Best of Tommy Emmanuel · 2013-12-14Best of Tommy Emmanuel
148
Transcript of Best of Tommy Emmanuel · 2013-12-14Best of Tommy Emmanuel
TOMMY EMMANUEL COP
Photography by Sara Corwin
Music transcriptions by Pete Billmann
ISBN-13: 978-1-4234-3175-6 ISBN-10: 1-4234-3175-8
HAL#LEONARD^ C O R P O R A T I O N
7 7 7 7 W. BLUEMOUND RD. P .O.Box 13819 MILWAUKEE, W l 5 3 2 1 3
For all works contained herein:
TOMMY EMMANUEL 6 Blue Moon
12 Can't Get Enough
30 Classical Gas
45 Countrywide
55 Determination
68 Guitar Boogie Shuffle
82 Hearts Grow Fonder
83 The Hunt
101 Initiation
108 The Journey
118 Stevie's Blues
128 Up From Down Under
140 GUITAB NOTATION LEGEND
from Dare to Be Different
Blue Moon Words by Lorenz Hart
Music by Richard R o d g e r s
( 3 i Moderately J = 135 ( Л = J J 1 )
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( н ? — — > 1 p - T J 1 - t — I
p
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f
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г LJ г Т - Г 1 г
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3 - 2 - 3
в— 2 0 2
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в 2 - 3 — 2 6 — 3
•Chord symbols reflect basic harmony.
0
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from Can't Get Enough
Can't Get Enough By Tommy Emmanuel and Randy Goodrum
0 Moderately J = 126
N.C.
Gtr. 2 (acous.) a (Kbyd. & percussion)
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mp
w/ clean tone & chorus P.M. 1
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•Chord symbols reflect overall harmony.
G9 Ebmaj7
Copyright © 1997 UNIVERSAL MUSIC PUBLISHING PTY. LTD., TOMMY EMMANUEL MUSIC, CHRIS GILBEY PTY. LTD. and MIGHTY GOOD MUSIC All Rights for MIGHTY GOOD MUSIC in Central America and South America ex. Brazil Controlled and Administered by UNIVERSAL MUSICA, INC.
All Rights for TOMMY EMMANUEL MUSIC and CHRIS GILBEY PTY. LTD. in the world ex. U.S. and Canada Controlled and Administered by UNIVERSAL MUSIC PTY. LTD.
All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All n : _ U i . n I i I I I Г-» : : *
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5 4 3 ^ 1 5
It - Л J
5 ^ — 5 7—5 5— 7
Ь ' t i f 7 m^a f
1/2
Л I 5 — ж
Ь * ' J
5 —
Ebmaj7 Dll
G9 Ebmaj7
P.M.-
Gtr. 1 tacet
Gtr. 2
Gtr. 3 tacet
Щ 8 6 6- 8 8X10 ^
w/ pick & fingers -
* 8 7 8 7- -5 3-«-^W ( W 8 8—t®^
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Gtr.3
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Gtr. 4 (acous.)
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w/ pick & fingers
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$ 3 5 3 5 BX7
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Gmaj7 C/F Ebmaj7 Dll
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1
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delay off
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5 5 5 5 5 5 5 5 I—в 8 8 8 8 8 8 8
Gtr. 2 A9 Fmaj7
Gtr. 1 tacet
Ell
24
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Ell A9
Fmaj7 Ell
26
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from Classical Gas
Classical Gas Music by Mason Williams
s Free time
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Em Fmajl3 Dm7 Cmaj7/E
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2 4 4 4
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Gtr. 1 tacet
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Gtr. 3 (elec.)
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J J J J 7 llj 1 tnf
w/ dist. P M - - - -
l 7 \ \ Г 7 i 1 j j 7
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J J J r J ' w^ p M _ _ _ 1
7 7 7 5 5 4 5 5 5 5
4 4 5 5 4 - 7 7 7 7 5 4
Am7 D7 8va 1
vvvvvvwvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvwvvvv
Gtrs. 3 & 4 tacet
G Bbmaj7 Bm7b5 Gtr. 2
~m _ r
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- 8 1 -
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E7 N.C.
I з
let ring - let ring -
-e e-- 3 — a-
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§ Am G/F# Em
Gtr. 2
P Г i = = 3 m i s
let ring 1 let ring -
H 0 0 1 1—0--2 0 2-
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j i U i i i ^ ^ J i ¥TT§ ж ж ж ж юр
P.M.
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т f г i j I ? let ring - let ring -
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0 0 e о 2
L - 3 2 в
1 j . J j DM _ _ _
^ — j j j j J j ^ ^ i U — r i ^
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Gtr. 4 tacet
A m G / B С F D / F # G E
m — ^ —
М Н и ф >
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H a l f - t i m e feel
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г п р г * * Ы s 1 гаг
p 1 u U - L T - J / j J i 1 ' 1
С 1 ^ г 3 — 1 — в — ^
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С 1 ^ г 3 — 1 — в — ^
2 0 ^
let ring 1
В 7 5 5 2 г
1 0 « =
J tit*
з — 4 0 0 = 0 2 1—
B b m a j 7 Bm7l>5
fm — г -
let ring 1 let ring 1 let ring 1 let ring - - 4 let ring •
- 0 1 -
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н
End half-time feel
F
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Ab 1
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—
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P.S.
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
E Half-time feel
Gtr. 3 tacet
Am G/F# Em Gtr. 2
JL P r ' p I_= e ¥
/е/ ring -
H ft-
/ef ring -
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Am G G/F# Em
Am G/B С F D/F# G E
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36
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End half-time feel
Fm6 С Eb Ab Eb Ab
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4 1 - 4 * -
4 6 - 4 2 - 4 4 -4 0 -
( 3 Gtr. 2 tacet E Am6/E
Gtr. 3
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Г |Г
4 7 17-4 0 -
17 (17) v w w w w w w w v w v w w v w
4=h 4 0 -
-47 17-
Ш ш
Am6/E
Y~7f f 1/2
4 9 tt-4 7 -
4 6 - 4 6 - 4 9 K t t F -rt 4 6 ) - 4 7 -
Am6/E
a
4 7 -
1/2
J" -to 4 6 ) -4 7 47-
4 6 16 14- 4 3 - 4 0 -4 7 — * 7 — 1 7 -
4 4 16 Я -
E°7 8vo
Am6/E E 8va-
i Half-time feel
E C D9 E 8va !
С D69 E
ОЛ
End half-time feel
Cmaj7 Gtr. 3 tacet
Dadd9/F# wvvwvwwvvyvwwvwwv
Г\
-pp w/ bar 1
rit.
7 /
H A tempo Am G G/F# Em
Gtr. 2
r /ef ring -
1 1 j j I j J I j ё ё
? Й f 1
J - j ; J J ~ '
e 1 e — 2 0 0
n ft 9 - 0 0
2 Q 2 8 2 II II i
L-a 2 0
Am G G/F# Em Gtr. 2
dr= ^ i j J j j j i i
(2) 0 2 0 2 2
P let ring
r^N ^ -i—0 0 1 1-е—
2
J 9 —
2 #? i 0 о
0 2 0 2 2 0 0
Gtr. 4
I
0 0 2 L-3 2
h r w w w ^ H P M
* — ^ ^
5 5 5 5 5 5 5 L-3 2 0
40
Gtr. 4 tacet
Am G/B С F D/F# G E
p —& 1 1 J >
2 0 2 8 2
г - i
T
3 1 1 3 6 2 2
\ f — f 1 7 3 j T
>
8 4 5 7 = 4
6 — 2 3 1 2
2 4 6
3
^
1 P.M.
J i £ == w ~w
1
0 8 e 6 5 —
Half-time feel
Am7 D Am7 D 8va 1
Gtr. 2 ^
N Г »: f
let ring 1 /ef ring - - 4 fer ring 1
} T 5 5 2 3 2 - 6 6 Г § ? 5 „ 5 2 5 8 5 2 3
2 - 5 2 a —
A 6 n 0 и
N.C. Am7 D
I , f f Г f ~ f f Г loco
- 2 6 M 1 7 -- 2 6 -
- 1 7 -w % % w w w v w w » v w v v w v v » v » w v w v
-19
-20=
Gtr. 2
| n i «J J '.= £ p /ef ring 1
Gtr. 4 divisi let ring
•P.M. -
- 2 — 1 — 6 - - 6 7 5 - -Э 2 — 6 6 -- 3 — 1 0 -
- 2 — 6 -- 3 — 4 — 6 -
- 6 2 -* Applies to Gtr. 4 only.
Л1
Gtr. 3 tacet
G С F Bbmaj7 Bm7b5
E l| m i
r r r i Г " f |
let i
— 1 I— J _ _ I 1 let i ring ~
A n - let ring
H let ring - • л
• H let ring —
К 7 i 1
Kit 0 U 4 Э f и «1 n о a f 9 L
s Gtr. 4 tacet
Am(add9) A7 Gtr. 2
Dm/A В / А
Dm/A
iff ( ^ f f | r 1/2
^ « — ~ — « 1П 1& 1U
( fi 7 n 7 8 a J /
J 7 У 5 * { n f II
Gtr. 4 tacet
A
В/А
X Г ПГЙгь*^ г г Г Г Г г г , г г н f f f г р ' 1 [ TJrt f г Г1 1 1 u j иг г г1
7 1 W 7—
5 5 5 5
1 Г 7 7 l P ? 7—| 7 7 7 7
8 ^ — 8 8 ^ — 8 7 7 7 7
8 ^ — 8 8 ^ — 8 9 8 9 9 8 9 9 8 9 9 8 9
вЬ/А Am G F
Gtr. 2 U j £ T >
A Tpbf-L f - £= f t f -7 t T frf L Г Г f m f Г T ^ - r - 1 j . j> . j . fo г 1 1 L T t r г 1 и 1 1 \ J ^ г 1 1 1
J 5 5 5
6 io~6 6 -6 6 6 6
7 ^ — 7 7 ^ — 7
mp
-pW
1 — и — У /
8 7 8 8 7 8
Gtr. 3
I . - = i —
s ! j
1 к 1 L J * • fl Ц ^
7—7— J 5—5—1 i 8 = j =
G Am G
л 1 J U J к к 1 к 1
v - ' Г ) Г) 1 h i
Am N.C. \
J „ 1 1 i i ^ I d
—Pi *—
I S I I ; 1 > > > >
2 2 2 0
I 1 U r =*=* > -
5 5 5
I g I 8 $1 Э - § i 1 I :
3
—к—i к—1 1
-2 7 7 7 - 8
1 - Л J i II -Д-;— 1 • — д!'" д . -^г • [i i i i
> > > >
i - - ' 1 1 1 * 11
IB- ^ t ^ 7 > > >
2 2 2
(?) S j - 7 7 7 5 5 5 5 3 L
7 8 8 8 и —
44
s Moderately J = 103
N.C. *Am Gtr. 3 (acous.)
from Dare to Be Different
Countrywide By Tommy Emmanuel
m i m f T7-
w/ fingers let ring throughout
•Л f- -Л f-
-o x-Riff A
Gtr. 1 (acous.) **Gtrs. 1 & 2 (acous.) End Riff A
Й m m m M r r ^ T7-mf
w/fingers w/f,n*ers let ring throughout
-Л 1- 4 fr--2r
-0 Hh -fl 3 -
•Chord symbols reflect implied harmony. **Gtr. 2: w/ fingers, played mf. Composite arrangement
Gtrs. 1 & 2: w/Riff A Am G
Gtr. 3
J ~ 1 —1 = 3 Г2
S j ' j 1
2
> •
о 1
+
- л
" *
1 2
t У j ' =
1 2
: *
1 2
- 1 -
L
2 2
1 0 • ' . '
2 2
0 S
В Am G A m
Gtr. 3
m f
0 — 0 1 — о — - — С 2
1 —
M = t 1 1
0 0 0
2 — a - 2 2
fl Riff В
Gtr. 1
m = F = = 4 = S = j
- 2
f
m
-9
— 2
•
1 2 —
у 1 = ? 2
1 2
1 0
R i f f B l Gtr. 2
0
2
=±=
2 - 0
i
0
R =
2
= 4 =
- 2 0
2 = ± = i 2
- o fr 3
- J щ
1 -
*
-9
— 2 1
2 — 1
*
1 2
; J
1 2 — 0
-9 J
0 — — &
*
w
2 1
2 — 2 2
1 0 0 =
2 2 - f l
0
0 0 L - 3 з
2 2
0 =
Copyright© 1998 UNIVERSAL MUSIC PUBLISHING PTY. LTD. All Rights in the United States and Canada Controlledjmd Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
G Am
С G/B G Am Em Gtr. 3
I J . r — Ф 2 г
8
-0 ' P 1
~9
v * '
1 3 — : 3 1 e
r - B ° 1 3 8
2 8
3 - 2 - e
Riff С
*Gtrs. 1 & 2
I , j P n —
3
1 f 3 HH
• - 8
— e
d •
J , t "9 H H
1 8 0 0 — 0
1 — 1 2 8 8
*
3
> t 0
3
0 - f l
2 1 1
2 1
L - e
2
6 3
•Composite arrangement
Am G F Em Am
Gtrs. 1 & 2: w/ Riffs В & В1
Gtr. 3 Am
$ J J J •' с n n 1 Л It 1 1 Л ' U U 1 U II 1 1 и
9 Л 9 2 2 О
с U с £ n о
U £
G Am
l i f T ^ U - L J ' ' Г г r r r = j
0
J J J J -
о — e — i — e e — 2
1 3 1 1 — e 2 0 2 2
— о - 2
Gtrs. 1 & 2: w/ Riff С (1st 4 meas.)
С
-Jr—Jr. : " m
G/B G
ш _
Ar n
_ 0 .........
Em
Г 1 l . 1 i § j . P v Г p 1
(I
' J r j J J J F
II 1 3 3 1 0 6 1 3 0
a 2 2 2 8 ^ 3 - 2
3 о
1-0 a^ i
Af
Am G F Em Am
С A6 Baddll/A
PlfiJ E 3 : a m I . r T
- 5 2 5 - -5 2- 4 4 -
4 4 -
RiffD End Riff D
7 i w л О и л л С
Ч 4 С
9 9 4 4 л £ с 9 9 С С 9 9 А А
ч л А С С
П С С л 4 4 л п
0 п и II П
V 0
G6 Dadd9/F#
1 5 п и и
4 4 4 > 5 4 4 СПЧ / > о о • Л Л А
<3 0 0 л > о о 1 9 9 г о 4 4 4 > П
4 ' А П А и V ! V II 4
; Л Л 1 л «
R — i — 1 f = 3 - i п 1 1 • ! = — т ^ 1 4 = ^ чй ; J У J J
о 1 1 <1 о О л о о О
4 о
4 4 А А А С п л 0 п U II II и II и и
э 3 L-3 э 8 — 2 2 L-2 2
Gtrs. 1 &2:w/ Riff D
A6 B a d d l l / A
Gtr. 3
f # ¥ = h p h - I й * ff^f
— 2 г 5
5 г =
* 5 2 5 2
J 1
f Г Г 1
в 4 4 4 4
' г J r j
в 4
2 2 0
0 L
2 *
4 0
4
F 6 Bm7b5 E 7
Г я p 4 J . J b ,
р 1 I n j ; м J ^ C J H - * X -
= H =
Rhy. Fig. 1 End Rhy. Fig. Gtrs. 1 & 2
I ' M j - j - n ^ ^ - d - — - h — ? *
Г 4 $ d № ^ У j i * * j ^ J С л
j : J
H 1 -
Gtr.l
Рфи* 3 i ? 3 0
\ \ i g 0 3 4
M j . J , L - | - s " 1 Ш
I ? 9 2 11 i . J =
Gtr. 3
Щ Am
f m
-ею 1 f- -e e 2- н f -
G Am
г | 1 ^ = f if л u = H = i Г 1 1 ~9
h 3 1
e 1 e e— 2 2
1 1 e 2 В 2
1 0 & 2
L-3 8
Gtrs. 1 & 2 : w/Riff С
с
, i . l F .
G/B G r Am .
V> ш W * л
о M 3 3 - f l
r j 1 &
d j J P F * p i
0 ^ 2 0 1 3 0 - 2 t-3
0 - 2
3 L - e
To Coda -0-
Em Gtr. 4 (acous.)
С D a /НП T e к Э 0 8 / 1 U Э 7
Am
mf
Г 7 р г f
Gtr. 3 v w w v v w w w
r f O 4
fl 1П A fl л A 4 7 < / А 0 1U Z 0 ^ к / 7 4 Э / 7 / Я
8 / / 8
F Em
f T f f f . ffT Am
E Gtrs. 1 & 2: w/RiffD Gtr. 4 tacet A6
[¥ = is 1 '
« 1 0 ^ 12 ^ 1 0 8 7 8 ( 8 ) - ^
— f T f г r ~ i Г Г " " 1 - = i i f y * r —
ft j 1 — ' 1
8 8
i д
2 2 tt 8 tfl ( 1 8 ) ^ ^ 5 2
8
Baddll/A
Gtrs. 1 & 2 : w/RiffE
G6 Dadd9/F#
- r - f г
¥
u
[": f 1
3 4
u 4 ' 1
8 8 H 3 3 4
M • J я M. • f
I « =
У j - J 1 k 1
э 2 8
и i s =
8 = - 2
8 4 L g
Gtrs. 1 & 2 : w/RiffD
A6 Baddll/A
f # ¥ = —•—J * Ш - г л ttf V - ^ ttf—
2 2
^ К ^
- 2
L j P Y J
fl
L r м
—в 5 2 5 « 5 2 2 — 4
4 —4 4
4 8 1 - 8
4 4 fr fr
Г
Gtrs. 1 & 2: w/ Rhy. Fig. 1
F6 Bm7b5 E7
Ц ^ : Г J — — p — r — i — f f — r T —
g : ' ' '
:;S 3 = « =
4k H
• / ^
в 6
' . '
' " 3 j i j >• >
—з x x a
i X —2 X X 2
^ "зг — -9
x x X X
в
J
— ^
- 4 - !
Gtr. 3
- x — x -
M — 1 — B -
-3 1 3 1 — e --3 2 B-
-3 2 B-
Gtrs. 1 & 2
I Ж JZX Ш
1/4
/3 IV - 3 3 3 л j i a — .
—2 2 1 \ 2 n . J 1
Am
1 9 l i T 1 9 ^ i f t Л 7 A
rit.
с 7 о i n AC 111 1С III 0 Г 0 10/ С о Э t 0 III
A Э 0 с 7 Ц Э #
8 7—В—7 7 in й 1ft flft'i ' *
ft 1ft 111 0 111 4IIJ Л К 7 0 111 4 Э /
7 9 7 t »
Gtrs. 1 & 2
| i i i j l j Я j j l_[ j i j I j i _[ I f • ж ж ж
rit.
2 8 I I I I - 1 2
з i
1 в
2 2
0
2 2
= 2
- B В 3
Gtr. 4 tacet Free time Fmaj7 Em7
E A tempo Gtrs. 1 & 2: w/ Riff A (till fade)
Begin fade
G
Am G
m m m
т - 5 - 5
* * — 3 5 7 — 3 5 7 — 4 5 7
if } , ' f . }
j j ; j - 5 4 7 5 |
m 7 5 T-
Am
f=F= Q > r J | 3
8 X J 3
G
§ 3 3
a T o * 8 5 -
3
^ ^ 5 -8—5—0 7
L p * •
—7—4—В 5 ^ ^
щ
6
J J 1 J i ' P.M. -
Am
fr-f .Г..Г..1* If -
7 5 — 7 — 5 — В fr — 7 -3 7 —
5
G
^ •f л V8 J J L
P.M. 1
5 -4 5
С 1
J—1—1—
0 7 0 : - 9 — t o
• i — >
' . ' ,
/—I
= ^ 5 dF 5 7 5 '
t Б . 1
* 1 г м
4 5
Fade out
from Determination
Determination By Tommy Emmanuel
s r - i l r i l Moderately J = 94 ( J J J J = J 3 J 3 )
(Elec. percussion) g
*D7sus4 Gtr. 1 (clean)
^ 7 J
irf
•Chord symbols reflect overall harmony.
^ 7 y - ^ ?
X 10
M l
в
Copyright ©2000 UNIVERSAL MUSIC PUBLISHING PTY. LTD. All Rinht« in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
D7sus4 A7sus4 A7 D7sus4
7—5—7 5 7 (7) 5
I t * " ' ' v c ^ r J i slight P.M. H
6"
Ц ' LLl C j j ^ ^ I H T J I P.M. - -
-7—5—7—5—7—(7) 5 ^ *V5 3
5 -
kh, H- > — " "
- t ^ r 7 5—7
= Ь ^ у
3 5 -
T P ? f i 1 (jfo " f У Г 7 £ I I I '
« 10 10 10 10 13 13 13 13 13 *2 12 12 12 12
у Г 1 У Г 7
я ц 42 12 l i — « *2—12
G7sus4 G7 BL>7sus4 A7SUS4 D7SUS4
G7sus4 G7 D7sus4
л » . — ^ . — ^ . ^ Г " . h . - . Д Tig » hm f ж f f m,J)
" r J " hJ 9 1 Ф
L c, > ^ ' IMP \ ""
^ ^ ^ ^ _ ^ -» с -» e 7 U
С 7 e 7 в 7 R ^ A 7 Э 7 5 7 j a
• V к q • y 7 О R 5 7 t 0 f D f 9 г л ^ v
• V К ГЧ'! Ч • y "7 0 XD О 3 Л f d э Э t в NO W J S / / if «1
, f f j
-43 « 10 10 10 10 13 13 13 13 12 12 12 12
- Ч Ц " г а Ц -12 П
J
A7sus4 A7 D7sus4 G7sus4
-3-
G7
ш loco
rake P.H.
1/4
co e ^ ч ^ ч
1 и — В IOJ 0 7 4 7 4 7 ч ^ ' ^ J У X (Tl f O r O f 0 ' л
В NO <J / \ 0 J 0 J J 5 VDJ О 4 4 4 Э 3 0
Pitch: В
10 10 10 10 ^ю n 10 10 10 10 13 13 13 13 12 12 12 12
13 13 13 13 12 12 12 12 -лг П ^2-
С Bl>7sus4 A7sus4 D7sus4 G7
У " ^ T J - I " iij j j ' I ' ^ J L J H f
6 6 6 6 6 6 6 5 5 5 6 5 5 5 5
5—3 5—5
3 5 3 5 4 4 4 5 4 4 4 4
G7 D7 Е7
D
G7sus4 G7 D7sus4 A7sus4 A7
D7sus4 G7sus4 G7 Bb7sus4 A7sus4
К D7sus4 D7sus4 G7
ft ^ J J j j J Г ГЩ^ 1
1/4
^ J 1 = 5—3 5
*V5 3 — - •—
- 5 3 3 (3) 5 5
J?<t|| - 1
4 1g 10 10 10 4 « i i l 8 « ~
Gtr. 1 tacet
D7sus4 A7sus4 A7
Bb7sus4 A7SUS4 D7sus4
F G7 D7
G7 D 7
rtll . ^ V n - , й h - ^ r
l / T J h J J J J * l J J J f l J J /Ир Г
6
1/2 1/2 1/2 1/2
igs ^ мч^ in fl й"^ fflt A -—-It Ut^ 1U 10 0 0 VO 0 r ^
7—5 5 5— lc У
^ ^ 7 7 —6—5 5 5 6 5 5 6 5 ^ П 8 8 8 8 — 5 ^ 3 ^ 1 2
f " f f f t _ ! r 1/2
fl fl A \ О О О / \ V V Y / 1 7 л л л у \ 1 V s
Э 9 Э 0 5 ID^ О с
Л с с Э 9 9
G7 D 7
Gtr. 1 tacet
E 7 A 7
G
C/D Bb/A C/D Dsus4/A Gtr. 2
C/D Bb/A C/D
frii 7 J J " J - J - U j j T g P.M. 1 ^ °
3
I f e , ^ ^ J J ^ J v .Jv
—
3 5 5 5 — ^
* 4 3 1 3 5 5 3
5 5 (5) (5)
H
„ D7sus4 G7 D7 2
1/4 1 hold bend
-5 3 5-- 3 — 5 ^ 7 -
-6—7—5--6 F -8 m—6 8-
7—7-- 5 = -47)-
IS й ~ й ~ й IS И 18 Ц Id 10 Id 10 Id Id Id Id 19 19 19 19 19 19 19 19 I t 1С I t I t lc lc lc 11
ЛЛ
Pitch: G •Depress string behind nut & vibrato.
10 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12
I D7sus4 G7sus4 G7 D7sus4
л — ^ ч л ^ ^ л 7 t Ч С "» С А ^ к 7 4 7 4 7 4 А 7 5 7 Э 7 U) Э ' 4 о
. / 7 4 1 : и /7 1 O f O f \ f / О
• Ч 4 1 - ••• в \5 3 9 1 <9 9 9/ / 4 1 В л О О - • 5 9 J
A7sus4 A7 D7sus4 G7sus4 G7
a / о ч e „ v / 8 \ d / d
7 7 4 7 в 7 к / « ч ^ ^ / '*" x
я s 7 о / v f i 9 / 9 f 9 ^
• v 4 4 . / 7 1 4 4 . 9 a / u - l \ t / л 0 x 9 j 9 / / 0 9 j 9
э j 9
i j rm- "i j ) f F f f i
- W 10 10 10 1 13 13 13 1 г м 12 12 12 1 12 12 12 12
Bb7sus4 A7sus4 D7sus4 Bl?7sus4 A7sus4
и D7sus4 D7 G7sus4 G7 D7sus4 D7
I j ' » Г.1" i- - r g
"^^frSk, . . . . _ . . . . _
«>-6 9-7 7 (DV
j j ' • i P.M. 1
• ,
-5 3 5- X
^ — s i 4 . — J S U — ^ P " 7 * ' y ' ' 1
ч 43 ц
f
12 12 if 12
у Г 7 у г 7 у Г 7 у г 7
1 1 ii 4 f = г* л
G7sus4 G7 D7sus4 D7 G7sus4 G7
л
D7sus4 D7 G7sus4 G7
D7sus4 D7 G7sus4 G7
D7sus4 D7 G7sus4 G7 D7sus4 D7
G7sus4 G7 D7sus4 D7
13 10 -J2 10 13X15 15-r J ' T Jv 13 w те те w-
13 12 10 12 10-^ 2 12-
i m
- ю - - 1 3 — Ц — Ц — Ц -13—13—13—13 12 12—12—12
Begin fade
G7sus4 G7 D7sus4 D7
ц ц—tfl—to—to to to—to— 11 11 11 11 11 11 11 11 я я — Id Id 10 10 10 10 10 10 19 19 19 19 19 19 19 19 13 13
4 A 4 A \L 1С U 1С 1С 1С 1С 1С lc 1С" - -
G7sus4 G7 D7sus4 D7
Fade out G7sus4 G7 D7sus4 D7
> > > > > > p . f , f r t r t r t r t r ft r g ~ g - II - 1 - 1 1 — 1
£
И F ' I'
w/ pick & fingers -P.M.
П -лг «
to « « - t o --42 to to-
-42 « to to to to П to-
1/2 l
S i n ^ X /12 40-
^ 2 -
4 i i t i i
to ™ 11 19 17 1С
C 7
from Dare to Be Different
Guitar Boogie Shuffle By Arthur Smith
E Fast Shuffle J = 210 ( П = J )
**E Riff A
*Gtrs. 1 & 2 (clean)
- j
~9 f
w p
^ TJ
/ slapback delay
-J- -J
D
^ J 1
_ _| Г.1*1. 1
JF "A -A ъ L-e 2 2 4 2
В—^4 4 --2 2
4 4 2 2 2 3 4
•Composite arrangement **Chord symbols reflect implied harmony.
E7 5
A7
j j j j j J j
2 2 2 4 2 0 ^4 4
-В 2 0 — 4 4 2 4 2— 3 4 2 2 4 2
-В 0 УА 4
B7 E7
Gtr. 1
r ^ ^ t t r ш л
$ " J J J J J J J i 1 V
rai
>
ке 1
3 (
1/2
3) ^ в
^ 0 8 *
X -х 2 2 4 4 4 4 Gtr. 2
-2 4 2 0 0 2 ^4 4 2
•y ' V и ^
-9
S ^ о—e
2 2 4 4 4 4 —2 4 2 В В 2 ^4 4 2
^^л
L-e
Copyright © 1946,1959 Shapiro, Bernstein & Co., Inc., New York Copyrights Renewed
International Copyright Secured All Rights Reserved
Е
i M J " T ~ I (Ф ^ \ Ц+ , ^
^ e — 3 2 0 2
w ^ — Г I q
I
P.M. 1
" J i
2 1 — 0
3 — L
rnk м = f
2 2 4 2 -0 ^ 4 4
- 2 2 — 4 4 2 2 2 —
3 4
l l l l * ,
0 ( 2 1 3 s ) г
1 >
I - Г З J J J g=" P.M. 1
2 2 4 2
-0 4 .....
" J - 1 i « п з ^ ^
- 2 2 — 4 4 2 2 2 —
a j
E l А7 Gtrs. 1 & 2
|
~9 r b p.
~9 M . - - -
J j j J \
" J J — J д ^ ^ У j j j
2 2 2 2 4 4
0 ^ 4 4 - 5 5 4 4 2 2 2 —
3 4
2 2 4 2 - 0 0 3 4
E
B7
Gtr. 1
J J J J >JjJ nJ J i I j J ^ 4 ^ J ^ g l j L j ' ~ ' rake-H 1 7 4 1/4
' - ^
в
3 0-
г—(2) о - e — i — o -
-2 2 4 4 - -4 4- -2 2 8 0 У 2 3 3 2-
Gtr.2
в Е
—
steady gliss. t H * D \>f
1 5 з
= Г~1 J j i # J : Ж Ж ^ ^ "5
3
= Г Ц J j J j f i w Ж
2 0 ^ "v 2-
ЩИ f — 1
С2> -^16 — t ^ n 2 3 4 2 3 4 —
- e В в — В
з з
2 3 4 2 — 3 — 4 — - в — в в — в
з з
DX/I = ~ 1 --ж ж f i ^
2 2 4 2 2 ^ ^ 2
.. .. -Л... о. . 2 3 4 2 3 4 —
-л -л - ....... л .. а 2 3 4 2 — 3 — 4 —
п п п п
Gtrs. 1 & 2
5 3
А7
3 3 = т = = = г = -
Р м - - •
J j J i t J j j j , J » J
p J I _ _
- f r ^S ^ ^
2 — 3 — 4 2 — 3 — 4 — а а а. —о—
2 — 3 — 4 2 — 3 — 4 — —0 0 - Я А- . .
2 — 3 — 4 2 — 3 — 4 — - B В В — В
с Gtr. 2 tacet
E7
A7
E
B7
E
Г 4 I -9 t ^ w j
i
0 0 4 4-0-— o -
^ V 2 — ^ ^ 2 о — о —
- M l 0 4 4
^ 2 0 0 —
L - 0 0 4 4
A 7
Gtr. 1
( & ¥ » j j j j 9 Ч У
8
E
^9
P.M.
—
^
— 0 0 ^ r - 0 — 8
^ 2 и и ч 4
Gtr. 2
A = »
U f ^ J 0
и U 1 ^ t 0 4 4
D X/f
9 > - ' _ [ _ [ i i l| J > 1
~9 ^ 4 j 4 i ^ J ;
0 0 4 4 — 0 0
t ^ V 2 ^ 2 0 0 1 ^ 2
— 0 0 4 4 : ^ 2
0 0 — A A J il
В5 А5
№ у £ 1 ^ j p l ( • ) -F- ( • )
i 5 1 i 3 1
grad. release 1
I Г г i f r -9 5-
"i 1/2
Г * 9 9 9- 45Э 0-
-0 0 1--0 0 4 4-
J -J J J J- ^ ^ P.M.-
n n 1 1 А Л Л Л А Л Л П II II 1 1 A A A A
L L и L L L С £ и и и и и и и и
70
D G5 F5 E
A7
I % w v w w w v w
-Ф ф ш
Ф-
1/2 ± v w v w w v w w
-2 2 4 2- -4 4 (4) 2 2--8 0 S A 4- -2 2 4 2-
4-
4 4 J * * * * * P.M.-
-B О У A 4--2 2 4 2-
1/2
-4 4 (4) 2--4 2-
P.M.-
-0 0 s'A 4--2 2 4 4-
' g 4 ^
1 1 1
2 2 8 4
End Riff B1
8 — 8 - 2 2 4 4 4 4 - 2 2 8 8 2
^ A 3 2
ft" J J i J d xif
1 J J i j J . J . J . J . J J . J .
_ _ _ _ _ _ i i
2 2 4 4 2 2 8
^ - 2 2 4 4 5 5 4 4 - 2 2 8 8 2
^ 4 3 2
Е
Е7 E7sus4 Е7
tr*
# ' » ' » J , f }•• Щ hp I»- •#• P-p- г I 0 * 0 1 w I 0 * 0 1
release
tr* у r - T - - T - T - T - T - r -8 to- tfl tfl tfl te ttJ HI № -er>-
А7 Е
Gtr. 2 tacet
B7
В " t p 1£ "ftp fr 4 P £ i 'ftp w/ pick & fingers -
8 ri 8 I f -в 2--7 8 9-
l ^ b 6 7-
hk
F E7
Gtr. 2
1 П P Ш
-6 7 8 9--9 8 7 -
8-
Gtr. 1
с е л 4 л Э 9 4 0 л л
Jl ч о Ч л Ч. ft ft 4 0 R 7 с С с 4 Э D 0 О 1
£
Г f Л г г i f * t r y ? f | Ш Л л M
-9 9- лг 19—9 1 6 - 12 14 - 1 0 - -40- -47- 17 11 12
-40-
-5 5- 8 6 5 -44-
- 1 2 1 2 --44 14-
12 13 12 1 4 Х
-43-
В7 Е
ш Gtrs. 1 & 2 : w / R i f f s B & B l
Е
р
A7
№ - =
E
r =
B7 Gtr. 1
1 i = i = r l
G5
— ^ t d h t —
F5
r j j « [ j i , J J i i 1 К J H g f b f
^ ^ г^З
тН Зт-Ч
3 3 3
В 0 в з з з
- 4 4 4 В—8
2 — 2 — 4 — 4 4 — 4 —
Gtr. 2
Ш j -R -1
- 2 — 2 — 0 — 0 ^ — 0 — 3 — 2 — 1
W ^
- в 2
§ — J J I J ^ J J J i 1
p _ 1 —1
2 — 2 — 4 — 4 — 5 — 5 — 4 — 4 — - 2 — 2 — 0 — 0 2 ^ 4 3 — 1 - 3 — 3 — 3 — 3 — 3 — 3 — 3 — 3 - J Ц—1—1—1—1—1—1—1—1
Gtrs. 1 & 2: w/Riff А
E El
Gtr. 3 (clean)
о У — 9 — ^ те те 19 19 9 9
11 11 л)— — 1С 1С 19 19 11 11 ГГТ7 —•—. 1С 1С
A7 E
Gtrs. 2 & 3 tacet
B7 A7 N.C.
* : jS : , A s r r — 1 * - 1 M 4 л r * 2
n ~~ 14 4 Л
1С 19
9 11 — 14 lc TT
Gtr. 1
r n ^ j — 1 — J K l H
^ J V 1 J l l j i J 1
rit. let гщ
4 В В В — 2 3 2
— 0 В ^ ^ —в в—
^ 4 2 о—1
J l l j i J 1
rit.
Gtr. 2
-ПА
2 4 2 В -
> =
- 2 В В 4
У J J i • D \Я
J J J ч w-i i j j j j 4 4
J rit. r.ivi. T rit.
2 2 4 4 5 5 4 4 — 2 — 2 — a — a 4 4 2 2 1 — в
Free time B7 /F#
Gtr. 1
. л * . g i J J з : 1 1 1 1
L—2 : 4 2 4 2 В 2 В
3 rH
X l _ 2
El A tempo
Gtr. 2
J t f i
> > > • • »:
7 ? ? = 3
r -7 —9 4
n^F 7 7 ^ = — 9 — 9 — •—7 7 7 ^ =
i ? f =
4 ) В L-9 —9 9
7 7 ^ =
г г Gtr. 1 X _
£ V > || щщ \ \ri
f Ж -6
: ! 8 п a T T ¥ •
: л
1 8 = = ! 1
si - 2 2
Л 1 = i \ В
i i i = L - B — в — в
н Gtrs. 1 & 2: w/Riff В
E Rhy. Fig. 1
Gtr. 3
Ы
- 1 2 - -42- 3i= -42--42-
A7
Jp
4 2 -42-42/ -41-
B7 A7 End Rhy. Fig. 1
ilhhf » - = 1 ff—i ^ r ^ i
* 1 £ 7 * -
14 14
i - 4 2 12 1 2 — —12 9 9 — - 1 2 11 H —
— • Г г и и —
Gtr. 1 h m -P-
•Tied to beat 1 on all recalls.
. 3 _ 3 Я /Г~-—^ v — 1 J
V J J i J i | J j J J ^ ^ * * ~9 \ 1/2
3 в —
г ^ 4 2 ) - B 2 В ^
2 — 2 — 4 4 5 — 5 4 4
Gtr. 2
Щ Ц ... ^ ^
— 2 — 2 — В — В — ^ ^ — 2 3 — 4 3 — 2 — — в
2 2 — 6 — A 1 — В — ^ v -
Э — В - 1
s J J J J i l J J J i P M
-9 —; / - J - - J -
• T r
r.M. i
2 — 2 — 4 4 5 — 5 4 4 - 2 — 2 — В — В — ^ 2 3 — 2 — — 6 — В — В — В — В В В В—' L - e 6 — в — в — В В - ^ 9 7 —
л ОС
Gtr. 3: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff В1 (1 st 6 meas.)
Gtr. 1 >- ^ ^
Mb » T Г Г I - О ) — в -
-3 2 8 2 о — f --2 B-
-3 4 --2 4 4-
-2 2 6 5 6-
A7
J J r , Г r r-'f [ y p p p p p p p p p p p
ft'" j " Ц - Г
к e / 7
3 3 3 3
A A A A A A A A A A A A
— 1 — 3 3 3 3 Ш
ring - -
^ A A A A A A Q A O D O ^ ' v a a / /
4 4 — 6 — 4 — 6 6 У д 6
O U U U U O U Q Q Q Q U - 9 — 9 — 9 — 9 — 9 — 9 — 9 — 9 — 9 — 9 — 9 — 9 — 8 8 8 8 8 8 8 1 8 8 8 7
E
Gtr. 1 ^ ^ ^
B7
r L ' ^ П Г Н ' f J
' * =4 let ring 1
\!2
Ц * i
fl _ _
Ц * L r 1
- 8 _ _ 8 _
ц - J >J J ' z ^ j 1/4
- 8 _ 3^ 8 (7Э
3 2 — 8 3 2 — 8 3 2 — 8 3 2 8 2 — 2 — 2 2 — 2
Gtr. 2
рщ J J j j ^ j i j j j j ^ j j p p P.M.
- 2 2 --2 2 4 4- -4 4 2 2- -2 2 4 4 5 5 4 4-
-9 0 - ^ 4 4- ^ 4 -
A7
t^f v ! i / f f ' - r 1=Г
hold 1 bend
5— (7) - f l — 2 — 8 о—1- -4 6 4- -6 4-
-2 8--A 8 -
3 ^ 4
-2 2 8 8-- У А 3 2- -8 0 ^ 4 4-
-2 2 4 4-—2 2 2 2 2 2—
-4 2-
Gtrs. 1 &2: w/RiffBl Gtr. 3: w/ Rhy. Fig. 1 (till fade)
m
A7
B7 Gtrs. 1 & 2
r t V r 1
A7
Ztegm fade
E
I I I
т j j J J.и J J J 1
P M ^ ^ * ^ ^ ё ^ ^ ^ J J J J J J J '
2 — 2 — 4 — 4 5 5 4 — 4 — —2 2 0 6 2 ^ 4 3 2 —
2 2 4 — 4 —
41 0 ^ 4 — 4
2 4 4 2 2 : ^ 4
P.M.
- f l — 0 - ^ 4 — 4 -- 2 — 2 — 4 — 4 -
- 2 — 2 - _ 4 — ^ — 2 — 2 ^ ^—2— 3—4 -9—9—7^4—4-
-2 2 — 4 — 4 -- 0 — 8 -
-4—4—2—2 2-
A7 E
у j j J i
J> JJ _
i J J j j . 1
2 2 4 4 0 0 s '4 4
- 5 5 4 4 2 2 2 4
2 2 2 4 4
• J M | I I I 1
B7
4
Fade out
A7
-MP ф ф Щ)
P M - -
-J- -J- -J . j j J. J
i
2 2 4 4 2 2
4 4 - 2 2 4 4 5 5 4 4 - 2 2 0 0 2
3 2
from Dare to Be Different
Hearts Grow Fonder By Tommy Emmanuel
/ /
Fsus2/C G Asus2 A Dadd9/E E *
E E
34 1 3 4 23 234 1121 231
»4fr '5fr 7fr
13121 13121 13111 2 34 234 21
Bm7 и 13121
C#m7 Dm7 Ell G5 Esus4 E/A Dadd9/A
423
Moderately slow J = 83
Asus2 A E/A D/A D6/A
Rhy. Fig. 1
*Gtr. 1 (acous.)
1 4 i 7 mp
let ring throughout
-e о — B --e о — e - t = r ^ rh
-X - 3 — 3 — 3 3 — 3 --4 4 4 4 4-4 1 1 1 1 1 X X-
2 2 2 2 2--9 0 0 0 0 8 e-
^ X-X-
-4 4 4 4-fi: -8 В 0 fr- - e — e -*Two gtrs. arr. for one.
Gtr. 2 (elec.)
Ш w/ clean tone & slap-back delay
P.M. throughout
X 2 2 2 X X — - г 2 2 X * X X X X — X — -A ъ
Rhy. Fig. 1A Gtr. 3 (elec.)
r , w/ clean tone
P.M. P.M. 1
I 4 6 6 4 j а з = A j у j 6 ъ
—4 4 4
Copyright ©2001 UNIVERSAL MUSIC PUBLISHING PTY. LTD. All Rights in the United States and Canada Controlled and Administered bv UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING INH
Dm/A D m 6 / A B m 7 C # m 7 D m 7 E l l
в Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times) Gtr. 2 tacet
Asus2 A E / A Gtr. 4 (elec.) к
flujf ^ f Г . . . -D / A D 6 / A
^ J —- ' F ^ # F ^ ^ * ' " — V ш -
wf
w/ dist. A . 7 e
P.M. P.M. 1
1 5 / \ ^ ^
6 7 (5) 7 ^ ^ 7 7 fi— A A R D / F / \t) D 4 D
D m / A D m 6 / A B m 7 C # m 7 D m 7 E l l
Asus2 A E / A D / A D 6 / A
ЛЛ
G5 Ell Aadd9 A3
i Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times)
Asus2 A E/A
G t r ' 4 . W J * - 1 .
D/A D6/A
j f L , 4 *f \ Г — p i* — — ' F # — ^ m m —
P.M. 1
, / а a 7 e
P.M.
i s * 9 9 / Э e с e Э D O e 7 7 7 R ' — A A A D / # # D 4 0
7 /
Dm/A Dm6/A Bm7 C#m7 Dm7 Ell
Asus2 A E/A D/A D6/A
G5 Ell Aadd9
Gtr. 3
Щ- п m J и j
P.M.-
-6 4 fr-0-
Rhy. Fig. 2 End Rhy. Fig. 2
(cont. in slashes)
H 0—I ' 7 7 i — — н — i — i
i 8 : 4 . . . .
7 — a . - a —
7 7 - 9 9
Gtr. 5 (elec.)
I w/ slight dist.
Gtr. 3 tacet 2nd time, Gtr. 6 tacet
Gtr. 4
I
Fsus2/C
j m / л m m r ~ n - r m ; %
p simile on repeat
i Р . М . - - Ч
- 6 - ^ ^ 7X9 7—(7) (7) 5 7X9 5 8X7—(7)—9-
Gtr.5
Asus2
r m r ~ n - h
-9 m y - -14 n (12)X — 9 — I f l — 9 -1 0 ^ 3 1fl= -44- 10 10
-14--лг—9—н-
l«fe m let ring -
. . . . . . 3 n I I
3 и
ft I i 1 в
0 I 1
r n г п - т m
1 1/2
(W-e 8--8—10 10 12~ -Л 12X10 10 1 . 8 ^ 8 8 8 fl^7 7 7 8—10^ 12
-X X X X X X X X-- t t - 7 ^ 9 9 X 7 7 7 ^ 5 5 5 5 ^ 4 4 4 5 7 fl-
m
1 = " 1 •3 -•'r* a
Dadd9/E
r~n / a t
i ; Bm7
~n n ) 8va -
C#m7
J Dm7
To Coda -
Ell ; )
ioX12 - * — X -
12X14 x X
-14- - I f l - -17-т / 9 9X11 -4fl W
- и -
D Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times) Gtr. 5 tacet
Asus2 A E/A loco
Gtr. 4 к
l i ' l l " , r f ' l V r
D/A D6/A
Ф ' т u - j к - г Г 1 l ' % w w P.M. 1
i 0 A 7 4
t= , ' 1
P.M. P.M.
7 9 9 / a с с e / C \ "f - . Э Э Э
ft 7 7 ^ ^ 7 7 £ 4 4 fi 0 / / / WJ 0 4 4 0
n U
Dm/A Dm6/A Bm7 C#m7 Dm7 Ell
Е Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times) Gtr. 4 tacet
Asus2 A E/A D/A D6/A
Dm/A Dm6/A Bm7 C#m7 Dm7 Ell
Asus2 A E/A
A it _ _ _ £ Ё и А л . ^ i j P M ^ i Г Г Г Т . г г ^ f Г ¥ г 1
D/A D6/A
1 1 Л 1 Л 4П 4 А J (? _ 0 7
- ^ ^ 1Z 14 г л 1П 1П 11) 11 Л ц М Ч m
14 14 1Z 1Z У Э Т И / 1* 1П 1П 19 10 1U 10 12-^14 13Х1С 1U
Л 11 0 11 11 12 1U 111 1 с
11 у 11 11 11 11
DS.alCoda Gtr. 1: w/Rhy. Fig. 2
G5 Ell Aadd9
ф-Coda
Е Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times) Gtr. 5 tacet
Asus2 A loco
Gtr. 4 к
E/A D/A D6/A
Г E J " P.M.- P.M.
7 9 9 f Э с с е 3 э э ft 7 i у n
7 7 Г71 fiN. j j e D г / / U J 0 4 0 7 г
Dm/A Dm6/A Bm7 C#m7 Dm7 Ell
i & r r f =| r " r r r 7 Г т Г Г Г Г r 1
Р.М. н
; , n ^ * J 5 5 ^ 7 6 fl 4 6 7
-!tX7 9 «
Asus2 A E/A D/A D6/A
¥ - C - T » Г Ш P.M.- P.M. P.M. - - ч
7 9 9 f J с с с Сеч 7 - - - it 6 7
vDJ 1 ' ^ с 7 7 ft 4 4 0 / / / 0 4 4
7 /
G5 Ell G5 E Ell G5 Esus4
Gtr. ,гл~п пт)) ттпт)) rtrmrrnm
Р.м.н
- r ^ v - 10 9 10 12 9 10 9
1 г
3 2 3 5 ^ -42 2- 3 2 3 4X6 7 6 ^ 2 (2)/ 7-
Gtr.3
£ 3 Иг 7-7-7-7-
А Rhy. Fig. 3
E/A Dadd9/A E/A
r m m r m , n , it
vvvvvvvvvvvvvvvvvvwvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv^
£ £ i
1/2
*VVVVV4*%V»VVVVVVVV*VVVV*VV*VVVV%V**^ 4 7 ) — 5 5 (5ЭХ
№ Rhy. Fig. ЗА
~П t Щ Ш p.M. -
-4 4 4 4 4- - 2 2 2 4 4 4 4 4 4--4 4 4 6 6 6 6 6 6--9 6 6 6 6 6-
A E/A
m , >~rm n <yt
Dm7 E l l End Rhy. Fig. 3
Bm7 C#m7
m J л r~n r~n i ШШ
1/2 P.M. 1 P.M. -
ф -7 5 --7 &
6 5-
ftfc A Ш End Rhy. Fig. ЗА
U w P.M.-
6 6 6 4
с ч a r - 3 5 6 7 - 2 4 5 7
7 7 7 6 - 4 6 7 7 - 2 4 5 7
Gtr. 6 tacet
A E/A VWVVWWWVWVVV V -Ф-
P.M. - н P.M.
14 _
1/2 v w w v w v w w w w
Ml
12
Gtrs. 1 & 3: w/ Rhy. Figs. 3 & ЗА (till fade)
A E/A Dadd9/A E/A Gtr. 4 VWWVWVWWWV* -p. VVVUW
p 4 - t t -
Bm7 C#m7 Dm7 Ell A E/A
Dadd9/A E/A A E/A
Gtr. 6 tacet
Dadd9/A E/A A E/A
Bm7 C#m7 Dm7 Ell A E/A
/
Begin fade Dadd9/A E/A A E/A
Bm7 C#m7 Dm7 Ell A E/A
8va 1
Gtr. 6 tacet
Dadd9/A E/A A E/A
Fade out Bm7 C#m7 Dm7 Ell A E/A
f H f f f Г fi l | p P , w v v w v w
p 1 L 1 J - Г т 'Г Г Г Г г Г ^ semi-
I 1/2 h a r m ' 1/4
15 f ^ t
J [ J J P.M. 1
10 У * / 11) - ^ V / l l j ^ 12 Ut^ 1U ' V ^ ^ /
П—- 7 с 7 7 в e 9 O t t O Э 7 7 7
/ 7 fi С 4 / 0 0 4
Q9
from Classical Gas
The Hunt By Tommy Emmanuel
Gtr. 1: Drop D tuning: (low to high) D-A-D-G-B-E
a Moderately fast J = 163
(Crowd noise)
* D
Rhy. Fig. 1
Gtr. 1 (acous.)
D s u s 2 F / D G / D
ntf
let ring throughout
-2—fl г 0 8 8 8 8 8
i I i i i i i 1 i м 11 M « = * = * = * £ •Chord symbols reflect basic harmony.
D s u s 2 C s u s 2 G / B
End Rhy. Fig. 1
— —0 9 m m m m m * m
-0 >
в г 0
л •Ф
M •Ф л [ л [ >
8
л. л. м. л [ -Ф- -Ф- -Ф-M [ •#
л •Ф
a
л •Ф >
3 3 л. # # u л. t 5 c ч ^ Ж
8 i i i 8 i i 8 i 8 1 = -3 3 3 3 3 3 3 3 -2 2 2 2 9 0 6 0
I 1 8 8 8 8 1 8 1 8 4 = - f l e e e e e * e -fl 0 3 2
Gtr. 1: w/ Rhy. Fig. 1
D D s u s 2 F / D G / D D s u s 2 C s u s 2 G / B
В
D
Riff A
Gtr. 1 —
1 i г н F T 1 Г Р i Г 1 ~ \ j : *щ Г Ц •Ф >
2 = t
M
= 2
л -ф J iZ? J J У j 1У T — ^ 4 — • 4 —
Л
a 2
л . у к 3 3- 3 4 /
it-
2 2 8 \ 2
M M ' = e 8 8 2 4 4 2 8 8 6
8 8 8
Copyright © 2 0 0 2 U N I V E R S A L M U S I C P U B L I S H I N G PTY. LTD., T O M M Y E M M A N U E L M U S I C and C H R I S G ILBEY PTY. LTD. — — ' kw i imiv/CQQAI . РП1 Y f t R A M INTERNATIONAL PUBLISHING, INC.
Csus2 G/B End Riff A
1 — • P 1 " 1 h 4 — ^ л
•Ф
L л s +
M •Ф •Ф
О J J j i J 4 • ^ +
s
M -Ш -Ф
Л -Ф -Ф
л -Ф
t 40
л 4 i >
^ ^ з 2 2 ^ ^ e —2 2 2 2 8 8 8 8
0 0 8 8 2 4 4 2 8 2 4 8 j! 8 8 8 t S i =
L-fl e — e — e 1
» Gtr. 1: w/Riff A 2nd time, Gtr. 2 tacet
D Csus2 G/B
ToCoda2-ф-
Bbsus2 F8(no3rd)
D Csus2 G/B
г j J — ^ — J — J H — • i * • • 1
9 mf i j
r-2 2
' ' 4—§—1
2 X — N 0 - 1 2 8 0 1 8 1
0 2 4 4 2 В 8 8 8 8 =
- 9 0 X 0 ;• 3 2 1
2.
Dsus2
j — j j • j* fl1 <} <} \ J ГТ 1 1 \A
>
9 9 9 9 ^LJy • t mf -Ш >
9 9 9 9 9 * у + 9
Л 2 2 2 2 8 2 2 2 1! ? 2 ^ 8 Hj 8 8 8 8 2 4 4 2 8 - 5 8 8 8 8 8 2 4 4 2 8
To Coda 1 -ф-
С Gtr. 2 (elec.)
h =
Half-time feel С
I /
w/ dist.
3-
4 С О Э
С с Э 9
Gtr. 1 » 8va -| RiffB
loco
a
I 3 3 | 3 | | | | 1 3 = 8 8 8 8 8 8 8 8 8
8 2
8 —3
G/B Bb6 F/A
А7
Фт
A7/Ctt Dm
v w w w v w w w w w w ts>
F/D G/D
e s -6 5-
1/2
-8 6 5 8-
EndRiffB Rhy. Fig. 2
W H ь — N
H r i
* 1 f :
4i "J J s yd d * P' p- J
w/ pick & fingers 1
8 0 $ 8 1 I - 2 2 2 2 2
8 ; 7 18 3
8 8 2 2 4 - 8 8 8 8 8 8 6 0
Bb/D Dm
j f t ^ r r i £ £ l
C/D Bb/D A/D Bb/D C/D Dm
l l f f M
1/2 P.M.-
3 5 3 I 3 -6 5 6 8- -6 6-
j j j j Г -3 f -
-8 8-
F/D G/D
U-Y ff f
Bb/D
m
End half-time feel
Лк 1/2
- i — T -
4 f # #
- a e — 7 — 7 -
Ij 18 f 1 - e e — о — e -
7 — 7 -- e — о — e -
tr
1/2 J"
т г и п щ - 2 2 2 2 -- 2 2 2 2-
I I I I - 2 — 2 — 2 2 — 2 -
- f l — e -
вЬ/А A ВЬ/А A Bb/A A 8va 1
. -K
IH г • 1/2
1 ? — e m — r e —
| Г Г 1
-гЧТ *7 Г
-0-' loco
r f t - 1 •47 П
End Rhy. Fig.:
Ihtfi J b J I J J>
li Ш ) = = М
" 1 1 i - 1 1 1 i ' 1 i r l i j - — 2 2 2 3 2 2 2 3 2
— 2 2 — 2 — 1 2 2 — 2 — 3 2 —В 0 В — в — в в — в — в — в
i i l l l — 1
- 2 2 2 2 2 - 2 2 — 2 — 2 2 - 2 2 2 2 2 -в В — В — В — В
[ Г I Dm
Rhy. Fig. ЗА
Dm Bb Dm Dm Bb A
End Rhy. Fig. ЗА
i j i A I i ^'Щ P P f w
: 7 5 7 ' 5 3 3 5 5
5 3 2 3 3 1 В
7 5 7 5 3 3 5 5 Э 8 ? 1 =
Rhy. Fig. 3 End Rhy. Fig. 3
— —
П н # — nj fb4 П — w 5 ? t|J И Н
1 В 1 — ; 3 3 1° з i = * § 1 —
з 1 i — ? а г ' 2 В 2
л п ® 3 2 2 В 2 л п ° — 1 — ? — Н и и
3 3 1 в и и
з — э i—в—4
[ Г
9 с £ л § U
Asus4
D.S. al Coda 1 (take 2nd ending)
$ Rhy. Fig. 4
i f
End Rhy. Fig. 4
77* steady gliss.
= « -=44- -42--44-
-42--4fl-
-ф-Coda 1
D Gtr. 1: w/Riff В
Gtr. 2 с G/B вЬб
J f 4 h i : - — P r q ^ T — —
g o ff . 5 = ; ; з —
Я Г ^ ' ^ v w v w w w w ^ w
С С С
с с • У Я о а 9 9 E e e 7
0 7 7
О 0 7 1
Э Э Э # с / / / 1 9
Gtr. 1: w/ Rhy. Fig. 2
A7 A7/C# Dm F/D G/D , Х ^ Т Г ^ ^ ^ Ч VWWWWWV U0. ^ ^
h T Г Г Г ^ Г ''Г г г i f Г f Г Г Г П ft Г 1/2 ^ — ^ W W W W W W
1 J 1 1 3- 1
о 7
1 П — О Й 1П 0 /
V 1U VIU^ 0
1П О 7 0 10
1Л 1П 1П 1Л X V 10 9 / 10 10 10 10 X
Bb/D Dm
\lh Ь Г f T T V ^ i C/D Bb/D A/D Bb/D C/D
г у f f П
Dm
i f F г г F/D G/D
r r r . ty1 i i i i
6 5 (5 )^ /""N—
1 5 1 1 з
1
5
1/2
^ 7 5—6— -8 6 5 6 6 —6 6 6 8
Bb/D А Bb/A
i^iiff br f 4 f f ^ - 8va
Г -g^lO ! t? , , . , , ,
(6Э 6 8 6 6
steady gliss. \/2
(-5
1 г
rr—его «
A Bb/A . A Bb/A А 8va 1
Gtr. 1: w/ Rhy. Fig. 3(1 1/2 times) Gtr. 2: w/ Rhy. Fig. ЗА
Dm С Dm С Bb A Dm С Dm С Bb A
Gtr. 2 Dm Dm Bb
Gtr. 1: w/ Rhy. Fig. 4
Gm Gm6
m P S
с « x Г 7 0 8
с a 7 s /
4 7 0 d o /
a / о
D.S.S. al Coda 2
E
Asus4 Gtr. 1: w/Riff A
D Csus2 G/B
I Л / ^
m fdbk.
/ ч cat fflV—^ C8) V»J7 —
-ф-Coda 2 Dsus2
\ ^ ^ г — Г 1 f г г 1 # i — — i I . - * **={
3
9 9 9 9 9 9 d d 9 d J
2 2 2 2 0 "—^ - 3 3 3 3 3 3 3 3 3 — - 2 2 2 2 2 2 2 2 2
0 S 6 0 2 4 — 4 2 — о — J 9 9 9 0 9 9 0 0
Bbsus2 F§(no3rd)
E Gtr. 1: w/Rhy. Fig. 1
D Dsus2 F/D G/D Dsus2 Csus2 G/B
№ • ' i
Dsus2 D5 Gtr. 1 _ _ VJIT. 1
^ j N ^ j
>
!
• " " " ^ ^ л ; " ^ ^
1
| -ф >
a >
- a «
1 2 I
- 2
Л ЛЛ
from Up From Down Under
Initiation By Tommy Emmanuel
s Moderately slow J = 88
N.C. *E5
(Perc.) ^ G t r- 1 (acous.)
^ 4 4 4 4 ' PP w/ fingers
l4 4 4 4 * 4 4 4 '
•T A в e e о e L-e e e e e e e e
•Chord symbols reflect implied harmony.
D/E
у = г г г г г г г г irf Harm.
*w/ delay let ring throughout
г г г г г г г г г г г г г г г г
7 7 —i ^ 7 В 0 8 8 8 8 8 8 L-в 8 8 8 8 8 8 8
2—4
1-8 8 8—8 8 8 8 8 •Set for quarter-note regeneration w/ 2 repeats.
E5 Em7 A / E B7/E
Г Г г г г г г г г г г г г г г г г г г г г г г г
Ег
л » -1 , J п
N ч Л ~ f s
г г г г г г г г
ж § — 4
г г г г г г г г г г г г г г г г т п 8 8
W 5 8 8 8 8 8 8 6 8 L-e 8 8 8 8 6 8 8
9 L-e е 8 8 8 8 8 8 "
Copyright© 1988 UNIVERSAL MUSIC PUBLISHING PTY. LTD. All RinhtQ in the United States and Canada Controlled and Administered bv UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
в Em
А. D/E Em
i
D/E
f s Г Г г r L_L_T_J Г г г г г г г г г г г г г г г г
Ф -т—8 7- "7 8 8- ш - т - 9 --т—9 7- Г -8 8 8 8 8 8—8 fr- -8 8 8 8 8 8—8 8- -8 8 8 8 8 8-
Em
0 - i
D/E Em
г г г г г г г г г г г г г г г г г г г г г г г г 8- 5 / 7 ^ 5 9- 5 / 7 ^ 5
-8 8 8 8 8 8 8 8- -8 8 8 8 8 8—8 8- -fl 8 8 8 8 8 - 8 8-
В7/Е Em
$ "I Г | Г D/E
г г г г г г г г г г г г г г г г г г г г г г г г 7-
-"7—8 fr--т—9-
т—9 7--8 8 8 8 8 8 8 8- -8 8 8 8 8 8—8 8- -8 8 8 8 8 8—8 8-
Егп D/E Em
tSf £ • s i й Г Г г г г г г г г г г г г г г г г г г г г г г г
= f f i t 0 = ; I ] - 1 l
w а о о о n n—n a
7 9 7 —A n о n о a—о л-. .. .
7 - i —a n о о- A . . . . a . a a
D/E Em
т
В7/Е
i Г Г г г г г г г г г г г LZ Е_Г г г г г г г г г
E m
j - - — - J-В7/Е
J А Em
— Ш ^ h i — г г г г г 1*\ 5 * 4
г г г Г Г Г Г • -5 4 -4 2
j — f 1 г 8 - ^ —
г г г г г г г г г г г г 4 5 В 2 4 2
W 5
В 8 0 6 в -
ш Аш/Е
N J. - Ь —
— в — В — в — L
-5 4
- в — В — В В —
В т / Е
IS 1 J J = j =
4 5
* — в — в — в — 1 - е — в — в — в — в в в — в "
С / Е
* a j У Г^^Ь
* = = = \ т
Г Г Г Г i 1
т- ш
г Г Г Г
2
—Ш. Я—
' г г г з
4 4 -
— 1 4 * 3 « — * I I
г F г г г L _ r L _ r 5 В 5 2
1 § — 4 4 5
В в 0 0 0 0 0 0 L-e 0 6 0 В в В В в в 6 в
Em(add9) Em9 B7/E
Л J J J ^
г г г г г г г г
=&'Л Г Г Г Г Г Г Г Г
- - 8 Ф и
Г Г Г Г Г Г Г ' - 7
8 И 7 В
fr в — в — в — * — в — в — в —
Е5
— в — в — в — в — в — в — в — в —
7 в —
- з — в — в — в — В — В — В
Em
^ г
/в
т '
' г г г г г г ' 7
i 7 0
О ^ 1
г г г г г г г г 4 + и
г г г г г г г г ; ; 1
1 в — в — в в — в в — в - в — в — в — в — в — в — в — в — L
7 9
-в В — В — В В — в — в в —
•1Л1
и Em
А D/E Em D/E
Г Г г г г г г г г г г г г г г г (!) =
г г г г г г г г
1 I I 0 -0—8- - 0 — 0 - -0—0-
1 Em D/E Em
i g г г г г г г г г г г г г г г г г г г г г г г г г
,—, г m ? — 8 — о — 7 0 7
M i — 7 — ? t rt У -n и п а. л. ..—о—о а
7—9 7 а а о а о а—о -о
т - 9 5 —о. п и а о—. -а а а
В7/Е Em В7/Е
• I мг Em В7/Е Em
h b_
Г Г г г г г г г г г г г г г г г г г г г г г г г
Е
J - - J J t j - J 1 I \ i s ,
г г г г г г г г г г г г г г г г П 3—Г
г г г г и г 2 3 8
*
5/ I 8 = 5
— 1 1 5 0 1
r f t - ^ r
в 0 о о — о о о
Eadd9 F#mll /E
~ ..uA* **J « L L 5
И—8 8 8 6 8 8 8 8 —
Eadd9
. L . .. «у .J ^ ]
-8 6 8 8 8 8 8
— ' 1
г ffl—
г г г г г г г г г г г г г г г г г г г г г — э
Ы — h _ ! . J
5 ' I -5 4 4
8 1 4
1 ri — 5
Н
о
104 8
8 8 8 8 8 L -8 8 8 8 8 8 8 6 — 8 8 8 8 8 8 8 8
Am/E B/E B7/E Em
h N v .
Г Г Г Г Г Г Г I г г г г г г г г г г г г г г г г 2- -3 5 -
- ю --41- -42 -
+ 5 -- 0 — в — о — о — в — о е- - е — в в — в — в — в в о- -в в в в в в в о-
Е т б
I Ц Ё г г г г г г г г г г г г г г г г г г г г г г г г 42/
- 0 — о — в — в — в — в — в — о - - о — в — в — в — в — в — в — о - - о — о — в — в — в — в — в — а -
F/E Е т 9 В7/Е Е т
Е Ж
Г Г Г Г г г г г г г г г г г г г г г г г г г г -7 в-
- о — в — в — в — в — в — в — 6 - -0——0 0 0 0 0 0 0- - 0 — о — о — о — о — о — о -
и Е Е т D/E Е т
Л -i D/E
в
Г Г г г г г г г г г г г г г г г г г г г г г г г W 7—в
7—9 7 ; i 0 ; 8 ? 7
n n n n n n n п 7 9
а а а л а л а п a n n a n o n п
Е т
I ^ J D/E Em
в Г Г г г г г г г г г
12 ^ 7
В7/Е Em
i D/E
в Г г г г г г г г г г г г г г г г г г г г г г г г
- w -
—г—"N
о о -&—е-
Еш D/E
P i П 7 1 - г Г 1
Em
Г Г г г г г г г г г г г г г г г г г г г г г г г 7-
~~т 8 8-- t t -
7--7—9-
-8—8- -8—8- -8—8-
D/E Em В7/Е
f n n r ^ fe H — ^ ^ — h
г г г г г г г г
it ; i j =
J+я. Ш' '1
г г г г г г г г
г 7 _ . ..
г г г г г г г г
5 5 4 - 4 2 2
t 9 8 8 8 8 8 8—8 8
7 L-e 8 8 8 8 - 8 8 8 L
5 5 4 4 -8 8 6 8 8 8 8 8
Em В7/Е Em F#m7add6/E N.C.
Ш У b J | Д П . h 1Ф * 9
г г г г г г г г
f*\ 5 5 4 4 г 4 4 2 2
* *' 1 J ^ J < 1
г г г г г г г г г *
— ^ 1-е 5 4 *
^ 4 2 * W 5 5 4 4 8 8 — 8 8 8 8 8 8 L
5 4 X 4
-8—6 8 8 8 8 8 8— L - 8
0
- 1 - 1 4 -*
и
ф - 4
г г г г г г г г
III»-.
II*-
III»-
III»- Г Г Г
Harm.
7 7
e о e о в e e 0 L n в в в в —
7
0 в 0 —
Е ш 7
Щ
t
ш t
II
I 1
II
I 1
§ г г г г г г г г
ill»-,
iii»-
III»-
iii»-
iii»-.
iii»-
iii»-
iii»-
Harm.
«
Harm.
Р\ « * п g w те 5
в в в е в е о е L-e 0 8 8 8 8 8 8
•Applies to gtr. only. P i t c h : В
G
' i
9 - - - - - - - = = 1
Г Г Г Г Г Г Г Г
h iii»
-
iii»-
iii»-
ni»
-.
iii»-
iii»-
iii»-
Harm.
1 11 _ _
8 8 8 8 8 8 8 8 8 — 2
L - e e в 8 в в в в 1
Fade out
(Perc.) •г
-
Г г - а г г г г г г г г г г г г г г
8 I I
(& 8 8 —
2
— 8 8 8 8 8 8 L - e е в в в в в в — 1 II
л
from The Journey
The Journey By Tommy Emmanuel and David Hirschfelder
Drop D tuning: (low to high) D-A-D-G-B-E
i
s Moderately J = 117 ( П = J J>) *D5
(Elec. percussion & didjeridoo)
3
Gtr. 1 (clean)
mp **w/ delay
P.S.
* < p Harm.
12 / ' ( W -
B -
•Chord symbol reflects overall harmony. **Set for quarter-note regeneration w/ 3 repeats. ***Vol. swell
• J P L - - 1 > > . f v - L ^ - ^ , . 1 > =1
T у ' ' * mp
P.S.
n
V ' '
1
II
X V H J ^ X v ^ x ^ ^ x ^ ^
В
+ Dm7
•ф D \/f .
п и а 1 m m *
0 Э 0 в в э в в
В 3 5 3 L
в 3 в в в э в в
-fl 3 5 3 tChord symbols reflect implied harmony.
^ = : J : ^ ^ J ^ ^ J: А h j - g ' j j / j j j ^ i P.M. - ч
let ring 1
в — з в в в—3 в в
В 3 — 5 3—J
в—3 в в в—3 в в
L-fl з — 5 э - J
в — 3 в в в — 3 в в
L-e э — 5 з_1
Copyright© 1993 UNIVERSAL MUSIC PUBLISHING PTY. LTD., TOMMY EMMANUEL MUSIC, CHRIS GILBEY PTY. LTD. and DEERFIELD PROD. PTY. LTD. All Rights for UNIVERSAL MUSIC PUBLISHING PTY. LTD., TOMMY EMMANUEL MUSIC and CHRIS GILBEY PTY. LTD. in the
United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights for DEERFIELD PROD. PTY. LTD. in the United States and Canada Controlled and Administered by
UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC. ift ли r->:_i_i_ r-> i i i 1 i— i-k _ •
J. | Шш * 3 * — I | p J 3 J — — I I p -j 3
P.M [
S . i J 4 J J 4 4 4 4 4
-Ф
. -J. ё
' mp P.M
A 4 Л n 4 I) A 4 1) II J II
fl fl 1 n n II J II n n ч n n II <9 II n n 1 n II II II <э II II
0 3—5 3—1 u U J U U
—8 3—5 3— II II 0 II II L-в 3—5 3—1
Gtr. 1 tacet
Gadd4 Gtr. 2 (clean)
Gtr. 2 - ж
l i t Г Г г Г Г r - f I f f f _ T
Dm7
— = 1
Gtr. 2 tacet
y L i j - L p -
3 0 tt 6 6 *3 те
5 ь у те те—
„ , Fill 1 End Fill 1 Gtr. 1
3
— h i Л — j — p в
3
— h i Л — I — p -j , з
P.M. 1 irf
= : ^ J : ^ * J : 4 Л 4
5 5 5 5 о—з e
8 В—3 0 6 L-e 3—5 3 - J
e—з e 0 в—з о . , о ,
•-0 3—& 3—
Gtr. 1 tacet
Gadd4 Gtr. 2
m m m rrf
-43--5 5- -5 5- -5 5-
Gtr.3
<1 с -— 7 4 9 1
Gtr. 1: w/ Fill 1 Gtrs. 2 & 3 tacet Dm7 Gtr. 2
3—5 3-
С Gtr. 1 tacet
Gtr. l D5 D5
Gtr. 2 С G / B D 5
S Y 1 ^
л n 9 J n 4 U С U 4 4 0
С G / B F 5 G 5
т г
9 n L n и II
Gtr. 4 tacet
D5 Gtr. 3
P г г . . г С G / B
' у - J -/ string noise
1П н п ^ Ч 11 m / 1 9 19 Я 1U I IU - 'N 0 10X 1С 1& 0
о
Gtr. 2
D5 8va-
G G/B
S v a - -loco
m
- w -
i i i
( 1 7 Г ^ 15 i t ^ r t?—— 17"^ СГУ)—tt-
P.S.
15
Gtr. 5 (dist.)
••Bounce pick off strings rapidly.
j д TOT
:
e л ^ 9 4 ^ 1
J 9 wJ —- о с
•Vol. swells
D5 8va --
С G/B
- f f - - w № J ' ^ v»v**vv*vvv*vvv*vv*vv*v*v»vv
15 £
Gtr. 5 tacet
F5 8va
Gtr. 3
G5
F 5 G 5
Gtr. 3 i loco
steady gliss. P.S.
1 T \ 1 0 W
7 / ^ 1 4 - W V 7 -
Gtr. 6 (dist.)
/
—
D
Gtr. 3 tacet
Dm
UUS. J ОС и 5
r - f t f \ j Л П
3
r j - J r i l r , J - t l = 3
Г Н r f I У J |
f h • X X
P .M . p . M . - H P.] М . - Ч
X щ V
P.M. - н
j ^ ^ X J J J J J
p . M . - H р . м . - ч
2 — 2 — 3 3 — 2
— 2 — 3 3 — 2 2
& — 2 — 3 — * ; — 2 — 3 5 — X — 3 — 5 X — - 5 — X f 3 4 —
2 — 3 — J s
l—2—3—5—X—3—5
•Composit e arrangement
| Ф Н r f j f l l r , _ T f 1 = 1 з
- и r f i r h i X
J J V J x! J i J J i
J * Ф
X J ц - j J ^ J
— 2 — Э 3 — 2
— 2 — 3 3 — 2 2 2 — 3 3 — 2
— 2 — 3 3 — 2 fr Я — 2 — a — * • — 2 — 3 — 5 — X — 3 — 5 X — - 5 X !
4 4 4
Gtrs. 5 & 6
Fm
л ОС
wvvwvv ^ ^ \l\l\l\r
Г f Г Г f j 9 f I i f f m f foffrr.
w v w w v « - ^ 2
J j =2 ^ j
« - 4 2 «—14 « - 4 4 14-^3
« « « - 4 3 12 « 15 « 15 «—14 «—14 14—«
-45 15 13 u- -45
r h п ^ П ш Т Ь I " j 3 з
J 3 з
J
vvwwvv v w w vwvvwv R 4 f> ч 0 9 с e с e e к с 0 9 с с с е е с —•— 9 0 3 D 0 9
О fi Э с е с ft о с о 9 0 9 0 0 D —
0 0 7
9 0 9 0 0 0 0 8 / 8
A Bb/A E\>/A F /A
л ОС
G/B D5 8va-
v w w v w w w w w /2Л
loco
8va
« r ^ P - t t - - w -J
-14—15 14—15-
G С G/B F5 8va
л ОС
G5 8va
E Gtr. 3 tacet
л , D 5 Gtr. 4
- | J J д г ' T mp
О i ^ Л A It с £ U 4 U
Dm7 Gtr. 4
P J — ; - — = = — — ^
2 2
Gtr. 1
i , ^ , , 3
— I I I ^ i • ^
3
•Ф P D
f i ^ t ^ f f f f F — ; ^ ^ ^
e — э e e e — э в e
в 3 — 5 э— 1
В—3 в в в—3 в в
-В 3 — 5 3— 1
В—3 в * В—3 в „ , в „
-В 3—5 3—
Gtr. 4 tacet
18\ / (18)\ / (16) - е ю -- 4 2 ) -
-1/2 -1/2 •Vol. swell
Riff A End Riff A
3 P.M.- P.M.-
0 Э - 0 — 3 0 -
- 9 3 -
- 3 — 5 3 -- 0 3 0 -
0 3
- 3 — 5 3 -- 0 — 3 0 -
- 3 — 5 3 -
Begin fade
Gtr. 1: w/Riff A (2 times)
Gtr. 3
i 8va-
v V V V V v v v v v v v v . . loco
w/bar-- l
string noise
v v v v v v v v v v v v v 19 (19) (19) (19) (19) I (19) (19) (19) (19) (19) (19) (19) (10) (19) (19)
- J P h t
Fade out
from Determination
Stevie's Blues By Tommy Emmanuel
s Moderately J = 129 ( Л = J } ) N.C.
Gtr. 1 (slight dist.)
ьЫЬ G5
•Chord symbols reflect basic harmony.
i W т л , j r y m i A5 G5 E
Ш -
let ring -1/4
H
- В — 5 — з — 4 — 0 - - в — 5 — з — 4 — a -
/1\ 2X4 3 2 0 4 - 3 2 0
А С D С A E A7
i ^ J J d t i m i p y e T t ^ f e
0 — 5 i 4 — 0
* fer ring 1
1/4 1/4
1 f , 2 2 5 7 5 2 2 2 5 7 5 2
^ 3 о — — r^A 3—2—0
2 2 5 7 5 2 0 3 5 0 3 0
0 — I J i 2 7
—0 0 3 3 0 —
B7#9 A7
"p f Г h J T f 1 - > bm * bm L " T V 3 3
1/4 /er ring - -
3 3 3 — ( 3 W 0
^ J J J H let ring 1 let ring -H
— a
/ef ring ~ -\ /е/ ring 1
5 — 0 2 2 2 — ^ X * * 3 — 2 — 0
3 3 3 2 — 2 2 2 2
3 0 ^ — ^ ^ 3 — 2 — 0 — 1 —
X X X 1 2 — 2 2 2 0
0 — 2 2— 2—
Copyright© 1993 UNIVERSAL MUSIC PUBLISHING PTY. LTD. All Dinhtc in fh* I initori statp* and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
в Е
1 - Р и Л М М М , R 3 - ,
Е А Е
Ж Ж Ж Ж Ж Ж Ж Ж -9
«/ • / fer ring Ч
1 1 1
• -9
• >•
Е ? Е В—5—э——4—0 ^ — з е — 3 2 0
3 5 = 4 — 5 3 5 = —
1/4 1/4
| , , Ь м 2—2—2—2 2—2—2—2—2—2 8—0—8—0 0—В—0—0—В—в 0 — —2 2 / - в 0 У 2
L - В 0 3 3 В—1
А Е
гМг rn ц г r r ^ r r . m n (73 ¥ r Г^Г r, J^-11
f l
J- ж
0—5 ъ 4—0 — ^ 3 0 — 3 2 0
ш
t
' ~9
1/4 1/4
h , 1
\ь> t X J U j v j j l i 5 5 #
0 5 > 4 0 1 — ^ — э e — ^ — т т ч г — в
2 t i
J o - 2 2 J—0 J—2 - L - 0 0 3 3 0 — L II
А С D С А Е
J J j j 3
J ^ l л
l щ и ф Ц j J h — -ф
0—5 з 4—0
~9
SgL— • > • —
-9
> - — - >- — v v w w v w
2 2 5 7 5 2 ^ 3 0 v 2 2 5 7 5 2 ^ 4 3 2 0
« H 9 « H « — 9 — 9 « 44 t2—9— 0 0 1 5 0 3 0 L-e о e о
B7
- к Л Г j^jP JTT* Г Ъ г Ь т
A7 3 3 3 3
\ j J J i Ahmm m § « - w : i j u j ' i ^ j
0 5 $ 4 0 e — ^ — з о ^ y^A 2—0 o-
Jr ил m ** d Hr J—^sjr d—^s^T d — d L^J—
3
^ — — . 0 3 0 —3 2 0 3-2-0 3-2-0 2 2 2
vm m\|J m ^ 4'иг9d * d * ш
e ^ 0 ^ 0 ^ I k ^ -3 2 0 2 0 i s ' A 0 г/4 0 г/4 0 г У 2
С Е Е
WVWWVVWV
1<£¥» S T T } * r j l j - J - i — * — I <g> ip K^T
w J w w J i, J ^ J J ^ T V Г 1 1
1/4
о П П Л ftA v з (.g; /•сч ч e • П A . /< n i /Л n о n / - j э
1 i / л J 3 a U
0 2 X 4 U 2 X 4 U i U 1 2 / 4 2 0 л n 2 ^v
' 1 3 С — " t
— В ^
А7
« А Щ а 3 Щ f } ty "J-F-w/pick & finger - -
—о е- - 0 — е - - е - е - 42—/42¥Ч-П
4 2 « 1 2 -
4 2 12 -3 - 0 г 3 4 2 Н -
В7 А7 Е
В7
-e 15 15 rrc tr rr rr rr rtr tr rr 17—(17) 15 17 (17) 15 - 1 4 — m - 4 4 — H +
-47- 4 7 -4 4 — m
-щ- - f — л Ф
ОТ 11 ь 1 1 1 —
1/2
7 Т т -J—L= ) i 3
14 У ( Щ 12 14— \14/ 12 14—
- ^ 4 5 Х 1 5 - г 4 6 Х 1 6 4 4 — n 8 9 ± = i =
Ъ—
" — ' g — g g g — — g — — g 1 4 —
В7 А7
D
> Ч - J i > •
j . — * r i i i
txJ 8—5—8——4—8
M ~9
^ - J
у -ш — w -ш
1/4 1/4
13 8 8 9 9 — 7 ^ 7
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Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights for EMI SONGS AUSTRALIA in the United States and Canada Controlled and Administered by EMI BLACKWOOD MUSIC INC.
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Guitar Notation Legend Guitar music can be notated three different ways: on a musical staff, in tablature, and in rhythm slashes.
D D E G
RHYTHM SLASHES are written above the staff. Strum chords in the rhythm indicated. Use the chord diagrams found at the top of the first page of the transcription for the appropriate chord voicings. Round Notes: noteheads indicate single notes.
THE MUSICAL STAFF shows pitches and rhythms and is divided by bar lines into measures. Pitches are named after the first Strings: seven letters of the alphabet. high e
rm-) open 3fr
Л Си д в f !
TABLATURE graphically represents the guitar fingerboard. Each horizontal line represents a string, and each number low represents a fret.
T H i z.
\ 1 ' -e
4th string, 2nd fret 1st & 2nd strings open, played together
open D chord
Definitions for Special Guitar Notation HALF-STEP BEND: Strike the note and bend up 1/2 step.
WHOLE-STEP BEND: Strike the note and bend up one step.
GRACE NOTE BEND: Strike the note and immediately bend up as indicated.
SLIGHT (MICROTONE) BEND: Strike the note and bend up 1/4 step.
ft:
1/2 J_
ft:
t
ft:
1/2
Ф В
1/4
BEND AND R E L E A S E : Strike the note and bend up as indicated, then release back to the original note. Only the first note is struck.
PRE-BEND: Bend the note as indicated, then strike it.
PRE-BEND AND R E L E A S E : Bend the note as indicated. Strike it and release the bend back to the original note.
UNISON BEND: Strike the two notes simultaneously and bend the lower note up to the pitch of the higher.
в -
1/2
m
ft: fi-
- 9
Ф
ft: VIBRATO: The string is vibrated by rapidly bending and releasing the note with the fretting hand.
WIDE VIBRATO: The pitch is varied to a greater degree by vibrating with the fretting hand.
HAMMER-ON: Strike the first (lower) note with one finger, then sound the higher note (on the same string) with another finger by fretting it without picking.
P U L L - O F F : Place both fingers on the notes to be sounded. Strike the first note and without picking, pull the finger off to sound the second (lower) note.
v w w v w v w v w v w v ^ w
ft:
# v w w w w v w v w
w w v w w w w v %
B -
- t t -
LEGATO SLIDE: Strike the first note and then slide the same fret-hand finger up or down to the second note. The second note is not struck.
SHIFT SLIDE: Same as legato slide, except the second note is struck.
TRILL: Very rapidly alternate between the notes indicated by continuously hammering on and pulling off.
TAPPING: Hammer ("tap") the fret indicated with the pick-hand index or middle finger and pull off to the note fretted by the fret hand.
"NATURAL HARMONIC: Strike the note while the fret-hand lightly touches the string directly over the fret indicated.
m Harm.
-42-
PINCH HARMONIC: The note is fretted normally and a harmonic is produced by adding the edge of the thumb or the tip of the index finger of the pick hand to the normal pick attack.
в-
P . H .
HARP HARMONIC: The note is fretted normally PICK SCRAPE: The edge of the pick is and a harmonic is produced by gently resting the rubbed down (or up) the string, producing pick hand's index finger directly above the a scratchy sound. indicated fret (in parentheses) while the pick hand's thumb or pick assists by plucking the appropriate string.
—Jf—1
H I.H.
T 1 ,
A 7(19)
n В
p.s.
EL MUFFLED STRINGS: A percussive sound is produced by laying the fret hand across the string(s) without depressing, and striking them with the pick hand.
PALM MUTING: The note is partially muted by the pick hand lightly touching the string(s) just before the bridge.
RAKE: Drag the pick across the strings indicated with a single motion.
TREMOLO PICKING: The note is picked as rapidly and continuously as possible.
в fi:
a a P.M.-
B :
m rake 1
# T * А Г В —
ARPEGGIATE: Play the notes of the chord VIBRATO BAR DIVE AND RETURN: The VIBRATO BAR SCOOP: Depress the bar just indicated by quickly rolling them from bottom to top.
m
pitch of the note or chord is dropped a before striking the note, then quickly specified number of steps (in rhythm), then release the bar. returned to the original pitch.
m w/ bar
fi: чеъ
w/ bar-
S чЧ-
B :
VIBRATO BAR DIP: Strike the note and then immediately drop a specified number of steps, then release back to the original pitch.
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V V
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V
-1/2 V
-1/2 V
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Additional Musical Definitions
(accent) • Accentuate note (play it louder).
(accent) • Accentuate note with great intensity.
(staccato) • Play the note short.
• Downstroke
Rhy. Fig.
Riff
Fill
Rhy. Fill
Label used to recall a recurring accompaniment pattern (usually chordal).
Label used to recall composed, melodic lines (usually single notes) which recur.
Label used to identify a brief melodic figure which is to be inserted into the arrangement.
A chordal version of a Fill.
Upstroke tacet Instrument is silent (drops out).
D.S. al Coda
D.C. al Fine
Go back to the sign (%), then play until the measure marked "To Coda" then skip to the section labelled "Coda."
Go back to the beginning of the song and play until the measure marked "Fine" (end). ft in
Repeat measures between signs.
When a repeated section has different endings, play the first ending only the first time and the second ending only the second time.
NOTE: Tablature numbers in parentheses mean: 1. The note is being sustained over a system (note in standard notation is tied), or 2. The note is sustained, but a new articulation (such as a hammer-on, pull-off, slide or vibrato) begins, or 3. The note is a barely audible "ghost" note (note in standard notation is also in parentheses).
Л ЛЛ
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FINGERPICKING ACOUSTIC 15 songs: Behind Blue Eyes • Best of My Love • Blowin' in the Wind • The Boxer • Dust in the Wind • Helplessly Hoping • Heyjude • In My Life • Learning to Fly • Leaving on a Jet Plane • Tears in Heaven • Time in a Bottle • You've Got a Friend • and more. 00699614 $8.95
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FINGERPICKING BACH 12 masterpieces from J.S. Bach: Air on the G String • Bourree in E Minor • Jesu, Joy of Man's Desiring • Little Prelude No. 2 in С Major • Minuet in G • Prelude in С Major • Quia Respexit • Sheep May Safely Graze • and more. 00699793 $7.95
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FINGERPICKING CHILDREN'S SONGS 15 songs: Any Dream Will Do • Do-Re-Mi • It's a Small World • Linus and Lucy • The Muppet Show Theme • Puff the Magic Dragon • The Rainbow Connection • Sesame Street Theme • Winnie the Pooh • Zip-A-Dee-Doo-Dah • and more. 00699712 $7.95
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FINGERPICKING CLASSICAL 15 songs: Ave Maria • Bouree in E Minor • Canon in D • Eine Kleine Nachtmusik • Fur Elise • Habanera • Minuet in G Major (Bach) • Minuet in G Major (Beethoven) • New World Symphony • Pomp and Circumstance • and more. 00699620 $7.95
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FINGERPICKING COUNTRY 17 classic favorites: Always on My Mind • By the Time I Get to Phoenix • Could I Have This Dance • Crazy • Green Green Grass of Home • He Stopped Loving Her Today • I Walk the Line • King of the Road • Tennessee Waltz • You Are My Sunshine • and more. 0 0 6 9 9 6 8 7 $7.95
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FINGERPICKING HYMNS 15 songs: Amazing Grace • Beneath the Cross of Jesus • Come, Thou Fount of Every Blessing • For the Beauty of the Earth • I've Got Peace like a River • Jacob's Ladder • A Mighty Fortress Is Our God • Rock of Ages • and more. 0 0 6 9 9 6 8 8 $8.95
FINGERPICKING MOZART 15 of Mozart's timeless compositions: Ave Verum • Eine Kleine Nachtmusik • Laudate Dominum • Minuet in G Major, К. 1 • Piano Concerto No. 21 in С Major • Piano Sonata in A • Piano Sonata in С • Rondo in С Major • and more. 0 0 6 9 9 7 9 4 $7.95
FINGERPICKING POP Includes 15 songs: Can You Feel the Love Tonight • Don't Know Why • Endless Love • Imagine • Let It Be • My Cherie Amour • My Heart Will Go On • Piano Man • Stand by Me • We've Only Just Begun • Wonderful Tonight • and more. 00699615 $7.95
FINGERPICKING PRAISE 15 songs: Above All • Breathe • Draw Me Close • Great Is the Lord • He Is Exalted • Jesus, Name Above All Names • Oh Lord, You're Beautiful • Open the Eyes of My Heart • Shine, Jesus, Shine • Shout to the Lord • You Are My King • and more. 00699714 $7.95
FINGERPICKING ROCK 15 songs: Abracadabra • Brown Eyed Girl • Crocodile Rock • Free Bird • The House of the Rising Sun • I Want You to Want Me • Livin' on a Prayer • Maggie May • Rhiannon • Still the Same • When the Children Cry • and more. 0 0 6 9 9 7 1 6 $7.95
FINGERPICKING STANDARDS 17 fantastic songs: Can't Help Falling in Love • Fly Me to the Moon • Georgia on My Mind • I Just Called to Say I Love You • Just the Way You Are • Misty • Moon River • Unchained Melody • What a Wonderful World • When I Fall in Love • Yesterday • and more. 00699613 $7.95
FINGERPICKING WEDDING 15 tunes for the big day: Beautiful in My Eyes • Don't Know Much • Endless Love • Grow Old with Me • In My Life • The Lord's Prayer • This Is the Day (A Wedding Song) • We've Only Just Begun • Wedding Processional • You and I • and more. 00699637 $7.95
FINGERPICKING YULETIDE 16 holiday favorites: Blue Christmas • The Christmas Song • Frosty the Snow Man • A Holly
Jolly Christmas • I'll Be Home for Christmas • Jingle-Bell Rock • Let It Snow! Let It Snow! Let It Snow! • Merry Christmas, Darling • Rudolph the Red-Nosed Reindeer • and more. 00699654 $7.95
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BEST OF JAZZ GUITAR J by Wolf Marshall • Signature Licks ^ In this book/CD pack, Wolf Marshall provides a hands-on analysis of 10 of the most frequendy played tunes in the jazz genre, as played by the leading guitarists of all time. Features: All the Things You Are • How Insensitive • I'll Remember April • So What • Yesterdays • and more. 00695586 Book/CD Pack $24 .95
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GUITAR STANDARDS Classic Jazz Masters Series 16 classic jazz guitar performances transcribed note for note with tablature: All of You (Kenny Burrell) • Easter Parade (Herb Ellis) • I'll Remember April (Grant Green) • Lover Man (Django Reinhardt) • Song for My Father (George Benson) • The Way You Look Tonight (Wes Montgomery) • and more. Includes a discography. 00699143 Guitar Transcriptions $14 .95
\m\№i JAZZ BALLADS FOR FINGERSTYLE GUITAR 21 standards, including: Cry Me a River • Easy to Love • In a Sentimental Mood • Isn't It Romantic? • Mood Indigo • My Funny Valentine • My Romance • Some Enchanted Evening • Stella by Starlight • The Way You Look Tonight • When I Fall in Love • and more. 00699028 Fingerstyle Guitar $12 .95
тттта JAZZ CLASSICS FOR SOLO GUITAR arranged by Robert B. Yelin This collection includes excellent chord melody arrangements in standard notation and tablature for 35 all-time jazz favorites: April in Paris • Cry Me a River • Day by Day • God Bless' the Child • It Might as Well Be Spring • Lover • My Romance • Nuages • Satin Doll • Tenderly • Unchained Melody • Wave • and more! 00699279 Solo Guitar $17 .95
J A Z Z GUITAR BIBLE The one book that has all of the jazz guitar classics transcribed note-for-note, with standard notation and tablature. Includes over 30 songs: Body and Soul • Girl Talk • I'll Remember April • In a Sentimental Mood • My Funny Valentine • Nuages • Satin Doll • So What • Stardust • Take Five • Tangerine • Yardbird Suite • and more. 0 0 6 9 0 4 6 6 Guitar Recorded Versions $19-95
J A Z Z GUITAR CHORD MELODIES arranged & performed by Dan Towey T h i s b o o k / C D p a c k i n c l u d e s c o m p l e t e s o l o performances of 12 standards, including: All the Things You Are • Body and Soul • My Romance • How Insensitive • My One and Only Love • and more. The arrangements are performance level and range in difficulty from intermediate to advanced. 0 0 6 9 8 9 8 8 Book/CD Pack $19-95
J A Z Z GUITAR PLAY-ALONG J Guitar Play-Along Volume 16 ^ With this book/CD pack, all you have to do is follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. 8 songs: All Blues • Bluesette • Footprints • How Insensitive (Insensatez) • Misty • Satin Doll • Stella by Starlight • Tenor Madness. 0 0 6 9 9 5 8 4 Book/CD Pack $14 .95
\m\Mir J A Z Z STANDARDS FOR FINGERSTYLE GUITAR 20 songs, including: All the Things You Are • Autumn Leaves • Bluesette • Body and Soul • Fly Me to the Moon • The Girl from Ipanema • How Insensitive • I've Grown Accustomed to Her Face • My Funny Valentine • Satin Doll • Stompin' at the Savoy • and more. 0 0 6 9 9 0 2 9 Fingerstyle Guitar $10 .95
JAZZ FAVORITES FOR SOLO GUITAR arranged by Robert B. Yelin This fantastic 35-song collection includes lush chord melody arrangements in standard notation and tab: Autumn in New York • Call Me Irresponsible • How Deep Is the Ocean • I Could Write a Book • The Lady Is a Tramp • Mood Indigo • Polka Dots and Moonbeams • Solitude • Take the "A" Train • Where or When • more. 00699278 Solo Guitar $17 .95
JAZZ FOR THE ROCK GUITARIST j » by Michael Mueller ^ Take your playing beyond barre chords and the blues box! This book/CD pack will take you through the essentials of the jazz idiom with plenty of exercises and examples - all of which are demonstrated on the accompanying CD. 00695856 Book/CD Pack $14 .95
JAZZ GEMS FOR SOLO GUITAR arranged by Robert B. Yelin 35 great solo arrangements of jazz classics, including: After You've Gone • Alice in Wonderland • The Christmas Song • Four • Meditation • Stompin' at the Savoy • Sweet and Lovely • Waltz for Debby • Yardbird Suite • You'll Never Walk Alone • You've Changed • and more. 00699617 Solo Guitar $17 .95
J A Z Z STANDARDS FOR SOLO GUITAR g p arranged by Robert B. Yelin 35 chord melody guitar arrangements, including: Ain't Misbehavm' • Autumn Leaves • Bewitched • Cherokee • Darn That Dream • Girl Talk • I've Got You Under My Skin • Lullaby of Birdland • My Funny Valentine • A Nightingale Sang in Berkeley Square • Stella by Starlight • The Very Thought of You • and more. 0 0 6 9 9 2 7 7 Solo Guitar $17 .95
101 MUST-KNOW J A Z Z LICKS by Wolf Marshall Add a jazz feel and flavor to your playing! 101 definitive licks, plus a demonstration CD, from every major jazz guitar style, neatly organized into easy-to-use categories. They're all here: swing and pre-bop, bebop, post-bop modern jazz, hard bop and cool jazz, modal jazz, soul jazz and postmodern jazz. 0 0 6 9 5 4 3 3 Book/CD Pack $16 .95
F o r M o r e I n f o r m a t i o n , See Y o u r L o c a l M u s i c D e a l e r ,
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PLAY THE CLASSICS JAZZ FOLIOS FOR GUITARISTS
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Hill 1 it (/ill/I) •'!,'/1 \/7/>/('( •/ h. , •/>,//',':.-.• ,r,••//'• ••/.</ <7< 'т. '(/,','1'/\ /;/,/: УЛ./ /V,/,•,/..'/,.//</, -../'/v,/, / ' /
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Blue Moon from DARE TO BE DIFFERENT
Can't Get Enough from CAN T GET ENOUGH
Classical Gas from CLASSICAL GAS
Countrywide from DARE TO BE DIFFERENT
Determination from DETERMINATION
Guitar Boogie Shuffle from DARE TO DE DIFFERENT
Hearts Grow Fonder from DARE TO BE DIFFERENT
The Hunt from CLASSICAL GAS
Initiation from DP FROM DOWN UNDER
The Journey from THE JOURNEY
Stevie's Blues from DETERMINATION
Up From Bown Under from OP FROM DOWN UNDER
ISBN-13: 978-1-4234-3175-6 ISBN-10: 1-4234-3175-8
IIIIIIIIIMIIIIIIIIIIIIIIIIIII 5 199
U.S. $19.95
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