Bridge for Design US Spring 2014

C H R I S T O P H E R G U Y | B R I D G E F O R D E S I G N | 0 7 . J A N . 2 0 1 4 < D O U B L E PA G E - L E F T > C H R I S T O P H E R G U Y | B R I D G E F O R D E S I G N | 0 7 . J A N . 2 0 1 4 < D O U B L E PA G E - R I G H T >

W W W. C H R I S T O P H E R G U Y. C O M

For more product information on Christopher Guy, CLICK HERE

j o n a t h a n c h a r l e s . c o m UK & eUrope | tel 0044 (0) 114 245 2777 | email [email protected]

Usa & canada | tel 001+252+446-3266 | email [email protected]

It’s all in the detail...

cosmo collection transit ional modern fUrnitUre ‘cosmo’politan style

For more product information on Jonathan Charles, CLICK HERE

Christopher hyde LtdTel: +44 (0) 20 7351 0863

Fax: +44 (0) 20 7351 0893

[email protected]

Unit 2/12 Second Floor, Centre Dome, Design Centre Chelsea Harbour, London SW10 0XE

the ‘Benson’RangeEncouraged by Sir Edwyn Byrne Jones

and William Morris, W A S Benson

established a metal workshop in

London in 1880. These Arts & Crafts

lights are inspired by his designs.

CF981 Rise & Fall Pendant Light

H240 x D400mm; Cream or green shade

TL980 Table Lamp H650 x D380mm

WL980 2-Light Wall Sconce

H310 x W480mm

BRI129-BridgeDPS_BRIDGE 10/11/2013 18:14 Page 2

Lighting forPrestige Interiors

the ‘Jazz’ RangeMurano glass spheres and polished nickel on brass:

WL711 2-Light Wall Sconce, H155 x D29mm

TL711 Table Light Spheres, H520 x D160mm

CF711 6-Light Chandelier, H530 x D720mm

Silk lampshades for the new Jazz range:

Oval 5” Laminate Candle Shade,

H4.25” x W5” x PROJECTION 3”

LS205BLAM (Blue Silk); LS205RLAM (Red Silk)

Oval 14” Laminate Doup Shade, Self Trim

H11” x W14” x PROJECTION 10.25”



Fax: +44 (0) 20 7351 0893

[email protected]



For more product information on Christopher Hyde, CLICK HERE

TROWBRIDGEAUSTRALIACAVIT & CO.148 Foveaux Street, Surry Hills, Sydney, NSW 2010+61 2 9326 9161 www.cavitandco.com.auROBERTSONS DESIGN86 Bundall Road, Bundall, Queensland, QLD 4217+61 (07) 5592 1677 www.robertsonsdesign.com.au

CANADA31 WESTGATE2698 Agricola Street, Halifax, Nova Scotia, B3K 4C9+001 902 457 3131JORDANS INTERIORS1470 West Broadway, Vancouver, BC, V6H 1H4+001 604 733 1174 www.jordans.caELTE80 Ronald Avenue, Toronto, OntarioM6E 5A2, Canada+001 (416) 785-7885 www.elte.com

EGYPTLIVING IN INTERIORSAbu Rawash Industrial Zone, Cairo+202 35390883 www.livinginq.com

FRANCECOLLECTION PRIVEE3 Rue Des Etats-Unis, Cannes, 06400+33 4 9399 2322 www.collection-privee.com

GERMANYWOHNKULTURElbchaussee 97, Hamburg, 22763+49 (0) 40 33 55 53 www.wohnkultur-behrens.de

MONACOMCLAREN FURNITURE SARLMonte Carlo Sun, 74 boulevard d’ItalieMonaco, 98000+377 98 80 12 20 www.mclarengroup.com

NEW ZEALANDCAVIT & CO PTY LTD547a Parnell Road, Parnell, Auckland 1052+64 9 358 3771 www.cavitco.com

QATARLIVING IN INTERIORSS 186-187 12 La Croisetter Porto Arabia, The Pearl+974 44953510 www.livinginq.com

RUSSIACHARLES CAMERON39, Bolshaya Gruzinskaya St., Moscow+7(495) 982 3830 www.charlescameron.ru GALERIE 4646 Bolshaya Morskaya Street, St Petersburg, 19000+7 812 312 7141 www.galerie46.comAMERICAN LIGHTING31 Novinksy Boulevard, Novinsky Passage, Moscow, 123242+7 495 627 60 28 www.americanlg.ru

THAILANDDM HOME555 Park Thonglor Tower, Thonglor 19Sukhumvit 55, Klongton-nua, Wattana, Bangkok 10110+66 2 365 0789 93 www.decormart.comDM HOME3rd Fl. Siam Paragon 991 Rama 1, Patumwan, Bangkok 10330+66 2 610 9850 www.decormart.comDM HOME78 Moo 5, Chalerm Prakiat Road, Wichit Sub District, Muang Phuket District, Phuket 83000+66 76 612 687 8 www.decormart.com

UNITED KINGDOMANDREW MARTIN INTERNATIONAL LTD198-200 Walton Street, South Kensington, London, SW3 2JL+44 (0)20 7225 5100 www.andrewmartin.co.ukARTHUR BRETT & SONS LTD103 Pimlico Road, London, SW1W 8PH+44 (0) 20 7730 7304 www.arthurbrett.com

HARRODS LTD68 Hammersmith Road, London, W14 8YW+44 (0) 20 7730 1234 www.harrods.comLINLEY60 Pimlico Road, London, SW1W 8LP+44 (0) 20 7730 7300 www.davidlinley.com

UNITED STATESCALIFORNIASUNRISE HOME831 B Street, San Rafael, CA 94901 +1 415 456 3939 www.sunrisehome.comNORIEGA FURNITURE1455 Taraval Street, San Francisco, CA 94116+1 415 564 4110 www.noriegafurniture.comHD BUTTERCUP290 Townsend Street, San Francisco, CA 94107+1 415 820 4788 www.hdbuttercup.comFLEGELS FINE FURNITURE 870 Santa Cruz Ave, Menlo Park, CA 94025+1 650 326 9661 www.flegels.comMOGUL 8262 Melrose Avenue, Los Angeles, CA 90046+1 323 658 5130 www.mogullife.comHD BUTTERCUP 3225 Helms Avenue, Los Angeles, CA 90034+1 310 558 8900 www.hdbuttercup.comROBERT WESTLEY DESIGNSSOCO, 3323D Hyland Avenue, Costa Mesa, CA 92626+1 714 546 7100 www.robertwestleydesigns.com DESIGNERS RESOURCE COLLECTION2915 Redhill Ave, Suite E-101, Costa Mesa, CA 92626+1 714 754 1577 www.drcshowroom.comBLISS HOME AND DESIGN3321 East Coast Highway, Corona Del Mar, CA 92625+1 949 566 0304 www.blissdesignfirm.comTOMMY BAHAMA HOME Fashion Island Mall, 401 Newport Center Dr. Suite A218, Newport Beach, CA 92660+1 949 706 9928 www.tommybahamafurniture.comCENTURY FURNITURE23811 Aliso Creek Road, #144, Laguna Niguel, CA 92677+1 949 643 1585www.centuryfurniture.comCOLORADOSLIFER DESIGNSRiverwalk at Edwards, 216 Main Street, Suite C -100 Edwards, CO 81632+1 866 926 8200 www.sliferdesigns.comHW HOME4246 Carson Street, #101, DenverCO, 80239+1 720 564 1286 www.hwhome.comCONNECTICUTLILLIAN AUGUST32 Knight Street, Norwalk, CT 06851+1 203 847 1596 www.lillianaugust.com RINFRET HOME & GARDEN354 Greenwich Avenue, Greenwich, CT 06830+1 203 622 0204 www.rinfretltd.com WAKEFIELD COLLECTION652 Glenbrook Road, Stamford, CT Stamford+1 203 358 0818 www.wakefielddesigncenter.com POUGH INTERIORS1 Main Street, Essex, CT 06426+1 860 581 8344 www.poughinteriors.com MILLIE RAE’S1799 Post Road East, Westport, CT 06880+1 203 259 7200 www.millieraesstore.blogspot.com TROVARE HOME245 East Putnam Avenue, Cos Cob, CT 06807+1 203 869 5512 www.trovarehomedesign.com SUSAN ANDERSON DESIGNS / WHITE BIRCH STUDIO3 Sconset Square, Westport, CT 06883+1 203 557 9137 [email protected] HOAGLAND’S175 Greenwich Ave, Greenwich, CT 06830+1 203 869 2127 www.hoaglands.comFLORIDAISLAND HOME334 Worth Avenue, Palm Beach, FL 33480+1 561 832 6244 www.islandhomepalmbeach.comJALAN JALAN3921 NE 2nd Avenue, Miami, FL 33137+1 305 572 9998 www.jalanmiami.com

ALLISON PALADINO18396 SE Heritage Dr, Jupiter, FL 33469+1 561 514 0155 www.apinteriors.com SHARRON LEWIS DESIGN CENTRAL1601 NE 2nd Avenue, Miami, FL 33132+1 305 373 7330 www.sharronlewis.comBAY DESIGN 326 13th Avenue South, Naples, FL 34102+1 239 649 0906 www.baydesignstore.comPHOEBE HOWARD4128 Herschel Street, Jacksonville, FL 32210+1 904 387 1202 www.phoebehoward.com TRADITIONS 870 6th Avenue South, Naples, FL 34102+1 239 213 1240 www.traditions.com

GEORGIAPHOEBE HOWARD425 Peachtree Hills Avenue, Suite #23, Atlanta, GA 30305+1 404 816 3830 www.phoebehoward.comOWEN LAWRENCE87 West Paces Ferry Road NW, Atlanta, GA 30305+1 404 869 7360 www.owenlawrence.com

ILLINOISPEACHTREE PLACE303 Happ Road, Northfield, IL 60093+1 847 441 7585 www.peachtreeplaceonline.com

KENTUCKYBITTNERS731 East Main Street, Louisville, KY 40202+1 502 584 6349 www.bittners.com

MARYLANDSHEFFIELD FURNITURE1582 Rockville Pike, Rockville, MD, 20852+1 301 881 6010 www.sheffieldfurniture.comTHE KELLOGG COLLECTION6241 Falls Road, Baltimore, MD 21209+1 410 296 4378 www.kelloggcollection.com

MASSACHUSETTSVINEYARD DECORATORS835 Airport Road, Vineyard Haven, MA 02568+1 508 693 9197 www.vineyarddecorators.comVU DESIGN33 Bassett Lane, Hyannis, MA 02601+1 774 470 1363 [email protected] DAYTON HOME LLC276 Washington Street, Wellesley, MA 02481+1 617 227 5343 www.dayton-home.com

MICHIGANTHE QUIET MOOSE2666 Charlevoix Avenue, Petoskey, MI 49770+1 231 348 5353 www.quietmooseonline.com

MINNESOTA THE SITTING ROOM380 2nd Street, Excelsior, MN, 55331+1 952 473 4440 www.thesittingroomstudio.com

MISSOURIKDR DESIGNER SHOWROOMS11660 Page Srvc. Dr., St. Louis, MO 63146+1 314 993 5020 www.kdrshowrooms.comNEW JERSEYLAWRENCE MAYER WILSON709 Riverview Drive, Brielle, NJ 08730+1 732 223 0900 www.lmw-interiors.comSURROUNDINGS FURNITURE & DESIGN200 Tilton Road, Northfield, NJ 08225+1 609 407 5002 www.surroundingsfurniture.comWOSTBROCK HOME225 Goffle Road Ridgewood, NJ 07450+1 201 445 0807 www.wostbrockhome.comNEW YORKENGLISH COUNTRY ANTIQUES26 Snake Hollow Road, Bridgehampton, NY 11932+1 631 537 0606 www.ecantiques.com ABC CARPET & HOME888 & 881 Broadway, New York, NY 10003+1 212 473 3000 www.abchome.comCOCOBOLO37 Maple Avenue, Armonk, NY 10504+1 914 273 4485 www.cocoboloarmonk.com HABITAT LTDPO Box 1071, 710 Montauk Highway, Water MillNY 11976+1 631 726 9311 www.habitatltd.com

HAMPTON WHITES509 North Main Street, Port Chester, NY 10573+1 914 967 1867 www.hamptonwhites.com GANSETT LANE HOME6 South Etna Avenue, Montauk, NY 11954+1 631 668 8050 www.gansettlane.com PENNSYLVANIALUXE HOME1308 Chestnut St, Philadelphia, PA 19107+1 215 732 2001www.luxehomepa.com SHEFFIELD FURNITURE211 East King Street, Malvern, PA 19655+1 610 644 7450 www.sheffieldfurniture.com

NORTH CAROLINAFURNITURE LAND SOUTH5635 Riverdale Drive, Jamestown, NC 27282+1 336 822 3000 www.furniturelandsouth.com DEMI RYAN1001 Park Glen Pl, Durham, NC 27713+1 918 806 8708 www.demiryan.com

SOUTH CAROLINAJ BANKS DESIGN GROUP INC.35 North Main Street, Suite 120, Hilton Head Island, SC 29926+1 843 681 5122 www.jbanksdesign.comPOSTCARD FROM PARIS631 S Main Street, Greenville, SC 29601+1 864 233 6622 www.postcardfromparis.com

TEXASBERNADETTE SCHAEFLER1616 Hi Line Drive, Suite 100, Dallas, TX 75207+1 214 749 0816 www.bernadetteschaeffler.comLOUIS SHANKS2930 West Anderson Ln, Austin, TX 78757+1 512 451 6501 www.louisshanksfurniture.comLOUIS SHANKS2800 Fondren Rd, Houston, TX 77063+1 713 780 9770 www.louisshanksfurniture.comLOUIS SHANKS11035 West Interstate 10San Antonio, TX78230+1 210 691 1400 www.louisshanksfurniture.comCARLIN & CO.150 Turtle Creek Blvd, Suite 211, Dallas, TX 75207+1 214 760 7216 www.carlinandcompany.netSHABBY SLIPS1126 1/2 West 6th Street, Austin, TX 78703+1 512 478 5666 www.shabbyslipsaustin.com

VIRGINIASHEFFIELD FURNITURE21080 Dulles Town Center, Dulles, VA 20133+1 571 323 6000 www.sheffieldfurniture.comTHE KELLOGG COLLECTION1353 Chain Bridge Road, McLean, VA 22101+1 703 506 0850 www.kelloggcollection.comTHE KELLOGG COLLECTION6227 River Road, Richmond, VA 23229+1 804 285 9143 www.kelloggcollection.com

WASHINGTON DCTHE KELLOGG COLLECTION5215 Wisconsin Ave NW, Washington, DC 20015+1 202 363 6879 www.kelloggcollection.comSCHOENER’S INTERIORS 2045 120th Ave NE, #200, Bellevue, WA, 98005+1 425 454 9000 www.schoenersinteriors.com

WEST INDIESARCHER’S HALL DESIGN CENTREQueen’s Street, Speightstown, Barbados WI+1 246 422 0400 www.archershall.com

CASTLE CARY2 Market Place, Castle Cary, Somerset, BA7 7ALT: +44 (0) 1963 351 212E: [email protected]

LONDON555 Kings Road, London, SW6 2EBT: +44 (0) 20 7371 8733E: [email protected]

ATLANTAAmericasMart, Building 1, Floor 14,Suite A5, Georgia 30303T: +001 404 749 5017E: [email protected]

HIGH POINTOnly During Market, C + D Building, Suite 2A, High PointT: +001 336 886 3549E:[email protected]

A series of signed and limited edition dog portraits by watercolour artist Ian Mason. They are available from our stockists above

For more details on any of the companies on this page, click on the Blue Highlight

www.trowbridgegallery.comFor more product information on TROWBRIDGE, CLICK HERE

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CONTENTS

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Design NewsNames and events in the US design world

What’s New at TROWBRIDGEDecorating with BlueIf you choose the right shade, blue can make a striking statement in a room

An iconic showroom turns 50It is an Aladin’s cave of wonderful decorative antique treasures on London’s King Road

The making of modern classicsLillian August says that new traditionalists have fallen in love with colour and vibrancy

Memories that sparked design ideasBarry Dixon remembers how snapshots from his early life have helped shape some of his most successful fabric designs

A new Chinese revolutionLiliane Fawcett celebrates a young generation of spiriteddesigners who are making their mark in China

Learning the Interior Design tradeIf you want to make your mark you need to go back to school says Jenny Gibbs

Are you sitting comfortably?Soft and sensuous is the new style for contemporary furniture says Tina Nicole

Don’t chase trendsThere isn’t a wrong colour, only colour in the wrong place says Julia Brendel

The Romance of Art DecoElegant and chic, there is nothing to beat it says Christopher Guy Harrison

Chilling out in the corporate worldTim Armitt on why it is time to sit back and relax in the new business environment

Weaving a new magic rugTufted now rules in the rug world says Arash Yaraghi

Outdoor News The latest styles for outdoor furniture

Fabric News New collections of fabrics for 2014

Bathroom NewsWhat’s new for your bathroom

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For more product information on Hancock & Moore, CLICK HERE

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Cover story:Antiques dealer and avid collector

Richard Shapiro is obsessed with old Europe. See more on page 110

www.bridgefordesign.com

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In ConversationThe celebrated interior designer Nicholas Haslam shares his style tips and colour passions

Sandra Nunnerley reveals her styleThe New York based interior designer has published a book called Interiors in which she explains her design vision

A library holding the furniture worlds’ secretsThe Bienenstock Furniture Library in High Point holds the largest collection of furniture design books in the United States and is a treasure trove of great furniture design

The Barcelona chair – is it an Icon or a Diva?Rita Ora asks why is there such fascination with this 20th century statement chair

Designer FocusTimeless design in a Sydney pied-a-terre from San Francisco based interior designer Phillip Silver

A stunning contemporary home in Boca RatonFlorida-based design firm Marc-Michaels has created a striking riverside house which they describe as having ‘barefoot elegance with an organic feeling’

A Greek island delightA house on Spetses was designed and built by John Stefanidis ‘from the inside out’

The making of a Parisian palaceThis breath-taking Paris apartment was designed by London-based designer Louis Henri Buhrmann, four years in the making, everything about it is bespoke

An updated New York townhouseDesigner Miles Redd was called upon when a New York couple wanted to rework their quirky townhouse to accommodate their young family

Obsessed with old EuropeCOVER STORY: Antiques dealer and avid collector Richard Shapiro confesses to having a fascination with the old surfaces and patinas he found on European buildings and how he was determined to re-create them in his LA home

A riverside apartment in central LondonMichael Reeves created the contemporary interior of his Thameside home in just six weeks

Scandinavian style in Palm BeachLars Bolander opens up his home to reveal his design style

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Visit lillianaugustfinefurniture.com for a showroom near you.

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For more product information on Lillian August, CLICK HERE

CONTACT US

www.bridgefordesign.com

Copyright 2014 BRIDGE FOR DESIGN, Trowbridge Gallery, ISSN 1764-4404. Printed by Butler Tanner & Dennis, Caxton Road, Frome, Somerset BA11 1NF T: 01373 458220. Published quarterly. All rights

reserved. Reproduction in whole or in part without prior written permission is strictly prohibited. The views expressed by contributors are independent and are not necessarily those of BRIDGE FOR DESIGN

16 Sybron Way, Jarvis Brook,

East Sussex, TN6 3DZ, United Kingdom

PUBLISHERMartin TrowbridgeE: [email protected]: +44 (0)20 7371 8733

ADVERTISINGSALES DIRECTORVivien BrockwellE: [email protected]: +44 (0)1732 461 090C: +44 (0)786 754 7712

UK ADVERTISINGSimon HemsleyE: [email protected]: +44 (0)7919 375 159

US ADVERTISINGShelba CornelisonE: [email protected]: +001 336 869 2528

EDITORIALMANAGING EDITORRob CorkE: [email protected]: +44 (0)1892 667 600

Kelly WenhamE: [email protected]: +44 (0)1892 667 600

Sam FinleyE: [email protected] T: +44 (0)1892 667 600

DESIGN & LAYOUTCREATIVE DIRECTORGuy DavisE: [email protected]: +44 (0)1892 667 600

SUB-EDITORFrancois JarzabekE: [email protected]: +44 (0)1892 667 600

CONTRIBUTORSThe Interior Archive+ 44 (0)20 8964 [email protected] ArmittLillian AugustJulia BrendelEleanor BusingWayne ClarkeBarry DixonLiliane FawcettJenny GibbsChristopher GuyArash Yaraghi

ACCOUNTSCisca CowlingE: [email protected]: +44 (0)1892 667 600

SUBSCRIPTIONSBridge For DesignE: [email protected]: +44 (0)786 754 7712

T: +44 (0)1892 667 600 F: +44 (0)1892 667 007

E: [email protected]

For more product information on Savoir Beds, CLICK HERE

Sabine BedDesign Tina NicoleTM

© 2014 Nathan Anthony Furniture. All rights reserved. nathananthonyfurniture.com

Available through To-The-Trade Showrooms, Architectural Firms and select Fine Furniture Retailers

MADE IN THE USA

NATHAN ANTHONY®

SecTionAlS | SoFAS | chAiRS | upholSTeRed bedS | dininG | oTTomAnS | FAbRicS

14BridgeAD-SabineBed-RR.indd 1 1/13/14 11:09 AMFor more product information on Nathan Anthony, CLICK HERE

DESIGN | news

THE LATEST Lillian August introductions by Hickory White expand the classics incorporating fresh materials, finishes and styles infused with a modern elegance such as this Maison sofa and Guy clipped corner console shown in a new finish. Each design exemplifies Lillian’s attention to a sophisticated, vibrant and engaging lifestyle. She is passionate about colour, comfort and visual appeal. T: +001 828 322 2640 | www.lillianaugustfinefurniture.com

MODERN MAISON ELEGANCE

Neo-classic Hancock buffet-server is an ideal addition to the dining room or foyer. It features solid brass circular fretwork complemented by graceful solid brass stretchers and hardware as well as antiqued mirrored door fronts. Adjustable shelves add greater flexibility to this stylish design finished in a rich Espresso colour. T: +001 904 279 1617 | www.aldenparkes.com

Inspired by Greek Revival architecture of the early 19th century, this black painted Jonathan Charles side chair with full upholstery and a pierced back creates comfortable seating while enjoying dinner with friends and family. T: +001 252 446 3266 www.jonathancharles.com

The aesthetic ideals common to traditional Japanese design and Western modernism are prominently shown in the stylish Kyoto dining collection by Copeland Furniture. Its broad useage of surfaces and simple geometry give way to the natural beauty of Kyoto’s solid walnut grain, offering easy integration and freshness to contemporary decor. T: +001 802 222 9282 | www.copelandfurniture.com

EVOK by Nathan Anthony is a four-piece modular seating group designed with distinct colour-blocked layers. Each piece features a band of wood (in eight finishes) for extra contrast. This combination consists of an armless chair, corner unit and two ottomans providing a myriad of configurations. T: +001 323 584 1315 | www.nafurniture.com

SIMPLE JAPANESE LINES


Biltmore® by Fine Furniture Design is inspired by George and Edith Vanderbilt’s comfortable approach to gracious living and hospitality. BiltmoreFineFurniture.com

Produced under license by Fine Furniture Design.

For more product information on Biltmore, CLICK HERE

DESIGN | news

THESE hand-sculpted fish are cast in artisan-grade resin and hand finished in real silver leaf to create unique pieces of wall décor from The Phillips Collection. The characteristics are realistic down to the hand crafted eye, while the silver leaf finish gives it the ultimate contemporary look. While wood, vine, bark and branch has been used to create their unique and sustainable headboard (left). T: +001 336 884 9287 | www.phillipscollection.com

These flying fish are quite a catch

THIS EXCLUSIVE City Signs series of decorative books by E. Lawrence, shows original photography printed on handmade paper bound by hand. Inspired by some of the greatest cities of the world and their quintessential signage, these are personally designed by Eddie Lawrence for specific decorative use. T: +001 404 355 0226 | www.elawrenceltd.com T: +44 (0)20 7371 8733 | www.trowbridge.co.uk

This stylish Windsor chair designed by Mark Goetz combines new Glitzy pink and Lena Raspberry leather and is highlighted with Java finish with nickel nails for trim. Transitional in style, thisinnovative design comes with curved arms or no arms for a variety of decorative uses. Hancock & Moore strives to build fine furniture of uncompromising quality to endure for generations. T: +001 828 495 8235 | www.hancockandmoore.com

Taking inspiration from an iconic square in the heart of London, Fine Art Lamps has initiated a lighting programme of gradually and steadfastly introducing solid brass transitional shapes in both antique brass and polished nickel. The umbrella for this developing collection is Grosvenor Square, filled with classical houses now being furnished with today’s looks. T:+001 305 821 3850 | www.fineartlamps.com

TICKLED PINKINSPIRED BYA SQUARE


From decorative casegoods to tailored upholstery, Alden Parkes reinterprets and remasters the icons that defi ne gracious living.

Visit our SHOWROOM or scan our QR code to discover High Point’s best-kept secret.

High Point Showroom:200 North Hamilton Street, Suite #207. Located in the prestigious Hamilton-Wrenn Design Districton the 2nd Floor in the NORTH COURT of the 200 Building.Showroom Phone # 336-883-0221. www.aldenparkes.com

Alden Parkes BRDG 011014.indd 1 1/13/14 10:04 AMFor more product information on Alden Parkes, CLICK HERE

DESIGN | news

WE COULD refer to this striking 78 inches long Thomas credenza as ‘black tie’ as it brings together some of the best in design elements including brightly polished handles and black glass doors for a truly distinctive look. This four-door design from John-Richard offers a stylish silhouette and may be used in a variety of decorating environments. T: +001 662 453 5809 | www.johnrichard.com

SUSAN CALHOUN of Collage Designs creates a serene blue room in the living area of this getaway home in Siesta Key, Florida. A cool celadon green is used on the walls as a soothing canvas for the array of blues used in the furnishings, rugs, curtains and accessories; ranging from grey-blue through cornflower to indigo. The darker blue details highlighted in the cushions on the sofa, the turtle artwork on the wall and the decorative boxes on the coffee table ensure the theme flows seamlessly through the room. T: +001 416 932 0302 | www.collagedesigns.ca

The graceful Comtesse chair and ottoman are designed with comfort in mind. As part of Biltmore by Fine Furniture Design, these are just two of seventy-plus exceptional items curated to work beautifully together. The entire Biltmore collection exhibits a fresh look on grand time-honoured classics. Tel: +001 336 883 9918 www.BiltmoreFineFurniture.com

Susan Calhoun’s serene blues

BILTMORE’S COMFORT AND GRACE

LUXURY stone specialist Lapicida is opening a Manhattan flagship showroom this Spring. With a commanding position on the ground floor of the D&D Building at East 59th Street, the new showroom flies the flag for European heritage; from antique floors reclaimed from French chateaux to intricate geometric designs in native British stones, inspired by 18th Century references. Bespoke walls, floors and decorative pieces create a dazzling showcase for Lapicida’s admirable collection. T: +44 (0)80 0012 2220 | www.lapicida.com


D A L L A S | H I G H P O I N T | M I A M I | M O S C O WOriginal l ight ing designs handcrafted in America and specif ied worldwide since 1940 | www.f ineart lamps.com

F I N E A R T L A M P SM A R Q U I S E

Available in brushed gold, platinized silver leaf and antique bronze, with either faceted or smooth crystals.

For more product information on Fine Art Lamps, CLICK HERE

A striking pop of colour from one of our newest acquisitions to our contemporary art portfolio, cries out for a modern, chic placing. Didier Guth enjoys exploring colour and form, often pairing soft curves with harsh lines and clashing colours such as bright yellow and navy blue.Code: DGH Size: 27” x 32” | 68cm x 81cm

With a passion for lines, be it in nature or drawn by man, Vinça Monadé has a very definite way of creating her regimented images. Form precedes both colour and placement and Vinça insists that ‘art made by the hand is of the purest creation’.Code: VCM Size: 27” x 32” | 68cm x 81cm

The Star, Sulcata and Aldabra Tortoise shells are given a contemporary and decorative finish in these three new statement pieces we have added to our collection. Code: TAJ832, TAJ833 and TAJ834 Size: 44”x52” | 112cm x 132cm

For a bit of kitsch glamour, we have given the crown jewels a pop art makeover.Code: PAC Size: 44”x44” 112cm x112cm

A world weary wooden boat at rest, tied to the dock awaiting its next adventure on the high seas.Code: TAJ826 Size: 44”x52” | 112cm x 132cm

WHAT’S NEW | TROWBRIDGE

POP OF COLOUR

PURE FORM

www.trowbridgegallery.com

Living up to its semiaquatic nature, the hippopotamus remains cool by staying submerged in peaceful waters during the heat of the day. Barely moving, a perfect reflection is seen in the glass-like surface.Code: TAJS801 Size: 52”x44” | 132cm x112cm

Tel: +1 404 816 8612

For more product information on TROWBRIDGE, CLICK HERE

Jami Tarris’s stunning high quality and artistic wildlife photographs showcase some of the world’s most beautiful animals. This visually impacting image captures the personality of this magnificent leopard while it remains at ease in its natural habitat. Code: TISJ2 Sizes: 20”x 24” | 40cm x 60cm , 27” x 31” |65 cm x 78 cm, 52” x 44” | 132cm x 112cm

Our popular motorboat blue prints are given a new grand scale to showcase the intricate detail of these comprehensive plans.Code: SMGP4 Size: 50” x 22” | 127cm x 55cm

This stylised photographic study showcases the expertly designed, curved tips of a pair of retro skis. Chosen here for their symmetry and simplicity, they are quite far removed from the aerodynamic beauties being used in this year’s Sochi Winter Olympics. For the most part the piece remains abstract but it does pay homage to winter sports and the pursuit of activity.Code: TAJ798 Size: 44”x52” | 112cm x 132cm

WHAT’S NEW | TROWBRIDGETel: +1 404 816 8612

Two Skis

The soft velvet heads of wild flowers captured in this photograph by Anne Loustaunou sway in the rolling breeze of a French meadow. Code TAJ793

An intricate portrait of the lily in its infancy; the tightly curled leaves will slowly unravel to eventually reveal the brightly coloured treasure within. Code TAJS802

A delicate and tranquil overhead view of a Japanese Aralia arranged in a circular vase. Code TAJ795Each image measures44”x44” | 112cm x 112cm


Erró’s art can certainly be typecast as Pop Art, with bold comic-strip characters taken from dozens of cultural resources, the art draws close comparison with propaganda posters. Erró embodies many pastiches and styles of other 20th century artists such as Picasso, Léger and Dalí. Available in our contemporary frame in white, black or silver with a linen slip. Code: ERO Size: 25”x33” | 64cm x 84cm

SUSAN HICKS uses the classical composition of life study to create a modern stylised series of figurative works. The collection speaks volumes of traditional sophistication, with tones of early 20th century masters, interspersed with the blotting of watercolour upon a crisp background. Also available as full colour on white images.Code: SHNB6 Size: 27”x31”| 68cm x 78cm

THE MAJESTIC African elephant featured in this image commands instant attention, with eye-catching grandeur that inspires further study. The composition of this modern portrait is from an upward angle that can’t help but make the arresting mammal appear even greater in size and presence. However, the initial spell cast by the elephant renounces a softness that begins to show a wisdom and tenderness to the mature character. Photographer Chris Clor describes himself as a ‘visual communicator’ with a basis in photography that has expanded to ‘hybrid illustration’ that resonates conceptual narrative and utilises current computer technologies. Code: TAJS796 Size: 44” x 44” | 112cm x 112cm

CHARLOTTE MORGAN presents hand painted silver finger prints. Their large scale has an abstract quality and unique detail. The applique brushed silver leaf adds a semi precious quality yet remains delicate on the white surround. Each image is unique and hand painted to order by Charlotte. Code: FPS1 Size: 27”x31” | 68cm x 78cm

Cubism lives in the simple lines of this 1970’s-inspired chair which in black and white makes it an even more striking design statement. We have completed the contemporary look with our new polished chrome frame.Code: TAJ814 Size: 44”x 44” | 112cm x112cm

WHAT’S NEW | TROWBRIDGE


Tel: +1 404 816 8612


Pinball Wizard

The soft and clustered head of the Chive remains a delicate and intriguing flower that despite its origin as a common garden herb is soft and feminine. Here the flower gives a burst of abstract texture in our popular triptych format.Code: TACT792 Sizes: 67” x 49” | 170cm x 125cm and 46”x 35” | 117cm x 88cm

New to TROWBRIDGE, watercolour artist Ian Mason has captured the endearing personalities of canines

with his contemporary collection of portraiture. The art bears the charm of a loose and free style that echoes traditionalist techniques but in a far more modern palette. Ian mostly works in ink washes but occasionally introduces other media such as charcoal to great effect. Ian depicts a huge range of breeds in his portfolio which we are offering in a simple silver frame with a linen slip. Code: IMG6 Size: 28”x28” | 71cm x 71cm

CHARLES BELL was an American photo realist painter, known primarily for his large-scale still life images. With a subject matter primarily of vintage toys, pinball machines, gumball machines, dolls and action figures, Charles sought to bring pictorial majesty and wonder to the mundane. The use of bright colours and illuminated subject matter captivate the viewer’s imagination. Code: TAJ783 Size: 52”x44” | 132cm x 112cm

This photographic study features the exquisite ‘flower-head’ of a budding artichoke. The perennial plant has wonderfully symmetric characteristics that add uniqueness, along with a beautiful palette of colour ranging from purples and silvers to green. The photograph is a stunning alternative to classical botanical study.Code: TAJ791 Size: 44”x 52”|112cm x 132cm

Drawing on 25 years’ experience in creating gardens Jill Ray uses her love of art to create these stunning landscapes. Often using her iPad as her sketch pad, Jill ‘loves the way

layers of translucent blocks of colour can build up an image’. With her work often resembling overlaid strips of tissue paper, Jill is focused on ‘colour, light and the rhythms of the landscape. Code: JRL3 Size: 26”x 26” | 66cm x 66cm

Mason’s Dogs

WHAT’S NEW | TROWBRIDGETel: +1 404 816 8612

TROWBRIDGESPRING 2014 CATALOGUE CLICK HERE to see

our new 186 pageSpring Catalogue


DESIGN | news

The inspiration for this bed came from leafing through the ‘pages of the past’, as the designer Tiziano Bistaffa describes it. Its value lies in the complexity of the traditional craftsmanship, which enhances the detail in production and highlights the heritage of the Italian cabinet making experience.T: +001 336 885 2239 | +44 (0)1273 385 255 www.selva.com

THESE life-like botanicals by New Growth Designs show the artistry of Ed Glenn - owner/designer - whose incredible skill and dedication to perfection allows designers to bring the beauty of nature indoors. Ed’s renowned ability in floral creations stems from both his natural talent and from experience with the family’s fresh flower business that has been operating for more than 60 years.T: +001 252 752 6195 | www.newgrowthdesigns.com

THE BAY DESIGN STORE in Naples has long flourished as one of Southwest Florida’s outstanding interior design firms.In addition to professional interior design studios, the store features an impressive and ever-changing selection of furniture, lamps, rugs and accessories, and a wide selection of art, including original oils, limited edition prints, and fine decorative art.T: +001 239 649 0906 | www.baydesignstore.com

INSPIRATIONAL PAST

Talented design duo Barneby and Gates have added two new wallpapers to their growing collection. ‘Anchor‘ and ‘Chess’, are both printed using the surface print technique that is attributed to their painterly hand stamped finish. Chess is available in soft Stone or rich Burgundy. The nautical Anchor tile is an unusual combination of Moorish influence T: +44 (0)77 1348 3530 www.barnebygates.com

UP ANCHOR

HERITAGENew from Heritage Home this collection of outdoor furniture will look good on any deck. Their transitional Marcello collection is made from tuxedo black synthetic wicker while the ottoman and cushions are covered in herringbone weaves. T: +001 828 267 5813 I www.heritagehome.com


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phone USA 336 885 2239 phone UK 01273 385 255

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For more product information on Selva, CLICK HERE

An 18th century French damask wallpaper in sky blue and white creates drama in this

eclectic living space designed by Miles Redd. Accents of complementing shades of blue on the cushions and curtains complete the blue theme. Photograph: Simon Upton/The Interior Archive

A stunning abstract painting in various shades of blue, the easiest way to introduce

blue to your room, is complimented with a geometric patterned blue and white rug in this New York apartment designed by Anita Sarsidi. Photograph: Simon Upton/The Interior Archive

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2 The palest of tiffany blue that Diane Berger has chosen for the walls of this 18th

century French inspired room is the perfect background for the beautifully ornate furniture covered in bright blue toile. Photograph: Fritz von der Schulenburg/The Interior Archive

Mimmi O’Connell adds a touch of blue to a traditional Majorcan room decorated

predominantly in white with the addition of boldly patterned cushions and rugs in matching shades of blue. Photograph: Fritz von der Schulenburg/The Interior Archive

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4 A fresh azure blue on the walls with accents of white in both the dining room

and living room in this Dutch home designed by Floriene Bosch, makes this ground floor social area flow together beautifully. Photograph: Simon Upton/The Interior Archive

A bright cerulean blue on the walls of this inviting Greek bedroom, designed by

John Stafanidis, is complemented by the rich navy blue of the textiles on the bed and the lamps either side of the four-poster. Photograph: Fritz von der Schulenburg/The Interior Archive

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Usually the go-to colour for beach houses and boy’s rooms, if you choose the right shade, the colour blue can create a bright, bold and striking statement room, or a tranquil and soothing escape.

DESIGN IDEAS | decorating with blue

M o d u l u x e B e d r o o m

A u d r e y D i n i n g

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For more product information on Copeland, CLICK HERE

A new book celebrates the famed decorative antiques showroom Guinevere

ocumenting the journey of the iconic Guinevere showroom since it first opened in 1963, is Guinevere: The First 50 Years. Having recently celebrated its anniversary, the book features collated images

from the archives to tell the story of this fascinating shop and how it has evolved into what it is today. Based on London’s Kings Road, Guinevere has expanded into the neighbouring spaces over the years and now boasts an 8,000 sq ft space that’s home to a myriad of decorative antiques spanning across many eras. This treasure trove of ideas has furnished the homes of the elite and style conscious worldwide since it first started trading. The shop was originally founded by French-born Genevieve Weaver, who first arrived in London for a year’s placement with a hat designer. Genevieve soon fell in love with her English teacher’s son and was suddenly designing a futuristic style home for them in Portobello. With a keen eye for aesthetic style she discovered a passion for buying antique pieces to fill their home and having tired of hat design, Genevieve decided to combine her passion for interiors with business and started buying and selling antiques. Initially the business traded pine furniture but it wasn’t long

before Genevieve was travelling the world discovering exotic and unusual pieces, which were introduced to her London clientele. The combination of Genevieve’s forward thinking outlook and her ability to set trends, created the foundations of what was to become one of London’s most successful antiques businesses. The shop is now run by Genevieve’s sons, Kevin and Marc, who take customers on a journey through time and across continents with arrangements of unique furniture, lighting, fabrics and decorative accessories that are constantly changing. A combination of different styles and eras continue to successfully fuse together, east meets west, classic meets modern. Guinevere: The First 50 Years features home interviews with key clients and contacts, in addition to the company owners, this pictorial book is a collector’s piece taking the reader on a celebratory journey of the finest antiques and interior design business.

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www.guinevere.co.uk

Setting the style for 50 years

DESIGN NEWS | iconic showroom

For more details about Guinevere, CLICK HERE

Setting the style for 50 years

Creating classics that are in tune with the times

lways fashion conscious, the ‘new’ traditionalist has respect for history but demands that traditional design continually be re-interpreted, designs that look

to the classics but stay in tune with the times. A symbol of graceful living, traditional design is also a symbol of success. It began with Queen Victoria, the first Royal to publicly embrace the idea of home, therefore giving the home greater social value than more artificial court life. It has evolved to what we might call the new era of the interior designer whose customers demand incredible rooms. Early women of design, Nancy Lancaster, Elsie de Wolfe and Sister Parrish, among other greats, opened the door for the interior designers of today. Often, their most significant work was experienced by the public in elegant hotels, memorable ballrooms and lobbies. Still today, stellar discerning customers are captivated by this legacy. I take great pride in celebrating this legacy. My challenge as a designer is to retain the essence of classicism and at the same time update it with cleaned-up, not too fussy, statements. At Lillian August, we strive to be a part of the genre of unforgettable designers that have created a unique vocabulary of beautiful and timely fashion looks creating rooms that tell a story or at the very least pay tribute to renowned American designers. I enjoy settings where shades of the past can come to life with surprising, intense colour and excitement; where we can combine elegant European fabrics and the best of traditional furnishings, where furnishings and lifestyle settings reflect the best of interiors, many international in flair.

New traditionalists have fallen in love with colour and vibrancy says Lillian August

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Colour gets me out of bed in the morning and the opportunity to work with pure colour never fails to inspire. I always enjoy seeing designers embrace fashion and colour in all areas of their lives. Often they don’t realise just how much of this inspiration comes from 50 years of strong, as well as subtle, colour useage. We love colours such as vibrant greens, rich reds and tuxedo black and white which create drama and glamour. Fresh and clean-looking navy, so important in apparel, transcends readily to the home. We like the way red sizzles when combined with rich cream. Red, always the colour of love, is easily paired with olive and acid greens and easily complemented with strong splashes of black and white. Plums and blues are especially refreshing and bring a feeling of comfort and relaxation. Even bursts of ►

Lillian August: ‘The most compelling rooms tell a story and colour always plays a key role’

DESIGN TRENDS | view point

For more details about Lillian August, CLICK HERE

intense hues can create a warm, vintage look and become invigorating when softened by creamy taupe or pale olive. Eggplant and purple are important in a saturated colour palette, while ivories and creams add a richly textured feel. We see yellow adding pop in home furnishings, a nice accent in golds, mustard and sunflower colourations. Combined with greys, sand and washed stone, we have a wonderful urban, upscale lifestyle decor that is restful as well as charming. Similarly, radiant orchid - Pantone’s colour of the year - offers an expressive and exotic feel while inspiring confidence and warmth. The most compelling rooms tell a story and colour always plays a key role. At Lillian August we thrive on creating an unusual if not unique slant as well as timely fashion statements to these rooms, bringing the past to the present, bringing stories to life with flair, and rooms that can be enjoyed and appreciated the world over.

New traditionalists have fallen in love with colour and vibrancy says Lillian August

■BLillian August

www.lillianaugust.com

For more details about Lillian August, CLICK HERE

Inspired by memories of a treasured cocoa tin

nspiration is everywhere. It lives in the memory of our past, the vibrancy of our present and the possibility of our future. It hides in plain sight in the view outside our window and it sits on a shelf inside

our home. It lurks in foreign ports of call and waits patiently in our own backyard. It whispers to us in our dreams and screams at us in our waking moments, urging that moment of glorious combustion when our thoughts collide to spark our imagination. From the hay fields outside my windows to a treasured cocoa tin from my childhood, the following remembrances detail sources of my own design inspiration. The vivid clarity of a now long forgotten dream slowly succumbed to the hazy reality of another summer morning in Fauquier County. A steady drone of modern machinery had lured me from one state of consciousness to another, and I realised that the audio portion of my altered state was actually my friend Ricky cutting the tall grass in the pastures beyond the low stone walls that separate Elway Hall from Elway Farm. Peering through the windows of my bedroom aerie I could chart his progress: long furrowed rivulets of silken strands combed into place by the line of blades in his wake, such order in the concentric curves as he turned a graceful one-eighty to plod a parallel path in the vale. Later he would roll the fallen straw into mammoth coils that would be left to dry further in the June sun. I always love the look of the rolling hills dotted with the large, sweet smelling bales, their undulating forms crispened by the fresh, clean cut. By July I noticed that he had, with deft efficiency, stacked the rolled bales vertically two and three tall to keep them ‘high and dry’. The resultant wall was like some wonderful,

Snaphots from times gone by are behind my design ideas says Barry Dixon

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angle-less honeycomb - again with the mesmerising op-art effect of the concentric circles at the bales’ ends - that became a snapshot in my memory. The old cocoa tin on the shelf of my grandmother’s pantrywas a ruse. Almost a century had passed since its mottled interior had held the sweet brown powder. The acrid smell ►

Barry Dixon: ‘When Nettie passed that modest little touchstone became my link to our past’


For more details about Barry Dixon, CLICK HERE

‘The Pattern on the box seems exotic to me even now’

Barry Darr Dixon8394 Elway Lane, Warrenton, VA 20186

T: +001 540 341 8501 | www.barrydixon.com

Snaphots from times gone by are behind my design ideas says Barry Dixon

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of rolled bills and heavy coins mixed oddly with a lingering chocolate scent, because that’s where Nettie kept her secret stash of money, (of course). When the neighbouring farmer delivered the fresh country butter pressed in a round wooden mould and wrapped in waxed paper, the tin came down from the shelf, as it did when we were going into town for an ice cream cone or when we kids needed ‘pocket money’ for our trip back home. The bittersweet colour of the box itself provided strong contrast to the graphic tones of the label and floral ornamentation, the latter executed in an almost scientific fashion, illustrating the ‘specimen’ of the cacao plant as it grew naturally in its tropical homeland. How exotic the broad-veined leaves and the nubby cacao pods must have seemed on the shelf of the 19th century general store where her grandmother bought the tin. The pattern on the box seems exotic to me even now, perhaps more so for the generations of memory and familiarity that it represents. Years later, when Nettie passed that modest little touchstone became my link to our past. Both ‘Crop Art Circles’ and ‘Cacao Vine’ have become best-selling fabrics in our textile collection for Vervain/S. Harris. Each an individual abstraction of a specific, personal object or observation collated into a product for a modern designer to employ in their own specific and personal ways. Look. Think. Create!

The old cocoa tin which inspired Barry Dixon’s best selling Cocao Vine fabrics for Vervain/S. Harris

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For more details about Barry Dixon, CLICK HERE


CHINESE REVOLUTIONultural activities and flourishing arts scenes are often cited as one of the indications of where a country sits on the international stage. By any measure, China has arrived. However, amidst all

the talk of the immense business opportunities and far-reaching global influence, contemporary design in and from China is often overlooked by outsiders - and the Chinese themselves. A new generation of spirited designers is beginning to gather up millenia-long strands of artistic creativity, which had been severed by the Cultural Revolution. These are being weaved into the body of their work, which speak to the energy of modern China. They express the re-interpretations and narratives that have emerged in fields as diverse as ceramics, textiles, furniture and photography. Many there question whether China should remain the international hub for mass-production with its inevitable accompanying compromises in quality and finish. Or whether a more confident and wealthy country will signal a transition away from its current preoccupation with global trends and Western influence, to a re-evaluation of homegrown alternatives. Some designers, with little or no access to material, salvage and re-invent found pieces. One such artist, Gu Yeli, who is now one of China’s most innovative voices, has a distinctive visual wit and originality. Her designs acknowledge her ongoing love affair with the Shanghai nontang (a traditional alleyway) in which she lives in her native city. She embraces upcycling with colour and humour. This re-awakening of traditional skills, values and craftsmanship is giving rise to a more expressive and thoughtful cultural movement. Artist Yang Fan makes vibrant, colourful and sometimes immense installations

using textiles, much of them excess, discarded surplus found in vast quantities every spring in southern China’s clothes manufacturing heartland. The internationally recognised Shao Fan, a friend of Ai Weiwei, says that only in adulthood did he mature into a fully-fledged Chinese artist having being overly influenced in his youth by foreign cultures. His beautifully crafted furniture, held in collections such as the Victoria and Albert Museum in London, is a meeting of eras and their styles, which acknowledges the ancient ties between continents and cultures but is also steeped in its creator’s environment. Another of Ai Weiwei’s artistic collaborators, Li Naihan, found a rich source of inspiration in the constant upheaval of Beijing’s redevelopment. For many people an ever-shifting and ever-changing city engulfed by mass immigration may prove too much to bear. Not for Li. She has highlighted this phenomenon with sensitivity by designing beds, dressing tables, wardrobes and desks which look like crates but once opened, morph into carapaces to contain the furniture, objects and most poignantly, allude to the memories which we all carry with us. The huge influence of European art and design had, and still has, on the world will no doubt continue but China is beginning to appreciate the value of traditional skills. Artists and designers are looking beyond being imitators and embracing what it means to be a Chinese designer in this established market. The journey will no doubt be anything but boring!

Liliane Fawcett is the owner of Themes and Variations 231 Westbourne Grove, London W11 2SE

T: +44 (0)20 7727 5531 | www.themesandvariations.com

CLiliane Fawcett says we should celebrate a new generation of spirited designers

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For more details about Themes and Variations, CLICK HERE

555 Kings Road • Chelsea London SW6 2EB • +44 1202 717017 • Emai l : sa les@inter io .co.uk

www.johnrichard.com

Bridge 12 18 2013.indd 2 12/30/2013 1:19:20 PMFor more product information on John Richard, CLICK HERE


have lost count of the times that I have been asked if interior design is just a matter of common sense. While no one would deny that this is important, as it is with any profession or career, the slightly worrying

implication of the query is an assumption that no real specialist knowledge is involved at all. The early decorators such as Elsie de Wolfe, Jean-Michel Frank, Eileen Gray and John Fowler may not have had to contend with the technicalities of today’s interiors but they ensured that they found ways to gain knowledge and experience, recognising that they needed to develop their skills, understand the materials they were working with and learn the fundamentals of design theory. Elsie de Wolfe drew on her experience of set design and studied 18th century French design. Jean-Michel Frankfollowed work experience with a spell at a Paris Atelier. Eileen Gray originally studied at the Slade but when she became interested in interior and furniture design joined a workshop specialising in lacquer work, while John Fowler was known to pull old curtains to pieces to establish exactly how they had been constructed. Others ask if it is possible to learn interior design on the job and, of course, in an ideal world that is exactly what would happen. Many of today’s leading names in the design world learnt their trade and built up their experience and confidence with an established designer, apprentice-style. However, in today’s fast moving world, design practices need new employees to hit the ground running and do not have the time to teach the now extensive fundamentals. The demands on the interior designer today are huge. The design skillset is broadly definable as a combination of both intellectual and practical skills and is fundamentally a decision making and problem solving activity. It requires a blend of thinking and acting, learning through doing,

testing ideas and assumptions through action. It is also a holistic process and allows for the vagaries of human nature, incorporating intuition, and even emotion into decision making. All of this requires a framework, a methodology whichdesign students need to grasp as a platform for the development of their ideas. Similarly students can be introduced to processes which help them access creative ideas when faced with a raft of practical information from the client brief, design survey and analysis. Designers often work as part of a team with a variety of other professionals during both the design and construction stages. Inevitably, they need to understand the role of these professionals to collaborate with them successfully. In addition to the basic skills; design theory and knowledge, a grasp of relevant technology is now essential to facilitate the design. Illustration and administrative functions also play a key part within interior services, providing considerable learning challenges for the design student. Interior designers carry high levels of responsibility. Good design is critical to the competitiveness of many types of businesses and contributes to quality of life at home, work and leisure. To meet these demands students need to understand the benefits of in-depth research and to learn about the environmental performance of materials and products. With all this in mind, in-depth design training is really the only way to get started and to compete for employment.

Jenny Gibbs is the principal of KLC school of design503 Design Centre East , Chelsea Harbour, London SW10 0XF

T: +44 (0)20 7376 3377 | www.klc.co.uk

Jenny Gibbs explains why training is essential for today’s interior designers

ILEARN YOUR TRADE

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or me, merchandising upholstered furnishings is like going to a party with all my friends. I have fun with them as a group, and I appreciate each one for their individuality. And, if I’m lucky after the many

toasts and shared conversations, one lays claim to the title of ‘bestie’. As the lead designer and co-founder of Nathan Anthony Furniture, my current ‘bestie’ in upholstered seating goes by the name Soft Modern. Observing trend in the contemporary furniture category, I see that the clean lines are continuing to evolve towards rounded silhouettes and more relaxed looks, taking on noticeably sensual characteristics. Design clients are moving away from choosing hard-edged frames that stand to attention in favour of softer, pillowy shapes. Soft fills like down and trillium are being used to pad perimeters in seating areas, tops of arms and backs, as well as for the front apron and outside backs. Wrinkles and puckers are intentionally added by loosening the upholstery application, or under-filling pillows to achieve the desired effect. We punch and chop seating and pillows – it’s a cathartic experience – to relax the filling. The objective is to attain a sophisticated degree of lived-in cosiness. The modern idea for more spacious environments will no longer be expressed in square footage, but through intentional decisions about décor and the careful selection of objects of desire. It’s minimalism with benefits, you might say. In this scenario, furnishing items are treated like sculptural elements that are intended to stand alone and speak for themselves. ‘The emphasis on sensuality is seen in both the shapes and

materials used. Incorporating soft wood tones and unfinished metals help to complete the expression of this trend’, suggests Neil Kelly, of Neil Kelly Company. There’s a rich selection of trending fabrics used as upholstery covers now. Expect to see muted floral-inspired patterns, but much less bold than in the recent past, they put me in mind of the glorious watercolour pastels in my grand mother’s Sweet Pea garden. ‘Even popular geometric looks are softened by increasingly tranquil colourways grounded in white, taupe and grey. Pops of colour like yellow walk the line between light and bright and should wake up the senses when combined with patterns that intentionally clash’, says trend source Laura Bielecki, of Luxury Interior Design Journal. The hipster homesteading movement, with its focus on handcrafting, embroidery and homemade goods, is having an influence in the area of heavier cable knits and quilted fabrics available in the marketplace. We selected the upholstery covers ‘Cozy’, ‘Desdemona’ and ‘Lightning’ in response to this trend and covered our down-filled Bounce and Boxx ottomans, with a nod to the influence of Patricia Urquiola and her unique cover choices for seating. As you can see, it’s a lovely cast of characters indeed. All that’s left is to pour the wine and find a comfy seat. Cheers!

Tina Nicole understands why furniture is becoming more relaxed and ‘pillowy’

FTHRILLING ME SOFTLY

Tina Nicole is lead designer Nathan Anthony Furniture4940 District Blvd., Vernon, CA 90058

T:+001 323 584 1315 | www.nathananthonyfurniture.com

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For more details about Nathan Anthony Furniture, CLICK HERE

am always surprised at how the fashion and fabric industries force new trends on designers, buyers and clients. I understand the need for the ‘new’ and ‘the race for clients’ with fresh collections. But colour is

such a personal thing. My mum, who is an historian of art, says that there isn’t a wrong colour, there is only a colour in a wrong place, and after years of working in the art and design industry, I have learnt that she is absolutely right. Another thing that I have learnt is that the classics never disappoint. As much as I understand this need for colour trends in fashion, I feel that in home furnishings colours should reflect personal preferences and not be forced by what is dictated, just for the sake of it. My clients still prefer to live surrounded by colours they feel comfortable with. And what is comfortable varies from person to person. I like to play with colour and only use what I think works in a pattern. I do not chase the newest trends but experiment a lot with different combinations and when I like it, the decision has been made. I may be wrong, but when I design I do not look at other people’s work as I do not want to be influenced or tempted by colours that someone else thinks may be fashionable this year. I want my fabrics to last a bit longer than that. So, although I use a lot of classic colours like golds, blues and reds I also try to contrast them with more controversial ones and see what emerges. I also do not like to use too much grey. I think there is enough of that in our daily lives. I think that every designer’s duty is to be truthful to his or her own vision. Following a trend is lazy and compromises individual talent and is nothing more than playing it safe. You cannot please everyone and what I have found with my colour ranges is that they work for some and not for

others. I’ve been told a few times that my colours are ‘not English enough’. Indeed, they shouldn’t be because my current collection is inspired by different cultures where colours are more vibrant, more surprising and inspiring. Others love them and are excited about seeing something truly different. People see colour in different ways depending on their geographical locations and cultures. In Africa for example, greens and blues are seen as almost the same colour and in fact, there is also less terminology in local languages to describe these colours. As a contrast there are more oranges and reds in the landscape so people see those colours better and use them more and the vocabularies reflect this. Where we live, especially in the UK, we see colours in hues of blue, almost through a misty grey filter and this is probably why people will always be drawn and feel at home with bluey-grey palettes. I looked at the newest trends in colours for the purpose of writing this article. It looks like there are lots of colours that I have included already in my designs. It only shows thatcolours come and go, just like trends in fashion. I will continue to choose what I think is right for each design and project and hope there will always be people who can see through my eyes.

IDON’T CHASE TRENDSThere isn’t a wrong colour, only colour in the wrong place says Julia Brendel

Julia Brendel Julia Brendel Limited

T: +44 (0)17 9559 9840 | www.juliabrendel.com

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For more details about Julia Brendel, CLICK HERE

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DON’T CHASE TRENDS

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ART DECO LUXURY CHICvocative of the jazz- age, with clean lines and architectural detailing, the designs of the 1920’s and 1930’s remain a key trend within luxury furniture design.

The use of solid hardwoods, with high- gloss and polished surfaces, creates a dramatic statement as well as adding a touch of timeless elegance to your interior design scheme. Taking inspiration from celebrated Parisian chic, furniture and accessories that embody this style make subtle references to neoclassical and Georgian design, while remaining true to the principals of Art Moderne. The attention to detail in each design ensures this surpasses seasonal trends to remain ever popular and current. Furniture, for example, is often characterised by its perfect proportions, with tapered legs, hand carving, oval back chairs and the use of mirror and glass with an antique finish. What makes this an enduring trend is the simplicity of the design. It works in harmony with other styles, allowing you to either make it the main theme for your interior design scheme, or alternatively, use one or two key items as accent pieces to co- ordinate with existing furniture. It’s complementary, making it effortlessly stylish, whether for a London townhouse, New York loft apartment or Hong Kong high- rise. Upholstered furniture suits a sophisticated colour palette.

Rich monochrome fabrics fit the trend perfectly, but it’s important not to overuse. Instead, pick one or two statement pieces to cover.

Soft, delicate pastels in pink, cream, blue and yellow hues will create a classic, timeless look.

Alternatively, for a more dramatic effect, opt for a combination of deep reds,

bottle greens or this season’s must- have teal. Stick to solid colours and

avoid patterns, which can quickly detract from the chic, elegant look. Experiment with different types of fabrics, such as silk, raffia and even soft leather. The zeitgeist of modernism/

Art Moderne has been captured by popular culture throughout the

last century. Even today, with films such as

the adaptation of F Scott Fitzgerald’s Great Gatsby, which perfectly evokes

the elegance, romance and decadence of the jazz- age, make it attractive to a younger and wider

audience. This was one of the most talked about and covered design trends in the media during 2013. For me, what’s so special about contemporary Parisian chic, is its sumptuous and flirtatious elegance. It teases with its subtle, coy forms and allures you into a prestigious world as if casting a spell on the room.

Christopher Guy Harrison celebrates the romance of the decadent jazz age

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■BChristopher Guy Harrison

T:+44 (0)20 7893 8314 | www.christopherguy.com


For more details about Christopher Guy Harrison, CLICK HERE


dominant trend over recent years - and one that looks set to continue - is the cross-over between contract and hospitality interior designs. No longer separate and distinct, the

boundaries of interior design that were once understood and abided by no longer apply, particularly when choosing furniture for these two environments. Furniture that would look equally at home in the domestic environment has traditionally been specified for the hospitality sector. Now however, with the contract sector looking to soften its environment and create more relaxed and flexible open-plan spaces for employees, the corporate look has started to echo the feel of a hotel environment. Meanwhile, as the hospitality environment has to pander more to the needs of the corporate client, the arrival of chill-out zones, phone booths and touchdown spaces are just some of the trends that currently influence hospitality designs today. The birth of high backed meeting booths is the one of the biggest areas of growth in the corporate arena. Great for breaking up large, open plan office spaces, these stand-alone pieces help create touchdown spaces and informal meeting areas. Many offer advanced acoustic capabilities, their contoured high-back design helps reduce peripheral vision and external noise, whilst enhancing privacy and retaining an open plan feel. Once confined to the foyer, soft seating has now become the norm for breakout spaces and meeting areas in corporate settings – hence the growing popularity of modular furniture that offers unrivalled levels of flexibility and practicality. Across both sectors, there has also been a distinct surge in custom designs and handcrafted furniture production. The

need to stand out from the crowd and to provide that luxury wow factor was once the preserve of the hospitality sector. With more organisations waking up to sustainability, it’s important to consider products that are manufactured from sustainable raw materials with low chemical omissions, combined with a strict recycling practice. Equally, it’s more important than ever before to consider the robustness of materials when specifying furniture. Not only does it need to withstand everyday use, it needs to meet the rigours of housekeeping and offer an easy to clean and maintain solution. Regarding materials, there is still a strong trend towards wood tones combined with diverse colours and fabrics. Soft seating in bold colours can help distinguish office areas and break up the uniformity and functionality of the workspace, or provide a striking centrepiece. The use of natural wood looks set to continue too. No longer confined to the frame of the furniture, natural woods add texture and colour to handcrafted furniture designs and can adorn interiors with a touch of luxury and individuality that can make all the difference. When combined with classic and elegant furniture designs that boast high-end quality and craftsmanship – such as comb joints and bevelled edge detailing which give an exquisite finish – the results can be stunning and provide enduring appeal for years to come.

ACORPORATE CHILL OUTOur offices are taking on a more relaxed and flexible look says Tim Armitt

Tim Armitt is Managing Director of Lyndon Design 342 Swindon Road, Cheltenham, Gloucestershire GL51 9JZ

T: +44 (0)12 4258 4897 | www.lyndon.co.uk

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For more details about Lyndon Design, CLICK HERE

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RISE OF TUFTED RUGSntil the housing crash of 2009 in the US, hand-knotted rugs comprised more than 99 per cent of the residential designer market. Companies that had specialised in hand-knotted

oriental and nomadic hand-weave carpets for half a century or more suddenly noticed that the clients of interior designers were postponing high end rug purchases. Rising to the challenge, a few wholesale rug manufacturers responded by upping the design and luxury quotient of hand-tufted rugs. Innovation in this category began with special licensed collections launched in 2009 by icons such as lifestyle leader Martha Stewart and celebrity designer Thom Filicia. In collaboration with these tastemakers, wholesalers pushed the design envelope with hand-tufted rugs in everything from yarn choices, to colour palettes and surface textures. These pioneering hand-tufted collections were crafted exclusively of the finest New Zealand wool to ensure a luxury look and long wear. Yarns were dyed using the same ancient pot dyeing techniques weaving families had been using for centuries to create custom hand-knotted Peshawar and Tibetan rugs for the interior design market. Finishing techniques were developed to create the soft patina of artisan woven carpets. The idea was to make the transition as seamless as possible by focusing on recreating expensive hand-knotted looks with proprietary effects and ever increasing numbers of colours for richness of detail. Rug companies that survived the transition to hand-tufting banked on bringing exceptional value to consumers who wanted quality, style and greater affordability in their decorative home products.

At first, weavers concentrated on capturing the detailed motifs of coveted Persian rug designs. At Safavieh we aimed high, choosing to reproduce the famous Lavar Kerman rugs that have been prized as artistic marvels since the city of Lavar was visited by Marco Polo in 1270. In fact, the hand-tufted rug is a bit more structured than its finely knotted counterparts. But the technology is so exceptional, the hand-tufted version of a prized antique uses 25 colours, resulting in extraordinary value for the price. Always a proponent of democracy in design and impressed with the quick turnaround times and styling flexibility in hand-tufting, Thom Filicia chose to launch his initial indoor rug collection entirely in hand-tufted wool and viscose highlights that were indistinguishable from silk. “The result is pure, evocative design that is both essential and highly practical,” Filicia says. Indeed, the rugs exude classic simplicity and inject an unexpected, modern flair reflective of his fresh yet timeless approach to design. Using a balance of design, materials, textures and palettes in unexpected ways, the pioneers in the hand-tufted medium have sparked a revolution that has proven mutually beneficial for interior designers and consumers, and has allowed weavers across the world to transfer their skills to a 21st century technique while keeping an ancient art alive.

Arash Yaraghi is a co-principal of Safavieh40 Harbor Park Drive North, Port Washington, New York 11050

T: +001 516 945 1900 | www.safavieh.com

Arash Yaraghi tells how today’s weavers are keeping an ancient art alive

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For more details about Safavieh, CLICK HERE

Arash Yaraghi tells how today’s weavers are keeping an ancient art alive

DESIGN NEWS | outdoors

A Place In The Garden offers award winning collections of zinc planters, fountains, lighting and garden objet d’art, handmade in Europe. Inspired by 19th century French & European

estates, the collection boasts designs that display simple clean lines & contemorary chic. The Bath Lantern is one of their stunningly elegant lights, modelled on the Coach Lamp range. The collection is avaliable in a variety of sizes and designs. T: +44 (0)14 0386 4866 | www.aplaceinthegarden.co.uk

Divine daybedsINDIAN OCEAN, the British design-led luxury out-door furniture brand, has launched a collection of divine daybeds. Clean lines and generous propor-tions define this luxurious collection. Match a left and right for double lounging, co-ordinate with a sofa or stand alone as a chaise. T: + 44 (0)20 8675 4808 | www.indian-ocean.co.uk

It’s time to NestWith its chic graphite colour and plush pillows, the Nest Collection is perfect to curl up in or entertain in the garden or poolside. T: +001 305 651 9655 | www.kannoa.com

The Chesapeake range is an extensive new collection of solid teak outdoor furniture from Barlow Tyrie. It initially comprises of an armchair, side chair, innovative swivel rocker complete with Sunbrella fabric cushions and a two metre dining table. Its look marries aspects of the traditional, such as rolled armrests on the chairs and rolled edges and curved sides to the dining table, with clean, crisp contemporary touches that include nylon glides on the bottom of tapered legs. T: +44 (0)1376 557 600 | www.teak.com

Mimmi O’Connell’s simple and luxurious style is very evident on this Tuscan terrace with plush cushions dressed with pillows and bolsters, both on simple teak loungers and directly by the poolside. Photograph by Fritz von der Schulenburg/The Interior Archive

TUSCAN CHIC


For more product information on A Place In The Garden, CLICK HERE


Matthew Hilton’s Eos range of outdoor furniture is named after the Greek goddess of dawn and bringer of light. Previous works by Hilton have been used in the V&A Museum. “All of my pieces are loaded with meaning and memory and are very personal to me,” says the British designer. “The Eos collection encompasses the key ideas in most of my designs, it has to be functional, stackable and easy to store. The Eos collection has expanded over the last year to include more pieces for the outdoor dining and living areas.” T: +44 (0)20 7622 3506 | www.casefurniture.co.uk

HADDONSTONE is a leading UK manufacturer of fine landscape ornaments and architectural stone-work for interiors and exteriors. Designs range from planters, fountains and statues to balus-trades, follies and fireplaces. Pictured is a pavilion at a magnificent Wiltshire residence. T: +44 (0)1604 770711 | www.haddonstone.com

WEITZNER have introduced their first outdoor fabric collection called Garden Gates. As the name suggests the collection takes its inspiration from the ironwork patterns and architectural styles of garden gates. T: +44 (0)20 7351 5893 | www.altfield.com

Inspired by a goddess

Luciano’s design for goldLaurent-Perrier have enlisted the artistic talents of award winning designer Luciano Giubbilei (right) to secure a fourteenth Gold Medal at the RHS Chelsea Flower Show this year. Luciano has created a beautifully layered garden, intended to stimulate the enjoyment of observation and contemplation of visitors to the show. The design manifests Luciano’s on-going fascination with texture, form and light whilst reflecting the elegance, creativity and pioneering spirit of the 200-year old family-run champagne house. A strong wooden sculpture designed by American artist Ursula von Rydingsvard will contribute to the garden’s exploration of texture. T: +44 (0)20 7622 2616 | www.lucianogiubbilei.com


From planters, fountains and statues to balustrades, fi replaces and

follies – our stonework designs look fabulous when new and grow

ever-more distinguished as they age.

Browse our unrivalled collection online or call to request a catalogue.

haddonstone.com 01604 770711

Bridge4Design-A-280x216.indd 1 1/27/2014 1:02:06 PMFor more product information on Haddonstone, CLICK HERE


To complement the extensive inventory of antique statuary, Architectural Heritage has developed a collection of fine reproduction garden ornaments, employing the talents of master craftsmen in the disciplines of stone and marble masonry, bronze, copper and lead work, alongside age-patinated artificial stone, to recreate the very best of 18th and 19th century design. T: +44 (0)13 8958 4414 | www.architectural-heritage.co.uk

Shown here is a taste of the Borek range of outdoor furniture supplied by Robeys featuring the Paris folding chair, Cortona table and Rodi parasol. The products provide ultimate seating comfort and perfect shade. The collection can be compared to good wine, it gets better as it matures. Teak has made a full comeback, and there are a number of designs to choose from, be it dining or lounging. T:+44 (0) 1773 820940 | www.robeys.co.uk

The grid is a collection of outdoor furniture units that can be configured in multiple ways. It is the inspiration of Danish designer Henrik Pedersen, from leading international brand of upmarket outdoor furniture, Gloster, available from Uber Interiors T: +44 (0)845 0773 280 | www.uber-interiors.com

The Park Shore Table and Bench with Bennett outdoor upholstery slip covered dining chairs from Heritage Home. The aluminium table features hand-applied finishing treatments to replicate a wood grain top and aged metal base.

T: +001 828 267 5813 | www.heritagehome.com

CEBU is constructed with a powder coated aluminium frame, fast dry foam, 10 HDPE resin weave colors and is available in over 200 solution dyed acrylic fabrics. Cebu is available in deep seating, coffee and occasional tables. T: +001 626 912-8523 | www.terrafurniture.com

This wide, sunny terrace in Cape Town, designed by Adele Convery, makes the most of the stunning view of the surrounding mountains with low walls, minimal greenery in terracotta pots and comfortable loungers and scatter cushions. Photograph by Fritz von der Schulenburg/The Interior Archive


www.indian-ocean.co.uk

+44 (0) 208 675 4808

London

Bridge for Design March V3.indd 1 27/01/2014 13:28For more product information on Indian Ocean, CLICK HERE

Interiors has fallen in love with lace. Taking its cue from the catwalk, James Hare’s new Cosmos fabric softly embraces a look of femininity and romanticism. Intricately detailed geometric lace panels are embroidered onto a solid back to present a delicately embellished decorative fabric. As part of the coordinating new Prism Silks collection, Cosmos is available in three subtle shades; Frost, Plover and Slate. T:+ 44 (0)11 3243 1204 | www.james-hare.com

ROMO’S collaboration with British artist, Jessica Zoob, recreates six of her paintings to form a collection of digitally printed fabrics. Black Edition infuses a rich elegance taking into context Jessica’s imaginative use of line, texture and colour in her emotionally charged, contemporary impressionist paintings. They’re brought to life on pure linen, soft cotton velvet and a wide-width, lightweight linen, capturing the individual brushstrokes and layers of paint that add the depth and intrigue visible in Jessica’s paintings.T: +44 (0)16 2375 6699 | www.romoblack.com

John Boyd Textiles has been weaving horsehair fabric since 1837. It is used mainly for upholstety, wallcoverings, screens, lampshades and covering speakers. This exclusive English fabric is highly regarded for its quality, lustre and natural fire resistance, wear resisitance and acoustic properties. Cuttings of the new contemporary colours are available and can been seen in the Alton Brooks showroom in Chelsea Harbour Design Centre.T: +44 (0)1963 351078 | www.johnboydtextiles.co.uk

‘A Stiller Life’ is Rubelli’s new fabric collection with a notable oriental influence. Inspired by the artistic concept of the ‘still life’ the Donnafugata fabric showcases an elegant arrangement of foliage, flowers, rocaille elements and leaves delicately traced with viscose thread upon a hand-woven silk ground. The pattern of Candalu reproduces a 19th century pointed paper originally designed for a handwoven velvet representing the traditional elements of a chinoiserie with a contemporary twist.T: +39 (0) 41 2584 411 | www.rubelli.com

DEDAR’s new 2014 fabric collection includes Prince of Wales checks, panama weaves, tweeds, lozenge motifs and grisaille. The classics of men’s tailoring interpreted in furnishing fabrics of richly textural and structured weaves. They also reveal a new outdoor collection where the palette is a celebration of tingling fresh colours such as orange, lemon, forest green and aquamarine. All Dedar fabrics are made from solution-dyed polypropylene and are guaranteed for maximum resistance to light, mildew and weather conditions. They are washable, easy to care for, hardwearing and non-toxic. T: +39 (0)31 228 7511 | www.dedar.com

DESIGN NEWS | fabrics


For more product information on Villaverde, CLICK HERE

DESIGN NEWS | bathrooms

This contemporary bathroom, by John Stefanidis in a chic London home, features striking white marble coupled with chrome encased frosted glass windows to create a bright and unique space.Photograph by Fritz von der Schulenburg/The Interior Archive

CHIC & BRIGHTTHE DEPTH and pigment of colour that varies in Malachite is evident in the bewitching trance of these porcelain tiles from R.I.M Tile Boutique. Exploring the vibrant jewel tones of this precious and enticing stone, a curious amalgam of the classic stone protrudes an ethereal beauty in magnificent proportions. Only 6mm in thickness, this collection permits use in many applications.T: +44(0)20 7376 5820 | www.rimdesign.co.uk

BEWITCHING MALACHITE

A dynamic design hybrid, the Profil tap collection blends simplicity with a striking sleek aesthetic to create the ultimate bathroom statement. Crafted with the finest Lalique crystal, the Profil Cross tap is the last word in luxury, available in a variety of finishes, including chrome, bronze and brass. Expertly manufactured by master craftsmen, Profil’s superlative quality is guaranteed to exceed all expectations.T: +44(0) 20 8202 8288 www.bathroomsint.com

Capturing the chicdecadence of 1940’s glamour, the new Hollywood Collection is the latest range of metallics from Decorum Est. Made from white serpentine hard stone with polished German silver, the overlay is cut, shaped and pasted onto a marble substrate. Rich in imagination, romance and extravagance, the Hollywood Collection has been developed using the ancient art technique, Opus Sectile, which gives each tile its texture and pattern. £1,703 per square metre. T: +44(0)20 7731 5556 | www.decorum-est.co.uk

SLEEK LALIQUE

VOLEVATCH has shown exceptional French craftsmanship for nearly 40 years. Devoted to the Art Deco era, the company has created a 1930’s collection of fixtures, recognisable by its graphic modernity, sleek lines, sweeping curves and perfect geometry. T: +33 (0)1 42 22 42 55 | www.volevatch.fr


Volevatcho r f è v r e d a n s l ’ a r t d u b a i n

8, rue Pasteur - 06400 Cannes 108, rue du Cherche Midi - 75006 Paris

www.volevatch.fr

V E R S A I L L E S l i m i t e d c o l l e c t i o nchaque robinetterie est conçue comme une œuvre d’art dont la virtuosité n’a d’égale que l’excellence du travail d’orfèvre de nos maîtres artisans d’exception. les cristaux de roche les plus purs sont sertis d’une délicate armature en bronze finement ciselée à la main. Garante d’un authentique savoir faire « made in France » la maison Volevatch livre un vibrant hommage à la quintessence du style et de la sophistication hérités des arts décoratifs du XViiième siècle français.

Each bathroom fitting is created as a work of art whose virtuosity is only paralleled by the excellence of our master artisans’ skilled craftsmanship. The purest of quartz crystals are set into the most delicate and carefully hand-engraved bronze mounts. Maison Volevatch guarantees an authentic know-how and prized “Made in France” label paying tribute to the quintessence of style and sophistication inherited from the 18th century decorative arts in France.

annonce-pub-carlton.indd 1 19/12/13 16:34



www.volevatch.fr



annonce-pub-carlton.indd 1 19/12/13 16:34For more product information on Volevatch, CLICK HERE

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DESIGN NEWS | bathrooms

STYLE MODERNE is an elegant collection of taps and showers inspired by the Art Deco design era of the 1920’s and 1930’s. The movement itself is typified by influences steeped in Cubism and Futurism, distinguished by straight

lines, rectilinear forms and geometric shapes with stepped forms. Samuel Heath has given these fundamentals a contemporary feel. www.samuel-heath.co.uk

This retro bathroom, by Nicholas Haslam in a central London townhouse, delivers heightened drama with the use of dark marble for the bath and surrounds and verre eglomise on the walls.Photograph by Fritz von der Schulenburg/The Interior Archive

DRAMATIC RETRO LOOK

WATERFRONT Designer Bathrooms collaboration with artist and designer Mark Humphrey, has resulted in the creation of ‘Cleopatra’. Handcrafted from solid teak, the bath features a lavish hammered brass lining and luxurious red agate semi precious stone inlay, it is only appropriate that ‘Cleopatra’ should be named after one of the most beautiful rulers in history. T: +44 (0)15 2752 8789 | www.waterfrontbathrooms.com

PRESENTING innovative form, engineering and a simple yet striking design, Iconic has launched the Lattice radiator by award winning designer Jacek Ryn. A steel,

vertical design, this contemporary statement radiator features an interlaced structure and a three-dimensional pattern arrangement that its name is derived from. The web structure seamlessly weaves bended tubes that allows for this design to translate in to

six different sizes to accommodate the heat requirements for different room sizes. The innovative tube bending technique is a unique method that cleverly bends each tube,

which essentially allows for designs to be more elaborate and intricate. T: +44 (0)13 4230 5579 | www.iconicradiators.co.uk

Jacek weaves a striking web

KH Zero 2 is the second bathroom collection by Kelly Hoppen in collaboration with Crosswater. The KH Zero 2 features soft curvaceous lines, which differs from the cubist forms seen in the debut collection. Kelly says: ‘A tap should feel lovely to use. KH Zero 2 is aerodynamic in form and looks beautiful too. The collection is contemporary and inspired by my signature style of clean lines and simplicity.’ T: +44 (0)84 5873 8840 | www.crosswater.co.uk/kelly-hoppen


Retail Showroom: 4 Pont Street London SW1X 9ELTelephone: +44 (0)20 7838 7788Facsimile: +44 (0)20 7838 7789

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compose an interior like a musical score. It starts on paper and I gradually build up the layers, adding and eliminating as that initial sketch takes shape. Dorothy Draper was among the first women in America to

see interior decorating as a commercial profession. I’m mad about her strong style! A room she did at Rockefeller Center in New York was immediately hailed as ‘frozen music’. My first interpretation almost automatically starts with a ‘classic’ plan, and progresses using light and reflection for balance, as only then can one start minimalising. People now are fixated on ‘light’, and want far too much. Rooms should not be glaringly floodlit; they should sparkle with light. Colour is more my thing, and it is influenced both by natural and artificial light, so, by applying paint and pattern in textures and layers, I can create endless different effects and permutations. It is important in any decorative scheme to remember that the eye needs to absorb the atmosphere of a room and to create its own interpretation of the whole. Depending on the project or my mood, I can be influenced by both designers and architects. Yet I consider myself to be neither. Both professions tend to be somewhat bloodless, lacking passion. I am essentially a decorator, a beautifier. I add drama and the unexpected. A decorator’s approach to colour must be self-assured. Whereas confidence is commonplace and often misplaced, assurance is both bold and subtle. Nancy Lancaster was one of the assured combiners of colour. In one house she painted one room pink, the one next to it blue. When complimented on the unlikely combination, she pointed out that it was the colour of the air, where the colours met, that was beautiful.

Mrs Lancaster also had the one really successful yellow room in England, which, much to her annoyance, I described once as ‘butter yellow’! Yellow isn’t a colour I use much in this country, despite the old nonsense about ‘sunny’; the reflection of so much natural green and grey outside works against it. My favourite colour, one which I use over and over again, I call ‘ashes of lilac’. It’s a kind of grey violet tinged with a sable brown. It’s the colour of shadows in old French floral chintzes. I love greys and browns and dull mauves, ‘grauve’ in my mind. They work for both Neoclassical and Minimal projects. While some may raise an eyebrow at the mere suggestion of my being considered a Minimalist, designers haven’t ever learned Maximalism. My work hasn’t become stuck in a rut; never a recipe. It’s important for designers often to critique their output, change their style, their aims, even in my case their appearance. Besides, Minimalism is essentially a case of elimination, of pairing away. It is static as opposed to fluid, and creates a void in which the decorator has to create an atmosphere. If one gets it right the barrenness will be eliminated. I do not set out to achieve a restrained grandeur in my decoration, but an interior must evolve if it is to be successful, until a certain point is reached at which it is obvious that a degree of restraint needs to be reintroduced. It can be as simple as walking into a room and recognising that a certain piece of furniture or an object needs to be removed, or, conversely, that a shape or a piece is missing from a composition. Paradoxically, some of the most elaborate rooms in the past have a Minimal quality about them, and I suspect that is what this book sets out to prove. For example, Empress Maria Theresa enlarged the royal castle in Prague in the 18th century in the most ►

An interior must evolve if it is to be successfulIn this extract from the design interior book Luxury Minimal Nicholas Haslam talks about his style and colour passions

Photographs FRITZ VON DER SCHULENBURG | Text KAREN HOWES / The Interior Archive

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IN CONVERSATION | Nicholas Haslam

sumptuous Baroque style, yet every inch of the room was decorated entirely in white. Marie Antoinette’s dairy at Rambouillet had a simple five-footed white marble table in a white room before a rock-wild grotto, and much of the Louis XVI furniture and decoration is as pared down as contemporary stuff. Just look at it without a jaundiced eye. One of my recent interiors in London (shown in the pictures on these pages) was commissioned by the client under the sobriquet of ‘Minimalist Baroque’: plain and pared down, but with a twist of Haslam exuberance! The project had a Minimalist beginning: it was a complete gut job. A classic four-bedroom townhouse was reconfigured, luxuriantly, as the echt one-bedroom city pied-a-terre. I interpreted the unusual pairing of styles by exaggerating the scale of the decoration: from elaborate, ornamental plasterwork around the doorways, which is pure homage to Draper, to wide stripes of marble in black and white on the floor of the entrance hall.►

‘Some may raise on eyebrow at the mere suggestion of my being a minimalist’

1066 PIANOS, Cambridge UKt: +44 1223 881691 e: [email protected] www.1066pianos.com

Trusted supplier of the world’s finest pianos for more than three generations.

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Schinkel was a fabulous architect in Neoclassical Berlin and it is a constant point of reference. Frances Adler Elkins was an American designer celebrated in the 1930’s for her unorthodox approach to interior design. She integrated different styles and periods in a manner that had not been attempted before, juxtaposing Classical with sleekly modern decorating techniques; she used a shimmering colour palette, particularly blues, taupes and pinkish whites. It must have been much easier to create breathtaking interiors, say, a hundred years ago. People understood that quality took time. Now, they want everything yesterday. Marie Antoinette was happy to wait a decade for her furniture. Well, I presume she was happy! Perhaps she was endlessly sending chivvying letters. I was once offered the chance to create an ephemeral interior. Where things do not have to be decorated to last, it can feel extraordinarily liberating and I can experiment with different materials. We covered the floors in lengths of painted canvas, for example: temporary, yes, but imaginative… and also Minimal! I love it when a design comes together quickly. A project can lose its impetus. Artists have influences, and continue to influence, the references we use to design and decorate our homes, as well as ways in which we combine colour, texture and pattern. The walls of my office are covered in mood boards pinned with an ever-changing collection of sources of inspiration and ideas to interpret. Decoration today is still about bravery; the courage not to copy either yourself or others, but to take elements to mix them up and create something new.’

Luxury Minimal with photographs by Fritz von der Schulenburg and text by

Karen Howes is publishedby Thames & Hudson■B

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New Zealand born Sandra Nunnerley is one of the world’s most fashionable interior designers. She has featured in Architectural Digest’s list of the 100 most influential designers and has worked on prestigious residential interior design commissions ranging from urban apartments and town houses to tropical getaways, country homes and estates for more than

20 years. Now in her new book, simply titled Interiors, she gives us her design vision. Lavishly illustrated, this sumptuous book chronicles her exquisite projects and beautiful interiors – including her own New York apartment. She shares how her globe spanning travels have influenced her work and thoughts on design, suggesting how we might also look at the world around us to arrive at our own design approach. The book is thematically organised in chapters representing qualities such as Subtlety, Individuality, Refinement and Glamour. Projects that she features include a glamorous duplex that once belonged to Hollywood producer Jack Warner in the Sherry-Netherland Hotel. In her chapter on Elegance shown on these pages Sandra talks about the design legacy that was left by the likes of such legendary figures as Nancy Lancaster and Coco Chanel, and the effect that fashion designers such as Christian Dior and the legendary American designer Charles James, have had on her work. “I’m always looking at fashion, although its influence on my work is not necessarily direct. It’s more subliminal. It may be a mood or sometimes a colour that morphs from the runway into a room. “If you think about it, an interior designer’s work is like haute couture for the home. “We design and make all our curtains specifically for each room and use dressmaker details such as hand-stitched pleats and tucks. Every fabric has its own particular weight and texture, and that will determine how it folds and falls – the drape in other words. And, of course, with curtains just as with a dress, it’s all in the drape,” she says. On elegance she states: “I think true elegance is about being comfortable with yourself and gracious towards others. And that applies to the rooms I design as well. They’re not fussy or formal. Although all the details have been carefully thought through, the look is still relaxed. For me, it all stems from comfort – the key ingredient to an interior with true, timeless elegance.”

Sandra Nunnerley Interiors is published by Powerhouse Books

Sandra Nunnerley Interiors41 East 57th St., New York, NY 10022

T: +001 212 826 0539 1 Kings Street, London, EC2V 8AU

T: +44 (0)20 7666 3093www.nunnerley.com

The elegant style ofSandra Nunnerley

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DESIGN NEWS | books

For more details about Sandra Nunnerley, CLICK HERE

Above:The wallpaper here is an elegant touch and it turns the room into a walled garden. All the panels were configured to fit the walls and then hand painted

Left:Pages from the book Sandra Nunnerley Interiorspublished by Powerhouse Books

For more details about Sandra Nunnerley, CLICK HERE

The home of the furniture greats

comprehensive history of furniture and design can be found at the Bienenstock Furniture Library on Main Street in High Point. Comprised of the largest collection of furniture design

books in the United States, a new generation of library devotees is making sure its founder’s vision of a furniture research and design centre stays fresh in the 21st century. Its creator, Sandy Bienenstock spent five decades, starting in 1922, travelling the world collecting furniture design books as publisher and owner of Furniture World magazine. Recognised as an expert in style-spotting and production, he wrote several books on furnishings and became a member of the prestigious American Furniture Hall of Fame. His library opened in 1970 and it retains a vital role in the heart of North Carolina’s furniture country by offering inspiration to furniture and interior designers. It offers a gathering place for industry insiders to assemble year-round to confer about the trade and seek out the roots of the newest design trends. Located in the furniture capital of the U.S. in an historic stone building near High Point’s high-end showroom district, the main attraction is Bienenstock’s collection, comprising the pioneering work of design through accessible, rare, out-of-print or one-of-a kind books. The rare book collection contains volumes published since 1640. With the exception of Yale, it is the only library in America that houses the original works of 18th century furniture masters Chippendale, Sheraton and Hepplewhite, as well as a complete set of Diderot’s Encyclopedia—26 volumes published in the 18th century. Unlike Yale, Bienenstock Furniture Library is open to the public. A special climate and humidity controlled room houses these extraordinary volumes. An appointment with the curator is required to examine the most rare books, and you must wear white gloves, but they are available for all to view. The library also contains uncommon drawings and large format books with exquisite renderings. It is a treasure trove of inspiration for anyone interested in design. In addition to rare books, the library includes a vast array of periodicals going back more than 100 years. The advertisements in a turn of the century House Beautiful tell the furniture story from an end-consumer’s perspective. The archives of Bienenstock’s pub-lication Furniture World, now in its 143rd year, tell the furniture story from the point of view of the trade. Supporters of the library have enhanced its national profile ►

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Heath Combs visits a remarkable library which holds the largest collection offurniture design books in the US

The Bienenstock Furniture Library is based in a 1923 renovated mansion in High Point

DESIGN RESOURCES | furniture

listed as the Grayson House on the National Register of Historic Places

among industry design aficionados in recent years. The library building itself is a renovated mansion that was built in 1923 and listed as the Grayson House on the National Register of Historic Places. Efforts are nearly complete to transform the facility into a state-of-the-art community space for design, research and collabo-ration. The Vuncannon meeting space is available for classes and seats up to 35 comfortably. The facility includes a small catering kitchen with sink, microwave and mini refrigerator for light food preparation. Interiors have been renovated with classic architectural fixtures for modern beauty and function. Leading furniture manufacturers have donated fine art and iconic furniture pieces. A colossal Plexiglas reproduction of an 18th century upholstery shop found in Diderot’s Encyclopedia looks out over the collection that was recently cata-logued to Library of Congress classification and is fully searchable online. A walk outdoors at the library proves just as inspirational as its shelves with the newly installed Pat Plaxico Gardens. The gardens demonstrate the related importance of exterior architecture and landscape design by offering a serene space with art, sculpture and an arboretum honouring Pat, a nationally recognised interior designer and longtime library board member. Outreach is also a major part of the library’s mission. The library offers two $10,000 awards annually to interior design and furniture design students nationwide who compete in and win project design contests (in collaboration with A.S.I.D. and A.S.F.D.). The library has awarded more than $375,000 in scholarships since 1984, and plans to add an additional scholarship in garden and landscape design in 2015.

Heath Combs is a freelance writer for the Furniture and Design Industry

Bienenstock Furniture Library 1009 N. Main Street in High Point, N.C. Open to the public Monday to Friday www.furniturelibrary.com

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18th century upholstery shop etching from Diderot’s Encyclopedia

For more details about Furniture Library, CLICK HERE

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IS IT AN ICONIC DIVA?s there any other 20th-century chair that is as iconic as the Barcelona? Designed in 1928 by German architect Ludwig Mies van der Rohe and interior designer Lilly Reich, little did they know that by 2014, this

chair would have been showcased in so many movies and television shows. This chair has appeared in the popular teen show iCarly and in movies such as American Psycho (2000), Casino Royale (2006), Twilight (2008), and Iron Man 2 (2010). I am convinced that this sleek and luxurious chair is a testament to the timelessness of superior design in mass production. The Barcelona is universally recognised as a design classic by individuals of all ages and cultures. So, why is there this fascination with a chair that was designed for the German Pavilion at the Barcelona International Exhibition for the King and Queen of Spain almost 85 years ago? More than a symbol of good design, I believe, this chair is also associated with power and social status. Corporations again and again have displayed a couple of Barcelona chairs in their lobbies and reception areas to showcase their wealth and stability. The design of this chair is said to be derived from the architect’s interpretation of an Egyptian royal folding chair and a Roman folding footstool. Both the Egyptian and Roman civilisations were powerful empires in history, and any association with them carries connotations of similar power and status. As with most celebrities or, more specifically, divas, there are some people who have not fallen under the spell of this iconic chair. Although it quickly achieved celebrity status because of its regal origin and stylistic silhouette, many argue that this chair and its design disregard the basic requirements—such as

ergonomics and comfort—of the people who use the chair. Because of this, not everyone can love this chair. The unaired pilot of the Cartoon Network’s Regular Show illustrates this point. In this episode, the chair is ridiculed as the ‘world’s most uncomfortable chair,’ even though the show’s characters think that it looks ‘awesome.’ Another problematic issue is the chair’s expense. Although it was intended for mass production, it is not accessible to the masses. Between the materials and the labour, the chair costs too much to produce and can run anywhere from hundreds of dollars for a high quality replica to almost ten thousand dollars for a licensed reproduction. Despite differences in opinion with regard to the value and comfort of this chair, the Barcelona, curiously, a chair inspired by the chairs of antiquity, has come to represent 20th-century design and perhaps the whole modern movement. Have you ever had the pleasure, or perhaps misfortune, of sitting in the Barcelona? If so, I invite you to share your views. If not, I invite you to visit The SIDE Chair Library at Salem College and experience it for yourself!

Why is there such fascination with the classic Barcelona chair asks Rosa Otero

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Dr. Rosa Otero is the director of interior design of the Art Department at Salem College in Winston-Salem, US, where

she teaches courses in architecture, interiors, and the history of design. She is the designer and curator of the Salem College

Chair Library, a one-of-a-kind facility that provides access to 20th century furniture icons. Her article, and more, can be found on the Bienenstock Furniture Library website : www.furniturelibrary.com

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For more details about Furniture Library, CLICK HERE

For more product information on Loomah, CLICK HERE

Houses & GardensIn this issue we have chosen eight irresistible house and gardens designed by some of the world’s best designers:

A timeless pied-a-terre in Sydney designed by Phillip Silver of San Francisco’s Bigelow + Silver ♦ Barefoot elegance in Boca Raton designed by Florida design firm Marc Michaels ♦ A Greek Island idyll design from the inside out by John Stefanidis ♦ Parisian magic woven by Louis Henri ♦ Miles Redd updates a grand New York Townhouse ♦ Richard Shapiro reveals his old world

European obsession in Los Angeles ♦ Michael Reeves’ tales of renovating a London riverbank apartment ♦ Lars Bolander at home in Palm Beach

Phillip SilverDesigner Focus

San Francisco designer creates timeless elegance in a Sydney pied-à-terre

ecognised for his interior and furniture designs, Phillip Silver’s style is unmistakable. Demanding standards for quality and detail are stamped on all of his projects. With a career spanning over thirty years, Phillip’s

portfolio includes residential and commercial projects as well as furniture design. A partner in the firm Bigelow + Silver, he deftly melds Western and Eastern aesthetics. Phillip explains, “In all my work I try to achieve a sense of timelessness.” San Francisco-based interior designer Phillip created this elegant Sydney pied-à-terre for a South African couple. The apartment is located in an historic Gothic Revival mansion and Phillip’s intention was to capture the modern magical light of Sydney. Situated in Double Bay, the restored sandstone manor features a modern waterfront addition making the marina view the focal point of his design. Selecting a neutral palette of dark woods and light textiles, he combined custom furnishings with classic contemporary pieces. In the living room, Thomas Pheasant’s Constellation Mirror hangs above an ivory upholstered sofa; juxtaposed against this, Phillip placed a sleek black lacquer cocktail table accented by white coral. On an adjacent acrylic console a terracotta rider on a horse from the Han Dynasty surveys the room. A little closer to home, Phillip participated in the prestigious San Francisco Fall Antiques Show, a yearly event held at Fort Mason on

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San Francisco Bay which brings together premier antique dealers from around the world. The designer fashioned an intimate salon for the display of Georg Jensen designs at Gallery 925. To showcase the silver holloware, flatware, and jewellery, he utilised warm colors; at the back of the display, Phillip paired a French art deco walnut burl veneered sideboard with an abstract painting by American artist Michael Corinne West. Echoing the orange in the art, a persimmon coloured rug grounded the booth. Centered on the carpet, the designer flanked an English Art Deco waterfall desk with a pair of Jules Leleu styled chairs from Epoca. As with all of Phillip’s work, the vignette was timeless. ■B

Phillip SilverT: +001 (415) 404 8925

www.bigelowsilver.com

For more details about Phillip Silver, CLICK HERE

Marc-MichaelsProject Focus

A contemporary home with ‘barefoot elegance’ in Boca RatonText KELLY WENHAM | Photographs BRANTLEY PHOTOGRAPHY

Architects: AFFINITI ARCHITECTS | Builders: MARK TIMOTHY, Inc LUXURY HOMES

escribed as ‘barefoot elegance with an organic feel’, this new build in Boca Raton emits a tranquil and elegant ambiance inviting you to sit and relax awhile. Further enhancing their reputation as one of the ‘Top

100 Interior Design Firms in the World’, Marc-Michaels has created this stunning, fresh and contemporary living space on Spanish River Road, Boca Raton. The property, built by Mark Timothy, Inc. Luxury Homes with architecture by Affiniti Architects, was finished with the Marc-Michaels stamp of decadent design. For over 26 years, Marc-Michaels Interior Design Inc. has been tailoring properties to suit their owners. Focusing on interior detailing with strong finishes and hand-picked furnishings, the Marc-Michaels team has made each home a reflection of the passions of the families living there. This new build in Florida was a blank canvas and principal of Marc-Michaels, Marc Thee, was heavily involved in the design process from the ground up. The design team backing him were Jeff Strasser, Courtney Jacobus and design assistant, Allison George with interior detailing by Rachel Jones and Kathryn Dunagan. The richly varnished wooden ceiling flowing from the entryway through the great room and into the covered loggia at the back of the property creates a feel of exotic Bali that seamlessly links the interior and outside living spaces. ►

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Bridge for Design Spring 201486

Marc Thee, principal at Marc-Michaels

720 West Morse Boulevard Winter Park, FL 32789

T: +001 407 629 2124 | www.marc-michaels.com

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A restful feeling of space is evident throughout the property with the use of floor to ceiling windows and open plan rooms; the master bathroom flows directly from the master bedroom, a frosted glass divider all that separates the dressing room from the bath. The colour palette and materials used in each room contribute to the tranquil feeling in this waterside home. Inspired by the Floridian sunset and ocean, the base neutrals are given a pop of colour with turquoise and orange. The simple lines of the bamboo units in the bathroom are elegant and soothing creating a perfect space to unwind. Stacked stone columns in the foyer are lit from above and below to showcase the texture of the natural material. The same vibrant wood of the ceilings has been used for the deck surrounding the resort-style swimming pool with accompanying fire-pit and plush loungers, to further join the inside and exterior areas. Marc-Michaels’ philosophy of ‘the difference is in the details’ is certainly evident in this new addition to their interior detailing portfolio, achieving a naturally elegant whole.

Affiniti Architects

6100 Broken Sound Pkwy NW Suite 8, Boca Raton, FL 33487

T: +001 561 750 0445 | www.affinitiarchitects.com

Mark Timothy, Inc.

41 Southeast 5th Street, 2nd Floor Boca Raton, FL 33432

T: +001 561 272 6852 | www.marktimothy.com

For more details about Marc Michaels, CLICK HERE

For more product information on Philip Watts Design, CLICK HERE

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John StefanidisInspired by

A holiday home on the Greek Island ofSpetses designed from the inside outText DOMINIC BRADBURY | Photographs FRITZ VON DER SCHULENBURG / The Interior Archive

he Venetians gave Spetses its name, pronouncing this small isle off the Peloponnese the ‘Island of Aromas’, on account of its many flowers. It is the natural Beauty of the place, and its close proximity to the main-land, that

make Spetses – which you can cycle round in just half a day – so popular with Athenians, who own many of the summer houses here. Cars, apart from occasional taxis, are banned, the pace of life is slow and the views are mesmerising. No wonder, then, that plots of land for building new houses rarely come up for sale and that when they do, they are subject to tight planning restrictions. Designer John Stefanidis was already working with a Greek Cypriot family on their house in London when they told him that they had bought a scenic plot on Spetses, just outside the main town, and that they would like him to design a house on the site. ‘I’ve always admired John’s work,’ says the owner. ‘The great thing about him is that he understands his clients very quickly. So when we got the land, we told him straight away and the two projects in London and Spetses overlapped.’ ►

The main house is built round a courtyard; corridors are lined with shuttered windows and french windows lead from one area to another. The courtyard’s inlaid pebble motifs, including concentric circles around the trees, are typical of Spetses.

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Decorated in a crisp palette of blue and white, the chestnut-raftered sitting room includes a number of pieces of furniture designed by John Stefanidis, including

the “Bridgewater”sofa covered in a stripe fabric by Rogers & Goffigon.

TOP RIGHT: A spare bedroom in the main house is strikingly decorated in blue and white: the acanthus-patterned bedcover was appliqued locally to designs by John Stefanidis.

MIDDLE RIGHT: Beyond the bedroom a tiled corridor leads to a shaded terrace.

BOTTOM RIGHT: The pool is set within a large circular terrace.

Egyptian-born John Stefanidis knows Greece well and is steeped in Greek culture. Since 1967 he has had a house on the island of Patmos, where he spends part of the summer, and where he first started working on residential projects before basing his office in London in the late Sixties. Yet Spetses – one of the Saronic islands and cradle of the Greek struggle for independence in the 1820s – was not a region he knew well until he began working there. ‘On Spetses, it’s very much an island way of life,’ says John. ‘There are restrictions on how you can build and we had to design the architecture of the house – which we conceived from scratch – in a traditional Spetses style, with a tiled roof, using materials such as plaster and stone. The question for me was how to work within these constraints: this house is not a reproduction but an invention within that vernacular. I shunned the idea of doing the interiors in a neoclassical style that is common to the islands. Instead we decided on clean lines and some tongue-in-cheek elements.’ The site, on a hillside, has lovely views of the sea and the small islet of Spetsopoula; a large olive grove flanks it to one side. The owners were anxious to preserve as many of the trees as possible, as well as planting new ones. In response to their concern that the house should look harmonious in the landscape, John designed a building that nestles right into the slopes. He also separated the pool and guest houses from the main house, partly to lessen the visual impact of the new structures. ‘One of the first things we said to John was that we wanted a central courtyard. We had never built a house before, and we were concerned that often architects design fantastic houses in which you don’t know where to put the furniture or how to use the space. The benefit of using an architect who is also an interior designer is that John designed the house from the inside out, which is why it works so well. From the start, we knew where every piece of furniture would go.’ ►

‘John designed the house from the inside out which is why it works so well’

INSPIRED BY | John Stefanidis

The key living spaces in the house are at ground level with some bedrooms in a lower-ground floor. Blue and white are the key colours throughout.

Within the main house the key living spaces are at ground level, with some service spaces and spare bedrooms on a lower-ground floor. The building is laid out round the central courtyard, from which two elegant corridors on either side lead to a main bedroom suite on one side, and a large inter-connecting drawing room and library on the other. Both rooms open onto terraces with dramatic views of the sea. The many terraces round the house have been given as much thought as the interiors – for much of the year, the family lives almost entirely outdoors. Another sequence of terraces has been created for dining, and the breakfast room and kitchen are situated nearby, on the landward side of the house and the entrance. ‘The climate had to be taken into account all the time,’ says John. ‘But this house can also be used very happily in the winter, when it’s still warm during the day but chilly at night, hence the fireplaces – which are versions of traditional northern Greek hearths – and heating. Mostly we used white walls, but also blue, which is traditional, too. In addition there’s ochre, olive and terracotta, and the odd frivolity like a shade of pink. It’s a sensual house, full of light, colour and many different textures, which are very important.’ John has also designed all of the furniture for the house, indoors and out, which creates a sense of coherence. Some pieces are familiar Stefanidis designs; others are unique to the project. Embroidery is another theme, with appliqued bedcovers and wall hangings specially commissioned and made in Greece and India. ‘The great thing about John’s work is that everything fits together without being bland,’ says the owner. ►

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John StefanidisT: +44 (0)20 7622 4294

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‘Other people might not have been bold enough to put together such fabrics or colours. For me, John’s talent lies in his ability to put together colours and fabrics in a unique way that I would never have dared do on my own. He has helped us to be more adventurous.’ Having finished the house in Spetses, John has been working in Athens, and on houses in Istanbul on the Bosporus, a country house in Massachusetts, a ranch in Colorado, and town houses in London. All are very different from one another, all demanding a different approach to suit the period and the architectural style. At the same time, he is expanding his fabrics range and his collections of furniture. ‘It’s really the diversity of my work that keeps me interested,’ he says.‘Otherwise you can become repetitive if you are not careful.’

A shady terrace ideal for al fresco lunches, while a touch of ochre in the bedroom (left) gives a touch of frivolity.

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For more details about John Stefanidis, CLICK HERE

Louis HenriInspired by

‘We asked for an apartment in Paris and you’ve given us a palace’Text ELEANOR BUSING | Photographs RICHARD WAITE¨

he latest project of London-based interiors firm Louis Henri is a breathtaking apartment located in one of Paris’ most desirable neighbourhoods. Located on the fashionable Avenue Montaigne, this generously proportioned lateral

apartment has been extensively remodeled to exacting standards. The private client is an international, multi-generational family who wanted a home away from home, a sanctuary within the City of Lights. They requested a glamorous interior that drew inspiration from traditional French style, but melded with modern elegance and high-tech performance and security. It was of particular importance for the family to have separate, defined entertaining areas and personal spaces. The four generous reception rooms now serve the former purpose, while the four en-suite bedrooms are the epitome of comfort and relaxation. The clients asked that the focus of the project be to create a completely bespoke and unique interior, which was reflected in the project cost. Rather than being constrained by timelines and budgets, the team at Louis Henri was given free reign to use the best possible materials and craftsmen to create this high-spec home. ‘We wanted something that felt location-specific,’ Louis Henri Buhrmann says. ‘The clients are international business people who love Paris and do business in France’ ►

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INSPIRED BY | Louis Henri

‘I did about 170 trips to Paris, staying in a different hotel almost every time. If you want a Moroccan look, you can’t just look in a book – you have to go to Morocco to live it.’ Louis started from scratch with this project, changing virtually every room in the apartment to create a fresh layout which feels both spacious and intimate. The space was stripped back to the bones before being rebuilt using the finest finishes. The completed space is an inspiring blend of traditional French elegance and contemporary style. The vast amount of marble in the scheme is entirely hand-polished, with some bathrooms taking over two months to install due to the exquisite detail. The guest cloakroom even features a solid, aluminium-framed marble door that blends seamlessly with the wall. ‘The execution from the marble workers was more than I could have dreamed of,’ says Louis. ‘It took them about four months to install all the marble. Styling the space took just as much attention and time. The breakfast nook features hand-painted silk walling, while the adjoining corridor boasts a deep-etched, LED-lit glass wall which brings light into the kitchen. Nearly everything in this apartment has been custom designed to suit the environment. Louis’ brother, a master cabinetmaker, crafted the key pieces of furniture in South Africa, including the three-tiered walnut bookcase in the sitting room, which is inlayed with églomisé and finished with solid walnut detailing. ‘The largest part of the project was finding the right people to do the work,’ he says. ‘Those who did the woodwork were fourth-generation carpenters. We used workshops in St Germain that have been there since Napoleon’s time.’ The bespoke lighting, which features in the principal rooms of the apartment, was also designed in-house, and created using the combined skills of artisans from Murano, London, Paris and the United States. The sitting room chandelier alone has nearly 200 components, each meticulously created to achieve a singular statement which complements the sweeping curves in the room. Even the door handles were designed by Louis Henri, developed from a sketch and brought to life over the course of eight months by a foundry in New York. ‘Everything we found was either very classic or too Deco – nothing was quite the look we were going for’, explains Louis. With so many family members to design for, one of Louis’ more difficult tasks was the blending of individual styles, and the seamless integration of classic French ambiance with 21st Century comfort while maintaining a cohesive style. Especially challenging was incorporating high-end technology throughout the space. The apartment features an intuitive, customdeveloped programme for controlling every aspect of the environment; climate, audio, lighting and security are controlled via iPods that dock discreetly behind every door. Nowhere is the juxtaposition of new and old more apparent than in the media room, which at first glance could be a formal French library. Hidden behind its silk-covered walls are top-end speakers, and the wall of faux books, constructed of leather by a traditional ►



British company, conceals a myriad of home cinema equipment. A particularly successful bespoke detail is the stained-glass window in the entrance hall, which acts as both a focal point and a room divider, separating the public and private areas of the apartment. In a second home, it’s not always practical to have fresh flowers every day, but Louis Henri wanted visitors to the apartment to be greeted by colour and life. He envisioned a design that would create a statement in the entrance hall any day of the year, as the first thing one sees when entering the home. In addition to the visual impact it creates, the glass wall serves a functional purpose by carving out an extra eating space from the large hallway, achieving space and privacy without sacrificing the amount of light in the entry. The production of this centerpiece was a feat of logistics in itself, combining the efforts of skilled tradespeople in three different continents. In a project like this, nothing was left to chance. ‘We very much control everything,’ says Louis. ‘I have more than a dozen files just of details, specs and samples. It was all very much tried and tested beforehand. We’ll make mock-ups and 3D models of things. You can’t order a £20k chandelier and find it doesn’t look right. It needs to be perfect.’ ‘I love detail,’ says Henri. ‘The life is in the detail.’ ‘Having worked with so many dedicated craftsmen on this project, I’m more certain than ever that quality will never go out of style.’■B

Louis Henri Buhrmann

Penthouse 4, No. 5 Havelock Terrace, London, SW8 4AS

T: +44 (0)20 7622 8343 | www.louishenri.com

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For more details about Louis Henri Buhrmann, CLICK HERE¨

Miles ReddInspired by

A New York couple turned to designer Miles Redd to update a grand townhouse for their young family

Text DAVID COLMAN | Photographs SIMON UPTON / The Interior Archive

In the study, the Climate sectional sofa by Dune is topped with pillows covered in Clarence House’s Labyrinth silk, the Pacific Airline cocktail table is from Hinson & Co., and the French leather and palisander armchairs date from the 1940s: a collection of

figurative and abstract drawings hangs on walls lacquered chocolate brown.

efore you decide to decorate a house, a word of advice: take a good, long look in the mirror. Liz Weinstien did, and wasn’t pleased by what she saw. “I didn’t like it,” she said,“but Miles convinced me to go with it, and as usual, he

was right.” A word of explanation. She wasn’t scrutinising her own reflection. Rather, she was looking at a towering wall of smoky, antiqued-mirror panels that presided over the west side of the living room of the Manhattan townhouse she and her husband, Steve, had purchased. At first, and even second, glance, the panels seemed like an eyesore – a sad yet sweet remnant of the way people used to live and decorate, joining such erstwhile luxuries as the butler’s pantry and formal dining rooms on the list of what people would just as soon do without today. But Miles Redd, the young designer whom she charged with redoing the place, looked at the expanses of silvery, obsolescent iridescence and saw two things. First, as décor’s boy wonder is wont to do, he saw himself, and second, he saw his client. “They’re one of my favourite things about the house,” he says of the panels. They ended up keeping the mirrors, channelling their old-school Hollywood glamour for the rest of the house, nimbly demonstrating Miles’ central design philosophy: don’t throw the baby out with the bathwater. All too often, people come to a renovation with the words ‘gut job’ fixed in their minds – not only can you start fresh, but you can also get exactly what you want. In theory, that is. But Weinstein likes to embrace the past – this is a woman who, the last time she went apartment shopping, ended up buying the very same Upper East Side apartment she had grown up in. But as her family expanded to include three sons, it became clear that an upgrade was in order. ►

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TOP: The tufted chaise by Oscar de le Renta for Century Furniture is upholstered in Ralph Lauren Home’s Shelbourne Woven, the floor lamp is by Visual Comfort, and the porcelain garden seat and rococo-style mirror are from Treillage.

RIGHT: The living room sofa is upholstered in Lee Jofa’s Rochelle Velvet, the side chairs are covered in embroidered soutache by Penn & Fletcher.

TOP: The custom-made Venetian-style sofa is upholstered in Lyons silk velvet by Decorators Walk; the cocktail table is by Matthews & Parker.

BOTTOM: Georgian giltwood mirror and a pair of horns, both from John Russell International; the 19th-century Minton garden seat is from Niall Smith Antiques.

The couple opted for a quirky townhouse complete with elevator, solarium, and formal dining room, the grand residence of an older couple with no children. On the advice of a friend, Weinstein went to see Miles at his NoHo townhouse. “As soon as I met Miles, I loved him,” she says. “He’s so personable, and I knew instantly that we have virtually the same aesthetic. I love painted wood floors; he had painted wood floors. I love animal prints and pony-skin and chinoiserie; he had it all.” But as much as Weinstein wanted a house with character, she didn’t want a traditional interior. “I don’t believe in saving rooms for special occasions,” she says. For Miles, the trick was reworking the old fashioned way the house had functioned for its previous owners while keeping its great bones. For example, the garden level was completely rethought: the formal dining room, with its ruched-fabric ceiling, and the industrial catering kitchen both got the heave-ho; in their stead is a mudroom for coats and bikes, a breakfast nook with a rich leather banquette, a warm, kid friendly kitchen and a dual family/dining room painted a deep red that’s both elegant and relaxed. The upstairs rooms were likewise done up in old-world fabrics and finishes that convey both glamour and fun, including Steve’s ►

TOP: In the entrance hall, the 19th-century English pine console is from Sentimento Antiques, the 1920s serpentine mirror is from John Rosselli International.

TOP LEFT: The master bedroom - the bed was designed by Redd, the St Antoine wallpaper is by Farrow & Ball, the lamps are from Capitol Furnishings.

MIDDLE LEFT: Nineteenth-century hall chairs from Amy Perlin Antiques and a Radial mahogany dining table by Oscar de la Renta for Century Furniture.

BOTTOM LEFT: A powder room sheathed in glass mosaic tiles by Ann Sacks; the sconces are by Ann-Morris Antiques.

modern chocolate-brown study and the charmingly tented solarium off the master bedroom. “A lot of the bolder things I wasn’t sure about,” Weinstein admits. “But I trust Miles. And at the end of the day, he’s always right.” Miles considers the place one of his most gratifying projects, because Weinstein let him spread his wings with a freedom that few clients grant – or ultimately appreciate. That freedom is most gloriously demonstrated in the house’s main floor, a 60-foot long stretch. “You usually don’t get that kind of loft like space in a townhouse,” Miles says. He started with a bright red oriental carpet and then went on a colour spree, mixing other reds with greens, including a striking viridian velvet sofa and, a holdover from the last owners and Steve’s only request, a huge pool table. “The pool table wasn’t my first choice,” she says. “I wanted a big library table, but Steve really stayed out of my hair during this, and Miles said, ‘Let’s give it to him.’ And it’s fun. Steve will have a stressful day and he can come home and shoot a few balls. That’s why we use the living room, because it’s there.” The result, pool table and all, is a remarkable synthesis of old and new, grand and casual. It’s certainly not futuristic. But it works very well in the present, and that’s the only tense worth living in.

Miles Redd77 Bleecker Street, Suite C 111, New York, NY 10012

T: +001 212 674 0902 | www.milesredd.com

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For more details about Miles Redd, CLICK HERE

INSPIRED BY | John Stefanidis

Richard ShapiroInspired by

This well-travelled antique dealer and avid collector shares his love of old European design styleText RICHARD SHAPIRO | Photographs MIGUEL FLORES VIANNA / The interior Archive

INSPIRED BY | Richard Shapiro

have always been obsessed with history, distant lands and the idea of attempting to transport myself back, in a time-traveller’s way, to a different time and place. My medium was, and remains, design. Not the decorative or pretty kind, not the text book version, but rather the sort of casually

orchestrated design, which I find all over Europe and which expresses an attitude which is completely different to that to be found in America. After years of travel, I was struck and fascinated by the old surfaces and patinas I discovered on European buildings, which had been left to continue their eternally corrosive path. In America, the slightest blemish immediately brings out a house painter or a bottle of industrial solvent! In Europe, I found myself walking up to walls and putting my face as close as possible to the surface, in order to absorb and analyse the antiquity that Europeans take so much for granted. I wanted to determine how and if it were possible to duplicate such patinas artificially for myself once I returned home. I soon realised that the more decorated and engineered an interior or exterior looked, the less I liked it. The prettier it got, the more it repulsed me.

OPPOSITE: The garden pavilion was built in 2001 and is based on the 16th-century Palladian portico of the Villa Chiericati in Vancimuglio. Its six and a half metre high columns are made of redwood, with resin capitals and fibreglass bases, which have been distressed to look like stone.

THIS PAGE: A French-style gilded sofa covered in red damask.

‘I

As an antique dealer and an avid collector of post-war contemporary art, I have been privileged to travel far and wide in my pursuits. With this came the opportunity to meet a great many wonderful fellow dealers and collectors and often to visit their amazing homes, which was a revelation for me – to see how such people lived and, in particular to witness how they lived with their things. I observed a common characteristic running through each of these individuals: they were skilled editors, certainly, and they gathered effortlessly around them the extravagant and the simple in such a relaxed and unfussy manner that art, furnishings and objects appeared to be arranged in almost naïve combinations. These dealers were not in search of perfection or elegance, but rather they sought the serenity of a simple, pared down composition. Inside their homes, I found there was a great deal for me to learn, for these dealers and collectors, who had been immersed in history and culture virtually their entire lives, manifested a very different view to the placement and juxtaposition of objects and possessions that I had found in America. My immediate thought was how I could capture a little of this interpretation and implement it back in Los Angeles. How could I learn to emulate this European style of design? I began to realise that for me the terms ‘design’ and ‘decoration’ were almost inappropriate, since what I was seeking was a philosophical zone of spirituality and expertise. This did not mean that I eschewed beautiful things, precious things, expensive things; on the contrary, I loved them all, if, and only if, they both belied and ►

TOP LEFT: A view of the large library-like master bedroom, which has several seating areas and houses a large portion of Shapiro’s collection of reference books

MIDDLE LEFT: Richard Shapiro perched on a 16th-century French Henri II banquette below a 1962 Gunter Uecker nail piece.

LEFT AND ABOVE: In a corner of the living room an early 18th-century French cabinet is hung with one of Henri Michaux’s “Mescaline” ink drawings. Tables in front of the Studiolo white linen sofa are made of Japanese roots acquired from Axel Vervoordt. Over the sofa hangs a 1953 Herbert Zangs tissue collage painting.

THIS PAGE: In the entry foyer a first century Roman torso of an Amazon is in striking contrast to Ellsworth Kelly’s monumental black wedge painting hung above the staircase.

TOP RIGHT: The dining room/gallery features a 192 Element installation “The Surrogates” by Allan McCollum.

MIDDLE: The mahogany-panelled master bathroom features a reclaimed 19th-century French copper and zinc bathtub.

BOTTOM RIGHT: The interior of the Palladian portico is furnished with casual bamboo seating and a well-used antique stone fireplace found in a garage in Antwerp.


reinforced a point of view and the core philosophy of the owner and could blend intelligently with more humble objects. I realised that I needed to put aside any concern for the judgement of others, that I should be spontaneous, open-minded and embrace a spirit of adventure. Once these principles were in place, a tremendous sense of liberation came over me. Of course, I was determined to avoid another horrible faux Tuscan monstrosity so common in Los Angeles. I wanted an authentic, European and, in my case, Italian environment, one so convincing that any sophisticated European visiting from abroad would forget instantly, as he passed through my gate and into the entrance hall of my home, that he was in Los Angeles. I had already amassed an exemplary collection of post-war art, which included great examples of such luminaries as Judd, Rauschenberg, Twombly, Lewitt, Richter, Manzoni, Fontana and Warhol. I had seen many similarly wonderful collections on my travels and was most impressed when they were displayed in ancient, somewhat shabby villas, played off against frescos, splintered beams and worn stone floors. I am always perplexed by discerning Americans who, after travelling extensively to Italy and France, return home ►

TOP LEFT: On a George III giltwood console is displayed a collection of antique heads ranging from the Hellenistic period through to the 19th-century.

BOTTOM: The bed was fashioned from 18th-century Indian textiles found by Shapiro on a trip to Jaipur.

determined to build a property identical to the one which they had admired abroad, yet do not follow up this decision with any analytical study. Instead they hire an architect who lacks the necessary understanding of art and authentic classical reproduction to enable him to copy faithfully from the original. By Los Angeles standards, I was fortunate to have found a fairly good Spanish-Moorish styled home, which I felt in the right hands could assume the aura that had so beguiled me in Europe. I read, studied and schooled myself in the art of creating an “old/new” house or a “new/old” house, in the belief that copying an existing property was the key. My secret was never to go too far nor to embark on a process or technique which, after analysis, could not duplicate exactly the wear, patina and antiquity of the “real thing”. In addition, it was equally important that the exterior of my “villa” possessed no characteristic that would give it away as a Californian imposter. The property is encircled by 25-foot hedges and huge stands of bamboo, its exterior walls are encrusted with overgrown vines and the once salmon-coloured awnings are black from years of dirty rainwater. However, once inside, the visitor has no inkling that the house is not located in Sicily, Seville or Rome. The brackish stone pool in the garden, anchored at one end by an absolutely faithful reproduction of a Palladian portico, suitably eroded, patinated and weather-beaten by a skilled Hollywood set designer, further reinforces the illusion. Clearly a folly, I like to tell my more gullible friends that it is the only surviving Roman ruin in the United States! The extensive boxwood garden was inspired by the Chateau de Marqueyssac in south-west France. ►


W W W. LUK E I RWI N.C O M2 0 – 2 2 P I M L I C O R O A D L O N D O N S W 1 W 8 L J + 4 4 ( 0 ) 2 0 7 7 3 0 6 0 7 0

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Richard Shapiro9663 Santa Monica Boulevard,

Suite 342, Beverly Hills, CA 90210T: +001 310 275 6700

www.rshapiroantiques.com

Over a period of ten years, I replaced an unremarkable and anaemic lawn and a multitude of plants with 1,000 mature boxwood plants, which were placed randomly and then clipped and carved by me into a maze of surreal cloud-like shapes. For me the garden now represents a vast canvas, where the possible strokes are infinite and only limited by one’s imagination. In the creation of my home I have learned to be dogged in the pursuit of what I want. For me, the results are stunning and rewarding; the rooms and garden personal, unique and idiosyncratic and speak volumes about the war of details I became embroiled in – a war that has been life-changing.’

The garden pavilion was built in 2001 and is based on the 16th-century Palladian portico of the Villa Chiericati in Vancimuglio. Its six and a half metre

high columns are made of redwood, with resin capitals and fibreglass bases, which have been distressed to look like stone.

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For more details about Richard Shapiro, CLICK HERE

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Michael ReevesInspired by

The celebrated interior and furniture designer reveals his London homeText SAM FINLEY | Photographs ANDREW TWORT / The Interior Archive

The celebrated interior and furniture designer reveals his London home

LEFT: ‘Madison’ one-and-a-half seat sofa and ‘Metropolitan’ daybed from Michael Reeves, upholstered in De le Cuona linen. Black velvet frogged pillows and white crocodile leather pillow from Ralph Lauren Home. Flowers throughout by John Carter Flowers. Large painting by Diane Carl. All accessories from Michael Reeves.

TOP: Crocodile effect gesso screen from Michael Reeves. Bedhead custom ordered from Michael Reeves in Abbott & Boyd stretch fabric. Chocolate cash-mere throw Ralph Lauren Home. White cotton matelassé bedcover, Zara Home.Wenge Columbus nightstand from Michael Reeves Antique Burmese Buddha.

t school Michael Reeves told his career adviser that he wanted to be a fashion designer and years later he did just that spending 20 successful years in the business. His move into interior design came about when a

young couple who had bought his London apartment and loved his style asked him to redesign their new home and this led to further commissions: an appartment by John Pawson and projects in New York and Connecticut. It wasn’t long before Michael set up in New York and with his talent quickly being recognised, his work frequently graced the pages of the glossy magazines. Michael returned to London in 1995 and opened up a modest shop in Brompton Cross where he sold an amalgamation of furniture, objects and art from new pieces to antiquities. “I bought at auction and re-styled furniture to put my own stamp on it. In 1998 I designed my first range of furniture, both upholstered pieces and case goods. This collection was launched in the Joseph flagship store on the Fulham Road, displayed with mannequins wearing Prada. From there I moved into much larger premises to accommodate the furniture.” This proved to be an exciting year as he also went on to win the highly coveted Andrew Martin International Interior Designer of the year award. There are so many projects Michael is proud of and four years ago, he undertook a refurbishment on a property he had bought for himself. Based in a purpose built apartment building on the banks of the Thames, it features beautiful uninterrupted views towards Chelsea. The project took just six weeks to complete. “I usually get a feeling of the completed refurbishment at the first viewing of a property. Design always begins with any changes to ►

A

TOP: Urn shaped solid wood table lamp from Julie Prisca, Paris. Ribbed ‘onion’ vase from Faiiencerie de Charolles, France.

LEFT: Antique lacquered chinoiserie table, Christies.

RIGHT: Bronze sculpture and armoire, both Talisman. Perspex plinth. Paint from Dulux.

INSPIRED BY | Michael Reeves

the location and function of the rooms, walls that need to be removed or built. The flow of traffic through the space is the most important aspect to me. The secondary aspects of colour, furniture layouts, lighting etc, follow quickly after with accessories, rugs and cushions as later additions.” “I did the work so quickly as I had a clear vision of what I wanted. I gathered together all the chosen component parts and juxtaposed them within the space. I often arrange furniture and rugs on the diagonal and this became the best solution. Diagonal lines in boringly square rooms really enliven the space.” “Because the apartment faces South West, it is extremely bright. I wanted a dark colour to counteract the glare from the afternoon sun, so most of the walls and ceilings are in a dark taupe colour. After many samples, the colour I finally chose was actually the colour of the Thames on a cloudy day, however, this was not a conscious decision!” “For continuity I used flat emulsion paint. I installed wooden floors in the main living areas, with a taupe/grey wash finish. I wanted to get the background to be unobtrusive so that the art and furniture took centre stage. The existing upholstered furniture I already had from ►

INSPIRED BY | Michael Reeves

my own range, was slip-covered for the summer in oyster or natural coloured heavy linen and the heavily textured area rug is suede strips. I used the silver table and tabouret stools to reflect light.” “The seating in the main living area are my Madison 1 1/2 seat sofas and a daybed, all slip-covered for the summer. In the bedroom the screen was from my showroom along with the bed-head and nightstands.” “All the windows have a river view and that is the focus; to the outside. Window treatments are kept to a minimum of semi-sheer curtains and Holland roller blinds. “The main focal pieces are a huge abstract painting by the American artist Diane Carl and an abstract painted six-fold Chinese screen I found in a showroom in Miami. Both add drama to the space and because they are both predominately black, they make the walls appear lighter in colour.” “On a daily basis, I love the tranquil, calming effect the apartment gives me. Friends and visitors are all affected in the same way. I use the daybed with the reading light almost daily. It’s a great, comfortable spot to read a magazine with a G & T in the evening. I also like to cook a lot and the simple kitchen works amazingly well.” Whilst Michael’s designs are instantly recognisable from his debut furniture range, he doesn’t consider himself to have a signature style, instead he designs in a style that befits each property and chooses furniture from other designers for projects too. His influences are vastly panoptic with a nod to travel and he believes rules are there to be broken. “However, there are some ►

TOP: ‘Madison’ one-and-a-half seat sofa, upholstered in De le Cuona linen. Ribbed ‘onion’ vase from Faiiencerie de Charolles, France.

LEFT: Shower with Hansgrohe fittings from C.P. Hart

BOTTOM: Dining chairs, Phillipe Stark from The Conran Shop. Plaster relief from Alexander von Moltke.

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details I prefer to stipulate. I believe ceilings should always be painted the same colour as the walls, never in contrasting white. The same goes for woodwork trims, I generally paint the wood trims in a darker tone of the wall colour, seldom lighter, and never white. This anchors the room more for me. I always want light switches and door furniture to be no higher than 90cm from the floor.” “If there are good architectural windows and good views, don’t clutter the windows with unnecessary curtains, maximise the light. I add as many light sources as possible so that the mood of a room can be easily changed.” “All lighting must be able to be dimmed. Don’t hang pictures and art too high on the wall and really think about somewhere slightly off-beat and more interesting than over a fireplace or dead centre of a wall.”.....

Michael Reeves

30 Pimlico Road, London, SW1W 8LJ

T: +44(0) 20 7730 3009

www.michaelreevesassociates.co.uk

TOP: Embroidered coral picture from Trowbridge Gallery. 1930’s Etched glass lamp base, Talisman Silver boxes, Ralph Lauren Home. Small antique clock, Tiffany. 1900 Observation table (as console table), Christies

BOTTOM: ‘Metropolitan’ daybed from Michael Reeves, upholstered in De le Cuona linen. Black velvet frogged pillows from Ralph Lauren Home.Flowers throughout by John Carter Flowers. Urn shaped solid wood table lamp from Julie Prisca, Paris.

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For more details about Michael Reeves, CLICK HERE

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Lars BolanderInspired by

The scandinavian-born interior designer shows off his Palm Beach homeText RITA KONIG | Photographs SIMON UPTON / The Interior Archive

For more details about Lars Bolander, CLICK HERE

ne of America’s leading interior designers and tastemakers, Lars Bolander, calls Palm Beach ‘home’ after having lived in New York, Paris, Washington, London, and his native Sweden.

This house, which he designed and finished about three years ago, is decorated with items bought over the course of his 30-year globe-trotting marriage to business partner, Nadine Kalachnikoff. Their style has depth, thanks to a fearless combination of classical and ethnic pieces set against a pale Scandinavian palette. Just like at the eponymous shops Lars maintains in New York’s Meatpacking District and on the Dixie Highway in Palm Beach, he favours a mix of 19th-century antiques, painted furniture, contemporary art and sculpture, and decorative objects picked up in the Far East and Morocco. All this mingled with comfortable upholstery and lots of books and family photographs, makes for a home that’s as cosy as it is striking. On the release of Lars Bolander’s Scandinavian Design, a visual history and guide to the style, he talks about how his design ideas have shaped his home. ►

O

Lars Bolander 3731 South Dixie Hwy, West Palm Beach, FL 33405

T: +001 561 832 2121 | www.larsbolander.com

For more details about Lars Bolander, CLICK HERE

Welcoming EntranceThe exterior of his house (above) is a mix of architectural ideas pinched from around the world. The door surround is in a Dutch South African style and the stone dogs are reproductions purchased in Spain. The wonderfully heavy pair of wooden doors from Brazil take you from the hot Florida sun into a cool grey entrance hall. Grey is a colour that Lars is not afraid to use a lot. “I am a very grey person,” he says with a slightly wry tone.

Playing with ScaleIn a nook off the living room (left), a large Henry Koehler artichoke painting illustrates Lars’ fondness for hanging large artworks on small walls. Decorating a large room can be daunting. Oversized art is a quick way to temper any feeling of emptiness. The picture hanging over the sofa anchors the rest of the pictures, which climb the walls from the floor, and push the eye up to the ceiling for an even greater sense of space. On hanging, Lars is very clear: “Big pictures in the centre, the smaller ones around the edge. And one wall per room is enough.”

Invitation to SitThere isn’t a corner in this house where you can’t plunk yourself down and perch for a minute. A table, pair of chairs and sculptural lamp (opposite) decorate this exterior passageway. Lars treats exterior spaces like interior ones. The wall here is hung with carved wooden stag’s heads.

Bridge for Design Spring 2014138

Personal NarrativeLars expertly mingles his Swedish heritage—pale palette, painted furniture, classical busts—with souvenirs from his travels (top).

A Calming BedroomThe master bedroom’s cantaloupe and grey palette makes for a soothing space (bottom left). A Gustavian-style sofa at the end of the bed adds dimension to the room and doubles as a handy spot to toss clothes. The windows have cane shades and the French doors have silk curtains. It’s the sort of thing that might not seem right as an idea, but in reality looks absolutely perfect.

Decorating the TerraceApple-green-painted walls provide a wonderful tropical antidote to the house’s traditional Gustavian palette, as does the deep Balinese sofa, upholstered in raspberry-coloured quilts (left). There are clever, inexpensive details here too, like the mirror framed in wood and simple parsons tables, both painted the colour of the walls. I love the large wall hanging of an horse—it’s a fabulous graphic. Hanging art outside just takes the biscuit in chic.

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By the PoolThe pool (top) is long and narrow, like those formal pools one sees at grand French chateaux. It also echoes the long low feeling of the house. A mass of palms and other tropical plants, the garden couldn’t be a more cheerful match to the rather sophisticated interior. ■B

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MARYLANDSHEFFIELD FURNITURE1582 Rockville Pike, Rockville, MD, 20852+1 301 881 6010 www.sheffieldfurniture.comTHE KELLOGG COLLECTION6241 Falls Road, Baltimore, MD 21209+1 410 296 4378 www.kelloggcollection.com

MASSACHUSETTSVINEYARD DECORATORS835 Airport Road, Vineyard Haven, MA 02568+1 508 693 9197 www.vineyarddecorators.comVU DESIGN33 Bassett Lane, Hyannis, MA 02601+1 774 470 1363 [email protected] DAYTON HOME LLC276 Washington Street, Wellesley, MA 02481+1 617 227 5343 www.dayton-home.com

MICHIGANTHE QUIET MOOSE2666 Charlevoix Avenue, Petoskey, MI 49770+1 231 348 5353 www.quietmooseonline.com

MINNESOTA THE SITTING ROOM380 2nd Street, Excelsior, MN, 55331+1 952 473 4440 www.thesittingroomstudio.com

MISSOURIKDR DESIGNER SHOWROOMS11660 Page Srvc. Dr., St. Louis, MO 63146+1 314 993 5020 www.kdrshowrooms.comNEW JERSEYLAWRENCE MAYER WILSON709 Riverview Drive, Brielle, NJ 08730+1 732 223 0900 www.lmw-interiors.comSURROUNDINGS FURNITURE & DESIGN200 Tilton Road, Northfield, NJ 08225+1 609 407 5002 www.surroundingsfurniture.comWOSTBROCK HOME225 Goffle Road Ridgewood, NJ 07450+1 201 445 0807 www.wostbrockhome.comNEW YORKENGLISH COUNTRY ANTIQUES26 Snake Hollow Road, Bridgehampton, NY 11932+1 631 537 0606 www.ecantiques.com ABC CARPET & HOME888 & 881 Broadway, New York, NY 10003+1 212 473 3000 www.abchome.comCOCOBOLO37 Maple Avenue, Armonk, NY 10504+1 914 273 4485 www.cocoboloarmonk.com HABITAT LTDPO Box 1071, 710 Montauk Highway, Water MillNY 11976+1 631 726 9311 www.habitatltd.com

HAMPTON WHITES509 North Main Street, Port Chester, NY 10573+1 914 967 1867 www.hamptonwhites.com GANSETT LANE HOME6 South Etna Avenue, Montauk, NY 11954+1 631 668 8050 www.gansettlane.com PENNSYLVANIALUXE HOME1308 Chestnut St, Philadelphia, PA 19107+1 215 732 2001www.luxehomepa.com SHEFFIELD FURNITURE211 East King Street, Malvern, PA 19655+1 610 644 7450 www.sheffieldfurniture.com

NORTH CAROLINAFURNITURE LAND SOUTH5635 Riverdale Drive, Jamestown, NC 27282+1 336 822 3000 www.furniturelandsouth.com DEMI RYAN1001 Park Glen Pl, Durham, NC 27713+1 918 806 8708 www.demiryan.com

SOUTH CAROLINAJ BANKS DESIGN GROUP INC.35 North Main Street, Suite 120, Hilton Head Island, SC 29926+1 843 681 5122 www.jbanksdesign.comPOSTCARD FROM PARIS631 S Main Street, Greenville, SC 29601+1 864 233 6622 www.postcardfromparis.com

TEXASBERNADETTE SCHAEFLER1616 Hi Line Drive, Suite 100, Dallas, TX 75207+1 214 749 0816 www.bernadetteschaeffler.comLOUIS SHANKS2930 West Anderson Ln, Austin, TX 78757+1 512 451 6501 www.louisshanksfurniture.comLOUIS SHANKS2800 Fondren Rd, Houston, TX 77063+1 713 780 9770 www.louisshanksfurniture.comLOUIS SHANKS11035 West Interstate 10San Antonio, TX78230+1 210 691 1400 www.louisshanksfurniture.comCARLIN & CO.150 Turtle Creek Blvd, Suite 211, Dallas, TX 75207+1 214 760 7216 www.carlinandcompany.netSHABBY SLIPS1126 1/2 West 6th Street, Austin, TX 78703+1 512 478 5666 www.shabbyslipsaustin.com

VIRGINIASHEFFIELD FURNITURE21080 Dulles Town Center, Dulles, VA 20133+1 571 323 6000 www.sheffieldfurniture.comTHE KELLOGG COLLECTION1353 Chain Bridge Road, McLean, VA 22101+1 703 506 0850 www.kelloggcollection.comTHE KELLOGG COLLECTION6227 River Road, Richmond, VA 23229+1 804 285 9143 www.kelloggcollection.com

WASHINGTON DCTHE KELLOGG COLLECTION5215 Wisconsin Ave NW, Washington, DC 20015+1 202 363 6879 www.kelloggcollection.comSCHOENER’S INTERIORS 2045 120th Ave NE, #200, Bellevue, WA, 98005+1 425 454 9000 www.schoenersinteriors.com

WEST INDIESARCHER’S HALL DESIGN CENTREQueen’s Street, Speightstown, Barbados WI+1 246 422 0400 www.archershall.com

CASTLE CARY2 Market Place, Castle Cary, Somerset, BA7 7ALT: +44 (0) 1963 351 212E: [email protected]

LONDON555 Kings Road, London, SW6 2EBT: +44 (0) 20 7371 8733E: [email protected]

ATLANTAAmericasMart, Building 1, Floor 14,Suite A5, Georgia 30303T: +001 404 749 5017E: [email protected]

HIGH POINTOnly During Market, C + D Building, Suite 2A, High PointT: +001 336 886 3549E:[email protected]

A series of signed and limited edition dog portraits by watercolour artist Ian Mason. They are available from our stockists above

D A L L A S | H I G H P O I N T | M I A M I | M O S C O WOriginal l ight ing designs handcrafted in America and specif ied worldwide since 1940 | www.f ineart lamps.com

F I N E A R T L A M P SM A R Q U I S E

Available in brushed gold, platinized silver leaf and antique bronze, with either faceted or smooth crystals.

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phone USA 336 885 2239 phone UK 01273 385 255

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TA B L E a n d C H A I R V E N D Ô M E , d e s i g n L O R E N Z O B E L L I N I

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Trusted supplier of the world’s finest pianos for more than three generations.

CONTACT OUR ADVERTISERSTo visit these advertiser websites CLICK on their advertisement below

Makers of fine contemporary furniture and interior joinery

| Bedrooms | Dressing Rooms | Libraries | Kitchens | Offices | Cinemas | Media Rooms || Wine Rooms | Console Tables | Interior Doors |

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Bespoke des igns . Handmade . macHine made . Freestanding. F itted.

Make a Statement.Surfaces for your home.

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T H E L O N D O N A G E N T F O R B U R L I N G T O N S T O N E

the burlington collection

beautiful british stone

VEEDON FLEECEA custom weaving house specialising in hand woven carpets

Purely bespoke and exclusively to design specification Muga ~ Pashmina ~ Silk ~ Veedon ~ Wool

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For more product information on And So To Bed, CLICK HERE

Bridge for Design US Spring 2014

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