BUZ THE SCARABZ CLUBscarabclub.org/archives/files/original/14/Scarab-Buzz_2003_11.pdf · THE LIFE &...

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THE S C A R A B C L U B BUZZ The Scarab Club—an historic meeting place, fostering the Arts for all Vol. 9 , No . 4 Nov. /Dec. 2003 PRESIDENTS CORNER I n the last issue of The Scarab Buzz, members were invited to attend the Strategic Planning sessions in September to help develop a three-to-five-year plan of action for The Scarab Club. Nine members attended the September 4th session. In previous sessions, participants were asked to write on post-it notes their ideas of what they thought the ultimate Scarab Club would look like in five years. At this session, the group was asked to categorize these ideas and the following headings were developed: Foster Club Values; Strengthen and Target Finances; Cultivate and Foster Membership; Maintain and Rehabilitate Building; Strengthen and Market Programs and Outreach; and Develop Leadership, Management and Staff. Next, they were asked to develop a vision statement centered around these needs. After much deliberation the following was agreed upon: The Scarab Club, an historic meeting place, fostering the arts for all. At the regular meeting on September!8, the Board of Directors officially adopted this new vision statement. continued on page 5 Guyot Recreates Riviera Mural By Treena Flannery Ericson M argie Guyot likes to push herself, artistically. In April of 2003 she was commisioned by Union Local 36 to paint a mural recreating the north wall frescoes of Diego Riviera's work, De- troit Industry. Guyot viewed the 9'x22' mural as a challenge. "Before this commission I couldn't imagine painting anything larger than than sixteen inches by twenty inches," said the Scarab artist. The finished work can be seen at the union hall, located near the Ford assembly plant in Wixom. Guyot has worked for the company for twenty-seven years and is currently employed as a Group Leader at the plant. From July until early October Guyot spent two days a week, eight hours each day, working on the mural. The project took twenty-two days to complete. Guyot enjoyed drawing as a high school student, but chose to pursue music education at Morehead State University, in Kentucky. A job layoff in 1980 left her with some time on her hands and she turned back to drawing. Painting workshops have given her the opportunity to sharpen her skills and gain confidence as an artist. Since 1986 she has regularly attended workshops in a variety of locations around the United States and in southern France. Guyot cites Clyde Aspevig of the Scottsdale Artists' School, as her favorite teacher, although she was initially intimi- dated by him. " I was frightened of him and had to pray each night in order to face him in the workshop in the morning," she said. "What stuck with me most was that he taught us to be aware of color temperatures, how re- flected light affects color, knowing the di- rection of light, and most importantly, the importance of taking the time to get the color and value right." Another teacher who influenced Guyot's work was Robert Bateman. "He said to always try to make a painting look fresh," she noted "like something nobody has seen before. And he stressed the importance of composition. He said a painting should look good at fifty feet away— 'Not like a pizza!'" Bates' calm attitude made an impact on Guyot, as well. "Just being around him for a weeklong workshop in Montana, back continued on page 8

Transcript of BUZ THE SCARABZ CLUBscarabclub.org/archives/files/original/14/Scarab-Buzz_2003_11.pdf · THE LIFE &...

Page 1: BUZ THE SCARABZ CLUBscarabclub.org/archives/files/original/14/Scarab-Buzz_2003_11.pdf · THE LIFE & ARCHITECTURE OF MINORU YAMASAKI By Prof. Michael Farrell Admission: $15 per person.

T H E S C A R A B C L U B

BUZZThe Scarab Club—an historic meeting place, fostering the Arts for all

V o l . 9 , No . 4 N o v . / D e c . 2 0 0 3

PRESIDENTS

CORNER

In the last issue of The ScarabBuzz, members were invited toattend the Strategic Planning

sessions in September to helpdevelop a three-to-five-year plan ofaction for The Scarab Club. Ninemembers attended the September4th session.

In previous sessions, participantswere asked to write on post-it notestheir ideas of what they thought theultimate Scarab Club would looklike in five years.

At this session, the group wasasked to categorize these ideas andthe following headings weredeveloped: Foster Club Values;Strengthen and Target Finances;Cultivate and Foster Membership;Maintain and Rehabilitate Building;Strengthen and Market Programsand Outreach; and DevelopLeadership, Management and Staff.

Next, they were asked todevelop a vision statement centeredaround these needs. After muchdeliberation the following wasagreed upon: The Scarab Club, anhistoric meeting place, fostering thearts for all.

At the regular meeting onSeptember!8, the Board ofDirectors officially adopted this newvision statement.

continued on page 5

Guyot Recreates Riviera MuralBy Treena Flannery Ericson

M argie Guyot likes to push herself,artistically. In April of 2003she was commisioned by Union

Local 36 to paint a mural recreating the northwall frescoes of Diego Riviera's work, De-troit Industry.

Guyot viewed the 9'x22' mural as achallenge. "Before this commission Icouldn't imagine painting anything largerthan than sixteen inches by twenty inches,"said the Scarab artist. The finished work canbe seen at the union hall, located near theFord assembly plant in Wixom. Guyot hasworked for the company for twenty-sevenyears and is currently employed as a GroupLeader at the plant.

From July until early October Guyotspent two days a week, eight hours each day,working on the mural. The project tooktwenty-two days to complete.

Guyot enjoyed drawing as a highschool student, but chose to pursue musiceducation at Morehead State University, inKentucky. A job layoff in 1980 left her withsome time on her hands and she turned backto drawing.

Painting workshops have given her the

opportunity to sharpen her skills and gainconfidence as an artist. Since 1986 she hasregularly attended workshops in a varietyof locations around the United States and insouthern France.

Guyot cites Clyde Aspevig of theScottsdale Artists' School, as her favoriteteacher, although she was initially intimi-dated by him.

" I was frightened of him and had topray each night in order to face him in theworkshop in the morning," she said. "Whatstuck with me most was that he taught us tobe aware of color temperatures, how re-flected light affects color, knowing the di-rection of light, and most importantly, theimportance of taking the time to get the colorand value right."

Another teacher who inf luencedGuyot's work was Robert Bateman. "He saidto always try to make a painting look fresh,"she noted "like something nobody has seenbefore. And he stressed the importance ofcomposition. He said a painting should lookgood at fifty feet away— 'Not like a pizza!'"

Bates' calm attitude made an impacton Guyot, as well. "Just being around himfor a weeklong workshop in Montana, back

continued on page 8

Page 2: BUZ THE SCARABZ CLUBscarabclub.org/archives/files/original/14/Scarab-Buzz_2003_11.pdf · THE LIFE & ARCHITECTURE OF MINORU YAMASAKI By Prof. Michael Farrell Admission: $15 per person.

COMING IN

November & December

Friday, October 31st 7:30 pmHOWL-O-WEEN BEGGARS' BANQUET$5 w/Dish to share; $10 withoutPrizes for best costume. RSVP (313) 831-1250

Saturday, December 6th-JanuaryNOEL NIGHT & THE GALLERY CRAWLKick off the holiday season with the University Cultural Center Associationannual event celebrating Detroits rich Arts & Cultural scene. Music & danceperformances, family activities, holiday shopping, carriage rides, food &yuletide treats are some of the events planned in participating venues,including The Scarab Club. Shuttle bus service is provided. For moreinformation, as it becomes available, visit the UCCA website at:detroitmidtown.com

Saturday, December 13thBOARS HEAD DINNERWatch your mailbox for your invitation to the annual Boars Head Dinner.Enjoy dinner, dancing with band, The Shy, the 90th Gold Medal ExhibitionAwards and beam signing at this elegant and historic annual gala.

MUSICThe Scarab Club is committed to supporting music in the local Artscommunity. The Jazz Series wrapped its first season in the summer of2003. It will resume in Spring of 2004. For many years the Scarab Clubhas hosted the Detroit Blues Heritage Series in conjunction with EdSchenk and the Detroit Blues Heritage Project. The Blues series will runJanuary through April of 2004. Watch for dates in the next Scarab Buzz orvisit scarabclub.org for updates.

Chamber Music atthe Scarab ClubSunday, November 16th 7 pmThe Scarab ClubTAPESTRIESMusic drawn from the various backgrounds of the performers will bepresented by violinist Velda Kelly, pianist Angelina Pashmakova, harpistPatricia Terry-Ross, composer/pianist Erik Santos, tenor Darryl Taylor andcellists Nadine Deleury and Katri Ervamaa.** 6 pm relude presented by composer/pianist Erik Santos.

For a complete listing of concerts and venues in The Chamber Music at theScarab Club Series, please visit scarabclub.org. Additional content aboutthe music series has been added to the website. Be sure to check out thephotos and sound clips from previous concerts.

Subscriptions (tickets for 4 or more concerts) are $14 for each concert.Single tickets (fewer than 4 concerts) are $16 each. For more informationon the series please contact [email protected].

THE SCARAB CLUB

An historic meeting place,fostering the Arts for all

21 7 FarmsworthDetroit, Ml 48202

(313) 831-1250

Please send story suggestionsand information to

Treena Flannery [email protected]

MEMBERS

Q&AQ.: When are the Board of Directors'meetings scheduled? Can members at-tend?A.: The Board of Directors meet at 7pm on the third Thursday of each month.Members are welcome to attend themeetings.

Member participation is essential tothe function of the club. If you have timeand talent you would like to contribute,contact Ellen Hildreth regarding volun-teer opportunities.Do you have a question regarding SCevents, programs or anything else re-lated to the club? Send by email to:[email protected], with MemberQ&A as the subject line, or leave yourwritten question at the club in TreenaFlannery Ericson's mailbox.

George Booth's

Brown BagLuncheonsNoon,Second

Wednesday of

each month.

Bring your lunch

and join in the

conversation!

EVENTS AND EXHIBITS

EXHIBITIONSOctober 29-November 29thMain GalleryDETROIT SOCIETY OF WOMENPAINTERS & SCULPTORS:Toward a New Creative CenturyThe exhibit encompasses many stylesof painting and sculpture andcelebrates the 100th anniversary ofthe historic arts group.The show was juried byMarianne Letasi, an accomplishedphotographer, curator and juror.December 3rd-January 3rdMain & Lounge Galleries90th ANNUAL GOLD MEDAL EXHIBITAll member, all media exhibit, juriedby Nancy Mitter, Section Chair ofPainting at CCS/College Art & Design.

LECTURE SERIES'SEVEN PHILOSOPHIES OF ARTBy Ray MacDonaldAdmission: $10 per person

Sunday, November 9th 4-6pmPart II. RHETORIC, SKEPTICISM &POST-MODERN ARTWhat is rhetoric? What is the relationof rhetoric to poetics? How do each ofthese literary disciplines relate todiscussions snd debates concerningcontemporary visual arts? ArthurDanto claims that not onlycontemporary art, but the entirepanorama of western art history canbe best understood as rhetoric. Thissession will provide a firm grasp of thelegitimate use and frequent misuse ofthe idea of rhetoric.

Sunday, December 14th 4-6 pmPart III. EXISTENTIALISM,EXPRESSION & ACTION PAINTINGWhat is existentialism? What doesexistentialism have to do with art?Both Jean Paul Sartre and HaroldRosenberg have written on thesetopics, connecting existentialism withthe life and works of such artists asTintoretto, Picasso, Brancusi, AlbertoGiacometti, Alexander Calder,

Jackson Pollock and Wilhelm deKooning. To be clearly understoodexistentialism must be compared andcontrasted with rival philosophicalsystems, such as Aristotle's so-called"essentialism," where one finds aconception of the world as a realityconsisting of pre-existing genere andspecies of animals, vegetables andminerals. Existentialism, in contrast,makes a radically different view. Artderives from life, it is true, according toWilhelm de Kooning, but neither theartist nor the painting has a characterthat pre-exists their encounter.

COMING UPVisit scarabclub.org for fulldescriptions of lectures

January 11th 4-6 pmPart IV. MATERIALISM,AESTHETICS & STYLEFebruary 15th 4-6 pmPartV. IDEALISM.TRUTH& BEAUTYMarch 14th 4-6 pmPart VI. STOICISM, THE SUBLIME& LANDSCAPE PAINTINGApril 11th 4-6 pmPart VII. FAITH, HOPE & CHARITYIN CHRISTIAN ART

Friday, November 14 7-8:30 pmTHE LIFE & ARCHITECTUREOF MINORU YAMASAKIBy Prof. Michael FarrellAdmission: $15 per person. Pleasecall (313) 831-1250 for reservations, toassure seating.Minoru Yamasaki was born in theUnited States but after WWII broke outwas considered suspect because ofhis Japanese parentage.Nervertheless, 'Yama' created arecognizable modern architecturalstyle by adding his own touch to thesteel and glass boxes of theInternational Style. Although his mostmagnificent creation is the lost WorldTrade Center, we still havemonuments to his genius here inDetroit.

The Last Friday of each Month9-11 pmFILM (W)RAP with Ray MacDonald$5 DonationDiscussion of the month's filmsshowing at the Detroit Film Theatre.Focusing on: screenplay, character,dialogue, montage, music, translation,acting, directing, etc.

THE WRITER'S VOICEWednesday, November 12th 7:30 pmBLUSHING SKY WRITERSCheri L. Roberts and The BlushingSky Writers Institute will perform. Thisprogram be a combination ofperformance poetry and spoken word,reading and pure entertainment. Freeadmission.

Friday, December 5th 7:30 pmA READING FOR MURRAYThe Writer's Voice will celebrate therelease of a new book written bylegendary Detroit poet, Murray Jackson.Bobweaving Detroit: The SelectedPoems of Murray JacksonThe book includes a postscript byDetroit Poet, Ted Pearson andMurray's wife, Professor Kathryne V.Lindberg.

The reading will feature many wellknown Detroit poets as well as aperformance by M.L. Liebler & theMagic Poetry Trio, with Faruq. Z. Bey,Xander Sky & others.

The event honors the late Dr.Murray Jackson, who was a highlyrespected and much loved educator,political figure and philanthropist aswell as an internationally accaimedand recognized poet.

His poetry is rich in the history ofDetroit, and details the triumphs andstruggles of African Americans withinthe city. The poetry engages the Bluesvernacular, a wide palate of visual artsand a broad spectrum of musicalsources.

For more information on The Writer'sVoice call (313)267-5310 ext. 338 orvisit ymca-artsdetroit.org.

Page 3: BUZ THE SCARABZ CLUBscarabclub.org/archives/files/original/14/Scarab-Buzz_2003_11.pdf · THE LIFE & ARCHITECTURE OF MINORU YAMASAKI By Prof. Michael Farrell Admission: $15 per person.

The Scarab Club Membership Opportunities Proposal

BULLETIN10/16/03

BOARD

SHORT POSESNews from theSketch Sessions & Beyond

Popular model, Lindsey, is studying fora degree in international finance. Being momto a son and daughter, she is already an ex-pert in domestic finance.

Master of the exotic costume, model,/.him. will be traveling to Toronto, NewYork, Chicago and other locations with his

production, Liquid Silver. You are pure goldto us, Ziam.

Former Wednesday sketch session ba-gel connection, Bob Whitaker has relocatedto: 7008 Wood Lan Drive

Apt. 112Woodbury,MN 55125

How the golf courses around here willstay in business, I don't know.

During the Detroit Festival of the Arts,a middle school art teacher asked for a tour

Former Staff MemberRenews Ties with the SC

During the Detroit Festival of the Arts,Dee Davis stopped in. It was the first timehe had stepped foot in the club since he wasan employee sixty-five years ago.

Davis charmed members with stories ofpast events and his brushes with the famousand infamous. He was also an honored guestat the party celebrating the 75th anniversaryof the clubhouse.

The door is always open to the charm-

ing and gregarious Mr. Davis.

Left - SC president, Pat Reed, cuts the cake.

Below (L to R) - Ona Moore, Lou Cantoni, RalphHartshorn and Dee Davis enjoy the party.

of the sketch class area for the students hewas escorting around the cultural center.They had already seen the studios on thethird floor. These young people went homewith the model schedule for September andthe promise that they would be welcome totake part.

Speaking of the festival, the weatherwas perfect until the last afternoon. But afew showers didn't dampen the spirit of per-formers, staff, volunteers or the public.Nancy, Floyd, Treena and Joe would like tothank those friends and members who gavean hour or the entire weekend to make thisevent a success.

• Studio holders: Cevan and SusanCastle, Ray MacDonald, Joe Neumann,Bill Murcko, Jim Tottis and Randy Reed.

• The entire crew from Union Street,who were sweeter than Chef Eddie's breadpudding. They went beyond the call of duty,recruiting new members and passing out bro-chures with the grilled salmon.

• Blues icon, Johnny Bassett, whopromises to come back often to sing a songand charm the ladies.

• Big burly Bill Lodge and his two bud-dies, Mike and Brian—We never had suchhandsome security guards, guys.

Now I will name names. And if I acci-dentally omit yours, please let me know.

Joe Ajlouny, George Booth,Jacqueline Carlson, Donna Cyrbok, TomDecember, Pat Eberline, Trish Lloyd, OnaMoore, Carol Reid, Julie Sabit, ShimiSikand, Deloris Smith, Jean Thomas.

Thank you all for representing theScarab Club during the Festival of the Arts.See you next year!

- Ellen Hildreth

Commemorative ScarabClub Tiles Have Arrived

The limited edition Scarab Club tiles,commissioned from Pewabic Pottery, arenow available. The tiles commemorate the75th anniversary of the opening of theScarab clubhouse, in 1928. Each tile has aninscription on the back, as well as an insig-nia of the 100th anniversary of the pottery.A limited number of tiles are available.Prices are $45 for members, $50 for non-members.

Annual Dues

*** Tax Deductible Portion

Free Sketch Classes

Reduced Program Rates

Invitations to Member Events

10% Discounts on Art Purchases

10% Discount on Other Purchases

Parking Pass

Scarab Publications

Serve on Committees

Volunteer Opportunities

Individual Membership

Household Membership

Key to Club After 1 Year of Membership

Exhibition Entry Discount

Art Entry to Member's Only Exhibition

** Lounge Exhibitions

Studio Rental (Upon Availability)

Voting Rights (One Vote)

Hold Board Level Positions

Club Rental Discount

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$100

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$300

$200

$150

$50

$6,000

$6,000

$0

$0

$0

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$1,000

$900

1 Copy

1 Copy

$500

$400

1 Copy

1 Copy

" Lounge Exhibitions are granted by the Arts Committee*** The tax-deductible amount, as prescribed within the limits of the law,

is that vlue of the membership less $100 for goods and services

Scarab category replaces "Friend", "Nonresident", and "Junior"

Scarab Patron category replaces "Active Member" and "Family"

Life Scarab category replaces "Life Member"

Corporate category replaces "Institutional"

Above rates will take effect on January 1, 2004.

Page 4: BUZ THE SCARABZ CLUBscarabclub.org/archives/files/original/14/Scarab-Buzz_2003_11.pdf · THE LIFE & ARCHITECTURE OF MINORU YAMASAKI By Prof. Michael Farrell Admission: $15 per person.

9oth Annual Gold Medal ExhibitionPURPOSE

The purpose of this exhibition is to recognize the diversity and achievements ofScarab artists whose works show creativity of concept, excellence of design and exper-tise of media, to display these works to regional audiences and to be an educationalopportunity for students.CALENDARShipped Works Deadline: Thursday, November 27thIntake of Artwork: Sunday, November 30th, noon-4 pm,Exhibition Dates: December 3rd-January 3rd

Official opening-Noel Night, Saturday, December 6thPick Up of Art: Sunday, January 4th, noon-4 pmArtists need ID or designated person with artist's signed permission for art pick up. Works notretrieved by the listed pick up date become the unrestricted property of The Scarab Club.JURORNancy Mitter, Section Chair of Painting, College of Creative Studies, Detroit, MI.AWARDS• Best in Show-Clyde Burroughs/$300 & Scarab Gold Medal• Ist-John B. Tabb/$250• 2nd-Fred Moorehouse/$200 Awards will be presented• 3rd-John Ryan Flannery/$100 at the Boar's Head Dinner• 4 Honorable Mentions Saturday, December 13thELIGIBILITYParticipation is limited to Scarab Club members in good standing (dues paid to date).ENTRY FEE• There is a non-refundable $25 fee for up to three entries. Additional entries of up tothree pieces at $5 each may be included. A maximum of six entries per artist is al-lowed. If framed separately, a diptych is two entries, a triptych is three entries, etc.

(overpayment of entry fee will be considered a donation to the Club).• Fees may be paid by cash or check. Entry fee must be received by 4 pm, November4th during intake or entry will be disqualified.• Make check in U.S. currency, payable to : Scarab Club/Gold Medal 2003ENTRY PROCEDURE• Complete the entry form. Print or type all information. Entry form may be copied.• Attach completed entry label(s) to back of art work.• Provide self-addressed stamped envelope for jury action notification.• All media will be accepted except for video, film, performance art and floor/roominstallations• Wall art may not be over 50 Ibs. for hanging or exceeding 6' in any direction includ-ing frame. 3-D floor-mounted art must be stable and mobile, with a base measurementno larger than 3'x3'.• Work must be mounted/framed in a professional manner and properly wired forhanging. Unusual hanging systems are allowed only if art can be firmly attached to awall, and the artist may be required to bring additional supports for uneven surfaces.Clip-on and poster frames are not acceptable. Stretched canvas must have painted orframed edges. It is suggested that mats be in neutral colors. Any works deemed un-suitable for immediate hanging, on unstable pedestals or that cannot stand alone willbe disqualified. Artist is responsible for any special hardware and instructions forinstallation, assistance in placement of floor pieces over 100 Ibs. and may be requestedto provide a pedestal or display case for unusual shaped or fragile works. Art withexposed sharp objects is to be encased in a Plexiglas barrier.SALES• All works must be for sale. No Price on Request. Price may not change after entry.• Scarab members pay a 25% sales commission.• Scarab members may purchase artworks at a 10% discount.

90th Annual Gold Medal ExhibitAttach to upper left back of work

90th Annual Gold Medal ExhibitAttach to upper left back of work

90th Annual Gold Medal ExhibitAttach to upper left back of work

#1 #2 #3PRICE PRICE

NAME

#4

90th Annual Gold Medal ExhibitAttach to upper left back of work

PHONE

90th Annual Gold Medal ExhibitAttach to upper left back of work

90th Annual Gold Medal ExhibitAttach to upper left back of work

#5 #6MEDIA PRICE

PHONE PHONE

Name

9Oth Annual Gold Medal Exhibition Entry Formemail Phone

Address City State ZipSubmission of application will constitute an agreement to all of the conditions listed in Call For entry. Non-compliance with conditions disqualifies artist's entry. The artist understands that The Scarab Clubwill not be held responsible for loss, fire, theft or other damage, whether caused by the negligence of its officers, members or others. The Club recommends that the artist purchase insurance to cover theirartwork. The artist agrees to grant The Scarab Club permission to reproduce their artwork for publicity and/or educational purposes regardless of copyright. The Scarab Club reserves the right to alter datesor cancel the show at any time. This release shall be complete bar and defense against any claim, demand, action or cause of action by myself, or anyone else making a claim on my behalf, which arises out ofthe loss or damage to my artwork.Signature (required for entry) I am a member in good standing _ Date

Fill out entry form completely, except for shaded areas. Round measurements to nearest inch, including frame. Depth for 3-D works only

TITLE

1

1

3

4

5

6

MEDIA DIPTYCHTRIPTYCH

H W D PRICE ACCEPTY N

PROGRAM AWARD

OFFICE USE ONLY: SASE Entry/Jury Card Signature Labels completed & attached Check* s1 Cash

Member Current Frame Wired Jury Action Return Shipping Check* s1 Return Ship /

90th Annual Gold Medal Exhibition Jury Action FormFill out Jury Action form completely, except for shaded areas. Information should match the entry form. This form will be returned to you in SASE.

Name Phone

TITLE

1

2.

3

4

5

6

PRICE Yes ACCEPTED No AWARD

CHECKLIST: Entry Form/Jury Action completed & signed Check SASE Labels completed & attached to back of artwork

Please do not call office for Jury Action results.

Page 5: BUZ THE SCARABZ CLUBscarabclub.org/archives/files/original/14/Scarab-Buzz_2003_11.pdf · THE LIFE & ARCHITECTURE OF MINORU YAMASAKI By Prof. Michael Farrell Admission: $15 per person.

MEET A MEMBER

Photo by Nancy Pitel

Jim and Donna Jalosky smile for the camera in the SC garden duringthe Detroit Festival of the Arts.

Still Life in Studio SixJoe Neumann is not only a gifted painter, but an outstanding host,welcoming both members and visitors to the club into his studio.Stop in and you will see not only his richly detailed still lifes andtromp Foiel paintings, but those of his father.

Iron Ivy a Perrenial favoriteat Festival of the Arts

Jim and Donna Jalosky filled the walled garden of the SC withtheir whimsical creations during the September Festival of the Arts.It was the second year the artists have shown and sold their work tovisitors of the annual University Cultural Center Association event.

The Jalosky's are the owners of Iron Ivy, a company that spe-cializes in fanciful garden art made from found objects. They trans-form old gates and fences, discarded garden implements and carparts into works of art that delight and amuse their patrons.

Their showroom is located at 16914 Nine Mile Road (1/2 mileeast of Gratiot) in Eastpointe. It's open by appointment or chance,although they are there most evenings and weekends. Contact themat (586) 381-2119 or by fax at (586) 774-9774.

Prudden to Exhibit Workin November DSWPS Show

Scarab member Bette Prudden's work will be on display in theNovember main gallery exhibition, Toward a New Creative Cen-tury, by the Detroit Society of women Painters & Sculptors.The DSWPS was started in February, 1903, when Lillian BurkMeeser invited fifteen of her artist friends to "have tea and talkart". Mary Chase Stratton, who later established Pewabic Potterywas among the founders.

Membership now exceeds one hundred seventy-five members,with ongoing stimulating programs and exhibitions. Since its be-ginning, an important goal of the group has been to promote artisticcreativity and help young women pursue careers as artists by pro-viding an annual scholarships. Membership is open to all womenartists. For more information, phone (248) 375-1931.

Birdman of Arizona by Bette Prudden

ART

TALKCHARCOAL:challenged

The body of work in myOctober lounge galleryexhibit, CHARCOAL:

challenged, began with an acciden-tal use of gesso to heighten contrastin charcoal drawing that lackedsufficient punch. Using gessorequired some experimental ways itcould be combined with charcoaland the charcoal dust I had alsoadded to my basic repertoire oftools. Sprayed water into charcoalstrokes created one effect; sprayingor brushing water first, then siftingdust into it and manipulating thepaper surface created otherpossibilities. Layering gesso,charcoal and then spraying pro-vided ever different surfaces to beexploited. Suspending dry pigmentor charcoal dust in medium madepainterly elements available, whichcould then adhere additional layersof charcoal or pigment. Finally allof the above techniques could befurther manipulated with my usualerasers, chamois, cardboard,sandpaper and fingers.

While an intuitive response tothe images as they develop on thesupport provides the direction I'lltake with the image, each workbegins with a small pencil sketchidea as a guide to organizing theentire area of the composition. Attimes the sketch and the interactingof the materials do not need, nor dothey invite, further major elements.

Fine tuning details can takehours or days of mental consider-ations of possibilities unti l the lastlittle detail is resolved.

More often the sketch is thespringboard for experimenting withsurfaces and textures, incorporatingthem and building more and morelayers of interest within and beyondthe initial idea but a ghost of theidea usually comes through.

—Alice Allhoff

Rentals at the Scarab Club

The unique style and ambi-

ence of the Scarab Club has

made it a popular choice in which

to host events and meetings.

Consider it when planning your

next party or meeting. Scarab

Club members may rent the club

at a discount.

Catering

Union Street is the house caterer

of the club. The popular Detroit

restaurant and bar can provide

anything from luncheons and

hors d'oeurves to receptions.

Seating Capacity

Seated dinners, buffets or food

stations are some of the serving

possibilities, depending on the

size of the group and

preference of the host.

Main Gallery:

Seated: 80-100, standing: 120

Lounge Gallery:

Seated: 50; standing: 75

For more information contact

Nancy Pitel, Club Manager, at

(313) 831-1250.

I would describe my work as non-objective,not based on recognition of the real; organic,energetic and thought provoking.

Alice Allhoff

The Painted Turtlefor Alice Allhoff

by Ellen Hildreth

Queen of hearts,

Cancel crouquets.

Madhatter,

Put the tea away.

For Alice, in her

artist's smock,

Must paint the turtle,

real and mock.Turbulence High & Low by Alice AllhoffCharcoal/oil wash, 29" x 37"

Page 6: BUZ THE SCARABZ CLUBscarabclub.org/archives/files/original/14/Scarab-Buzz_2003_11.pdf · THE LIFE & ARCHITECTURE OF MINORU YAMASAKI By Prof. Michael Farrell Admission: $15 per person.

NOTEWORTHY

ONGOING WEEKLYSKETCH SESSIONS

Wednesday 10am-1pm

Long pose, clothed & nude

Thursday 7 pm-10 pm

Short pose, nude

Saturday 10am-1pm

Long pose, costumed & nude

Saturday 1:30 pm-4:30 pm

Long pose & nude

Sketch sessions are free toScarab Club members, with theexception of the Saturday after-noon session in which the cost forthe model is divided betweenparticipating artists.

Mural Honors Role of Laborcontinued from page 1

in 1987 made me aware of how laid-backhe is. "He never lost his cool. Many timesI catch myself stressed out and think of him."

Guyot studied Riviera's work closelybefore beginning the project and her hom-age to the Mexican artist turned out extraor-dinarily well.

"It was like doing a giant crosswordpuzzle, only using colors and shapes, as op-posed to words. Patience—it takes patiencefor mural work. One of the interesting dis-coveries I made while painting the mural wasthe different facial expressions of the work-ers. I hadn't done much portrait work, andwas surprised at how much fun it was. Ithink portrait-painting is going to be my nextfrontier.

It was like doing a giant

crossword puzzle, only

using colors and shapes

as opposed to words.

Patience—it takes

patience for mural work.

The mural can be viewed at the UAW Lo-cal 36 union hall, located at 28930 SouthWixom Road, Wixom Monday through Fri-day, during business hours.

T H E S C A R A B C L U B

BUZZ217 Farnsworth Detroit, Ml 482.02.

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