BIBLIOGRAPHY AESTHETICS, THE IMAGINAL

Susan L. Aberth, The Alchemical Kitchen: At Home with Leonora Carrington, Nierika. Revista De Estudios De Arte, Número 1, Año 1, Junio 2012. Lyndy Abraham, Weddings, Funerals, and Incest: Alchemical Emblems and Shakespeare's "Pericles", "Prince of Tyre", The Journal of English and Germanic Philology, Vol. 98, No. 4 (Oct., 1999), pp.523-549 Ralph Herman Abraham, Theosophy and the Arts, January 17, 2017 Nancy J. Adler and Andre Delbecq, Twenty-First Century Leadership: A Return To Beauty

Thomas Alexander, The Music in the Heart, the Way of Water, and the Light of a Thousand Suns: A Response to Richard Shusterman, Crispin Sartwell, and Scott Stroud, Journal of Aesthetic Education, Vol. 43, No. 1 (Spring, 2009), pp. 41-58 Art Education [Journal] Art Education: The Condition of Art Education: Critical Visual Art Education [CVAE] Club, Winter 2010, Jerome Hausman, John Ploof, James Duignan, W. Keith Brown, Nicholas Hostert, Studies in Art Education, Vol. 51, No. 4, Debating the Field of Art Education and its Disciplinary Territories (Summer 2010), pp. 368-37 Roy Ascott, Technoetic Pathways toward the Spiritual in Art: A Transdisciplinary Perspective on Connectedness, Coherence and Consciousness, Leonardo, Vol. 39, No. 1 (2006), pp. 65-69 Stephen T Asma, Imagination is ancient, Aeon Essays [ONLINE] Robert Avens, James Hillman: Toward a Poetic Psychology, Journal of Religion and Health, Vol. 19, No. 3 (Fall, 1980), pp. 186-202. [imaginal texts] BACHLARDIAN STUDIES Sarah Bakewell, Illustrations from the Wellcome Institute Library. Images of Bodily Transformation, Medical History, 1998, 42: 503-517. [myth-texts] Michael Baldwin. Ted Hughes and Shamanism http://ann.skea.com/MichaelBaldwinMemoir1.htm Paul Barolsky, Ovid's Web, Arion, Third Series, Vol. 11, No. 2 (Fall, 2003), pp. 45-77 Paul Barolsky, As in Ovid, So in Renaissance Art, Renaissance Quarterly, Vol. 51, No. 2 (Summer, 1998), pp. 451-474 G. Bataille, Visions of Excess

Tessel M. Bauduin, The Occult and The Visual Arts Tessel M. Bauduin, The occultation of Surrealism: a study of the relationship between Bretonian Surrealism and western esotericism Amsterdam, 2012, Elck Syn Waerom Publishing Gwendolyn M. Bays, The Orphic Vision of Nerval, Baudelaire, and Rimbaud, Comparative Literature Studies, Vol. 4, No. 1/2, The Symbolist Movement (1967), pp.17-26 Carol Becker, Art as Research, Truthout, Wednesday, 22 January 2014 [ONLINE HERE] Kenneth R. Beittel, The Phenomenology of the Artistic Image, Visual Arts Research, Vol. 9, No. 2(18), Artistic Perception: Proceedings of the 1982 National Symposium for Research in Art (Fall 1983), pp. 25-39 Robert Berg, Jay DeFeo: The Transcendental Rose, American Art, Vol. 12, No. 3 (Autumn, 1998), pp. 68-77 Wayne Carl Berg, Jr., Images in the Labyrinth: A Reading of Symbol and Archetype in Four Quartets. A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English Montana State University, Bozeman, Montana, April 2007 Adriana Berger, Cultural Hermeneutics: The Concept of Imagination in the Phenomenological Approaches of Henry Corbin and Mircea Eliade, The Journal of Religion, Vol. 66, No. 2 (Apr., 1986), pp. 141-156. Kenneth Berry, Kandinsky, Kant, and a Modern Mandala, The Journal of Aesthetic Education, Vol. 42, No. 4 (Winter, 2008), pp. 105-110 Virginia Gutiérrez Berner, Mystical Laws: Borges and Kabbalah , CR: The New Centennial Review, Vol. 9, No. 3 (winter 2009), pp. 137-164 Judith E. Bernstock, Classical Mythology in Twentieth-Century Art: An Overview of a Humanistic Approach, Artibus et Historiae, Vol. 14, No. 27 (1993), pp. 153-183. Annie Besant & C.W. Leadbeater, Thought-Forms, The Project Gutenberg eBook http://www.gutenberg.org/files/16269/16269-h/16269-h.htm Joseph Beuys, I Am Searching For Field Character, 1977 http://www.atisma.com/spiritart/beuys_social.htm Dieter Blume, Vizualizing Metamorphoses: Picturing the Metamorphoses of Ovid in Fourteenth-Century Italy

Jorges Luis Borges, The God's Script

Robert Bosnak, Red Sulphur. The Greatest Mystery in Alchemy A saga

Cliff Bostock, Cyberwork: The archetypal imagination in new realms of ensoulment Veronica Brady, Art and Spirituality Derek P. Brereton, Matisse and Transformation: Apollo in the Light of Alchemy and Epidauros, The San Francisco Jung Institute Library Journal, Vol. 16, No. 4 (Winter 1998), pp. 6-23 Andre Breton, Manifesto Murray Wright Bundy, The Theory of Imagination in Classical and Medieval Thought, University of Illinois Studies in Language and Literature. [ ? ? ? ] Thomas H. Burgoyne, The light of Egypt; or, The science of the soul and the stars http://etext.lib.virginia.edu/toc/modeng/public/BurLigh.html George-Florin Călian, Alkimia Operativa and Alkimia Speculativa. Some Modern Controversies on the Historiography of Alchemy, Annual of MEDIEVAL STUDIES at CEU, VOL. 16 2010 Laurel H. Campbell, Spirituality and Holistic Art Education, Visual Arts Research, Vol. 32, No. 1(62) (2006), pp. 29-34. Howard Cannatella, Is Beauty an Archaic Spirit in Education?, Journal of Aesthetic Education, Vol. 40, No. 1 (Spring, 2006), pp. 94-103. [mundus imaginalis/texts] Nancy Corson Carter, Shamanism in a Threatened World: Doris Lessing's "Briefing For A Descent Into Hell", Journal of the Fantastic in the Arts, Vol. 2, No. 3 (7), SPECIAL ISSUE: The Doris Lessing Material (1990), pp. 5-13 Beth Carruthers, A Reflective Gaze – a preface to Returning the Radiant Gaze https://ecuad.academia.edu/BethCarruthers Beth Carruthers , Through the Eye of the Heart: in search of a “deep aesthetics”, 2008 Beth Carruthers, Call and Response – Deep Aesthetics and the Heart of the World A talk given at Aesth/Ethics in Environmental Change

Stephanie Cash Seeing Beauty in Venice's Pollution, 06/04/09 Régine Charron, The "Apocryphon of John" (NHC II, 1) and the Graeco-Egyptian Alchemical Literature, Vigiliae Christianae, Vol. 59, No. 4 (Nov., 2005), pp. 438-456 Anna Chave, "Mythmaking," from Mark Rothko, pp. 77-91

Aaron Cheak, Circumambulating the Alchemical Mysterium. The following article is reproduced from my book, Alchemical Traditions. http://www.aaroncheak.com/circumambulating/ Marie Chesaniuk, Duende in the Works of Federico García Lorca J. E. Circlot, A Dictionary of Symbols, Translated from the Spanish by JACK SAGE. Foreword by Herbert Read, Routledge & Kegan Paul Ltd 1962 Kenneth Clark, Landscape into Art Brendan Cole, Jean Delville: Art between Nature and the Absolute, Cambridge Scholars Publishing, 2015 Warren Colman, Imagination and the imaginary, Journal of Analytical Psychology, 2006, 51, 21–41 John Considine, A note on lapis philosophicus, lapis philosophorum, and some other medieval names of the philosophers’ stone Bevil R. Conway, and Alexander Rehding. 2013. Neuroaesthetics and the trouble with beauty. PLoS Biology 11(3), 2013. Ananda K. Coomarasway, Mediaeval Aesthetic: I. Dionysius the Pseudo-Aeropagite, and Ulrich Engelberti of Strassburg, The Art Bulletin, Vol. 17, No. 1, (Mar., 1935), pp. 31-47 Ananda K. Coomarasway, Mediaeval Aesthetic: II. St. Thomas Aquinas on Dionysius, and a Note on the Relation of Beauty to Truth, The Art Bulletin, Vol. 20, No. 1, (Mar., 1938), pp. 66-77 Henry Corbin,, "The Imago Templi and Secular Norms", Spring 1975, pp. 163-185 http://henrycorbinproject.blogspot.com/ Henry Corbin, Temple and Contemplation. Islamic Publications Ltd. Routledge & Kegan, London,1986. Henri Corbin, Mundus Imaginalis, or the Imaginary and the Imaginal Online at: http://www.antiqillum.com/mundus.htm John R. Covach, Schoenberg and The Occult: Some Reflections on the Musical Idea, Theory and Practice, Vol. 17, In Celebration of Arnold Schoenberg (1) (1992), pp.103-118 Denis Martinez Criado, Poetry as a Mirror of Evolving Consciousness: A Case Analysis of the Poet and Poetry of Rainer Maria Rilke as a Mirror of Integral Structure of Consciousness Journal of Conscious Evolution, Volume 6, 2011 Chiara Crisciani, Opus and sermo: The Relationship between Alchemy and Prophecy (12th-14th Centuries), Early Science and Medicine, Vol. 13, No. 1 (2008), pp. 4-24

Linda Dalrymple Henderson, Mysticism and Occultism in Modern Art, Art Journal, Vol. 46, No. 1, Mysticism and Occultism in Modern Art (Spring,1987), pp. 5-8. [MATERIAL ON: Los Angeles County Museum's Fall 1986 exhibition, The Spiritual in Art: Abstract Painting 1980-1985, organized by Maurice Tuchman and Judi Free-man Eugene G, d'Aquili and Andrew B. Newberg, The Neuropsychology of Aesthetics, Spiritual and Mystical States, Zygon, vol. 35, no. 1, March 2000 http://www.yavanika.org/classes/reader/newberg.pdf Ann Demaitre, The Theater of Cruelty and Alchemy: Artaud and Le Grand Oeuvre, Journal of the History of Ideas, Vol. 33, No. 2 (Apr. - Jun., 1972), pp. 237-250. [mundus texts] Hent de Vries, Global Religion and the Post-Secular Challenge: Habermas’s Recent Writings and the Case for Deep Pragmatism [The Humanities Center, Johns Hopkins University] Samten de Wet, Art and The Imagination. A Notebook. Luxlapis Publications. Cape Town. February 2016 http://www.luxlapis.co.za/art_imagination.pdf Ellen Dissanayake, Aesthetic Experience and Human Evolution, The Journal of Aesthetics and Art Criticism, Vol. 41, No. 2 (Winter, 1982), pp.145-155 Ellen Dissanayake , An Ethological View of Ritual and Art in Human Evolutionary History Leonardo, Vol. 12, No. 1 (Winter, 1979), pp. 27-31 Ellen Dissanayake, Art as a Human Behavior: Toward an Ethological View of Art, The Journal of Aesthetics and Art Criticism, Vol. 38, No. 4 (Summer, 1980), pp.397-406 William G. Doty , The Artist's Work, Imagining Community, Soundings: An Interdisciplinary Journal, Vol. 84, No. 3/4 (Fall/Winter 2001), pp. 289-305 Mircea Eliade, The Forge and the Crucible: A Postscript, History of Religions, Vol. 8, No. 1 (Aug., 1968), pp. 75-76. Mircea Eliade, The Forge and the Crucible, 2d ed. translated from the French by Stephen Corrin, University of Chicago Press in Chicago, 1978. James Elkins, Four Ways of Measuring the Distance Between Alchemy and Contemporary Art Ziad Elmarsafy, Adapting Sufism to Video Art: Bill Viola and the Sacred, Alif: Journal of Comparative Poetics, No. 28, Artistic Adaptations: Approaches and Positions / 2008 ) pp. 127-149 ENCYCLOPEDIA OF AESTHETICS: Edited by Michael Kelly.--New York, NY: Oxford University Press, August 1998.--4 vol.,

Edward Erikson, The Aura of Decay: The Concept of the Book in the Age of Hybridity, gnosis journal, Spring 2008, Volume 8, No. 2 Kathryn LaFevers Evans, Natural Magic: A Literary Shamanic Art-Form Peter Fingesten, Spirituality, Mysticism and Non-Objective Art, Art Journal, Vol. 21, No. 1 (Autumn, 1961), pp. 2-6 Maura C. Flannery, Biology as Art , The American Biology Teacher, Vol. 69, No. 5 (May, 2007), pp. 304+306-308 Flaubert, The Temptation of St Anthony Peter J. Forshaw, Introduction: The Visual and the Symbolic in Western Esotericism, brill nv, leiden, 2017 https://www.academia.edu/36977165/Introduction_The_Visual_and_the_Symbolic_in_Western_Esotericism Wallace Fowlie, The Theme of Night in Four Sonnets of Mallarmé, Modern Philology, Vol. 44, No. 4 (May, 1947), pp. 248-258 Diane Fremont, The Spiracle in Alchemy and Art, ARAS Connections Issue 3, 2017 Thomas Frick, Christina Bertoni, Andra Birkerts, Paul Bowen, Lowry Burgess, Meredith Davis, Jesseca Ferguson, Martie Holmer, Jod Lourie, Tabitha Vevers, Paul Laffoley, Art Portfolio: Concerning the Spiritual in Art, Agni, No. 27 (1988), pp. 125-148 Arthur L. Frothingham, The Philosophy of Art, The American Journal of Archaeology and of the History of the Fine Arts, Vol. 9, No. 2, (Apr. - Jun., 1894), pp. 165-201 Suzi Gablik Judy Gardner, Text for Art in the Underworld: Goddess Speak DVD produced by Claudine Jeanrenaud, Archetypos, Colorado City. N.D. [Online at] Kendell Geers, Art & Common Space

Barbara L. Gerber , Genet's "Miracle de la Rose:" An Alchemical Vision, SubStance, Vol. 1, No. 3, Literature and Psychoanalysis (Spring, 1972), pp. 101- 106+108 Joscelyn Godwin, Imaginalis: in” The Pagan Dream of the Renaissance, Thames and Hudson, London, 2002. Chapter 11, p.260- 61. Alan H. Goldman, ‘The Broad View of Aesthetic Experience’, The Journal of Aesthetics and Art Criticism 71 (2013), 323–333. Alan H. Goldman, Aesthetic Qualities and Aesthetic Value, The Journal of Philosophy, Vol. 87,

No. 1 (Jan., 1990), pp. 23-37 Alan H. Goldman, The Aesthetic Value of Representation in Painting, Philosophy and Phenomenological Research, Vol. 55, No. 2 (Jun., 1995), pp. 297-310 Gombrich, E. H. Icones Symbolicae: The Visual Image in Neo-Platonic Thought, Journal of the Warburg and Courtauld Institutes, Vol. 11, (1948), pp. 163-192 Gombrich, E. H. An Interpretation of Mantegna's 'Parnassus'. Journal of the Warburg and Courtauld Institutes, Vol. 26, 1963. Johan Goudsblom, The Civilizing Process and the Domestication of Fire, Journal of World History, Vol. 3, No. 1 (Spring, 1992), pp. 1-12 http://en.wikipedia.org/wiki/John_D._Graham http://www.theartstory.org/artist-graham-john.htm Maxine Greene, Art and Imagination: Reclaiming the Sense of Possibility, The Phi Delta Kappan, Vol. 76, No. 5 (Jan., 1995), pp. 378-382 Sidney H. Griffith, Theodore Abū Qurrah's Arabic Tract on the Christian Practice of Venerating Images, Journal of the American Oriental Society, Vol. 105, No. 1 (Jan. - Mar., 1985), pp. 53-73Pu David Stanton Guion, A Study of Spirituality in Contemporary Visual Art and Foundations Funding, Phd. Thesis, in Philosophy, Graduate School of The Ohio State University, 2008. https://etd.ohiolink.edu/rws_etd/document/get/osu1210694707/inline Fathi Habashi, Zoroaster And The Theory Of Four Elements, Laval University, Bull. Hist. Chem., Volume 25, Number 2 (2000) S. Lee Hager, Surrealism, Alchemy, and the Northern Renaissance Wouter J. Hanegraaff, Religion and the Historical Imagination: Esoteric Tradition as Poetic Invention (2017) Wouter J. Hanegraaff, From Imagination to Reality: An Introduction to Esotericism and the Occult William Hartley, Boundaries of the Soul: The Mythic Imagination, Place and Shamanic Consciousness in Literary Form.

Chris Hedges, The Power of Imagination, Truth-out, 12 May 2014 Kathleen Marie Higgins, An Alchemy of Emotion: Rasa and Aesthetic Breakthroughs, The Journal of Aesthetics and Art Criticism, Vol. 65, No. 1, Special Issue: Global Theories of the Arts

and Aesthetics (Winter, 2007), pp. 43-54 Hilkka Hiiop, The Possibility of Patina in Contemporary Art or, Does the ‘New Art’ Have a Right to Get Old? James Hillman, The Practice of Beauty, Sphinx 4: A Journal for Archetypal Psychology and the Arts, London, 1999. Hillman, James. "The Practice of Beauty." Uncontrollable Beauty. Ed. Beckley, Bill and David Shapiro. New York: Allworth Press, 2001. 261-274. James Hillman, Alchemical_Psychology G. S. Hodgson, Islâm and Image, History of Religions, Vol. 3, No. 2 (Winter, 1964), pp. 220-260d Roald Hoffmann, Thoughts on Aesthetics and Visualization in Chemistry, HYLE – International Journal for Philosophy of Chemistry, Vol. 9 (2003), No. 1, 7-10. Tom Holert, Stepping into the Arena of Debates on Visual Culture, Open. Cahier on Art and the Public Domain, No. 10, 2006, Rotterdam: Nai Publishers/SKOR, S. 164-167 David Hopkins, Hermetic and Philosophical Themes in Max Ernst's 'Vox Angelica' and Related Works, The Burlington Magazine, Vol. 134, No. 1076 (Nov., 1992), pp. 716-723 Image: Euclid, Max Ernst, 1945. [ A valuable 1992 article in which Hopkins also sees the Masonic tradition and Rosicrucian initiates in the work of Ernst. Kathleen Howe, Alchemical Researches: The Photoworks of Sigmar Polke, On Paper, Vol. 1, No. 2 (Nov. - Dec. 1996), pp. 13-15 David Hopkins, Hermetic and Philosophical Themes in Max Ernst's 'Vox Angelica' and Related Works, The Burlington Magazine, Vol. 134, No. 1076 (Nov., 1992), pp. 716-723 Image: Euclid, Max Ernst, 1945.

A valuable 1992 article in which Hopkins also sees the Masonic tradition and Rosicrucian initiates in the work of Ernst.

Seymour Howard, On Iconology, Intention, Imagos, and Myths of Meaning, Artibus et Historiae, Vol. 17, No. 34 (1996), pp. 83-94 http://gen2.ca/DBHS/Art.1/1483525.pdf Seymour Howard, Hidden Naos: Duchamp Labyrinths, Artibus et Historiae, Vol. 15, No. 29 (1994), pp. 153-180. Kirsten Hudson, For The Sake Of Beauty, Becoming Ornament And Other Guilty Pleasures On the naïve, Visionary artist: Edith Valentine Tenbrink. http://curtin.academia.edu/KirstenHudson/Papers/517604/For_The_Sake_Of_Beauty

I Ching 1_ Ch'ien - The Creative Ivan Illich, Guarding the Eye in the Age of Show Massimo Introvigne, The Sounding Cosmos Revisited. Ringbom, Kandinsky, the Theosophical Tradition and Religious/Artistic Innovation Alexis Deodato S. Itao, Paul Ricoeur’s Hermeneutics of Symbols: A Critical Dialectic of Suspicion and Faith, Kritike, Volume Four Number Two (December 2010) 1-17 http://www.kritike.org/journal/issue_8/itao_december2010.pdf Aniela Jaffe, Visual Symbols - Part.4 Bruce Janacek, A Virtuoso's History: Antiquarianism and the Transmission of Knowledge in the Alchemical Studies of Elias Ashmole, Journal of the History of Ideas, Vol. 69, No. 3 (Jul., 2008), pp. 395-417 Bruce Janacek, Thomas Tymme and Natural Philosophy: Prophecy, Alchemical Theology, and the Book of Nature, The Sixteenth Century Journal, Vol. 30, No. 4 (Winter, 1999), pp. 987-1007 Mark Jeffreys, The Mona Lisa and the Symbol of Ideas: Pater's Leda as Mother to Yeats's Helen, Colby Quarterly Volume 29, Issue 1March Ronald Jones and Liv Stoltz, Spirited Away, Occultist, mystic and painter: the life and legacy of Hilma af Klint, Frieze, Issue 135 November–December 2010.

http://www.frieze.com/issue/article/spirited-away/ C. G. Jung, Visionary images Stephen Karcher, Re-enchanting the Mind Stephen Karcher, Which Way I fly is Hell George B. Kauffman, The Role of Gold in Alchemy. Part II Michael Kaufmann, Locating the Postsecular, Religion & Literature, Vol. 41, No. 3 (autumn 2009), pp. 68-73. Janet Kaylo, Imagination And The Mundus Imaginalis Brian P. Kennedy, Towards a Manifesto for Art and the Sacred, Studies: An Irish Quarterly Review, Vol. 82, No. 327 (Autumn, 1993), pp. 311-322 Matthew Kieran, Art, Imagination, and the Cultivation of Morals, The Journal of Aesthetics and Art Criticism, Vol. 54, No. 4 (Autumn, 1996), pp.337-351 Mike King, Concerning the Spiritual in Twentieth-Century Art and Science, Leonardo, Vol. 31,

No. 1 (1998), pp. 21-31 Mike King, Art and the Postsecular, Journal of Visual Art Practice, Volume 4 Number 1, 2005 Mike King, Five Essays on the Via Positiva, September 2011 Mike King, Towards a Postsecular Society, London Metropolitan University mike.king@londonmet.ac.uk Bettina L. Knapp, An Alchemical Brew: From "Separatio" to "Coagulatio" in Yeats's "The Only Jealousy of Emer", Educational Theatre Journal, Vol. 30, No. 4 (Dec., 1978), pp. 447-465 Bettina L. Knapp, Leonora Carrington's Whimsical Dreamworld: Animals Talk, Children Are Gods, a Black Swan Lays an Orphic Egg, World Literature Today, Vol. 51, No. 4 (Autumn, 1977), pp. 525-530 Robert Knott, Paul Klee and the Mystic Center, Art Journal, Vol. 38, No. 2 (Winter, 1978-1979), pp. 114-118 Jeffrey Kripal & Marcia Brennan, Fall 2007 , The Mystical Arts: On the Theory and Practice of Hermeneutics and Aesthetics Knowing Through Seeing: Diagrams, Schemata, and Tableaux in Early Printed Books, Medieval Manuscripts, and Prints, Princeton University Library, Gould Exhibition Gallery, October 16, 1987 – January 10, 1988. Notes on the exhibition compiled by Stephen Ferguson. [Department of Rare Books and Special Collections, 1987.] Dorothy M. Kosinski, Gustave Moreau's "La Vie de l'humanité": Orpheus in the Context of Religious Syncretism, Universal Histories, and Occultism, Art Journal, Vol. 46, No. 1, Mysticism and Occultism in Modern Art (Spring,1987), pp. 9-14 Paul Oskar Kristeller, "Creativity" and "Tradition", Journal of the History of Ideas, Vol. 44, No. 1. (Jan. - Mar., 1983), pp. 105-113. Philip Kuberski, Kubrick’s Odyssey: Myth, Technology, Gnosis, Arizona Quarterly: A Journal of American Literature, Culture, and Theory, Volume 64, Number 3, Autumn 2008, pp. 51-73 Morten Kyndrup, Aesthetics and Its Future — Problems and Perspectives. University of Aarhus

Donna Ladkin Leading Beautifully: A Path towards Inspirational Leadership? Centre for Leadership Studies, Universisty of Exeter, investigates beauty as an aspect of leadership.

Louis Laganà, “Aesthetics Bridging Cultures” Jungian Aesthetics – A Reconsideration, International Congress of Aesthetics, University of Malta, Malta. 2007

Tzvi Langermann, The transmission of Babylonian and Indian knowledge to Islamicate civilization (unpublished conference presentation) Elizabeth Langhorne, The Magus and the Alchemist: John Graham and Jackson Pollock, American Art, Vol. 12, No. 3 (Autumn, 1998), pp. 46-67, Niklaus Largier, Mysticism, Modernity, and the Invention of Aesthetic Experience, Representations, Vol. 105, No. 1 (Winter 2009), pp. 37-60 Published Jenni Lauwrens, Disciplining Images In Visual Culture Studies: Plotting A Course http://www.thescopes.org/assets/Uploads/005-024-Lauwrens-11-11.pdf Edmund B. Lingan, The Alchemical Marriage of Art, Performance, and Spirituality, PAJ: A Journal of Performance and Art, Vol. 31, No. 1 (Jan., 2009), pp. 38-43 Peter London, Towards a Holistic Paradigm of Art Education Art Education: Mind, Body, Spirit, Visual Arts Research, Vol. 32, No. 1 (2006), pp. 8-15 Ursula LeGuin, Myth and Archetype in Science Fiction

Phil Legard, Singing Messengers: Re-considering the Role of 'Poetic Imagination’ in the Creative Process. Read in abridged form at Creativity: A Multidimensional Approach, June 16 2016, Leeds Beckett University - p.p.legard@leedsbeckett.ac.uk Phil Legard, The Many-Coloured Earth: Visionary Creativity, Imaginal Landscapes and the Hermeneutic Imagination. Paper read at The Alchemical Landscape, Corpus Christi College, Cambridge, 23 March 2015 Esther Leslie and Melanie Jackson, In Conversation – Ur-phenomenon. Let’s unite through creative economy _ IOL David Levi Strauss, Magic & Images/ Images & Magic Philip Lewin, Honoring the World-Soul, Issues in Integrative Studies, No. 9, pp. 23-33 (1991) Edmund B. Lingan, The Alchemical Marriage of Art, Performance, and Spirituality, PAJ: A Journal of Performance and Art, Vol. 31, No. 1 (Jan., 2009), pp. 38-43 López-Pedraza, Duende Lorca, Duende Luarasi, Urban Ideograms

David Lovekin, Narcissus and Dionysus and the Birth of Tragedy, The Personalist Forum, Vol. 10, No. 2, Vico and Nietzsche (Fall 1994), pp. 103-118 [IMPORTANT FOR NATURE/NATURA/DIONYSUS] Margaret MacDonald, Art and Imagination, Proceedings of the Aristotelian Society, New Series, Vol. 53 (1952 - 1953), pp. 205-226 Hope MacLean, Sacred Colors and Shamanic Vision among the Huichol Indians of Mexico, Journal of Anthropological Research, Vol. 57, No. 3 (Autumn, 2001), pp. 305-323 Hope MacLean, The "Deified" Heart: Huichol Indian Soul-Concepts and Shamanic Art, Anthropologica, Vol. 42, No. 1 (2000), pp. 75-90 Albert Magro, Anatomical Evolution and the Aesthetic Response to Figurative Art, The Journal of Aesthetic Education, Vol. 46, No. 2 (Summer 2012), pp. 58-73 Inna Makarova, World Tree, Rosa Mundi, Ship as World Artistic Discourses: Mythological Roots and Representation in Arts, Journal of Language and Cultural Education, 2 (2) Roxanne D. Marcotte, Suhrawardī’s Realm of the Imaginal (University of Queensland, Australia) [imaginalis_texts] http://iph.ras.ru/uplfile/smirnov/ishraq/2/8marco.pdf Dorothea McEwan, Aby Warburg's (1866-1929) Dots and Lines. Mapping the Diffusion of Astrological Motifs in Art History, German Studies Review, Vol. 29, No. 2 (May, 2006), p. 243 Margot McLean and James Hillman, Permeability “the degree to which a solid allows the passage of fluid through it.” Nandita Biswas Mellamphy, Nietzsche’s Pharaonic Thought: Hieroglyphic Transduction. Paul C. Martin, The colorful depictions of God in mystical consciousness, Spiritus, 2014; 14(1):34-53 Timothy Materer, Ezra Pound and the Alchemy of the Word, Journal of Modern Literature, Vol. 11, No. 1 (Mar., 1984), pp. 109-124 Ara H. Merjian, Untimely objects: Giorgio de Chirico's "The Evil Genius of a King" (1914) between the antediluvian and the posthuman, RES: Anthropology and Aesthetics, No. 57/58 (Spring/Autumn 2010), pp. 186-208 M. D. Merlin, Archaeological Evidence for the Tradition of Psychoactive Plant Use in the Old World, Economic Botany, Vol. 57, No. 3 (Autumn, 2003), pp. 295-323. [storage] add bib David L. Miller, Hades and Dionysus: The Poetry of Soul, Journal of the American Academy of Religion, Vol. 46, No. 3 (Sep., 1978), pp. 331-335.

David L. Miller, Légende-Image. The Word/Image Problem http://dlmiller.mysite.syr.edu/LegendeImage.htm David L. Miller, The Fire is in the Mind http://dlmiller.mysite.syr.edu/FireMind.htm The Imaginal Institute - Creativity and Culture http://www.imaginalinstitute.com/FellowDavidMiller.htm Jonathan Scott Miller, Are Mystical Experiences Evidence for the Existence of a Transcendent Reality? Evaluating Eugene d’Aquili and Andrew Newberg’s Argument for Absolute Unitary Being, Florida Philosophical Review Volume IX, Issue 1, Summer 2009 [Bowling Green State University] http://philosophy.ucf.edu/fpr/files/9_1/miller.pdf Mitchell, What do pictures want John F. Moffitt, Alchemist of the avant - garde. The Case of Marcel Duchamp, State University of New York Press John F. Moffitt, "Fighting Forms: The Fate of the Animals." The Occultist Origins of Franz Marc's "Farbentheorie", Artibus et Historiae, Vol. 6, No. 12 (1985), pp. 107-126 Meredith Monk, Bonnie Marranca, Performance and the Spiritual Life, PAJ: A Journal of Performance and Art, Vol. 31, No. 1 (Jan., 2009), pp. 16-36 David Morgan. Valparaiso University, September 2004 (Visual Essays: Rationale, Encyclopedia of Religion, Second Edition, Volume I., pp. xvii – xvii.) H. Morris-Jones, Art and Imagination, Philosophy, Vol. 34, No. 130 (Jul., 1959), pp. 204-216

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Rosalie Anne Nardelli, Giuseppe Arcimboldo’s Composite Portraits and the Alchemical Universe of the Early Modern Habsburg Court (1546-1612) . Queen’s University - Kingston, Ontario, Canada July, 2014 Alexander Nehamas, The Place of Beauty in a World of Art, The Tanner Lectures on Human Values. Delivered at Yale University April 9 and 10, 2001. Hilda Nelson, Gérard De Nerval and René Daumal, Two Nyctalopes, Nineteenth-Century French Studies, Vol. 8, No. 3/4 (Spring-Summer 1980), pp. 236-251 Helmut Nickel, "The Judgment of Paris" by Lucas Cranach the Elder: Nature, Allegory, and Alchemy, Metropolitan Museum Journal, Vol. 16 (1981), pp. 117-129 Richard Noll, Jeanne Achterberg, Erika Bourguignon, Leonard George, Michael Harner, Lauri Honko, Åke Hultkrantz, Stanley Krippner, Christie W. Kiefer, Richard J. Preston, Anna-Leena Siikala, Iréne S. Vásquez, Barbara W. Lex and Michael Winkelman, Mental Imagery Cultivation as a Cultural Phenomenon: The Role of Visions in Shamanism [and Comments and Reply], Current Anthropology, Vol. 26, No. 4 (Aug. - Oct., 1985), pp. 443-461. [Mundus imaginalis/texts] Barbara Obrist, Visualization in Medieval Alchemy

Minako Okamuro, Alchemical Dances In Beckett And Yeats, Samuel Beckett Today / Aujourd'hui, Vol. 14, After Beckett / D'après Beckett(2004), pp. 87-103 Orphism in art Roy Pabitrakumar, Beauty, Art and Man, Studies in Recent Indian Theories of Art , Indian Institute Of Advanced Study Shimla in association with Munshiram Manoharlal Publishers Pvt. Ltd. New Delhi Eleni Pachoumi, "The Greek Magical Papyri: Diversity and Unity", Phd. Thesis, Philosophy, School of Historical Studies, Newcastle University ,February 2007. [storage] Walter Pagel, Jung's Views on Alchemy, Isis, Vol. 39, No. 1/2 (May, 1948), pp. 44-48 Camille Paglia, The Magic of Images: Word and Picture in a Media Age, Arion, Third Series, Vol. 11, No. 3 (Winter, 2004), pp. 1-22 Simon Park, The aesthetic microbe: ProkaryArt and EukaryArt, Microbiology Today, Aug 2007. Simon Park takes inspiration from the beauty of micro-organisms and shows how they can be used to bridge the divide between art and science.

Peter Parshall, Graphic Knowledge: Albrecht Dürer and the Imagination, The Art Bulletin, Vol. 95, No. 3 (September 2013), pp. 393-410. F. David Peat, The Alchemy of Love, Pari Center for New Learning, Italy

M. Peppiatt, ‘The Soul Revealed By the Hand: An Interview With Antoni Tàpies’ Art International , 13 Winter, 1990, p.34 Michela Pereira, Heavens on Earth. From the Tabula Smaragdina to the Alchemical Fifth Essence, Early Science and Medicine, Vol. 5, No. 2, Alchemy and Hermeticism (2000), pp. 131-144 Jennifer M. Rampling, Transmission and Transmutation: George Ripley and the Place of English Alchemy in Early Modern Europe, Early Science and Medicine, Vol. 17, No. 5, Alchemy on the Fringes: Communication and Practice at the Peripheries of Early Modern Europe (2012), pp. 477-499. [NOT AVAILABLE] FIND JSTOR Jacques Rancier, 'The Aesthetic Revolution and its Outcomes', New Left Review 14, April-March 2002

JK Rawlings, The Fringe Benefits of Failure, and the Importance of Imagination, Speech to Harvard University graduates, Donald B. Redford, The Literary Motif of the Exposed Child (Cf. Ex. ii 1-10), Numen, Vol. 14, Fasc. 3 (Nov., 1967), pp. 209-228. [storage] Louis Arnaud Reid, Feeling and Aesthetic Knowing, Journal of Aesthetic Education, Vol. 10, No. 3/4, Bicentennial Issue (Jul. - Oct., 1976), pp. 11-27 Louis Arnaud Reid, Intuition and Art, Journal of Aesthetic Education, Vol. 15, No. 3, Special Issue: Aesthetic Education Conference 1980. Roehampton Institute, Southlands College (Jul., 1981), pp. 27-38 Louis Arnaud Reid, Intuition, Discursiveness and Aesthetic Alchemy, Philosophy, Vol. 56, No. 215 (Jan., 1981), pp. 89-99 Louis Arnaud Reid, Reflections upon Knowledge: Intuition and Truth, Proceedings of the Aristotelian Society, New Series, Vol. 46 (1945 - 1946), pp. 235-258 Christina Riggs, Beautiful Burials, Beautiful Skulls: The Aesthetics of the Egyptian Mummy, The British Journal of Aesthetics, October 15, 2016. Sixten Ringbom, Art in 'The Epoch of the Great Spiritual': Occult Elements in the Early Theory of Abstract Painting, Journal of the Warburg and Courtauld Institutes, Vol. 29 (1966), pp. 386-418 Norma Rinsler, Gérard de Nerval, Fire and Ice, The Modern Language Review, Vol. 58, No. 4 (Oct., 1963), pp. 495-499

Norma Rinsler, Gérard de Nerval's Celestial City and the Chain of Souls, Studies in Romanticism, Vol. 2, No. 2 (Winter, 1963), pp. 87-106

Maureen B. Roberts, Beautiful Circuiting: The Alchemical Imagination in English Romanticism

Brent Dean Robbins, New Organs of Perception: Goethean Science as a Cultural Therapeutics Dieter Roelstraete, Great Transformations: On the Spiritual in Art, Again, Afterall: A Journal of Art, Context, and Enquiry, Issue 20 (Spring 2009), pp. 5-15 Rotterdam, Myth and Art, Social Research, Vol. 52, No. 2, Myth in Contemporary Life (Summer 1985), pp. 423-439 Susanna Ruebsaal, Mundus Imaginalis/Anima Mundi: Taking the Inside View of Art-Making. Neither Fact nor Fiction, Dec.31, 2000/Jan.1, 2001, pp 1 – 17. Edward Sarmiento, Art and the Imagination, Blackfriars, Vol. 36, No. 424-5 (JULY-AUGUST 1955), pp. 271-276 Edward Sarmiento, The Mystic and the World, Blackfriars, Vol. 33, No. 388-9 (July-August 1952), pp. 310-317 George Sarton, Ancient Alchemy and Abstract Art, Journal of the History of Medicine and Allied Sciences, Vol. 9, No. 2 (April 1954),pp. 157-173 Norman Sasowsky, Art, Education, and Human Needs, Art Education, Vol. 36, No. 5 (Sep., 1983), pp. 42-46 Silke Schilling, Goethean Phenomenological Approaches To Place – Developing An Integral Perspective of the Built Environment. Goethean science and art in place assessment and design. International Human Science Research Conference – New Frontiers of Phenomenology, University of Trento, Italy, June 2007 Jean Snitzer Schoenfeld, André Breton, Alchemist, The French Review, Vol. 57, No. 4 (Mar., 1984), pp. 493-502 Jacques Schnier, Art Symbolism and the Unconscious, The Journal of Aesthetics and Art Criticism, Vol. 12, No. 1, Special Issue on Symbolism and Creative Imagination (Sep., 1953), pp. 67-75 Jacques Schnier, The Function and Origin of Form: A Preliminary Communication on the Psychology of Aesthetics, The Journal of Aesthetics and Art Criticism, Vol. 16, No. 1 (Sep., 1957), pp. 66-75. Michael Schwartz, Prolegomena to Art’s Transdisciplinarity, July 16-19, 2015 Arturo Schwarz, The Alchemist Stripped Bare In The Bachelor, Even Roger Scruton, Art and Imagination: A Study in the Philosophy of Mind, St. Augustine's Press. South Bend, Indiana 1998

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For more technical aspects on the POST-SECULAR : James A. Beckford, Public Religions and the Postsecular: Critical Reflections, Journal for the Scientific Study of Religion (2012) 51(1): pp. 1–19. [Department of Sociology, University of Warwick.] [Also see bibliography.] [storage] Jo Carruthers and Andrew Tate, [Eds.], Spiritual identities: Literature and the post-secular imagination, Bern, Switzerland: Peter Lang, 2010, pp. ix–xi.

Journal Of Visual Culture https://ncad.academia.edu/FrancisHalsall Francis Halsall https://www.academia.edu/9280836/_Aesthetics_and_its_Objects_Challenges_from_Art_and_Experience_ Mythic Discourse: Essays on Mythology, Culture & Soul http://cosmosandlogos.com/wp-content/uploads/2014/05/GII-Essay-Book.pdf