book3-2

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Transcript of book3-2

  • HONGIK UNIVERSITYSCHOOL OF ARCHITECTURE INTERIOR ARCHITECTURE

    FALL 2008 S

    TUD

    IO W

    OR

    KS

  • FALL 2008 S

    TUD

    IO W

    OR

    KS 4

  • FALL 2008 STUDIO WORKS

  • professor jooyun kim hyunho lee, aia stephan c. externbrink taehee lim

    3rd year hyunjin kim haein lee hyunjeong jo yeonkyoung hwang youngrong park sanghwa lee soohyun park

    2nd year sangmi an nari yoon sanghee yoo eujin park donghyun kim jihoon kim woori nam yoonjung seomun jiyoung sim narae yang inwha hong soyoung jung eunchul kim sora oh

  • sensations + blindfold + full scale

    Studio Instructors

    Prof. Hyunho Lee Prof. Taehee Lim

  • In order to design buildings with a sensuous connection to life, one must think in a way that goes far beyond form and construction. Peter Zumthor

  • an sangmi

  • vision is a double edged sword. It leads us to understanding of our environment, while suppressing all our other sense: hearing, scent, touch and taste.

    To fully develop full sensory antennas , this studio purposely denies students vision in the beginning, thus challenging them to see in other ways.

    To see is to understand. To see in new ways is to understanding in new ways. This is the aim of this experimental studio.

  • seamoon yunjeong

  • lee haein

  • hwang yeonkyoung

  • park youngrong

  • kim hyunjin

  • jo hyunjeong

  • lee sanghwa

  • Studio Instructors

    Prof. Hyunho Lee Prof. Taehee Lim

  • park suhyun

  • park suhyun

  • an sangmi

  • an sangmi

  • park youngrong

  • park youngrong

  • kim hyunjin

  • kim hyunjin

  • seamoon yunjeong

  • lee sanghwa

  • lee sanghwa

  • lee haein

  • lee haein

  • lamp design

  • Studio Instructors

    Prof. Juyeon Kim Prof. Stephan C. Exsternbrink

  • magazine

  • kim donghyun

  • plastic cd case

  • kim eonchul

  • oh sorah

  • dang muyn

  • you sanghee

  • labels

  • ten pentals can be a flower, a large number of flowers can be a bouquet

    yun nari

  • newspaper

  • yeom bora

  • grip a light

  • jeong soyoung

    making a shape like grasping a light using clothespins

  • pets want to be flowers.

  • nam woori

  • seamoon yunjeong

  • eggshell lamp

  • yang narae

  • shall we dance?

  • eugene park

  • everything can be used as a lamp

    shim jiyoung

  • A small life in the nest

  • kin hyunjeong

  • reconstruction

  • Studio Instructors

    Prof. Juyeon Kim Prof. Stephan C. Exsternbrink

  • site

    underwater dam, under the Jamsil bridge, Han-river, songpagu, Seoul.

    interior studio

  • nam woori

    final model

  • site

    a slope between seogang elementry school and Gwangheungchang station

  • fianl model

    seomoon yunjeong

  • site

    a shanty near the youngdo bridge in nampodong, busan

  • design approach

    yang narae

  • drawing

  • final model

    yang narae

  • final model

  • final model

    kim hyunjoung

  • site

  • design approach

    jeong soyoung

  • drawing

  • jeong soyoung

    final model

  • site

    like to walk street in hongik university area

  • design approach

    park eujene

  • drawing

  • final model

    eugene park

  • Junggye 104village Pad #31 & #33

    To Reveal To Deconstruct

  • oh sorah

  • a traditional market-mia-samguri

  • you sanghee

  • you sanghee

  • yun nari

  • By creating three parasitic constructions mainly on top each building, extending both upwards and downwards, the attempt was to give reinforce the needs as well as giving unity to the whole area.

    Site 1: Protrudes towards the entrance wi th minimum inter ference to the pedestr ians. Si tuated on top of a 3-floored-building, extends to ground level. Functions as information center

    Site 2: Design is based on the shape and direction of the stairs, in which on top reconstruction is done. Balcony serves as view site; Interior space as photograph exhibition hall

  • hong inhwa

    Site 3: Located on a 2-floored-building, the main intention is to offer a place with close view of sellers and customers of the streets. Rather low windows, dark in te r io r space , back window projecting natural light towards front window induce people to pay attention to what is happening outside.