Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays,...

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Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros

Transcript of Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays,...

Page 1: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Blending and Compositing

Computational Photography

Connelly Barnes

Many slides from James Hays, Alexei Efros

Page 2: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Blending + Compositing

● Previously:○ Color perception in humans, cameras○ Bayer mosaic○ Color spaces (L*a*b*, RGB, HSV)

Page 3: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Blending + Compositing● Today

david dmartin (Boston College)

Page 4: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Compositing Procedure1. Extract Sprites (e.g using Intelligent Scissors in Photoshop)

Composite by David Dewey

2. Blend them into the composite (in the right order)

Page 5: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Need blending

Page 6: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Alpha Blending / Feathering

01

01

+

=Iblend = aIleft + (1-a)Iright

Page 7: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Setting alpha: simple averaging

Alpha = .5 in overlap region

Page 8: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Setting alpha: center seam

Alpha = logical(dtrans1>dtrans2)

DistanceTransformbwdist(MATLAB)

Page 9: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Setting alpha: blurred seam

Alpha = blurred

Distancetransform

Page 10: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Setting alpha: center weighting

Alpha = dtrans1 / (dtrans1+dtrans2)

Distancetransform

Ghost!

Page 11: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Effect of Window Size

0

1 left

right0

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Page 12: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Affect of Window Size

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1

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Page 13: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Good Window Size

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“Optimal” Window: smooth but not ghosted

Page 14: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Band-pass filtering

• Laplacian Pyramid (subband images)• Created from Gaussian pyramid by subtraction

Gaussian Pyramid (low-pass images)

Page 15: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Laplacian Pyramid

• How can we reconstruct (collapse) this pyramid into the original image?

Need this!

Originalimage

Page 16: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Pyramid Blending

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Left pyramid Right pyramidblend

Page 17: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Pyramid Blending

Page 18: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

laplacianlevel

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laplacianlevel

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laplacianlevel

0

left pyramid right pyramid blended pyramid

Page 19: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Laplacian Pyramid: Blending

• General Approach:1. Build Laplacian pyramids LA and LB from

images A and B

2. Build a Gaussian pyramid GR from selected region R

3. Form a combined pyramid LS from LA and LB using nodes of GR as weights:• LS(i,j) = GR(I,j,)*LA(I,j) + (1-GR(I,j))*LB(I,j)

4. Collapse the LS pyramid to get the final blended image

Page 20: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Laplacian Pyramid: Example

• Show ongoing research project

Page 21: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Blending Regions

Page 22: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Horror Photo

david dmartin (Boston College)

Page 23: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Chris Cameron

Page 24: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Simplification: Two-band Blending

• Brown & Lowe, 2003– Only use two bands: high freq. and low freq.– Blends low freq. smoothly– Blend high freq. with no smoothing: use

binary alpha

Page 25: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Don’t blend…cut

• So far we only tried to blend between two images. What about finding an optimal seam?

Moving objects become ghosts

Page 26: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Davis, 1998• Segment the mosaic

– Single source image per segment– Avoid artifacts along boundries

• Dijkstra’s algorithm

Page 27: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

min. error boundary

Dynamic programming cuts

overlapping blocks vertical boundary

_ =2

overlap error

Page 28: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Graph cuts• What if we want similar “cut-where-things-

agree” idea, but for closed regions?

– Dynamic programming can’t handle loops

Page 29: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Graph cuts (simple example à la Boykov&Jolly, ICCV’01)

n-links

s

t a cuthard constraint

hard constraint

Minimum cost cut can be computed in polynomial time

(max-flow/min-cut algorithms)

Page 30: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Kwatra et al, 2003

Actually, for this example, dynamic programming will work just as well…

Page 31: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Lazy Snapping

Interactive segmentation using graph cuts

Page 32: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Gradient Domain Image Blending

• In Pyramid Blending, we decomposed our image into 2nd derivatives (Laplacian) and a low-res image

• Lets look at a more direct formulation:– No need for low-res image

• captures everything (up to a constant)

– Idea: • Differentiate• Composite• Reintegrate

Page 33: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Gradient Domain blending (1D)

Twosignals

Regularblending

Blendingderivatives

bright

dark

Page 34: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Gradient Domain Blending (2D)

• Trickier in 2D:– Take partial derivatives dx and dy (the gradient field)– Fiddle around with them (smooth, blend, feather, etc)– Reintegrate

• But now integral(dx) might not equal integral(dy)

– Find the most agreeable solution• Equivalent to solving Poisson equation• Can use FFT, deconvolution, multigrid solvers, etc.

Page 35: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Gradient Domain: Math (1D)

f(x)

f’(x) = [-1 0 1] f⊗

f’(x)

Page 36: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Gradient Domain: Math (1D)

f(x)

f’(x) = [-1 0 1] f⊗

f’(x)

Page 37: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Gradient Domain: Math (1D)

f’(x)

g’(x)

Modify f’ to get target gradients g’

Page 38: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Gradient Domain: Math (1D)

g’(x)

Solve for g that has g’ as its gradients

Plus any boundary constraints on g(write on board)

Page 39: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Gradient Domain: Math (1D)

• Sparse linear system (after differentiating)• Solve with conjugate-gradient

or direct solver• MATLAB A \ b, or Python scipy.sparse.linalg

Page 40: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Gradient Domain: Math (2D)Solve for g that has gx as its x derivative,And gy as its y derivative

Slide from Pravin Bhat

Page 41: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Gradient Domain: Math (2D)

Slide from Pravin Bhat

Page 42: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Gradient Domain: Math (2D)

– Output filtered image – f– Specify desired pixel-differences – (gx, gy)– Specify desired pixel-values – d– Specify constraints weights – (wx, wy, wd)

min wx(fx – gx)2 + wy(fy – gy)2 + wd(f – d)2

f

Energy function (derive on board)

From Pravin Bhat

Page 43: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Gradient Domain: Example

• GradientShop by Pravin Bhat:

GradientShop

Page 44: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Gradient Domain: Example

• Gradient domain painting by Jim McCann:

Real-Time Gradient-Domain Painting

Page 45: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Thinking in Gradient Domain

• James McCann Real-Time Gradient-Domain Painting, SIGGRAPH 2009

Page 46: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Perez et al., 2003

Page 47: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Perez et al, 2003

• Limitations:– Can’t do contrast reversal (gray on black ->

gray on white)– Colored backgrounds “bleed through”– Images need to be very well aligned

editing

Page 48: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.

Putting it all together

• Compositing images– Have a clever blending function

• Feathering• Center-weighted• Blend different frequencies differently• Gradient based blending

– Choose the right pixels from each image• Dynamic programming – optimal seams• Graph-cuts

• Now, let’s put it all together:– Interactive Digital Photomontage, 2004 (video)

Page 49: Blending and Compositing Computational Photography Connelly Barnes Many slides from James Hays, Alexei Efros.