Binder2

assignment: font/s: type organization:

assignment: centered type that is digitalfont/s: euclid regular type organization: centered and clip-masked

centered

international

friends family

art confident

school diverse

cultures designer

travel

respectproudselfish changing

assignment: flush left with all lowercase letters that are too large font/s: baskerville regular type organization: full and horizontal

weshouldallthınk outsıde the box

assignment: overlapping transparent wordsfont/s: marion regular type organization: random


assignment: half missing letters font/s: tradegothicLH extendedtype organization: random

assignment: one letter replacedfont/s: adobe devanagari regulartype organization: radial system


assignment: type forward and backward font/s: palatino linotype regular type organization: vertical and hierarchy


assignment: font/s: type organization:

assignment: handwritingfont/s: hand-writtentype organization: centered and spread out

�e road to success is not easy to navigate, b

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th h

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work

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assignment: painted letterformfont/s: paintedtype organization: random

Perseverance is the hard work you do after you get tired

of do

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rial-a

nd-e

rror

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have

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ard

work

really

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If a m

an is

calle

d to be a street sweeper, he should sweep streets even as Michelangelo painted

, or

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y stre

ngth

lies

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city.

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ely d

egen

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ork pays

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e is n

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xperi

ment

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hard

wor

k, dr

ive an

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I do not know anyone who has got to the top withou

t har

d wo

rk. �

at is t

he

Perseverance is the hard work you do after you

get t

ired

of d

oing t

he hard work you

Ideas do not always come in a �ash but by di

ligen

t tria

l-and

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experiment take time I can say the willingness to get dirty has a

lway

s de�

ned

us as

an

nation, and hallmark

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ss th

at I

have

had

is ha

rd work really is no

If a m

an is called to be a street sweeper, he should sweep streets even as Michelan

gelo

pain

ted,

or

Let me tell you the secret that has led me to

my g

oals:

my s

treng

th

lies solely tenacity.

Plans are only good intentions unless th

ey im

med

iately

degen

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xperiment take time


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ligen

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dilig

ent t

rial-a

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eriment take time Ideas do not always come in a �ash but by di

ligen

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dilig

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gelo

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work

you

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eas d

o not always come in

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al-an

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illingness to get dirty

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iggest attribute to any succ

ess th

at I

hav

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d is hard

If a m

an is

calle

d to b

e a street sweeper, he should sweep streets even as Michelangelo paint

ed, o

r

Let me tell you the secret that has led me to my go

als: m

y stre

ngth

lies

solel

y tenacity.

Plans are only good intentions unless they im

mediat

ely d

egen

erate

in

to hard know you've heard it a thousand times before. But it's t

rue--ha

rd w

ork

pays

o�.

If

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day.

And

ther

e is n

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ial-an

d-er

ror e

xper

imen

t take

time

�e road to success is not easy to navigate, but with hard w

ork, d

rive a

nd pa

ssion

, it's p

ossible

I do not know anyone who has got to the top without hard wo

rk. �

at is

the re

cipe. I

t will n

ot always

I can say the w

illingness to get dirty has

alw

ays

de�

ned

us as an Perse

verance is the hard work you do after you get tire

d of d

oing

the

har

d

Perseverance is the hard work you do after you ge

t tire

d of

doi

ng th

e hard

work you I can say the w

illingness to get dirty h

as a

lways

de�

ned us as an

If a man is called to be a street sweeper, he should sweep streets even as Michela

ngelo

pain

ted,

or

Ideas do not alway

s com

e in

a �

ash

but by diligent trial-and-error

�e road to success is not easy to navigate, but w

ith ha

rd w

ork,

drive

and

I do not know anyone who has got to the top withou

t har

d wo

rk. �

at is t

he

Ideas do not always come in a �ash but by diligen

t tria

l-and

-erro

r e

xperiment take time


ut wi

th h

ard

work

, driv

e and passion, it's


ithou

t har

d wo

rk. �


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d-error

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rimen

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e

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ve an

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ssio

n, it's

I do not know anyone who has got to the top without hard work. �

at is

the r

ecip

e. It

assignment: tunnelfont/s: adobe caslon pro regular type organization: dilatational system

assignment: emptyfont/s: goudy old style boldtype organization: centered


ithou

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d wo

rk. �


assignment: explosionfont/s: goudy old style boldtype organization: extending


ithou

t har

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rk. �

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ard

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It assignment: earthquakefont/s: goudy old style boldtype organization: random

assignment: bridgefont/s: modern no. 20 regulartype organization: transitional system

assignment: illustrate a word with letterformsfont/s: avenir booktype organization: random

assignment: word within a wordfont/s: garamond regulartype organization: centered

assignment: mutilated typefont/s: portagoITC TT regulartype organization: centered

say your name

describe yourself

claim your properties

appreciate

represent yourself

have your

voice heard

assignment: italic type from ultra-black to ultra-thinfont/s: avenir next ultra-light italic, italic, medium-italic, demi-bold italic, bold italic, heavy italic type organization: random, slanted

Hell

assignment: black type on a red fieldfont/s: avenir mediumtype organization: centered on top

S T O P

assignment: white type on a red fieldfont/s: avenir next mediumtype organization: centered

assignment: type with gray values on black fieldfont/s: onyx regulartype organization: random

EXCUSE

MEassignment: white type on a black fieldfont/s: aurulent sans regulartype organization: random

assignment: yellow condensed and extended type on a purple fieldfont/s: tekton pro bold extended and bold condensedtype organization: centered and clustered

+ 3 . 7 5

+ 2 . 2 5

+ 1 . 2 5

+ 1 . 0 0

+ 0

assignment: flush right with all capital letters that are too smallfont/s: silom regular and myriad pro regular type organization: centered

gl ass bal l spira

l pattern

angel wingssnowflake

gli

tter

snowm

a n

pine conestar tre e

toppe r

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assignment: display and text in diagonal formatfont/s: minion pro bold and regulartype organization: rotated

O� the Beat and Into

a Museum: To teach people how to notice

details they might otherwise

miss, Amy E. Herman, an ex-

pert in visual perception, likes

to take them to museums and

get them to look at the art.

Recently she escorted a group

of New York City police o�-

cers to the Metropolitan Mu-

seum of Art and asked them

to describe some of the things

they saw. �ey did their best.

“�is seems to be a painting

of some males with hors-

es,” one o�cer said of Rosa

Bonheur’s mid-19th-centu-

ry work “�e Horse Fair,” a

scene of semi-chaos as hors-

es are driven to market. �ey

did their best. “�is seems

to be a painting of some

males with horses,” one of-

�cer said of Rosa Bonheur’s

mid-19th-century work

“�e Horse Fair,” a scene

of semi-chaos as horses are

driven to market. He tried to

abide by Ms. Herman’s ad-

monishment to avoid words

like “obviously.” “It appears

to be daytime, and the hors-

es appear to be traveling from

le� to right.”

Art Helps Police O�cers Learn to

Look

Another pair of o�cers tackled Picasso’s 1905 “At the Lapin Agile,” which depicts a wilt-

ed-looking couple sitting at a French bar a�er what might have been a long night out.

“�ey appear to have had an altercation,” one observed. �e other said, “�e male and

female look like they’re together, but the male looks like he’ll be sleeping on the couch.”

�e o�cers asked that their names not be used because they were not

authorized to speak to reporters. �ey said that they did not know

much about art — their jobs allow little opportunity for recreation-

al museumgoing — and Ms. Herman said she preferred it that way.

assignment: display and text in diagonal formatfont/s: myriad pro regular and mongolian baiti regulartype organization: rotated

Off the Beat and Into a Museum: Art H

elps

Police Officers Learn to Look

To teach people how to

notice details they might

otherwise miss, Amy E.

Herman, an expert in visu-

al perception, likes to take

them to museums and get

them to look at the art. Re-

cently she escorted a group

of New York City police of-

�cers to the Metropolitan

Museum of Art and asked

them to describe some

of the things they saw.

They did their best. “This

seems to be a painting of

some males with horses,”

one o�cer said of Rosa

Bonheur’s mid-19th-cen-

tury work “The Horse Fair,”

a scene of semi-chaos as

horses are driven to mar-

ket. He tried to abide by

Ms. Herman’s admonish-

ment to avoid words like

“obviously.” “It appears

to be daytime, and the

horses appear to be trav-

eling from left to right.”

Another pair of o�cers

tackled Picasso’s 1905 “At

the Lapin Agile,” which

depicts a wilted-looking

couple sitting at a French

bar after what might have

been a long night out.

“They appear to have had

an altercation,” one ob-

served. The other said,

“The male and female look

like they’re together, but

my E. Her-

man, an

expert in

visual per-

c e p t i o n ,

likes to

take them

to muse-

ums and

get them

to look at

the art. Re-

cently she

e s c o r t e d

a group of

New York

City police

o�cers to

the Met-

ropolitan

M u s e u m

of Art and

a s k e d

them to

d e s c r i b e

some of

the things

they saw.

They did

their best.

ht other-

wise miss,

Amy E.

H e r m a n ,

an expert

in visual

p e r c e p -

tion, likes

to take

them to

museums

and get

them to

look at the

art. Re-

cently she

e s c o r t e d

a group of

New York

City police

o�cers to

the Met-

ropolitan

M u s e u m

of Art and

a s k e d

them to

d e s c r i b e

some of

the things

they saw.

They did

their best.

“ T h i s

s e e m s

to be a

my E. Her-

man, an

expert in

visual per-

c e p t i o n ,

likes to

take them

to muse-

ums and

get them

to look at

the art. Re-

cently she

e s c o r t e d

a group of

New York

City police

o�cers to

the Met-

ropolitan

M u s e u m

of Art and

a s k e d

them to

d e s c r i b e

some of

the things

they saw.

They did

their best.

“ T h i s

s e e m s

To teach

p e o p l e

how to

notice de-

tails they

m i g h t

otherwise

miss, Amy

E. Her-

man, an

expert in

visual per-

c e p t i o n ,

likes to

take them

to muse-

ums and

get them

to look at

the art. Re-

cently she

e s c o r t e d

a group of

New York

City police

o�cers to

the Met-

ropolitan

M u s e u m

of Art and

a s k e d

eum of Art and

asked them

to describe

some of the

things they saw.

They did their

best. “This seems

to be a painting

of some males

with horses,” one

o�cer said of

Rosa Bonheur’s

mid-19th- cen-

tury work

“The Horse

Fair,” a scene of

semi-chaos as

horses are driv-

en to market. He

tried to abide

by Ms. Herman’s

admonishment

to avoid words

like “obviously.”

“It appears to be

daytime, and the

horses appear

to be traveling

from left to right.”

Another pair of

o�cers tackled

Picasso’s 1905 “At

the Lapin Agile,”

, an expert in

visual percep-

tion, likes to

take them to

museums and

get them to

look at the art.

Recently she es-

corted a group

of New York

City police o�-

cers to the Met-

ropolitan Mu-

seum of Art and

asked them to

describe some

of the things

they saw.

They did their

best. “This

seems to be

a painting of

some males

with horses,”

one o�cer

said of Rosa

B o n h e u r ’ s

mid-19th-cen-

assignment: display and text in random formatfont/s: bodoni 72 smallcaps book, minion pro regular, birch std regular, and moretype organization: random

To

teach

people how to no-

tice deta

ils they might oth-

erwise

miss, Amy E. H

erman, an

expert in visu

al perceptio

n, likes

to take them

to museums and

get them

to look at the a

rt.

Recently sh

e esco

rted

a group of New

York City

po-

Off the Beatand

Into a Museum:

Art

Helps

-

cers

Learn to Look

and get

them to look

at the art. Recently

she escorted a group

of New York City police

them to describe some

of the things they saw.

They did their best.

“This seems to be a

painting of some

males with hors-

said of Rosa

Bonheur’s

An-

oth-

er pair of

Picasso’s 1905 “At the Lap-

in Agile,” which depicts a wilt-

ed-looking couple sitting at a French

bar after what might have been a long night

out. “They appear to have had an alter-

cation,” one observed. The other

said, “The male and female look

like they’re together, but the

male looks like he’ll be

sleeping on the couch.”

Binder2

Art & Photos

Transcript of Binder2