GreenStageagain. This show will mark her debut perfor-mance in their winter American Classics Series.She has previously been seen playing in theparks with GreenStage in Much Ado About Noth-ing, Macbeth, and Henry IV, part 2. Andrea hasa Bachelor of Arts in Theatre from WillametteUniversity.

Don Taylor (Bert Jefferson)Don is pleased to be debuting at GreenStage insuch an enchanting romp. A Minneapolis na-tive, he has been acting in the Seattle area for19 years and holds a B.A. in Drama from theUniversity of Washington. In addition to beingan early performer with the local improv groupTheatreSports, he has performed locally atArtsWest, the Repertory Actors Theatre, Annex,and the Woodinville Rep. Favorite roles in-clude Donny in American Buffalo, and Karl inThe Marriage of Bette & Boo.

Teresa Widner (Sarah)Teresa is a graduate in Communications/The-atre from Western State College of Colorado andis very excited to perform with GreenStage. Thispast Fall she performed with Redwood Theatre’sproduction of Blithe Spirit and the Valley Com-munity Players of Renton in Neil Simon’s Ru-mors as Chris Gorman. In the summer of 2003she worked with the Snoqualmie Falls ForestTheater in the melodrama She Was Only aFarmer’s Daughter and has been a part of theIsland Players on Mercer Island in You Know ICan’t Hear You When the Water is Running.Thank you for coming this evening and shar-ing with us one of our greatest passions “Bewho you are and say what you feel becausethose who mind don’t matter and those whomatter don’t mind”

Cast Biographies (continued)

Roger Tompkins (Director)I only have 100 words to write this bio. I just usedup nine. Oops, make that 14...18...now its 23. Illjust let you count. Anyway, after 30 plus yearsdoing theatre, movies and commercials, 100 wordsgets shorter every bio, but the old age makeup getseasier to put on. However, that’s all in the past, andthere is no sense in living in the past because thereis no future in it. What is important is the presentand your presence in it at this time. Theatre needsyour presence. Thank you. 98?

Peter Burford (Set Design)Peter directed the first two of GreenStage’s AmericanClassics: A Touch of the Poet and The Night of theIguana. He’s glad to be working on number threewith so many fun and funny people. Peter recentlyreceived a brief glimmer of attention when hisBush-in-30-Seconds video contest entry“Amerigone” was featured in a New York Timesarticle. The video then went on to lose the contest.Oh well. Other than theatre, Peter enjoys traveling,scuba diving, photography, computers, and games.Hi Alice!

Mary E. Cannon (Stage Manager)Mary did the dance of joy when she was asked tocome & play in the park with GreenStage again(though it’s awfully nice to have an indoor venueto play in right now). When she’s not herding catsfor various local theaters, Mary can be foundreducing the chaos from the cello section of thePuget Sound Symphony Orchestra or runningsound for Seattle band Ala Zingara. Thanks go to afantastic cast & crew (for being fantastic), to Roger,Ken & Steph for uncountable helps, to M.E. & D. formaking it all possible, and to Alan & the PSSOers forholding the fort.

Steve Cooper (Lighting Design)This is Steve’s second design for GreenStage, alsolighting last year’s Night of the Iguana, and he isexcited to be working with this talented companyagain. Past, Present and Future projects keepinghim off the street at night include stage managingfor Exchange Theatre, Sex in Seattle and Next Step;designing lighting and sets for Theatre Under theInfluence and the Everett Theatre Society. Look for

Production Team Biographieshim behind the scenes in An Inspector Calls thisFebruary at the Meydenbauer and this Springlighting Nanawatai! at the Union Garage.

Ken Holmes (Production Manager)Ken has been playing with GreenStage for years. Inthe past decade he has explored over half ofShakespeare’s canon with the company as an actor,director and production manager. He has alsoworked with several other theaters in town,including Seattle Shakespeare Company, SeattleRepertory Theatre, ArtsWest, Theater Schmeater,Stepping Stone Productions, Centerstage, andNorthern Lights Productions (now Gael ForceTheatre). Ken has just recently stepped into hisnewest role: husband to his wonderful wife Lisa.

Jeanne MacKenzie (Costume Design)For all you faithful followers of GreenStage, the lasttime you would have seen Jeanne’s costumes wasin last summer’s The Merry Wives of Windsor.However, you must now leave the Shakespeare era,strap into your time machines, and gear them up400 years. She hopes you enjoy the costumes ofthis time period as well.

Stephanie Watson (Assistant Stage Manager)Stephanie is still trying to figure out if this is herthird or second season with GreenStage, but this isdefinitely her most intensive involvement as a first-time Assistant Stage Manager. It’s been exhaustingbut fun, but she’s glad she said yes to the job.

Angela Ziska (Properties)Angela has twice been involved in productions thatwon “Best of The Fringe” at the Seattle FringeFestival. She house managed at Northwest PuppetCenter for six seasons and did props for The Habitfor the last five years. While this show is ‘propheavy’ nobody is asking her to bake broccolibrownies or create a superhero’s superendowment.This is her first show with GreenStage and she isthankful for the opportunity to work with thiscompany. She is especially thankful for the ‘opencomp’ policy. She thanks Liberty and Sascha forputting up with their mother. Thanks also Tim,Heidi & Jordan.

Author BiographiesGeorge S. Kaufman(1889-1961)During his forty years inthe theater, George S.Kaufman was responsiblefor forty-five plays, twentysix hits, sixteen collabo-rators, two PulitzerPrizes, two wives, onedaughter, an unknown

number of mistresses, twenty orgasms forMary Astor (according to her diary), and threeMarx Brothers movies. James Thurber calledhim “the man who was comedy.” GrouchoMarx called him his God. One of Kaufman’sthird act lines in A Night at the Opera was sofunny that it had to be removed so previewaudiences could hear the rest of the movie.

Moss Hart(1904–1961)In his book Act One MossHart cronicles the produc-tion of his first importantplay, Once in a Lifetime(1930), which marked thebeginning of a longcollaboration with GeorgeS. Kaufman. Among their

other successful comedies are Merrily We RollAlong (1934), You Can’t Take It with You (1936;Pulitzer Prize), I’d Rather Be Right (1937,written with George M. Cohan), and GeorgeWashington Slept Here (1940). Hart alsocollaborated on musicals with Irving Berlinand Cole Porter, and his most successfulmusical, Lady in the Dark (1941), was writtenwith Kurt Weill and Ira Gershwin. Among hissolo plays, produced between 1941 and 1952,are Winged Victory, Christopher Blake, LightUp the Sky, and The Climate of Eden. Hart alsodirected several 1940s film comedies anddirected the long running Broadway musicalhit My Fair Lady.

GreenStage has been performing in the Seattle area since 1989.In the past fifteen years we have presented thirty-six productionsof thirty-one plays, including twenty-three of the plays inShakespeare’s canon. We’ll let you do the math. Our season in-cludes two outdoor touring Shakespeare in the Park productionseach summer, which have become a tradition for many and are

seen by thousands of area residents and visitors. Since 1995, GreenStage has mounted at least oneindoor production each season. These productions have included classics by Shakespeare and BenJonson, as well as new works presented at the Seattle Fringe Theatre Festival. With the help of theSeattle Department of Parks and Recreation and Sand Point Magnuson Park we have been able to bringto life our critically acclaimed American Classics Series.

Find out more about GreenStage at www.greenstage.org

GREENSTAGE BOARD OF DIRECTORSPatricia Bustos, Peter Burford, David Dodge, Ken Holmes, Amelia Meckler

THE AMERICAN CLASSICS SERIESIn 2002, GreenStage launched the AmericanClassics Series, an examination ofmeaningful theatre written by ClassicAmerican Playwrights that remains relativeto the American Experience. This year, theclassic antics of authors George S. Kaufmanand Moss Hart are on display examining thefreedoms of American Society in the 1940’sand reminding us that some truths neverchange, and we will always love freely, laughfreely and care about one another freely andsecretly, as it pleases us best.

GreenStage History2003

The Merchant of VeniceThe Merry Wives of Windsor

The Night of the Iguana

2002The Taming of the Shrew

Henry IV, part 2A Touch of the Poet

2001

MacbethTroilus and Cressida

Squish!

2000The Winter’s Tale

Much Ado About NothingHenry IV, part 1

The Ballad of Young Will Jones

1999Volpone

Timon of AthensThe Comedy of Errors

The BindRoot of Chaos

1998Richard II

The Two Noble KinsmenA Midsummer Night’s Dream

1997Cymbeline

As You Like ItJulius Caesar

1996Love’s Labour’s LostMeasure for Measure

1995Titus Andronicus

PericlesTwelfth Night

1994The Cherry Orchard

A Midsummer Night’s Dream

1989-1993 (as Shakespeare Northwest)A Midsummer Night’s Dream, Twelfth Night,Romeo and Juliet, The Taming of the Shrew

PAST AMERICAN CLASSICS

A TA TA TA TA Touch of the Pouch of the Pouch of the Pouch of the Pouch of the Poetoetoetoetoetby Eugene O’Neill (Winter 2002)

The Night of the IguanaThe Night of the IguanaThe Night of the IguanaThe Night of the IguanaThe Night of the Iguana,,,,,by Tennessee Williams (Winter 2003)

Amber Gotlib and Garth Ink

Erin Day and Philip Clarke

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“What you do still betters what is done.”— The Winter’s Tale

It’s our It’s our It’s our It’s our It’s our Sweet Sixteenth BirthdaySweet Sixteenth BirthdaySweet Sixteenth BirthdaySweet Sixteenth BirthdaySweet Sixteenth Birthday!!!!!In 1988, a group of passionate theater artists formed Shakespeare Northwest, a company dedicatedto performing the works of William Shakespeare. Little did they know they were laying the founda-tion of what would become GreenStage: Seattle’s Shakespeare in the Park Company.

The last 16 years brought tremendous growth. GreenStage has blossomed from a handful of artiststo include the work of over 200 local actors, directors, and designersover 200 local actors, directors, and designersover 200 local actors, directors, and designersover 200 local actors, directors, and designersover 200 local actors, directors, and designers. Our fame is spreading!Invitations to perform in out-lying communities and feature articles in national publications havehelped increase the buzz surrounding GreenStage. Increased audience support is what has allowedus to expand our season by adding the American Classics SeriesAmerican Classics SeriesAmerican Classics SeriesAmerican Classics SeriesAmerican Classics Series, performed indoors during thewinter months.

Just like any 16 year old, growing pains accompany this expansion, and GreenStage turns to you,our audience, for assistance. GreenStage believes that theater should be available and accessible toeveryone. Because of this, we do not charge admission to our showswe do not charge admission to our showswe do not charge admission to our showswe do not charge admission to our showswe do not charge admission to our shows, relying instead on donationsat the show and contributions from patrons like you. With your financial support, GreenStage willcontinue to grow and thrive.

Join the many patrons of GreenStageJoin the many patrons of GreenStageJoin the many patrons of GreenStageJoin the many patrons of GreenStageJoin the many patrons of GreenStage. Becoming a contributor states clearly and loudly thatGreenStage is important to you. It says that GreenStage is something you care about. It says thatGreenStage is something you want to see through the next 16 years and beyond.

Contribute today and help make GreenStage’s sweet sixteen truly sweet!Contribute today and help make GreenStage’s sweet sixteen truly sweet!Contribute today and help make GreenStage’s sweet sixteen truly sweet!Contribute today and help make GreenStage’s sweet sixteen truly sweet!Contribute today and help make GreenStage’s sweet sixteen truly sweet!

GreenStage is a 501(c)3 non-profit organization qualified to accept tax deductible donations.

PATRON • $300 +Michael Burford and Becci Ritchie • William and Lois Dodge

BENEFACTOR • $150-$299Safeco • Jack Holtman • Robin and Mr. Bruce Peterson • Alice Sieger • Lawrence Wallach, PS

PARTNER • $50-$149Microsoft Matching • Wilderness Glass • Erika Acuna and Geoff Lang • M. Anaya and C. Gonder •

Rachel Anderson and David Menefee • Gary Bauch •Barbara Blunt and Edward Peters • Patricia Bustos • Steve Cooper • Gretchen Day •

Paul Domres • T.J. Farrell • John Fugate • Karen Howard • Danielle Ippolito •Patricia Jacobsen • David and Lisa Kassens • Howard Langeveld •

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Sparling • Harry Stern • Jennifer Vierling and Timothy Coulter •Richard and Vanetta Warren • Laura Weese • Barbara Zepeda • Clem and Monica Zipp

The individuals and businesses listed here have donated time,money and/or services to help GreenStage produce free theater.

Without them, we simply could not do what we do.

You can help by donating whatever you can. GreenStage is a501(c)(3) non-profit organization and all donations are tax deduct-

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2004 Shakespeare in the Park

CORIOLANUSand

ALL’S WELL THAT ENDS WELLComing this summer at a park near you!

Discovery Park • Volunteer Park • Seward Park • Woodland ParkSand Point Magnuson Park • Lincoln Park

Lynndale Park in Lynnwood

Snoqualmie Falls Forest Theater (sponsored by the Fall City Arts Council)‘

And more venues still to be added!

For updated schedules, visit www.greenstage.org or call 206-748-1551

Or just sign our mailing list in the lobby!

GreenStage will be continuing their ongoing project of producingShakespeare’s histories in historical order with

Henry V in 2005, Henry VI (parts 1, 2 and 3 combined) in 2006, and Richard III in 2007.