Billie Holiday - The Complete Billie Holiday CD 8 of 10 (1945-19 (Download Torre

Billie Holiday - The Complete Billie Holiday CD 8 of 10 (1945-19 (download torrent) - TPB

https://thepiratebay.sx/torrent/4960772/Billie_Holiday_-_The_Complete_Billie_Holiday_CD_8_of_10_(1945-19[13/06/13 02:54:09]

Billie Holiday - The Complete Billie Holiday On Verve CD 8 of 10Original Release Date: Feb 02, 1945 - Mar 01, 1959 Audio CD: Mar 9, 1993 Number of Discs: 10 Label: Polygram Records Bitrate: VBR 250-320 kbpsTen CDs with everything Billie Holiday recorded on Verve Records between 1945 and her death in 1959 - not only the songs, but concert introductions, some of the rehearsals, and between-take studio chatter, too. All of which makes for a definitive portrait of Lady Day in her final years. For a long time these recordings were disparaged because it was said her voice was no longer fine and mellow, "ravaged" by hard living, jail time, booze, and drugs. And there's no question that her later tone is darker, more brittle and unstable than it had been in the '30s - but somehow I find myself listening to this music more often than those Brunswick/Columbia or Decca sides, anyway. Like Frank Sinatra, who so often paid tribute to her influence, Holiday's artistry was never based on virtuosity; it was about interpretation, bringing out the emotions in a song and giving a personal reading. She never stopped doing that, and for all the "strange fruit" you'll find in this collection, it's a gold mine. ~ Jim Emerson Holiday's brilliance, in spite of and in synch with the circumstance of her life does something religious, transcends, translates and transforms everyday existence.This box set is a great gift to those of us wishing to understand better our love for Lady. The insight into her musical journeys in the final years of her life is fascinating. Although many critics have contended that Holiday's genius lay, for the most part, in her earlier Columbia recordings I feel this box set nullifies that argument. Not because Holiday's Columbia recordings weren't brilliant, but because the Lady we here in her Verve Days is almost a different artist. Here we have a Billie of resillience as we witness in the recordings of her 1954 Jazz Club USA performance on Dics 2 & 3. We have an artist choosing new (for her) material and revitalized while nearing the end of her life in the 1957 Norman Granz run sessions. We are given a look into the recording world of Holiday will rehearsal tapes from Artie Shapiro's home in 1955. These are particularly interesting as we are given a chance to hear her in both the process of crafting each song. A step from this to the 1955 August 25th recording session tapes allows into the reminiscient dialogue of Billie and her band while reshaping Holiday classics like "Strange Fruit".My personal highlights hit in the Jazz Club USA jam session of "Billie's Blues", discussion in the '55 studio session over "Nice Work If You Can Get" where Holiday explains why she feels she can never sing a song the same twice. ( This is eroneous in actuality - in some ways this being because of the limitations of her substance abuse, but we'll let her have it because we love her. ) And finally the final Verve Recordings of Holiday for MGM in 1959 in the "Lady In Satin" tradition with Ellis. Although not as tightly emotionally moving as "Lady In Satin", a beautiful extension of the sentiment nonetheless.The liner notes are extensive, informative and fascinating - could be a book themself, but by length so could this review. Special graces to Phil Schaap for his precise discography and session notes. This is a whole lot of expensive, this box set. But it's worth it. It allows a brief insight into the studio of a genius, an extensive retrospective of one of the most important American artists EVER and a whole lot of joy, pain, beauty and magic all rolled into a tiny square box. ~ JoshuaMost critics believe Billie's early years were her best years. They are wrong. Although I am a fan of her early work, it is the recordings she made later in life that grip me by the throat. In those years, her dreams were becoming nightmares, the grey clouds darker. Yet, a glimmer of hope managed to emerge from her voice, even as she sang the most heart-wrenching ballads. I've heard many say that she couldn't sing. They fail to realize that she does much more than sing. Sure, she stetches and folds notes, but in saying that, you loose the magic. Billie let her soul sing. The strength in her frail voice during those later years is enormous. Listen to Tenderly, You Go to My Head and I Cover the Waterfront. Whether you are still moarning the loss of an old love or celebrating a new one, her voice will say it all. ~ Jake GonzalezBillie Holiday - The Complete Billie Holiday On Verve CD 8 of 10 Tracks:01 Lady Sings The Blues (With Reading From Lady Sings The Blues)02 Lady Sings The Blues03 Ain't Nobody's Business If I Do04 Travelin' Light (With Reading From Lady Sings The Blues)05 Reading From Lady Sings The Blues06 Billie's Blues07 Body And Soul08 Reading From Lady Sings The Blues09 Don't Explain10 Yesterdays11 Please Don't Talk About Me When I'm Gone12 I'll Be Seeing You13 Reading From Lady Sings The Blues14 My Man15 I Cried For You16 Fine And Mellow17 I Cover The Waterfront18 What A Little Moonlight Can Do19 I Wished On The Moon20 Moonlight In Vermont21 A Foggy Day22 I Didn't Know What Time It Was23 Just One Of Those Things24 Studio Talk25 Just One Of Those Things26 Studio Talk27 Comes Love - (take 1, alternate)28 Comes Love - (take 2, false start)29 Comes Love - (take 3, false start)30 Comes Love - (take 4, master take)



Billie Holiday - The Complete Billie Holiday On Verve CD 2 of 10Original Release Date: 1945 02 12 - 1959 03 01 Audio CD: March 9, 1993 Number of Discs: 10 Label: Polygram Records Ten CDs with everything Billie Holiday recorded on Verve Records between 1945 and her death in 1959 - not only the songs, but concert introductions, some of the rehearsals, and between-take studio chatter, too. All of which makes for a definitive portrait of Lady Day in her final years. For a long time these recordings were disparaged because it was said her voice was no longer fine and mellow, "ravaged" by hard living, jail time, booze, and drugs. And there's no question that her later tone is darker, more brittle and unstable than it had been in the '30s - but somehow I find myself listening to this music more often than those Brunswick/Columbia or Decca sides, anyway. Like Frank Sinatra, who so often paid tribute to her influence, Holiday's artistry was never based on virtuosity; it was about interpretation, bringing out the emotions in a song and giving a personal reading. She never stopped doing that, and for all the "strange fruit" you'll find in this collection, it's a gold mine. ~ Jim Emerson Holiday's brilliance, in spite of and in synch with the circumstance of her life does something religious, transcends, translates and transforms everyday existence. This box set is a great gift to those of us wishing to understand better our love for Lady. The insight into her musical journeys in the final years of her life is fascinating. Although many critics have contended that Holiday's genius lay, for the most part, in her earlier Columbia recordings I feel this box set nullifies that argument. Not because Holiday's Columbia recordings weren't brilliant, but because the Lady we here in her Verve Days is almost a different artist. Here we have a Billie of resillience as we witness in the recordings of her 1954 Jazz Club USA performance on Dics 2 & 3. We have an artist choosing new (for her) material and revitalized while nearing the end of her life in the 1957 Norman Granz run sessions. We are given a look into the recording world of Holiday will rehearsal tapes from Artie Shapiro's home in 1955. These are particularly interesting as we are given a chance to hear her in both the process of crafting each song. A step from this to the 1955 August 25th recording session tapes allows into the reminiscient dialogue of Billie and her band while reshaping Holiday classics like "Strange Fruit". My personal highlights hit in the Jazz Club USA jam session of "Billie's Blues", discussion in the '55 studio session over "Nice Work If You Can Get" where Holiday explains why she feels she can never sing a song the same twice. ( This is eroneous in actuality - in some ways this being because of the limitations of her substance abuse, but we'll let her have it because we love her. ) And finally the final Verve Recordings of Holiday for MGM in 1959 in the "Lady In Satin" tradition with Ellis. Although not as tightly emotionally moving as "Lady In Satin", a beautiful extension of the sentiment nonetheless. The liner notes are extensive, informative and fascinating - could be a book themself, but by length so could this review. Special graces to Phil Schaap for his precise discography and session notes. This is a whole lot of expensive, this box set. But it's worth it. It allows a brief insight into the studio of a genius, an extensive retrospective of one of the most important American artists EVER and a whole lot of joy, pain, beauty and magic all rolled into a tiny square box. ~ JoshuaMost critics believe Billie's early years were her best years. They are wrong. Although I am a fan of her early work, it is the recordings she made later in life that grip me by the throat. In those years, her dreams were becoming nightmares, the grey clouds darker. Yet, a glimmer of hope managed to emerge from her voice, even as she sang the most heart-wrenching ballads. I've heard many say that she couldn't sing. They fail to realize that she does much more than sing. Sure, she stetches and folds notes, but in saying that, you loose the magic. Billie let her soul sing. The strength in her frail voice during those later years is enormous. Listen to Tenderly, You Go to My Head and I Cover the Waterfront. Whether you are still moarning the loss of an old love or celebrating a new one, her voice will say it all. ~ Jake GonzalezBillie Holiday - The Complete Billie Holiday On Verve CD 2 of 10 Tracks:01 Everything I Have Is Yours02 Love For Sale03 Moonglow04 Tenderly05 If The Moon Turns Green06 Remember07 Autumn In New York - Common Take - LP08 Autumn In New York - Rare Take - 78 Rpm09 My Man10 Lover, Come Back To Me11 Stormy Weather12 Yesterdays13 He's Funny That Way14 I Can't Face The Music15 MC And Leonard Feather Announcements16 Blue Moon17 All Of Me18 My Man19 Them There Eyes20 I Cried For You21 What A Little Moonlight Can Do22 I Cover The Waterfront23 Leonard Feather Announcement24 Billie's Blues (I Love My Man)



Billie Holiday - The Complete Billie Holiday On Verve CD 1 of 10Original Release Date: 1945 02 12 - 1959 03 01 Audio CD: March 9, 1993 Number of Discs: 10 Label: Polygram Records Bitrate: VBR 250-320 kbpsTen CDs with everything Billie Holiday recorded on Verve Records between 1945 and her death in 1959 - not only the songs, but concert introductions, some of the rehearsals, and between-take studio chatter, too. All of which makes for a definitive portrait of Lady Day in her final years. For a long time these recordings were disparaged because it was said her voice was no longer fine and mellow, "ravaged" by hard living, jail time, booze, and drugs. And there's no question that her later tone is darker, more brittle and unstable than it had been in the '30s - but somehow I find myself listening to this music more often than those Brunswick/Columbia or Decca sides, anyway. Like Frank Sinatra, who so often paid tribute to her influence, Holiday's artistry was never based on virtuosity; it was about interpretation, bringing out the emotions in a song and giving a personal reading. She never stopped doing that, and for all the "strange fruit" you'll find in this collection, it's a gold mine. ~ Jim Emerson Holiday's brilliance, in spite of and in synch with the circumstance of her life does something religious, transcends, translates and transforms everyday existence. This box set is a great gift to those of us wishing to understand better our love for Lady. The insight into her musical journeys in the final years of her life is fascinating. Although many critics have contended that Holiday's genius lay, for the most part, in her earlier Columbia recordings I feel this box set nullifies that argument. Not because Holiday's Columbia recordings weren't brilliant, but because the Lady we here in her Verve Days is almost a different artist. Here we have a Billie of resillience as we witness in the recordings of her 1954 Jazz Club USA performance on Dics 2 & 3. We have an artist choosing new (for her) material and revitalized while nearing the end of her life in the 1957 Norman Granz run sessions. We are given a look into the recording world of Holiday will rehearsal tapes from Artie Shapiro's home in 1955. These are particularly interesting as we are given a chance to hear her in both the process of crafting each song. A step from this to the 1955 August 25th recording session tapes allows into the reminiscient dialogue of Billie and her band while reshaping Holiday classics like "Strange Fruit".My personal highlights hit in the Jazz Club USA jam session of "Billie's Blues", discussion in the '55 studio session over "Nice Work If You Can Get" where Holiday explains why she feels she can never sing a song the same twice. ( This is eroneous in actuality - in some ways this being because of the limitations of her substance abuse, but we'll let her have it because we love her. ) And finally the final Verve Recordings of Holiday for MGM in 1959 in the "Lady In Satin" tradition with Ellis. Although not as tightly emotionally moving as "Lady In Satin", a beautiful extension of the sentiment nonetheless.The liner notes are extensive, informative and fascinating - could be a book themself, but by length so could this review. Special graces to Phil Schaap for his precise discography and session notes. This is a whole lot of expensive, this box set. But it's worth it. It allows a brief insight into the studio of a genius, an extensive retrospective of one of the most important American artists EVER and a whole lot of joy, pain, beauty and magic all rolled into a tiny square box. ~ JoshuaMost critics believe Billie's early years were her best years. They are wrong. Although I am a fan of her early work, it is the recordings she made later in life that grip me by the throat. In those years, her dreams were becoming nightmares, the grey clouds darker. Yet, a glimmer of hope managed to emerge from her voice, even as she sang the most heart-wrenching ballads. I've heard many say that she couldn't sing. They fail to realize that she does much more than sing. Sure, she stetches and folds notes, but in saying that, you loose the magic. Billie let her soul sing. The strength in her frail voice during those later years is enormous. Listen to Tenderly, You Go to My Head and I Cover the Waterfront. Whether you are still moarning the loss of an old love or celebrating a new one, her voice will say it all. ~ Jake GonzalezBillie Holiday - The Complete Billie Holiday On Verve CD 1 of 10 Tracks:01 Body And Soul02 Strange Fruit03 I Cried For You04 Fine And Mellow05 He's Funny That Way06 Man I Love, The07 Gee Baby, Ain't I Good To You08 All Of Me09 Billie's Blues (I Love My Man)10 Travelin' Light11 He's Funny That Way12 Norman Granz Announcement13 You Better Go Now14 You're Driving Me Crazy15 There Is No Greater Love16 I Cover The Waterfront17 Norman Granz Announcement18 East Of The Sun19 Blue Moon20 You Go To My Head21 You Turned The Tables On Me22 Easy To Love23 These Foolish Things24 I Only Have Eyes For You25 Solitude

thepiratebay.sxBillie Holiday - The Complete Billie Holiday CD 8 of 10 (1945-19 (download torrent) - TPBBillie Holiday - The Complete Billie Holiday CD 2 of 10 (1945-19 (download torrent) - TPBBillie Holiday - The Complete Billie Holiday CD 1 of 10 (1945-19 (download torrent) - TPB

Billie Holiday - The Complete Billie Holiday CD 8 of 10 (1945-19 (Download Torre

Documents

Transcript of Billie Holiday - The Complete Billie Holiday CD 8 of 10 (1945-19 (Download Torre